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Gaze
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The gaze, in the figurative sense, is an individual's awareness and perception of other individuals, other groups, or oneself. Since the 20th century, the concept and the social applications of the ga
The Conjurer, by Hieronymus Bosch, shows the bending figure looking forward, steadily, intently, and with fixed attention, while the other figures in
The Conjurer, by Hieronymus Bosch, shows the bending figure looking forward, steadily, intently, and with fixed attention, while the other figures in the painting look in various directions, some outside the painting.
Male gaze
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In feminist theory, the male gaze is the act of depicting women and the world in the visual arts and in literature from a masculine, heterosexual perspective that presents and represents women as sexu
Gaze
…by default, is white. In her 1992 essay titled "The Oppositional Gaze: Black Female Spectatorship", bell hooks counters Laura Mulvey's notion of the (male) gaze by introducing the oppositional gaze of Black women. This concept exists as the reciprocal of the normative white spectator gaze. As Mulvey's essay…
In the essay "Visual Pleasure and Narrative Cinema" (1975), Laura Mulvey (pictured) introduced and described the mechanics of the male gaze.
In the essay "Visual Pleasure and Narrative Cinema" (1975), Laura Mulvey (pictured) introduced and described the mechanics of the male gaze.
Nude Girl on a Panther Skin (1844) by Félix Trutat shows a reclining nude woman being watched by a disproportionately large male face at the window of
Nude Girl on a Panther Skin (1844) by Félix Trutat shows a reclining nude woman being watched by a disproportionately large male face at the window of her bedroom; the painting "powerfully exemplifie[s]" the concept of the male gaze.
The male gaze: In the first version of Susanna and the Elders (1550–1560) Tintoretto shows Susanna directly looking at the spectator gazing at the pai
The male gaze: In the first version of Susanna and the Elders (1550–1560) Tintoretto shows Susanna directly looking at the spectator gazing at the painting of which she is the subject; aware of being looked at.
The male gaze: in the second version of Susanna and the Elders (1555–1556) Tintoretto shows Susannah gazing at herself in a mirror, and thus joins the
The male gaze: in the second version of Susanna and the Elders (1555–1556) Tintoretto shows Susannah gazing at herself in a mirror, and thus joins the two old men in their spectatorship of her person and her Self as an object.