1.
London
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London /ˈlʌndən/ is the capital and most populous city of England and the United Kingdom. Standing on the River Thames in the south east of the island of Great Britain and it was founded by the Romans, who named it Londinium. Londons ancient core, the City of London, largely retains its 1. 12-square-mile medieval boundaries. London is a global city in the arts, commerce, education, entertainment, fashion, finance, healthcare, media, professional services, research and development, tourism. It is crowned as the worlds largest financial centre and has the fifth- or sixth-largest metropolitan area GDP in the world, London is a world cultural capital. It is the worlds most-visited city as measured by international arrivals and has the worlds largest city airport system measured by passenger traffic, London is the worlds leading investment destination, hosting more international retailers and ultra high-net-worth individuals than any other city. Londons universities form the largest concentration of education institutes in Europe. In 2012, London became the first city to have hosted the modern Summer Olympic Games three times, London has a diverse range of people and cultures, and more than 300 languages are spoken in the region. Its estimated mid-2015 municipal population was 8,673,713, the largest of any city in the European Union, Londons urban area is the second most populous in the EU, after Paris, with 9,787,426 inhabitants at the 2011 census. The citys metropolitan area is the most populous in the EU with 13,879,757 inhabitants, the city-region therefore has a similar land area and population to that of the New York metropolitan area. London was the worlds most populous city from around 1831 to 1925, Other famous landmarks include Buckingham Palace, the London Eye, Piccadilly Circus, St Pauls Cathedral, Tower Bridge, Trafalgar Square, and The Shard. The London Underground is the oldest underground railway network in the world, the etymology of London is uncertain. It is an ancient name, found in sources from the 2nd century and it is recorded c.121 as Londinium, which points to Romano-British origin, and hand-written Roman tablets recovered in the city originating from AD 65/70-80 include the word Londinio. The earliest attempted explanation, now disregarded, is attributed to Geoffrey of Monmouth in Historia Regum Britanniae and this had it that the name originated from a supposed King Lud, who had allegedly taken over the city and named it Kaerlud. From 1898, it was accepted that the name was of Celtic origin and meant place belonging to a man called *Londinos. The ultimate difficulty lies in reconciling the Latin form Londinium with the modern Welsh Llundain, which should demand a form *lōndinion, from earlier *loundiniom. The possibility cannot be ruled out that the Welsh name was borrowed back in from English at a later date, and thus cannot be used as a basis from which to reconstruct the original name. Until 1889, the name London officially applied only to the City of London, two recent discoveries indicate probable very early settlements near the Thames in the London area
2.
Progressive rock
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Progressive rock is a broad subgenre of rock music that developed in the United Kingdom and United States throughout the mid to late 1960s. Prog is based on fusions of styles, approaches and genres, Prog saw a high level of popularity in the early-to-mid 1970s, but faded soon after. Conventional wisdom holds that the rise of rock caused this. Music critics, who labelled the concepts as pretentious and the sounds as pompous and overblown. Early groups who exhibited progressive features are described as proto-prog. In 1967, progressive rock constituted a diversity of loosely associated style codes, the Canterbury scene, originating in the late 1960s, denoted a subset of prog bands who emphasised the use of wind instruments, complex chord changes and long improvisations. Rock in Opposition, from the late 1970s, was more avant-garde, in the 1980s, a new subgenre, neo-progressive rock, enjoyed some commercial success, although it was also accused of being derivative and lacking in innovation. Post-progressive draws upon newer developments in music and the avant-garde since the mid 1970s. The term progressive rock is synonymous with art rock, classical rock, historically, art rock has been used to describe at least two related, but distinct, types of rock music. Similarities between the two terms are that they describe a mostly British attempt to elevate rock music to new levels of artistic credibility. However, art rock is likely to have experimental or avant-garde influences. Prog was devised in the 1990s as a term, but later became a transferable adjective. Although a unidirectional English progressive style emerged in the late 1960s, by 1967, critics of the genre often limit its scope to a stereotype of long solos, overlong albums, fantasy lyrics, grandiose stage sets and costumes, and an obsessive dedication to technical skill. Author Kevin Holm-Hudson believes that rock is a style far more diverse than what is heard from its mainstream groups. They each do so largely unconsciously, academic John S. Cotner contests Macans view that progressive rock cannot exist without the continuous and overt assimilation of classical music into rock. Debate about the criteria and scope of the genre continues in the 2010s. In early references to the music, progressive was partly related to progressive politics, Cotner also says that progressive rock incorporates both formal and eclectic elements, It consists of a combination of factors – some of them intramusical, others extramusical or social. One way of conceptualising rock and roll in relation to music is that progressive music pushed the genre into greater complexity while retracing the roots of romantic
3.
Experimental rock
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Experimental rock is a subgenre of rock music which pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. From its inception, rock music was experimental, but it wasnt until the late 1960s that rock artists began creating extended, in 1967, the genre was as commercially viable as pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with avant-garde, later in the 1970s, significant musical crossbreeding took place in tandem with the developments of punk and new wave, DIY experimentation, and electronic music. Funk, jazz-rock, and fusion rhythms became integrated into experimental rock music. The first wave of 1980s experimental rock groups had few precedents for their sound. Later in the decade, avant-rock pursued a psychedelic aesthetic that differed from the self-consciousness, during the 1990s, a loose movement known as post-rock became the dominant form of experimental rock. As of the 2010s, the experimental rock has fallen to indiscriminate use, with virtually every modern rock band being categorized under prefixes such as post-, kraut-, psych-. Although experimentation had always existed in music, it wasnt until the late 1960s that new openings were created from the aesthetic intersecting with the social. In 1966, the boundaries between pop music and the avant-garde began to blur as rock albums were conceived and executed as distinct, self-taught rock musicians in the middle and late 1960s drew from the work of composers such as John Cage, Karlheinz Stockhausen, and Luciano Berio. In addition, The Quietus Ben Graham described duos the Silver Apples, calling attention to the very recordedness of the album. This would also be reflected in contemporary experimental rock LPs, such as the Beach Boys Pet Sounds and Smile, the Whos The Who Sell Out and Tommy. The Velvet Underground were a group in experimental rock, according to Rosenberg. Peppers inspired a new consideration for experimental rock as commercially viable music, as progressive rock developed, experimental rock acquired notoriety alongside art rock. By 1970, most of the musicians which had been at the forefront of rock had incapacitated themselves. Groups such as Can, Faust, Neu, the ideas of minimalism and composers such as Stockhausen would be particularly influential. During this era, funk, jazz-rock, and fusion rhythms became integrated into experimental rock music, some groups who were categorized as post-punk considered themselves part of an experimental rock trajectory, with This Heat as one of the prominent players. Anderson claims that the no wave scene represented New York’s last stylistically cohesive avant-rock movement, steve Redhead noted the resuscitation of New Yorks avant-rock scene, including artists such as Sonic Youth and John Zorn, in the 1980s. In the late 1980s, avant-rock pursued a frazzled, psychedelia-tinged, blissed out aesthetic that differed from the self-consciousness, the UK shoegaze scene was seen by some as a continuation of an experimental rock tradition
4.
Jazz fusion
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Jazz fusion is a musical genre that developed in the late 1960s when musicians combined aspects of jazz harmony and improvisation with styles such as funk, rock, rhythm and blues, and Latin jazz. During this time many jazz musicians began experimenting with electric instruments and amplified sound for the first time, as well as electronic effects, many of the developments during the late 1960s and early 1970s have since become established elements of jazz fusion musical practice. Fusion arrangements vary in complexity—some employ groove-based vamps fixed to a key, or even a single chord. Others can feature odd or shifting time signatures with elaborate chord progressions, melodies, typically, these arrangements, whether simple or complex, will feature extended improvised sections that can vary in length. As with jazz, fusion often employs brass and woodwind instruments such as trumpet and saxophone as melody and soloing instruments, the rhythm section typically consists of electric bass, electric guitar, electric piano/synthesizer and drums. As with traditional jazz improvisation, fusion instrumentalists generally require a level of technical proficiency. The term jazz-rock is often used as a synonym for jazz fusion as well as for music performed by late 1960s, experimentation continued in the 1990s and 2000s. Fusion albums, even those that are made by the group or artist. Rather than being a musical style, fusion can be viewed as a musical tradition or approach. Afro-Cuban jazz, one the earliest form of Latin jazz, is a fusion of Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban jazz first emerged in the early 1940s with the Cuban musicians Mario Bauza and Frank Grillo Machito in the band Machito and his Afro-Cubans, based in New York City. Early combinations of jazz with Cuban music, such as Dizzys and Pozos Manteca and Charlie Parkers and Machitos Mangó Mangüé, were referred to as Cubop. During its first decades, the Afro-Cuban jazz movement was stronger in the United States than in Cuba itself, allmusic Guide states that until around 1967, the worlds of jazz and rock were nearly completely separate. One of the earliest releases from Pink Floyd, London 66–67 incorporated jazz-influenced improvisation to their psychedelic compositions, nevertheless, these developments made little impact in the United States. Jazz vibraphonist Gary Burton was an innovator in the 1960s, in 1967, Burton worked with electric guitarist Larry Coryell and recorded Duster, which is considered one of the first fusion records. Texas-born guitarist Coryell was also a pioneer of jazz in the same era. Trumpeter and composer Miles Davis had a influence on the development of jazz fusion with his 1968 album Miles in the Sky. It is the first of Davis albums to incorporate electric instruments, with Herbie Hancock and Ron Carter playing electric piano and bass guitar, respectively
5.
Hard rock
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Hard rock is a loosely defined subgenre of rock music that began in the mid-1960s, with the garage, psychedelic and blues rock movements. It is typified by a use of aggressive vocals, distorted electric guitars, bass guitar, drums. Hard rock developed into a form of popular music in the 1970s, with bands such as The Who, Led Zeppelin, Queen, Black Sabbath, Deep Purple, Aerosmith, AC/DC. During the 1980s, some rock bands moved away from their hard rock roots and more towards pop rock. Hard rock began losing popularity with the success of R&B, hip-hop, urban pop, grunge. Out of this movement came garage rock bands like The White Stripes, The Strokes, Interpol and, later on, in the 2000s, only a few hard rock bands from the 1970s and 1980s managed to sustain highly successful recording careers. Hard rock is a form of loud, aggressive rock music, the electric guitar is often emphasised, used with distortion and other effects, both as a rhythm instrument using repetitive riffs with a varying degree of complexity, and as a solo lead instrument. Drumming characteristically focuses on driving rhythms, strong drum and a backbeat on snare. The bass guitar works in conjunction with the drums, occasionally playing riffs, vocals are often growling, raspy, or involve screaming or wailing, sometimes in a high range, or even falsetto voice. In the late 1960s, the heavy metal was used interchangeably with hard rock. Heavy metal took on darker characteristics after Black Sabbaths breakthrough at the beginning of the 1970s, in the 1980s it developed a number of subgenres, often termed extreme metal, some of which were influenced by hardcore punk, and which further differentiated the two styles. Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, other antecedents include Link Wrays instrumental Rumble in 1958, and the surf rock instrumentals of Dick Dale, such as Lets Go Trippin and Misirlou. In the 1960s, American and British blues and rock bands began to rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming. From the late 1960s, it common to divide mainstream rock music that emerged from psychedelia into soft. Soft rock was often derived from rock, using acoustic instruments and putting more emphasis on melody. In contrast, hard rock was most often derived from rock and was played louder. Blues rock acts that pioneered the sound included Cream, The Jimi Hendrix Experience, Cream, in songs like I Feel Free combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock, from 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, The Jeff Beck Group
6.
Chrysalis Records
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Chrysalis Records /ˈkrɪ. sə. lɪs/ is a British record label that was created in 1969. The name was both a reference to the stage of a butterfly and a combination of its founders names, Chris Wright. It started as the Ellis-Wright Agency and this was after the single Sunshine Day/Aeroplane was incorrectly credited to Jethro Toe. Jethro Tull signed with Reprise Records in the United States, which led Chrysalis to an American distribution deal with Reprises parent company and this lasted from 1972 until U. S. Chrysalis switched to independent distribution in 1976. PolyGram handled international distribution and Festival Records covered Australia and New Zealand, towards the end of the 1970s, the label began to extend its range of music, incorporating acts from the Punk Rock scene such as Generation X. The Chrysalis offshoot 2 Tone Records brought in such as The Specials. In 1979 Chrysalis bought and distributed U. S. folk label Takoma Records, naming manager/producer Denny Bruce as president, jon Monday who was Vice President of Takoma Records prior to the acquisition continued as General Manager, later becoming Director of Marketing of Chrysalis Records. Chrysalis made history in 1979 by creating the first music video album, in the 1980s, Chrysalis was at the forefront of the British New Romantic movement with bands such as Gen X, Ultravox, and Spandau Ballet. The 1980s proved to be the most successful time for the label, whose roster then included Billy Idol, Pat Benatar, Blondie and Huey Lewis, Chrysalis also distributed Animal Records, the short-lived label founded by Blondie guitarist Chris Stein. In 1983 Daniel Glass moved to Chrysalis as Director of New Music Marketing, advancing later to Senior Vice President. The Chrysalis Records label was sold 50% in 1990, then the half in 1991 to EMI with catalogue. Chrysalis Records folded into EMI subsidiary and flagship label EMI Records in 2005, the British Chrysalis catalogue was put up for sale by Universal Music Group after its acquisition of EMI. In July 2013, Warner Music Group completed acquisition of Parlophone Label Group, when Universal Music Group purchased EMI in 2012 ownership of Chrysalis passed to UMG. In 2013 Warner Music Group acquired part of EMI from UMG, in May 2016, Blue Raincoat Music purchased Chrysalis Records Ltd and the artist catalogue from Warner Music Group. Blue Raincoat founders Jeremy Lascelles and Robin Millar brought in Robert Devereux and this reunited founder Wright with the company he set up 47 years previously. Chris Wright is now non-executive Chairman of Chrysalis Records Ltd, since the acquisition from Warner Music Group, Chrysalis has acquired the catalogues of Suzi Quatro, Steve Harley & Cockney Rebel, Athlete and Fun Lovin Criminals. Official site for Chrysalis Records UK at Blue Raincoat Music Ben Sisario, New York Times, Media Decoder blog,7 February 2013 Discogs page on Chrysalis Records
7.
Vertigo Records
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Vertigo Records is a record company which originated in the UK. It was a subsidiary of the Philips/Phonogram record label, launched in 1969 to specialise in progressive rock, today it is operated by Universal Music UK. Vertigo was the brainchild of Olav Wyper when he was Creative Director at Phonogram and it was launched as a competitor to labels such as Harvest and Deram. It was the home to such as Colosseum, Jade Warrior, Affinity, Ben. The first Vertigo releases came with a black and white spiral label. Vertigo later became the European home to hard rock bands signed to Mercury in North America, such as Bon Jovi, Rush. Vertigo is a division of The Island Def Jam Music Group in the United States and operates as Virgin EMI Records in the UK and it distributes Cooking Vinyl, Metallica, Razorlight, Rush and Dire Straits. More recent signings include The Rapture, The Killers, One Night Only, Amy Macdonald, Noisettes and Thee Unstrung 2004-2005, black Sabbath have returned to the label in 2013 although former sister label Sanctuary Records Group had acquired international rights to their back catalogue in the interim. Official website Worldwide Vertigo Swirl Guide
8.
Columbia Records
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Columbia Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, Inc. the United States division of Sony Corporation. It was founded in 1887, evolving from an enterprise named the American Graphophone Company. Columbia is the oldest surviving brand name in the sound business. Columbia Records went on to release records by an array of singers, instrumentalists. It is one of Sony Musics three flagship record labels alongside RCA Records and Epic Records, rather, as above, it was connected to CBS, a broadcasting media company which had purchased the company in 1938, and had been co-founded in 1927 by Columbia Records itself. Though Arista Records was sold to Bertelsmann Music Group, it would become a sister label of Columbia Records through its mutual connection to Sony Music. The Columbia Phonograph Company was founded in 1887 by stenographer, lawyer and New Jersey native Edward Easton and it derived its name from the District of Columbia, where it was headquartered. At first it had a monopoly on sales and service of Edison phonographs and phonograph cylinders in Washington. As was the custom of some of the regional companies, Columbia produced many commercial cylinder recordings of its own. Columbias ties to Edison and the North American Phonograph Company were severed in 1894 with the North American Phonograph Companys breakup, thereafter it sold only records and phonographs of its own manufacture. In 1902, Columbia introduced the XP record, a brown wax record. According to Gracyk, the molded brown waxes may have sold to Sears for distribution. Columbia began selling records and phonographs in addition to the cylinder system in 1901, preceded only by their Toy Graphophone of 1899. For a decade, Columbia competed with both the Edison Phonograph Company cylinders and the Victor Talking Machine Company disc records as one of the top three names in American recorded sound. In order to add prestige to its catalog of artists. The firm also introduced the internal-horn Grafonola to compete with the extremely popular Victrola sold by the rival Victor Talking Machine Company, during this era, Columbia used the famous Magic Notes logo—a pair of sixteenth notes in a circle—both in the United States and overseas. Columbia was split into two companies, one to make records and one to make players, Columbia Phonograph was moved to Connecticut, and Ed Easton went with it. Eventually it was renamed the Dictaphone Corporation, in late 1923, Columbia went into receivership
9.
Capitol Records
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Capitol Records, LLC is an American record label which operates as a division of the Capitol Music Group. The label was founded as the first West Coast-based record label in the United States in 1942 by three industry insiders named Johnny Mercer, Buddy DeSylva and Glenn Wallichs, in 1955, the label was acquired by the British music conglomerate EMI as its North American subsidiary. EMI was later acquired by Universal Music Group in 2012 and was merged with the company in 2013, making Capitol Records, Capitol Records circular headquarter building located in Los Angeles is a recognized landmark of California. Mercer first raised the idea of starting a company while golfing with Harold Arlen. By 1941, Mercer was a songwriter and a singer with multiple successful releases. Mercer next suggested the idea to Wallichs while visiting his record store, Wallichs expressed interest in the idea and the pair negotiated an agreement whereby Mercer would run the company and identify their artists, while Wallichs managed the business side. On February 2,1942, Mercer and Wallichs met with DeSylva at a Hollywood restaurant to inquire about the possibility of investment of the company from Paramount Pictures, while DeSylva declined the proposal, he handed the pair a check worth $15,000. On March 27,1942, the three men incorporated as Liberty Records, in May 1942, the application was amended to change the companys name to Capitol Records. On April 6,1942, Mercer supervised Capitols first recording session where Martha Tilton recorded the song Moon Dreams, on May 5, Bobby Sherwood and his orchestra recorded two tracks in the studio. On May 21, Freddie Slack and his orchestra recorded three tracks in the studio, one with the orchestra, one with Ella Mae Morse called Cow-Cow Boogie, on June 4,1942, Capitol opened its first office in a second-floor room south of Sunset Boulevard. On that same day, Wallichs presented the companys first free record to Los Angeles disc jockey Peter Potter, on June 5,1942, Paul Whiteman and his Orchestra recorded four songs at the studio. On June 12, the recorded five more songs in the studio. On June 11, Tex Ritter recorded Jingle Jangle Jingle and Goodbye My Little Cherokee for his first Capitol recording session, and the songs formed Capitols 110th produced record. 133 - Get On Board Little Chillun - July 31,1942 - is a Freddie Slack/Ella Mae Morse/Mellowaires recording that might be the first rock n roll record and she has sometimes been called the first rock n roll singer. A good example is her 1942 recording of song which, with strong gospel, blues, boogie. Bone Walker recorded Mean Old World a pioneering example of the use of electric guitar. The earliest recording artists included co-owner Mercer, Whiteman, Tilton, Morse, Margaret Whiting, Jo Stafford, the Pied Pipers, Johnnie Johnston, Tex Ritter, Capitols first gold single was Morses Cow Cow Boogie in 1942. Capitols first album was Capitol Presents Songs By Johnny Mercer, a three 78-rpm disc set with recordings by Mercer, Stafford and the Pied Pipers, all with Westons Orchestra
10.
DRT Entertainment
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DRT Entertainment was a New York City based independent record label founded in 2003 by Derek Shulman, Ron Urban, and Theodore Ted Green. Billing itself as an artist friendly hard rock music company for bands with a fan base. The company was distributed by Universal Music Groups Fontana Distribution, DRT was also distributed by Universal Music Canada and a variety of companies in the rest of the world including Soulfood in Germany, Shock Records in Australia and JVC Records in Japan. DRT had one subsidiary label, Brass Tacks Records and it was a vanity label founded by the Street Dogs. In 2005, it released Alucard Musics 35th Anniversary editions of many CDs by Gentle Giant,36 Crazyfists Artimus Pyledriver Lit Aphasia American Head Charge Blindside Clutch Fu Manchu John Wesley Harding Edwin McCain Powerman 5000 Rikets Seven Mary Three Soil The Rasmus U. P. O. Lynam GWAR DRT Entertainment albums List of record labels Official site
11.
Major League Productions
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Major League Productions is a record label from the United Kingdom based in Oxfordshire. It was founded in 1991 and operates in 100 different countries, as of 2013, it had 39 employees The label, began in 1995, was founded in Banbury and was aimed at the rock genre before expanding its field. After two years of foundation its first record, by Home, was released, the release was aimed at the UK market until the label obtained European and worldwide distribution. In 2007, MLPs parent label Hyper UK was set up to create new, the label has registered under Major League Productions, but is advertised as a separate label. Once the label was established, it tried to expand its presence, focusing on artists and bands such as Thin Lizzy. The label then developed its online services by offering downloads and YouTube services in 2005–2007, finally, the label sought only download LPs explaining a limited release. As MLP began to grow their CD and release network, a QR code was made that linked it to their website, this was used for publicity and label forms. The RSS feed is available on many platforms this includes, PSP, BMW Online, iDrive, Calendar plus, Windows Desktop RSS gadget, Mlpman is the eBay and Amazon operating name of MLPLIVE. It was formed on 17 July 2000, the record label owns and maintains the sub as well as control its logistics. From 1 January 2001, MLPMAN went worldwide, however, MLPMAN now rarely operates on Amazon as of Amazon offering the product under its own brand. The Mlplive. com shop opened in 2007 and allows customers to purchase CDs without going through either shops or Mlpman, the shop sells all CDs and alerts the audience when an album is available for downloads. Currently, the only payment accepted on this service is Paypal, the record label has experienced a number of press and news releases especially that of its UK tour 75 Thin Lizzy release. The label officially launched its Twitter feed on 17 July 2013, the feed is described to give information about the label, new releases and the song of the day feature. The creation of the Twitter feed is aimed to help the label move into the revolution as well as promote itself. The label has around 310 followers at present, between 2008 and 2011, the record label ran promo television advertisements during related shows and themes. The advertisements were shown on Icelandic, Scandinavian, Estonian. The advertisements included information about the releases and were to buy them and were developed to the specific region. Upon MLPLIVES reports it concluded 137 advertisements had been shown and that the label would now advertise online in these regions
12.
Gary Green (musician)
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Gary Green is a British musician. During the 1970s, he was the guitarist for the rock band Gentle Giant. Green was with the band from the debut album Gentle Giant all the way to the last album Civilian, Greens style was different from most of his peers, being a more blues-based guitarist. Like his other members, Green was also adept at other instruments, including mandolin. According to a 2008 interview, founding member Phil Shulman said that, despite Greens blues influences, later on, he was a member of the band Mother Tongue, and also recorded on Zinc – The Green Album with Eddie Jobson. In recent years, Green has been working with Billy Sherwood on a number of projects, including Back Against The Wall and he is now a member of a band called Three Friends with fellow Gentle Giant member Malcolm Mortimore. Green currently lives in Princeton, Illinois with his wife, Judy, gary Greens brother, Jeff Green, was a roadie for Soft Machine in the early 1970s and later played with Elton Dean
13.
Derek Shulman
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Derek Shulman is a Scottish musician and singer, multi-instrumentalist, and record executive. From 1970 to 1980, he was lead vocalist for the band Gentle Giant. Shulman began his career as the singer of British pop band Simon Dupree and the Big Sound, with Pete OFlaherty, Eric Hine, Tony Ransley. Recording in the late 1960s for Parlophone Records, the band struggled with creative difficulties after experiencing some commercial success with several top 40 hits, the band finally dissolved in 1970. The three brothers went on to progressive rock band Gentle Giant with guitarist Gary Green, keyboardist Kerry Minnear. In Gentle Giant, Shulman became known as a frontman in the live environment. Like his band members, Shulman was quite adept on several instruments, including saxophone, recorder, bass, clavichord and their own Shulberry, following his recording career, Shulman became a prominent record executive. In 1988, he became president and CEO of Atco Records and he also re-established the careers of AC/DC and Bad Company, both of whom sold multi-platinum albums under his watch. He then went on to become president of Roadrunner Records overseeing signings like Slipknot, in March 2010, Derek Shulman established a new venture with international music impresario Leonardo Pavkovic called 2PLUS Music & Entertainment. Shulman interview 27 October 2009 – Part Two, Shulman interview 30 June 2009 – Outsight Radio Hours
14.
Ray Shulman
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Raymond Shulman is a Scottish musician, and the youngest of three brothers in progressive rock band, Gentle Giant. His father was a player in a jazz band. During Shulmans recording days in the band as a bass guitarist, yet, like Genesis Mike Rutherford, Shulman was quite adept at other instruments as well. Similar to the role of the rhythmist in the art-rock band Family, Shulman sometimes doubled on violin, recorder, trumpet, Shulman and keyboardist-bandmate Kerry Minnear composed or co-wrote much of the music for Gentle Giant. Shulman was in Gentle Giant from the beginning in 1970 to the last tour in 1980 and he would go on to become a record producer in the late 1980s and 1990s, working with The Sugarcubes, The Sundays and Ian McCulloch among others. He also has created music for video games, such as Privateer 2 and Azraels Tear
15.
John Weathers
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John Patrick Pugwash Weathers is a drummer, best known for playing with the progressive rock band Gentle Giant. Born in Carmarthen, Carmarthenshire, Wales, he moved to Swansea until, aged 15, he went to live with his aunt in Liverpool, Weathers had had a drum-kit as a child, so took up drumming again, playing in several local bands. Returning to Wales in 1964, his experience on the Mersey scene got him into local bands, including The Vikings. In 1966 Weathers joined a Neath band The Eyes of Blue, along with Phil Ryan, the band turned professional, and won the 1966 Melody Maker Beat Contest. The Eyes of Blue changed label from Decca to Mercury Records and they then recorded an album Buzzy, as the backing band for American singer-songwriter Buzzy Linhart, before recording their second album In Fields of Ardath in 1969. The band Strawberry Dust supported The Eyes, and impressed Weathers, who persuaded Lou Reizner to commission an album, women & Children First was released in 1970, but Reizner renamed the band Ancient Grease, without telling them, and credited himself as co-producer. The Eyes of Blue’s third album, Bluebell Wood, released under the pseudonym Big Sleep, was their last, Weathers briefly played with Strawberry Dust, until they also broke up, later reforming as Racing Cars. After this break up he played drums on the appearance of the Swansea Soul band the John Smith Committee. In 1970 Weathers and Phil Ryan joined Pete Brown & Piblokto, playing on one single, Flying Hero Sandwich / My Last Band, before Piblokto also disbanded. He appeared on Graham Bonds 1971 album, We Put Our Magick On You, Weathers joined Gentle Giant in 1972, as a temporary stand in for their drummer Malcolm Mortimore, who had been injured in a car crash. He first played on Gentle Giants Octopus album, and his position became permanent, remaining with them until they broke up. He was well liked by fans for his distinctive hard-bashing drum style and he also added his vocals in both studio and live performances more and more frequently as time went on, even singing lead on the songs Interview and Friends, the latter of which he also composed. Whilst with Gentle Giant, Weathers occasionally played with Phil Ryans band The Neutrons, including their 1974 album, after Gentle Giant disbanded in 1980, Weathers played a number of temporary positions, until he joined the psychedelic/progressive rock band Man when they reformed in 1983. Ironically, he left Man shortly before Phil Ryan re-joined the band, Weathers was infamously featured in the 1986 S4C TV programme Rocking With A Sikh, backing the Sikh Elvis impersonator Peter Singh, along with Martin Ace and Micky Jones. It was variously reported that he was suffering from RSI or arthritis, but according to him was actually “diagnosed with a condition called Spinocerebellar ataxia, which is akin to M. S. ”The unpublished memoirs of his time spent in Morriston Hospital - Two Weeks in Pain - Under the Knife, hilariously document the trials of an NHS in-patient in post-op recovery. Weathers has appeared on several Welsh TV soundtracks, and in 2006 rejoined the latest re-incarnation of Wild Turkey, to record their album You & Me In The Jungle, Weathers is also a keen ornithologist. Octopus In a Glass House The Power and the Glory Free Hand Interview The Missing Piece Giant for a Day, Civilian Friday 13th The Twang Dynasty Call Down The Moon You and Me in the Jungle Gentle Giant home page
16.
Romantic music
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Romantic music is an era of Western classical music that began in the late 18th or early 19th century. In the Romantic period, music became more expressive and emotional, expanding to encompass literary, artistic, famous early Romantic composers include Beethoven, Schubert, Schumann, Chopin, Mendelssohn, Bellini, and Berlioz. The late 19th century saw an expansion in the size of the orchestra and in the dynamic range. Also, public concerts became a key part of middle class society, in contrast to earlier periods. Famous composers from the half of the century include Johann Strauss II, Brahms, Liszt, Tchaikovsky, Verdi. A prominent mark of late 19th century music is its nationalistic fervor, as exemplified by such figures as Dvořák, Sibelius, other prominent late-century figures include Saint-Saëns, Fauré, Rachmaninoff and Franck. The Romantic movement was an artistic, literary, and intellectual movement that originated in the half of the 18th century in Europe. In part, it was a revolt against social and political norms of the Age of Enlightenment and a reaction against the scientific rationalization of nature. It was embodied most strongly in the arts, music, and literature, but had a major impact on historiography and education. One of the first significant applications of the term to music was in 1789, in the Mémoires by the Frenchman André Grétry, in the first of these essays Hoffmann traced the beginnings of musical Romanticism to the later works of Haydn and Mozart. It was also through the writings of Hoffmann and other German authors that German music was brought to the centre of musical Romanticism, the attributes have also been criticized for being too vague. For example, features of the ghostly and supernatural could apply equally to Mozarts Don Giovanni from 1787, events and changes that happen in society such as ideas, attitudes, discoveries, inventions, and historical events always affect music. For example, the Industrial Revolution was in effect by the late 18th century. This event had a profound effect on music, there were major improvements in the mechanical valves. The new and innovative instruments could be played with greater ease, another development that had an effect on music was the rise of the middle class. Composers before this period lived on the patronage of the aristocracy, many times their audience was small, composed mostly of the upper class and individuals who were knowledgeable about music. The Romantic composers, on the hand, often wrote for public concerts and festivals, with large audiences of paying customers. Composers of the Romantic Era, like Elgar, showed the world that there should be no segregation of musical tastes, during the Romantic period, music often took on a much more nationalistic purpose
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Medieval music
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Medieval music consists of songs and instrumental pieces from about 400 A. D. to 1400. Medieval music was an era of Western music, including music used for the church. Medieval music includes vocal music, such as Gregorian chant and choral music, solely instrumental music. Gregorian chant was sung by monks during Catholic Mass, the Mass is a reenactment of Christs Last Supper, intended to provide a spiritual connection between man and God. Part of this connection was established through music and this era begins with the fall of the Western Roman Empire in the fifth century and ends sometime in the early fifteenth century. Establishing the end of the era and the beginning of the Renaissance music era is difficult. The date range in this article is the one adopted by musicologists. S. Bach and Classical music period composers from the 1700s such as W. A. Mozart, the most obvious of these is the development of a comprehensive music notational system which enabled composers to write out their song melodies and instrumental pieces on parchment or paper. Prior to the development of musical notation, songs and pieces had to be learned by ear and this greatly limited how many people could be taught new music and how wide music could spread to other regions or countries. The development of music made it easier to disseminate songs and musical pieces to a larger number of people. Many instruments used to perform medieval music still exist in the 21st century, the flute was made of wood in the medieval era] rather than silver or other metal, and could be made as a side-blown or end-blown instrument. While modern orchestral flutes are made of metal and have complex key mechanisms and airtight pads. The recorder was made of wood during the Medieval era, and despite the fact that in the 2000s, it may be made of synthetic materials, it has more or less retained its past form. The gemshorn is similar to the recorder as it has holes on its front. One of the predecessors, the pan flute, was popular in medieval times. This instruments pipes were made of wood, and were graduated in length to produce different pitches, Medieval music used many plucked string instruments like the lute, a fretted instrument with a pear-shaped hollow body which is the predecessor to the modern guitar. Other plucked stringed instruments included the mandore, gittern, citole, the bowed lyra of the Byzantine Empire was the first recorded European bowed string instrument. Like the modern violin, a performer produced sound by moving a bow with tensioned hair over tensioned strings, the hurdy-gurdy was a mechanical violin using a rosined wooden wheel attached to a crank to bow its strings
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Baroque music
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Baroque music is a style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era, Baroque music forms a major portion of the classical music canon, being widely studied, performed, and listened to. The Baroque period saw the creation of tonality, an approach to writing music in which a song or piece is written in a particular key, during the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. A characteristic Baroque form was the dance suite, while the pieces in a dance suite were inspired by actual dance music, dance suites were designed for listening, not for accompanying dancers. During the period, composers and performers used more elaborate ornamentation, made changes in musical notation. Many musical terms and concepts from this era, such as toccata, fugue, dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously, was an important part of many Baroque choral and instrumental works. The word baroque comes from the Portuguese word barroco, meaning misshapen pearl, the term Baroque is generally used by music historians to describe a broad range of styles from a wide geographic region, mostly in Europe, composed over a period of approximately 150 years. The systematic application by historians of the baroque to music of this period is a relatively recent development. In 1919, Curt Sachs became the first to apply the five characteristics of Heinrich Wölfflins theory of the Baroque systematically to music, all of these efforts resulted in appreciable disagreement about time boundaries of the period, especially concerning when it began. In English the term acquired currency only in the 1940s, in the writings of Bukofzer, nevertheless, the term has become widely used and accepted for this broad range of music. It may be helpful to distinguish the Baroque from both the preceding and following periods of musical history, the Baroque period is divided into three major phases, early, middle, and late. Although they overlap in time, they are dated from 1580 to 1630, from 1630 to 1680. In reference to music, they based their ideals on a perception of Classical musical drama that valued discourse, the early realizations of these ideas, including Jacopo Peris Dafne and LEuridice, marked the beginning of opera, which were a catalyst for Baroque music. Concerning music theory, the widespread use of figured bass represents the developing importance of harmony as the linear underpinnings of polyphony. Harmony is the end result of counterpoint, and figured bass is a representation of those harmonies commonly employed in musical performance. With figured bass, numbers, accidentals or symbols were placed above the bassline that was read by keyboard instrument players such as players or pipe organists. The numbers, accidentals or symbols indicated to the player what intervals she should play above each bass note. The keyboard player would improvise a chord voicing for each bass note and this led to the idea that certain sequences of chords, rather than just notes, could provide a sense of closure at the end of a piece—one of the fundamental ideas that became known as tonality
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20th-century classical music
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This era was without a dominant style and composers have created highly diverse kinds of music. Modernism, impressionism, post-romanticism, neoclassicism, expressionism, and, later, atonality, serialism, musique concrète and electronic music were all developed during this period. Jazz was an important influence on composers in this period. At the turn of the century, music was characteristically late Romantic in style, composers such as Gustav Mahler, Richard Strauss and Jean Sibelius were pushing the bounds of Post-Romantic Symphonic writing. At the same time, the Impressionist movement, spearheaded by Claude Debussy, was being developed in France, maurice Ravels music, also often labelled as impressionist, explores music in many styles not always related to it. Many composers reacted to the Post-Romantic and Impressionist styles and moved in different directions. From this sprang an unprecedented linguistic plurality of styles, techniques, in Vienna, Arnold Schoenberg developed atonality, out of the expressionism that arose in the early part of the 20th century. He later developed the technique which was developed further by his disciples Alban Berg and Anton Webern. Stravinsky explored twelve-tone technique, too, as did many other composers, indeed, even Scott Bradley used the technique in his scores for the Tom, after the First World War, many composers started returning to the past for inspiration and wrote works that draw elements from it. This type of music thus became labelled neoclassicism, igor Stravinsky, Sergei Prokofiev, Ravel and Paul Hindemith all produced neoclassical works. Italian composers such as Francesco Balilla Pratella and Luigi Russolo developed musical Futurism and this style often tried to recreate everyday sounds and place them in a Futurist context. The Machine Music of George Antheil and Alexander Mosolov developed out of this, in the 1940s and 50s composers, notably Pierre Schaeffer, started to explore the application of technology to music in musique concrète. The term electroacoustic music was coined to include all forms of music involving magnetic tape, computers, synthesizers, multimedia. Live electronic music uses live electronic sounds within a performance, Cages Cartridge Music being an early example, spectral music is a further development of electroacoustic music that uses analyses of sound spectra to create music. Cage, Berio, Boulez, Milton Babbitt, Luigi Nono, from the early 1950s onwards, Cage introduced elements of chance into his music. Process music explores a particular process which is laid bare in the work. The term experimental music was coined by Cage to describe works that produce unpredictable results, important cultural trends often informed music of this period, romantic, modernist, neoclassical, postmodernist or otherwise. Igor Stravinsky and Sergei Prokofiev were particularly drawn to primitivism in their careers, as explored in works such as The Rite of Spring
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Chamber music
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Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a number of performers. However, by convention, it usually does not include solo instrument performances, because of its intimate nature, chamber music has been described as the music of friends. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works, Johann Wolfgang von Goethe described chamber music as four rational people conversing. The analogy to conversation recurs in descriptions and analyses of chamber music compositions, from its earliest beginnings in the Medieval period to the present, chamber music has been a reflection of the changes in the technology and the society that produced it. During the Middle Ages and the early Renaissance, instruments were used primarily as accompaniment for singers, String players would play along with the melody line sung by the singer. There were also purely instrumental ensembles, often of stringed precursors of the violin family, some analysts consider the origin of classical instrumental ensembles to be the sonata da camera and the sonata da chiesa. These were compositions for one to five or more instruments, the sonata da camera was a suite of slow and fast movements, interspersed with dance tunes, the sonata da chiesa was the same, but the dances were omitted. These forms gradually developed into the trio sonata of the Baroque – two treble instruments and an instrument, often with a keyboard or other chording instrument filling in the harmony. Both the bass instrument and the instrument would play the basso continuo part. During the Baroque period, chamber music as a genre was not clearly defined, often, works could be played on any variety of instruments, in orchestral or chamber ensembles. The Art of Fugue by Johann Sebastian Bach, for example, sometimes composers mixed movements for chamber ensembles with orchestral movements. Telemanns Tafelmusik, for example, has five sets of movements for various combinations of instruments, Baroque chamber music was often contrapuntal, that is, each instrument played the same melodic materials at different times, creating a complex, interwoven fabric of sound. Because each instrument was playing essentially the same melodies, all the instruments were equal, in the trio sonata, there is often no ascendent or solo instrument, but all three instruments share equal importance. In the second half of the 18th century, tastes began to change, many preferred a new, lighter Galant style. And clearly defined melody and bass to the complexities of counterpoint, now a new custom arose that gave birth to a new form of chamber music, the serenade. Patrons invited street musicians to play evening concerts below the balconies of their homes, their friends, patrons and musicians commissioned composers to write suitable suites of dances and tunes, for groups of two to five or six players. These works were called serenades, nocturnes, divertimenti, or cassations, the young Joseph Haydn was commissioned to write several of these
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Philosophy
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Philosophy is the study of general and fundamental problems concerning matters such as existence, knowledge, values, reason, mind, and language. The term was coined by Pythagoras. Philosophical methods include questioning, critical discussion, rational argument and systematic presentation, classic philosophical questions include, Is it possible to know anything and to prove it. However, philosophers might also pose more practical and concrete questions such as, is it better to be just or unjust. Historically, philosophy encompassed any body of knowledge, from the time of Ancient Greek philosopher Aristotle to the 19th century, natural philosophy encompassed astronomy, medicine and physics. For example, Newtons 1687 Mathematical Principles of Natural Philosophy later became classified as a book of physics, in the 19th century, the growth of modern research universities led academic philosophy and other disciplines to professionalize and specialize. In the modern era, some investigations that were part of philosophy became separate academic disciplines, including psychology, sociology. Other investigations closely related to art, science, politics, or other pursuits remained part of philosophy, for example, is beauty objective or subjective. Are there many scientific methods or just one, is political utopia a hopeful dream or hopeless fantasy. Major sub-fields of academic philosophy include metaphysics, epistemology, ethics, aesthetics, political philosophy, logic, philosophy of science, since the 20th century, professional philosophers contribute to society primarily as professors, researchers and writers. Traditionally, the term referred to any body of knowledge. In this sense, philosophy is related to religion, mathematics, natural science, education. This division is not obsolete but has changed, Natural philosophy has split into the various natural sciences, especially astronomy, physics, chemistry, biology and cosmology. Moral philosophy has birthed the social sciences, but still includes value theory, metaphysical philosophy has birthed formal sciences such as logic, mathematics and philosophy of science, but still includes epistemology, cosmology and others. Many philosophical debates that began in ancient times are still debated today, colin McGinn and others claim that no philosophical progress has occurred during that interval. Chalmers and others, by contrast, see progress in philosophy similar to that in science, in one general sense, philosophy is associated with wisdom, intellectual culture and a search for knowledge. In that sense, all cultures and literate societies ask philosophical questions such as how are we to live, a broad and impartial conception of philosophy then, finds a reasoned inquiry into such matters as reality, morality and life in all world civilizations. Socrates was an influential philosopher, who insisted that he possessed no wisdom but was a pursuer of wisdom
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R. D. Laing
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Ronald David Laing, usually cited as R. D. Laing, was a Scottish psychiatrist who wrote extensively on mental illness – in particular, the experience of psychosis. Laing was associated with the movement, although he rejected the label. Politically, he was regarded as a thinker of the New Left, Laing was born in the Govanhill district of Glasgow on 7 October 1927, the only child of David Park MacNair Laing and Amelia Glen Laing. Laing described his parents – his mother especially – as being somewhat odd and he was educated initially at Sir John Neilson Cuthbertson Public School and after four years transferred to Hutchesons Grammar School. Described variously as clever, competitive or precocious, he studied mainly Classics, particularly philosophy and he was also a musician, being made an Associate of the Royal College of Music. He chose to go on to study medicine at the University of Glasgow, during his medical degree he set up a Socratic Club, of which the philosopher Bertrand Russell agreed to be President. Laing failed his final exams on his first attempt, in 1950, in 1953 Laing left the Army and worked at the Glasgow Royal Mental Hospital, becoming the youngest consultant in the country. During this period Laing also participated in a discussion group in Glasgow, organised by Karl Abenheimer. In 1956 Laing went on to train on a grant at the Tavistock Institute in London, widely known as a centre for the study, at this time, he was associated with John Bowlby, D. W. Winnicott and Charles Rycroft. He remained at the Tavistock Institute until 1964, in 1965 Laing and a group of colleagues created the Philadelphia Association and started a psychiatric community project at Kingsley Hall, where patients and therapists lived together. The Norwegian author Axel Jensen contacted Laing at Kingsley Hall after reading his book The Divided Self, Jensen was treated by Laing and subsequently they became close friends. Laing often visited Jensen onboard his ship Shanti Devi, which was his home in Stockholm, in October 1972, Laing met Arthur Janov, author of the popular book The Primal Scream. Though Laing found Janov modest and unassuming, he thought of him as a jig man, Laing sympathized with Janov, but regarded his primal therapy as a lucrative business, one which required no more than obtaining a suitable space and letting people hang it all out. Many former colleagues regarded him as a brilliant mind gone wrong, Laing was seen as an important figure in the anti-psychiatry movement, along with David Cooper, although he never denied the value of treating mental distress. Hence, according to Laing, psychiatry was founded on an epistemology, illness diagnosed by conduct. His attitude to recreational drugs was quite different, privately, he advocated an anarchy of experience and his mother Amelia, according to some speculation and rumour about her behaviour, has been described as psychologically peculiar. These admissions were to have consequences for Laing as they formed part of the case against him by the General Medical Council which led to him ceasing to practise medicine. He died at age 61 of an attack while playing tennis with his colleague
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History of the Jews in Scotland
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The earliest date at which Jews arrived in Scotland is not known. It is possible that Jews visited Scotland at the time of the Roman Empires conquest of southern Britain, the earliest concrete historical references to Jews in Scotland are from the late 17th century. The vast majority of Scottish Jews today are Ashkenazi who mainly settled in Edinburgh, most histories of Jews in Scotland deal with the subject from a British perspective, thus tending to marginalise any distinctly Scottish dimension. Evidence of Jews in medieval Scotland is scanty, in 1180, the Bishop of Glasgow forbade churchmen to ledge their benefices for money borrowed from Jews. In the Middle Ages, much of Scotlands trade was with Continental Europe, the wool of the Border abbeys being the main export to Flanders. Scottish merchants from Aberdeen and Dundee had close trading links to Baltic ports in Poland and it is possible therefore that Jews may have come to Scotland to do business with their Scottish counterparts, although no direct evidence of this exists. The first recorded Jew in Edinburgh was one David Brown who made an application to reside and trade in the city in 1691. Most Jewish immigration appears to have occurred post-industrialisation, and post-1707, oliver Cromwell readmitted Jews to the Commonwealth of England in 1656, and would have had influence over whether they could reside north of the border. Scotland was under the jurisdiction of the Jew Bill, enacted in 1753, the first graduate from the University of Glasgow who was openly known to be Jewish was Levi Myers, in 1787. Unlike their English contemporaries, Scottish students were not required to take a religious oath, in 1795, Herman Lyon, a dentist and chiropodist, bought a burial plot in Edinburgh. He had moved to Scotland from Germany in 1788, the presence of the plot on Calton Hill is no longer obvious today, but it is marked on the Ordnance Survey map of 1852 as Jews Burial vault. The first Jewish congregation in Edinburgh was founded in 1816, and that of Aberdeen was founded in 1893. The Jewish cemetery in Dundee indicates that there has been a Jewish congregation in that city since the 19th century, isaac Cohen, a hatter resident in Glasgow, was admitted a burgess of the city on 22 September 1812. The first interment on the Glasgow Necropolis was that of Joseph Levi and this occurred in the year before the formal opening of the burial ground, a part of it having been sold to the Jewish community beforehand for one hundred guineas. Glasgow-born Asher Asher was the first Scottish Jew to enter the medical profession and he was the author of The Jewish Rite of Circumcision. By 1878, Jews became attached to the Scottish aristocracy when Hannah de Rothschild, born in England, married Archibald Primrose and her son, Harry, would become Secretary of State for Scotland in 1945 during Winston Churchills postwar Caretaker Government. In order to avoid persecution in the Russian Empire, Jews settled in the cities of Britain, including Scotland. A smaller community existed in Edinburgh and even smaller groups in Dundee, Aberdeen, Greenock, Russian Jews tended to come from the west of the empire, especially the Baltic countries, in particular Lithuania, hoping to use Scotland as a stopping post en route to North America
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Glasgow
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Glasgow is the largest city in Scotland, and third largest in the United Kingdom. Historically part of Lanarkshire, it is now one of the 32 council areas of Scotland and it is situated on the River Clyde in the countrys West Central Lowlands. Inhabitants of the city are referred to as Glaswegians, Glasgow grew from a small rural settlement on the River Clyde to become the largest seaport in Britain. From the 18th century the city grew as one of Great Britains main hubs of transatlantic trade with North America. Glasgow was the Second City of the British Empire for much of the Victorian era and Edwardian period, in the late 19th and early 20th centuries Glasgow grew in population, reaching a peak of 1,128,473 in 1939. The entire region surrounding the conurbation covers about 2.3 million people, at the 2011 census, Glasgow had a population density of 8, 790/sq mi, the highest of any Scottish city. Glasgow hosted the 2014 Commonwealth Games and is well known in the sporting world for the football rivalry of the Old Firm between Celtic and Rangers. Glasgow is also known for Glasgow patter, a dialect that is noted for being difficult to understand by those from outside the city. Glasgow is the form of the ancient Cumbric name Glas Cau. Possibly referring to the area of Molendinar Burn where Glasgow Cathedral now stands, the later Gaelic name Baile Glas Chu, town of the grey dog, is purely a folk-etymology. The present site of Glasgow has been settled since prehistoric times, it is for settlement, being the furthest downstream fording point of the River Clyde, the origins of Glasgow as an established city derive ultimately from its medieval position as Scotlands second largest bishopric. Glasgow increased in importance during the 10th and 11th centuries as the site of this bishopric, reorganised by King David I of Scotland and John, there had been an earlier religious site established by Saint Mungo in the 6th century. The bishopric became one of the largest and wealthiest in the Kingdom of Scotland, bringing wealth, sometime between 1189 and 1195 this status was supplemented by an annual fair, which survives as the Glasgow Fair. Glasgow grew over the following centuries, the first bridge over the River Clyde at Glasgow was recorded from around 1285, giving its name to the Briggait area of the city, forming the main North-South route over the river via Glasgow Cross. The founding of the University of Glasgow in 1451 and elevation of the bishopric to become the Archdiocese of Glasgow in 1492 increased the towns religious and educational status and landed wealth. Its early trade was in agriculture, brewing and fishing, with cured salmon and herring being exported to Europe, Glasgow was subsequently raised to the status of Royal Burgh in 1611. The citys Tobacco Lords created a water port at Port Glasgow on the Firth of Clyde. By the late 18th century more than half of the British tobacco trade was concentrated on Glasgows River Clyde, at the time, Glasgow held a commercial importance as the city participated in the trade of sugar, tobacco and later cotton
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Gorbals
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The Gorbals is an area in the city of Glasgow, Scotland, on the south bank of the River Clyde. By the late 19th century, it had become densely populated, many people lived here because their jobs provided worker housing and they could not afford their own. Poor sanitation and poverty contributed to problems, as industrial jobs declined during restructuring, this area became widely known as a dangerous slum associated with drunkenness and crime. In the later 20th century, it was subject to efforts at redevelopment, since the late 20th century, much of the area has been demolished and redeveloped with a mixture of market and social housing. Some buildings are being refurbished and restored to a higher standard, in the early 21st century, a local group has started a campaign to reinstate the Cross fountain, aided by people attracted to their Facebook page, Old Gorbals Pictures. The group have discovered that a copy of the original fountain was installed on the Caribbean island of St Kitts & Nevis. They are working to engage professional help to digitally scan this object to allow for the manufacture of Gorbals Cross, No 3, the name is first documented in the 15th and 16th centuries as Gorbaldis, and its etymology is unclear. It may be related to the Latin word garbale, found in the Scots term garbal teind, the taking of garbal teind was a right given to George Elphinstone in 1616 as part of his 19-year tack. The placename would therefore mean the Sheaves, the name is similar to a Lowland Scots word gorbal/gorbel/garbal/garbel, perhaps a reference to lepers who were allowed to beg for alms in public. Any Gaelic form of the name is conjectural, since none survives from medieval times, gort a bhaile conforms with certain suggestions made by A. G. Callant in 1888, but other interpretations are also popular. In the 19th and 20th centuries, the area was home to numbers of migrants from the Scottish Highlands. They often left homelands struggling with problems and poverty. It also housed a new wave of Jewish immigrants from Eastern and Central Europe, the Jewish population moved out of the area as its members gained education and rose in economic class. Although the Irish-Catholic population has declined to an extent, many of this group have remained since the areas redevelopment, Govan parish was one of the oldest possessions of the church in the region. The merk land of Brigend and Gorbaldis is referred to in several sources, the village of Brigend was named after the bridge which Bishop William Rae had built in 1345 over the River Clyde, it lasted until the 19th century. The lands on which the hospital was built were named St Ninians Croft and they were later incorporated into Hutchesontown. After the Protestant Reformation, in 1579 the church granted the land for ground rents to Sir George Elphinstone, the barony and regality of the Gorbals was confirmed in 1606 by a charter of King James VI, which vested Elphinstone and his descendants. These powers descended to Sir Robert Douglas of Blackerstone, who in 1650 disponed the Gorbals to Glasgows magistrates for the benefit of the city, the Trades House, and Hutchesons Hospital
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Portsmouth
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Portsmouth is a port city in Hampshire, England, mainly on Portsea Island,70 miles south-west of London and 19 miles south-east of Southampton. It is the United Kingdoms only island city and has a population of 205,400, the city forms part of the South Hampshire built-up area, which also covers Southampton and the towns of Havant, Waterlooville, Eastleigh, Fareham, and Gosport. The citys history can be traced to Roman times, a significant naval port for centuries, Portsmouth has the worlds oldest dry dock and was Englands first line of defence during the French invasion in 1545. Special Palmerston Forts were built in 1859 in anticipation of invasion from continental Europe. The worlds first mass production line was set up in the city, during the Second World War, the city was a pivotal embarkation point for the D-Day landings and was bombed extensively in the Portsmouth Blitz, which resulted in the deaths of 930 people. In 1982, the city housed the entirety of the forces in the Falklands War. Her Majestys Yacht Britannia left the city to oversee the transfer of Hong Kong in 1997, Portsmouth is one of the worlds best known ports. HMNB Portsmouth is the largest dockyard for the Royal Navy and is home to two-thirds of the UKs surface fleet, the city is home to some famous ships, including HMS Warrior, the Tudor carrack Mary Rose and Horatio Nelsons flagship, HMS Victory. The former HMS Vernon naval shore establishment has been redeveloped as a park known as Gunwharf Quays. Portsmouth is among the few British cities with two cathedrals, the Anglican Cathedral of St Thomas and the Roman Catholic Cathedral of St John the Evangelist, the waterfront and Portsmouth Harbour are dominated by the Spinnaker Tower, one of the United Kingdoms tallest structures at 560 feet. Nearby Southsea is a resort with a pier amusement park. Portsmouth F. C. the citys football club, play their home games at Fratton Park. The city has several railway stations that connect to London Waterloo amongst other lines in southern England. Portsmouth International Port is a cruise ship and ferry port for international destinations. The port is the second busiest in the United Kingdom after Dover, the city formerly had its own airport, Portsmouth Airport, until its closure in 1973. The University of Portsmouth enrols 23,000 students and is ranked among the worlds best modern universities, Portsmouth is also the birthplace of author Charles Dickens and engineer Isambard Kingdom Brunel. The Romans built Portus Adurni, a fort, at nearby Portchester in the third century. The citys Old English name Portesmuða is derived from port, meaning a haven, and muða and it was mentioned in an Anglo-Saxon Chronicle entry for the year 501, Her cwom Port on Bretene 7 his. ii
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Jazz
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Jazz is a music genre that originated amongst African Americans in New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in Blues and Ragtime. Since the 1920s jazz age, jazz has become recognized as a form of musical expression. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms, Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Although the foundation of jazz is deeply rooted within the Black experience of the United States, different cultures have contributed their own experience, intellectuals around the world have hailed jazz as one of Americas original art forms. As jazz spread around the world, it drew on different national, regional, and local musical cultures, New Orleans jazz began in the early 1910s, combining earlier brass-band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. In the 1930s, heavily arranged dance-oriented swing big bands, Kansas City jazz, bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging musicians music which was played at faster tempos and used more chord-based improvisation. Cool jazz developed in the end of the 1940s, introducing calmer, smoother sounds and long, modal jazz developed in the late 1950s, using the mode, or musical scale, as the basis of musical structure and improvisation. Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock rhythms, electric instruments. In the early 1980s, a form of jazz fusion called smooth jazz became successful. Other styles and genres abound in the 2000s, such as Latin, the question of the origin of the word jazz has resulted in considerable research, and its history is well documented. It is believed to be related to jasm, a term dating back to 1860 meaning pep. The use of the word in a context was documented as early as 1915 in the Chicago Daily Tribune. Its first documented use in a context in New Orleans was in a November 14,1916 Times-Picayune article about jas bands. In an interview with NPR, musician Eubie Blake offered his recollections of the slang connotations of the term, saying, When Broadway picked it up. That was dirty, and if you knew what it was, the American Dialect Society named it the Word of the Twentieth Century. Jazz has proved to be difficult to define, since it encompasses such a wide range of music spanning a period of over 100 years. Attempts have been made to define jazz from the perspective of other musical traditions, in the opinion of Robert Christgau, most of us would say that inventing meaning while letting loose is the essence and promise of jazz. As Duke Ellington, one of jazzs most famous figures, said, although jazz is considered highly difficult to define, at least in part because it contains so many varied subgenres, improvisation is consistently regarded as being one of its key elements
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Trumpet
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A trumpet is a musical instrument commonly used in classical and jazz ensembles. The trumpet group contains the instruments with the highest register in the brass family, trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through almost-closed lips, producing a sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century they have primarily been constructed of brass tubing, there are many distinct types of trumpet, with the most common being pitched in B♭, having a tubing length of about 1.48 m. Early trumpets did not provide means to change the length of tubing, most trumpets have valves of the piston type, while some have the rotary type. The use of rotary-valved trumpets is more common in orchestral settings, each valve, when engaged, increases the length of tubing, lowering the pitch of the instrument. A musician who plays the trumpet is called a trumpet player or trumpeter, the earliest trumpets date back to 1500 BC and earlier. The bronze and silver trumpets from Tutankhamuns grave in Egypt, bronze lurs from Scandinavia, trumpets from the Oxus civilization of Central Asia have decorated swellings in the middle, yet are made out of one sheet of metal, which is considered a technical wonder. The Shofar, made from a ram horn and the Hatzotzeroth and they were played in Solomons Temple around 3000 years ago. They were said to be used to blow down the walls of Jericho and they are still used on certain religious days. The Salpinx was a straight trumpet 62 inches long, made of bone or bronze, Salpinx contests were a part of the original Olympic Games. The Moche people of ancient Peru depicted trumpets in their art going back to AD300, the earliest trumpets were signaling instruments used for military or religious purposes, rather than music in the modern sense, and the modern bugle continues this signaling tradition. Improvements to instrument design and metal making in the late Middle Ages, the natural trumpets of this era consisted of a single coiled tube without valves and therefore could only produce the notes of a single overtone series. Changing keys required the player to change crooks of the instrument, the development of the upper, clarino register by specialist trumpeters—notably Cesare Bendinelli—would lend itself well to the Baroque era, also known as the Golden Age of the natural trumpet. During this period, a vast body of music was written for virtuoso trumpeters, the art was revived in the mid-20th century and natural trumpet playing is again a thriving art around the world. The melody-dominated homophony of the classical and romantic periods relegated the trumpet to a role by most major composers owing to the limitations of the natural trumpet. Berlioz wrote in 1844, Notwithstanding the real loftiness and distinguished nature of its quality of tone, there are few instruments that have been more degraded. The attempt to give the trumpet more chromatic freedom in its range saw the development of the keyed trumpet, the symphonies of Mozart, Beethoven, and as late as Brahms, were still played on natural trumpets
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Rhythm and blues
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Rhythm and blues, often abbreviated as R&B or RnB, is a genre of popular African-American music that originated in the 1940s. In the commercial rhythm and blues music typical of the 1950s through the 1970s, R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy. Lyrics focus heavily on the themes of triumphs and failures in terms of relationships, freedom, economics, aspirations, the term rhythm and blues has undergone a number of shifts in meaning. In the early 1950s it was applied to blues records. This tangent of RnB is now known as British rhythm and blues, by the 1970s, the term rhythm and blues changed again and was used as a blanket term for soul and funk. In the 1980s, a style of R&B developed, becoming known as Contemporary R&B. It combines elements of rhythm and blues, soul, funk, pop, hip hop, popular R&B vocalists at the end of the 20th century included Michael Jackson, R. Kelly, Stevie Wonder, Whitney Houston, and Mariah Carey. Although Jerry Wexler of Billboard magazine is credited with coining the term rhythm and blues as a term in the United States in 1948. It replaced the term race music, which came from within the black community. The term rhythm and blues was used by Billboard in its chart listings from June 1949 until August 1969, before the Rhythm and Blues name was instated, various record companies had already begun replacing the term race music with sepia series. In 2010 LaMont Robinson founded the Rhythm & Blues Hall of Fame Museum, writer and producer Robert Palmer defined rhythm & blues as a catchall term referring to any music that was made by and for black Americans. He has used the term R&B as a synonym for jump blues, however, AllMusic separates it from jump blues because of its stronger, gospel-esque backbeat. Lawrence Cohn, author of Nothing but the Blues, writes that rhythm, according to him, the term embraced all black music except classical music and religious music, unless a gospel song sold enough to break into the charts. Well into the 21st century, the term R&B continues in use to music made by black musicians. In the commercial rhythm and blues music typical of the 1950s through the 1970s, arrangements were rehearsed to the point of effortlessness and were sometimes accompanied by background vocalists. Simple repetitive parts mesh, creating momentum and rhythmic interplay producing mellow, lilting, while singers are emotionally engaged with the lyrics, often intensely so, they remain cool, relaxed, and in control. The bands dressed in suits, and even uniforms, an associated with the modern popular music that rhythm. Lyrics often seemed fatalistic, and the music typically followed predictable patterns of chords, there was also increasing emphasis on the electric guitar as a lead instrument, as well as the piano and saxophone
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Soul music
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Soul music is a popular music genre that originated in the United States in the late 1950s and early 1960s. It combines elements of African-American gospel music, rhythm and blues, Soul music became popular for dancing and listening in the United States, where record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music, catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and a tense vocal sound. The style also occasionally uses improvisational additions, twirls and auxiliary sounds, Soul music reflected the African-American identity and it stressed the importance of an African-American culture. The new-found African-American consciousness led to new styles of music, which boasted pride in being black, Soul music dominated the U. S. R&B chart in the 1960s, and many recordings crossed over into the pop charts in the U. S. By 1968, the music genre had begun to splinter. Some soul artists developed funk music, while other singers and groups developed slicker, more sophisticated, by the early 1970s, soul music had been influenced by psychedelic rock and other genres, leading to psychedelic soul. The United States saw the development of neo soul around 1994, there are also several other subgenres and offshoots of soul music. The term soul had been used among African-American musicians to emphasize the feeling of being an African-American in the United States, according to another source, Soul music was the result of the urbanization and commercialization of rhythm and blues in the 60s. The phrase soul music itself, referring to music with secular lyrics, is first attested in 1961. The term soul in African-American parlance has connotations of African-American pride, gospel groups in the 1940s and 1950s occasionally used the term as part of their name. The jazz style that derived from gospel came to be called soul jazz, important innovators whose recordings in the 1950s contributed to the emergence of soul music included Clyde McPhatter, Hank Ballard, and Etta James. Ray Charles is often cited as popularizing the genre with his string of hits starting with 1954s I Got a Woman. Singer Bobby Womack said, Ray was the genius and he turned the world onto soul music. Charles was open in acknowledging the influence of Pilgrim Travelers vocalist Jesse Whitaker on his singing style, little Richard and James Brown were equally influential. Sam Cooke and Jackie Wilson are also acknowledged as soul forefathers. Cooke became popular as the singer of gospel group The Soul Stirrers
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Pop music
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Pop music is a genre of popular music that originated in its modern form in the United States and United Kingdom during the mid 1950s. The terms popular music and pop music are used interchangeably, although the former describes all music that is popular. Pop and rock were synonymous terms until the late 1960s, when they were used in opposition from each other. Although pop music is seen as just the singles charts, it is not the sum of all chart music. Pop music is eclectic, and often borrows elements from other such as urban, dance, rock, Latin. Identifying factors include generally short to medium-length songs written in a format, as well as the common use of repeated choruses, melodic tunes. David Hatch and Stephen Millward define pop music as a body of music which is distinguishable from popular, jazz, according to Pete Seeger, pop music is professional music which draws upon both folk music and fine arts music. Although pop music is seen as just the singles charts, it is not the sum of all chart music, the music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. Pop music, as a genre, is seen as existing and developing separately, pop music continuously evolves along with the terms definition. The term pop song was first recorded as being used in 1926, Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues and hillbilly music. The Oxford Dictionary of Music states that while pops earlier meaning meant concerts appealing to a wide audience. Since the late 1950s, however, pop has had the meaning of non-classical mus, usually in the form of songs, performed by such artists as the Beatles. Grove Music Online also states that, in the early 1960s pop music competed terminologically with beat music, while in the USA its coverage overlapped with that of rock and roll. From about 1967, the term was used in opposition to the term rock music. Whereas rock aspired to authenticity and an expansion of the possibilities of music, pop was more commercial, ephemeral. It is not driven by any significant ambition except profit and commercial reward, and, in musical terms, it is essentially conservative. It is, provided from on high rather than being made from below, pop is not a do-it-yourself music but is professionally produced and packaged. The beat and the melodies tend to be simple, with limited harmonic accompaniment, the lyrics of modern pop songs typically focus on simple themes – often love and romantic relationships – although there are notable exceptions
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Dudley Moore
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Dudley Stuart John Moore, CBE was an English actor, comedian, musician and composer. The double act worked on other projects until the mid-1970s, by which time Moore had settled in Los Angeles to concentrate on his film acting. His solo career as a film actor was heightened by the success of hit Hollywood films, particularly Foul Play,10. For the latter film, Moore was nominated for the Academy Award for Best Actor and he received a second Golden Globe for his performance in Micki & Maude. Moore was born at the original Charing Cross Hospital in central London, the son of Ada Francis, a secretary, and John Moore and his father was Scottish, from Glasgow. His mother stated that Dudley was 1/8th Jewish, Moore was brought up in Dagenham, Essex. He was notably short at 5 ft 2 in and was born with club feet that required hospital treatment and, coupled with his diminutive stature. This was something he remained very self-conscious of throughout his life, Moore became a choirboy at the age of six. At age eleven he earned a scholarship to the Guildhall School of Music and he rapidly developed into a highly talented pianist and organist and was playing the pipe organ at local church weddings by the age of 14. Moores musical talent won him a scholarship to Magdalen College. While studying music and composition there, he performed with Alan Bennett in the Oxford Revue. During his university years, Moore had developed a love of music and soon became an accomplished jazz pianist. He began working with leading musicians as John Dankworth and Cleo Laine. In 1960, he left Dankworths band to work on Beyond the Fringe, Moore then recommended Bennett, who in turn suggested Peter Cook. Beyond the Fringe was at the forefront of the 1960s UK satire boom, although the original runs in Edinburgh. There were also a number of items in the show, using Dudley Moores music. In 1962, the transferred to the John Golden Theatre in New York. President John F. Kennedy attended a performance on 10 February 1963, the show continued in New York until 1964
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EMI Records
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The label was later launched worldwide. Records Ltd. legal entity was created in 1957 as the record manufacturing and it oversaw EMIs various labels, including The Gramophone Co. Ltd. Columbia Graphophone Company, and Parlophone Co. Ltd, in July 1965, the standalone EMI Record companies were extracted from E. M. I. Records Ltd. and folded into The Gramophone Company Ltd, on 1 July 1973, The Gramophone Co. Ltd. was renamed EMI Records Ltd. Records Ltd. was wound down and its activities were absorbed into EMI Records Ltd, earlier, on 1 January 1973, all of The Gramophone Company Ltd. pop labels had been rebranded as EMI. EMI Records then signed new acts that became global successes, Kraftwerk, Renaissance, Queen, Olivia Newton-John, Iron Maiden, Kate Bush, Sheena Easton, Pink Floyd, in 1997, EMI Records American division was folded into Virgin Records. In 2010, EMI Records opened a music division, EMI Records Nashville, which includes on its roster Troy Olsen, Alan Jackson, Kelleigh Bannen. EMI Records Nashville is a label to the Capitol Nashville unit of Universal Music Group. EMI Christian Music Group was renamed Capitol Christian Music Group, EMI Classics was sold to Warner Music Group on February 2013. After EU regulatory approval, EMI Classics was absorbed into Warner Classics on July 2013, abbey Road Studios List of record labels
34.
Kites (song)
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Kites is a ballad written by Hal Hackady and Lee Pockriss. It was first recorded by the Rooftop Singers as their last single in 1967, the song then became a hit for Simon Dupree and the Big Sound, the group of the Shulman brothers who went on to form the progressive band Gentle Giant. Their first releases had not been successful and they looked to their manager, John King and he suggested Kites, which he had obtained from Robbins Music. This was not their style but King insisted. The Finnish rock singer Kirka recorded a Finnish version, Leijat, the Cyrkle released a version of the song on their 1970 album, The Minx. The Israeli band Nikmat Hatraktor recorded a Hebrew version of the song, a version of Kites is included in Arthur Browns 2007 album The Voice of Love. In 1981, Billy Mackenzie of The Associates covered this song under the name 39 Lyon Street, the Associates also included a version of it on the 12 single of Breakfast. In 1990 the group Ultraviolet released a house version of the track. It was featured on the compilation Northern Exposure by Sasha and Digweed in 1997 and is held in regard by many as one of the best examples of the genre. Simon Dupree & The Big Sound
35.
The Beatles
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The Beatles were an English rock band, formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, the Beatles built their reputation playing clubs in Liverpool and Hamburg over a three-year period from 1960, with Stuart Sutcliffe initially serving as bass player. The core of Lennon, McCartney and Harrison went through a succession of drummers, including Pete Best, before asking Starr to join them. They acquired the nickname the Fab Four as Beatlemania grew in Britain the next year, from 1965 onwards, the Beatles produced increasingly innovative recordings, including the albums Rubber Soul, Revolver, Sgt. Peppers Lonely Hearts Club Band, The Beatles and Abbey Road, after their break-up in 1970, they each enjoyed successful musical careers of varying lengths. McCartney and Starr, the members, remain musically active. Lennon was shot and killed in December 1980, and Harrison died of cancer in November 2001. The Beatles are the band in history, with estimated sales of over 600 million records worldwide. They have had more number-one albums on the British charts and sold more singles in the UK than any other act, according to the RIAA, the Beatles are also the best-selling music artists in the United States, with 178 million certified units. In 2008, the group topped Billboard magazines list of the all-time most successful Hot 100 artists, as of 2016 and they have received ten Grammy Awards, an Academy Award for Best Original Song Score and fifteen Ivor Novello Awards. The group was inducted into the Rock and Roll Hall of Fame in 1988 and they were also collectively included in Time magazines compilation of the twentieth centurys 100 most influential people. In March 1957, John Lennon, then aged sixteen, formed a group with several friends from Quarry Bank school. They briefly called themselves the Blackjacks, before changing their name to the Quarrymen after discovering that a local group was already using the other name. Fifteen-year-old Paul McCartney joined as a rhythm guitarist shortly after he, in February 1958, McCartney invited his friend George Harrison to watch the band. The fourteen-year-old auditioned for Lennon, impressing him with his playing, after a month of Harrisons persistence, they enlisted him as their lead guitarist. By January 1959, Lennons Quarry Bank friends had left the group, the three guitarists, billing themselves at least three times as Johnny and the Moondogs, were playing rock and roll whenever they could find a drummer. They used the name until May, when they became the Silver Beetles, before undertaking a tour of Scotland as the backing group for pop singer. By early July, they had changed their name to the Silver Beatles, allan Williams, the Beatles unofficial manager, arranged a residency for them in Hamburg, but lacking a full-time drummer they auditioned and hired Pete Best in mid-August 1960
36.
Ringo Starr
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Richard Starkey, MBE, known professionally as Ringo Starr, is an English musician, singer, songwriter and actor who gained worldwide fame as the drummer for the Beatles. He occasionally sang lead vocals, usually for one song on an album, including With a Little Help from My Friends, Yellow Submarine and their cover of Act Naturally. He also wrote the Beatles songs Dont Pass Me By and Octopuss Garden, Starr was twice afflicted by life-threatening illnesses during childhood, and as a result of prolonged hospitalisations fell behind in school. In 1955, he entered the workforce and briefly held a position with British Rail before securing an apprenticeship at a Liverpool equipment manufacturer, soon afterwards, he became interested in the UK skiffle craze, developing a fervent admiration for the genre. In 1957, he cofounded his first band, the Eddie Clayton Skiffle Group, when the Beatles formed in 1960, Starr was a member of another Liverpool group, Rory Storm and the Hurricanes. After achieving moderate success with that band in the UK and Hamburg, he quit the Hurricanes and joined the Beatles in August 1962, Starr played key roles in the Beatles films and appeared in numerous others. After the bands break-up in 1970, he released several singles including the US number four hit It Dont Come Easy. In 1972, he released his most successful UK single, Back Off Boogaloo and he achieved commercial and critical success with his 1973 album Ringo, which was a top ten release in both the UK and the US. He has been featured in a number of documentaries and hosted television shows, since 1989, he has toured with twelve variations of Ringo Starr & His All-Starr Band. Ringos popularity brought forth a new paradigm and we started to see the drummer as an equal participant in the compositional aspect. His parts are so signature to the songs that you can listen to a Ringo drum part without the rest of the music and he was inducted into the Modern Drummer Hall of Fame in 1998. In 2011, Rolling Stone readers named Starr the fifth-greatest drummer of all time. Starr, who was inducted into the Rock and Roll Hall of Fame as a Beatle in 1988, was inducted for his solo career in 2015. Richard Starkey was born on 7 July 1940, at 9 Madryn Street, in Dingle and he is the only child of confectioners Elsie and Richard Starkey. Elsie enjoyed singing and dancing, a hobby that she shared with her husband, an avid fan of swing. Prior to the birth of their son, whom they nicknamed Ritchie, the couple had spent much of their time on the local ballroom circuit. Elsie adopted an approach to raising her son that bordered on fixation. Subsequently, Big Ritchie, as Starkeys father became known, lost interest in his family, choosing instead to spend hours drinking and dancing in pubs
37.
Pink Floyd
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Pink Floyd were an English rock band formed in London. They achieved international acclaim with their progressive and psychedelic music, Pink Floyd were founded in 1965 by students Syd Barrett on guitar and lead vocals, Nick Mason on drums, Roger Waters on bass and vocals, and Richard Wright on keyboards and vocals. Guitarist David Gilmour joined in December 1967, Barrett left in April 1968 due to deteriorating mental health. Waters became the primary lyricist and conceptual leader, devising the concepts behind their albums The Dark Side of the Moon, Wish You Were Here, Animals, The Wall. The Dark Side of the Moon and The Wall became two of the albums of all time. Following creative tensions, Wright left Pink Floyd in 1979, followed by Waters in 1985, Gilmour and Mason continued as Pink Floyd, Wright rejoined them as a session musician and, later, a band member. The three produced two more albums—A Momentary Lapse of Reason and The Division Bell —and toured through 1994, Barrett died in 2006, and Wright in 2008. The final Pink Floyd studio album, The Endless River, was recorded without Waters, Pink Floyd were inducted into the American Rock and Roll Hall of Fame in 1996 and the UK Music Hall of Fame in 2005. By 2013, the band had more than 250 million records worldwide. Roger Waters met Nick Mason while they were both studying architecture at the London Polytechnic at Regent Street and they first played music together in a group formed by Keith Noble and Clive Metcalfe with Nobles sister Sheilagh. Richard Wright, an architecture student, joined later that year. Waters played lead guitar, Mason drums, and Wright rhythm guitar, the band performed at private functions and rehearsed in a tearoom in the basement of the Regent Street Polytechnic. They performed songs by the Searchers and material written by their manager and songwriter, Mason moved out after the 1964 academic year, and guitarist Bob Klose moved in during September 1964, prompting Waters switch to bass. Sigma 6 went through several names, including the Meggadeaths, the Abdabs and the Screaming Abdabs, Leonards Lodgers, in 1964, as Metcalfe and Noble left to form their own band, guitarist Syd Barrett joined Klose and Waters at Stanhope Gardens. Barrett, two younger, had moved to London in 1962 to study at the Camberwell College of Arts. Waters and Barrett were childhood friends, Waters had often visited Barrett, Noble and Metcalfe left the Tea Set in late 1963, and Klose introduced the band to singer Chris Dennis, a technician with the Royal Air Force. In December 1964, they secured their first recording time, at a studio in West Hampstead, through one of Wrights friends, Wright, who was taking a break from his studies, did not participate in the session. When the RAF assigned Dennis a post in Bahrain in early 1965, later that year, they became the resident band at the Countdown Club near Kensington High Street in London, where from late night until early morning they played three sets of 90 minutes each
