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Middle-class house in Salisbury cathedral close, England, with minimal classical detail.
Middle-class house in Salisbury cathedral close, England, with minimal classical detail.
Very grand terrace houses at The Circus, Bath (1754), with basement "areas" and a profusion of columns.
Very grand terrace houses at The Circus, Bath (1754), with basement "areas" and a profusion of columns.
Function rules at Massachusetts Hall at Harvard University, 1718–20
Function rules at Massachusetts Hall at Harvard University, 1718–20
Neoclassical grandeur; Stowe House 1770–79 by Robert Adam modified in execution by Thomas Pitt
Neoclassical grandeur; Stowe House 1770–79 by Robert Adam modified in execution by Thomas Pitt
A villa with a superimposed portico, from Book IV of Palladio's I quattro libri dell'architettura, in an English translation published in London, 1736
A villa with a superimposed portico, from Book IV of Palladio's I quattro libri dell'architettura, in an English translation published in London, 1736
Plan for Palladio's Villa La Rotonda (c. 1565) – features of the house were incorporated in numerous Palladian-style houses throughout Europe over the
Plan for Palladio's Villa La Rotonda (c. 1565) – features of the house were incorporated in numerous Palladian-style houses throughout Europe over the following centuries.
"True Palladianism" at the Villa Godi (1537–1542) – from Palladio's I quattro libri dell'architettura. The flanking pavilions are agricultural buildin
"True Palladianism" at the Villa Godi (1537–1542) – from Palladio's I quattro libri dell'architettura. The flanking pavilions are agricultural buildings, not part of the villa. In the 18th century, the connecting colonnades evolved as enfilades of rooms, while the pavilions often became self-contained wings or blocks – a common feature of 18th century Palladianism.
Villa Capra "La Rotonda" (begun c. 1565) – one of Palladio's most influential designs
Villa Capra "La Rotonda" (begun c. 1565) – one of Palladio's most influential designs