1.
Greek mythology
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It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
2.
Greek language
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Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic and many other writing systems. Together with the Latin texts and traditions of the Roman world, during antiquity, Greek was a widely spoken lingua franca in the Mediterranean world and many places beyond. It would eventually become the official parlance of the Byzantine Empire, the language is spoken by at least 13.2 million people today in Greece, Cyprus, Italy, Albania, Turkey, and the Greek diaspora. Greek roots are used to coin new words for other languages, Greek. Greek has been spoken in the Balkan peninsula since around the 3rd millennium BC, the earliest written evidence is a Linear B clay tablet found in Messenia that dates to between 1450 and 1350 BC, making Greek the worlds oldest recorded living language. Among the Indo-European languages, its date of earliest written attestation is matched only by the now extinct Anatolian languages, the Greek language is conventionally divided into the following periods, Proto-Greek, the unrecorded but assumed last ancestor of all known varieties of Greek. The unity of Proto-Greek would have ended as Hellenic migrants entered the Greek peninsula sometime in the Neolithic era or the Bronze Age, Mycenaean Greek, the language of the Mycenaean civilisation. It is recorded in the Linear B script on tablets dating from the 15th century BC onwards, Ancient Greek, in its various dialects, the language of the Archaic and Classical periods of the ancient Greek civilisation. It was widely known throughout the Roman Empire, after the Roman conquest of Greece, an unofficial bilingualism of Greek and Latin was established in the city of Rome and Koine Greek became a first or second language in the Roman Empire. The origin of Christianity can also be traced through Koine Greek, Medieval Greek, also known as Byzantine Greek, the continuation of Koine Greek in Byzantine Greece, up to the demise of the Byzantine Empire in the 15th century. Much of the written Greek that was used as the language of the Byzantine Empire was an eclectic middle-ground variety based on the tradition of written Koine. Modern Greek, Stemming from Medieval Greek, Modern Greek usages can be traced in the Byzantine period and it is the language used by the modern Greeks, and, apart from Standard Modern Greek, there are several dialects of it. In the modern era, the Greek language entered a state of diglossia, the historical unity and continuing identity between the various stages of the Greek language is often emphasised. Greek speakers today still tend to regard literary works of ancient Greek as part of their own rather than a foreign language and it is also often stated that the historical changes have been relatively slight compared with some other languages. According to one estimation, Homeric Greek is probably closer to demotic than 12-century Middle English is to modern spoken English, Greek is spoken by about 13 million people, mainly in Greece, Albania and Cyprus, but also worldwide by the large Greek diaspora. Greek is the language of Greece, where it is spoken by almost the entire population
3.
Chrysaor
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In Greek mythology, Chrysaor, the brother of the winged horse Pegasus, was often depicted as a young man, the son of Poseidon and the Gorgon Medusa. Chrysaor and Pegasus were not born until Perseus chopped off Medusas head. Medusa, one of the three Gorgon sisters, the most beautiful, and the mortal one, angered Athena due to either having sex with, or being raped by. Athena punished Medusa by turning her hair into snakes, some versions of the story state that Athena also cursed her so that a pair of golden wings grew from her head. Chrysaor and Pegasus were said to be born from the drops of Medusas blood that fell in the sea, others say that they sprang from Medusas neck as Perseus beheaded her, Chrysaor is said to have been king of Iberia. —Hesiod, Theogony 287 In art Chrysaors earliest appearance seems to be on the pediment of the early 6th century BC Doric Temple of Artemis at Corfu. In Rick Riordans The Mark of Athena, Chrysaor struck a deal with the main antagonist and he attacks the protagonists along with his crew of dolphin/human hybrid creatures, Telchines, who were originally created by Dionysus. He, being immortal, does not die, but is away by the main characters. Chrysoar appears as a antagonist in the book Pegasus and the Fight for Olympus, in the book, he is depicted as being a winged boar. Smith, William, Dictionary of Greek and Roman Biography and Mythology, Chrysaor Ovid, Metamorphoses, The Theoi Project, KHRYSAOR Magna Graecia, An Introduction
4.
Medusa
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In Greek mythology Medusa was a monster, a Gorgon, generally described as a winged human female with living venomous snakes in place of hair. Gazers upon her hideous face would turn to stone, most sources describe her as the daughter of Phorcys and Ceto, though the author Hyginus makes her the daughter of Gorgon and Ceto. According to Hesiod and Aeschylus, she lived and died on an island named Sarpedon, the 2nd-century BCE novelist Dionysios Skytobrachion puts her somewhere in Libya, where Herodotus had said the Berbers originated her myth, as part of their religion. In classical antiquity the image of the head of Medusa appeared in the device known as the Gorgoneion. The three Gorgon sisters—Medusa, Stheno, and Euryale—were all children of the ancient marine deities Phorcys and his sister Ceto, in an ode written in 490 BC Pindar already speaks of fair-cheeked Medusa. In Ovids telling, Perseus describes Medusas punishment by Minerva as just, in most versions of the story, she was beheaded by the hero Perseus, who was sent to fetch her head by King Polydectes of Seriphus because Polydectes wanted to marry his mother. The gods were well aware of this, and Perseus received help and he received a mirrored shield from Athena, gold, winged sandals from Hermes, a sword from Hephaestus and Hadess helm of invisibility. Since Medusa was the one of the three Gorgons who was mortal, Perseus was able to slay her while looking at the reflection from the mirrored shield he received from Athena. During that time, Medusa was pregnant by Poseidon, when Perseus beheaded her, Pegasus, a winged horse, and Chrysaor, a giant wielding a golden sword, sprang from her body. Jane Ellen Harrison argues that her potency only begins when her head is severed, the basis of the Gorgoneion is a cultus object, a ritual mask misunderstood. In the Odyssey xi, Homer does not specifically mention the Gorgon Medusa, Lest for my daring Persephone the dread, harrisons translation states the Gorgon was made out of the terror, not the terror out of the Gorgon. According to Ovid, in northwest Africa, Perseus flew past the Titan Atlas, who stood holding the sky aloft, and transformed him into stone when he tried to attack him. Furthermore, the poisonous vipers of the Sahara, in the Argonautica 4.1515, Ovids Metamorphoses 4.770, the blood of Medusa also spawned the Amphisbaena. Perseus then flew to Seriphos, where his mother was about to be forced into marriage with the king, King Polydectes was turned into stone by the gaze of Medusas head. It is immediately obvious that the Gorgons are not really three but one + two, the two unslain sisters are mere appendages due to custom, the real Gorgon is Medusa. A number of early scholars interpreted the myth of the Medusa as a quasi-historical. According to Joseph Campbell, In 1940, Sigmund Freuds Das Medusenhaupt was published posthumously and this article laid the framework for his significant contribution to a body of criticism surrounding the monster. Medusa is presented by Freud as the supreme talisman who provides the image of castration — associated in the mind with the discovery of maternal sexuality —
5.
Pegasus
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Pegasus is one of the best known creatures in Greek mythology. He is a winged divine stallion usually depicted as white in color. He was sired by Poseidon, in his role as horse-god and he was the brother of Chrysaor, born at a single birthing when his mother was decapitated by Perseus. Greco-Roman poets write about his ascent to heaven after his birth and his obeisance to Zeus, king of the gods, friend of the Muses, Pegasus is the creator of Hippocrene, the fountain on Mt. Helicon. He was captured by the Greek hero Bellerophon near the fountain Peirene with the help of Athena, Pegasus allows the hero to ride him to defeat a monster, the Chimera, before realizing many other exploits. His rider, however, falls off his back trying to reach Mount Olympus, Zeus transformed him into the constellation Pegasus and placed him up in the sky. Hypotheses have been proposed regarding its relationship with the Muses, the gods Athena, Poseidon, Zeus, Apollo, the symbolism of Pegasus varies with time. Pegasus is the subject of a rich iconography, especially through the ancient Greek pottery and paintings. The poet Hesiod presents an etymology of the name Pegasus as derived from πηγή pēgē spring, well, the pegai of Okeanos. A proposed etymology of the name is Luwian pihassas, meaning lightning, and Pihassassi, the proponents of this etymology adduce Pegasus role, reported as early as Hesiod, as bringer of thunderbolts to Zeus. It was first suggested in 1952 and remains widely accepted, according to legend, everywhere the winged horse struck his hoof to the earth, an inspiring spring burst forth. Hesiod relates how Pegasus was peacefully drinking from a spring when the hero Bellerophon captured him, Hesiod also says Pegasus carried thunderbolts for Zeus. In another version, when Perseus beheaded Medusa, they were born of the Earth, a variation of this story holds that they were formed from the mingling of Medusas blood, pain and sea foam, implying that Poseidon had involvement in their making. The last version bears resemblance to Hesiods account of the birth of Aphrodite from the foam created when Uranuss severed genitals were cast into the sea by Cronus, Pegasus aided the hero Bellerophon in his fight against both the Chimera. The next morning, still clutching the bridle, he found Pegasus drinking at the Pierian spring and caught Pegasus, michauds Biographie universelle relates that when Pegasus was born, he flew to where thunder and lightning are released. Then, according to versions of the myth, Athena tamed him and gave him to Perseus. In fact Pegasus is an addition to the story of Perseus. Pegasus and Athena left Bellerophon and continued to Olympus where he was stabled with Zeus other steeds, because of his faithful service to Zeus, he was honoured with transformation into a constellation
6.
Giants (Greek mythology)
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According to Hesiod, the Giants were the offspring of Gaia, born from the blood that fell when Uranus was castrated by his Titan son Cronus. Archaic and Classical representations show Gigantes as man-sized hoplites fully human in form, later representations show Gigantes with snakes for legs. In later traditions, the Giants were often confused with other opponents of the Olympians, particularly the Titans, the vanquished Giants were said to be buried under volcanoes and to be the cause of volcanic eruptions and earthquakes. The name Gigantes is usually taken to imply earthborn, and Hesiods Theogony makes this explicit by having the Giants be the offspring of Gaia, According to Hesiod, Gaia mating with Uranus bore many children, the first generation of Titans, the Cyclopes and the Hundred-Handers. But Uranus hated his children and, as soon as they were born, he imprisoned them inside of Gaia, and so Gaia made a sickle of adamant which she gave to Cronus, the youngest of her Titan sons, and hid him to wait in ambush. And when Uranus came to lie with Gaia, Cronus castrated his father, and the drops that gushed forth received. From these same drops of blood also came the Erinyes and the Meliai, there are three brief mentions of Gigantes in Homers Odyssey, though its not entirely clear that Homer and Hesiod understood the term to mean the same thing. Elsewhere in the Odyssey, Alcinous says that the Phaiakians, like the Cyclopes, and Odysseus describes the Laestrygonians as more like Giants than men. Pausanias, the 2nd century AD geographer, read these lines of the Odyssey to mean that, for Homer, the 6th–5th century BC lyric poet Bacchylides calls the Giants sons of the Earth. Later the term became a common epithet of the Giants. Hyginus has the Giants being the offspring of Gaia and Tartarus, Homer describes the Giant king Eurymedon as great-hearted, and his people as insolent and froward. Hesiod calls the Giants strong and great which may or may not be a reference to their size, though a possible later addition, the Theogony also has the Giants born with gleaming armour, holding long spears in their hands. Other early sources characterize the Giants by their excesses, Pindar describes the excessive violence of the Giant Porphyrion as having provoked beyond all measure. Bacchylides calls the Giants arrogant, saying that they were destroyed by Hybris, Homers comparison of the Giants to the Laestrygonians is suggestive of similarities between the two races. Rocks huge as a man could lift, certainly possessed great strength, over time, descriptions of the Giants make them less human, more monstrous and more gigantic. According to Apollodorus the Giants had great size and strength, an appearance, with long hair and beards. Ovid makes them serpent-footed with a hundred arms, and Nonnus has them serpent-haired, the most important divine struggle in Greek mythology was the Gigantomachy, the battle fought between the Giants and the Olympian gods for supremacy of the cosmos. It is primarily for battle that the Giants are known
7.
Hesperides
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In Greek mythology, the Hesperides are the nymphs of evening and golden light of sunset, who were the Daughters of the Evening or Nymphs of the West. They tend a garden in a far western corner of the world, located near the Atlas mountains in North Africa at the edge of the encircling Oceanus. The name means originating from Hesperos, Hesperos, or vesper in Latin, is the origin of the name Hesperus, the evening star as well as having a shared root with the English word west. Ordinarily the Hesperides number three, like the other Greek triads, since the Hesperides themselves are mere symbols of the gifts the apples embody, they cannot be actors in a human drama. Their abstract, interchangeable names are a symptom of their impersonality and they are sometimes portrayed as the evening daughters of Night either alone, or with Darkness, in accord with the way Eos in the farthermost east, in Colchis, is the daughter of the titan Hyperion. Or they are listed as the daughters of Atlas, or of Zeus, in another source, the nymphs are said to be the daughters of Hesperus. Nevertheless, among the names given to them, though never all at once, is the colour of the setting sun, red, yellow or gold. Pseudo-Apollodorus gives the number of the Hesperides as four, named, Aigle, Erytheia, Hesperia, fulgentius gives four Hesperides, named, Aegle, Hesperie, Medusa and Arethusa. Apollonius of Rhodes gives their names as Aigle, Erytheis and Hespere, hyginus in his preface to the Fabulae names them as Aegle, Hesperie and Aerica. In another source, they are named Ægle, Arethusa and Hesperethusa, an ancient vase painting attests the following names as four, Asterope, Chrysothemis, Hygieia and Lipara, on another seven names as Aiopis, Antheia, Donakis, Kalypso, Mermesa, Nelisa and Tara. A Pyxis has Hippolyte, Mapsaura, and Thetis, petrus Apianus attributed to these stars a mythical connection of their own. He believed that they were the seven Hesperides, nymph daughters of the Atlas and their names were, Aegle, Erythea, Arethusa, Hestia, Hespera, Hesperusa and Hespereia. In the far west of the world, Hesperis is appropriately the personification of the evening and the Evening Star is Hesperus. In addition to their tending of the garden, they were said to have great pleasure in singing. Erytheia is one of the Hesperides, the name was applied to an island close to the coast of southern Hispania, which was the site of the original Punic colony of Gades. By Ephorus and Philistides it is called Erythia, by Timæus and Silenus Aphrodisias, the island was the seat of Geryon, who was overcome by Heracles. The Garden of the Hesperides is Heras orchard in the west, the trees were planted from the fruited branches that Gaia gave to Hera as a wedding gift when Hera accepted Zeus. The Hesperides were given the task of tending to the grove, not trusting them, Hera also placed in the garden a never-sleeping, hundred-headed dragon named Ladon as an additional safeguard
8.
Mediterranean Sea
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The sea is sometimes considered a part of the Atlantic Ocean, although it is usually identified as a separate body of water. The name Mediterranean is derived from the Latin mediterraneus, meaning inland or in the middle of land and it covers an approximate area of 2.5 million km2, but its connection to the Atlantic is only 14 km wide. The Strait of Gibraltar is a strait that connects the Atlantic Ocean to the Mediterranean Sea and separates Gibraltar. In oceanography, it is called the Eurafrican Mediterranean Sea or the European Mediterranean Sea to distinguish it from mediterranean seas elsewhere. The Mediterranean Sea has a depth of 1,500 m. The sea is bordered on the north by Europe, the east by Asia and it is located between latitudes 30° and 46° N and longitudes 6° W and 36° E. Its west-east length, from the Strait of Gibraltar to the Gulf of Iskenderun, the seas average north-south length, from Croatia’s southern shore to Libya, is approximately 800 km. The Mediterranean Sea, including the Sea of Marmara, has an area of approximately 2,510,000 square km. The sea was an important route for merchants and travelers of ancient times that allowed for trade, the history of the Mediterranean region is crucial to understanding the origins and development of many modern societies. In addition, the Gaza Strip and the British Overseas Territories of Gibraltar and Akrotiri, the term Mediterranean derives from the Latin word mediterraneus, meaning amid the earth or between land, as it is between the continents of Africa, Asia and Europe. The Ancient Greek name Mesogeios, is similarly from μέσο, between + γη, land, earth) and it can be compared with the Ancient Greek name Mesopotamia, meaning between rivers. The Mediterranean Sea has historically had several names, for example, the Carthaginians called it the Syrian Sea and latter Romans commonly called it Mare Nostrum, and occasionally Mare Internum. Another name was the Sea of the Philistines, from the people inhabiting a large portion of its shores near the Israelites, the sea is also called the Great Sea in the General Prologue by Geoffrey Chaucer. In Ottoman Turkish, it has also been called Bahr-i Sefid, in Modern Hebrew, it has been called HaYam HaTikhon, the Middle Sea, reflecting the Seas name in ancient Greek, Latin, and modern languages in both Europe and the Middle East. Similarly, in Modern Arabic, it is known as al-Baḥr al-Mutawassiṭ, in Turkish, it is known as Akdeniz, the White Sea since among Turks the white colour represents the west. Several ancient civilisations were located around the Mediterranean shores, and were influenced by their proximity to the sea. It provided routes for trade, colonisation, and war, as well as food for numerous communities throughout the ages, due to the shared climate, geology, and access to the sea, cultures centered on the Mediterranean tended to have some extent of intertwined culture and history. Two of the most notable Mediterranean civilisations in classical antiquity were the Greek city states, later, when Augustus founded the Roman Empire, the Romans referred to the Mediterranean as Mare Nostrum
9.
Tartessos
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Tartessos or Tartessus was a semi-mythical harbor city and the surrounding culture on the south coast of the Iberian Peninsula, at the mouth of the Guadalquivir River. It appears in sources from Greece and the Near East starting during the first millennium BC, herodotus, for example, describes it as beyond the Pillars of Heracles. Archaeological discoveries in the region have built up a picture of a widespread culture, identified as Tartessian. The Tartessians were rich in metal, in the 4th century BC the historian Ephorus describes a very prosperous market called Tartessos, with much tin carried by river, as well as gold and copper from Celtic lands. Trade in tin was very lucrative in the Bronze Age, since it is a component of true bronze and is comparatively rare. Herodotus refers to a king of Tartessos, Arganthonios, presumably named for his wealth in silver, the people from Tartessos became important trading partners of the Phoenicians, whose presence in Iberia dates from the 8th century BC and who nearby built a harbor of their own, Gadir. Several early sources, such as Aristotle, refer to Tartessos as a river, Aristotle claims that it rises from the Pyrene Mountain and flows out to sea outside the Pillars of Hercules, the modern Strait of Gibraltar. No such river traverses the Iberian peninsula, according to Pytheas, in the 4th century BC, as reported by Strabo in the 1st century AD, the Turduli occupied the area that was Tartessos which was the Baetis River. The river, which is the largest in Iberia and tidal, those of a day called Baetis and there are some who think that Tartessus was the ancient name of Carpia. The river known in his day as the Baetis is now the Guadalquivir, thus, Tartessos may be buried, Schulten thought, under the shifting wetlands. The river delta has gradually been blocked by a sandbar that stretches from the mouth of the Rio Tinto, near Palos de la Frontera, the area is now protected as the Parque Nacional de Doñana. In the 2nd century AD Appian thought that Karpessos was previously known as Tartessos, subsequent discoveries were widely reported, in September 1923 archaeologists discovered a Phoenician necropolis in which human remains were unearthed and stones found with illegible characters. It may have been colonized by the Phoenicians for trade because of its richness in metals, J. M. Luzón was the first to identify Tartessos with modern Huelva, based on discoveries made in the preceding decades. Alluvial tin was panned in Tartessian streams from an early date, the spread of a silver standard in Assyria increased its attractiveness. The invention of coinage in the 7th century BC spurred the search for bronze, henceforth trade connections, formerly largely in elite goods, assumed an increasingly broad economic role. By the Late Bronze Age, silver extraction in Huelva Province reached industrial proportions, pre-Roman silver slag is found in the Tartessian cities of Huelva Province. Cypriot and Phoenician metalworkers produced 15 million tons of pyrometallurgical residues at the vast dumps of Riotinto, tartessic artifacts linked with the Tartessos culture have been found, and many archaeologists now associate the lost city with Huelva. In excavations on spatially restricted sites in the center of modern Huelva, Huelva contains the largest accumulation of imported elite goods and must have been an important Tartessian center
10.
Heracles
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Heracles, born Alcaeus or Alcides, was a divine hero in Greek mythology, the son of Zeus and Alcmene, foster son of Amphitryon and great-grandson and half-brother of Perseus. He was the greatest of the Greek heroes, a paragon of masculinity, the ancestor of clans who claimed to be Heracleidae. In Rome and the modern West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. The Romans adopted the Greek version of his life and works essentially unchanged, details of his cult were adapted to Rome as well. Extraordinary strength, courage, ingenuity, and sexual prowess with both males and females were among the characteristics commonly attributed to him, together with Hermes he was the patron and protector of gymnasia and palaestrae. His iconographic attributes are the skin and the club. These qualities did not prevent him from being regarded as a figure who used games to relax from his labors. By conquering dangerous archaic forces he is said to have made the safe for mankind. Many popular stories were told of his life, the most famous being The Twelve Labours of Heracles and his figure, which initially drew on Near Eastern motifs such as the lion-fight, was widely known. Heracles was the greatest of Hellenic chthonic heroes, but unlike other Greek heroes, the core of the story of Heracles has been identified by Walter Burkert as originating in Neolithic hunter culture and traditions of shamanistic crossings into the netherworld. Heracles role as a hero, whose death could be a subject of mythic telling, was accepted into the Olympian Pantheon during Classical times. Around him cries of the dead rang out like cries of birds scattering left, in Christian circles a Euhemerist reading of the widespread Heracles cult was attributed to a historical figure who had been offered cult status after his death. The ancient Greeks celebrated the festival of the Heracleia, which commemorated the death of Heracles, what is believed to be an Egyptian Temple of Heracles in the Bahariya Oasis dates to 21 BCE. A reassessment of Ptolemys descriptions of the island of Malta attempted to link the site at Ras ir-Raħeb with a temple to Heracles, several ancient cities were named Heraclea in his honor. A major factor in the tragedies surrounding Heracles is the hatred that the goddess Hera. A full account of Heracles must render it clear why Heracles was so tormented by Hera, Heracles was the son of the affair Zeus had with the mortal woman Alcmene. Zeus made love to her after disguising himself as her husband, Amphitryon, thus, Heracles very existence proved at least one of Zeus many illicit affairs, and Hera often conspired against Zeus mortal offspring as revenge for her husbands infidelities. His twin mortal brother, son of Amphitryon, was Iphicles, Hera did this knowing that while Heracles was to be born a descendant of Perseus, so too was Eurystheus
11.
Louvre
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The Louvre or the Louvre Museum is the worlds largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the citys 1st arrondissement, approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres. The Louvre is the second most visited museum after the Palace Museum in China. The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, remnants of the fortress are visible in the basement of the museum. Due to the expansion of the city, the fortress eventually lost its defensive function and. The building was extended many times to form the present Louvre Palace, in 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years, during the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations masterpieces. The museum opened on 10 August 1793 with an exhibition of 537 paintings, because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed Musée Napoléon, the collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic, whether this was the first building on that spot is not known, it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den, in the 7th century, St. Fare, an abbess in Meaux, left part of her Villa called Luvra situated in the region of Paris to a monastery. This territory probably did not correspond exactly to the modern site, the Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis acquired what would become the nucleus of the Louvres holdings, his acquisitions including Leonardo da Vincis Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed, however, on 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. Under Louis XVI, the museum idea became policy. The comte dAngiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the French Museum, many proposals were offered for the Louvres renovation into a museum, however, none was agreed on. Hence the museum remained incomplete until the French Revolution, during the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences, on 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property
12.
Hesiod
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Hesiod was a Greek poet generally thought by scholars to have been active between 750 and 650 BC, around the same time as Homer. He is generally regarded as the first written poet in the Western tradition to regard himself as a persona with an active role to play in his subject. Ancient authors credited Hesiod and Homer with establishing Greek religious customs, modern scholars refer to him as a major source on Greek mythology, farming techniques, early economic thought, archaic Greek astronomy and ancient time-keeping. The dating of his life is an issue in scholarly circles. Epic narrative allowed poets like Homer no opportunity for personal revelations, however, Hesiods extant work comprises didactic poems in which he went out of his way to let his audience in on a few details of his life. There are three references in Works and Days, as well as some passages in his Theogony that support inferences made by scholars. Some scholars have seen Perses as a creation, a foil for the moralizing that Hesiod develops in Works and Days. Gregory Nagy, on the hand, sees both Persēs and Hēsiodos as fictitious names for poetical personae. The family association with Cyme might explain his familiarity with eastern myths, evident in his poems, however, while his poetry features some Aeolisms there are no words that are certainly Boeotian—he composed in the main literary dialect of the time, Ionian. Pausanias asserted that Boeotians showed him an old tablet made of lead on which the Works were engraved. If he did write or dictate, it was perhaps as an aid to memory or because he lacked confidence in his ability to produce poems extempore and it certainly wasnt in a quest for immortal fame since poets in his era had no such notions. However, some suspect the presence of large-scale changes in the text. Possibly he composed his verses during idle times on the farm and he was in fact a misogynist of the same calibre as the later poet, Semonides. He resembles Solon in his preoccupation with issues of good versus evil and how a just and he resembles Aristophanes in his rejection of the idealised hero of epic literature in favour of an idealised view of the farmer. Yet the fact that he could eulogise kings in Theogony and denounce them as corrupt in Works, two different—yet early—traditions record the site of Hesiods grave. This tradition follows a familiar ironic convention, the oracle that predicts accurately after all, the other tradition, first mentioned in an epigram by Chersias of Orchomenus written in the 7th century BC claims that Hesiod lies buried at Orchomenus, a town in Boeotia. Eventually they came to regard Hesiod too as their hearth-founder, later writers attempted to harmonize these two accounts. Greeks in the fifth and early 4th centuries BC considered their oldest poets to be Orpheus, Musaeus, Hesiod
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Aeschylus
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Aeschylus was an ancient Greek tragedian. He is often described as the father of tragedy, academics knowledge of the genre begins with his work, and understanding of earlier tragedies is largely based on inferences from his surviving plays. According to Aristotle, he expanded the number of characters in theater allowing conflict among them, fragments of some other plays have survived in quotes and more continue to be discovered on Egyptian papyrus, often giving us surprising insights into his work. He was probably the first dramatist to present plays as a trilogy, at least one of his plays was influenced by the Persians second invasion of Greece. This work, The Persians, is the surviving classical Greek tragedy concerned with contemporary events. Despite this, Aeschylus work – particularly the Oresteia – is generally acclaimed by modern critics and scholars. As soon as he woke from the dream, the young Aeschylus began to write a tragedy, and his first performance took place in 499 BC and he won his first victory at the City Dionysia in 484 BC. In 510 BC, when Aeschylus was 15 years old, Cleomenes I expelled the sons of Peisistratus from Athens, Cleisthenes reforms included a system of registration that emphasized the importance of the deme over family tradition. In the last decade of the 6th century, Aeschylus and his family were living in the deme of Eleusis, the Persian Wars played a large role in the playwrights life and career. In 490 BC, Aeschylus and his brother Cynegeirus fought to defend Athens against the army of Darius I of Persia at the Battle of Marathon. The Athenians emerged triumphant, a victory celebrated across the city-states of Greece, Cynegeirus, however, died in the battle, receiving a mortal wound while trying to prevent a Persian ship retreating from the shore, for which his countrymen extolled him as a hero. In 480, Aeschylus was called into service again, this time against Xerxes Is invading forces at the Battle of Salamis. Ion of Chios was a witness for Aeschyluss war record and his contribution in Salamis, Salamis holds a prominent place in The Persians, his oldest surviving play, which was performed in 472 BC and won first prize at the Dionysia. Aeschylus was one of many Greeks who were initiated into the Eleusinian Mysteries, initiates gained secret knowledge through these rites, likely concerning the afterlife. Firm details of specific rites are sparse, as members were sworn under the penalty of not to reveal anything about the Mysteries to non-initiates. Nevertheless, according to Aristotle, Aeschylus was accused of revealing some of the secrets on stage. Other sources claim that a mob tried to kill Aeschylus on the spot. Heracleides of Pontus asserts that the tried to stone Aeschylus
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Stesichorus
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Stesichorus was the first great lyric poet of the West. As one scholar observed in 1967, Time has dealt more harshly with Stesichorus than with any other major lyric poet, Stesichorus exercised an important influence on the representation of myth in 6th century art and on the development of Athenian dramatic poetry. Stesichorus was born in Metauros in Calabria, Southern Italy c.630 BC, Some say that he came from Himera in Sicily, but that was due to him moving from Metauros to Himera later in life. When exiled from Pallantium in Arcadia he came to Katane and when he died there was buried in front of the gate which is called Stesichorean after him, in date he was later than the lyric poet Alcman, since he was born in the 37th Olympiad. He died in the 56th Olympiad and he had a brother Mamertinus who was an expert in geometry and a second brother Helianax, a law-giver. His poems are in the Doric dialect and in 26 books and they say that he was blinded for writing abuse of Helen and recovered his sight after writing an encomium of Helen, the Palinode, as the result of a dream. He was called Stesichorus because he was the first to establish a chorus of singers to the cithara, aristotle quoted a speech the poet is supposed to have made to the people of Himera warning them against the tyrannical ambitions of Phalaris. The Byzantine grammarian Tzetzes also listed him as a contemporary of the tyrant, according to Lucian, the poet lived to 85 years of age. Hieronymus declared that his poems became sweeter and more swan-like as he approached death, eusebius dated his floruit in Olympiad 42.2 and his death in Olympiad 55.1. The Sudas claim that Hesiod was the father of Stesichorus can be dismissed as yet it is also mentioned by Tzetzes. According to another tradition known to Cicero, Stesichorus was the grandson of Hesiod yet even this verges on anachronism since Hesiod was composing verses around 700 BC, Stesichorus might be regarded as Hesiods literary heir and maybe this was the source of confusion about a family relationship. According to Stephanus of Byzantium and the philosopher Plato the poets father was named Euphemus, the poets mathematically inclined brother was named Mamertinus by the Suda but a scholiast in a commentary on Euclid named him Mamercus. It was also a sympathetic environment for his most famous poem, The Palinode, composed in praise of Helen, on the other hand, the western Greeks were not very different from their eastern counterparts and his poetry cannot be regarded exclusively as a product of the Greek West. His poetry included a description of the river Himera as well as praise for the named after it. His possible exile from Arcadia is attributed by one scholar to rivalry between Tegea and Sparta. Traditional accounts indicate that he was active in Magna Graeca. Aristotle mentions two public speeches by Stesichorus, one to the people of Himera, warning them against Phalaris, philodemus believed that the poet once stood between two armies and reconciled them with a song — but there is a similar story about Terpander. Moreover the name wasnt unique — there seems to have more than one poet of this name
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Chalcis
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Chalcis or Chalkida is the chief town of the island of Euboea in Greece, situated on the Euripus Strait at its narrowest point. The name is preserved from antiquity and is derived from the Greek χαλκός, in the late Middle Ages, it was known as Negropont, a name that was applied to the entire island of Euboea as well. The earliest recorded mention of Chalcis is in the Iliad, where it is mentioned in the line as its rival Eretria. It is also documented that the set for the Trojan War gathered at Aulis. Chamber tombs at Trypa and Vromousa dated to the Mycenaean period were excavated by Papavasiliou in 1910. In the 8th and 7th centuries BC, colonists from Chalcis founded thirty townships on the peninsula of Chalcidice and several important cities in Magna Graecia, such as Naxos, Rhegion and Cumae. Its mineral produce, metal-work, purple and pottery not only found markets among these settlements, early in the 6th century BC, its prosperity was broken by a disastrous war with the Athenians, who expelled the ruling aristocracy and settled a cleruchy on the site. Chalcis subsequently became a member of both the Delian Leagues, in the Hellenistic period, it gained importance as a fortress by which the Macedonian rulers controlled central Greece. It was used by kings Antiochus III of Syria and Mithradates VI of Pontus as a base for invading Greece, under Roman rule, Chalcis retained a measure of commercial prosperity. The city is recorded as a city in the 6th-century Synecdemus and mentioned by the contemporary historian Procopius of Caesarea, the town survived an Arab naval raid in the 880s and its bishop is attested in the 869–70 Church council held at Constantinople. By the 12th century, the featured a Venetian trading station, being attacked by the Venetian fleet in 1171 and eventually seized by Venice in 1209. For Westerners, its name was Negropont or Negroponte. The town was a condominium between Venice and the Veronese barons of the rest of Euboea, known as the triarchs, who resided there. Chalcis or Negroponte became a Latin Church diocese, the first bishop being Theodorus, the Greek bishop of the see, a large hoard of late medieval jewellery dating from Venetian times was found in Chalcis Castle in the nineteenth century and is now in the British Museum. The synagogue dated to around 1400 and that siege is the subject of the Rossini opera Maometto II. The Ottomans made it the seat of the Admiral of the Archipelago, in 1688, it was successfully held by the Ottomans against a strong Venetian attack. The modern town received an impetus in its trade from the establishment of railway connection with Athens. The old town, called the Castro, was surrounded by a circuit of defense walls until they were completely razed for urban development around the start of the 20th century
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Hound
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A Hound is a type of dog, used by hunters to track or chase prey. Hounds can be contrasted with gundogs, which assist hunters by identifying the location of prey and/or recovering shot quarry, the hound breeds were the first hunting dogs. They have either a sense of smell or great speed. There are three types of hound, with several breeds within each type, Sighthounds, which follow prey predominantly by speed and these dogs are fast and assist hunters in catching game—fox, hare, deer and elk. Scenthounds, which follow prey or others by tracking its scent and these dogs have endurance but are not fast runners. The remaining breeds of hound follow their prey using both sight and scent, difficult to classify as they are neither sighthound nor scent hound and this may not include all hound-type dogs. Breed Groups Dog type Hound Group Hunting dog Scent hound Sighthound Sighthound & Pariah Group
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Orthrus
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In Greek mythology, Orthrus or Orthus was, according to the mythographer Apollodorus, a two-headed dog who guarded Geryons cattle and was killed by Heracles. He was the offspring of the monsters Echidna and Typhon, and the brother of Cerberus, who was also a multi-headed guard dog. According to Hesiod, Orthrus was the father of the Sphinx and the Nemean Lion, though who Hesiod meant as the mother, whether Echidna, Heracles killed Orthrus, and later slew Eurytion and Geryon before taking the red cattle to complete his tenth labor. According to Apollodorus Heracles killed Orthrus with his club, although in art Orthrus is sometimes depicted pierced by arrows, the poet Pindar refers to the hounds of Geryon trembling before Heracles. Pindars use of the hounds in connection with Geryon is unique. He may have used the plural because Orthus had multiple heads, depictions of Orthrus in art are rare, and always in connection with the theft of Geryons cattle by Heracles. He is usually shown dead or dying, sometimes pierced by one or more arrows, the earliest depiction of Orthrus is found on a late seventh-century bronze horse pectoral from Samos. It shows a two-headed Orthrus, with an arrow protruding from one of his heads, crouching at the feet, Orthrus is facing Heracles, who stands to the left, wearing his characteristic lion-skin, fighting Geryon to the right. A red-figure cup by Euphronios from Vulci c, 550–500 BC shows a two-headed Orthrus lying belly-up, with an arrow piercing his chest, and his snake tail still writhing behind him. Heracles is on the left, wearing his lion-skin, fighting a three-bodied Geryon to the right, an Attic black-figure neck amphora, by the Swing Painter c. 550–500 BC, shows a two-headed Orthrus, at the feet of a three-bodied Geryon, according to Apollodorus, Orthrus had two heads, however in art, the number varies. The Euphronios cup, and the stone relief depict Orthrus, like Cerberus, with a tail, though usually he is shown with a dog tail. Orthrus bears a resemblance to Cerberus, the hound of Hades. The classical scholar Arthur Bernard Cook called Orthrus Cerberus doublet, according to Hesiod, Cerberus, like Orthrus was the offspring of Echidna and Typhon. And like Orthrus, Cerberus was multi-headed, the earliest accounts gave Cerberus fifty, or even one hundred heads, though in literature three heads for Cerberus became the standard. However, in art, often only two heads for Cerberus are shown, Cerberus was also usually depicted with a snake tail, just as Orthrus was sometimes. Both became guard dogs, with Cerberus guarding the gates of Hades and his name is given as either Orthrus or Orthus. For example, Hesiod, the oldest source, calls the hound Orthus, Cerberus Apollodorus, Apollodorus, The Library, with an English Translation by Sir James George Frazer, F. B. A
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Cerberus
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In Greek mythology, Cerberus, often called the hound of Hades, is the monstrous multi-headed dog that guards the gates of the Underworld to prevent the dead from leaving. Cerberus was the offspring of the monsters Echidna and Typhon, Cerberus is primarily known for his capture by Heracles, one of Heracles twelve labours. Descriptions of Cerberus vary, including the number of his heads, Cerberus was usually three-headed, though not always. And, like these close relatives, Cerberus was, with only the rare iconographic exception, in the earliest description of Cerberus, Hesiods Theogony, Cerberus has fifty heads, while Pindar gave him one hundred heads. However, later writers almost universally give Cerberus three heads, an exception is the Latin poet Horaces Cerberus which has a single dog head, and one hundred snake heads. In art Cerberus is most commonly depicted with two dog heads, never more than three, but occasionally only one. On one of the two earliest depictions, a Corinthian cup from Argos, now lost, Cerberus is shown as a normal single-headed dog, the first appearance of a three-headed Cerberus occurs on a mid sixth century BC Laconian cup. Horaces many snake-headed Cerberus followed a tradition of Cerberus being part snake. This is perhaps already implied as early as in Hesiods Theogony, where Cerberus mother is the half-snake Echidna, in the literary record, the first certain indication of Cerberus serpentine nature comes from the rationalized account of Hecataeus of Miletus, who makes Cerberus a large poisonous snake. Cerberus was given various other traits, according to Euripides, Cerberus not only had three heads but three bodies, and according to Virgil he had multiple backs. Cerberus ate raw flesh, had eyes which flashed fire, a three-tongued mouth, as early as Homer we learn that Heracles was sent by Eurystheus, the king of Tiryns, to bring back Cerberus from Hades the king of the underworld. According to Apollodorus, this was the twelfth and final labour imposed on Heracles, Heracles was aided in his mission by his being an initiate of the Eleusinian Mysteries. Euripides has his initiation being lucky for Heracles in capturing Cerberus, and both Diodorus Siculus and Apollodorus say that Heracles was initiated into the Mysteries, in preparation for his descent into the underworld. According to Diodorus, Heracles went to Athens, where Musaeus, Heracles also had the help of Hermes, the usual guide of the underworld, as well as Athena. In the Odyssey, Homer has Hermes and Athena as his guides, and Hermes and Athena are often shown with Heracles on vase paintings depicting Cerberus capture. By most accounts, Heracles made his descent into the underworld through an entrance at Tainaron, Heraclea, founded c.560 BC, perhaps took its name from the association of its site with Heracles Cerberian exploit. While in the underworld, Heracles met the heroes Theseus and Pirithous, along with bringing back Cerberus, Heracles also managed to rescue Theseus, and in some versions Pirithous as well. The earliest literary mention of the rescue occurs in Euripides, where Heracles saves Theseus, in the lost play Pirithous, both heroes are rescued, while in the rationalized account of Philochorus, Heracles was able to rescue Theseus, but not Pirithous
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Labours of Hercules
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The twelve labours of Heracles or Hercules are a series of episodes concerning a penance carried out by Heracles, the greatest of the Greek heroes, whose name was later Romanised as Hercules. They were accomplished over 12 years at the service of King Eurystheus, the episodes were later connected by a continuous narrative. The establishment of a cycle of twelve labours was attributed by the Greeks to an epic poem, now lost, written by Peisander. After Hercules killed his wife and children, he went to the oracle at Delphi and he prayed to the god Apollo for guidance. Hercules was told to serve the king of Mycenae, Eurystheus, during these 12 years, Hercules is sent to perform twelve difficult feats, called labours. Driven mad by Hera, Hercules slew his son, daughter, after recovering his sanity, Hercules deeply regretted his actions, he was purified by King Thespius, then traveled to Delphi to inquire how he could atone for his actions. Hercules despaired at this, loathing to serve a man whom he knew to be far inferior to himself, eventually, he placed himself at Eurystheuss disposal. Eurystheus originally ordered Hercules to perform ten labours, Eurystheus set two more tasks, which Hercules also performed, bringing the total number of tasks to twelve. As they survive, the labours of Hercules are not recounted in any single place, Ruck and Staples assert that there is no one way to interpret the labours, but that six were located in the Peloponnese, culminating with the rededication of Olympia. Six others took the hero farther afield, to places that were, per Ruck, in each case, the pattern was the same, Hercules was sent to kill or subdue, or to fetch back for Eurystheus a magical animal or plant. A famous depiction of the labours in Greek sculpture is found on the metopes of the Temple of Zeus at Olympia, in his labours, Hercules was sometimes accompanied by a male companion, according to Licymnius and others, such as Iolaus, his nephew. Several of the labours involved the offspring of Typhon and his mate Echidna, a traditional order of the labours found in the Bibliotheca is, Slay the Nemean Lion. Clean the Augean stables in a single day, obtain the girdle of Hippolyta, Queen of the Amazons. Obtain the cattle of the monster Geryon, steal the apples of the Hesperides. The first labour was to slay the Nemean lion, according to one version of the myth, the Nemean lion took women as hostages to its lair in a cave near Nemea, luring warriors from nearby towns to save the damsel in distress. After entering the cave, the warrior would see the woman, once he was close, the woman would turn into a lion and kill the warrior, devouring his remains and giving the bones to Hades. Hercules wandered the area until he came to the town of Cleonae, another version claims that he met Molorchos, a shepherd who had lost his son to the lion, saying that if he came back within thirty days, a ram would be sacrificed to Zeus. If he did not return within thirty days, it would be sacrificed to the dead Hercules as a mourning offering, while searching for the lion, Hercules fletched some arrows to use against it, not knowing that its golden fur was impenetrable
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Helios
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Helios was the personification of the Sun in Greek mythology. He is the son of the Titan Hyperion and the Titaness Theia, also known as Euryphaessa and brother of the goddesses Selene, the moon, and Eos, the dawn. In the Homeric hymn to Helios, Helios is said to drive a chariot drawn by steeds. Still later, the horses were given related names, Pyrois, Aeos, Aethon. As time passed, Helios was increasingly identified with the god of light, however, in spite of their syncretism, they were also often viewed as two distinct gods/titan. The equivalent of Helios in Roman mythology was Sol, specifically Sol Invictus, the Greek ἥλιος is the inherited word for the Sun, from Proto-Indo-European *sóh₂wl̥, cognate with Latin sol, Sanskrit surya, Old English swegl, Old Norse sól, Welsh haul, etc. The female offspring of Helios were called Heliades, the Greek sun god had various bynames or epithets, which over time in some cases came to be considered separate deities associated with the Sun. Most notably, Helios is closely associated with, and sometimes identified with. Diodorus Siculus of Sicily reported that the Chaldeans called Cronus by the name Helios, or the sun, among these is Hyperion, Elektor, Phaëton the radiant, Hekatos. The best known story involving Helios is that of his son Phaethon, Helios was sometimes characterized with the epithet Panoptes. In the Odyssey, Odysseus and his crew land on Thrinacia, an island sacred to the sun god. There, the red cattle of the Sun were kept, You will now come to the Thrinacian island. There will be seven herds of cattle and seven flocks of sheep and they do not breed, nor do they become fewer in number, and they are tended by the goddesses Phaethusa and Lampetia, who are children of the sun-god Hyperion by Neaera. Their mother when she had them and had done suckling them sent them to the Thrinacian island. Though Odysseus warns his men, when supplies run short they impiously kill, the guardians of the island, Helios daughters, tell their father about this. Helios appeals to Zeus telling them to dispose of Odysseus men or he will take the Sun, Zeus destroys the ship with his lightning bolt, killing all the men except for Odysseus. In one Greek vase painting, Helios appears riding across the sea in the cup of the Delphic tripod which appears to be a solar reference. While Heracles traveled to Erytheia to retrieve the cattle of Geryon, he crossed the Libyan desert and was so frustrated at the heat that he shot an arrow at Helios, Heracles used this golden cup to reach Erytheia
21.
Black-figure pottery
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Black-figure pottery painting, also known as the black-figure style or black-figure ceramic is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating as late as the 2nd century BC, stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes, delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan market, Greek black-figure vases were very popular with the Etruscans, as is evident from frequent imports. Greek artists created customized goods for the Etruscan market which differed in form, the Etruscans also developed their own black-figure ceramic industry oriented on Greek models. Black-figure painting on vases was the first art style to give rise to a significant number of identifiable artists, some are known by their true names, others only by the pragmatic names they were given in the scientific literature. Especially Attica was the home of well-known artists, some potters introduced a variety of innovations which frequently influenced the work of the painters, sometimes it was the painters who inspired the potters’ originality. Red- as well as black-figure vases are one of the most important sources of mythology and iconography, since the 19th century at the latest, these vases have been the subject of intensive investigation. The foundation for pottery painting is the carrier, in other words the vase onto which an image is painted. Popular shapes alternated with passing fashions, whereas many recurred after intervals, others were replaced over time. But they all had a method of manufacture, after the vase was made. The workshops were under the control of the potters, who as owners of businesses had a social position. The extent to which potters and painters were identical is uncertain and it is likely that many master potters themselves made their main contribution in the production process as vase painters, while employing additional painters. It is, however, not easy to reconstruct links between potters and painters, but such attributions can only be made with confidence if the signatures of potter and painter are at hand. The painters, who were slaves or craftsmen paid as pottery painters, worked on unfired. In the case of production the subject was painted on the vase with a clay slurry which turned black after firing. This was not a color in the sense, since this surface slip was of the same material as the vase itself
22.
Lernaean Hydra
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The Lernaean Hydra or Hydra of Lerna, more often known simply as the Hydra, was a serpentine water monster in Greek and Roman mythology. Its lair was the lake of Lerna in the Argolid, which was also the site of the myth of the Danaids, Lerna was reputed to be an entrance to the Underworld and archaeology has established it as a sacred site older than Mycenaean Argos. In the canonical Hydra myth, the monster is killed by Heracles, more known as Hercules, using sword and fire. According to Hesiod, the Hydra was the offspring of Typhon and it possessed many heads, the exact number of which varies according to the source. Later versions of the Hydra story add a feature to the monster, for every head chopped off. The Hydra had poisonous breath and blood so virulent that even its scent was deadly, the oldest extant Hydra narrative appears in Hesiods Theogony, while the oldest images of the monster are found on a pair of bronze fibulae dating to ca.700 BCE. In both these sources, the motifs of the Hydra myth are already present, a multi-headed serpent that is slain by Heracles. While the fibulae portray a six-headed Hydra, its number of heads was first fixed in writing by Alcaeus, simonides, writing a century later, increased the number to fifty, while Euripides, Virgil and others did not bother to give an exact figure. Heraclitus the paradoxographer rationalized the myth by suggesting that the Hydra would have been a single-headed snake accompanied by its offspring, like the initial number of heads, the monsters capacity to regenerate lost heads varies with time and author. The first mention of this ability of the Hydra occurs with Euripides, palaephatus, Ovid and Diodorus Siculus concur with Euripides, while Servius has the Hydra grow back three heads each time, the Suda does not give a number. Depictions of the dating to ca.500 BCE show it with a double tail as well as multiple heads, suggesting the same regenerative ability at work. The Hydra had many parallels in ancient Near Eastern religions, the constellation is also sometimes associated in Babylonian contexts with Marduks dragon, the Mushhushshu. Eurystheus sent Heracles to slay the Hydra, which Hera had raised just to slay Heracles, upon reaching the swamp near Lake Lerna, where the Hydra dwelt, Heracles covered his mouth and nose with a cloth to protect himself from the poisonous fumes. He shot flaming arrows into the Hydras lair, the spring of Amymone and he then confronted the Hydra, wielding either a harvesting sickle, a sword, or his famed club. The chthonic creatures reaction to this decapitation was botanical, two back, an expression of the hopelessness of such a struggle for any but the hero. The weakness of the Hydra was that it was only if it retained at least one head. The details of the struggle are explicit in the Bibliotheca, realizing that he could not defeat the Hydra in this way and his nephew then came upon the idea of using a firebrand to scorch the neck stumps after each decapitation. Heracles cut off each head and Iolaus cauterized the open stumps, seeing that Heracles was winning the struggle, Hera sent a giant crab to distract him
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Eurystheus
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He was married to Antimache, daughter of Amphidamas. The arena for the actions that would bring about this change are the Twelve Labors imposed on Heracles by Eurystheus. Details of the episodes may be found in the article on the Labours of Heracles. Heracles first task was to slay the Nemean Lion and bring back its skin, Eurystheus was so scared by Heracles fearsome guise that he hid in a subterranean bronze winejar, and from that moment forth all labors were communicated to Heracles through a herald, Copreus. For his second labour, to slay the Lernaean Hydra, Heracles took with him his nephew, Iolaus, as a charioteer. When Eurystheus found out that Heracles nephew had helped him he declared that the labour had not been completed alone, Eurystheus third task did not involve killing a beast, but capturing one alive - the Cerynian Hind, a golden-horned stag sacred to Artemis. Heracles knew that he had to return the hind, as he had promised, to Artemis, so he agreed to hand it over on the condition that Eurystheus himself come out and take it from him. Eurystheus did come out, but the moment Heracles let the hind go, she sprinted back to her mistress, when Heracles returned with the Erymanthian Boar, Eurystheus was again frightened and hid in his jar, begging Heracles to get rid of the beast, Heracles obliged. The fifth labour proposed by Eurystheus was to out the numerous stables of Augeias. Striking a deal with Augeias, Heracles proposed a payment of a tenth of Augeias cattle if the labour was completed successfully, not believing the task feasible, Augeias agreed, asking his son Phyleus to witness. Heracles rerouted two nearby rivers through the stable, clearing out the dung rapidly, when Augeias learned of Heracles bargain for the task, he refused payment. Heracles brought the case to court, and Phyleus testified against his father, enraged, Augeias banished both Phyleus and Heracles from the land before the court had cast their vote. However, Eurystheus refused to credit the labour to Heracles, as he had performed it for payment, so Heracles went and drove Augeias out of the kingdom and installed Phyleus as king. Heracles then took his tenth of the cattle and left them to graze in a field by his home, for his sixth labour, Heracles had to drive the Stymphalian Birds off the marshes they plagued. He did so, shooting down several birds with his Hydra-poisoned arrows, for his seventh labour, Heracles captured the Cretan Bull. He used a lasso and rode it back to his cousin, Eurystheus offered to sacrifice the bull to Hera his patron, who hated Heracles. She refused the sacrifice because it reflected glory on Heracles, the bull was released and wandered to Marathon, becoming known as the Marathonian Bull. When Heracles brought back the man-eating Mares of Diomedes successfully, Eurystheus dedicated the horses to Hera, bucephalus, Alexander the Greats horse, was said to be descended from these mares
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Aventine Hill
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The Aventine Hill is one of the Seven Hills on which ancient Rome was built. It belongs to Ripa, the rione, or ward. The Aventine Hill is the southernmost of Romes seven hills and it has two distinct heights, one greater to the northwest and one lesser to the southeast, divided by a steep cleft that provides the base for an ancient roadway between the heights. During the Republican era, the two hills may have recognized as a single entity. Most Roman sources trace the name of the hill to a legendary king Aventinus, Servius identifies two kings of that name, one ancient Italic, and one Alban, both said to have been buried on the hill in remote antiquity. Servius believes that the hill was named after the ancient Italic king Aventinus, the Aventine was a significant site in Roman mythology. In Virgils Aeneid, a cave on the Aventines rocky slope next the river is home to the monstrous Cacus, killed by Hercules for stealing Geryons cattle. In Romes founding myth, the divinely fathered twins Romulus and Remus hold a contest of augury, whose outcome determines the right to found, name and lead a new city, and to determine its site. In most versions of the story, Remus sets up his tent on the Aventine. Each sees a number of birds that signify divine approval. Romulus goes on to found the city of Rome at the site of his successful augury, an earlier variant, found in Ennius and some later sources, has Romulus perform his augury on one of the Aventine Hills. Remus performs his elsewhere, perhaps on the height, the lesser of the Aventines two hills, which has been tentatively identified with Ennius Mons Murcus. The less fortunate Remus, who lost not only the contest but later, his life, remained on the Aventine, according to Roman tradition, the Aventine was not included within Romes original foundation, and lay outside the citys ancient sacred boundary. The Roman historian Livy reports that Ancus Marcius, Romes fourth king, defeated the Latins of Politorium, the Roman geographer Strabo credits Ancus with the building of a city wall to incorporate the Aventine. Others credit the same wall to Romes sixth king, Servius Tullius, the remains known as the Servian Wall used stone quarried at Veii, which was not conquered by Rome until c.393 BC, so the Aventine might have been part-walled, or an extramural suburb. The Aventine appears to have functioned as some kind of staging post for the legitimate ingress of foreign peoples, during the late regal era, Servius Tullius built a temple to Diana on the Aventine, as a Roman focus for the new-founded Latin League. The Aventines outlying position, its association with Latins and plebeians. The temple overlooked the Circus Maximus and the Temple of Vesta and it became an important repository for plebeian and senatorial records
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Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
26.
Cacus
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In Roman mythology, Cacus was a fire-breathing giant and the son of Vulcan. He was killed by Hercules after terrorizing the Aventine Hill before the founding of Rome, Cacus lived in a cave in Italy on the future site of Rome. To the horror of nearby inhabitants, Cacus lived on human flesh and he was eventually overcome by Hercules. According to Evander, Hercules stopped to pasture the cattle he had stolen from Geryon near Cacus lair. As Hercules slept, the took a liking to the cattle and slyly stole eight of them - four bulls and four cows - by dragging them by their tails. When Hercules awoke and made to leave, the remaining herd made plaintive noises towards the cave, angered, Hercules stormed towards the cave. A terrified Cacus blocked the entrance with a vast, immoveable boulder, Cacus attacked Hercules by spewing fire and smoke, while Hercules responded with tree branches and rocks the size of millstones. Eventually losing patience, Hercules leapt into the cave, aiming for the area where the smoke was heaviest, Hercules grabbed Cacus and strangled the monster, and was praised throughout the land for his act. Another version of the states that Cacus made the cattle walk backwards so they left a false trail. Hercules drove his remaining cattle past a cave, where Cacus was hiding the stolen ones, alternatively, Caca, Cacus sister, told Hercules where he was. In the Roman tradition, Hercules founded an altar after he killed Cacus, in the Aeneid, the Arcadian King Evander recounts this story to Aeneas to explain the rites the people perform yearly to Hercules. This was the Ara Maxima, where later the Forum Boarium, Hercules had temples in the area, including the still extant Temple of Hercules Victor. In the Inferno of the Divine Comedy by Dante Alighieri, Cacus is depicted as a centaur with a dragon on his shoulders. He guards over the thieves in the Thieves section of Hells Circle of Fraud, the comparison is a slight against Rinaldo, as he had written a book The Mirror of Chivalry which the Curate and the Barber agree caused, in part, Don Quixotes descent into madness. In Letter to a Friend Sir Thomas Browne compares the reluctance with which old people go to the grave with the movements of Cacus oxen. Cacus is described as a deformed outcast from an Italian village, able only to say Cacus, in Steven Saylors novel Roma, playing a direct role in the events of the main character of the era. Le Guins 2008 novel Lavinia, describes Cacus as a lord, the chief man of a tribal settlement. Lavinia comments that the Greeks story of the beast-man was more exciting than mine, Cacus appears as the main antagonist in Rick Riordans short story in The Demigod Diaries titled The Staff of Hermes
27.
Hermes
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Hermes is an Olympian god in Greek religion and mythology, the son of Zeus and the Pleiad Maia, and the second youngest of the Olympian gods. Hermes is considered a god of transitions and boundaries and he is described as quick and cunning, moving freely between the worlds of the mortal and divine. He is also portrayed as an emissary and messenger of the gods and he has been viewed as the protector and patron of herdsmen, thieves, oratory and wit, literature and poetry, athletics and sports, invention and trade, roads, boundaries and travelers. In some myths, he is a trickster and outwits other gods for his own satisfaction or for the sake of humankind and his attributes and symbols include the herma, the rooster, the tortoise, satchel or pouch, winged sandals, and winged cap. His main symbol is the Greek kerykeion or Latin caduceus, which appears in a form of two snakes wrapped around a staff with carvings of the other gods. The earliest form of the name Hermes is the Mycenaean Greek *hermāhās, most scholars derive Hermes from Greek ἕρμα herma, prop, heap of stones, boundary marker, from which the word hermai also derives. The etymology of ἕρμα itself is unknown, R. S. P. Beekes rejects the connection with herma and suggests a Pre-Greek origin. Scholarly speculation that Hermes derives from a primitive form meaning one cairn is disputed. In Greek, a find is a hermaion. It is also suggested that Hermes is a cognate of the Vedic Sarama, homer and Hesiod portrayed Hermes as the author of skilled or deceptive acts and also as a benefactor of mortals. In the Iliad, he is called the bringer of luck, guide and guardian. He was an ally of the Greeks against the Trojans. However, he did protect Priam when he went to the Greek camp to retrieve the body of his son Hector and he also rescued Ares from a brazen vessel where he had been imprisoned by Otus and Ephialtes. In the Odyssey, Hermes helps his son, the protagonist Odysseus, by informing him about the fate of his companions. Hermes instructed Odysseus to protect himself by chewing a magic herb, when Odysseus killed the suitors of his wife, Hermes led their souls to Hades. Hermes was then instructed to take her as wife to Epimetheus, aesop featured him in several of his fables, as ruler of the gate of prophetic dreams, as the god of athletes, of edible roots, and of hospitality. He also said that Hermes had assigned each person his share of intelligence, Hermes, as an inventor of fire, is a parallel of the Titan Prometheus. In addition to the lyre, Hermes was believed to have invented many types of racing and the sports of wrestling and boxing, in 1820 Shelley translated this hymn
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Caca (mythology)
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In ancient Roman religion and myth, Caca is the sister of Cacus, the son of Vulcan who stole cattle from Hercules during the course of his western labors. Caca betrays her brother by revealing the location of the cattle to Hercules, according to Lactantius and Servius, she was cultivated as a deity in recognition of her service to the god. Lipka suggests that these deities did not come into existence as pairs, despite the lateness of the only ancient sources that mention her, Caca is probably an older Roman goddess. Servius says she had a sacellum, probably located in Rome and she has thus been seen as a sort of proto-Vesta, a fire goddess sharing in her brothers Vulcan-inherited capacity for fire-breathing
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Forum Boarium
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The Forum Boarium was the cattle forum venalium of Ancient Rome. It was located on a piece of land near the Tiber between the Capitoline, the Palatine and Aventine hills. As the site of the docks of Rome, the Forum Boarium experienced intense commercial activity. The Forum Boarium was the site of the first gladiatorial contest at Rome which took place in 264 BC as part of aristocratic funerary ritual—a munus or funeral gift for the dead. Marcus and Decimus Junius Brutus Scaeva put on a combat in honor of their deceased father with three pairs of gladiators. The site was also a religious center housing the Temple of Hercules Victor, the Temple of Portunus, the Temple of Hercules Victor or Hercules Olivarius, is a circular peristyle building dating from the 2nd century BC. It consists of a colonnade of Corinthian columns arranged in a ring around the cylindrical cella. These elements originally supported an architrave and roof which have disappeared and it is the earliest surviving marble building in Rome. For centuries, this was known as the Temple of Vesta, the Temple of Portunus is a rectangular building built between 100 and 80 BC. It consists of a portico and cella mounted on a podium reached by a flight of steps. The four Ionic columns of the portico are free-standing, while the six columns on the long sides and it is built of tuff and travertine with a stucco surface. This temple was for centuries known as the Temple of Fortuna Virilis, sources claim the Forum was the site for placement of a statue by the sculptor Myron, which had been looted from Aegina. While the source mentions a cow, it may have been a group of Theusus defeating the Minotaur. At the end of the Roman Empire, the area became overtaken with shops, both temples were deconsecrated and converted to Christian churches. Across the street is the church of Santa Maria in Cosmedin famous for its Bocca della Verità, the project also included new landscaping for the site. However, the Arch of Janus is still unrestored, lacus Curtius, Forum Boarium Virtual Tour and Pictures of Boarium Forum Forum Boarium background information
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Hera
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Hera is the goddess of women and marriage in Greek mythology and religion. She is the daughter of the Titans Cronus and Rhea, Hera is married to her brother Zeus and is titled as the Queen of Heaven. One of her characteristics is her jealous and vengeful nature against Zeuss other lovers and offspring, Hera is commonly seen with the animals she considers sacred including the cow, lion and the peacock. Scholar of Greek mythology Walter Burkert writes in Greek Religion, Nevertheless, there are memories of an aniconic representation, as a pillar in Argos. Her counterpart in the religion of ancient Rome was Juno, According to Plutarch, Hera was an allegorical name and an anagram of aēr. So begins the section on Hera in Walter Burkerts Greek Religion, in a note, he records other scholars arguments for the meaning Mistress as a feminine to Heros, Master. John Chadwick, a decipherer of Linear B, remarks her name may be connected with hērōs, ἥρως, hero, a. J. van Windekens, offers young cow, heifer, which is consonant with Heras common epithet βοῶπις. R. S. P. Beekes has suggested a Pre-Greek origin and her name is attested in Mycenaean Greek written in the Linear B syllabic script as
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Vergil
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Publius Vergilius Maro, usually called Virgil or Vergil /ˈvɜːrdʒᵻl/ in English, was an ancient Roman poet of the Augustan period. He wrote three of the most famous poems in Latin literature, the Eclogues, the Georgics, a number of minor poems, collected in the Appendix Vergiliana, are sometimes attributed to him. Virgil is traditionally ranked as one of Romes greatest poets and his Aeneid has been considered the national epic of ancient Rome from the time of its composition to the present day. Virgils work has had wide and deep influence on Western literature, most notably Dantes Divine Comedy, in which Virgil appears as Dantes guide through Hell, the tradition holds that Virgil was born in the village of Andes, near Mantua in Cisalpine Gaul. Analysis of his name has led to beliefs that he descended from earlier Roman colonists, modern speculation ultimately is not supported by narrative evidence either from his own writings or his later biographers. Macrobius says that Virgils father was of a background, however. He attended schools in Cremona, Mediolanum, Rome and Naples, after considering briefly a career in rhetoric and law, the young Virgil turned his talents to poetry. From Virgils admiring references to the neoteric writers Pollio and Cinna, it has been inferred that he was, for a time, according to Servius, schoolmates considered Virgil extremely shy and reserved, and he was nicknamed Parthenias or maiden because of his social aloofness. Virgil also seems to have suffered bad health throughout his life, according to the Catalepton, he began to write poetry while in the Epicurean school of Siro the Epicurean at Naples. A group of works attributed to the youthful Virgil by the commentators survive collected under the title Appendix Vergiliana. One, the Catalepton, consists of fourteen poems, some of which may be Virgils, and another. The biographical tradition asserts that Virgil began the hexameter Eclogues in 42 BC and it is thought that the collection was published around 39–38 BC, the Eclogues are a group of ten poems roughly modeled on the bucolic hexameter poetry of the Hellenistic poet Theocritus. The loss of his farm and the attempt through poetic petitions to regain his property have traditionally been seen as Virgils motives in the composition of the Eclogues. This is now thought to be an unsupported inference from interpretations of the Eclogues, the ten Eclogues present traditional pastoral themes with a fresh perspective. Eclogues 1 and 9 address the land confiscations and their effects on the Italian countryside,2 and 3 are pastoral and erotic, discussing both homosexual love and attraction toward people of any gender. Eclogue 4, addressed to Asinius Pollio, the so-called Messianic Eclogue uses the imagery of the age in connection with the birth of a child. Virgil came to many of the other leading literary figures of the time, including Horace, in whose poetry he is often mentioned, and Varius Rufus. At Maecenas insistence Virgil spent the years on the long didactic hexameter poem called the Georgics which he dedicated to Maecenas
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Erulus
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This name can also refer to a genus of cylindrical bark beetles. In Vergils Aeneid, Erulus is a king of Praeneste, at birth, he was given three souls by his mother, the goddess Feronia, who also tripled his ability to defend himself by giving him three sets of arms. Vergil tells his story through the Arcadian king Evander, founder of Pallantium, some scholars have seen Erulus as an influence on Spensers conception of Triamonds three-fold life in The Faerie Queene
33.
Palestrina
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Palestrina is an ancient city and comune with a population of about 21,000, in Lazio, about 35 kilometres east of Rome. It is connected to the latter by the Via Prenestina and it is the birthplace of composer Giovanni Pierluigi da Palestrina. Palestrina is sited on a spur of the Monti Prenestini, a range in the central Apennines. Palestrina borders the municipalities, Artena, Castel San Pietro Romano, Cave, Gallicano nel Lazio, Labico, Rocca di Cave, Rocca Priora, Rome, San Cesareo, Valmontone. Early burials show that the site was occupied in the 8th or 7th century BC. The ancient necropolis lay on a plateau at the foot of the hill below the ancient town, from these come the famous bronze boxes and hand mirrors with inscriptions partly in Etruscan. Also famous is the bronze Ficoroni Cista, engraved pictures of the arrival of the Argonauts in Bithynia. An example of archaic Latin is the inscription on the Ficoroni Cista, the caskets are unique in Italy, but a large number of mirrors of precisely similar style have been discovered in Etruria. Hence, although it would be reasonable to conjecture that objects with Etruscan characteristics came from Etruria, other imported objects in the burials show that Praeneste traded not only with Etruria but also with the Greek east. The origin of Praeneste was attributed by the ancients to Ulysses, the name derives probably from the word Praenesteus, referring to its overlooking location. Praeneste was probably under the hegemony of Alba Longa while that city was the head of the Latin League and it withdrew from the league in 499 BC, according to Livy, and formed an alliance with Rome. After Rome was weakened by the Gauls of Brennus, Praeneste switched allegiances, from 373 to 370, it was in continual war against Rome or her allies, and was defeated by Cincinnatus. Eventually in 354 and in 338 the Romans were victorious and Praeneste was punished by the loss of portions of its territory, as such, it furnished contingents to the Roman army, and Roman exiles were permitted to live at Praeneste, which grew prosperous. The roses of Praeneste were a byword for profusion and beauty, præneste was situated on the Via Labicana. Its citizens were offered Roman citizenship in 90 BC in the Social War, in Sullas second civil war, Gaius Marius the Younger was blockaded in the town by the forces of Sulla. When the city was captured, Marius slew himself, the inhabitants were massacred in cold blood. From an inscription it appears that Sulla delegated the foundation of the new colony to Marcus Terentius Varro Lucullus, within a decade the lands of the colonia had been assembled by a few large landowners. From the late Republic to the late Empire, markets, baths, shrines and even a second forum were built in the lower city, the poet Horace ranked cool Praeneste with Tibur and Baiae as favored resorts
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Triple deity
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A triple deity is three deities that are worshipped as one. Such deities are common throughout world mythology, the three has a long history of mythical associations. Carl Jung considered the arrangement of deities into triplets an archetype in the history of religion, in religious iconography or mythological art, three separate beings may represent either a triad who always appear as a group or a single deity known from literary sources as having three aspects. In the case of the Irish Brigid it can be ambiguous whether she is a goddess or three sisters, all named Brigid. The Morrígan also appears sometimes as one being, and at times as three sisters, as do the three Irish goddesses of sovereignty, Ériu, Fódla and Banba. The Matres or Matronae are usually represented as a group of three but sometimes with as many as 27 inscriptions and they were associated with motherhood and fertility. Triads or triple beings are ubiquitous in the Welsh and Irish mythic imagery, the religious iconographic repertoire of Gaul and Britain during the Roman period includes a wide range of triple forms, the most common triadic depiction is that of the triple mother goddess. Peter H. Goodrich interprets the figure of Morgan le Fay as a manifestation of a British triple goddess in the medieval romance Sir Gawain. A modern idea of a Triple Goddess is central to the new movement of Wicca. Georges Dumézils trifunctional hypothesis proposed that ancient Indo-European society conceived itself as structured around three activities, worship, war, and toil, in later times, when slave labor became common, the three functions came to be seen as separate classes, represented each by its own god. Dumézil understood this mythology as reflecting and validating social structures in its content, such a class system is found in ancient Indian, Iranian, Greek. But according to the linguist M. L, at her sacred grove at Aricia, on the shores of Lake Nemi a triplefold Diana was venerated from the late sixth century BCE as Diana Nemorensis. Andreas Alföldi interpreted a late Republican numismatic image as the Latin Diana conceived as a unity of the divine huntress, the Moon goddess. This coin shows that the goddess cult image still stood in the lucus of Nemi in 43 BCE. The Lake of Nemi was Triviae lacus for Virgil, while Horace called Diana montium custos nemoremque virgo, Diana is commonly addressed as Trivia by Virgil and Catullus. Spells and hymns in Greek magical papyri refer to the goddess as triple-sounding, in the mythology of the Sámi, a triad of goddesses are responsible for childbirth and protecting children. Sáhráhkka, who lives in the fireplace, is responsible for pregnancy, juksáhkká, who lives in the area of the back doors, is responsible for turning some children into boys while they are in the womb. Uksáhkká guards the doors, and is responsible for protecting all young children
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Papyrus
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The word papyrus /pəˈpaɪrəs/ refers to a thick precursor to modern paper made from the pith of the papyrus plant, Cyperus papyrus. Papyrus can also refer to a document written on sheets of papyrus joined together side by side and rolled up into a scroll, the plural for such documents is papyri. Papyrus is first known to have used in ancient Egypt. It was also used throughout the Mediterranean region and in Kingdom of Kush, the Ancient Egyptians used papyrus as a writing material, as well as employing it commonly in the construction of other artifacts such as reed boats, mats, rope, sandals, and baskets. Papyrus was first manufactured in Egypt as far back as the fourth millennium BCE, the earliest archaeological evidence of papyrus was excavated in 2012 and 2013 at Wadi al-Jarf, an ancient Egyptian harbor located on the Red Sea coast. The papyrus rolls describe the last years of building the Great Pyramid of Giza, in the first centuries BCE and CE, papyrus scrolls gained a rival as a writing surface in the form of parchment, which was prepared from animal skins. Sheets of parchment were folded to form quires from which book-form codices were fashioned, early Christian writers soon adopted the codex form, and in the Græco-Roman world, it became common to cut sheets from papyrus rolls to form codices. Codices were an improvement on the scroll, as the papyrus was not pliable enough to fold without cracking. Papyrus had the advantage of being cheap and easy to produce. Unless the papyrus was of quality, the writing surface was irregular. Its last appearance in the Merovingian chancery is with a document of 692, the latest certain dates for the use of papyrus are 1057 for a papal decree, under Pope Victor II, and 1087 for an Arabic document. Its use in Egypt continued until it was replaced by more inexpensive paper introduced by Arabs who originally learned of it from the Chinese, by the 12th century, parchment and paper were in use in the Byzantine Empire, but papyrus was still an option. Papyrus was made in several qualities and prices, pliny the Elder and Isidore of Seville described six variations of papyrus which were sold in the Roman market of the day. These were graded by quality based on how fine, firm, white, grades ranged from the superfine Augustan, which was produced in sheets of 13 digits wide, to the least expensive and most coarse, measuring six digits wide. Materials deemed unusable for writing or less than six digits were considered commercial quality and were pasted edge to edge to be used only for wrapping, until the middle of the 19th century, only some isolated documents written on papyrus were known. They did not contain literary works, the first modern discovery of papyri rolls was made at Herculaneum in 1752. Until then, the papyri known had been a few surviving from medieval times. The English word papyrus derives, via Latin, from Greek πάπυρος, Greek has a second word for it, βύβλος
36.
Oxyrhynchus
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Oxyrhynchus is a city in Middle Egypt, located about 160 km south-southwest of Cairo, in the governorate of Al Minya. It is also a site, considered one of the most important ever discovered. Among the texts discovered at Oxyrhynchus are plays of Menander, fragments from the Gospel of Thomas, Oxyrhynchus lies west of the main course of the Nile, on the Bahr Yussef, a branch of the Nile that terminates in Lake Moeris and the Fayum oasis. It was the capital of the 19th Upper Egyptian Nome, after the conquest of Egypt by Alexander the Great in 332 BC, the city was reestablished as a Greek town, called Oxyrrhynkhoupolis. In Hellenistic times, Oxyrhynchus was a regional capital, the third-largest city in Egypt. After Egypt was Christianized, it became famous for its churches and monasteries. Oxyrhynchus remained a prominent, though declining, town in the Roman. After the Arab invasion of Egypt around 641, the system on which the town depended fell into disrepair. Today the town of El Bahnasa occupies part of the ancient site, for more than 1,000 years, the inhabitants of Oxyrhynchus dumped garbage at a series of sites out in the desert sands beyond the town limits. When the canals dried up, the water fell and never rose again. The area west of the Nile has virtually no rain, so the garbage dumps of Oxyrhynchus were gradually covered with sand and were forgotten for another 1,000 years, private citizens added their own piles of unwanted papyri. Because papyrus was expensive, papyri were often reused, a document might have farm accounts on one side, the Oxyrhynchus Papyri, therefore, contained a complete record of the life of the town, and of the civilizations and empires of which the town was a part. It is also likely that there were military buildings, such as barracks, since the city supported a military garrison on several occasions during the Roman, during the Greek and Roman periods, Oxyrhynchus had temples to Serapis, Zeus-Amun, Hera-Isis, Atargatis-Bethnnis and Osiris. There were also Greek temples to Demeter, Dionysus, Hermes, in the Christian era, Oxyrhynchus was the seat of a bishopric, and the modern town still has several ancient Coptic Christian churches. When Flinders Petrie visited Oxyrhynchus in 1922, he remains of the colonnades. Now only part of a single column remains, everything else has been scavenged for building material for modern housing, in 1882, Egypt, while still nominally part of the Ottoman Empire, came under effective British rule, and British archaeologists began the systematic exploration of the country. My first impressions on examining the site were not very favourable, the rubbish mounds were nothing but rubbish mounds. However, they soon realized what they had found
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Scroll
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A scroll, also known as a roll, is a roll of papyrus, parchment, or paper containing writing. The scroll is usually unrolled so that one page is exposed at a time, for writing or reading, with the remaining pages rolled up to the left and right of the visible page. It is unrolled side to side, and the text is written in lines from the top to the bottom of the page. Depending on the language, the letters may be left to right, right to left. Some scrolls are simply rolled up pages, others may have wooden rollers on each end, scrolls were the first form of editable record keeping texts, used in Eastern Mediterranean ancient Egyptian civilizations. Parchment scroll used by Israelites after Sinai was the first use of scrolls in the recording of literature before the codex or bound book with pages was invented by the Latins in the 1st century AD. Scrolls were more highly regarded than codices until well into Roman times where they were written in single latitudinal column. The ink used in writing scrolls had to adhere to a surface that was rolled and unrolled, even so, ink would slowly flake off of scrolls. Shorter pieces of parchment or paper are called rolls or rotuli, historians of the classical period tend to use roll instead of scroll. A distinction that sometimes applies is that the lines of writing in rotuli run across the width of the rather than along the length. Rolls may be wider than most scrolls, up to perhaps 60 cm or two feet wide, Rolls were often stored together in a special cupboard on shelves. A special Chinese form of book, called the whirlwind book, consists of several pieces of paper bound at the top with bamboo. In Scotland, the term scrow was used from about the 13th to the 17th centuries for scroll, writing, there existed an office of Clerk of the Scrow meaning the Clerk of the Rolls or Clerk of the Register. The scroll was replaced by the codex, a process which started almost as soon as the codex was invented. Unfortunately, scrolls were usually discarded after their contents were transferred to a codex, most scrolls uncovered by archaeologists are found in trash middens and burial sites. The oldest complete Torah scroll was discovered in May 2013 by Professor Mauro Perani. It was stored in a library in Bolonia, Italy. It had been mislabeled in 1889 as dating from the 17th century, carbon testing dates the prayer book to the year 840, which is 300 to 400 years earlier than the previously oldest known Torah scrolls from the 12th and 13th centuries
38.
Pausanias (geographer)
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Pausanias was a Greek traveler and geographer of the 2nd century AD, who lived in the time of Roman emperors Hadrian, Antoninus Pius and Marcus Aurelius. He is famous for his Description of Greece, a work that describes ancient Greece from his first-hand observations. This work provides crucial information for making links between classical literature and modern archaeology, andrew Stewart assesses him as, A careful, pedestrian writer. interested not only in the grandiose or the exquisite but in unusual sights and obscure ritual. He is occasionally careless, or makes unwarranted inferences, and his guides or even his own notes sometimes mislead him, yet his honesty is unquestionable, before visiting Greece, he had been to Antioch, Joppa and Jerusalem, and to the banks of the River Jordan. In Egypt, he had seen the pyramids, while at the temple of Ammon, in Macedonia, he appears to have seen the alleged tomb of Orpheus in Libethra. Crossing over to Italy, he had something of the cities of Campania. He was one of the first to write of seeing the ruins of Troy, Alexandria Troas, Pausanias Description of Greece is in ten books, each dedicated to some portion of Greece. He begins his tour in Attica, where the city of Athens, subsequent books describe Corinthia, Laconia, Messenia, Elis, Achaea, Arcadia, Boetia, Phocis and Ozolian Locris. He famously leaves out key portions of Greece such as Crete, the project is more than topographical, it is a cultural geography. Pausanias digresses from description of architectural and artistic objects to review the mythological and historical underpinnings of the society that produced them and his work bears the marks of his attempt to navigate that space and establish an identity for Roman Greece. He is not a naturalist by any means, though he does from time to comment on the physical realities of the Greek landscape. He notices the pine trees on the sandy coast of Elis, the deer and the boars in the oak woods of Phelloe. Pausanias is most at home in describing the art and architecture of Olympia. Yet, even in the most secluded regions of Greece, he is fascinated by all kinds of depictions of gods, holy relics, Pausanias has the instincts of an antiquary. Some magnificent and dominating structures, such as the Stoa of King Attalus in the Athenian Agora or the Exedra of Herodes Atticus at Olympia are not even mentioned. While he never doubts the existence of the gods and heroes, he criticizes the myths. His descriptions of monuments of art are plain and unadorned and they bear the impression of reality, and their accuracy is confirmed by the extant remains. He is perfectly frank in his confessions of ignorance, when he quotes a book at second hand he takes pains to say so
