Giaches de Wert was a Franco-Flemish composer of the late Renaissance, active in Italy. Intimately connected with the progressive musical center of Ferrara, he was one of the leaders in developing the
Campanile of Santa Barbara, at the Ducal Palace in Mantua: Wert was choir director here from 1565 until 1592.
Torquato Tasso, possible friend of Wert at Ferrara, and poet whose verse he often set to music.
The concerto delle donne was an ensemble of professional female singers of late Renaissance music in Italy. The term usually refers to the first and most influential group in Ferrara, which existed be
Giaches de Wert
…of his life. Even so, he remained musically productive, writing a coronation mass for Duke Vincenzo Gonzaga in 1587, and numerous madrigals for the concerto delle donne, the renowned group of musical ladies of Ferrara, who were virtuoso singers. In 1592, Giovanni Giacomo Gastoldi took over his post as maestro di cappella…
Second page of O dolcezz'amarissime d'amore, written for the concerto by Luzzasco Luzzaschi. The excerpt displays the fast-moving virtuosic passages in which the group specialized.
Luzzaschi's Quinto libro dei madrigali for five voices (Ferrara, 1595) acknowledges Vittorio Baldini's printing and the patronage of Alfonso II d'Este.
Title page of Luzzaschi's Madrigali a uno, e'doi, e'tre' soprani, showing Verovi's mark and acknowledgement of Alfonso
The harp, L'Arpa di Laura [it], of Laura Peverara, kept in the Galleria Estense