Giacomo Meyerbeer was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera Robert le diable and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century.
The young Jacob Beer, portrait by Friedrich Georg Weitsch (1803)
Amalie Beer, Meyerbeer's mother, painting by Carl Kretschmar [de], c. 1803
Gioachino Rossini in 1820
Le prophète is a grand opera in five acts by Giacomo Meyerbeer, which was premiered in Paris on 16 April 1849. The French-language libretto was by Eugène Scribe and Émile Deschamps, after passages from the Essay on the Manners and Spirit of Nations by Voltaire. The plot is based on the life of John of Leiden, Anabaptist leader and self-proclaimed "King of Münster" in the 16th century.
Act 4, scene 2, of the original production, set design by Charles-Antoine Cambon and Joseph Thierry
Giacomo Meyerbeer, portrayed in 1847
Gustave-Hippolyte Roger as Jean de Leyde in the original production of Le prophète
Jeanne-Anaïs Castellan as Berthe in the original production of Le prophète