1.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
2.
Printmaking
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Printmaking is the process of making artworks by printing, normally on paper. Printmaking normally covers only the process of creating prints that have an element of originality, except in the case of monotyping, the process is capable of producing multiples of the same piece, which is called a print. Each print produced is not considered a copy but rather is considered an original, a print may be known as an impression. Printmaking is not chosen only for its ability to multiple impressions. Prints are created by transferring ink from a matrix or through a screen to a sheet of paper or other material. Screens made of silk or synthetic fabrics are used for the screenprinting process, other types of matrix substrates and related processes are discussed below. Multiple impressions printed from the matrix form an edition. Prints may also be printed in book form, such as illustrated books or artists books, Printmaking techniques are generally divided into the following basic categories, Relief, where ink is applied to the original surface of the matrix. Relief techniques include woodcut or woodblock as the Asian forms are known, wood engraving. Intaglio, where ink is applied beneath the surface of the matrix. Intaglio techniques include engraving, etching, mezzotint, aquatint, planographic, where the matrix retains its original surface, but is specially prepared and/or inked to allow for the transfer of the image. Planographic techniques include lithography, monotyping, and digital techniques, stencil, where ink or paint is pressed through a prepared screen, including screenprinting and pochoir. Other types of printmaking techniques outside these groups include collagraphy and viscosity printing, collagraphy is a printmaking technique in which textured material is adhered to the printing matrix. This texture is transferred to the paper during the printing process, Contemporary printmaking may include digital printing, photographic mediums, or a combination of digital, photographic, and traditional processes. Many of these techniques can also be combined, especially within the same family, for example, Rembrandts prints are usually referred to as etchings for convenience, but very often include work in engraving and drypoint as well, and sometimes have no etching at all. Woodcut, a type of print, is the earliest printmaking technique. It was probably first developed as a means of printing patterns on cloth, woodcuts of images on paper developed around 1400 in Japan, and slightly later in Europe. These are the two areas where woodcut has been most extensively used purely as a process for making images without text, the artist draws a design on a plank of wood, or on paper which is transferred to the wood
3.
Etching
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Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio in the metal. In modern manufacturing, other chemicals may be used on other types of material, as a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology. In traditional pure etching, a plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with an etching needle where he or she wants a line to appear in the finished piece. The échoppe, a tool with an oval section, is also used for swelling lines. The plate is dipped in a bath of acid, technically called the mordant or etchant. The acid bites into the metal where it is exposed, leaving behind lines sunk into the plate, the remaining ground is then cleaned off the plate. The plate is inked all over, and then the ink wiped off the surface, the plate is then put through a high-pressure printing press together with a sheet of paper. The paper picks up the ink from the lines, making a print. The process can be repeated many times, typically several hundred impressions could be printed before the shows much sign of wear. The work on the plate can also be added to by repeating the whole process, Etching has often been combined with other intaglio techniques such as engraving or aquatint. The process as applied to printmaking is believed to have been invented by Daniel Hopfer of Augsburg, Hopfer was a craftsman who decorated armour in this way, and applied the method to printmaking, using iron plates. Apart from his prints, there are two examples of his work on armour, a shield from 1536 now in the Real Armeria of Madrid. The switch to copper plates was made in Italy. On the other hand, the handling of the ground and acid need skill and experience, prior to 1100 AD, the New World Hohokam independently utilized the technique of acid etching in marine shell designs. Jacques Callot from Nancy in Lorraine made important technical advances in etching technique and he developed the échoppe, a type of etching-needle with a slanting oval section at the end, which enabled etchers to create a swelling line, as engravers were able to do. Callot also appears to have responsible for an improved, harder, recipe for the etching ground
4.
Giovanni Battista Tiepolo
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Giovanni Battista Tiepolo, also known as Gianbattista or Giambattista Tiepolo, was an Italian painter and printmaker from the Republic of Venice. He was prolific, and worked not only in Italy, but also in Germany, Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi and Francesco Guardi forms the traditional great Old Masters of that period. Successful from the beginning of his career, he has described by Michael Levey as the greatest decorative painter of eighteenth-century Europe. Born in Venice, he was the youngest of six children of Domenico and his father was a small shipping merchant who belonged to a family that bore the prestigious patrician name of Tiepolo without claiming any noble descent. Some of the children acquired noble godparents, and Giambattista was originally named after his godfather and he was baptised on 16 April 1696 in the local church, San Pietro di Castello. His father died about a later, leaving his mother to bring up a family of young children. In 1710 he became a pupil of Gregorio Lazzarini, a painter with an eclectic style. A biography of his teacher, published in 1732, says that Tiepolo departed from studied manner of painting and his earliest known works are depictions of the apostles, painted in spandrels as part of the decoration of the church of the Ospedoletto in Venice in 1715–6. He painted his first fresco in 1716, on the ceiling of a church at Biadene and he probably left Lazzarinis studio in 1717, the year he was received into the Fraglia or guild of painters. In around 1719–20 he painted a scheme of frescoes for the wealthy, Tiepolo depicted the Triumph of Aurora on the ceiling, and the Myth of Phaethon on the walls, creating the kind of fluid spatial illusion which was to become a recurring theme in his work. In 1722 he was one of twelve artists commissioned to contribute a painting on canvas of one of the apostles as part of a scheme for the nave of San Stae in Venice. The other artists involved included Ricci, Piazetta, and Pellegrini, in 1719, Tiepolo married noblewoman Maria Cecilia Guardi, sister of two contemporary Venetian painters Francesco and Giovanni Antonio Guardi. Together, Tiepolo and his wife had nine children, four daughters and three sons survived childhood. Two of his sons, Domenico and Lorenzo, painted with him as his assistants and his children painted figures with a design similar to that of their father, but with distinctive, including genre, styles. His third son became a priest, fabio Canal, Francesco Lorenzi, Domenico Pasquini were among his pupils. Some major commissions came from the patrician Dolfin family, Tiepolo used a much cooler palette than previous Venetian painters, in order to create a convincing effect of daylight. These early masterpieces, innovative amongst Venetian frescoes for their luminosity, dominic Instituting the Rosary, Palazzo Clerici, Milan, decorations for Villa Cordellini at Montecchio Maggiore and for the ballroom of the Palazzo Labia in Venice, showing the Story of Cleopatra. Tiepolo produced two sets of etchings, the Capricci and the Scherzi di fantasia, the ten capricci were first published by Anton Maria Zanetti, incorporated into the third edition of a compilation of woodcuts after Parmigiano
5.
Venice
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Venice is a city in northeastern Italy and the capital of the Veneto region. It is situated across a group of 118 small islands that are separated by canals and these are located in the shallow Venetian Lagoon, an enclosed bay that lies between the mouths of the Po and the Piave Rivers. Parts of Venice are renowned for the beauty of their settings, their architecture, the lagoon and a part of the city are listed as a World Heritage Site. In 2014,264,579 people resided in Comune di Venezia, together with Padua and Treviso, the city is included in the Padua-Treviso-Venice Metropolitan Area, with a total population of 2.6 million. PATREVE is a metropolitan area without any degree of autonomy. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC, the city was historically the capital of the Republic of Venice. Venice has been known as the La Dominante, Serenissima, Queen of the Adriatic, City of Water, City of Masks, City of Bridges, The Floating City, and City of Canals. The City State of Venice is considered to have been the first real international financial center which gradually emerged from the 9th century to its peak in the 14th century and this made Venice a wealthy city throughout most of its history. It is also known for its several important artistic movements, especially the Renaissance period, Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi. Venice has been ranked the most beautiful city in the world as of 2016, the name Venetia, however, derives from the Roman name for the people known as the Veneti, and called by the Greeks Eneti. The meaning of the word is uncertain, although there are other Indo-European tribes with similar-sounding names, such as the Celtic Veneti, Baltic Veneti, and the Slavic Wends. Linguists suggest that the name is based on an Indo-European root *wen, so that *wenetoi would mean beloved, lovable, a connection with the Latin word venetus, meaning the color sea-blue, is also possible. The alternative obsolete form is Vinegia, some late Roman sources reveal the existence of fishermen on the islands in the original marshy lagoons. They were referred to as incolae lacunae, the traditional founding is identified with the dedication of the first church, that of San Giacomo on the islet of Rialto — said to have taken place at the stroke of noon on 25 March 421. Beginning as early as AD166 to 168, the Quadi and Marcomanni destroyed the center in the area. The Roman defences were again overthrown in the early 5th century by the Visigoths and, some 50 years later, New ports were built, including those at Malamocco and Torcello in the Venetian lagoon. The tribuni maiores, the earliest central standing governing committee of the islands in the Lagoon, the traditional first doge of Venice, Paolo Lucio Anafesto, was actually Exarch Paul, and his successor, Marcello Tegalliano, was Pauls magister militum. In 726 the soldiers and citizens of the Exarchate rose in a rebellion over the controversy at the urging of Pope Gregory II
6.
Vicenza
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Vicenza listen is a city in northeastern Italy. It is in the Veneto region at the base of the Monte Berico. Vicenza is approximately 60 kilometres west of Venice and 200 kilometres east of Milan, Vicenza is a thriving and cosmopolitan city, with a rich history and culture, and many museums, art galleries, piazzas, villas, churches and elegant Renaissance palazzi. With the Palladian Villas of the Veneto in the area, and his renowned Teatro Olimpico. In December 2008, Vicenza had an population of 115,927. Additionally, about one fifth of the gold and jewelry is made in Vicenza. Another important sector is the engineering/computer components industry, vicentia was settled by the Italic Euganei tribe and then by the Paleo-Veneti tribe in the 3rd and 2nd centuries BC. The Romans allied themselves with the Paleo-Veneti in their fight against the Celtic tribes that populated north-western Italy, the Roman presence in the area grew exponentially over time and the Paleo-Veneti were gradually assimilated. In 157 BC, the city was a de facto Roman centre and was given the name of Vicetia or Vincentia, the citizens of Vicetia received Roman citizenship and were inscribed into the Roman tribe Romilia in 49 BC. It was also an important Lombard city and then a Frankish center, numerous Benedictine monasteries were built in the Vicenza area, beginning in the 6th century. In 899, Vicenza was destroyed by Magyar raiders, in 1001, Otto III handed over the government of the city to the bishop, and its communal organization had an opportunity to develop, separating soon from the episcopal authority. When peace was restored, however, the old rivalry with Padua, Bassano, and other cities was renewed, besides there were the internal factions of the Vivaresi. The tyrannical Ezzelino III from Bassano drove the Guelphs out of Vicenza, the independent commune joined the Second Lombard League against Emperor Frederick II, and was sacked by that monarch, after which it was annexed to Ezzelinos dominions. Vicenza came under rule of Venice in 1404, and its subsequent history is that of Venice and it was besieged by the Emperor Sigismund, and Maximilian I held possession of it in 1509 and 1516. Vicenza was a candidate to host the Council of Trent, after 1797, under Napoleonic rule, it was made a duché grand-fief within Napoleons personal Kingdom of Italy for general Caulaincourt, also imperial Grand-Écuyer. After 1814, Vicenza passed to the Austrian Empire, in 1848, however, the populace rose against Austria, more violently than in any other Italian centre apart from Milan and Brescia. As a part of the Kingdom of Lombardy-Venetia, it was annexed to Italy after the Third War of Italian independence, after the end of the latter, what followed was a period of depression following the devasatation caused by two world wars. In the following years, the development grew vertiginously
7.
Madrid
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Madrid is the capital city of the Kingdom of Spain and the largest municipality in both the Community of Madrid and Spain as a whole. The city has a population of almost 3.2 million with an area population of approximately 6.5 million. It is the third-largest city in the European Union after London and Berlin, the municipality itself covers an area of 604.3 km2. Madrid lies on the River Manzanares in the centre of both the country and the Community of Madrid, this community is bordered by the communities of Castile and León. As the capital city of Spain, seat of government, and residence of the Spanish monarch, Madrid is also the political, economic, the current mayor is Manuela Carmena from Ahora Madrid. Madrid is home to two football clubs, Real Madrid and Atlético de Madrid. Madrid is the 17th most liveable city in the according to Monocle magazine. Madrid organises fairs such as FITUR, ARCO, SIMO TCI, while Madrid possesses modern infrastructure, it has preserved the look and feel of many of its historic neighbourhoods and streets. Cibeles Palace and Fountain have become one of the monument symbols of the city, the first documented reference of the city originates in Andalusan times as the Arabic مجريط Majrīṭ, which was retained in Medieval Spanish as Magerit. A wider number of theories have been formulated on possible earlier origins, according to legend, Madrid was founded by Ocno Bianor and was named Metragirta or Mantua Carpetana. The most ancient recorded name of the city Magerit comes from the name of a built on the Manzanares River in the 9th century AD. Nevertheless, it is speculated that the origin of the current name of the city comes from the 2nd century BC. The Roman Empire established a settlement on the banks of the Manzanares river, the name of this first village was Matrice. In the 8th century, the Islamic conquest of the Iberian Peninsula saw the changed to Mayrit, from the Arabic term ميرا Mayra. The modern Madrid evolved from the Mozarabic Matrit, which is still in the Madrilenian gentilic, after the disintegration of the Caliphate of Córdoba, Madrid was integrated in the Taifa of Toledo. With the surrender of Toledo to Alfonso VI of León and Castile, the city was conquered by Christians in 1085, Christians replaced Muslims in the occupation of the centre of the city, while Muslims and Jews settled in the suburbs. The city was thriving and was given the title of Villa, since 1188, Madrid won the right to be a city with representation in the courts of Castile. In 1202, King Alfonso VIII of Castile gave Madrid its first charter to regulate the municipal council, which was expanded in 1222 by Ferdinand III of Castile
8.
Charles III of Spain
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Charles III was the King of Spain and the Spanish Indies from 1759 to 1788. While he was the son of Philip V of Spain, he was the eldest son of Philips second wife. In 1731, the 15-year-old Charles became the Duke of Parma and Piacenza, as Charles I, following the death of his childless granduncle Antonio Farnese. In 1734, as Duke of Parma, he conquered the kingdoms of Naples and of Sicily, and was crowned king on 3 July 1735, reigning as Charles VII of Naples and Charles V of Sicily until 1759. In 1738 he married Princess Maria Amalia of Saxony, daughter of Polish king Augustus III, Charles and Maria Amalia resided in Naples for 19 years. Charles succeeded to the Spanish throne on 10 August 1759, after the death of his half-brother King Ferdinand VI of Spain who left no heirs. As King of Spain Charles III made far-reaching reforms such as promoting science and university research, facilitating trade and commerce and he also tried to reduce the influence of the Church and avoided costly wars. His previous experience as King of Naples and Sicily proved valuable as King of Spain and he did not achieve complete control over the States finances, and was sometimes obliged to borrow to meet expenses. Most of his reforms proved to be successful and his important legacy lives on to this day, historian Stanley Payne wrote that Charles III was probably the most successful European ruler of his generation. He had provided firm, consistent, intelligent leadership, personal life had won the respect of the people. In 1713, the Treaty of Utrecht concluded the War of the Spanish Succession and reduced the political and military power of Spain, which the House of Bourbon had ruled since 1700. Moreover, the House of Savoy gained the Kingdom of Sicily, and the Kingdom of Great Britain gained the island of Minorca, in 1700, Charles father, originally a French prince, became King of Spain as Philip V. For the remainder of his reign, he attempted to regain the ceded territories. Elisabeth and Philip married on 24 December 1714, she proved a domineering consort. On 20 January 1716, Elisabeth gave birth to the Infante Charles of Spain at the Real Alcázar of Madrid and he was fourth in line to the Spanish throne, after three elder half-brothers, the Infante Luis, Prince of Asturias, the Infante Felipe, and Ferdinand. Because the Duke Francesco of Parma and his heir were childless, Elisabeth sought the duchies of Parma and she also sought for him the Grand Duchy of Tuscany, because Gian Gastone de Medici, Grand Duke of Tuscany was also childless. He was a distant cousin of hers, related via her great-grandmother Margherita de Medici, the birth of Charles encouraged the Prime Minister Alberoni to start laying out grand plans for Europe. In 1717 he ordered the Spanish invasion of Sardinia, in 1718, Alberoni also ordered the invasion of Sicily, which was also ruled by the House of Savoy
9.
Genoa
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Genoa is the capital of the Italian region of Liguria and the sixth-largest city in Italy. In 2015,594,733 people lived within the administrative limits. As of the 2011 Italian census, the Province of Genoa, over 1.5 million people live in the wider metropolitan area stretching along the Italian Riviera. Genoa has been nicknamed la Superba due to its glorious past, part of the old town of Genoa was inscribed on the World Heritage List in 2006. The citys rich history in notably its art, music. It is the birthplace of Christopher Columbus, Niccolò Paganini, Giuseppe Mazzini, Genoa, which forms the southern corner of the Milan-Turin-Genoa industrial triangle of north-west Italy, is one of the countrys major economic centres. The city has hosted massive shipyards and steelworks since the 19th century, the Bank of Saint George, founded in 1407, is among the oldest in the world and has played an important role in the citys prosperity since the middle of the 15th century. Today a number of leading Italian companies are based in the city, including Fincantieri, Selex ES, Ansaldo Energia, Ansaldo STS, Edoardo Raffinerie Garrone, Piaggio Aerospace, the Genoa area has been inhabited since the fifth or fourth millennium BC. In ancient times this area was frequented and inhabited by Ligures, Phoenicians, Phocaeans, Greeks, and Etruscans. The city cemetery, dating from the 6th and 5th centuries BC, testifies to the occupation of the site by the Greeks, but the fine harbour probably saw use much earlier, perhaps by the Etruscans. In the 5th century BC was founded the first oppidum at the foot of the today called the Castle Hill which now is inside the medieval old town. The ancient Ligurian city was known as Stalia, so referred to by Artemidorus Ephesius and Pomponius Mela, Ligurian Stalia was overshadowed by the powerful Marseille and Vada Sabatia, near modern Savona. Stalia had an alliance with Rome through a foedus aequum in the course of the Second Punic War, the Carthaginians accordingly destroyed it in 209 BC. The town was rebuilt and, after the Carthaginian Wars ended in 146 BC. it received municipal rights, the original castrum thenceforth expanded towards the current areas of Santa Maria di Castello and the San Lorenzo promontory. Trades included skins, wood, and honey, goods were shipped to the mainland, up to major cities like Tortona and Piacenza. Among the archeological remains from the Roman period, an amphitheatre was also found, another theory traces the name to the Etruscan word Kainua which means New City and still another from the Latin word ianua, related to the name of the God Janus, meaning door or passage. The latter is in reference to its position at the centre of the Ligurian coastal arch. The Latin name, oppidum Genua, is recorded by Pliny the Elder as part of the Augustean Regio IX Liguria, after the fall of the Western Roman Empire, the Ostrogoths occupied Genoa
10.
Padua
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Padua is a city and comune in Veneto, northern Italy. It is the capital of the province of Padua and the economic, the city is sometimes included, with Venice and Treviso, in the Padua-Treviso-Venice Metropolitan Area, which has a population of c. Padua stands on the Bacchiglione River,40 kilometres west of Venice and 29 km southeast of Vicenza, the Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain, to the citys south west lies the Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Shelley. It hosts the University of Padua, founded in 1222, where Galileo Galilei was a lecturer, Padua is the setting for most of the action in Shakespeares The Taming of the Shrew. There is a play by the Victorian writer Oscar Wilde, titled The Duchess Of Padua, the original significance of the Roman name Patavium is uncertain. It may be connected with the ancient name of the River Po, additionally, the root pat-, in the Indo-European language may refer to a wide open plain as opposed to nearby hills. The ending -ium, signifies the presence of villages that have united themselves together, Padua claims to be the oldest city in northern Italy. According to a tradition dated at least to the time of Virgils Aeneid and to Livys Ab Urbe Condita, Padua was founded in around 1183 BC by the Trojan prince Antenor. After the Fall of Troy, Antenor led a group of Trojans and their Paphlagonian allies, the Eneti or Veneti, thus, when a large ancient stone sarcophagus was exhumed in the year 1274, officials of medieval commune declared the remains within to be those of Antenor. Nevertheless, archeological remains confirm a date for the foundation of the center of the town to between the 11th and 10th centuries BC. The Roman historian Livy records an invasion of the Spartan king Cleonimos around 302 BC. The Spartans came up the river but were defeated by the Veneti in a naval battle, still later, the Veneti of Padua successfully defended themselves against the aggression of Etruscans and Gauls. According to Livy and Silius Italicus, the Veneti, including those of Padua, formed an alliance with the Romans by 226 BC, against their common enemy, men from Padua fought and died besides the Romans at Cannae. As the Romans advanced northward, Padua was gradually assimilated into the Roman Republic, in 175 BC, Padua requested the aid of Rome in putting down a local civil war. In 91 BC, Padua, along with cities of the Veneti. Around 49 BC, Padua was made a Roman municipium under the Lex Julia Municipalis and its citizens ascribed to the Roman tribe, at that time the population of the city was perhaps 40,000. The city was reputed for its excellent breed of horses and the wool of its sheep, in fact, the poet Martial remarks on the thickness of the tunics made there
11.
Religion
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Religions have sacred histories and narratives, which may be preserved in sacred scriptures, and symbols and holy places, that aim mostly to give a meaning to life. Religions may contain symbolic stories, which are said by followers to be true, that have the side purpose of explaining the origin of life. Traditionally, faith, in addition to reason, has considered a source of religious beliefs. There are an estimated 10,000 distinct religions worldwide, about 84% of the worlds population is affiliated with one of the five largest religions, namely Christianity, Islam, Hinduism, Buddhism or forms of folk religion. With the onset of the modernisation of and the revolution in the western world. The religiously unaffiliated demographic include those who do not identify with any religion, atheists. While the religiously unaffiliated have grown globally, many of the religiously unaffiliated still have various religious beliefs, about 16% of the worlds population is religiously unaffiliated. The study of religion encompasses a variety of academic disciplines, including theology, comparative religion. Theories of religion offer various explanations for the origins and workings of religion, Religion is derived from the Latin religiō, the ultimate origins of which are obscure. One possible interpretation traced to Cicero, connects lego read, i. e. re with lego in the sense of choose, go over again or consider carefully. The medieval usage alternates with order in designating bonded communities like those of monastic orders, we hear of the religion of the Golden Fleece, of a knight of the religion of Avys. In the ancient and medieval world, the etymological Latin root religio was understood as a virtue of worship, never as doctrine, practice. In the Quran, the Arabic word din is often translated as religion in modern translations and it was in the 19th century that the terms Buddhism, Hinduism, Taoism, and Confucianism first emerged. Max Müller characterized many other cultures around the world, including Egypt, Persia, what is called ancient religion today, they would have only called law. Some languages have words that can be translated as religion, but they may use them in a different way. For example, the Sanskrit word dharma, sometimes translated as religion, throughout classical South Asia, the study of law consisted of concepts such as penance through piety and ceremonial as well as practical traditions. Medieval Japan at first had a union between imperial law and universal or Buddha law, but these later became independent sources of power. There is no equivalent of religion in Hebrew, and Judaism does not distinguish clearly between religious, national, racial, or ethnic identities
12.
Mythology
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Mythology refers variously to the collected myths of a group of people or to the study of such myths. Myths are the people tell to explain nature, history. Myth is a feature of every culture, mythologizing continues, as shown in contemporary mythopoeia such as urban legends and the expansive fictional mythoi created by fantasy novels and comics. A cultures collective mythology helps convey belonging, shared and religious experiences, behavioral models, the study of myth began in ancient history. Rival classes of the Greek myths by Euhemerus, Plato and Sallustius were developed by the Neoplatonists, the nineteenth-century comparative mythology reinterpreted myth as a primitive and failed counterpart of science, a disease of language, or a misinterpretation of magical ritual. Recent approaches often view myths as manifestations of psychological, cultural, or societal truths, the term mythology predates the word myth by centuries. It first appeared in the fifteenth-century, borrowed from the Middle French term mythologie, the word mythology, comes from Middle French mythologie, from Late Latin mythologia, from Greek μυθολογία mythología from μῦθος mythos and -λογία -logia. The word mythología appears in Plato, but was used as a term for fiction or story-telling of any kind, combining mỹthos. From Lydgate until the seventeenth or eighteenth-century, mythology was similarly used to mean a moral, fable, from its earliest use in reference to a collection of traditional stories or beliefs, mythology implied the falsehood of the stories being described. It came to be applied by analogy with similar bodies of traditional stories among other cultures around the world. The Greek loanword mythos and Latinate mythus both appeared in English before the first example of myth in 1830, in present use, mythology usually refers to the collected myths of a group of people, but may also mean the study of such myths. For example, Greek mythology, Roman mythology and Hittite mythology all describe the body of myths retold among those cultures, dundes defined myth as a sacred narrative that explains how the world and humanity evolved into their present form. Lincoln defined myth as ideology in narrative form, scholars in other fields use the term myth in varied ways. In a broad sense, the word can refer to any traditional story, due to this pejorative sense, some scholars opted for the term mythos. Its use was similarly pejorative and now commonly refers to its Aristotelian sense as a plot point or to a collective mythology. The term is distinguished from didactic literature such as fables. Main characters in myths are usually gods, demigods or supernatural humans, however, many exceptions or combinations exist, as in the Iliad, Odyssey and Aeneid. Myths are often endorsed by rulers and priests and are linked to religion or spirituality
13.
Pulcinella
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Pulcinella was raised by two fathers, Maccus and Bucco, who were as different as two parents could be. Maccus is described as being witty, sarcastic, rude. This duality manifested itself in both the way Pulcinella is shaped and the way he acts, physically, the characteristics he inherited from his fathers attributed to his topheavy, chicken-like shape. He inherited his humpback, his large, crooked nose, and his potbelly, large cheeks, and gigantic mouth come from Bucco. Due to this duality of parental lineage, Pulcinella can be portrayed as both a servant and master depending on the scenario, upper Pulcinella is more like Bucco, with a scheming nature, an aggressive sensuality, and great intelligence. Lower Pulcinella, however, favors Maccus, and is described by Pierre Louis Duchartre as being a dull. This juxtaposition of proud, cunning thief from the class and loud. Duality is the name of the game with Pulcinella and he either plays dumb, though he is very much aware of the situation or- he acts as though he is the most intelligent and competent, though he is woefully ignorant. He is incessantly trying to rise above his station, though he does not intend to work for it and he is a social chameleon, who tries to get those below him to think highly of him, but is sure to appease those in positions of power. Pulcinellas closing couplet translates to I am Prince of everything, Lord of land, except for my public whose faithful servant I remain. However, because his world is often that of a servant, nevertheless, he is always on the side of the winner, though he often doesnt decide this until after theyve won. No matter his initial intent, Pulcinella always manages to win, if something ends poorly, another thing is successful. If he is put out in a sense, he is rewarded in another and this often accidental triumph is his normal. Another important characteristic of Pulcinella is that he fears nothing, consequences are of no mind to him, as he will be victorious no matter what. It is said that he is so wonderful to watch because he does what audience members would do were not afraid of the consequences. Pulcinella is, however, the ultimate self-preservationist, looking out for himself in most every situation, antonio Fava, a world-renowned maskmaker and Maestro of Commedia dellarte is particularly fond of the character in both performance and study due to his influence and continuity throughout history. Of him, Fava explained that Pulcinella, a man without dignity, is nevertheless indespensable to us all, none of his countless bosses could ever escape from the awkward tangle of troubles in which they find themselves. Pulcinella is everyones saviour, saved by no one and this accidental helpfulness is key to his success
14.
Commedia dell'arte
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Commedia dellarte translates to theatre of the professional and is known as the first form of professional theatre. Commedia dellarte also is considered commedia alla maschera, commedia improvviso, a commedia, such as The Tooth Puller, is both scripted and improvised. Characters entrances and exits are scripted, a special characteristic of commedia dellarte are the lazzi. A lazzo is a joke or something foolish or witty, another characteristic of commedia dellarte is pantomime, which is mostly used by the character Arlecchino. The characters of the commedia usually represent fixed social types, stock characters, such as old men, devious servants. The main categories of characters include servants, old men, lovers. The characters are exaggerated real characters, such as a know it all doctor called Il Dottore, many troupes were formed to perform commedia dellarte, including I Gelosi, Confidenti Troupe, Desioi Troupe, and Fedeli Troupe. Commedia dellarte was often performed outside on platforms or in areas such as a piazza. The form of theatre originated in Italy, but travelled throughout Europe, the commedia genesis may be related to carnival in Venice, where by 1570 the author/actor Andrea Calmo had created the character Il Magnifico, the precursor to the vecchio Pantalone. In the Flaminio Scala scenario for example, Il Magnifico persists and is interchangeable with Pantalone, while Calmos characters were not masked, it is uncertain at what point the characters donned the mask. However, the connection to carnival would suggest that masking was a convention of carnival and was applied at some point, the tradition in Northern Italy is centered in Mantua, Florence, and Venice, where the major companies came under the aegis of the various dukes. Concomitantly, a Neapolitan tradition emerged in the south and featured the prominent stage figure Pulcinella, Pulcinella has been long associated with Naples, and derived into various types elsewhere—the most famous as the puppet character Punch in England. Although commedia dellarte flourished in Italy during the Mannerist period, there has been a tradition of trying to establish historical antecedents in antiquity. While we can detect formal similarities between the commedia dellarte and earlier theatrical traditions, there is no way to establish certainty of origin, some date the origins to the period of the Roman Republic or the Empire. The Atellan Farces of the Roman Empire featured crude types wearing masks with grossly exaggerated features, some historians argue that Atellan stock characters, Pappus, Maccus+Buccus, and Manducus, are the primitive versions of the Commedia characters Pantalone, Pulcinella, and il Capitano. More recent accounts establish links to the medieval jongleurs, and prototypes from medieval moralities, the first recorded commedia dellarte performances came from Rome as early as 1551. This view may be somewhat romanticized since records describe the Gelosi performing Tassos Aminta, for example, by the mid-16th century, specific troupes of commedia performers began to coalesce, and by 1568 the Gelosi became a distinct company. In keeping with the tradition of the Italian Academies, I Gelosi adapted as their impress the two-faced Roman god Janus, Janus symbolized both the comings and goings of this traveling troupe, and the dual nature of the actor who impersonates the other
15.
Punch and Judy
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Punch and Judy is a traditional, popular, and usually very violent puppet show featuring Pulcinella and his wife Judy. The performance consists of a sequence of scenes, each depicting an interaction between two characters, most typically Mr. Punch and one other character. It is often associated with traditional British seaside culture, the various episodes of Punch and Judy are performed in the spirit of outrageous comedy — often provoking shocked laughter — and are dominated by the clowning of Mr. Punch. In Victorian times, the drum and pan pipes were the instruments of choice, today, the audience is also encouraged to participate, calling out to the characters on the stage to warn them of danger or clue them in to what is going on behind their backs. Also nowadays, most professors work solo, since the need for a bottler became less important when busking with the show gave way to paid engagements at private parties or public events, the Punch and Judy show has roots in the 16th-century Italian commedia dellarte. The figure of Punch is derived from the Neapolitan stock character of Pulcinella and he is a manifestation of the Lord of Misrule and Trickster figures of deep-rooted mythologies. Punchs wife was originally called Joan, no, I am gonna punch you. The figure who later became Mr. Punch made his first recorded appearance in England on 9 May 1662, the diarist Samuel Pepys observed a marionette show featuring an early version of the Punch character in Covent Garden in London. It was performed by Italian puppet showman Pietro Gimonde, a. k. a, Pepys described the event in his diary as an Italian puppet play, that is within the rails there, which is very pretty. In the British Punch and Judy show, Punch wears a brightly coloured jesters motley and he is a hunchback whose hooked nose almost meets his curved, jutting chin. He carries a stick as large as himself, which he freely uses upon most of the characters in the show. He speaks in a distinctive squawking voice, produced by a known as a swazzle or swatchel which the professor holds in his mouth. This gives Punch a vocal quality as though he were speaking through a kazoo, so important is Punchs signature sound that it is a matter of some controversy within Punch and Judy circles as to whether a non-swazzled show can be considered a true Punch and Judy Show. Other characters do not use the swazzle, so the Punchman has to switch back, powell has been credited with being largely responsible for the form taken by the drama of Punch and Judy. In 1721, a theatre opened in Dublin that ran for decades. Fielding eventually ran his own puppet theatre under the pseudonym Madame de la Nash to avoid the censorship concomitant with the Theatre Licensing Act of 1737. Punch was extremely popular in Paris and, by the end of the 18th century, he was playing in Britains American colonies. These shows might travel through country towns or move from corner to corner along busy London streets, about this time, Punchs wifes name changed from Joan to Judy
16.
Ca' Rezzonico
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Ca Rezzonico is a palazzo on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. Today, it is a museum dedicated to 18th-century Venice. Ca Rezzonico stands on the bank of the canal, at the point where it is joined by the Rio di San Barnaba. The site was occupied by two houses belonging to the Bon family, one of Venices patrician families. In 1649 the head of the family, Filippo Bon decided to build a large palazzo on the site, however, neither architect nor client was to see the completion of the Palazzo Bon, Longhena died in 1682, and Filippo Bon suffered a financial collapse. The design was for a three-story marble façade facing the canal, the ground floor rusticated, containing a central recessed portico of three bays without a pediment, symmetrically flanked by windows in two bays. Above this the piano nobile of seven bays of arched windows, separated by pilasters, above this the piano nobile was near identical. The slight projection of the two tiers of balconies to the piano nobili accentuate the decoration and design of the building. The unfinished palazzo had been bought from the impoverished Bon family by Giambattista Rezzonico and his family, like their friends at the Palazzo Labia, had bought their noble Venetian status in the mid-17th century following a war with Turkey, when the Venetian state coffers were depleted. Hence the mere rich, as opposed to the aristocracy, could make a large donation to the Serene Republic, thus purchasing patents of nobility. A Canaletto painting of the early 18th century shows only the floor and first piano nobile completed. The completion of the palazzo symbolised the completion of the Rezzonicos upward social journey, Ludovico later became the procurator of St. By 1810 the family had died out, leaving only their palazzo to preserve the Rezzonico name, in 1758, the newly completed palazzo was enhanced further, by the addition of frescos to the ceilings of the state rooms on the piano nobile overlooking the rio di San Barnaba. The artists selected for this task were Jacopo Guarana, Gaspare Diziani and these frescos remaining today are among the finest preserved in Venice. The Palazzos principal rooms are arranged on the 1st piano nobile, on each side of the building a suite of four state rooms lead from the grand canal facade to the largest room in the palazzo - the magnificent ballroom at the rear. This room, created by Massari, is of double height, the walls are decorated in trompe loeil by the Lombard Pietro Visconti. The images are of a nature, which create the feeling that the large room is even more massive than it is. The ceiling, painted by Giovanni Battista Crosato, depicts Apollo riding his carriage between Europe, Asia, Africa and The Americas, the Ballroom and following state rooms are reached by the vast staircase of honour, its marble balustrades decorated with statuary by Giusto Le Court
17.
Ambrose
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Aurelius Ambrosius, better known in English as Saint Ambrose, was a bishop of Milan who became one of the most influential ecclesiastical figures of the 4th century. He was the Roman governor of Liguria and Emilia, headquartered in Milan, Ambrose was a staunch opponent of Arianism, and has been accused of fostering persecutions of Arians, Jews, and pagans. Ambrose was one of the four original Doctors of the Church and he is notable for his influence on Augustine of Hippo. Ambrose was born into a Roman Christian family about 340 and was raised in Gallia Belgica and his mother was a woman of intellect and piety. Ambroses siblings, Satyrus and Marcellina, are venerated as saints. There is a legend that as an infant, a swarm of bees settled on his face while he lay in his cradle and his father considered this a sign of his future eloquence and honeyed tongue. For this reason, bees and beehives often appear in the saints symbology, after the early death of his father, Ambrose followed his fathers career. He was educated in Rome, studying literature, law, Ambrose was the Governor of Aemilia-Liguria in northern Italy until 374, when he became the Bishop of Milan. He was a popular political figure, and since he was the Governor in the effective capital in the Roman West. In the late 4th century there was a conflict in the diocese of Milan between the Nicene Church and Arians. In 374 the bishop of Milan, Auxentius, an Arian, died, Ambrose went to the church where the election was to take place, to prevent an uproar, which was probable in this crisis. His address was interrupted by a call Ambrose, bishop, which was taken up by the whole assembly. Ambrose was known to be Nicene Christian in belief, but also acceptable to Arians due to the charity shown in matters in this regard. At first he refused the office, for which he was in no way prepared. Upon his appointment, Ambrose fled to a colleagues home seeking to hide, upon receiving a letter from the Emperor Gratian praising the appropriateness of Rome appointing individuals evidently worthy of holy positions, Ambroses host gave him up. Within a week, he was baptized, ordained and duly consecrated bishop of Milan and this raised his popularity even further, giving him considerable political leverage over even the emperor. Ambrose also wrote a treatise by the name of The Goodness of Death, according to legend, Ambrose immediately and forcefully stopped Arianism in Milan. He studied theology with Simplician, a presbyter of Rome, in the confrontation with Arians, Ambrose sought to theologically refute their propositions, which were contrary to the Nicene creed and thus to the officially defined orthodoxy
18.
Crosier
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A crosier is a stylized staff carried by high-ranking Roman Catholic, Eastern Orthodox, Oriental Orthodox, Anglican, and some Lutheran, United Methodist and Pentecostal prelates. Other typical insignia of many of these prelates are the mitre, the cross. A crosier staff is a part of the tradition of Jewish Christianity, the staff is first mentioned in the Book of Exodus, when God appears to Moses in the burning bush. God asks what Moses has in his hand, and Moses answers a staff, the staff is miraculously transformed into a snake and then back into a staff. The staff is thereafter referred to as the rod of God or staff of God, and thou shalt take this rod in thine hand, wherewith thou shalt do signs. And Moses went and returned to Jethro his father in law, and said unto him, Let me go, I pray thee, and return unto my brethren which are in Egypt, and Jethro said to Moses, Go in peace. And the LORD said unto Moses in Midian, Go, return into Egypt, and Moses took his wife and his sons, and set them upon an ass, and he returned to the land of Egypt, and Moses took the rod of God in his hand. Moses and Aaron appear before the pharaoh when Aarons rod is transformed into a serpent, the pharaohs sorcerers are also able to transform their own rods into serpents, but Aarons swallows them. Aarons rod is used to turn the Nile blood-red. It is used several times on Gods command to initiate the plagues of Egypt, during the Exodus, Moses stretches out his hand with the staff to part the Red Sea. While in the wilderness after leaving Egypt Moses follows Gods command to strike a rock with the rod to create a spring for the Israelites to drink from, but Moses strikes the rock twice with the staff when the water does not immediately appear after the first strike. For striking the rock twice, implying lack of faith, God punished Moses by not letting him enter into the Promised Land, finally, Moses uses the staff in the battle at Rephidim between the Israelites and the Amalekites. When he holds up the rod of God the Israelites prevail, Aaron and Hur help him to keep the staff raised until victory is achieved. The crosier is the symbol of the office of a bishop or Apostle. In Western Christianity, the crosier is shaped like a shepherds crook and it adds that, when several bishops join in a single celebration, only the one presiding uses a crosier. A bishop usually holds his crosier with his hand, leaving his right hand free to bestow blessings. The Caeremoniale Episcoporum states that the bishop holds the crosier with the side of the crook forward. Another altar server, likewise wearing a vimpa, holds the mitre when the bishop is not wearing it, in the Anglican tradition, the crosier may be carried by someone else walking before the bishop in a procession
19.
Mitre
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The mitre or miter, is a type of headgear now known as the traditional, ceremonial head-dress of bishops and certain abbots in traditional Christianity. The Metropolitan of the Malankara Mar Thoma Syrian Church also wears a mitre during important ceremonies such as the Episcopal Consecration, the former two meanings have been etymologically connected with the word μίτος, mítos, thread, but the connection is tenuous at best. The camelaucum, the headdress, that both the mitre and the Papal tiara stem from, was originally a cap used by officials of the Imperial Byzantine court, the tiara probably developed from the Phrygian cap, or frigium, a conical cap worn in the Graeco-Roman world. In the 10th century the tiara was pictured on papal coins, other sources claim the tiara developed the other way around, from the mitre. In the late Empire it developed into the type of Imperial crown used by Byzantine Emperors. Worn by a bishop, the mitre is depicted for the first time in two miniatures of the beginning of the eleventh century, the first written mention of it is found in a Bull of Pope Leo IX in the year 1049. By 1150 the use had spread to throughout the West. In its modern form in Western Christianity, the mitre is a tall folding cap, two short lappets always hang down from the back. In the Catholic Church, the right to wear the mitre is confined by Canon law to bishops and to abbots, as it appears in the ceremony of consecration of a bishop and blessing of an abbot. Cardinals are now supposed to be bishops, but even cardinals who are not bishops. Other prelates have been granted the use of the mitre by special privilege, former distinctions between mitred abbots and non-mitred abbots have been abolished. Three types of mitres are worn by Roman Catholic clergy for different occasions, The simplex is made of undecorated white linen or silk and it is worn most notably at funerals, Lenten time, on Good Friday and by concelebrant bishops at a Mass. Cardinals in the presence of the Pope wear a mitre of white linen damask, the pretiosa is decorated with precious stones and gold and worn on the principal Mass on the most solemn Sundays and feast days. This type of mitre is rarely decorated with precious stones today, the proper colour of a mitre is always white, although in liturgical usage white also includes vestments made from gold and silver fabrics. The embroidered bands and other ornaments which adorn a mitre and the lappets may be of other colours, although coloured mitres are sometimes sold and worn at present, this is probably due to the maker’s or wearer’s lack of awareness of liturgical tradition. On all occasions, a server may wear a shawl-like veil, called a vimpa. The person wearing a vimpa is occasionally referred to as a vimpa. When a vimpa holds the crosier, he holds the crook facing inward, with his inauguration as pope, Benedict XVI broke with tradition and replaced the papal tiara even on his papal coat of arms with a papal mitre and pallium
20.
Augustine of Hippo
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Augustine of Hippo was an early Christian theologian and philosopher whose writings influenced the development of Western Christianity and Western philosophy. He was the bishop of Hippo Regius, located in Numidia, Augustine is viewed as one of the most important Church Fathers in Western Christianity for his writings in the Patristic Era. Among his most important works are The City of God and Confessions, according to his contemporary, Jerome, Augustine established anew the ancient Faith. In his early years, he was influenced by Manichaeism. After his baptism and conversion to Christianity in 386, Augustine developed his own approach to philosophy and theology, accommodating a variety of methods and perspectives. Believing that the grace of Christ was indispensable to human freedom, he helped formulate the doctrine of original sin, when the Western Roman Empire began to disintegrate, Augustine developed the concept of the Church as a spiritual City of God, distinct from the material Earthly City. His thoughts profoundly influenced the medieval worldview, the segment of the Church that adhered to the concept of the Trinity as defined by the Council of Nicaea and the Council of Constantinople closely identified with Augustines On the Trinity. Augustine is recognized as a saint in the Catholic Church, the Eastern Christian Church, and he is also the patron of the Augustinians. His memorial is celebrated on 28 August, the day of his death, Augustine is the patron saint of brewers, printers, theologians, the alleviation of sore eyes, and a number of cities and dioceses. Many Protestants, especially Calvinists and Lutherans, consider him to be one of the fathers of the Protestant Reformation due to his teachings on salvation. Lutherans, and Martin Luther in particular, have held Augustine in preeminence, Luther himself was a member of the Order of the Augustinian Eremites. In the East, some of his teachings are disputed and have in the 20th century in particular come under attack by such theologians as John Romanides, but other theologians and figures of the Eastern Orthodox Church have shown significant appropriation of his writings, chiefly Georges Florovsky. The most controversial doctrine surrounding his name is the filioque, which has been rejected by the Orthodox Church, other disputed teachings include his views on original sin, the doctrine of grace, and predestination. Nevertheless, though considered to be mistaken on some points, he is considered a saint. In the Orthodox Church his feast day is celebrated on 28 August and he was an early Christian theologian and philosopher whose writings influenced the development of Western Christianity and Western philosophy. Augustine was the bishop of Hippo Regius, located in Numidia and he is viewed as one of the most important Church Fathers in Western Christianity for his writings in the Patristic Era. Among his most important works are The City of God and Confessions, Augustine was born in the year 354 AD in the municipium of Thagaste in Roman Africa. His mother, Monica or Monnica, was a devout Christian, in his writings, Augustine leaves some information as to the consciousness of his African heritage
21.
Stations of the Cross
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Stations of the Cross or the Way of the Cross, also known as Way of Sorrows or Via Crucis, refers to a series of images depicting Jesus Christ on the day of his crucifixion and accompanying prayers. The stations grew out of imitations of Via Dolorosa in Jerusalem which is believed to be the actual path Jesus walked to Mount Calvary, the object of the stations is to help the Christian faithful to make a spiritual pilgrimage through contemplation of the Passion of Christ. This will be individually or in a procession most commonly during Lent, especially on Good Friday, in a spirit of reparation for the sufferings. The style, form, and placement of the stations vary widely, the typical stations are small plaques with reliefs or paintings placed around a church nave. Modern minimalist stations can be simple crosses with a numeral in the centre, occasionally the faithful might say the stations of the cross without there being any image, such as when the pope leads the stations of the cross around the Colosseum in Rome on Good Friday. The older stations can be a series of chapels in a landscape, known as a Calvary. Examples include Sacred Mount Calvary in Italy, Kalwaria Zebrzydowska in Poland, Via Crucis of Valinhos, Fátima, in Portugal, the Stations of the Cross originated in pilgrimages to Jerusalem and a desire to reproduce Via Dolorosa. Imitating holy places was not a new concept, for example, the religious complex of Santo Stefano in Bologna, Italy, replicated the Church of the Holy Sepulchre and other religious sites, including Mount of Olives and Valley of Josaphat. After the siege of 1187, Jerusalem fell to Muslims, forty years later Franciscans were allowed back into the Holy Land. Their founder, Saint Francis of Assisi, held the Passion of Christ in special veneration and was the first person to receive stigmata, in 1217, St. Francis also founded the Custody of the Holy Land to guard and promote the devotion to holy places. Their efforts were recognized when Franciscans were officially proclaimed custodians of holy places by Pope Clement VI in 1342, in 1521, a book called Geystlich Strass was printed with illustrations of the stations in the Holy Land. During the 15th and 16th centuries the Franciscans began to build a series of shrines in Europe to duplicate their counterparts in the Holy Land. The number of stations varied between seven and thirty, seven was common and these were usually placed, often in small buildings, along the approach to a church, as in a set of 1490 by Adam Kraft, leading to the Johanneskirche in Nuremberg. A number of examples were established as attractions in their own right. In these the sculptures are often approaching life-size and very elaborate, remnants of these are often referred to as calvary hills. In 1686, in answer to their petition, Pope Innocent XI granted to the Franciscans the right to erect stations within their churches. In 1731, Pope Clement XII extended to all churches the right to have the stations, provided that a Franciscan father erected them, at the same time the number was fixed at fourteen. The early set of seven scenes was usually numbers 2,3,4,6,7,11, out of the fourteen traditional Stations of the Cross, only eight have clear scriptural foundation
22.
Art Gallery of New South Wales
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The Art Gallery of New South Wales, located in The Domain in Sydney, New South Wales, Australia, is the most important public gallery in Sydney and one of the largest in Australia. The Gallerys first public exhibition opened in 1874, admission is free to the general exhibition space, which displays Australian art, European and Asian art. A dedicated Asian Gallery was opened in 2003, on 24 April 1871, a public meeting was convened in Sydney to establish an Academy of Art for the purpose of promoting the fine arts through lectures, art classes and regular exhibitions. From 1872 until 1879 the Academys main activity was the organisation of art exhibitions. The first exhibition of art, under the auspices of the Academy, was held at the Chamber of Commerce. The Gallery’s collection was first housed at Clark’s Assembly Hall in Elizabeth Street where it was open to the public on Friday and Saturday afternoons. In 1882, the first Director, Eliezer Montefiore and his fellow trustees opened the art gallery on Sunday afternoons from 2 pm to 5 pm. The public should be afforded every facility to avail themselves of the educational and civilising influence engendered by an exhibition of works of art, bought, moreover, at the public expense. The destruction of the Garden Palace by fire in 1882 placed pressure on the government to provide a permanent home for the national collection, in 1883 private architect John Horbury Hunt was engaged by the trustees to submit designs. The same year there was a change of name to The National Art Gallery of New South Wales, the Gallery was incorporated by The Library and Art Gallery Act 1899. In 1895, the new Colonial Architect, Walter Liberty Vernon, was given the assignment to design the new permanent gallery, a watercolour gallery was added in 1901 and in 1902 the Grand Oval Lobby was completed. Over 300,000 people came to the Gallery during March, in 1921, the inaugural Archibald Prize was awarded to W. B. McInnes for Desbrowe Annear. The equestrian statues The offerings of peace and The offerings of war by Gilbert Bayes were installed in front of the facade in 1926. James Stuart MacDonald was appointed director and secretary in 1929, in 1936 the inaugural Sulman Prize was awarded to Henry Hanke for La Gitana. John William Ashton was appointed director and secretary in 1937, the first woman to win the Archibald Prize was Nora Heysen in 1938 with her portrait of Madame Elink Schuurman, the wife of the Consul General for the Netherlands. The same year electric light was installed at the Gallery to remain open at night for the first time. In 1943 William Dobell won the Archibald Prize for Joshua Smith, hal Missingham was appointed director and secretary in 1945. In 1958 the Art Gallery of New South Wales Act was amended, in 1969 construction began on the Captain Cook wing to celebrate the bicentenary of Cooks landing in Botany Bay
23.
Blanton Museum of Art
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The museum was founded in 1963 as the University Art Museum on the campus of the University of Texas at Austin. The University Art Museum was initially housed in the Art Department of the University of Texas and was founded through the proceeds from the sale of donated by Archer M. Huntington. This land was donated with the stipulation that it be used to support an art museum at the University, in 1964, Donald Goodall became the Museum’s first director. By 1972, a portion of the Museum’s collection was housed at the Harry Ransom Humanities Center, while the print study room, in 1979, Eric S. McCready became the Museum’s second director, and the museum was renamed the Archer M. Huntington Art Gallery shortly thereafter. In 1993, Jessie Otto Hite became the third director. The campaign to build a new building began in 1997 with a $12 million gift from the Houston Endowment, Inc. in honor of its then-chairman, the museum was renamed the Blanton Museum of Art, with construction on the new building commencing in 2003. Although the Museum was built as designed by Kallmann McKinnell & Wood Architects, lawrence Speck, disappointed in the series of events that led to Herzog & de Meurons resignation, resigned as dean of the School of Architecture, although he remains a faculty member. The new gallery building, named the Mari and James A. Michener Gallery Building, a second education and administration building, totaling 56,000 square feet, opened in 2008. In 2009, Ned Rifkin was named to replace the retiring Jessie Otto Hite as director, in 2011, Simone Wicha was named director. The Blantons permanent collection of almost 18,000 works is recognized for its European paintings, prints and drawings, the collection also includes works by lesser-known, but still historically significant, painters such as Daniele Crespi and Luca Cambiaso. The Blanton owns a collection of Greek, Etruscan, and Roman vases, many came from the Castle Ashby Collection formed by the Spencer Compton, 2nd Marquess of Northampton, who funded numerous excavations at Vulci, an Etruscan town north of Rome, during the 1820s. The Blanton’s modern and contemporary art holdings comprise more than 4,000 objects, novelist James Michener, and his wife, Mari Michener, began giving their collection of 20th-century American paintings to the Blanton in the 1960s. The gift spanned into the early 1990s and eventually totaled more than 300 works, the Micheners also gave acquisition funds to the museum, supporting the purchase of approximately 75 additional paintings. The museums collection includes 20th-century artists such as Thomas Hart Benton, Alice Neel, in 2009, Stacked Waters, an installation by artist Teresita Fernández commissioned by Jeanne and Michael Klein, debuted in the Rapoport Atrium of the Blanton Museum. In 2014, the Blanton acquired an important group of drawings, prints, susan G. and Edmund W. Gordon. The Latin American collection expanded significantly in the 1970s and 1980s with gifts from collector Barbara Duncan of 277 works of art, the museum was the first institution in the United States to create a curatorial position for Latin American art in 1988. The founding curator of the department was Mari Carmen Ramírez who acquired one of the works in the Latin American collection, Cildo Meireles’ Missão/Missões. The Museum received an addition of Latin American modern and midcentury Latin American art from collectors Judy
24.
Cleveland Museum of Art
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The Cleveland Museum of Art is an art museum located in the Wade Park District, in the University Circle neighborhood on Clevelands east side. Internationally renowned for its holdings of Asian and Egyptian art. The museum has remained true to the vision of its founders, keeping general admission free to the public. With about 598,000 visitors annually, it is one of the most visited art museums in the world, for the benefit of all people, forever. The Cleveland Museum of Art was founded as a trust in 1913 with an endowment from prominent Cleveland industrialists Hinman Hurlbut, John Huntington and Horace Kelley. The neoclassical, white Georgian Marble, Beaux-Arts building was constructed on the edge of Wade Park. Wade Park and the museum were designed by the architectural firm, Hubbell & Benes. The 75-acre green space takes its name from philanthropist Jeptha H. Wade, the museum opened its doors to the public on June 6,1916, with Wades grandson, Jeptha H. Wade II, proclaiming it, for the benefit of all people, forever. Wade, like his grandfather, had a great interest in art and served as the museums first vice-president, today, the park, with the museum still as its centerpiece, is on the National Register of Historic Places. In March 1958, the first addition to the building opened and this addition, which was on the north side of the original building, was designed by the Cleveland architectural firm of Hayes and Ruth and consisted of new gallery space and a new art library. The museum again expanded in 1971 with the opening of the North Wing, the museums main entrance now shifted to the North Wing. The auditorium, classrooms, and lecture halls shifted into the North Wing, allowing this space in the Original Building to be turned into gallery space. In 1983, a West Wing, designed by the Cleveland architectural firm of Dalton, van Dijk, Johnson and this provided larger library space, as well as nine new galleries. Between 2001 and 2012, the 1958 and 1983 additions were demolished, designed by Rafael Viñoly, this $350 million project doubled the museums size to 592,000 square feet. Viñoly covered the space created by the demolition of the 1958 and 1983 structures with a glass-roofed atrium, the east wing opened in 2009, and the north wing and atrium in 2012. The West Wing opened on January 2,2014, the museums building and renovation project, Building for the Future, began in 2005 and was originally targeted for completion in 2012 at projected costs of $258 million. The $350 million project—two-thirds of which was earmarked for the renovation of the original 1916 structure—added two new wings, and was the largest cultural project in Ohios history. The new east and west wings, as well as the enclosing of the courtyard under a soaring glass canopy, have brought the museums total floor space to 592,000 square feet
25.
Finnish National Gallery
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Finnish National Gallery is the largest art museum institution of Finland. It consists of the Ateneum art museum, the museum of art, Kiasma. The organizations functions are supported by the department, the administration and services department and Kehys. They also maintain and develop Finlands largest collection of art and the knowledge and it has an appreciable collection of Swedish miniatures. The website of the Finnish National Gallery The Ateneum Art Museum The Museum of Contemporary Art, Kiasma The Sinebrychoff Art Museum
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Honolulu Museum of Art
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The Honolulu Museum of Art is an art museum in Honolulu, Hawaiʻi. The museum is largest of its kind in the state, and was founded in 1922 by Anna Rice Cooke. The Honolulu Museum of Art was called “the finest small museum in the United Statesˮ by J. Carter Brown, director of the National Gallery of Art from 1969 to 1992. It presents international caliber special exhibitions and features a collection that includes Hokusai, van Gogh, Gauguin, Monet, Picasso and Warhol, located in two of Honolulu’s most beautiful buildings, visitors enjoy two cafés, gardens, and films and concerts at the theater. In 2011, The Contemporary Museum gifted its assets and collection to the Honolulu Academy of Arts, in 2012, the Museum is accredited by the American Alliance of Museums and registered as a National and State Historical site. In 1990, the Honolulu Museum of Art School was opened to expand the program of art classes. In 2001, the Henry R. Luce Pavilion Complex opened with the Honolulu Museum of Art Café, Museum Shop, the Honolulu Museum of Art has a large collection of Asian art, especially Japanese and Chinese works. Major collections include the Samuel H, other collections include the James A. Michener collection of ukiyo-e prints and the Hawaiian art collection, which chronicles the history of art in Hawaiʻi. The permanent collection is presented in 32 galleries and six courtyards, the Honolulu Museum of Art occupies 3.2 acres near downtown Honolulu, not far from Waikīkī beach. The Museum is open to the public Tuesday through Sunday, admission is free to members, children and for some events, but otherwise a fee is charged. Some events and certain days offer free admission to all, an optional audio guide includes 40 selections from the collection. Guided tours are offered several times daily, tours in the Japanese language, for the hearing impaired and specialty group tours for 10 or more are also available. The museum is open 10 a. m. to 4,30 p. m. on Tuesday to Saturday,1 p. m. to 5 p. m. on Sunday, and closed on Monday. The museums second location, Spalding House, is located in lush Makiki Heights and features galleries of art, a café, on permanent view is David Hockneys installation Lenfant et les sortilèges, the artists interpretation of his original stage designs for the 1981 Metropolitan Opera production. The Doris Duke Theatre at the Museum seats 280 and it hosts movies, concerts, lectures, and presentations. The theatre is home to Hawaiis GLBT film festival the Rainbow Film Festival. It is currently run by Theatre Manager, Taylour Chang, in 1927, the Robert Allerton Art Research Library opened with 500 books. In 1955, it was expanded and named for Robert Allerton, Collections include 45,000 books and periodicals, biographical files on artists, and auction catalogues dating to the beginning of the 20th century
27.
Indiana University Art Museum
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The Eskenazi Museum of Art at Indiana University opened in 1941 under the direction of Henry Radford Hope. The museum was intended to be the center of a “cultural crossroads, the present museum building was designed by I. M. Pei and Partners and dedicated in 1982. The museum’s collection comprises approximately 45,000 objects, with about 1,400 on display, the Eskenazi Museum of Art opened in 1941 in a gallery space in Mitchell Hall under the newly appointed head of the Department of Fine Arts, Henry Radford Hope. The first exhibition, Sixteen Brown County Painters, opened on November 21,1941, the catalog for the event contained a statement describing the goals of the gallery at the time, Establishing a permanent collection did not come to fruition until after World War II. Hope also contributed to the museum, giving a number of important works including Pablo Picasso’s The Studio, in the formative years of the museum, the late 1950s, 60s, and 70s, gifts to the museum accumulated rapidly. The museum moved into the space in the newly built Fine Arts building on campus, right next to the auditorium. In 1968, Hope hired Thomas T. Solley as the museum’s Assistant Director, Solley became Director in 1971 after Hope retired. Solley, an architect, was perfectly suited to start the process of establishing a separate building for the art museum. Wanting an architect with experience, Solley and the university gave the project to I. M. Pei. Completed in 1982, the space has three galleries for permanent collections and one gallery for special exhibitions, Solley grew the collection from 4,000 works to 30,000 in his years at the museum. Thomas T. Solley resigned in 1986 and Adelheid M. Gealt was appointed director the following year, the Burton Y. Berry Collection of Ancient Jewelry consists of 5,000 pieces from across the ancient world. American abstract artists such as Stuart Davis, Frank Stella, the works-on-paper collection includes major works by Albrecht Dürer, Rembrandt van Rijn, and Francisco Goya. The photography collection includes the archives of Henry Holmes Smith and Art Sinsabaugh, there are also 19th Century European paintings by Jean Leon Gerome, Charles Daubigny, Gustave Caillebotte, and Claude Monet among others in addition. Every Saturday at 2,00 p. m. the museum offers free tours led by museum-trained docents to provide visitors with an experience based on close viewing. Guest lecturers, educators, graduate students, and curators lead Gallery Talks and Noon Talks on the collection, audiences gain knowledge of the historical context and significance of artworks through a process of looking and engaging with the lecturer. The One-Hour Exhibitions take place one Friday each month at 3,00 p. m. in the museum’s print viewing room. These “mini exhibitions” highlight a group of works based on artist, time period, theme, or medium, visitors are admitted on a first-come, first-served basis. The museum also has programs where schools in 51 of the 90 counties in Indiana participate
28.
Minneapolis Institute of Art
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The museum receives support from the Park Board Museum Fund, levied by the Hennepin County commissioners. Additional funding is provided by sponsors and museum members. It is one of the largest art museums in the United States, the Minneapolis Society of Fine Arts was established in 1883 to bring the arts into the life of the community. This group, made up of business and professional leaders, organized art exhibits throughout the decade, in 1889, the Society, now known as the Minneapolis Institute of Art, moved into its first permanent space, inside the newly built Minneapolis Public Library. The institute received gifts from Clinton Morrison and William Hood Dunwoody, among others, a few days later the institute received a letter from Dunwoody, who got the ball rolling, Put me down for $100,000. A fundraising dinner a few days later brought in $335,500, the new museum, designed by the firm of McKim, Mead and White, opened in 1915. The building came to be recognized as one of the finest examples of the Beaux-Arts architectural style in Minnesota. The art historian Bevis Hillier organized the exhibition Art Deco at the museum, presented from July to September 1971, the building was originally meant to be the first of several sections, but only the front piece built. Several additions have subsequently been built according to plans, including a 1974 addition by Kenzo Tange. An expansion designed by Michael Graves was completed in June 2006, before the latest expansion, just 4 percent of the museums nearly 100,000 objects could be on view at the same time, now that figure is 5 percent. Target Corporation, for which the new wing is named, was the biggest donor, in 2015 the institute rebranded itself, dropping the final s from its name, to become the Minneapolis Institute of Art and encouraging the use of the nickname Mia instead of the acronym MIA. The museum features a collection of approximately 80,000 objects spanning 5,000 years of world history. Its collection includes paintings, photographs, prints & drawings, textiles, architecture, the Asian collection includes Chinese architecture, jades, bronzes, and ceramics. The institute owns the Purcell-Cutts House, just east of Lake of the Isles, the house was designed by Purcell & Elmslie and is a masterpiece of Prairie School architecture. It was donated to the museum by Anson B, cutts Jr. the son of its second owner. The house is available for tours on the weekend of each month. In order to encourage private collecting and assist in the acquisition of important works of art, the groups schedule lectures, symposia, and travel for members. The museum features a series of exhibitions that bring in traveling collections from other museums for display
29.
Louvre
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The Louvre or the Louvre Museum is the worlds largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the citys 1st arrondissement, approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres. The Louvre is the second most visited museum after the Palace Museum in China. The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, remnants of the fortress are visible in the basement of the museum. Due to the expansion of the city, the fortress eventually lost its defensive function and. The building was extended many times to form the present Louvre Palace, in 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years, during the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations masterpieces. The museum opened on 10 August 1793 with an exhibition of 537 paintings, because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed Musée Napoléon, the collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic, whether this was the first building on that spot is not known, it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den, in the 7th century, St. Fare, an abbess in Meaux, left part of her Villa called Luvra situated in the region of Paris to a monastery. This territory probably did not correspond exactly to the modern site, the Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis acquired what would become the nucleus of the Louvres holdings, his acquisitions including Leonardo da Vincis Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed, however, on 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. Under Louis XVI, the museum idea became policy. The comte dAngiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the French Museum, many proposals were offered for the Louvres renovation into a museum, however, none was agreed on. Hence the museum remained incomplete until the French Revolution, during the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences, on 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property
30.
Thyssen-Bornemisza Museum
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The Thyssen-Bornemisza Museum, or simply the Thyssen, is an art museum in Madrid, Spain, located near the Prado Museum at one of citys main boulevards. It is known as part of the Golden Triangle of Art, which includes the Prado. With over 1,600 paintings, it was once the second largest private collection in the world after the British Royal Collection. A competition was held to house the core of the collection in 1987-88 after Baron Thyssen, having tried to enlarge his Museum in Lugano, the museum received 945,000 visitors in 2013. The collection was started in the 1920s as a collection by Heinrich. In this way he acquired old master paintings such as Ghirlandaios portrait of Giovanna Tornabuoni, the collection was initially housed in the family estate in Lugano in a twenty-room building modelled after the Neue Pinakothek in Munich. In 1988, the Baron filed a request for building an extension designed by British architects James Stirling and Michael Wilford. In 1985, the Baron married Carmen Tita Cervera and introduced her to art collecting, cerveras influence was decisive in persuading the Baron to relocate the core of his collection to Spain where the local government had a building available next to the Prado. The Thyssen-Bornemisza Museum officially opened in 1992, showing 715 works of art, a year later, the Spanish Government bought 775 works for $350 million. These pieces are now in the museum in Madrid. After the museum opened, Cervera started her own collection and loaned 429 works to the museum in 1999 for 11 years, the loan has been renewed annually since 2012. The Baroness remains involved with the museum, the Museum houses a display of North American paintings from 18th and 19th centuries, including Copley, Winslow Homer, John Singer Sargent. The selection of German Expressionism is extensive, and includes Emil Nolde, Ernst Ludwig Kirchner, August Macke, Max Beckmann, George Grosz, a collection of works from the museum is housed in Barcelona in the Museu Nacional dArt de Catalunya. By 2015, their descendants had filed a lawsuit against the museum, in 2011 due to a lack of liquid funds, Cervera decided to sell The Lock by the English artist John Constable. The painting, which belonged to her collection, was sold in London the following year for £22.4 million. Thyssen family Carmen Thyssen Museum Official Thyssen-Bornemisza Museum website EducaThyssen website of the Research and Further Studies Department Virtual visit in the Google Art Project
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Museu Nacional d'Art de Catalunya
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The Museu Nacional dArt de Catalunya, abbreviated as MNAC, is the national museum of Catalan visual art located in Barcelona, Catalonia, Spain. The Museum is housed in the Palau Nacional, a huge, the Palau Nacional, which has housed the Museu dArt de Catalunya since 1934, was declared a national museum in 1990 under the Museums Law passed by the Catalan Government. The Oval Hall was reopened in 1992 on the occasion of the Olympic Games, the Museu Nacional dArt de Catalunya was officially inaugurated on 16 December 2004. It is one of the largest museums in Spain, the Palau Nacional, which has housed the Museu dArt de Catalunya since 1934, was declared a national museum in 1990 under the Museums Law passed by the Catalan Government. The Oval Hall was reopened in 1992 on the occasion of the Olympic Games, the Museu Nacional d’Art de Catalunya was officially inaugurated on 16 December 2004. Since 2004, the Palau Nacional has once more housed several magnificent art collections, mostly by Catalan art and this heritage is completed by the Gabinet Numismàtic de Catalunya, the Gabinet de Dibuixos i Gravats and the Library. It is one of the most important and outstanding collections in the Museum, indeed, the Museu Nacional Romanesque Collection is unmatched by that of any other museum in the world. Years later, the news emerged that a group of foreign financiers and this style is illustrated in such excellent works as the mural paintings from Sant Quirze de Pedret, Santa Maria dÀneu and Sant Pere del Burgal. The Romanesque section ends with the paintings from San Pedro de Arlanza, the latter features one of the most magnificent pictorial series in this new style, called 1200 art, which swept across Europe in the 13th century. The piece has been conserved in the museum since it was damaged by fire in 1936. Finally, the Romanesque section also features an important collection of enamels, mostly produced in Limoges and these include the renowned Mural paintings of the Conquest of Majorca, which preside over the first Gothic room. This same room also contains works on profane themes or from secular sites. Sculpture during this period from the century, was also influenced by Italian models. The collection includes works that may be attributed to some of the most outstanding sculptors of the time, such as Jaume Cascalls, Catalan sculpture in the late-14th century and the first half of the 15th is represented by two misericords from Barcelona Cathedral carved stalls by Pere Sanglada. Valencia is represented in the Museu Nacional by such outstanding artists as Gonçal Peris, the Gothic collection also features examples of painting from Aragon, another region that enjoyed considerable influence at this time. In this age, the Ecce Homo, Luis de Morales, returning to Catalonia, in his image of St Cajetan, the sculptor Andreu Sala reveals himself to be a worthy follower of the Italian genius Bernini. Two later donations made important contributions to more general vision, the Cambó Bequest. The Cambó Bequest forms a collection of paintings embraces European painting history from the 14th to the early 20th century
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National Gallery
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The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London. Founded in 1824, it houses a collection of over 2,300 paintings dating from the century to 1900. The Gallery is a charity, and a non-departmental public body of the Department for Culture, Media. Its collection belongs to the public of the United Kingdom and entry to the collection is free of charge. It is among the most visited art museums in the world, after the Musée du Louvre, the British Museum, unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein, after that initial purchase the Gallery was shaped mainly by its early directors, notably Sir Charles Lock Eastlake, and by private donations, which comprise two-thirds of the collection. It used to be claimed that this was one of the few national galleries that had all its works on permanent exhibition, the present building, the third to house the National Gallery, was designed by William Wilkins from 1832 to 1838. Only the façade onto Trafalgar Square remains essentially unchanged from this time, wilkinss building was often criticised for the perceived weaknesses of its design and for its lack of space, the latter problem led to the establishment of the Tate Gallery for British art in 1897. The Sainsbury Wing, an extension to the west by Robert Venturi, the current Director of the National Gallery is Gabriele Finaldi. The late 18th century saw the nationalisation of royal or princely art collections across mainland Europe, great Britain, however, did not emulate the continental model, and the British Royal Collection remains in the sovereigns possession today. In 1777 the British government had the opportunity to buy an art collection of international stature, the MP John Wilkes argued for the government to buy this invaluable treasure and suggested that it be housed in a noble gallery. The twenty-five paintings from that now in the Gallery, including NG1, have arrived by a variety of routes. This offer was declined and Bourgeois bequeathed the collection to his old school, Dulwich College, the collection opened in Britains first purpose-built public gallery, the Dulwich Picture Gallery, in 1814. The British Institution, founded in 1805 by a group of aristocratic connoisseurs, the members lent works to exhibitions that changed annually, while an art school was held in the summer months. However, as the paintings that were lent were often mediocre, some resented the Institution. One of the Institutions founding members, Sir George Beaumont, Bt, in 1823 another major art collection came on the market, which had been assembled by the recently deceased John Julius Angerstein. Angerstein was a Russian-born émigré banker based in London, his collection numbered 38 paintings, including works by Raphael, on 1 July 1823 George Agar Ellis, a Whig politician, proposed to the House of Commons that it purchase the collection. The appeal was given added impetus by Beaumonts offer, which came with two conditions, that the government buy Angersteins collection, and that a building was to be found
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Philadelphia Museum of Art
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The Philadelphia Museum of Art is an art museum originally chartered in 1876 for the Centennial Exposition in Philadelphia. The main museum building was completed in 1928 on Fairmount, a located at the northwest end of the Benjamin Franklin Parkway at Eakins Oval. The museum administers collections containing over 240,000 objects including major holdings of European, American and Asian origin, the various classes of artwork include sculpture, paintings, prints, drawings, photographs, armor and decorative arts. The attendance figure for the museum was 751,797 in 2015, the museum is also one of the largest art museums in the world based on gallery space. The museum also administers the historic houses of Mount Pleasant and Cedar Grove. The museum and its annexes are owned by the City of Philadelphia, as of 2017, the standard adult admission price is $20 which allows entrance to the main building and all annexes for two consecutive days. The museum is closed on Mondays except on some holidays, several special exhibitions are held in the museum every year, including touring exhibitions arranged with other museums in the United States and abroad. Special exhibitions may have a charge for entrance. Philadelphia celebrated the 100th anniversary of the Declaration of Independence with the 1876 Centennial Exposition and its art building, Memorial Hall, was intended to outlast the Exhibition and house a permanent museum. The Pennsylvania Museum and School of Industrial Art opened on May 10,1877 and its permanent collection began with objects from the Exhibition and gifts from the public impressed with the Exhibitions ideals of good design and craftsmanship. European and Japanese fine and decorative art objects and books for the Museums library were among the first donations, the location outside of Center City, however, was fairly distant from many of the citys inhabitants. Admission was charged until 1881, then was dropped until 1962, starting in 1882, Clara Jessup Moore donated a remarkable collection of antique furniture, enamels, carved ivory, jewelry, metalwork, glass, ceramics, books, textiles and paintings. The Countess de Brazzas lace collection was acquired in 1894 forming the nucleus of the lace collection, in 1893 Anna H. Wilstach bequeathed a large painting collection, including many American paintings, and an endowment of half a million dollars for additional purchases. Works by James Abbott McNeill Whistler and George Inness were purchased within a few years, in the early 1900s, the Museum started an education program for the general public, as well as a membership program. Fiske Kimball was the director during the rapid growth of the 1920s. After World War II the collections grew with gifts, such as the John D. McIlhenny, early modern art dominated the growth of the collections in the 1950s, with acquisitions of the Louise and Walter Arensberg and the A. E. Gallatin collections. The gift of Philadelphian Grace Kellys wedding dress is perhaps the best known gift of the 1950s, extensive renovation of the building lasted from the 1960s through 1976. Major acquisitions included the Carroll S. Tyson, Jr. and Samuel S. White III and Vera White collections,71 objects from designer Elsa Schiaparelli, in 1976 there were celebrations and special exhibitions for the centennial of the Museum and the bicentennial of the nation
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Pinacoteca di Brera
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The Pinacoteca di Brera is the main public gallery for paintings in Milan, Italy. It contains one of the foremost collections of Italian paintings, an outgrowth of the program of the Brera Academy. The Palazzo Brera owes its name to the Germanic braida, indicating a grassy opening in the city structure, compare the Bra of Verona, the convent on the site passed to the Jesuits, then underwent a radical rebuilding by Francesco Maria Richini. When the Jesuits were disbanded in 1773, the remained the seat of the astronomical Observatory. In 1774 were added the herbarium of the new botanical garden, the buildings were extended to designs by Giuseppe Piermarini, who was appointed professor in the Academy when it was formally founded in 1776, with Giuseppe Parini as dean. Piermarini taught at the Academy for 20 years, while he was controller of the citys urbanistic projects, like the public gardens, the Academys artistic committee, the Commissione di Ornato exercised a controlling influence on public monuments, a precursor of todays Sopraintendenze delle Belle Arti. Thus in 1882 the Paintings Gallery was separated from the Academy, from 1891 the exhibitions were reduced to triennial events, and architectural projects developed their autonomous course. The Brera Observatory hosted the astronomer Giovanni Schiaparelli for four decades, collections of Pinacoteca di Brera Aldo Carpi Brera Gallery official website Accademia di Brera official website
35.
Portland Art Museum
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The Portland Art Museum in Portland, Oregon, United States, was founded in 1892, making it the oldest art museum on the West Coast and seventh oldest in the US. The permanent collection has more than 42,000 works of art, the Northwest Film Center is also a component of Portland Art Museum. The museum is accredited by the American Alliance of Museums, with accreditation through 2024, originally incorporated as the Portland Art Association, the museums roots date to 1892. Late that year seven prominent business and cultural leaders in the city created the association so as to start a high-quality art museum for a city approaching 50,000 residents. Henry Corbett donated $10,000 to the association that funded the museums first collection, the individual pieces of the collection were selected by Winslow B. Ayer and his wife during a trip to Europe and they had been advised by curators at the Metropolitan Museum of Art in New York and the Museum of Fine Arts in Boston prior to the trip on what pieces to select. The collection was displayed at the Multnomah County Library located at Southwest Seventh. By the time of the Lewis & Clark Exposition held in Portland in 1905, the first exhibition in the new building featured watercolors and paintings that had come to Portland as part of the 1905 Exposition. Failing organized the exhibition with New England artist Frank Vincent DuMond. E. S, anna Belle Crocker succeeded Henrietta Failing as curator of the museum in 1909. She would remain at the museum until her retirement in 1936, Crocker became one of the Portland Art Museums most important early figures. She was also the first head of the Museum Art School, in late 1913, the museum hosted one of its most important early exhibitions. The exhibition featured artwork that had been on earlier that year at the famous 1913 New York Armory Show. The exhibition included works by Cézanne, Van Gogh, Gauguin, Matisse, Manet, Renoir, the museum continued to grow during the years following World War I. In the 1920s, the museum hosted two memorable exhibitions organized by Sally Lewis, the daughter of a prominent Portland family, Lewis had befriended many well-known artists on trips to New York and Europe. She was also one of 22 patrons who purchased Derains Tree for the permanent collection. The success of her first exhibition led to her second, more daring endeavor a year later that juxtaposed paintings, drawings, among the sculptures was Brâncușis A Muse, which Lewis owned and donated to the museum in 1959. The museums final location opened to the public on November 18,1932, at the corner of SW Park Avenue, the building, designed by noted Portland architect Pietro Belluschi, is situated along downtown Portlands South Park Blocks and remains a landmark in the citys Cultural District. It was constructed with a gift of $100,000 from Winslow B
36.
Royal Museums of Fine Arts of Belgium
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The Royal Museums of Fine Arts of Belgium are a group of art museums in Brussels, Belgium. In 1845 it is decided by royal Decree that a museum is to be founded with works of art of deceswed and this is accorded by Minister Sylvain van de Weyer a national Commission is founded to select important works of art. This commission is presided by the First president Count de Beaufort, other members are, Gustaf Wappers, President of the Royal Museum of Antwerpen. François-Joseph Navez, President of the Académie royale des beaux-arts de Bruxelles, guillaume Geefs Eugène Simonis Tilman-François Suys, professor at the Académie Royale des Beaux-Arts. Much of the members were active in the Royal Academy of Science, Letters and Fine Arts of Belgium. The museums are situated in the capital Brussels in the area on the Coudenberg. There are six museums connected with the Royal Museum, and two of them, are in the main building, the Royal Museum contains over 20,000 drawings, sculptures, and paintings, which date from the early 15th century to the present. The museum has a collection of Flemish painting, among them paintings by Bruegel and Rogier van der Weyden, Robert Campin, Anthony van Dyck. The museum is also proud of its Rubens Room, which more than 20 paintings by the artist. The painting Landscape with the Fall of Icarus, long-attributed to Brueghel, is located here and forms the subject of W. H. Audens famous poem Musée des Beaux Arts, named after the museum. The chief curators of the museum have been or are, from 1961 till 1984, balat was the kings principal architect, and this was one part of the kings vast building program for Belgium. The building was completed in 1887, and stands as an example of the Beaux-Arts architecture use of themed statuary to assert the identity, the finial, gilded Genius of Art was also designed by de Groot. The two bas-relief panels are Music by Thomas Vincotte and Industrial Arts by Charles Brunin, the two bronze groups on pedestals represent The Crowning of Art by Paul de Vigne, and The Teaching of Art by Charles van der Stappen. On the side of the building, a memorial commemorates five members of the Mouvement National Royaliste, a resistance group, killed during the liberation of Brussels on 3–4 September 1944
37.
Seattle Art Museum
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The Seattle Art Museum is an art museum located in Seattle, Washington, USA. Admission to the park is always free. Admission to the facilities is free on the first Thursday of each month. And even the normal admission is suggested, meaning that the museum would like visitors to pay the complete admission, the SAM collection has grown from 1,926 pieces in 1933 to nearly 25,000 as of 2008. Its original museum provided an area of 25,000 square feet, paid staff have increased from 7 to 303, and the museum library has grown from approximately 1,400 books to 33,252. SAM traces its origins to the Seattle Fine Arts Society and the Washington Arts Association, in 1931 the group renamed itself as the Art Institute of Seattle. The Art Institute housed its collection in Henry House, the home, on Capitol Hill, of the collector and founder of the Henry Art Gallery. Richard E. Fuller, president of the Seattle Fine Arts Society, was the figure of SAM in its early years. During the Great Depression, he and his mother, Margaret MacTavish Fuller, the city provided the land and received ownership of the building. Carl F. Gould of the architectural firm Bebb and Gould designed an Art Deco/Art Moderne building for the museum, the Art Institute collection formed the core of the original SAM collection, the Fullers soon donated additional pieces. The Art Institute was responsible for managing art activities when the museum first opened, Fuller served as museum director into the 1970s, never taking a salary. SAM joined with the National Council on the Arts, Richard Fuller, and it was the NEAs first commission in Seattle. In 1983–1984, the received a donation of half of a downtown city block. They eventually decided that this block was not a suitable site, that land was sold for private development as the Newmark Building. On December 5,1991, SAM reopened in a $62 million downtown facility designed by Robert Venturi, the next year, one of Jonathan Borofskys Hammering Man sculptures was installed outside the museum as part of Seattle City Lights One Percent for Art program. Hammering Man was used in an art installation on Labor day in 1993 when Jason Sprinkle and other local artists attached a 700 lb ball. In 1994 the Volunteer Park facility reopened as the Seattle Asian Art Museum, in 2007 the Olympic Sculpture Park opened to the public, culminating an 8-year process. Among the museums exhibitions were a 1954 exhibition of 25 European paintings and sculptures from the Samuel H. Kress Foundation
38.
Los Angeles County Museum of Art
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The Los Angeles County Museum of Art is an art museum located on Wilshire Boulevard in the Miracle Mile vicinity of Los Angeles. LACMA is on Museum Row, adjacent to the La Brea Tar Pits, LACMA is the largest art museum in the western United States. It attracts nearly a million visitors annually and it holds more than 150,000 works spanning the history of art from ancient times to the present. In addition to art exhibits, the museum features film and concert series, the Los Angeles County Museum of Art was established as a museum in 1961. Prior to this, LACMA was part of the Los Angeles Museum of History, Science and Art, howard F. Ahmanson, Sr. Anna Bing Arnold and Bart Lytton were the first principal patrons of the museum. Ahmanson made the donation of $2 million, convincing the museum board that sufficient funds could be raised to establish the new museum. In 1965 the museum moved to a new Wilshire Boulevard complex as an independent, art-focused institution, the largest new museum to be built in the United States after the National Gallery of Art. The museum, built in a similar to Lincoln Center. The board selected LA architect William Pereira over the recommendation of Ludwig Mies van der Rohe for the buildings. According to a 1965 Los Angeles Times story, the total cost of the three buildings was $11.5 million, at the time, the Los Angeles Music Center and LACMA were concurrent large civic projects which vied for attention and donors in Los Angeles. When the museum opened, the buildings were surrounded by reflecting pools, in the far-reaching expansion, museum-goers henceforth entered through the new partially roofed central court, nearly an acre of space bounded by the museums four buildings. The museums Pavilion for Japanese Art, designed by maverick architect Bruce Goff, opened in 1988, gerald Cantor Sculpture Garden of Rodin bronzes. In 1999, the Hancock Park Improvement Project was complete, kohlhaas edged out French architect Jean Nouvel, who would have added a major building while renovating the older facilities. The list of candidates had narrowed to five in May 2001, Koolhaas, Nouvel, Steven Holl, Daniel Libeskind. However, the project stalled after the museum failed to secure funding. In 2004 LACMAs Board of Trustees unanimously approved plans to transform the museum, the planned transformation consisted of three phases. Phase I started in 2004 and was completed in February 2008, the renovations required demolishing the parking structure on Ogden Avenue and with it LACMA-commissioned graffiti art by street artists Margaret Kilgallen and Barry McGee. The entry pavilion is a key point in architect Renzo Pianos plan to unify LACMAs sprawling, the BP Grand Entrance and the adjacent Broad Contemporary Art Museum comprise the $191 million first phase of the three-part expansion and renovation campaign
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Victoria and Albert Museum
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The Victoria and Albert Museum, London, is the worlds largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert and these include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a public body sponsored by the Department for Culture, Media. Like other national British museums, entrance to the museum has been free since 2001, the V&A covers 12.5 acres and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. The museum owns the worlds largest collection of sculpture, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, China, Japan, Korea, the East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world, New 17th- and 18th-century European galleries were opened on 9 December 2015. These restored the original Aston Webb interiors and host the European collections 1600–1815, at this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection, by February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. In 1855 the German architect Gottfried Semper, at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. The site was occupied by Brompton Park House, this was extended including the first refreshment rooms opened in 1857, the official opening by Queen Victoria was on 22 June 1857. In the following year, late night openings were introduced, made possible by the use of gas lighting, in these early years the practical use of the collection was very much emphasised as opposed to that of High Art at the National Gallery and scholarship at the British Museum. George Wallis, the first Keeper of Fine Art Collection, passionately promoted the idea of art education through the museum collections. From the 1860s to the 1880s the scientific collections had been moved from the museum site to various improvised galleries to the west of Exhibition Road. In 1893 the Science Museum had effectively come into existence when a director was appointed. The laying of the stone of the Aston Webb building on 17 May 1899 was the last official public appearance by Queen Victoria. It was during this ceremony that the change of name from the South Kensington Museum to the Victoria, the exhibition which the museum organised to celebrate the centennial of the 1899 renaming, A Grand Design, first toured in North America from 1997, returning to London in 1999
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Wadsworth Atheneum
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The Wadsworth Atheneum is an art museum located in Hartford, Connecticut. Founded in 1842 and opened in 1844, it is the oldest continually operating art museum in the United States. The museum is located at 600 Main Street in a distinctive building in downtown Hartford, Connecticut. With 75,000 square feet of space, the museum is the largest art museum in the state of Connecticut. It was listed on the National Register of Historic Places in 1970, the museum is a member of the North American Reciprocal Museums program. The Wadsworth, as it is most commonly known, was constructed on the site of the home of Daniel Wadsworth in the heart of downtown Hartford. Its architects were Alexander Jackson Davis and Ithiel Town, who designed the castle that is the Atheneums oldest building, construction began in 1842 after the museum was incorporated on June 1 of that year. The museum opened on July 31,1844 and has operated continuously since then, the Wadsworth family, being one of the oldest and most affluent in the city, contributed numerous valuable pieces of art to be displayed at the time the museum opened. The first collection consisted of 78 paintings, two busts, one portrait miniature, and one bronze sculpture. Building on the Wadsworth familys largess, generations of more recent donors have added to the museums collections, foremost among them are Elizabeth Jarvis Colt, widow of firearms magnate Samuel Colt, and financier and Hartford native John Pierpont Morgan. In 1927, the received a million-dollar bequest from banker Frank Sumner. The design required demolishing the Goodwin Building, put up in 1969, however, the proposal was scrapped in 2003 due to fundraising difficulties and changes in the museums leadership. A later plan to expand into the former Hartford Times building was abandoned due to cost concerns. The $33 million renovation, designed by the Hartford-based architecture firm Smith Edwards McCoy, was completed in 2015, the collections span more than 5,000 years of world history. Just outside the castle is a statue of Nathan Hale, dated 1899, a short distance away, within the Connecticut State Capitol is another, better-known sculpture of Hale by Bela Pratt, a copy of his original at Yale University. The Atheneum also owns the A. Everett Austin House, a National Historic Landmark, the house, located in Hartfords historic West End, is open to the public as a museum. Since its beginning, the Wadsworth has had a tradition of firsts. In 1933, the Wadsworth sponsored George Balanchines immigration to the United States from the Soviet Union, shortly after his immigration, Balanchine founded the School of American Ballet, which led to the formation of the New York City Ballet
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Paris
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Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
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Bibsys
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BIBSYS is an administrative agency set up and organized by the Ministry of Education and Research in Norway. They are a provider, focusing on the exchange, storage and retrieval of data pertaining to research. BIBSYS are collaborating with all Norwegian universities and university colleges as well as research institutions, Bibsys is formally organized as a unit at the Norwegian University of Science and Technology, located in Trondheim, Norway. The board of directors is appointed by Norwegian Ministry of Education, BIBSYS offer researchers, students and others an easy access to library resources by providing the unified search service Oria. no and other library services. They also deliver integrated products for the operation for research. As a DataCite member BIBSYS act as a national DataCite representative in Norway and thereby allow all of Norways higher education, all their products and services are developed in cooperation with their member institutions. The purpose of the project was to automate internal library routines, since 1972 Bibsys has evolved from a library system supplier for two libraries in Trondheim, to developing and operating a national library system for Norwegian research and special libraries. The target group has expanded to include the customers of research and special libraries. BIBSYS is an administrative agency answerable to the Ministry of Education and Research. In addition to BIBSYS Library System, the product consists of BISBYS Ask, BIBSYS Brage, BIBSYS Galleri. All operation of applications and databases is performed centrally by BIBSYS, BIBSYS also offer a range of services, both in connection with their products and separate services independent of the products they supply
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