Giovanni Fattori was an Italian artist, one of the leaders of the group known as the Macchiaioli. He was initially a painter of historical themes and military subjects. In his middle years, inspired by the Barbizon school, he became one of the leading Italian plein-airists, painting landscapes, rural scenes, and scenes of military life. After 1884, he devoted much energy to etching.
Self-Portrait (1854), oil on canvas, 59 x 46.5 cm, Florence, Galleria d'Arte Moderna
Mary Stuart at the Camp of Crookstone, 1859–61, oil on canvas, 76 x 108 cm, Palazzo Pitti, Florence
Lady with a Fan, 1865–66, oil on canvas, 90 x 63 cm
La Rotonda di Palmieri, 1866, oil on wood, 12 x 35 cm, Florence, Galleria d'Arte Moderna
The Macchiaioli were a group of Italian painters active in Tuscany in the second half of the nineteenth century. They strayed from antiquated conventions taught by the Italian art academies, and did much of their painting outdoors in order to capture natural light, shade, and colour. This practice relates the Macchiaioli to the French Impressionists who came to prominence a few years later, although the Macchiaioli pursued somewhat different purposes. The most notable artists of this movement were Giuseppe Abbati, Cristiano Banti, Odoardo Borrani, Vincenzo Cabianca, Adriano Cecioni, Vito D'Ancona, Serafino De Tivoli, Giovanni Fattori, Raffaello Sernesi, Silvestro Lega, and Telemaco Signorini.
Hay Stacks by Giovanni Fattori, a leading artist in the Macchiaioli movement
Telemaco Signorini, Leith, 1881, Galleria d'Arte Moderna, Florence
Macchiaioli at the Caffè Michelangiolo c. 1856
Castiglioncello: the Macchiaioli art-movement had one focus in the "school of Castiglioncello" (Etruscan Coast).