1.
Genoa
–
Genoa is the capital of the Italian region of Liguria and the sixth-largest city in Italy. In 2015,594,733 people lived within the administrative limits. As of the 2011 Italian census, the Province of Genoa, over 1.5 million people live in the wider metropolitan area stretching along the Italian Riviera. Genoa has been nicknamed la Superba due to its glorious past, part of the old town of Genoa was inscribed on the World Heritage List in 2006. The citys rich history in notably its art, music. It is the birthplace of Christopher Columbus, Niccolò Paganini, Giuseppe Mazzini, Genoa, which forms the southern corner of the Milan-Turin-Genoa industrial triangle of north-west Italy, is one of the countrys major economic centres. The city has hosted massive shipyards and steelworks since the 19th century, the Bank of Saint George, founded in 1407, is among the oldest in the world and has played an important role in the citys prosperity since the middle of the 15th century. Today a number of leading Italian companies are based in the city, including Fincantieri, Selex ES, Ansaldo Energia, Ansaldo STS, Edoardo Raffinerie Garrone, Piaggio Aerospace, the Genoa area has been inhabited since the fifth or fourth millennium BC. In ancient times this area was frequented and inhabited by Ligures, Phoenicians, Phocaeans, Greeks, and Etruscans. The city cemetery, dating from the 6th and 5th centuries BC, testifies to the occupation of the site by the Greeks, but the fine harbour probably saw use much earlier, perhaps by the Etruscans. In the 5th century BC was founded the first oppidum at the foot of the today called the Castle Hill which now is inside the medieval old town. The ancient Ligurian city was known as Stalia, so referred to by Artemidorus Ephesius and Pomponius Mela, Ligurian Stalia was overshadowed by the powerful Marseille and Vada Sabatia, near modern Savona. Stalia had an alliance with Rome through a foedus aequum in the course of the Second Punic War, the Carthaginians accordingly destroyed it in 209 BC. The town was rebuilt and, after the Carthaginian Wars ended in 146 BC. it received municipal rights, the original castrum thenceforth expanded towards the current areas of Santa Maria di Castello and the San Lorenzo promontory. Trades included skins, wood, and honey, goods were shipped to the mainland, up to major cities like Tortona and Piacenza. Among the archeological remains from the Roman period, an amphitheatre was also found, another theory traces the name to the Etruscan word Kainua which means New City and still another from the Latin word ianua, related to the name of the God Janus, meaning door or passage. The latter is in reference to its position at the centre of the Ligurian coastal arch. The Latin name, oppidum Genua, is recorded by Pliny the Elder as part of the Augustean Regio IX Liguria, after the fall of the Western Roman Empire, the Ostrogoths occupied Genoa
Genoa
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A collage of Genoa, clockwise from top left:
Torre della Lanterna,
Piazza de Ferrari, Galleria Mazzini, Brigata Liguria Street, view of San Teodoro from
Port of Genoa
Genoa
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The Polcevera bronze tablet, evidence of the Roman and pre-Roman past of Genoa.
Genoa
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Portrait of
Christopher Columbus by
Ridolfo Ghirlandaio
Genoa
–
The iconic
Lanterna, renaissance lighthouse of Genoa built in 1543
2.
Liguria
–
Liguria is a coastal region of north-western Italy, its capital is Genoa. The region is popular with tourists for its beaches, towns, Liguria is bordered by France to the west, Piedmont to the north, and Emilia-Romagna and Tuscany to the east. It lies on the Ligurian Sea, the narrow strip of land is bordered by the sea, the Alps and the Apennines mountains. Some mountains rise above 2,000 m, the line runs at an average altitude of about 1,000 m. The highest point of the region is the summit of Monte Saccarello, the winding arched extension goes from Ventimiglia to La Spezia. Of this,3,524.08 km2 are mountainous and 891.95 km2 are hills, Ligurias natural reserves cover 12% of the entire region, or 600 km2 of land. They are made up of one national reserve, six large parks, the continental shelf is very narrow, and so steep it descends almost immediately to considerable marine depths along its 350-kilometre coastline. Except for the Portovenere and Portofino promontories, it is not very jagged. At the mouths of the biggest watercourses there are small beaches, the ring of hills lying immediately beyond the coast together with the sea account for a mild climate year-round. Average winter temperatures are 7 to 10 °C and summer temperatures are 23 to 24 °C, rainfall can be abundant at times, as mountains very close to the coast create an orographic effect. Genoa and La Spezia can see up to 2,000 mm of rain in a year, evidence of Neanderthals living in the area was discovered in the region of Loano, whereas in Ventimiglia, in the grotto of Balzi Rossi, numerous remains were found of Cro-Magnon. According to Classical sources, the Ligurians, once lived in a far broader territory than present-day Liguria, for example, the Greek colony of Massalia, modern Marseille was recorded to lie in Ligurian territory. During the first Punic War, the ancient Ligurians were divided, some of them siding with Carthage, under Augustus, Liguria was designated a region of Italy stretching from the coast to the banks of the Po River. The great Roman roads helped strengthen territorial unity and increase communication, important towns developed on the coast, of which evidence is left in the ruins of Albenga, Ventimiglia and Luni. Between the 4th and the 10th centuries Liguria was dominated by the Byzantines, the Lombards of King Rothari and it was also invaded by Saracen and Norman raiders. In the 10th century, once the danger of pirates decreased, in the 11th and 12th centuries the marches were split into fees, and then with the strengthening of the bishops’ power, the feudal structure began to partially weaken. The main Ligurian towns, especially on the coast, became city-states, inland, however, fiefs belonging to noble families survived for a very long time. Between the 11th century and the 15th century, the Republic of Genoa experienced a political and commercial success
Liguria
–
A view of
Cinque Terre.
Liguria
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Liguria
Liguria
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The Roman amphitheatre of
Luni (1st century AD).
Liguria
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Simonetta Vespucci, a native Ligurian who was a famous beauty during the Renaissance, may have been the model for
Botticelli's The Birth of Venus
3.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
Italy
–
The
Colosseum in Rome, built c. 70 – 80 AD, is considered one of the greatest works of
architecture and
engineering of ancient history.
Italy
–
Flag
Italy
–
The
Iron Crown of Lombardy, for centuries symbol of the
Kings of Italy.
Italy
–
Castel del Monte, built by German Emperor
Frederick II,
UNESCO World Heritage site
4.
Film director
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A film director is a person who directs the making of a film. Generally, a film director controls a films artistic and dramatic aspects, the director has a key role in choosing the cast members, production design, and the creative aspects of filmmaking. Under European Union law, the director is viewed as the author of the film, the film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized, or noticed. Directors need to be able to mediate differences in creative visions, there are many pathways to becoming a film director. Some film directors started as screenwriters, cinematographers, film editors or actors, other film directors have attended a film school. Some outline a general plotline and let the actors dialogue, while others control every aspect. Some directors also write their own screenplays or collaborate on screenplays with long-standing writing partners, some directors edit or appear in their films, or compose the music score for their films. Film directors create a vision through which a film eventually becomes realized/noticed. Realizing this vision includes overseeing the artistic and technical elements of production, as well as directing the shooting timetable. This entails organizing the crew in such a way as to achieve their vision of the film. This requires skills of leadership, as well as the ability to maintain a singular focus even in the stressful. Moreover, it is necessary to have an eye to frame shots and to give precise feedback to cast and crew, thus. Thus the director ensures that all involved in the film production are working towards an identical vision for the completed film. The set of varying challenges he or she has to tackle has been described as a jigsaw puzzle with egos. It adds to the pressure that the success of a film can influence when, omnipresent are the boundaries of the films budget. Additionally, the director may also have to ensure an intended age rating, thus, the position of film director is widely considered to be a highly stressful and demanding one. It has been said that 20-hour days are not unusual, under European Union law, the film director is considered the author or one of the authors of a film, largely as a result of the influence of auteur theory. Auteur theory is a film criticism concept that holds that a directors film reflects the directors personal creative vision
Film director
–
American director
Steven Spielberg with Sri Lankan film maker
Chandran Rutnam in Sri Lanka
Film director
–
The film director gives last minute direction to the cast and crew, while filming a
costume drama on location in
London.
Film director
–
Director
Pedro Almodóvar and actress
Penélope Cruz
Film director
–
Fritz Lang directing a movie
5.
Screenwriter
–
One famous screenwriter is Jack Rosenthal, who has written for various TV shows over the years, including Londons Burning and Coronation Street. No education is required to become a screenwriter, just good storytelling abilities. Screenwriters are not hired employees, they are contracted freelancers, most, if not all, screenwriters start their careers writing on speculation, meaning they write without being hired or paid for it. If such a script is sold, it is called a spec script, what separates a professional screenwriter from an amateur screenwriter is that professional screenwriters are usually represented by a talent agency. Also, professional screenwriters do not often work for free, whereas amateur screenwriters will often work for free and are considered writers in training, spec scripts are usually penned by unknown professional screenwriters and amateur screenwriters. There are a legion of would-be screenwriters who attempt to enter the industry but it often takes years of trial-and-error, failure. In Writing Screenplays that Sell, Michael Hague writes Screenplays have become, for the last half of century, closet writers who used to dream of the glory of getting into print now dream of seeing their story on the big or small screen. Every screenplay and teleplay begins with a thought or idea, and screenwriters use those ideas to write scripts, with the intention of selling them and having them produced. In some cases, the script is based on a property, such as a book or persons life story. The majority of the time, a film project gets initiated by a screenwriter and because they initiated the project and these are referred to as exclusive assignments or pitched assignments. Screenwriters who often pitch new projects, whether original or an adaptation, when word is put out about a project a film studio, production company, or producer wants done, these are referred to as open assignments. In situations where screenwriters are competing for an assignment, more established writers will usually win these assignments. A screenwriter can also be approached and personally offered a writing assignment, many screenwriters also work as full or part-time script doctors, attempting to better a script to suit the desires of a director or studio. For instance, studio management may have a complaint that the motivations of the characters are unclear or that the dialogue is weak, script-doctoring can be quite lucrative, especially for the better known writers. David Mamet and John Sayles, for instance, fund the movies they direct themselves, usually from their own screenplays, by writing and doctoring scripts for others. In fact, some writers make very profitable careers out of being the ninth or tenth writer to work on a piece, in many cases, working on projects that never see exposure to an audience of any size. Many up and coming screenwriters also ghost write projects and allow more established screenwriters to take credit for the project to increase the chances of it getting picked up. After a screenwriter finishes a project, he or she pairs with a representative, such as a producer, director, literary agent, entertainment lawyer
Screenwriter
–
A page of a screenplay
6.
Actor
–
Anyone who meets the eligibility requirements may apply for aid, which could vary from medical assistance, paying rent, or finding employment. Heros benefits are not meant to be a permanent crutch for needy creators, any granted aid is kept confidential. The Hero Initiative has two boards of directors, the Executive Board and the Fund Disbursement Board, former board members include founders Pat McCallum, editor-in-chief of Wizard Magazine, and Mike Richardson, publisher and founder of Dark Horse Comics. They are George Pérez, Roy Thomas, Charlie Novinskie, Dennis ONeil, John Romita Sr. the charity is currently supported by Dark Horse Comics, Dynamic Forces, Image Comics, Marvel Entertainment, Top Cow Productions, and Wizard Entertainment. The Hero Initiative utilizes many methods of fundraising, foremost is their annual art auction, auctioning donated original comics art-work at fan conventions. Year-long, they sell donated art and special edition comics at conventions, artists, writers, and publishers are invited to donate work, and fans are invited to donate money directly to the fund. ACTOR also sells a green Excelsior, wrist-band similar in design to the Livestrong wristband. The Hero Initiative was formerly known as A Commitment to Our Roots, or ACTOR, while the original name of the organization reflected the charitys goal, the acronym that resulted, ACTOR, more often confused people unfamiliar with the organization. 2006, George Pérez, John Romita, Sr.2007, Joe Kubert 2008, Nick Cardy 2009, Neal Adams 2010, Walt Simonson 2011, Stan Lee 2012, John Romita, Jr. The award recognizes one person in each year who demonstrates particular generosity and integrity in support of the overall comic book community. It debuted at the 2010 Harvey Awards ceremony held at the Baltimore Comic-Con
Actor
–
The Hero Initiative
Actor
7.
Cinema of Italy
–
The Cinema of Italy comprises the films made within Italy or by Italian directors. As of 2014, Italian films have won 14 Academy Awards for Best Foreign Language Film, the most of any country, as well as 12 Palmes dOr, early Italian films were typically adaptations of books or stage plays. One of the first cinematic avante-garde movements, Italian Futurism, took place in Italy in the late 1910s, after a period of decline in the 1920s, the Italian film industry was revitalized in the 1930s with the arrival of sound film. A popular Italian genre during this period, the Telefoni Bianchi, post-World War II Italy saw the rise of the influential Italian neorealist movement, which launched the directorial careers of Luchino Visconti, Roberto Rossellini, and Vittorio De Sica. Neorealism declined in the late 1950s in favor of lighter films, such as those of the Commedia allitaliana genre and important directors like Federico Fellini, actresses such as Sophia Loren, Giulietta Masina and Gina Lollobrigida achieved international stardom during this period. The Spaghetti Western achieved popularity in the mid-1960s, peaking with Sergio Leones Dollars Trilogy, erotic Italian thrillers, or giallos, produced by directors such as Mario Bava and Dario Argento in the 1970s, influenced the horror genre worldwide. During the 1980s and 1990s, directors such as Ermanno Olmi, Bernardo Bertolucci, Giuseppe Tornatore, Gabriele Salvatores, lumière trainees produced short films documenting everyday life and comic strips in the late 1890s and early 1900s. Pioneering Italian cinematographer Filoteo Alberini patented his Kinetograph during this period, the Italian film industry took shape between 1903 and 1908, led by three major organizations, Cines, based in Rome, and the Turin-based companies Ambrosio Film and Itala Film. Other companies soon followed in Milan and Naples, and these early companies quickly attained a respectable production quality and were able to market their products both within Italy and abroad. Early Italian films typically consisted of adaptations of books or stage plays, such as Mario Caserinis Otello and Arturo Ambrosios 1908 adaptation of the novel, also popular during this period were films about historical figures, such as Caserinis Beatrice Cenci and Ugo Falenas Lucrezia Borgia. LInferno, produced by Milano Films in 1911, was the first full-length Italian feature film ever made, popular early Italian actors included Emilio Ghione, Alberto Collo, Bartolomeo Pagano, Amleto Novelli, Lyda Borelli, Ida Carloni Talli, Lidia Quaranta and Maria Jacobini. Enrico Guazzones 1913 film Quo Vadis was one of the earliest blockbusters in history, utilizing thousands of extras. Giovanni Pastrones 1914 film Cabiria was a larger production, requiring two years and a record budget to produce. Nino Martoglios Lost in Darkness, also produced in 1914, documented life in the slums of Naples, between 1911 and 1919, Italy was home to the first avant-garde movement in cinema, inspired by the countrys Futurism movement. The 1916 Manifesto of Futuristic Cinematography was signed by Filippo Marinetti, Armando Ginna, Bruno Corra, Giacomo Balla, to the Futurists, cinema was an ideal art form, being a fresh medium, and able to be manipulated by speed, special effects and editing. The Italian film industry struggled against rising foreign competition in the years following World War I, several major studios, among them Cines and Ambrosio, formed the Unione Cinematografica Italiana to coordinate a national strategy for film production. This effort was unsuccessful, however, due to a wide disconnect between production and exhibition. Among the notable Italian films of the silent era were Mario Camerinis Rotaio
Cinema of Italy
–
Thaïs (1917)
Cinema of Italy
–
Some of the notable actors and filmmakers
Cinema of Italy
–
Enzo Staiola in
Bicycle Thieves (1948)
Cinema of Italy
–
Bartolomeo Pagano as
Maciste
8.
Carlo Lizzani
–
Carlo Lizzani was an Italian film director, screenwriter and critic. After directing documentaries, he debuted as a director with the admired World War II drama Achtung. Respected for his awarded drama Chronicle of Poor Lovers, he has proven a solid director of films, notably crime films such as The Violent Four. His film Loro di Roma examined events around the final deportation of the Jews of Rome, for his 1968 film Bandits in Milan he won a David di Donatello award as best director and a Nastro dArgento award for best screenplay. Lizzani worked frequently for Italian television in the 1980s and supervised the Venice International Film Festival for four editions, in 1994 Lizzani was a member of the jury at the Berlin Film Festival. For his 1996 film Celluloide, which deals with the making of Rome, Open City and he committed suicide in Rome at the age of 91, when he jumped from the balcony of his home in Via dei Gracchi on 5 October 2013. Carlo Lizzani at the Internet Movie Database
Carlo Lizzani
–
Lizzani (left) on the set of
Celluloide (Rome, 1996)
9.
Gillo Pontecorvo
–
Gillo Pontecorvo was an Italian filmmaker. He worked as a director for more than a decade before his best known film La battaglia di Algeri was released. It won the Golden Lion at the Venice Film Festival in 1966 and his other films include Kapò, which takes place in a World War II concentration camp, and Burn. starring Marlon Brando and loosely based on the failed slave revolution in Guadeloupe. In 2000, he received the Pietro Bianchi Award at the Venice Film Festival and he was also a screenwriter and composer of film scores, and a close friend of the Italian President Giorgio Napolitano. Pontecorvo, born in Pisa, was the son of a wealthy non-observant Italian Jewish family, Gillo Pontecorvo studied chemistry at the University of Pisa, but dropped out after passing just two exams. It was there that he first became aware of opposing forces, coming into contact with leftist students. In 1938, faced with growing anti-Semitism, he followed his elder brother Bruno to Paris, in Paris he involved himself in the film world, where he made a few short documentaries. He became an assistant to Joris Ivens, the Dutch documentary filmmaker and he also assisted Yves Allégret, a French director known for his work in the film noir genre whose films include Une Si Jolie Petite Plage and Les Orgueilleux. In addition to influences, Pontecorvo began meeting people who broadened his perspectives, among them Pablo Picasso, Igor Stravinsky. It was during this time that Pontecorvo truly developed his political ideals and he was particularly affected when many of his friends in Paris packed up to go and fight in the Spanish Civil War. Pontecorvo joined the Italian Communist Party in 1941 and he traveled to northern Italy to help organize anti-Fascist partisans and going by the pseudonym Barnaba, becoming a leader of the Resistance in Milan from 1943 until 1945. Pontecorvo broke ties with the party in 1956 after the Soviet intervention in Hungary and he didnt, however, renounce his dedication to Marxism and in a 1983 interview with the UK’s Guardian newspaper, said, I am not an out-and-out revolutionary. I am merely a man of the Left, like a lot of Italian Jews and he bought a 16mm camera and shot several documentaries, mostly self-funded, beginning with Missione Timiriazev in 1953. He then directed Giovanna, which was one episode of La rosa dei venti, in 1957 he directed his first full-length film, La grande strada azzurra, which foreshadowed his mature style of later films. It deals with a fisherman and his family on the island off the Dalmatian coast of Italy. Because of the scarcity of fish in nearby waters, the fisherman, the film won a prize at the Karlovy Vary International Film Festival. Pontecorvo spent months, and sometimes years, researching the material for his films in order to represent the actual social situations he commented on. In the next two years, Pontecorvo directed Kapò, a set in a Nazi death camp
Gillo Pontecorvo
–
Gillo Pontecorvo
10.
The Abandoned (1955 film)
–
The Runaways or The Abandoned was the United States title for the 1955 Italian film Gli Sbandati, set during the aftermath of the Allied invasion of Italy in 1943 during World War II. The film entered the 1955 Venice Film Festival, where it received a special mention and it is the directorial debut of Francesco Maselli. The music was composed by Giovanni Fusco and arranged by Ennio Morricone, in 2008 the film was selected to enter the list of the 100 Italian films to be saved
The Abandoned (1955 film)
–
Gli Sbandati (The Abandoned)
11.
Partisan (military)
–
A partisan is a member of an irregular military force formed to oppose control of an area by a foreign power or by an army of occupation by some kind of insurgent activity. The term can apply to the element of resistance movements. The French term partisan, derived from the Latin, first appeared in the 17th century to describe the leader of a war-party, one of the first manuals of partisan tactics in the 18th century was The Partisan, or the Art of Making War in Detachment. Published in London in 1760 by de Jeney, a Hungarian military officer who served in the Prussian Army as captain of engineers during the Seven Years War of 1756–1763. Johann von Ewald described techniques of warfare in detail in his Abhandlung über den kleinen Krieg. The concept of warfare would later form the basis of the Partisan Rangers of the American Civil War. In that war, Confederate States Army Partisan leaders, such as John S. Mosby, in essence, 19th-century American partisans were closer to commando or ranger forces raised during World War II than to the partisan forces operating in occupied Europe. Mosby-style fighters would have been legally considered uniformed members of their states armed forces, Partisans in the mid-19th century were substantially different from raiding cavalry, or from unorganized/semi-organized guerrilla forces. Russian partisans played a part in the downfall of Napoleon. Their fierce resistance and persistent inroads helped compel the French emperor to flee Russia in 1812, imperial Russia also made use of partisans in World War I, for example Stanisław Bułak-Bałachowicz. The group was the wing of the Organization of Ukrainian Nationalists—Bandera faction, originally formed in Volyn in the spring. Its official date of creation is 14 October 1942, day of Intercession of the Theotokos feast, the OUNs stated immediate goal was the re-establishment of a united, independent national state on Ukrainian ethnic territory. The organization began as a group and developed into a guerrilla army. Soviet partisans during World War II, especially active in Belarus, effectively harassed German troops. As a result, Soviet authority was re-established deep inside the German-held territories, in some areas partisan kolkhozes raised crops and livestock to produce food. However this was not usually the case and partisans also requisitioned supplies from the local populace, Soviet partisans in Finland were known to have attacked villages and indiscriminately target the populace, killing entire families. The war crimes committed in Finland by Soviet partisans were investigated by the National Bureau since 1999, however, Russia refused access to Soviet archives and the investigation ended in 2003. Partisan warfare was routinely distorted in the Soviet Union, according to historian Veikko Erkkilä the Russian attitude towards civilian atrocities has been marred by the Great Patriotic War propaganda
Partisan (military)
–
Soviet partisans in the forest near
Polotsk,
Byelorussian SSR September 1943.
Partisan (military)
–
Soviet partisans in Belarus, 1944
Partisan (military)
–
Yugoslav partisan
Stjepan Filipović moments before death.
12.
Venice Film Festival
–
The film festival is part of the Venice Biennale, which was founded by the Venetian City Council in 1895. The film festival has taken place in late August or early September on the island of the Lido, Venice. Screenings take place in the historic Palazzo del Cinema on the Lungomare Marconi, since its inception the Venice Film Festival has grown into one of the most prestigious film festivals in the world. The 74th Venice International Film Festival is scheduled to be held from 30 August to 9 September 2017, the first edition of the Venice Film Festival was carried out from the 6 to the 21 of August in 1932. The festival began with an idea of the president of the Venice Biennale Count Giuseppe Volpi di Misurata and Luciano De Feo, with good reason, the festival was considered the first international event of its type, receiving strong support from authorities. This first edition was held on the terrace of the Hotel Excelsior on the Venice Lido, and at that stage it was not a competitive event. The very first film to be shown in the history of the Festival was Rouben Mamoulians Dr. Jekyll and Mr. Hyde, the second edition was held two years later, from 1 to 20 of August in 1934. For the first time it included a competition, at least 19 countries took part with over 300 accredited journalists. The Mussolini Cup was introduced for best foreign film and best Italian film, other awards were the Great Gold Medals of the National Fascist Association for Entertainment to best actor and actress. The prize for best foreign film went to Robert J. Flahertys Man of Aran and was a confirmation of the taste of the time for auteur documentaries, starting in 1935, the Festival became a yearly event under the direction of Ottavio Croze. The actors award was renamed Volpi Cup, in 1936 an international jury was nominated for the first time and in 1937 the new Cinema Palace, designed by the architect Luigi Quagliata, was inaugurated. The 1940s represent one of the most difficult moments for the review, the conclusion of the Second World War divides the decade in two. Before 1938 political pressures distorted and ruined the festival, in addition, few countries participated and there was an absolute monopoly of institutions and directors that were members of the Rome-Berlin Axis. The festival resumed full speed in 1946, after the war, with the return of normalcy, Venice once again became a great icon of the film world. In 1947 the festival was held at the Doges Palace, a most magnificent backdrop for hosting a record 90 thousand participants, surely it can be considered one of the greatest editions in the history of the festival. For the next twenty years the festival continued its development and expansion in accordance with the plan set in motion after the war. In 1963 the winds of change blow strongly during Luigi Chiarini’s directorship of the festival, during the years of his presidency, Chiarini aspired to renew the spirit and the structures of the festival, pushing for a total reorganization of the entire system. The social and political unrest of 1968 had strong repercussions on the Venice Bienniale, from 1969 to 1979 no prizes were awarded and the festival returned to the non-competitiveness of the first edition
Venice Film Festival
–
Venice Cinema Palace in 2009
Venice Film Festival
–
Venice Film Festival
Venice Film Festival
–
The
Doge's Palace in
Piazza San Marco hosted the 1947 edition.
Venice Film Festival
–
The 65th Venice International Film Festival
13.
Grand slam (1967 movie)
–
Grand Slam is a 1967 crime film directed by Giuliano Montaldo and stars Edward G Robinson, Klaus Kinski and Janet Leigh. A seemingly mild-mannered teacher, Professor James Anders, is an American working in Rio de Janeiro, bored with years of teaching, Anders retires and sets about putting together a team to pull off a diamond heist during the Rio Carnival in Brazil. Lasers crisscross the entry corridor, and a sensitive microphone listens for sounds while the safe, the team successfully enters the safe using a pneumatic trestle to bypass the lasers by crawling over them, and using shaving cream to dampen their sounds. However, the day the police are alerted by Mary Ann, who has found that the safe key had been temporarily taken. Anders ends up with the diamonds in a small case, sitting in an outdoor cafe
Grand slam (1967 movie)
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Grand Slam film poster
14.
Edward G. Robinson
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Edward G. Robinson was a Romanian-born American actor. A popular star on stage and screen during Hollywoods Golden Age, he appeared in 40 Broadway plays and he is best remembered for his tough-guy roles as a gangster, such as his star-making film Little Caesar and Key Largo. During the 1930s and 1940s, he was a public critic of fascism and Nazism. His activism included contributing over $250,000 to more than 850 organizations involved in war relief, along with cultural, educational, during the 1950s, he was called to testify at the House Un-American Activities Committee during the Red Scare, but was cleared of any Communist involvement. Robinson received an Honorary Academy Award for his work in the film industry and he is ranked #24 in the American Film Institutes list of the 25 greatest male stars of Classic American cinema. Robinson was born as Emanuel Goldenberg to a Yiddish-speaking Romanian Jewish family in Bucharest, the son of Sarah and Morris Goldenberg, after one of his brothers was attacked by an antisemitic mob, the family decided to emigrate to the United States. Robinson arrived in New York City on February 14,1903, at Ellis Island I was born again, he wrote. Life for me began when I was 10 years old, an interest in acting and performing in front of people led to him winning an American Academy of Dramatic Arts scholarship, after which he changed his name to Edward G. Robinson. He served in the US Navy during World War I, but was never sent overseas and he began his acting career in the Yiddish Theater District in 1913 and made his Broadway debut in 1915. In 1923 made his debut as E. G. Robinson in the silent film. He played a gangster in the 1927 Broadway police/crime drama The Racket. Robinson went on to make a total of 101 films in his 50-year career. In 1939, at the time World War II broke out in Europe, he played an FBI agent in Confessions of a Nazi Spy, the first American film which showed Nazism as a threat to the United States. He volunteered for service in June 1942 but was disqualified due to his age at 48, although he became an active. The following year he played Paul Ehrlich in Dr. Ehrlichs Magic Bullet and Paul Julius Reuter in A Dispatch from Reuters and his career rehabilitation received a boost in 1954, when noted anti-communist director Cecil B. DeMille cast him as the traitorous Dathan in The Ten Commandments, the film was released in 1956, as was his psychological thriller Nightmare. As it turned out, Robinson died only days later. He had been notified of the honor, but died two months before the ceremony, so the award was accepted by his widow, Jane Robinson
Edward G. Robinson
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1930s publicity photo
Edward G. Robinson
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Robinson in his breakout role,
Little Caesar (1931)
Edward G. Robinson
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In
Billy Wilder 's
Double Indemnity (1944)
Edward G. Robinson
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With
Lynn Bari in
Tampico (1944)
15.
Klaus Kinski
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Klaus Kinski was a German actor. He appeared in more than 130 films, and was a leading actor in the films of Werner Herzog, including Aguirre, the Wrath of God, Nosferatu the Vampyre, Woyzeck, Fitzcarraldo. Kinskis violent outbursts in public made him a figure in Germany. He is the father of Pola, Nastassja, and Nikolai Kinski and they have all become actors and have worked in Germany and the United States, primarily in film and TV. Klaus Kinski was born to German nationals in Zoppot in what was from 1920–1939, under League of Nations supervision, the Free City of Danzig. His father, Bruno Nakszynski, a German of Polish descent, was an opera singer turned pharmacist, his mother, Susanne, was a nurse. Klaus had three siblings, Inge, Arne and Hans-Joachim. Because of the Great Depression, the family was unable to make a living in Danzig and moved to Berlin in 1931 and they settled in a flat in the Wartburgstraße 3, in the district of Schöneberg, and took German citizenship. From 1936 on, Kinski attended the Prinz-Heinrich-Gymnasium in Schöneberg, Kinski was conscripted at the age of 17 into the German Wehrmacht some time in 1943, and served in the army. He saw no action until the winter of 1944, when his unit was transferred to the Netherlands and he was wounded and captured by the British on his second day of combat. Kinski gave a different version of events in his 1988 autobiography and he said that he made a conscious decision to desert, he had been captured by the Germans, court-martialed as a deserter and sentenced to death, but he escaped and hid in the woods. He finally surrendered to a British patrol, which had wounded him in the arm before taking him captive, after being treated for his injuries and interrogated, Kinski was transferred to Britain. The ship transporting him was torpedoed by a German U-boat, and he was held at the prisoner of war Camp 186 in Berechurch Hall in Colchester, Essex. There he played his first roles on stage, taking part in shows intended to maintain morale among the prisoners, by May 1945, at the end of the war in Europe, the German POWs were anxious to return home. Kinski had heard that prisoners were to be returned first. He remained healthy but finally was returned to Germany in 1946, after spending a year, arriving in Berlin, he saw how the once modern city had been reduced to ruins and was occupied by Allied troops. Kinski learned his father had died during the war, and his mother had killed in an Allied air attack on the city. After his return to Germany, Kinski started out as an actor, first at a touring company in Offenburg
Klaus Kinski
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At the Cannes Film Festival, late 1980s
Klaus Kinski
Klaus Kinski
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Klaus Kinski's parental home
Klaus Kinski
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Plaque marking Kinski's birthplace in
Sopot
16.
Janet Leigh
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Janet Leigh was an American actress, singer, dancer and author. She is best remembered for her performance in Psycho, for which she was awarded the Golden Globe Award for Best Supporting Actress and she was the first wife of actor Tony Curtis and the mother of Kelly Curtis and Jamie Lee Curtis. Discovered by actress Norma Shearer, Leigh made her debut on radio in 1946. Early in her career she appeared in popular films spanning a variety of genres, including Act of Violence, Little Women, Angels in the Outfield, Scaramouche, The Naked Spur. Her highly publicized marriage to Curtis ended in divorce in 1962 and she also wrote four books between 1984 and 2002, including two novels. Leigh died in 2004 at the age of 77, following a battle with vasculitis. Among her survivors was her husband of 42 years, Robert Brandt, the only child of Helen Lita and Frederick Robert Morrison, Leigh was born Jeanette Helen Morrison in Merced, California, where she also grew up. Her maternal grandparents were immigrants from Denmark, and she also had Scots-Irish, in winter 1945, she was discovered by actress Norma Shearer, whose late husband Irving Thalberg had been a senior executive at Metro-Goldwyn-Mayer. Shearer showed talent agent Lew Wasserman a photograph she had seen of Leigh while vacationing at Sugar Bowl, Shearer later recalled that that smile made it the most fascinating face I had seen in years. I felt I had to show that face to somebody at the studio, Leigh left the College of the Pacific, where she was studying Music and Psychology, after Wasserman secured a contract with MGM, despite having no acting experience. She was placed under the tutelage of drama coach Lillian Burns, prior to beginning her movie career, Leigh was a guest star on the radio dramatic anthology The Cresta Blanca Hollywood Players. Her initial appearance on radio at age 19 was in the programs production All Through the House, Leigh made her film debut in the big budget film The Romance of Rosy Ridge in 1947, as the romantic interest of Van Johnsons character. She got the role when performing Phyllis Thaxters long speech in Thirty Seconds Over Tokyo for the head of the talent department. During the shooting, Leighs name was first changed to Jeanette Reames, then to Janet Leigh and finally back to her birth name Jeanette Morrison, however, Johnson did not like the name and it was finally changed back to Janet Leigh. Leigh initially left college for a career, but enrolled in night school at the University of Southern California in 1947. Immediately after the release, Leigh was cast opposite Walter Pidgeon. Furthermore, due to the box office success of The Romance of Rosy Ridge, Leigh, the project was eventually shelved and released in 1949 as The Stratton Story, starring James Stewart and June Allyson. Another film that Leigh was set to star in, before being replaced, was Alias a Gentleman, by late 1947, Leigh was occupied with the shooting of the Lassie film Hills of Home, the first film in which she received star billing
Janet Leigh
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Leigh in
The Naked Spur (1953)
Janet Leigh
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Leigh in the trailer for
Little Women (1949)
Janet Leigh
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Leigh on the cover of the February 1951 issue of Eiga No Tomo
Janet Leigh
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In
Touch of Evil (1958)
17.
Sacco and Vanzetti
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They were executed in the electric chair seven years later at Charlestown State Prison. Both men adhered to an anarchist movement that advocated relentless warfare against a violent, after a few hours deliberation on July 14,1921, the jury convicted Sacco and Vanzetti of first-degree murder and they were sentenced to death by the trial judge. A series of appeals followed, funded largely by the private Sacco, the appeals were based on recanted testimony, conflicting ballistics evidence, a prejudicial pre-trial statement by the jury foreman, and a confession by an alleged participant in the robbery. All appeals were denied by trial judge Webster Thayer and also denied by the Massachusetts State Supreme Court. By 1926, the case had drawn worldwide attention, as details of the trial and the mens suspected innocence became known, Sacco and Vanzetti became the center of one of the largest causes célèbres in modern history. In 1927, protests on their behalf were held in major city in North America and Europe, as well as in Tokyo, Sydney, São Paulo, Rio de Janeiro, Buenos Aires. Celebrated writers, artists, and academics pleaded for their pardon or for a new trial, Harvard law professor and future Supreme Court justice Felix Frankfurter argued for their innocence in a widely read Atlantic Monthly article that was later published in book form. Sacco and Vanzetti were scheduled to die in April 1927, accelerating the outcry, responding to a massive influx of telegrams urging their pardon, Massachusetts governor Alvan T. Fuller appointed a three-man commission to investigate the case. After weeks of secret deliberation that included interviews with the judge, lawyers, and several witnesses, Sacco and Vanzetti were executed in the electric chair just after midnight on August 23,1927. Subsequent riots destroyed property in Paris, London, and other cities, investigations in the aftermath of the executions continued throughout the 1930s and 1940s. The publication of the letters, containing eloquent professions of innocence. Additional ballistics tests and incriminating statements by the mens acquaintances have clouded the case, writer Bruce Watson, in his introduction to the 2007 re-printing of The Letters of Sacco and Vanzetti, noted Sacco and Vanzetti are still on trial and probably always will be. Sacco was a shoemaker and a watchman, born April 22,1891 in Torremaggiore, Province of Foggia, Apulia region, Italy. Vanzetti was a fishmonger born June 11,1888 in Villafalletto, Province of Cuneo, Piedmont region, both men left Italy for the US in 1908, although they did not meet until a 1917 strike. The men were believed to be followers of Luigi Galleani, an Italian anarchist who advocated violence, including bombing. Galleani published Cronaca Sovversiva, a periodical that advocated violent revolution, at the time, Italian anarchists – in particular the Galleanist group – ranked at the top of the United States governments list of dangerous enemies. Since 1914, the Galleanists had been identified as suspects in several violent bombings and assassination attempts, publication of Cronaca Sovversiva was suppressed in July 1918, and the government deported Galleani and eight of his closest associates on June 24,1919. Among the dozen or more violent acts was the bombing of Attorney General A. Mitchell Palmers home on June 2,1919
Sacco and Vanzetti
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Bartolomeo Vanzetti (left) and Nicola Sacco
Sacco and Vanzetti
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Harrington & Richardson top break revolver similar to pistol carried by Berardelli
Sacco and Vanzetti
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Savage Model 1907 semi-automatic pistol
18.
Tempo di uccidere
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Time to Kill is a 1989 Italian drama film starring Nicolas Cage and Italian actors Ricky Tognazzi and Giancarlo Giannini. It is directed by Giuliano Montaldo, the film is set in 1936, when Ethiopia was an Italian colony, and was filmed in Zimbabwe. It is based on the novel with the name written by Ennio Flaiano. Lieutenant Silvestri suffers a toothache and decides to reach the nearest camp hospital earlier, en route to the camp his vehicle has an accident, and stops near a rock. Silvestri continues by walking, but no physician is found at the construction site and he is directed by a young man on an allegedly shorter route to the main camp, and on his way through the jungle he meets and rapes a young Ethiopian woman. Curiously she stays with him afterwards and he gives her his watch as a present, while taking refuge in a cave Silvestri shoots at a hyena, but the bullet ricochets and hits the woman. He buries her, trying to hide all traces, observing some Ethiopian people arriving nearby, Silvestri continues to the dentist at the main camp, where he tells the story to his superior, who decides to do nothing. He also meets Elias, wearing his pants, which he seems to have forgotten at the site and Johannes and he finally receives his permission for furlough and while celebrating with his friend and a superior Major he learns that the white turban of the girl means her being leprous. This and a wound on his hand lead him to believe he has leprosy. Elias visits him and he concludes him being Mariams brother and Johannes her father and he seeks out a doctor with the cover-story of investigating for a book. The doctor explains to him from an all the signs of lepra. Upon the doctor insisting on examining his hand he gives the doctor a false name and even shoots at him, going to the ship going to Italy. As he tries to escape from Ethiopia to his wife in Italy, Silvestri evades and even steals from his former and finally hides at the father of the girl, Johannes. After living through a real or imagined illness, Johannes explains to him that Mariam wasnt ill and in exchange he tells her father how she really died, the movie switches back to the actual history of Ethiopia for some moments and Silvestris former friend tells the aftermath. Time to Kill at the Internet Movie Database Time to Kill at Rotten Tomatoes
Tempo di uccidere
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Time to Kill
19.
Nicolas Cage
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Nicolas Kim Coppola, known professionally as Nicolas Cage, is an American actor and producer. He has performed in leading roles in a variety of films, ranging from romantic comedies and he earned his second Academy Award nomination for his performance as Charlie and Donald Kaufman in Adaptation. In 2002, he directed the film Sonny, for which he was nominated for Grand Special Prize at Deauville Film Festival, Cage owns the production company Saturn Films and has produced films such as Shadow of the Vampire and The Life of David Gale. He has also appeared in National Treasure, Lord of War, Bad Lieutenant, Port of Call New Orleans, Films such as Ghost Rider and Knowing were box office successes. Cage has been criticized in recent years for his choice of roles. However, he starred in The Croods and Joe, both of which were warmly received by critics. Cage was born in Long Beach, California, to August Coppola, a professor of literature, and Joy Vogelsang and he was raised in a Catholic family. His father was of Italian descent and his mothers ancestry was German and his paternal grandparents were composer Carmine Coppola and actress Italia Pennino, and his paternal great-grandparents were immigrants from Bernalda, Basilicata. Cages two brothers are New York radio personality Marc The Cope Coppola and director Christopher Coppola and he attended Beverly Hills High School, which is known for its many alumni who became entertainers. He aspired to act from an age and also attended UCLA School of Theater, Film. His first non-cinematic acting experience was in a production of Golden Boy. He cites James Dean as the key inspiration for his career, saying, I saw him in Rebel Without a Cause, East of Eden. Nothing affected me—no rock song, no classical music—the way Dean affected me in Eden, I was like, Thats what I want to do. To avoid the appearance of nepotism as the nephew of Francis Ford Coppola, he changed his name early in his career to Nicolas Cage, inspired in part by the Marvel Comics superhero Luke Cage. Since his film debut with a role in Fast Times at Ridgemont High, opposite Judge Reinhold and Sean Penn, Cage has appeared in a wide range of films. He auditioned for the role of Dallas Winston in his uncles film The Outsiders, hintons novel, but lost to Matt Dillon. He was also in Coppolas films Rumble Fish and Peggy Sue Got Married, Cage has been nominated twice for an Academy Award, winning once for his performance as a suicidal alcoholic in Leaving Las Vegas. His other nomination was for his portrayal of real-life screenwriter Charlie Kaufman, despite these successes, most of his lower-profile films have performed poorly at the box office compared to his mainstream action/adventure roles
Nicolas Cage
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Cage at the
Deauville Film Festival in 2013
Nicolas Cage
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Nicolas Cage
Nicolas Cage
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Cage at the 66th
Venice Film Festival in September 2009
Nicolas Cage
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Cage at the 2011
San Diego Comic-Con International
20.
Marco Polo (mini-series)
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Marco Polo is an American-Italian television miniseries originally broadcast by NBC in the United States, by Antenne 2 in France, and by RAI in Italy in 1982. It starred Kenneth Marshall as Marco Polo, the 13th-century Venetian merchant, the series also featured appearances by Denholm Elliott, Anne Bancroft, John Gielgud, Burt Lancaster, Ian McShane, Leonard Nimoy, and others. It was originally broadcast in four episodes, where episodes 1 and 4 were twice as long as episodes 2 and 3, the series is sometimes divided into six equally long episodes. Set in the 13th century, the series follows the adventures of Marco Polo and his journey through Asia lasts three and half years and leads him through barren deserts and vast steppes. Marco spends several years in Beijing as a guest of the Great Khan, earning the trust of, Marco Polo accompanies a Venetian merchant fleet as it stops for the night. A raid results in Marco being taken prisoner, in the year 1299, in the Italian city of Genoa, Rustichello da Pisa is held in a prison cell and questioned for information about Marco Polo. Marco Polo is revealed to be another prisoner, but is accused of lying, the people questioning him are Brother Damien of Milan and Fillipe of Genoa, both members of the Order of Saint Dominic. Both are concerned that the tales of Marco Polo are heretical and will corrupt the minds of people, as Rustichello narrates, the story shifts to Marco Polo in his youth. In his youth, Marco Polo was eager to hear merchants tell stories of their travels, as his mother lays on her deathbed, Marcos aunt Flora laments for his father, who has sent nothing but items that she sees as idols of another god. His father Niccolò and uncle Matteo Polo return home and they appear before the Council of the Republic of Venice, hoping for a possible alliance between the Mongols and the Republic. The Polo brothers show the council Mongolian currency and tell stories of the might of the Mongols, the Council has no interest in an alliance with the Mongols. Marcos father and uncle tell him of stories of the great Kublai Khan, intrigued, Marco asks them to take him with them, but he is refused. As Niccolò and Matteo attempt to find a sponsor for their next voyage, Niccolò and Maffeo realise that they must take Marco with them on their journey, but only as far as Jerusalem until the heat dies down in Venice. A few days before arriving at Jerusalem, Marco has his first taste of the world when he witnesses a contingent of Crusaders massacre a tribe of Bedouin and they bring along Marcos long time friend Jacopo. In the city church, the Polos, at the favour of the cardinal of Acre, the priest of the church is extremely reluctant to do it, but grants it. The oil is given to the cardinal of Acre, who reveals he has chosen to be the new pope by the college of Cardinals. In real life, it corresponds with the election of Teobaldo Visconti as Pope Gregory X, as the Polo family ready themselves to go East again, they are caught up in an ambush that kills Jacopo. As they are taken prisoner, the party is taken before the Bedouin leader, the captor leader is an Italian who converted to Islam after being taken prisoner in Tripoli
Marco Polo (mini-series)
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Poster of Marco Polo
21.
Emmy Award
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An Emmy Award, or simply Emmy, recognizes excellence in the television industry, and corresponds to the Academy Award, the Tony Award, and the Grammy Award. Because Emmy Awards are given in various sectors of the American television industry, Regional Emmy Awards are also presented throughout the country at various times through the year, recognizing excellence in local and statewide television. In addition, International Emmys are awarded for excellence in TV programming produced, each is responsible for administering a particular set of Emmy ceremonies. The Los Angeles-based Academy of Television Arts & Sciences established the Emmy Award as part of an image-building and public relations opportunity. The first Emmy Awards ceremony took place on January 25,1949, at the Hollywood Athletic Club, shirley Dinsdale has the distinction of receiving the very first Emmy Award for Most Outstanding Television Personality, during that first awards ceremony. In the 1950s, the ATAS expanded the Emmys into a national event, in 1955, the National Academy of Television Arts and Sciences was formed in New York City as a sister organization to serve members on the East Coast, and help to also supervise the Emmys. The NATAS also established regional chapters throughout the United States, with each one developing their own local Emmy awards show for local programming, the ATAS still however maintained its separate regional ceremony honoring local programming in the Los Angeles Area. Originally there was only one Emmy Awards ceremony held per year to honor shows nationally broadcast in the United States, in 1974, the first Daytime Emmy Awards ceremony was held to specifically honor achievement in national daytime programming. Other area-specific Emmy Awards ceremonies soon followed, also, the International Emmy Awards, honoring television programs produced and initially aired outside the U. S. was established in the early 1970s. Meanwhile, all Emmys awarded prior to the emergence of these separate, in 1977, due to various conflicts, the ATAS and the NATAS agreed to split ties. However, they agreed to share ownership of the Emmy statue and trademark. With the rise of television in the 1980s, cable programs first became eligible for the Primetime Emmys in 1988. The ATAS also began accepting original online-only web television programs in 2013, the Emmy statuette, depicting a winged woman holding an atom, was designed by television engineer Louis McManus, who used his wife as the model. The TV Academy rejected a total of forty-seven proposals before settling on McManus design in 1948. The statuette has become the symbol of the TV Academys goal of supporting and uplifting the art and science of television, The wings represent the muse of art. When deciding a name for the award, Academy founder Syd Cassyd originally suggested Ike, however, Ike was also the popular nickname of World War II hero and future U. S. President Dwight D. Eisenhower, and the Academy members wanted something unique. Finally, television engineer and the third president, Harry Lubcke, suggested the name Immy. After Immy was chosen, it was feminized to Emmy to match their female statuette
Emmy Award
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TV producer
Bruce Kennedy holding an Emmy
Emmy Award
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Actress
Dana Delany holding an Emmy, 1992
Emmy Award
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TV producer and writer
Bradley Bell accepting Daytime Emmy Awards for his work on the daytime soap opera
The Bold and the Beautiful, 2010
Emmy Award
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Brazilian actress and TV host
Fernanda Lima holding
Rede Globo 's six medals of nominations to the International Emmys in 2012
22.
Ad ogni costo
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Grand Slam is a 1967 crime film directed by Giuliano Montaldo and stars Edward G Robinson, Klaus Kinski and Janet Leigh. A seemingly mild-mannered teacher, Professor James Anders, is an American working in Rio de Janeiro, bored with years of teaching, Anders retires and sets about putting together a team to pull off a diamond heist during the Rio Carnival in Brazil. Lasers crisscross the entry corridor, and a sensitive microphone listens for sounds while the safe, the team successfully enters the safe using a pneumatic trestle to bypass the lasers by crawling over them, and using shaving cream to dampen their sounds. However, the day the police are alerted by Mary Ann, who has found that the safe key had been temporarily taken. Anders ends up with the diamonds in a small case, sitting in an outdoor cafe
Ad ogni costo
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Grand Slam film poster
23.
The Fifth Day of Peace
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The Fifth day of Peace, Italian title, Gott mit uns, is an Italo-Yugoslavian movie from 1970 about the 13 May 1945 German deserter execution in a Canadian-run POW camp in Amsterdam. Two German deserters, Ensign Bruno Grauber and Corporal Reiner Schultz are captured by the Canadians at the end of World War II and they are interned in a Canadian-run POW camp where the senior German officer, Colonel Von Bleicher, is a career officer. Their fellow German prisoners of war, led by Von Bleicher, discover that they are deserters and they are put through a formal military court martial organised by Von Bleicher and charged with cowardice. They are sentenced to death and are to be executed on the day of peace. Von Bleicher pressures the Canadian camp commandant to allow the execution to be carried out and requests rifles, a Canadian general, Snow, persuades the Canadian camp commandant, Captain Miller, to allow the execution to be carried out for the higher purpose of preserving military discipline. He also motivates Miller with a promotion to major, the sentence was carried out by German POWs who were under Canadian command. John Miller Franco Nero as Ens, Bruno Grauber Larry Aubrey as Cpl. Reiner Schultz Helmuth Schneider as Col. von Bleicher Michael Goodliffe as Gen. Snow Relja Basic as Lt. George Romney T. P
The Fifth Day of Peace
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English version DVD cover
24.
Machine Gun McCain
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Machine Gun McCain is a 1969 Italian crime film directed by Giuliano Montaldo. The film is based on the novel Candyleg by Ovid Demaris, director Giuliano Montaldo stated that both Machine Gun McCain and Grand Slam were made to establish him in the film industry before making the films he wanted to. Montaldo stated that Cassavetes took the role to finance his own films. Machine Gun McCain was entered into the 1969 Cannes Film Festival and it was released in Italy on April 1,1969 where it was distributed by Euro International Film. It grossed a total of 803,751,000 Italian lire on its run in Italy. On its American release, the film was cut to 96 minutes, in a contemporary review, the Monthly Film Bulletin described the film as executed with minimal flair, and thudding rather heavily on the moralist/social documentary side of the fence. And that apart from an over-use of the Techniscope zoom lens, Machine Gun McCain at the Internet Movie Database Machine Gun McCain at AllMovie Machine Gun McCain at the TCM Movie Database Machine Gun McCain at the American Film Institute Catalog
Machine Gun McCain
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Theatrical release poster
25.
Sacco e Vanzetti (1971 film)
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Sacco e Vanzetti is an Italian docudrama written and directed by Giuliano Montaldo that premiered in Italy on 16 March 1971. The films musical score was composed and conducted by Ennio Morricone with the ballad sung by Joan Baez. The film is shot in colour although it both starts and finishes in black and white, and also includes period black and white newsreels. The song, Heres to You, is sung at the end of the film, if it had not been for these things, I might have live out my life talking at street corners to scorning men. I might have died, unmarked, unknown, a failure, now we are not a failure. This is our career and our triumph, never in our full life could we hope to do such work for tolerance, for justice, for mans understanding of man as we now do by accident. The taking of our lives—lives of a shoemaker and a poor fish peddler—all. That last moment belongs to us—that agony is our triumph, Ebert writes has already made us aware of the crowds surging outside the courthouse, and in the streets of world capitals. Then, inside the courtroom, he stays away from the conventional straight-on shots of the observers, without ever making too much of a point of it, Montaldo visually equates the inside and the outside action, and it works. With regard to the accuracy of the film Ebert considers the film to be sometimes accurate, sometimes biased and sometimes even fictional in its telling of the story. The versions of the truth in the Sacco-Vanzetti case are so various, anyway, Sacco and Vanzetti are beyond being helped by any film, for that matter, and the purpose of this film. Is more to us to how law can be used as a blunt instrument of politics. Canby, however, dismisses the film as a simplication that takes the form of not particularly stylish political cartooning and they are blandly evil, cutout figures, as are all of the intimidated witnesses, bigoted observers and political opportunists who swarm across the film. Canby also decries the films soundtrack which he describes as absolutely dreadful with Baezs voice used to certify the movies noble intentions, but through the cheapest of means. In May 1971, Sacco e Vanzetti was an entry at the 24th International Film Festival of Cannes where, for his portrayal of Nicola Sacco. Also that year, Rosanna Fratello was awarded Best Young Actress by the Association of Italian Film Journalists for her portrayal of Rosa Sacco, in 1972, Morricone won from the Association of Italian Film Journalists the Nastro dArgento prize in the division Best Original Score. /20. Jahrhunderts im Film,3 May 2012
Sacco e Vanzetti (1971 film)
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One of Italian theatrical release posters
