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Portrait of Giorgio Giulio Clovio, pointing to his Farnese Hours, by El Greco.
Portrait of Giorgio Giulio Clovio, pointing to his Farnese Hours, by El Greco.
Engraving of the Cabinet des Estampes Enea Vico after Giulio Clovio (1522).
Engraving of the Cabinet des Estampes Enea Vico after Giulio Clovio (1522).
Clovio's patron, Cardinal Alessandro Farnese, from the Farnese Hours
Clovio's patron, Cardinal Alessandro Farnese, from the Farnese Hours
Attributed to Giulio Clovio (Italian, 1498–1578). Crucifixion, ca. 1572. Tempera on parchment, 9 1/8 x 5 5/8 in. (23.2 x 14.3 cm). Brooklyn Museum, Gi
Attributed to Giulio Clovio (Italian, 1498–1578). Crucifixion, ca. 1572. Tempera on parchment, 9 1/8 x 5 5/8 in. (23.2 x 14.3 cm). Brooklyn Museum, Gift of A. Augustus Healy
El Greco
Portrait of a Man (presumed self-portrait of El Greco, c. 1595–1600) in Metropolitan Museum of Art, New York City
The Dormition of the Virgin (before 1567, tempera and gold on panel, 61.4 × 45 cm, Holy Cathedral of the Dormition of the Virgin, Hermoupolis, Syros)
The Dormition of the Virgin (before 1567, tempera and gold on panel, 61.4 × 45 cm, Holy Cathedral of the Dormition of the Virgin, Hermoupolis, Syros) was probably created near the end of the artist's Cretan period. The painting combines post-Byzantine and Italian mannerist stylistic and iconographic elements.
The Adoration of the Magi (1565–1567, 56 × 62 cm, Benaki Museum, Athens). The icon, signed by El Greco ("Χείρ Δομήνιχου", Created by the hand of Domén
The Adoration of the Magi (1565–1567, 56 × 62 cm, Benaki Museum, Athens). The icon, signed by El Greco ("Χείρ Δομήνιχου", Created by the hand of Doménicos), was painted in Candia on part of an old chest.
Adoration of the Magi, 1568, Museo Soumaya, Mexico City
Adoration of the Magi, 1568, Museo Soumaya, Mexico City