Milan is a city in northern Italy, capital of Lombardy, the second-most populous city in Italy after Rome, with the city proper having a population of 1,372,810 while its metropolitan city has a population of 3,245,308. Its continuously built-up urban area has a population estimated to be about 5,270,000 over 1,891 square kilometres; the wider Milan metropolitan area, known as Greater Milan, is a polycentric metropolitan region that extends over central Lombardy and eastern Piedmont and which counts an estimated total population of 7.5 million, making it by far the largest metropolitan area in Italy and the 54th largest in the world. Milan served as capital of the Western Roman Empire from 286 to 402 and the Duchy of Milan during the medieval period and early modern age. Milan is considered a leading alpha global city, with strengths in the field of the art, design, entertainment, finance, media, services and tourism, its business district hosts Italy's stock exchange and the headquarters of national and international banks and companies.
In terms of GDP, it has the third-largest economy among European cities after Paris and London, but the fastest in growth among the three, is the wealthiest among European non-capital cities. Milan is considered part of the Blue Banana and one of the "Four Motors for Europe"; the city has been recognized as one of the world's four fashion capitals thanks to several international events and fairs, including Milan Fashion Week and the Milan Furniture Fair, which are among the world's biggest in terms of revenue and growth. It hosted the Universal Exposition in 1906 and 2015; the city hosts numerous cultural institutions and universities, with 11% of the national total enrolled students. Milan is the destination of 8 million overseas visitors every year, attracted by its museums and art galleries that boast some of the most important collections in the world, including major works by Leonardo da Vinci; the city is served by a large number of luxury hotels and is the fifth-most starred in the world by Michelin Guide.
The city is home to two of Europe's most successful football teams, A. C. Milan and F. C. Internazionale, one of Italy's main basketball teams, Olimpia Milano; the etymology of the name Milan remains uncertain. One theory holds that the Latin name Mediolanum planus. However, some scholars believe that lanum comes from the Celtic root lan, meaning an enclosure or demarcated territory in which Celtic communities used to build shrines. Hence Mediolanum could signify the central sanctuary of a Celtic tribe. Indeed, about sixty Gallo-Roman sites in France bore the name "Mediolanum", for example: Saintes and Évreux. In addition, another theory links the name to the boar sow an ancient emblem of the city, fancifully accounted for in Andrea Alciato's Emblemata, beneath a woodcut of the first raising of the city walls, where a boar is seen lifted from the excavation, the etymology of Mediolanum given as "half-wool", explained in Latin and in French; the foundation of Milan is credited to two Celtic peoples, the Bituriges and the Aedui, having as their emblems a ram and a boar.
Alciato credits Ambrose for his account. The Celtic Insubres, the inhabitants of the region of northern Italy called Insubria, appear to have founded Milan around 600 BC. According to the legend reported by Livy, the Gaulish king Ambicatus sent his nephew Bellovesus into northern Italy at the head of a party drawn from various Gaulish tribes; the Romans, led by consul Gnaeus Cornelius Scipio Calvus, fought the Insubres and captured the city in 222 BC. They conquered the entirety of the region, calling the new province "Cisalpine Gaul" – "Gaul this side of the Alps" – and may have given the site its Latinized Celtic name of Mediolanum: in Gaulish *medio- meant "middle, center" and the name element -lanon is the Celtic equivalent of Latin -planum "plain", thus *Mediolanon meant " in the midst of the plain". In 286 the Roman Emperor Diocletian moved the capital of the Western Roman Empire from Rome to Mediolanum. Diocletian himself chose to reside at Nicomedia in the Eastern Empire, leaving his colleague Maximian at Milan.
Maximian built several gigantic monuments, the large circus, the thermae or "Baths of Hercules", a large complex of imperial palaces and other services and buildings of which fewer visible traces remain. Maximian increased the city area surrounded by a new, larger stone wall encompassing an area of 375 acres with many 24-sided towers; the monumental area had twin towers. From Mediolanum the Emperor Constantine issued the Edict of Milan in 313 AD, granting tolerance to all religions within the Empire, thus paving the way for Christianity to become the dominant religion of Roman Europe. Constantine had come to Mediolanum to celebrate the wedding of his sister
Florence is the capital city of the Italian region of Tuscany. It is the most populous city in Tuscany, with 383,084 inhabitants in 2013, over 1,520,000 in its metropolitan area. Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era, it is considered the birthplace of the Renaissance, has been called "the Athens of the Middle Ages". A turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city was the capital of the established Kingdom of Italy; the Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Italy due to the prestige of the masterpieces by Dante Alighieri, Giovanni Boccaccio, Niccolò Machiavelli and Francesco Guicciardini. The city attracts millions of tourists each year, the Historic Centre of Florence was declared a World Heritage Site by UNESCO in 1982; the city is noted for Renaissance art and architecture and monuments.
The city contains numerous museums and art galleries, such as the Uffizi Gallery and the Palazzo Pitti, still exerts an influence in the fields of art and politics. Due to Florence's artistic and architectural heritage, it has been ranked by Forbes as one of the most beautiful cities in the world. Florence is an important city in Italian fashion, being ranked in the top 15 fashion capitals of the world. In 2008, the city had the 17th highest average income in Italy. Florence originated as a Roman city, after a long period as a flourishing trading and banking medieval commune, it was the birthplace of the Italian Renaissance. According to the Encyclopædia Britannica, it was politically and culturally one of the most important cities in Europe and the world from the 14th to 16th centuries; the language spoken in the city during the 14th century was, still is, accepted as the Italian language. All the writers and poets in Italian literature of the golden age are in some way connected with Florence, leading to the adoption of the Florentine dialect, above all the local dialects, as a literary language of choice.
Starting from the late Middle Ages, Florentine money—in the form of the gold florin—financed the development of industry all over Europe, from Britain to Bruges, to Lyon and Hungary. Florentine bankers financed the English kings during the Hundred Years War, they financed the papacy, including the construction of their provisional capital of Avignon and, after their return to Rome, the reconstruction and Renaissance embellishment of Rome. Florence was home to the Medici, one of European history's most important noble families. Lorenzo de' Medici was considered a political and cultural mastermind of Italy in the late 15th century. Two members of the family were popes in the early 16th century: Leo X and Clement VII. Catherine de Medici married King Henry II of France and, after his death in, reigned as regent in France. Marie de' Medici married Henry IV of France and gave birth to the future King Louis XIII; the Medici reigned as Grand Dukes of Tuscany, starting with Cosimo I de' Medici in 1569 and ending with the death of Gian Gastone de' Medici in 1737.
The Etruscans formed in 200 BC the small settlement of Fiesole, destroyed by Lucius Cornelius Sulla in 80 BC in reprisal for supporting the populares faction in Rome. The present city of Florence was established by Julius Caesar in 59 BC as a settlement for his veteran soldiers and was named Fluentia, owing to the fact that it was built between two rivers, changed to Florentia, it was built in the style of an army camp with the main streets, the cardo and the decumanus, intersecting at the present Piazza della Repubblica. Situated along the Via Cassia, the main route between Rome and the north, within the fertile valley of the Arno, the settlement became an important commercial centre. In centuries to come, the city experienced turbulent periods of Ostrogothic rule, during which the city was troubled by warfare between the Ostrogoths and the Byzantines, which may have caused the population to fall to as few as 1,000 people. Peace returned under Lombard rule in the 6th century. Florence was conquered by Charlemagne in 774 and became part of the Duchy of Tuscany, with Lucca as capital.
The population began to grow again and commerce prospered. In 854, Florence and Fiesole were united in one county. Margrave Hugo chose Florence as his residency instead of Lucca at about 1000 AD; the Golden Age of Florentine art began around this time. In 1013, construction began on the Basilica di San Miniato al Monte; the exterior of the church was reworked in Romanesque style between 1059 and 1128. In 1100, Florence was a "Commune"; the city's primary resource was the Arno river, providing power and access for the industry, access to the Mediterranean sea for international trade. Another great source of strength was its industrious merchant community; the Florentine merchant banking skills became recognised in Europe after they brought decisive financial innovation to medieval fairs. This period saw the eclipse of Florence's powerful rival Pisa, the exercise of power by the mercantile elite following an anti-aristocratic movement, led by Giano della Bella, that resulted in a set of laws called the Ordinances of Justice.
Of a population estimated at 94,00
Modernism is a philosophical movement that, along with cultural trends and changes, arose from wide-scale and far-reaching transformations in Western society during the late 19th and early 20th centuries. Among the factors that shaped modernism were the development of modern industrial societies and the rapid growth of cities, followed by reactions of horror to World War I. Modernism rejected the certainty of Enlightenment thinking, many modernists rejected religious belief. Modernism, in general, includes the activities and creations of those who felt the traditional forms of art, literature, religious faith, social organization, activities of daily life, sciences, were becoming ill-fitted to their tasks and outdated in the new economic and political environment of an emerging industrialized world; the poet Ezra Pound's 1934 injunction to "Make it new!" was the touchstone of the movement's approach towards what it saw as the now obsolete culture of the past. In this spirit, its innovations, like the stream-of-consciousness novel and twelve-tone music, divisionist painting and abstract art, all had precursors in the 19th century.
A notable characteristic of modernism is self-consciousness and irony concerning literary and social traditions, which led to experiments with form, along with the use of techniques that drew attention to the processes and materials used in creating a painting, building, etc. Modernism explicitly rejected the ideology of realism and made use of the works of the past by the employment of reprise, rewriting, recapitulation and parody; some commentators define modernism as a mode of thinking—one or more philosophically defined characteristics, like self-consciousness or self-reference, that run across all the novelties in the arts and the disciplines. More common in the West, are those who see it as a progressive trend of thought that affirms the power of human beings to create and reshape their environment with the aid of practical experimentation, scientific knowledge, or technology. From this perspective, modernism encouraged the re-examination of every aspect of existence, from commerce to philosophy, with the goal of finding that which was'holding back' progress, replacing it with new ways of reaching the same end.
Others focus on modernism as an aesthetic introspection. This facilitates consideration of specific reactions to the use of technology in the First World War, anti-technological and nihilistic aspects of the works of diverse thinkers and artists spanning the period from Friedrich Nietzsche to Samuel Beckett. While some scholars see modernism continuing into the twenty first century, others see it evolving into late modernism or high modernism. Postmodernism refutes its basic assumptions. According to one critic, modernism developed out of Romanticism's revolt against the effects of the Industrial Revolution and bourgeois values: "The ground motive of modernism, Graff asserts, was criticism of the nineteenth-century bourgeois social order and its world view the modernists, carrying the torch of romanticism." While J. M. W. Turner, one of the greatest landscape painters of the 19th century, was a member of the Romantic movement, as "a pioneer in the study of light and atmosphere", he "anticipated the French Impressionists" and therefore modernism "in breaking down conventional formulas of representation.
The dominant trends of industrial Victorian England were opposed, from about 1850, by the English poets and painters that constituted the Pre-Raphaelite Brotherhood, because of their "opposition to technical skill without inspiration." They were influenced by the writings of the art critic John Ruskin, who had strong feelings about the role of art in helping to improve the lives of the urban working classes, in the expanding industrial cities of Britain. Art critic Clement Greenberg describes the Pre-Raphaelite Brotherhood as proto-Modernists: "There the proto-Modernists were, of all people, the pre-Raphaelites; the Pre-Raphaelites foreshadowed Manet, with whom Modernist painting most begins. They acted on a dissatisfaction with painting as practiced in their time, holding that its realism wasn't truthful enough." Rationalism has had opponents in the philosophers Søren Kierkegaard and Friedrich Nietzsche, both of whom had significant influence on existentialism. However, the Industrial Revolution continued.
Influential innovations included steam-powered industrialization, the development of railways, starting in Britain in the 1830s, the subsequent advancements in physics and architecture associated with this. A major 19th-century engineering achievement was The Crystal Palace, the huge cast-iron and plate glass exhibition hall built for The Great Exhibition of 1851 in London. Glass and iron were used in a similar monumental style in the construction of major railway terminals in London, such as Paddington Station and King's Cross station; these technological advances led to the building of structures like the Brooklyn Bridge and the Eiffel Tower. The latter broke all previous limitations on; these engineering marvels radically altered the 19th-century urban environment and the daily lives of people. The human experience of time itself was altered, with the development of the electric telegraph from 1837, the adoption
Stéphane Mallarmé, whose real name was Étienne Mallarmé, was a French poet and critic. He was a major French symbolist poet, his work anticipated and inspired several revolutionary artistic schools of the early 20th century, such as Cubism, Futurism and Surrealism. Stéphane Mallarmé was born in Paris, he was a boarder at the Pensionnat des Frères des écoles chrétiennes à Passy between 6 or 9 October 1852 and March 1855. He worked as an English teacher and spent much of his life in relative poverty but was famed for his salons, occasional gatherings of intellectuals at his house on the rue de Rome for discussions of poetry and philosophy; the group became known as les Mardistes, because they met on Tuesdays, through it Mallarmé exerted considerable influence on the work of a generation of writers. For many years, those sessions, where Mallarmé held court as judge and king, were considered the heart of Paris intellectual life. Regular visitors included W. B. Yeats, Rainer Maria Rilke, Paul Valéry, Stefan George, Paul Verlaine, many others.
On 10 August 1863, he married Maria Christina Gerhard. Their daughter, Geneviève Mallarmé, was born on 19 November 1864. Mallarmé died in Valvins September 9, 1898. Mallarmé's earlier work owes a great deal to the style of Charles Baudelaire, recognised as the forerunner of literary Symbolism. Mallarmé's fin de siècle style, on the other hand, anticipates many of the fusions between poetry and the other arts that were to blossom in the next century. Most of this work explored the relationship between content and form, between the text and the arrangement of words and spaces on the page; this is evident in his last major poem, Un coup de dés jamais n'abolira le hasard of 1897. Some consider Mallarmé one of the French poets most difficult to translate into English; the difficulty is due in part to the complex, multilayered nature of much of his work, but to the important role that the sound of the words, rather than their meaning, plays in his poetry. When recited in French, his poems allow alternative meanings which are not evident on reading the work on the page.
For example, Mallarmé's Sonnet en'-yx' opens with the phrase ses purs ongles, whose first syllables when spoken aloud sound similar to the words c'est pur son. Indeed, the'pure sound' aspect of his poetry has been the subject of musical analysis and has inspired musical compositions; these phonetic ambiguities are difficult to reproduce in a translation which must be faithful to the meaning of the words. Mallarmé's poetry has been the inspiration for several musical pieces, notably Claude Debussy's Prélude à l'après-midi d'un faune, a free interpretation of Mallarmé's poem L'après-midi d'un faune, which creates powerful impressions by the use of striking but isolated phrases. Maurice Ravel set Mallarmé's poetry to music in Trois poèmes de Mallarmé. Other composers to use his poetry in song include Pierre Boulez. Man Ray's last film, entitled Les Mystères du Château de Dé, was influenced by Mallarmé's work, prominently featuring the line "A roll of the dice will never abolish chance". Mallarmé is referred to extensively in the latter section of Joris-Karl Huysmans' À rebours, where Des Esseintes describes his fervour-infused enthusiasm for the poet: "These were Mallarmé's masterpieces and ranked among the masterpieces of prose poetry, for they combined a style so magnificently that in itself it was as soothing as a melancholy incantation, an intoxicating melody, with irresistibly suggestive thoughts, the soul-throbs of a sensitive artist whose quivering nerves vibrate with an intensity that fills you with a painful ecstasy."
The critic and translator Barbara Johnson has emphasized Mallarmé's influence on twentieth-century French criticism and theory: "It was by learning the lesson of Mallarmé that critics like Roland Barthes came to speak of'the death of the author' in the making of literature. Rather than seeing the text as the emanation of an individual author's intentions and deconstructors followed the paths and patterns of the linguistic signifier, paying new attention to syntax, intertextuality, semantics and individual letters; the theoretical styles of Jacques Derrida, Julia Kristeva, Maurice Blanchot, Jacques Lacan owe a great deal to Mallarmé's'critical poem.'" It has been suggested that "much of Mallarmé's work influenced the conception of hypertext, with his purposeful use of blank space and careful placement of words on the page, allowing multiple non-linear readings of the text. This becomes apparent in his work Un coup de dés."On the publishing of "Un Coup de Dés" and its mishaps after the death of Mallarmé, consult the notes and commentary of Bertrand Marchal for his edition of the complete works of Mallarmé, Volume 1, Bibliothèque de la Pléiade, Gallimard 1998.
To delve more consult "Igitur, Divagations, Un Coup de Dés," edited by Bertrand Marchal with a preface by Yves Bonnefoy, nfr Poésie/Gallimard. In 1990, Greenhouse Review Press published D. J. Waldie's American translation of Un Coup de Dés in a letterpress edition of 60 copies, its typography and format based on examination of the final corrected proofs of the poem in the collection of Harvard's Houghton Library. Prior to 2004, Un Coup de Dés was never published in the typography and format conceived
Alexandria is the second-largest city in Egypt and a major economic centre, extending about 32 km along the coast of the Mediterranean Sea in the north central part of the country. Its low elevation on the Nile delta makes it vulnerable to rising sea levels. Alexandria is an important industrial center because of its natural oil pipelines from Suez. Alexandria is a popular tourist destination. Alexandria was founded around a small, ancient Egyptian town c. 332 BC by Alexander the Great, king of Macedon and leader of the Greek League of Corinth, during his conquest of the Achaemenid Empire. Alexandria became an important center of Hellenistic civilization and remained the capital of Ptolemaic Egypt and Roman and Byzantine Egypt for 1,000 years, until the Muslim conquest of Egypt in AD 641, when a new capital was founded at Fustat. Hellenistic Alexandria was best known for the Lighthouse of Alexandria, one of the Seven Wonders of the Ancient World. Alexandria was at one time the second most powerful city of the ancient Mediterranean region, after Rome.
Ongoing maritime archaeology in the harbor of Alexandria, which began in 1994, is revealing details of Alexandria both before the arrival of Alexander, when a city named Rhacotis existed there, during the Ptolemaic dynasty. From the late 18th century, Alexandria became a major center of the international shipping industry and one of the most important trading centers in the world, both because it profited from the easy overland connection between the Mediterranean Sea and the Red Sea, the lucrative trade in Egyptian cotton. Alexandria is believed to have been founded by Alexander the Great in April 331 BC as Ἀλεξάνδρεια. Alexander's chief architect for the project was Dinocrates. Alexandria was intended to supersede Naucratis as a Hellenistic center in Egypt, to be the link between Greece and the rich Nile valley. Although it has long been believed only a small village there, recent radiocarbon dating of seashell fragments and lead contamination show significant human activity at the location for two millennia preceding Alexandria's founding.
Alexandria was the cultural center of the ancient world for some time. The city and its museum attracted many of the greatest scholars, including Greeks and Syrians; the city was plundered and lost its significance. In the early Christian Church, the city was the center of the Patriarchate of Alexandria, one of the major centers of early Christianity in the Eastern Roman Empire. In the modern world, the Coptic Orthodox Church and the Greek Orthodox Church of Alexandria both lay claim to this ancient heritage. Just east of Alexandria, there was in ancient times marshland and several islands; as early as the 7th century BC, there existed important port cities of Heracleion. The latter was rediscovered under water. An Egyptian city, Rhakotis existed on the shore and gave its name to Alexandria in the Egyptian language, it continued to exist as the Egyptian quarter of the city. A few months after the foundation, Alexander never returned to his city. After Alexander's departure, his viceroy, continued the expansion.
Following a struggle with the other successors of Alexander, his general Ptolemy Lagides succeeded in bringing Alexander's body to Alexandria, though it was lost after being separated from its burial site there. Although Cleomenes was in charge of overseeing Alexandria's continuous development, the Heptastadion and the mainland quarters seem to have been Ptolemaic work. Inheriting the trade of ruined Tyre and becoming the center of the new commerce between Europe and the Arabian and Indian East, the city grew in less than a generation to be larger than Carthage. In a century, Alexandria had become the largest city in the world and, for some centuries more, was second only to Rome, it became Egypt's main Greek city, with Greek people from diverse backgrounds. Alexandria was not only a center of Hellenism, but was home to the largest urban Jewish community in the world; the Septuagint, a Greek version of the Tanakh, was produced there. The early Ptolemies kept it in order and fostered the development of its museum into the leading Hellenistic center of learning, but were careful to maintain the distinction of its population's three largest ethnicities: Greek and Egyptian.
By the time of Augustus, the city walls encompassed an area of 5.34 km2, the total population in Roman times was around 500-600,000. According to Philo of Alexandria, in the year 38 of the Common era, disturbances erupted between Jews and Greek citizens of Alexandria during a visit paid by the Jewish king Agrippa I to Alexandria, principally over the respect paid by the Jewish nation to the Roman emperor, which escalated to open affronts and violence between the two ethnic groups and the desecration of Alexandrian synagogues; the violence was quelled after Caligula intervened and had the Roman governor, removed from the city. In AD 115, large parts of Alexandria were destroyed during the Kitos War, which gave Hadrian and his architect, Decriannus, an opportunity to rebuild it. In 215, the emperor Caracalla visited the city and, because of some insulting satires that the inhabitants had directed at him, abruptly commanded his troops to put to death all youths capable of bearing arms. On 21 July
Anarchism is an anti-authoritarian political philosophy that advocates self-governed societies based on voluntary, cooperative institutions and the rejection of hierarchies those societies view as unjust. These institutions are described as stateless societies, although several authors have defined them more as distinct institutions based on non-hierarchical or free associations. Anarchism holds the state to be undesirable and harmful. Anarchism is considered a far-left ideology and much of its economics and legal philosophy reflect anti-authoritarian interpretations of communism, syndicalism, mutualism, or participatory economics; as anarchism does not offer a fixed body of doctrine from a single particular worldview, many anarchist types and traditions exist and varieties of anarchy diverge widely. Anarchist schools of thought can differ fundamentally, supporting anything from extreme individualism to complete collectivism. Strains of anarchism have been divided into the categories of social and individualist anarchism, or similar dual classifications.
The etymological origin of anarchism derives from ancient Greek word anarkhia. Anarkhia meant "without a ruler" as it was composed by the word arkhos; the suffix -ism is used to denote the ideological current that favours anarchism. The first known use of this word was in 1642. Various factions within the French Revolution labelled opponents as anarchists although few shared many views of anarchists. There would be many revolutionaries of the early 19th century who contributed to the anarchist doctrines of the next generation, such as William Godwin and Wilhelm Weitling, but they did not use the word anarchist or anarchism in describing themselves or their beliefs; the first political philosopher to call himself an anarchist was Pierre-Joseph Proudhon, marking the formal birth of anarchism in the mid-19th century. Since the 1890s and beginning in France, the term libertarianism has been used as a synonym for anarchism and its use as a synonym is still common outside the United States. On the other hand, some use libertarianism to refer to individualistic free-market philosophy only, referring to free-market anarchism as libertarian anarchism.
While opposition to the state is central, defining anarchism is not an easy task as there is a lot of talk among scholars and anarchists on the matter and various currents perceive anarchism differently. Hence, it might be true to say that anarchism is a cluster of political philosophies opposing authority and hierarchical organization in the conduct of all human relations in favour of a society based on voluntary association and decentralisation, but this definition has its own shortcomings as the definition based on etymology, or based on anti-statism or the anti-authoritarian. Major elements of the definition of anarchism include: a) the will for a non coercive society. During the prehistoric era of mankind, an established authority did not exist, it was after the creation of towns and cities that hierarchy was invented and anarchistic ideas espoused as a reaction. Most notable examples of anarchism in the ancient world were in Greece. In China, philosophical anarchism, meaning peaceful delegitimizing of the state, was delineated by Taoist philosophers.
In Greece, anarchist attitudes were articulated by tragedians and philosophers. Aeschylus and Sophocles used the myth of Antigone to illustrate the conflict of personal autonomy with the state rules. Socrates questioned Athenian authorities and insisted to the right of individual freedom of consciousness. Cynics associated authorities while trying to live according to nature. Stoics were supportive of a society based on unofficial and friendly relations among its citizens without the presence of a state. During the Middle Ages, there was no anarchistic activity except some ascetic religious movements in the Islamic world or in Christian Europe; this kind of tradition gave birth to religious anarchism. In Persia, a Zoroastrian Prophet known as Mazdak was calling for an egalitarian society and the abolition of monarchy, but he soon found himself executed by the king. In Basra, religious sects preached against the state. In Europe, various sects developed anti-state and libertarian tendencies; those currents were the precursor of religious anarchism in the centuries to come.
It was in the Renaissance and with the spread of reasoning and humanism through Europe that libertarian ideas emerged. Writers were outlining in their novels ideal societies that were based not on coercion but voluntarism; the Enlightenment further pushed towards anarchism with the optimism for social progress. The turning point towards anarchism was the French Revolution in which the anti-state and federalist sentiments began to take a form by Enragés and sans-culottes; some prominent figures of anarchism begun developing the first anarchist currents. That is the era of classical anarchism that lasted until the end of the Spanish Civil War of 1936 and was the golden age of anarchism. William Godwin espoused philosophical anarchism in England morally delegitimizing the state, Max Stirner's thinking paved the way to individualism and Pierre-Joseph Proudhon's theory of mutualism found fertile soil in France. Michael Bakunin took mutualism and extended
General Gabriele D'Annunzio, Prince of Montenevoso, Duke of Gallese, sometimes spelled d'Annunzio, was an Italian poet, journalist and soldier during World War I. He occupied a prominent place in Italian literature from 1889 to 1910 and political life from 1914 to 1924, he was referred to under the epithets Il Vate or Il Profeta. Some of his ideas and aesthetics influenced Italian fascism and the style of Benito Mussolini and, Adolf Hitler. D'Annunzio was associated with the Decadent movement in his literary works, which interplayed with French Symbolism and British Aestheticism; such works represented a turn against the naturalism of the preceding romantics and was both sensuous and mystical. He came under the influence of Friedrich Nietzsche which would find outlets in his literary and political contributions, his affairs with several women, including Eleonora Duse and Luisa Casati, received public attention. During the First World War, perception of D'Annunzio in Italy transformed from literary figure into a national war hero.
He was associated with the elite Arditi storm troops of the Italian Army and took part in actions such as the Flight over Vienna. As part of an Italian nationalist reaction against the Paris Peace Conference, he set up the short-lived Italian Regency of Carnaro in Fiume with himself as Duce; the constitution was corporatist in nature. D'Annunzio was born in the township of Pescara, in the region of Abruzzo, the son of a wealthy landowner and mayor of the town Francesco Paolo Rapagnetta D'Annunzio and his wife Luisa de Benedictis, his father had been born plain Rapagnetta, but at the age of 13 had been adopted by a childless rich uncle Antonio D'Annunzio. Legend has it that he was baptized Gaetano and given the name of Gabriele in childhood, because of his angelic looks, a story, disproven, his precocious talent was recognised early in life, he was sent to school at the Liceo Cicognini in Prato, Tuscany. He published his first poetry while still at school at the age of sixteen — a small volume of verses called Primo Vere.
Influenced by Giosuè Carducci's Odi barbare, he posed side by side some brutal imitations of Lorenzo Stecchetti, the fashionable poet of Postuma, with translations from the Latin. His verse was distinguished by such agile grace that Giuseppe Chiarini on reading them brought the unknown youth before the public in an enthusiastic article. In 1881 D'Annunzio entered the University of Rome La Sapienza, where he became a member of various literary groups, including Cronaca Bizantina, wrote articles and criticism for local newspapers. In those university years he started to promote Italian irredentism, he published Canto novo, Terra vergine, L'intermezzo di rime, Il libro delle vergini and the greater part of the short stories that were afterwards collected under the general title of San Pantaleone. Canto novo contains poems full of pulsating youth and the promise of power, some descriptive of the sea and some of the Abruzzese landscape, commented on and completed in prose by Terra vergine, the latter a collection of short stories dealing in radiant language with the peasant life of the author's native province.
Intermezzo di rime is the beginning of D'Annunzio's characteristic manner. His conception of style was new, he chose to express all the most subtle vibrations of voluptuous life. Both style and contents began to startle his critics. Meanwhile, the review of Angelo Sommaruga perished in the midst of scandal, his group of young authors found itself dispersed; some entered the teaching career and were lost to literature, others threw themselves into journalism. Gabriele D'Annunzio took this latter course, joined the staff of the Tribuna, under the pseudonym of "Duca Minimo". Here he wrote Il libro d'Isotta, a love poem, in which for the first time he drew inspiration adapted to modern sentiments and passions from the rich colours of the Renaissance. Il libro d'Isotta is interesting because in it one can find most of the germs of his future work, just as in Intermezzo melico and in certain ballads and sonnets one can find descriptions and emotions which went to form the aesthetic contents of Il piacere, Il trionfo della morte and Elegie romane.
D'Annunzio's first novel Il Piacere was followed in 1891 by Giovanni Episcopo, in 1892 by L'innocente. These three novels made a profound impression. L'innocente, admirably translated into French by Georges Herelle, brought its author the notice and applause of foreign critics, his next work, Il trionfo della morte, was followed soon by Il fuoco. D'Annunzio's poetic work of this period, in most respects his finest, is represented by Il Poema Paradisiaco, the Odi navali, a superb attempt at civic poetry, Laudi. A phase of D'Annunzio's work is his dramatic production, represented by Il sogno di un mattino di primavera, a lyrical fantasia in one act. In 1898 he wr