1.
Toi gold mine
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The Toi gold mine was an important gold mine of Japan, located within the city of Toi, Izu Peninsula, Shizuoka Prefecture. Small-scale gold mining is said to have started at Toi around 1370 during the period of the Ashikaga Bakufu, the gold mine was operated on a large scale from the time of Tokugawa Ieyasu in the late 16th century. Several mines were open in 1577, but Tokugawa Ieyasu endeavored to their development from 1601 and he put the exploitation of the mine under the responsibility of Gold Mine Minister Ōkubo. Toi was one of several goldmines of the Izu Peninsula, such as Yugashima or Nawaji, the gold and silver produced by these mines permitted the production of Tokugawa coinage, and allowed for the prosperity of the Tokugawa. The city of Toi itself became highly prosperous, with numerous trades flooding in to service the workers, the mine became less productive as it became flooded. Workers were killed because of the exhausting conditions due to seeping hot springs, in 1917, gold was again discovered at the mine, and exploitation continued under the company Toi Kinzan KK. In 1931, the mine entered Sumitomo Group, and passed under Toi Kōgyō KK in 1942, the mine was ultimately closed in 1965 and then reopened for tourism. Toi was the second most productive mine in Japan, after the gold mine of Sado in Niigata Prefecture. During its period of exploitation, it produced in total 40 tons of gold and 400 tons of silver, whereas Sado produced as much as 80 tons of gold. One ton of rock would produce in average 5 to 10 grams of gold, although 30 grams ore was common, the galleries of the mine total about 100 kilometers in length, over a surface of 37 hectares, and go as deep as 180 meters below sea level. The area visible for tourism is about 350m long, and goes about 150 meters deep into mountain rock, the mine is now partially open for visits, and has become a tourist attraction. A Shrine of the gods is visible inside the galleries. The Toi Gold Museum has also built nearby, which describes the history of the mine. The museum received some fame for housing the worlds largest gold bar, weighing 250 kg, and representing a value of about $14.7 million in January 2012
2.
Japan
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Japan is a sovereign island nation in Eastern Asia. Located in the Pacific Ocean, it lies off the eastern coast of the Asia Mainland and stretches from the Sea of Okhotsk in the north to the East China Sea, the kanji that make up Japans name mean sun origin. 日 can be read as ni and means sun while 本 can be read as hon, or pon, Japan is often referred to by the famous epithet Land of the Rising Sun in reference to its Japanese name. Japan is an archipelago consisting of about 6,852 islands. The four largest are Honshu, Hokkaido, Kyushu and Shikoku, the country is divided into 47 prefectures in eight regions. Hokkaido being the northernmost prefecture and Okinawa being the southernmost one, the population of 127 million is the worlds tenth largest. Japanese people make up 98. 5% of Japans total population, approximately 9.1 million people live in the city of Tokyo, the capital of Japan. Archaeological research indicates that Japan was inhabited as early as the Upper Paleolithic period, the first written mention of Japan is in Chinese history texts from the 1st century AD. Influence from other regions, mainly China, followed by periods of isolation, from the 12th century until 1868, Japan was ruled by successive feudal military shoguns who ruled in the name of the Emperor. Japan entered into a period of isolation in the early 17th century. The Second Sino-Japanese War of 1937 expanded into part of World War II in 1941, which came to an end in 1945 following the bombings of Hiroshima and Nagasaki. Japan is a member of the UN, the OECD, the G7, the G8, the country has the worlds third-largest economy by nominal GDP and the worlds fourth-largest economy by purchasing power parity. It is also the worlds fourth-largest exporter and fourth-largest importer, although Japan has officially renounced its right to declare war, it maintains a modern military with the worlds eighth-largest military budget, used for self-defense and peacekeeping roles. Japan is a country with a very high standard of living. Its population enjoys the highest life expectancy and the third lowest infant mortality rate in the world, in ancient China, Japan was called Wo 倭. It was mentioned in the third century Chinese historical text Records of the Three Kingdoms in the section for the Wei kingdom, Wa became disliked because it has the connotation of the character 矮, meaning dwarf. The 倭 kanji has been replaced with the homophone Wa, meaning harmony, the Japanese word for Japan is 日本, which is pronounced Nippon or Nihon and literally means the origin of the sun. The earliest record of the name Nihon appears in the Chinese historical records of the Tang dynasty, at the start of the seventh century, a delegation from Japan introduced their country as Nihon
3.
Gold
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Gold is a chemical element with symbol Au and atomic number 79. In its purest form, it is a bright, slightly yellow, dense, soft, malleable. Chemically, gold is a metal and a group 11 element. It is one of the least reactive chemical elements and is solid under standard conditions, Gold often occurs in free elemental form, as nuggets or grains, in rocks, in veins, and in alluvial deposits. It occurs in a solid solution series with the element silver and also naturally alloyed with copper. Less commonly, it occurs in minerals as gold compounds, often with tellurium, golds atomic number of 79 makes it one of the higher numbered, naturally occurring elements. It is thought to have produced in supernova nucleosynthesis, from the collision of neutron stars. Because the Earth was molten when it was formed, almost all of the present in the early Earth probably sank into the planetary core. Gold is resistant to most acids, though it does dissolve in aqua regia, a mixture of acid and hydrochloric acid. Gold also dissolves in solutions of cyanide, which are used in mining and electroplating. Gold dissolves in mercury, forming amalgam alloys, but this is not a chemical reaction, as a precious metal, gold has been used for coinage, jewelry, and other arts throughout recorded history. A total of 186,700 tonnes of gold is in existence above ground, the world consumption of new gold produced is about 50% in jewelry, 40% in investments, and 10% in industry. Gold is also used in infrared shielding, colored-glass production, gold leafing, certain gold salts are still used as anti-inflammatories in medicine. As of 2014, the worlds largest gold producer by far was China with 450 tonnes, Gold is cognate with similar words in many Germanic languages, deriving via Proto-Germanic *gulþą from Proto-Indo-European *ǵʰelh₃-. The symbol Au is from the Latin, aurum, the Latin word for gold, the Proto-Indo-European ancestor of aurum was *h₂é-h₂us-o-, meaning glow. This word is derived from the root as *h₂éu̯sōs, the ancestor of the Latin word Aurora. This etymological relationship is presumably behind the frequent claim in scientific publications that aurum meant shining dawn, Gold is the most malleable of all metals, a single gram can be beaten into a sheet of 1 square meter, and an avoirdupois ounce into 300 square feet. Gold leaf can be thin enough to become semi-transparent
4.
Gilding
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The term gilding covers a number of decorative techniques for applying fine gold leaf or powder to solid surfaces such as wood, stone, or metal to give a thin coating of gold. A gilded object is described as gilt. Where metal is gilded, it was silver in the West, to make silver-gilt objects, but gilt-bronze is commonly used in China. Methods of gilding include hand application and glueing, chemical gilding, and electroplating, parcel-gilt objects are only gilded over part of their surfaces. This may mean that all of the inside, and none of the outside, of a chalice or similar vessel is gilded, herodotus mentions that the Egyptians gilded wood and metals, and many such objects have been excavated. Certain Ancient Greek statues of great prestige were chryselephantine, i. e. made of gold and ivory, extensive ornamental gilding was also used in the ceiling coffers of the Propylaea. But he adds that luxury advanced on them so rapidly that in very little time you see all, even private and poor people, gild the walls, vaults. Owing to the thickness of the gold leaf used in ancient gilding. Fire-gilding of metal goes back at least to the 4th century BC, in Europe, silver-gilt has always been more common than gilt-bronze, but in China the opposite has been the case. The ancient Chinese also developed the gilding of porcelain, which was taken up by the French. Modern gilding is applied to numerous and diverse surfaces and by various processes, mechanical gilding includes all the operations in which gold leaf is prepared, and the processes to mechanically attach the gold onto surfaces. The process is completed by cold burnishing, overlaying or folding or hammering on gold foil or gold leaf is the simplest and most ancient method, and is mentioned in Homers Odyssey and the Old Testament. The Ram in a Thicket of about 2600–2400 BCE from Ur uses this technique on wood, the next advances involved two simple processes. The first involves gold leaf, which is gold that is hammered or cut very thin sheets. If gilding on canvas or on wood, the surface was often first coated with gesso, gesso is a substance made of finely ground gypsum or chalk mixed with glue. Other gilding processes involved using the gold as pigment in paint, then the gold was applied in the same way as with any paint. Sometimes, after either gold-leafing or gold-painting, the artist would heat the piece enough to melt the gold slightly and these techniques remained the only alternatives for materials like wood, leather, and the vellum pages of illuminated manuscripts. Chemical gilding embraces those processes in which the gold is at some stage of chemical combination and these include, In this process the gold is obtained in a state of extremely fine division, and applied by mechanical means
5.
Bronze Age Europe
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The European Bronze Age is characterized by bronze artifacts and the use of bronze implements. The regional Bronze Age succeeds the Neolithic and it starts with the Aegean Bronze Age in 3200 BC, and spans the entire 2nd millennium BC in Northern Europe, lasting until c.600 BC. The Aegean Bronze Age begins around 3200 BC when civilizations first established a trade network. This network imported tin and charcoal to Cyprus, where copper was mined and alloyed with the tin to produce bronze, Bronze objects were then exported far and wide, and supported the trade. Isotopic analysis of the tin in some Mediterranean bronze objects indicates it came from as far away as Great Britain, the Minoan civilization based from Knossos, Crete, appears to have coordinated and defended its Bronze Age trade. One crucial lack in this period was that modern methods of accounting were not available, the eruption of Thera, which according to archaeological data occurred in c.1500 BC, resulted in the decline of the Minoan. This turn of events gave the opportunity to the Mycenaeans to spread their influence throughout the Aegean, around c.1450 BC, they were in control of Crete itself and colonized several other Aegean islands, reaching as far as Rhodes. Thus the Mycenaeans became the dominant power of the region, marking the beginning of the Mycenaean Koine era, a highly uniform culture that spread in mainland Greece and the Aegean. Their syllabic script, the Linear B, offers the first written records of the Greek language, Mycenaean Greece was dominated by a warrior elite society and consisted of a network of palace states that developed rigid hierarchical, political, social and economic systems. At the head of this societies was the king, known as wanax, the Maykop culture was the major early Bronze Age culture in the North Caucasus. Some scholars date arsenical bronze artifacts in the region as far back as the mid-4th millennium BC, the Yamna culture was a late copper age/early Bronze Age culture dating to the 36th–23rd centuries BC. The culture was nomadic, with some agriculture practiced near rivers. Parallels with the Afanasevo culture, including provoked cranial deformations, provide a link to the East and it was preceded by the Yamna culture and succeeded by the western Corded Ware culture. The Catacomb culture in the Pontic steppe was succeeded by the Srubna culture from c. the 17th century BC. Some very rich burials, such as the one located at Leubingen with grave gifts crafted from gold, all in all, cemeteries of this period are rare and of small size. The Unetice culture is followed by the middle Bronze Age Tumulus culture, in the eastern Hungarian Körös tributaries, the early Bronze Age first saw the introduction of the Makó culture, followed by the Otomani and Gyulavarsánd cultures. The late Bronze Age Urnfield culture is characterized by cremation burials and it includes the Lusatian culture in eastern Germany and Poland that continues into the Iron Age. The Central European Bronze Age is followed by the Iron Age Hallstatt culture, in northern Germany, Denmark, Sweden and Norway, Bronze Age cultures manufactured many distinctive and artistic artifacts
6.
Jewellery
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Jewellery or jewelry consists of small decorative items worn for personal adornment, such as brooches, rings, necklaces, earrings, and bracelets. Jewellery may be attached to the body or the clothes, for many centuries metal, often combined with gemstones, has been the normal material for jewellery, but other materials such as shells and other plant materials may be used. It is one of the oldest type of archaeological artefact – with 100, historically, the most widespread influence on jewellery in terms of design and style have come from Asia. Jewellery may be made from a range of materials. Gemstones and similar such as amber and coral, precious metals, beads, and shells have been widely used. In most cultures jewellery can be understood as a symbol, for its material properties, its patterns. Jewellery has been made to nearly every body part, from hairpins to toe rings. The word jewellery itself is derived from the jewel, which was anglicised from the Old French jouel. In British English, Indian English, New Zealand English, Hiberno-English, Australian English, both are used in Canadian English, though jewelry prevails by a two to one margin. Numerous cultures store wedding dowries in the form of jewellery or make jewellery as a means to store or display coins, alternatively, jewellery has been used as a currency or trade good, an example being the use of slave beads. Many items of jewellery, such as brooches and buckles, originated as functional items. Jewellery can also symbolise group membership or status, wearing of amulets and devotional medals to provide protection or ward off evil is common in some cultures. These may take the form of symbols, stones, plants, animals, body parts, in creating jewellery, gemstones, coins, or other precious items are often used, and they are typically set into precious metals. Alloys of nearly every metal known have been encountered in jewellery, bronze, for example, was common in Roman times. Modern fine jewellery usually includes gold, white gold, platinum, palladium, titanium, most contemporary gold jewellery is made of an alloy of gold, the purity of which is stated in karats, indicated by a number followed by the letter K. American gold jewellery must be of at least 10K purity, many whimsical fashions were introduced in the extravagant eighteenth century. Cameos that were used in connection with jewellery were the attractive trinkets along with many of the objects such as brooches, ear-rings. Some of the necklets were made of pieces joined with the gold chains were in and bracelets were also made sometimes to match the necklet
7.
Statue
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A statue is a sculpture representing one or more people or animals, normally full-length, as opposed to a bust, and at least close to life-size, or larger. A small statue, usually enough to be picked up, is called a statuette or figurine. Statues have been produced in many cultures from prehistory to the present, the worlds tallest statue, Spring Temple Buddha, is 128 metres, and is located in Lushan County, Henan, China. Many statues are built on commission to commemorate a historical event, many statues are intended as public art, exhibited outdoors or in public buildings. Some statues gain fame in their own right, separate from the person or concept they represent, Ancient statues often survive showing the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marble sculpture, most of the colour was weathered off over time, small remnants were removed during cleaning, in some cases small traces remained which could be identified. Richter goes so far as to say of classical Greek sculpture, All stone sculpture, whether limestone or marble, was painted, medieval statues were also usually painted, with some still retaining their original pigments. The colouring of statues ceased during the Renaissance, as excavated classical sculptures, the Löwenmensch figurine from the Swabian Alps in Germany is the oldest known statue in the world, and dates to 30, 000-40,000 years ago. The Venus of Hohle Fels, from the area, is somewhat later. Throughout history, statues have been associated with images in many religious traditions, from Ancient Egypt, Ancient Greece. Egyptian statues showing kings as sphinxes have existed since the Old Kingdom, the oldest statue of a striding pharaoh dates from the reign of Senwosret I and is the Egyptian Museum, Cairo. The Middle Kingdom of Egypt witnessed the growth of block statues which then became the most popular form until the Ptolemaic period, the oldest statue of a deity in Rome was the bronze statue of Ceres in 485 BC. The oldest statue in Rome is now the statue of Diana on the Aventine, the wonders of the world include several statues from antiquity, with the Colossus of Rhodes and the Statue of Zeus at Olympia among the Seven Wonders of the Ancient World. While Byzantine art flourished in various forms, sculpture and statue making witnessed a general decline, an example was the statue of Justinian which stood in the square across from the Hagia Sophia until the fall of Constantinople in the 15th century. While making statues was not subject to a ban, it was hardly encouraged in this period. Starting with the work of Maillol around 1900, the human figures embodied in statues began to move away from the schools of realism that had held them bound for thousands of years. The Futurist and Cubist schools took this even further until statues, often still nominally representing humans, had lost all. By the 1920s and 1930s statues began to appear that were abstract in design
8.
Icon
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An icon is a religious work of art, most commonly a painting, from Eastern Christianity and certain Eastern Catholic churches. The most common subjects include Christ, Mary, saints and/or angels, icons may also be cast in metal, carved in stone, embroidered on cloth, painted on wood, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity are generally not described as icons, Eastern Orthodox tradition holds that the creation of Christian images dates back to the very early days of Christianity, and there is has been a continuous tradition since then. The icons of later centuries can be linked, often closely, to images from the 5th century onwards, there was enormous destruction of images during the Byzantine Iconoclasm of 726-842, although this did settle for good the question of the appropriateness of images. Since then icons have had a continuity of style and subject. At the same time there has been change and development, Christian tradition dating from the 8th century identifies Luke the Evangelist as the first icon painter. Aside from the legend that Pilate had made an image of Christ and he relates that King Abgar of Edessa sent a letter to Jesus at Jerusalem, asking Jesus to come and heal him of an illness. In this version there is no image, further legends relate that the cloth remained in Edessa until the 10th century, when it was taken to Constantinople. It went missing in 1204 when Crusaders sacked Constantinople, but by then numerous copies had firmly established its iconic type. They crown these images, and set them up along with the images of the philosophers of the world that is to say, with the images of Pythagoras, and Plato, and Aristotle, and the rest. They have also other modes of honouring these images, after the manner of the Gentiles. And he called him and said, Lycomedes, what do you mean by this matter of the portrait, can it be one of thy gods that is painted here. For I see that you are living in heathen fashion. Later in the passage John says, But this that you have now done is childish and imperfect, at least some of the hierarchy of the Christian churches still strictly opposed icons in the early 4th century. At the Spanish non-ecumenical Synod of Elvira bishops concluded, Pictures are not to be placed in churches, so that they do not become objects of worship and adoration. to our religion. After the emperor Constantine I extended official toleration of Christianity within the Roman Empire in 313 and this period of Christianization probably saw the use of Christian images became very widespread among the faithful, though with great differences from pagan habits. Robin Lane Fox states By the early century, we know of the ownership of private icons of saints. 480-500, we can be sure that the inside of a saints shrine would be adorned with images and votive portraits, when Constantine himself apparently converted to Christianity, the majority of his subjects remained pagans
9.
Picture frame
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A picture frame is a decorative edging for a picture, such as a painting or photograph, intended to enhance it, make it easier to display or protect it. The frame along with its mounts protects and often complements the artwork, Art work framed well will stay in good condition for a longer period of time. Joan Miró once did a work specifically to frame with a flea market frame, as picture frames can be expensive when purchased new, some people remove pictures from a frame and use the frame for other pictures. Picture frames have traditionally made of wood, which is still the most common material, although other materials are used including silver, bronze, aluminum. A picture frame may be of any color or texture, but gilding is common, some picture frames have elaborate molding which may relate to the subject matter. Complicated older frames are made of moulded and gilded plaster over a plain wood base. Picture frames come in a variety of profiles, but generally the lengths of moulding feature a lip and rabbet, the lip extends usually about a quarter of an inch past the edge of the rabbet. The picture frame may contain a pane of picture framing glass or a glass substitute such as acrylite or plexiglas to protect the picture. In some instances where the art in the frame is dispensable or durable, glass is common over watercolors and other artwork on paper, but rare over oil paintings, except very valuable ones in some museums. Picture framing glass may be treated with anti-reflective coatings to make the glass virtually invisible under certain lighting conditions, for pieces to be framed under glass, except for the most disposable and inexpensive posters or temporary displays, the glass must be raised off the surface of the paper. This is done by means of matting, a lining of plastic spacers, if the paper were to touch the glass directly, any condensation inside the glass would absorb directly into the art, having no room to evaporate. This is harmful to almost any medium and it causes art sticking to the glass, mildew or mold spore growth, and other ill effects. Raising the glass is necessary when a piece is done in a loose media such as charcoal or pastel. Care should be taken with these works however, if acrylic glass is used, using real glass helps to prevent this. Certain kinds of pieces do not usually need glass when framed, including paintings done in acrylic or oil paint, stained glass or tiles, and laminated posters. These kinds of pieces are sometimes put under glass though, if for example they are framed using mats. The use of backing boards is common with watermedia and other art on paper, usually paper dust covers will be inexpensive craft paper or heavy duty archival papers Plique-à-jour picture frames, made of enamel by Bulushoff, are among the most expensive frames in the world. Picture frames are generally square or rectangular, though circular and oval frames are not uncommon, Frames in more unusual shapes such as football shapes, stars, hearts can be hand carved by a professional wood carver or carpenter There are also picture frames designed to go around corners
10.
Gold glass
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Gold glass or gold sandwich glass is a luxury form of glass where a decorative design in gold leaf is fused between two layers of glass. About 500 pieces of glass used in this way have been recovered. Many show religious imagery from Christianity, traditional Greco-Roman religion and its various cultic developments, others show portraits of their owners, and the finest are among the most vivid portraits to survive from Early Christian times. They stare out at us with a stern and melancholy intensity. From the 1st century AD the technique was used for the gold colour in mosaics. Various different techniques may also be described as gold glass. Zwischengoldglas is very similar but the two layers of glass are cemented, not fused and it mostly comes from Germany and Bohemia from the 18th and 19th centuries. Verre églomisé properly covers a layer of glass which is gilded on the back, as used in 19th century shop signs. One process was revived by Jean-Baptise Glomy, hence the name, both of these processes were also used in ancient times, and the German and French languages often use their native terms for what is called gold glass in English. Gold ruby glass or cranberry glass is actually red, coloured by the addition of gold oxide, gold-band glass is another ancient technique covered below. The manufacturing process for gold glass was difficult and required great skill. For a Late Roman glass, first a round flat disc, typically about three to five inches across, was cut away from a blown sphere with a flattened bottom. A piece of leaf was then glued to this with gum arabic. The design was created by scraping away gold leaf, the main vessel, a cup or bowl, was formed by blowing and cutting, with a flat bottom the same size as the first disc. This was then heated again and carefully lowered onto the disc with the design, the complete vessel was then heated a final time to complete the fusing. Different accounts of different periods vary somewhat as to the sequence of stages and other details. The larger Hellenistic glass bowls are thought to have been formed using moulds rather than blown, as the bowl is doubled. Some of the finer later medallions seem to have made as such from the start
11.
Tessera
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A tessera is an individual tile, usually formed in the shape of a cube, used in creating a mosaic. It is also known as an abaciscus or abaculus, in early antiquity, mosaics were formed from naturally formed colored pebbles, but by 200 BCE cut stone tesserae were being used in Ancient Roman decorative mosaic panels and floor mosaics. Marble or limestone were cut into cubes and arranged into representational designs. Later, tesserae were made from colored glass, or clear glass backed with metal foils, the Byzantines used tesserae with gold leaf, in which case the glass pieces were flatter, with two glass pieces sandwiching the gold. This produced a golden reflection emanating from in between the tesserae as well as their front, causing a far richer and more effect than even plain gold leaf would create. Vitreous glass These are manufactured glass tiles made to a uniform shape and they are made by molten glass being poured into trays and fired. An imprint of grooves is made on their underside for help with adhesion to cement when fixing, ceramic tesserae These are the cheapest range of bought materials and can be glazed or unglazed. The glazed ceramic tiles have the color painted onto the top of the clay, the unglazed or body glazed version has the color mixed into the wet clay so the color runs through them. Smalti This is the classic mosaic material and it is opaque glass fired in large slabs in a kiln and then hand cut with a hammer and hardy chisel into small cubes. Their irregular finish makes them a wonderful reflector of light and this material is best used working straight into cement and it is produced in Venice and sold by colour and weight. Gold smalti This tile is made with gold and silver leaf sandwiched between two layers of glass and fired twice in the kiln to embed in the metal. Mirror Mirror adds great depth and sparkle to a mosaic and it is cheap as offcuts from a glass cutting shop are often free. Use mirror glue as this protects the silver on the back of the mirror, stained glass Known for its translucent qualities stained glass is also available in opaque form. It comes as large sheets that can be cut into sections with a glasscutter. It can provide areas of larger pieces for variety and contrast. Household ceramic tiles & china Colours and surfaces are limitless and can add wonderful texture, tessellation — describes tessellation patterns Mosaic — describes techniques for assembling tesserae into a design Mosaic Glass Tile – Terms and Definitions
12.
Early Christian art and architecture
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In practice identifiably Christian art only survives from the 2nd century onwards. After 550 at the latest, Christian art is classified as Byzantine and it is hard to know when distinctly Christian art began. Prior to 100, Christians may have been constrained by their position as a group from producing durable works of art. Since Christianity was largely a religion of the classes in this period, the lack of surviving art may reflect a lack of funds for patronage. The Old Testament restrictions against the production of images may also have constrained Christians from producing art. Christians may have made or purchased art with pagan iconography, but given it Christian meanings, if this happened, Christian art would not be immediately recognizable as such. Early Christianity used the artistic media as the surrounding pagan culture. These media included fresco, mosaics, sculpture, and manuscript illumination, Early Christian art not only used Roman forms, it also used Roman styles. Late classical style included a portrayal of the human body. Late classical style is seen in early Christian frescos, such as those in the Catacombs of Rome, Early Christians adapted Roman motifs and gave new meanings to what had been pagan symbols. Among the motifs adopted were the peacock, grapevines, and the Good Shepherd, Early Christians also developed their own iconography, for example, such symbols as the fish, were not borrowed from pagan iconography. The earlier period being called the Pre-Constantinian or Ante-Nicene Period and after being the period of the First seven Ecumenical Councils, the earliest surviving Christian art comes from the late 2nd to early 4th centuries on the walls of Christian tombs in the catacombs of Rome. From literary evidence, there may well have been panel icons which, initially Jesus was represented indirectly by pictogram symbols such as the Ichthys, peacock, Lamb of God, or an anchor. The image of The Good Shepherd, a youth in pastoral scenes collecting sheep, was the most common of these images. These images bear some resemblance to depictions of figures in Greco-Roman art. The almost total absence from Christian monuments of the period of persecutions of the plain, the dove is a symbol of peace and purity. It can be found with a halo or celestial light, in one of the earliest known Trinitarian images, the Throne of God as a Trinitarian image, the dove represents the Spirit. It is flying above an empty throne representing God, in the throne are a chlamys, the Chi-Rho monogram, XP, apparently first used by Constantine I, consists of the first two characters of the name Christos in Greek
