1.
Toi gold mine
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The Toi gold mine was an important gold mine of Japan, located within the city of Toi, Izu Peninsula, Shizuoka Prefecture. Small-scale gold mining is said to have started at Toi around 1370 during the period of the Ashikaga Bakufu, the gold mine was operated on a large scale from the time of Tokugawa Ieyasu in the late 16th century. Several mines were open in 1577, but Tokugawa Ieyasu endeavored to their development from 1601 and he put the exploitation of the mine under the responsibility of Gold Mine Minister Ōkubo. Toi was one of several goldmines of the Izu Peninsula, such as Yugashima or Nawaji, the gold and silver produced by these mines permitted the production of Tokugawa coinage, and allowed for the prosperity of the Tokugawa. The city of Toi itself became highly prosperous, with numerous trades flooding in to service the workers, the mine became less productive as it became flooded. Workers were killed because of the exhausting conditions due to seeping hot springs, in 1917, gold was again discovered at the mine, and exploitation continued under the company Toi Kinzan KK. In 1931, the mine entered Sumitomo Group, and passed under Toi Kōgyō KK in 1942, the mine was ultimately closed in 1965 and then reopened for tourism. Toi was the second most productive mine in Japan, after the gold mine of Sado in Niigata Prefecture. During its period of exploitation, it produced in total 40 tons of gold and 400 tons of silver, whereas Sado produced as much as 80 tons of gold. One ton of rock would produce in average 5 to 10 grams of gold, although 30 grams ore was common, the galleries of the mine total about 100 kilometers in length, over a surface of 37 hectares, and go as deep as 180 meters below sea level. The area visible for tourism is about 350m long, and goes about 150 meters deep into mountain rock, the mine is now partially open for visits, and has become a tourist attraction. A Shrine of the gods is visible inside the galleries. The Toi Gold Museum has also built nearby, which describes the history of the mine. The museum received some fame for housing the worlds largest gold bar, weighing 250 kg, and representing a value of about $14.7 million in January 2012
2.
Japan
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Japan is a sovereign island nation in Eastern Asia. Located in the Pacific Ocean, it lies off the eastern coast of the Asia Mainland and stretches from the Sea of Okhotsk in the north to the East China Sea, the kanji that make up Japans name mean sun origin. 日 can be read as ni and means sun while 本 can be read as hon, or pon, Japan is often referred to by the famous epithet Land of the Rising Sun in reference to its Japanese name. Japan is an archipelago consisting of about 6,852 islands. The four largest are Honshu, Hokkaido, Kyushu and Shikoku, the country is divided into 47 prefectures in eight regions. Hokkaido being the northernmost prefecture and Okinawa being the southernmost one, the population of 127 million is the worlds tenth largest. Japanese people make up 98. 5% of Japans total population, approximately 9.1 million people live in the city of Tokyo, the capital of Japan. Archaeological research indicates that Japan was inhabited as early as the Upper Paleolithic period, the first written mention of Japan is in Chinese history texts from the 1st century AD. Influence from other regions, mainly China, followed by periods of isolation, from the 12th century until 1868, Japan was ruled by successive feudal military shoguns who ruled in the name of the Emperor. Japan entered into a period of isolation in the early 17th century. The Second Sino-Japanese War of 1937 expanded into part of World War II in 1941, which came to an end in 1945 following the bombings of Hiroshima and Nagasaki. Japan is a member of the UN, the OECD, the G7, the G8, the country has the worlds third-largest economy by nominal GDP and the worlds fourth-largest economy by purchasing power parity. It is also the worlds fourth-largest exporter and fourth-largest importer, although Japan has officially renounced its right to declare war, it maintains a modern military with the worlds eighth-largest military budget, used for self-defense and peacekeeping roles. Japan is a country with a very high standard of living. Its population enjoys the highest life expectancy and the third lowest infant mortality rate in the world, in ancient China, Japan was called Wo 倭. It was mentioned in the third century Chinese historical text Records of the Three Kingdoms in the section for the Wei kingdom, Wa became disliked because it has the connotation of the character 矮, meaning dwarf. The 倭 kanji has been replaced with the homophone Wa, meaning harmony, the Japanese word for Japan is 日本, which is pronounced Nippon or Nihon and literally means the origin of the sun. The earliest record of the name Nihon appears in the Chinese historical records of the Tang dynasty, at the start of the seventh century, a delegation from Japan introduced their country as Nihon
3.
Gold
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Gold is a chemical element with symbol Au and atomic number 79. In its purest form, it is a bright, slightly yellow, dense, soft, malleable. Chemically, gold is a metal and a group 11 element. It is one of the least reactive chemical elements and is solid under standard conditions, Gold often occurs in free elemental form, as nuggets or grains, in rocks, in veins, and in alluvial deposits. It occurs in a solid solution series with the element silver and also naturally alloyed with copper. Less commonly, it occurs in minerals as gold compounds, often with tellurium, golds atomic number of 79 makes it one of the higher numbered, naturally occurring elements. It is thought to have produced in supernova nucleosynthesis, from the collision of neutron stars. Because the Earth was molten when it was formed, almost all of the present in the early Earth probably sank into the planetary core. Gold is resistant to most acids, though it does dissolve in aqua regia, a mixture of acid and hydrochloric acid. Gold also dissolves in solutions of cyanide, which are used in mining and electroplating. Gold dissolves in mercury, forming amalgam alloys, but this is not a chemical reaction, as a precious metal, gold has been used for coinage, jewelry, and other arts throughout recorded history. A total of 186,700 tonnes of gold is in existence above ground, the world consumption of new gold produced is about 50% in jewelry, 40% in investments, and 10% in industry. Gold is also used in infrared shielding, colored-glass production, gold leafing, certain gold salts are still used as anti-inflammatories in medicine. As of 2014, the worlds largest gold producer by far was China with 450 tonnes, Gold is cognate with similar words in many Germanic languages, deriving via Proto-Germanic *gulþą from Proto-Indo-European *ǵʰelh₃-. The symbol Au is from the Latin, aurum, the Latin word for gold, the Proto-Indo-European ancestor of aurum was *h₂é-h₂us-o-, meaning glow. This word is derived from the root as *h₂éu̯sōs, the ancestor of the Latin word Aurora. This etymological relationship is presumably behind the frequent claim in scientific publications that aurum meant shining dawn, Gold is the most malleable of all metals, a single gram can be beaten into a sheet of 1 square meter, and an avoirdupois ounce into 300 square feet. Gold leaf can be thin enough to become semi-transparent
4.
Goldbeating
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Goldbeating is the process of hammering gold into an extremely thin unbroken sheet for use in gilding. 5,000 years ago, Egyptian artisans recognized the extraordinary durability and malleability of gold and they pounded gold using a round stone to create the thinnest leaf possible. Except for the introduction of a cast iron hammer and a few other innovations, the karat and color of gold leaf varies depending on the amount of silver or copper added to the gold. Most goldbeaters make 23 karat leaf, the gold and its alloy are put in a crucible and melted in a furnace. The liquid gold is poured into a mold to cast it into a bar, the bar of gold is put through a rolling mill repeatedly. Each time through the mill, the rollers are adjusted closer and closer to each other, the bar is rolled to a thickness of 25 µm. After rolling, the ribbon of gold is cut into one-inch squares, the first step in the beating process is called the cutch. The cutch is made up of approximately 150 skins, in the early days of the trade, ox intestine membrane was used to interleave the gold as it was beaten. Today other materials, such as Mylar, are used, using wooden pincers, the preparer picks up each square of gold and places it in the center of each skin. When the cutch is filled with the small squares, it is wrapped in several bands of parchment which serve to hold the packet together during the beating. Parchment is still the best material known to withstand the hours of repeated hammer blows needed to beat the gold, the gold is beaten on a large, heavy block of marble or granite. These stone blocks were placed on top of a tree trunk set deep into the ground. This created greater resiliency for the hammer, beating of the cutch by hand takes about one hour using a fifteen-pound hammer. The goldbeater instinctively follows a pattern and sets up a rhythm, the packet is rotated and turned over to ensure that the gold inside expands evenly in all directions. The original small squares of gold are beaten until they have expanded to the edges of the four inch square cutch. The gold is out of the cutch and each piece is cut into four pieces with a knife. Using the pincers, these squares of gold are put into a packet called the shoder. The shoder is beaten for three hours until the gold has expanded to a five-inch square
5.
Gilding
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The term gilding covers a number of decorative techniques for applying fine gold leaf or powder to solid surfaces such as wood, stone, or metal to give a thin coating of gold. A gilded object is described as gilt. Where metal is gilded, it was silver in the West, to make silver-gilt objects, but gilt-bronze is commonly used in China. Methods of gilding include hand application and glueing, chemical gilding, and electroplating, parcel-gilt objects are only gilded over part of their surfaces. This may mean that all of the inside, and none of the outside, of a chalice or similar vessel is gilded, herodotus mentions that the Egyptians gilded wood and metals, and many such objects have been excavated. Certain Ancient Greek statues of great prestige were chryselephantine, i. e. made of gold and ivory, extensive ornamental gilding was also used in the ceiling coffers of the Propylaea. But he adds that luxury advanced on them so rapidly that in very little time you see all, even private and poor people, gild the walls, vaults. Owing to the thickness of the gold leaf used in ancient gilding. Fire-gilding of metal goes back at least to the 4th century BC, in Europe, silver-gilt has always been more common than gilt-bronze, but in China the opposite has been the case. The ancient Chinese also developed the gilding of porcelain, which was taken up by the French. Modern gilding is applied to numerous and diverse surfaces and by various processes, mechanical gilding includes all the operations in which gold leaf is prepared, and the processes to mechanically attach the gold onto surfaces. The process is completed by cold burnishing, overlaying or folding or hammering on gold foil or gold leaf is the simplest and most ancient method, and is mentioned in Homers Odyssey and the Old Testament. The Ram in a Thicket of about 2600–2400 BCE from Ur uses this technique on wood, the next advances involved two simple processes. The first involves gold leaf, which is gold that is hammered or cut very thin sheets. If gilding on canvas or on wood, the surface was often first coated with gesso, gesso is a substance made of finely ground gypsum or chalk mixed with glue. Other gilding processes involved using the gold as pigment in paint, then the gold was applied in the same way as with any paint. Sometimes, after either gold-leafing or gold-painting, the artist would heat the piece enough to melt the gold slightly and these techniques remained the only alternatives for materials like wood, leather, and the vellum pages of illuminated manuscripts. Chemical gilding embraces those processes in which the gold is at some stage of chemical combination and these include, In this process the gold is obtained in a state of extremely fine division, and applied by mechanical means
6.
Metal leaf
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Metal leaf, also called composition leaf or schlagmetal, is a thin foil used for decoration. Metal leaf can come in different shades. Some metal leaf may look like gold leaf but does not contain any real gold and this metal leaf is often referred to as imitation leaf. Metal leaf is made of gold, silver, copper, aluminium, brass or palladium. Vark is a type of silver used for decoration in Indian cuisine. Goldbeating, the technique of producing metal leaf, has known for more than 5,000 years
7.
Colored gold
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Pure gold is slightly reddish yellow in color, but colored gold in various other colors can be produced. White gold is an alloy of gold and at least one metal, usually nickel. Like yellow gold, the purity of gold is given in karats. White golds properties vary depending on the metals and proportions used, the term white gold is used very loosely in the industry to describe karat gold alloys with a whitish hue. It is a misconception that the color of the rhodium plating. The term white covers a spectrum of colors that borders or overlaps pale yellow, tinted brown. The jewelry industry often conceals these off-white colors by rhodium plating, a common white gold formulation consists of 90 wt. % gold and 10 wt. % nickel. Copper can be added to increase malleability, the strength of gold–nickel–copper alloys is caused by formation of two phases, a gold-rich Au–Cu, and a nickel-rich Ni–Cu, and the resulting hardening of the material. The alloys used in industry are gold–palladium–silver and gold–nickel–copper–zinc. Palladium and nickel act as primary bleaching agents for gold, zinc acts as a bleaching agent to attenuate the color of copper. The nickel used in white gold alloys can cause an allergic reaction when worn over long periods. This reaction, typically a minor skin rash from nickel dermatitis, occurs in one out of eight people and because of this. Rose gold is a gold and copper alloy used for specialized jewelry. Rose gold, also known as gold and red gold, was popular in Russia at the beginning of the nineteenth century. Rose gold jewelry is becoming popular in the 21st century and is commonly used for wedding rings, bracelets. Although the names are used interchangeably, the difference between red, rose, and pink gold is the copper content, the higher the copper content. Pink gold uses the least copper, followed by rose gold, up to 15% zinc can be added to copper-rich alloys to change their color to reddish yellow or dark yellow. During ancient times, due to impurities in the smelting process and this is why many Greco-Roman texts, and even many texts from the Middle Ages, describe gold as red
8.
Bronze Age Europe
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The European Bronze Age is characterized by bronze artifacts and the use of bronze implements. The regional Bronze Age succeeds the Neolithic and it starts with the Aegean Bronze Age in 3200 BC, and spans the entire 2nd millennium BC in Northern Europe, lasting until c.600 BC. The Aegean Bronze Age begins around 3200 BC when civilizations first established a trade network. This network imported tin and charcoal to Cyprus, where copper was mined and alloyed with the tin to produce bronze, Bronze objects were then exported far and wide, and supported the trade. Isotopic analysis of the tin in some Mediterranean bronze objects indicates it came from as far away as Great Britain, the Minoan civilization based from Knossos, Crete, appears to have coordinated and defended its Bronze Age trade. One crucial lack in this period was that modern methods of accounting were not available, the eruption of Thera, which according to archaeological data occurred in c.1500 BC, resulted in the decline of the Minoan. This turn of events gave the opportunity to the Mycenaeans to spread their influence throughout the Aegean, around c.1450 BC, they were in control of Crete itself and colonized several other Aegean islands, reaching as far as Rhodes. Thus the Mycenaeans became the dominant power of the region, marking the beginning of the Mycenaean Koine era, a highly uniform culture that spread in mainland Greece and the Aegean. Their syllabic script, the Linear B, offers the first written records of the Greek language, Mycenaean Greece was dominated by a warrior elite society and consisted of a network of palace states that developed rigid hierarchical, political, social and economic systems. At the head of this societies was the king, known as wanax, the Maykop culture was the major early Bronze Age culture in the North Caucasus. Some scholars date arsenical bronze artifacts in the region as far back as the mid-4th millennium BC, the Yamna culture was a late copper age/early Bronze Age culture dating to the 36th–23rd centuries BC. The culture was nomadic, with some agriculture practiced near rivers. Parallels with the Afanasevo culture, including provoked cranial deformations, provide a link to the East and it was preceded by the Yamna culture and succeeded by the western Corded Ware culture. The Catacomb culture in the Pontic steppe was succeeded by the Srubna culture from c. the 17th century BC. Some very rich burials, such as the one located at Leubingen with grave gifts crafted from gold, all in all, cemeteries of this period are rare and of small size. The Unetice culture is followed by the middle Bronze Age Tumulus culture, in the eastern Hungarian Körös tributaries, the early Bronze Age first saw the introduction of the Makó culture, followed by the Otomani and Gyulavarsánd cultures. The late Bronze Age Urnfield culture is characterized by cremation burials and it includes the Lusatian culture in eastern Germany and Poland that continues into the Iron Age. The Central European Bronze Age is followed by the Iron Age Hallstatt culture, in northern Germany, Denmark, Sweden and Norway, Bronze Age cultures manufactured many distinctive and artistic artifacts
9.
Bulla (amulet)
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Bulla, an amulet worn like a locket, was given to male children in Ancient Rome nine days after birth. Rather similar objects are rare finds from Late Bronze Age Ireland, Roman bullae were enigmatic objects of lead, for the well-off covered in gold foil. A bulla was worn around the neck as a locket to protect against evil spirits, a bulla was made of differing substances depending upon the wealth of the family. Before the age of manhood, Roman boys wore a bulla, a neckchain and round pouch containing protective amulets, other materials included leather and cloth. A girl child did not wear a bulla, but another kind of amulet, like lunula until the eve of her marriage and she would then stop wearing childs clothes and start wearing womens Roman Dress. A boy used to wear a bulla until he became a Roman citizen at the age of 16 and his bulla was carefully saved, and on some important occasions, like his becoming a general and commanding a parade, the bulla was taken out. He would wear the bulla during the ceremony to safeguard against evil forces like the jealousy of men. A small number of made of base metal, or rarely clay. They were presumably worn suspended round the neck with a cord running through the hole below the flat top, the body of the bulla has roughly vertical sides before making a semi-circle or inverted pointed arch at the bottom. The gold is incised with geometrical decoration, the type of object was named for its resemblance to the Roman form. Irish bullae are dated between about 1150 BC -750 BC, whether they were purely for adornment or had an amuletic or other function is unclear. Despite the small weight of gold used they would have only available for elite groups. NMI, Bulla National Museum of Ireland Taylor, Joan J.1980, Bronze Age Goldwork of the British Isles,1980, Cambridge University Press, google books Wallace, Patrick F. OFloinn, Raghnall eds. Treasures of the National Museum of Ireland, Irish Antiquities,2002, Gill & Macmillan, Dublin, ISBN 0-7171-2829-6
10.
Gold lunula
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The Gold lunula is a distinctive type of late Neolithic, Chalcolithic or early Bronze Age necklace or collar shaped like a crescent moon. They are normally flat and thin, with roundish spatulate terminals that are twisted to 45 to 90 degrees from the plane of the body. Gold lunulae fall into three groups, termed Classical, Unaccomplished and Provincial by archaeologists. Most have been found in Ireland, but there are numbers in other parts of Europe as well. Several examples have a crinkled appearance suggesting that they had been rolled up at some point. One Irish example, from Ballinagroun, has had its original Classical engraved decoration beaten over to erase it and this and the fact that it had been folded over several times suggest that it had been in use for a long time before it was deposited. The first two examples illustrated show roughly the range of widths of the lowest part of the lunula that is found, the curving edges of the lunula are generally followed by curving border-lines, often with decoration between them. The decoration is typically most dense at the tips and edges, the decoration also resembles that on amber and jet spacer necklaces, which are thought to be slightly later in date. Gold lunulae have been classified into groups as follows, Classical, perhaps all made in Ireland, on average the widest, heaviest and they are thin enough to be flexible when worn, and for the incised decoration to appear as relief on their underside. One aspect of the skill with which they are made is the variation in thickness across the piece, Unaccomplished, similar but narrower and less skilfully executed, all Irish Provincial, only one example found in Ireland. Thicker and more rigid, they were all or mostly made outside Ireland. Their decoration can be varied, and is divided into two groups, dot-line, found in Scotland and Wales, and linear, found in Cornwall, Belgium and north Germany. The northern coast of France has both types, punches, not otherwise used in lunulae, are used for the dots in dot-line types. In one large sample of 39 lunulae, the 19 Classical averaged 54 grams, finds of Classical lunulae are concentrated in the north of Ireland, probably near the sources of gold, with Unaccomplished find spots mostly forming a peripheral border around this area. A few Classical lunulae have been found on the north Cornish coast, three Provincial lunulae were discovered in Kerivoa, Brittany in the remains of a box with some sheet gold and a rod of gold. The rod had its terminals hammered flat in the manner of the lunuae, from this it is thought that Lunulae were made by hammering a rod of gold flat so it became sheet-like and fitted the desired shape. Decoration was then applied by impressing designs with a stylus and this suggests that all five lunulae were the work of one craftsperson and the contents of the Kerivoa box their tools of trade. The shape is found into the Iron Age, now also in silver
11.
Jewellery
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Jewellery or jewelry consists of small decorative items worn for personal adornment, such as brooches, rings, necklaces, earrings, and bracelets. Jewellery may be attached to the body or the clothes, for many centuries metal, often combined with gemstones, has been the normal material for jewellery, but other materials such as shells and other plant materials may be used. It is one of the oldest type of archaeological artefact – with 100, historically, the most widespread influence on jewellery in terms of design and style have come from Asia. Jewellery may be made from a range of materials. Gemstones and similar such as amber and coral, precious metals, beads, and shells have been widely used. In most cultures jewellery can be understood as a symbol, for its material properties, its patterns. Jewellery has been made to nearly every body part, from hairpins to toe rings. The word jewellery itself is derived from the jewel, which was anglicised from the Old French jouel. In British English, Indian English, New Zealand English, Hiberno-English, Australian English, both are used in Canadian English, though jewelry prevails by a two to one margin. Numerous cultures store wedding dowries in the form of jewellery or make jewellery as a means to store or display coins, alternatively, jewellery has been used as a currency or trade good, an example being the use of slave beads. Many items of jewellery, such as brooches and buckles, originated as functional items. Jewellery can also symbolise group membership or status, wearing of amulets and devotional medals to provide protection or ward off evil is common in some cultures. These may take the form of symbols, stones, plants, animals, body parts, in creating jewellery, gemstones, coins, or other precious items are often used, and they are typically set into precious metals. Alloys of nearly every metal known have been encountered in jewellery, bronze, for example, was common in Roman times. Modern fine jewellery usually includes gold, white gold, platinum, palladium, titanium, most contemporary gold jewellery is made of an alloy of gold, the purity of which is stated in karats, indicated by a number followed by the letter K. American gold jewellery must be of at least 10K purity, many whimsical fashions were introduced in the extravagant eighteenth century. Cameos that were used in connection with jewellery were the attractive trinkets along with many of the objects such as brooches, ear-rings. Some of the necklets were made of pieces joined with the gold chains were in and bracelets were also made sometimes to match the necklet
12.
Statue
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A statue is a sculpture representing one or more people or animals, normally full-length, as opposed to a bust, and at least close to life-size, or larger. A small statue, usually enough to be picked up, is called a statuette or figurine. Statues have been produced in many cultures from prehistory to the present, the worlds tallest statue, Spring Temple Buddha, is 128 metres, and is located in Lushan County, Henan, China. Many statues are built on commission to commemorate a historical event, many statues are intended as public art, exhibited outdoors or in public buildings. Some statues gain fame in their own right, separate from the person or concept they represent, Ancient statues often survive showing the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marble sculpture, most of the colour was weathered off over time, small remnants were removed during cleaning, in some cases small traces remained which could be identified. Richter goes so far as to say of classical Greek sculpture, All stone sculpture, whether limestone or marble, was painted, medieval statues were also usually painted, with some still retaining their original pigments. The colouring of statues ceased during the Renaissance, as excavated classical sculptures, the Löwenmensch figurine from the Swabian Alps in Germany is the oldest known statue in the world, and dates to 30, 000-40,000 years ago. The Venus of Hohle Fels, from the area, is somewhat later. Throughout history, statues have been associated with images in many religious traditions, from Ancient Egypt, Ancient Greece. Egyptian statues showing kings as sphinxes have existed since the Old Kingdom, the oldest statue of a striding pharaoh dates from the reign of Senwosret I and is the Egyptian Museum, Cairo. The Middle Kingdom of Egypt witnessed the growth of block statues which then became the most popular form until the Ptolemaic period, the oldest statue of a deity in Rome was the bronze statue of Ceres in 485 BC. The oldest statue in Rome is now the statue of Diana on the Aventine, the wonders of the world include several statues from antiquity, with the Colossus of Rhodes and the Statue of Zeus at Olympia among the Seven Wonders of the Ancient World. While Byzantine art flourished in various forms, sculpture and statue making witnessed a general decline, an example was the statue of Justinian which stood in the square across from the Hagia Sophia until the fall of Constantinople in the 15th century. While making statues was not subject to a ban, it was hardly encouraged in this period. Starting with the work of Maillol around 1900, the human figures embodied in statues began to move away from the schools of realism that had held them bound for thousands of years. The Futurist and Cubist schools took this even further until statues, often still nominally representing humans, had lost all. By the 1920s and 1930s statues began to appear that were abstract in design
13.
Eastern Christianity
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Eastern Christianity consists of four main church families, the Eastern Orthodox Church, the Oriental Orthodox Churches, and the Assyrian Church of the East, as well as the Eastern Catholic Churches. The term is used in contrast with Western Christianity, the term does not describe a single communion or religious denomination. Some Eastern churches have more in common historically and theologically with Western Christianity than with one another, the various Eastern churches do not normally refer to themselves as Eastern, with the exception of the Assyrian Church of the East and its offshoots. Eastern Christians do not share the religious traditions, but do share many cultural traditions. Christianity divided itself in the East during its early centuries both within and outside of the Roman Empire in disputes about Christology and fundamental theology, as well as national divisions and it would be many centuries later that Western Christianity fully split from these traditions as its own communion. The Eastern churches differences from Western Christianity have as much, if not more, to do with culture, language, for the non-Catholic Eastern churches, a definitive date for the commencement of schism cannot usually be given. Oriental Orthodoxy separated after the Council of Chalcedon in 451, since the time of the historian Edward Gibbon, the split between the Church of Rome and the Orthodox Church has been conveniently dated to 1054, though the reality is more complex. This split is referred to as the Great Schism. Eastern Orthodox Christians accept the decisions of the First seven Ecumenical Councils, the Eastern Orthodox Church is organized into self-governing jurisdictions along geographical, national, ethnic, and/or linguistic lines. Eastern Orthodoxy is thus made up of 15 or 16 autocephalous bodies, smaller churches are autonomous and each have a mother church that is autocephalous. This is in contrast to the Catholic Church and its various Churches, members of the latter are all in communion with each other, parts of a top-down hierarchy. The majority of Catholics accept both the Filioque clause and, since 1950, the Assumption of Mary and this puts them in sharp contrast with the Eastern Orthodox. Yet some Catholics who are not in communion with the Catholic Church side with the Eastern Orthodox here and reject these teachings and it is estimated that there are approximately 240 million Eastern Orthodox Christians in the world. Today, many adherents shun the term Eastern as denying the universal character. They refer to Eastern Orthodoxy simply as the Orthodox Church, hence, these churches are also called Old Oriental churches. Oriental Orthodoxy developed in reaction to Chalcedon on the limit of the Byzantine Empire and in Egypt. In those locations, there are also Eastern Orthodox patriarchs, thereafter it was often known, possibly inaccurately, as the Nestorian Church in the West. Surviving a period of persecution within Persia, the Church of the East flourished under the caliphate and branched out, in the 16th century dynastic struggles sent the church into schism, resulting in the formation of two rival churches
14.
Icon
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An icon is a religious work of art, most commonly a painting, from Eastern Christianity and certain Eastern Catholic churches. The most common subjects include Christ, Mary, saints and/or angels, icons may also be cast in metal, carved in stone, embroidered on cloth, painted on wood, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity are generally not described as icons, Eastern Orthodox tradition holds that the creation of Christian images dates back to the very early days of Christianity, and there is has been a continuous tradition since then. The icons of later centuries can be linked, often closely, to images from the 5th century onwards, there was enormous destruction of images during the Byzantine Iconoclasm of 726-842, although this did settle for good the question of the appropriateness of images. Since then icons have had a continuity of style and subject. At the same time there has been change and development, Christian tradition dating from the 8th century identifies Luke the Evangelist as the first icon painter. Aside from the legend that Pilate had made an image of Christ and he relates that King Abgar of Edessa sent a letter to Jesus at Jerusalem, asking Jesus to come and heal him of an illness. In this version there is no image, further legends relate that the cloth remained in Edessa until the 10th century, when it was taken to Constantinople. It went missing in 1204 when Crusaders sacked Constantinople, but by then numerous copies had firmly established its iconic type. They crown these images, and set them up along with the images of the philosophers of the world that is to say, with the images of Pythagoras, and Plato, and Aristotle, and the rest. They have also other modes of honouring these images, after the manner of the Gentiles. And he called him and said, Lycomedes, what do you mean by this matter of the portrait, can it be one of thy gods that is painted here. For I see that you are living in heathen fashion. Later in the passage John says, But this that you have now done is childish and imperfect, at least some of the hierarchy of the Christian churches still strictly opposed icons in the early 4th century. At the Spanish non-ecumenical Synod of Elvira bishops concluded, Pictures are not to be placed in churches, so that they do not become objects of worship and adoration. to our religion. After the emperor Constantine I extended official toleration of Christianity within the Roman Empire in 313 and this period of Christianization probably saw the use of Christian images became very widespread among the faithful, though with great differences from pagan habits. Robin Lane Fox states By the early century, we know of the ownership of private icons of saints. 480-500, we can be sure that the inside of a saints shrine would be adorned with images and votive portraits, when Constantine himself apparently converted to Christianity, the majority of his subjects remained pagans
15.
Picture frame
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A picture frame is a decorative edging for a picture, such as a painting or photograph, intended to enhance it, make it easier to display or protect it. The frame along with its mounts protects and often complements the artwork, Art work framed well will stay in good condition for a longer period of time. Joan Miró once did a work specifically to frame with a flea market frame, as picture frames can be expensive when purchased new, some people remove pictures from a frame and use the frame for other pictures. Picture frames have traditionally made of wood, which is still the most common material, although other materials are used including silver, bronze, aluminum. A picture frame may be of any color or texture, but gilding is common, some picture frames have elaborate molding which may relate to the subject matter. Complicated older frames are made of moulded and gilded plaster over a plain wood base. Picture frames come in a variety of profiles, but generally the lengths of moulding feature a lip and rabbet, the lip extends usually about a quarter of an inch past the edge of the rabbet. The picture frame may contain a pane of picture framing glass or a glass substitute such as acrylite or plexiglas to protect the picture. In some instances where the art in the frame is dispensable or durable, glass is common over watercolors and other artwork on paper, but rare over oil paintings, except very valuable ones in some museums. Picture framing glass may be treated with anti-reflective coatings to make the glass virtually invisible under certain lighting conditions, for pieces to be framed under glass, except for the most disposable and inexpensive posters or temporary displays, the glass must be raised off the surface of the paper. This is done by means of matting, a lining of plastic spacers, if the paper were to touch the glass directly, any condensation inside the glass would absorb directly into the art, having no room to evaporate. This is harmful to almost any medium and it causes art sticking to the glass, mildew or mold spore growth, and other ill effects. Raising the glass is necessary when a piece is done in a loose media such as charcoal or pastel. Care should be taken with these works however, if acrylic glass is used, using real glass helps to prevent this. Certain kinds of pieces do not usually need glass when framed, including paintings done in acrylic or oil paint, stained glass or tiles, and laminated posters. These kinds of pieces are sometimes put under glass though, if for example they are framed using mats. The use of backing boards is common with watermedia and other art on paper, usually paper dust covers will be inexpensive craft paper or heavy duty archival papers Plique-à-jour picture frames, made of enamel by Bulushoff, are among the most expensive frames in the world. Picture frames are generally square or rectangular, though circular and oval frames are not uncommon, Frames in more unusual shapes such as football shapes, stars, hearts can be hand carved by a professional wood carver or carpenter There are also picture frames designed to go around corners
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Mixed media
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Mixed media, in visual art, refers to an artwork in the making of which more than one medium has been employed. There is an important distinction between mixed media artworks and multimedia art, the term multimedia art implies a broader scope than mixed media, combining visual art with non-visual elements or with elements of the other arts. If many different media are used it is important to choose a sturdy foundation upon which the different layers are imposed. Many effects can be achieved by using mixed media, found objects can be used in conjunction with traditional artist media to attain a wide range of self-expression. Some childrens picture books also utilise mixed media illustrations, for example, s Nachts by Wolf Erlbruch. Brommer Open WorldCat pilot, Wright, Michael, Royal Academy of Arts, An introduction to mixed media, ISBN 0-7894-0000-6, ISBN 0-7513-0748-3, OCLC31776510
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Jewelry
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Jewellery or jewelry consists of small decorative items worn for personal adornment, such as brooches, rings, necklaces, earrings, and bracelets. Jewellery may be attached to the body or the clothes, for many centuries metal, often combined with gemstones, has been the normal material for jewellery, but other materials such as shells and other plant materials may be used. It is one of the oldest type of archaeological artefact – with 100, historically, the most widespread influence on jewellery in terms of design and style have come from Asia. Jewellery may be made from a range of materials. Gemstones and similar such as amber and coral, precious metals, beads, and shells have been widely used. In most cultures jewellery can be understood as a symbol, for its material properties, its patterns. Jewellery has been made to nearly every body part, from hairpins to toe rings. The word jewellery itself is derived from the jewel, which was anglicised from the Old French jouel. In British English, Indian English, New Zealand English, Hiberno-English, Australian English, both are used in Canadian English, though jewelry prevails by a two to one margin. Numerous cultures store wedding dowries in the form of jewellery or make jewellery as a means to store or display coins, alternatively, jewellery has been used as a currency or trade good, an example being the use of slave beads. Many items of jewellery, such as brooches and buckles, originated as functional items. Jewellery can also symbolise group membership or status, wearing of amulets and devotional medals to provide protection or ward off evil is common in some cultures. These may take the form of symbols, stones, plants, animals, body parts, in creating jewellery, gemstones, coins, or other precious items are often used, and they are typically set into precious metals. Alloys of nearly every metal known have been encountered in jewellery, bronze, for example, was common in Roman times. Modern fine jewellery usually includes gold, white gold, platinum, palladium, titanium, most contemporary gold jewellery is made of an alloy of gold, the purity of which is stated in karats, indicated by a number followed by the letter K. American gold jewellery must be of at least 10K purity, many whimsical fashions were introduced in the extravagant eighteenth century. Cameos that were used in connection with jewellery were the attractive trinkets along with many of the objects such as brooches, ear-rings. Some of the necklets were made of pieces joined with the gold chains were in and bracelets were also made sometimes to match the necklet
18.
Gold glass
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Gold glass or gold sandwich glass is a luxury form of glass where a decorative design in gold leaf is fused between two layers of glass. About 500 pieces of glass used in this way have been recovered. Many show religious imagery from Christianity, traditional Greco-Roman religion and its various cultic developments, others show portraits of their owners, and the finest are among the most vivid portraits to survive from Early Christian times. They stare out at us with a stern and melancholy intensity. From the 1st century AD the technique was used for the gold colour in mosaics. Various different techniques may also be described as gold glass. Zwischengoldglas is very similar but the two layers of glass are cemented, not fused and it mostly comes from Germany and Bohemia from the 18th and 19th centuries. Verre églomisé properly covers a layer of glass which is gilded on the back, as used in 19th century shop signs. One process was revived by Jean-Baptise Glomy, hence the name, both of these processes were also used in ancient times, and the German and French languages often use their native terms for what is called gold glass in English. Gold ruby glass or cranberry glass is actually red, coloured by the addition of gold oxide, gold-band glass is another ancient technique covered below. The manufacturing process for gold glass was difficult and required great skill. For a Late Roman glass, first a round flat disc, typically about three to five inches across, was cut away from a blown sphere with a flattened bottom. A piece of leaf was then glued to this with gum arabic. The design was created by scraping away gold leaf, the main vessel, a cup or bowl, was formed by blowing and cutting, with a flat bottom the same size as the first disc. This was then heated again and carefully lowered onto the disc with the design, the complete vessel was then heated a final time to complete the fusing. Different accounts of different periods vary somewhat as to the sequence of stages and other details. The larger Hellenistic glass bowls are thought to have been formed using moulds rather than blown, as the bowl is doubled. Some of the finer later medallions seem to have made as such from the start
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Tessera
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A tessera is an individual tile, usually formed in the shape of a cube, used in creating a mosaic. It is also known as an abaciscus or abaculus, in early antiquity, mosaics were formed from naturally formed colored pebbles, but by 200 BCE cut stone tesserae were being used in Ancient Roman decorative mosaic panels and floor mosaics. Marble or limestone were cut into cubes and arranged into representational designs. Later, tesserae were made from colored glass, or clear glass backed with metal foils, the Byzantines used tesserae with gold leaf, in which case the glass pieces were flatter, with two glass pieces sandwiching the gold. This produced a golden reflection emanating from in between the tesserae as well as their front, causing a far richer and more effect than even plain gold leaf would create. Vitreous glass These are manufactured glass tiles made to a uniform shape and they are made by molten glass being poured into trays and fired. An imprint of grooves is made on their underside for help with adhesion to cement when fixing, ceramic tesserae These are the cheapest range of bought materials and can be glazed or unglazed. The glazed ceramic tiles have the color painted onto the top of the clay, the unglazed or body glazed version has the color mixed into the wet clay so the color runs through them. Smalti This is the classic mosaic material and it is opaque glass fired in large slabs in a kiln and then hand cut with a hammer and hardy chisel into small cubes. Their irregular finish makes them a wonderful reflector of light and this material is best used working straight into cement and it is produced in Venice and sold by colour and weight. Gold smalti This tile is made with gold and silver leaf sandwiched between two layers of glass and fired twice in the kiln to embed in the metal. Mirror Mirror adds great depth and sparkle to a mosaic and it is cheap as offcuts from a glass cutting shop are often free. Use mirror glue as this protects the silver on the back of the mirror, stained glass Known for its translucent qualities stained glass is also available in opaque form. It comes as large sheets that can be cut into sections with a glasscutter. It can provide areas of larger pieces for variety and contrast. Household ceramic tiles & china Colours and surfaces are limitless and can add wonderful texture, tessellation — describes tessellation patterns Mosaic — describes techniques for assembling tesserae into a design Mosaic Glass Tile – Terms and Definitions
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Early Christian art and architecture
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In practice identifiably Christian art only survives from the 2nd century onwards. After 550 at the latest, Christian art is classified as Byzantine and it is hard to know when distinctly Christian art began. Prior to 100, Christians may have been constrained by their position as a group from producing durable works of art. Since Christianity was largely a religion of the classes in this period, the lack of surviving art may reflect a lack of funds for patronage. The Old Testament restrictions against the production of images may also have constrained Christians from producing art. Christians may have made or purchased art with pagan iconography, but given it Christian meanings, if this happened, Christian art would not be immediately recognizable as such. Early Christianity used the artistic media as the surrounding pagan culture. These media included fresco, mosaics, sculpture, and manuscript illumination, Early Christian art not only used Roman forms, it also used Roman styles. Late classical style included a portrayal of the human body. Late classical style is seen in early Christian frescos, such as those in the Catacombs of Rome, Early Christians adapted Roman motifs and gave new meanings to what had been pagan symbols. Among the motifs adopted were the peacock, grapevines, and the Good Shepherd, Early Christians also developed their own iconography, for example, such symbols as the fish, were not borrowed from pagan iconography. The earlier period being called the Pre-Constantinian or Ante-Nicene Period and after being the period of the First seven Ecumenical Councils, the earliest surviving Christian art comes from the late 2nd to early 4th centuries on the walls of Christian tombs in the catacombs of Rome. From literary evidence, there may well have been panel icons which, initially Jesus was represented indirectly by pictogram symbols such as the Ichthys, peacock, Lamb of God, or an anchor. The image of The Good Shepherd, a youth in pastoral scenes collecting sheep, was the most common of these images. These images bear some resemblance to depictions of figures in Greco-Roman art. The almost total absence from Christian monuments of the period of persecutions of the plain, the dove is a symbol of peace and purity. It can be found with a halo or celestial light, in one of the earliest known Trinitarian images, the Throne of God as a Trinitarian image, the dove represents the Spirit. It is flying above an empty throne representing God, in the throne are a chlamys, the Chi-Rho monogram, XP, apparently first used by Constantine I, consists of the first two characters of the name Christos in Greek
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Middle Ages
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In the history of Europe, the Middle Ages or Medieval Period lasted from the 5th to the 15th century. It began with the fall of the Western Roman Empire and merged into the Renaissance, the Middle Ages is the middle period of the three traditional divisions of Western history, classical antiquity, the medieval period, and the modern period. The medieval period is subdivided into the Early, High. Population decline, counterurbanisation, invasion, and movement of peoples, the large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the seventh century, North Africa and the Middle East—once part of the Byzantine Empire—came under the rule of the Umayyad Caliphate, although there were substantial changes in society and political structures, the break with classical antiquity was not complete. The still-sizeable Byzantine Empire survived in the east and remained a major power, the empires law code, the Corpus Juris Civilis or Code of Justinian, was rediscovered in Northern Italy in 1070 and became widely admired later in the Middle Ages. In the West, most kingdoms incorporated the few extant Roman institutions, monasteries were founded as campaigns to Christianise pagan Europe continued. The Franks, under the Carolingian dynasty, briefly established the Carolingian Empire during the later 8th, the Crusades, first preached in 1095, were military attempts by Western European Christians to regain control of the Holy Land from Muslims. Kings became the heads of centralised nation states, reducing crime and violence, intellectual life was marked by scholasticism, a philosophy that emphasised joining faith to reason, and by the founding of universities. Controversy, heresy, and the Western Schism within the Catholic Church paralleled the conflict, civil strife. Cultural and technological developments transformed European society, concluding the Late Middle Ages, the Middle Ages is one of the three major periods in the most enduring scheme for analysing European history, classical civilisation, or Antiquity, the Middle Ages, and the Modern Period. Medieval writers divided history into periods such as the Six Ages or the Four Empires, when referring to their own times, they spoke of them as being modern. In the 1330s, the humanist and poet Petrarch referred to pre-Christian times as antiqua, leonardo Bruni was the first historian to use tripartite periodisation in his History of the Florentine People. Bruni and later argued that Italy had recovered since Petrarchs time. The Middle Ages first appears in Latin in 1469 as media tempestas or middle season, in early usage, there were many variants, including medium aevum, or middle age, first recorded in 1604, and media saecula, or middle ages, first recorded in 1625. The alternative term medieval derives from medium aevum, tripartite periodisation became standard after the German 17th-century historian Christoph Cellarius divided history into three periods, Ancient, Medieval, and Modern. The most commonly given starting point for the Middle Ages is 476, for Europe as a whole,1500 is often considered to be the end of the Middle Ages, but there is no universally agreed upon end date. English historians often use the Battle of Bosworth Field in 1485 to mark the end of the period
22.
Basilica di Santa Maria Maggiore
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The Basilica is located at 34 Piazza dellEsquilino, some five blocks southwest of Stazione Termini. Pursuant to the Lateran Treaty of 1929 between the Holy See and Italy, the Basilica is within Italian territory and not the territory of the Vatican City State and they prayed that she might make known to them how they were to dispose of their property in her honour. On 5 August, at the height of the Roman summer, in obedience to a vision of the Virgin Mary which they had the same night, the couple built a basilica in honour of Mary on the very spot which was covered with snow. From the fact that no mention whatever is made of this alleged miracle until a few hundred years later and it would seem that the legend has no historical basis. The legend is first reported only after AD1000 and it may be implied in what the Liber Pontificalis, of the early 13th century, says of Pope Liberius, He built the basilica of his own name near the Macellum of Livia. Its prevalence in the 15th century is shown in the painting of the Miracle of the Snow by Masolino da Panicale. The feast was originally called Dedicatio Sanctae Mariae, and was celebrated only in Rome until inserted for the first time into the General Roman Calendar, with ad Nives added to its name, in 1568. A congregation appointed by Pope Benedict XIV in 1741 proposed that the reading of the legend be struck from the Office, no action was taken on the proposal until 1969, when the reading of the legend was removed and the feast was called In dedicatione Basilicae S. Mariae. The legend is commemorated by dropping white rose petals from the dome during the celebration of the Mass. The earliest building on the site was the Liberian Basilica or Santa Maria Liberiana, Liberiana is still included in some versions of the basilicas formal name, and Liberian Basilica may be used as a contemporary as well as historical name. This building was replaced under Pope Sixtus III by the present structure dedicated to Mary. No Catholic church can be honoured with the title of basilica unless by apostolic grant or from immemorial custom, St. Mary Major is one of the only four that hold the title of major basilica. The other three are the Basilicas of St. John in the Lateran, St. Peters, along with all of the other four Major Basilicas, St. Mary Major is also styled a Papal basilica. St. Mary Major was associated with the Patriarchate of Antioch, Philip Neri on 25 February 1552. It is agreed that the present church was built under Pope Sixtus III, the dedicatory inscription on the triumphal arch, Sixtus Episcopus plebi Dei, is an indication of that Popes role in the construction. The church retains the core of its structure, despite several additional construction projects. Santa Maria Maggiore, one of the first churches built in honour of the Virgin Mary, was erected in the aftermath of the Council of Ephesus of 431. Pope Sixtus III built it to commemorate this decision and these fines enabled the papacy to carry out through the 5th century an ambitious building program, including Santa Maria Maggiore
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Architecture
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Architecture is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architectural works, in the form of buildings, are often perceived as cultural symbols. Historical civilizations are often identified with their surviving architectural achievements, Architecture can mean, A general term to describe buildings and other physical structures. The art and science of designing buildings and nonbuilding structures, the style of design and method of construction of buildings and other physical structures. A unifying or coherent form or structure Knowledge of art, science, technology, the design activity of the architect, from the macro-level to the micro-level. The practice of the architect, where architecture means offering or rendering services in connection with the design and construction of buildings. The earliest surviving work on the subject of architecture is De architectura. According to Vitruvius, a building should satisfy the three principles of firmitas, utilitas, venustas, commonly known by the original translation – firmness, commodity. An equivalent in modern English would be, Durability – a building should stand up robustly, utility – it should be suitable for the purposes for which it is used. Beauty – it should be aesthetically pleasing, according to Vitruvius, the architect should strive to fulfill each of these three attributes as well as possible. Leon Battista Alberti, who elaborates on the ideas of Vitruvius in his treatise, De Re Aedificatoria, saw beauty primarily as a matter of proportion, for Alberti, the rules of proportion were those that governed the idealised human figure, the Golden mean. The most important aspect of beauty was, therefore, an inherent part of an object, rather than something applied superficially, Gothic architecture, Pugin believed, was the only true Christian form of architecture. The 19th-century English art critic, John Ruskin, in his Seven Lamps of Architecture, Architecture was the art which so disposes and adorns the edifices raised by men. That the sight of them contributes to his health, power. For Ruskin, the aesthetic was of overriding significance and his work goes on to state that a building is not truly a work of architecture unless it is in some way adorned. For Ruskin, a well-constructed, well-proportioned, functional building needed string courses or rustication, but suddenly you touch my heart, you do me good. I am happy and I say, This is beautiful, le Corbusiers contemporary Ludwig Mies van der Rohe said Architecture starts when you carefully put two bricks together. The notable 19th-century architect of skyscrapers, Louis Sullivan, promoted an overriding precept to architectural design, function came to be seen as encompassing all criteria of the use, perception and enjoyment of a building, not only practical but also aesthetic, psychological and cultural
24.
Pope Sixtus III
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Pope Sixtus III was Pope from 31 July 432 to his death in 440. At that council, the debate over Christs human and divine natures turned on whether Mary could legitimately be called the Mother of God or only Mother of Christ. The council gave her the Greek title Theotokos, and the dedication of the church in Rome is a response to that. Prior to being made Pope, Sixtus was a patron of Pelagius, one of his main concerns was in restoring peace between Cyril of Alexandria and the Syrians. He also maintained the rights of the Pope over Illyria and the position of the archbishop of Thessalonica as head of the local Illyrian church and his feast is kept on 28 March. List of Catholic saints List of popes Helmut Feld
25.
Mosaic gold
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Mosaic gold or bronze powder refers to tin sulfide as used as a pigment in bronzing and gilding wood and metal work. It is obtained as a yellow crystalline powder. The alchemists referred to it as aurum musivum, or aurum mosaicum, the term mosaic gold has also been used to refer to ormolu and to cut shapes of gold leaf, some darkened for contrast, arranged as a mosaic. The term bronze powder may also refer to powdered bronze alloy, alchemists prepared this by combining mercury, tin, sal ammoniac, and sublimated sulfur, grinding, mixing, then setting them for three hours in a sand heat. The dirty sublimate being taken off, aurum mosaicum was found at the bottom of the matrass and it was recommended in most chronic and nervous cases, and particularly convulsions of children, however, it is no longer recommended for any medical uses
26.
Bell tower
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A bell tower is a tower that contains one or more bells, or that is designed to hold bells even if it has none. Church bell towers often incorporate clocks, and secular towers usually do, the Italian term campanile, deriving from the word campana meaning bell, is synonymous with bell tower, though in English usage Campanile tends to be used to refer to a free standing bell tower. A bell tower may also in some traditions be called a belfry, though this term may refer specifically to the substructure that houses the bells. The tallest free-standing bell tower in the world, approximately 110 m high, is the Joseph Chamberlain Memorial Clock Tower, located at the University of Birmingham, bells are rung from a tower to enable them to be heard at a distance. Church bells can signify the time for worshippers to go to church for a communal service and they are also rung on special occasions such as a wedding, or a funeral service. In some religious traditions they are used within the liturgy of the service to signify to people that a particular part of the service has been reached. A bell tower may have a bell, or a collection of bells which are tuned to a common scale. They may be stationary and chimed, rung randomly by swinging through a small arc and they may house a carillon or chimes, in which the bells are sounded by hammers connected via cables to a keyboard. These can be found in churches and secular buildings in Europe and America including college. A variety of electronic devices exist to simulate the sound of bells, some churches have an exconjuratory in the bell tower, a space where ceremonies were conducted to ward off weather-related calamities, like storms and excessive rain. The main bell tower of the Cathedral of Murcia has four, in addition, most Christian denominations ring church bells to call the faithful to worship, signalling the start of a mass or service of worship. The Christian tradition of the ringing of bells from a belltower is analogous to Islamic tradition of the adhan from a minaret. In AD400, Paulinus of Nola introduced church bells into the Christian Church, by the 11th century, bells housed in belltowers became commonplace. Historic bell towers exist throughout Europe, the Irish round towers are thought to have functioned in part as bell towers. Famous medieval European examples include Bruges, Ypres, Ghent, perhaps the most famous European free-standing bell tower, however, is the so-called Leaning Tower of Pisa, which is the campanile of the Duomo di Pisa in Pisa, Italy. In 1999 thirty-two Belgian belfries were added to the UNESCOs list of World Heritage Sites, in 2005 this list was extended with one Belgian and twenty-three Northern French belfries and is since known as Belfries of Belgium and France. In the Middle Ages, cities sometimes kept their important documents in belfries, not all are on a large scale, the bell tower of Katúň, in Slovakia, is typical of the many more modest structures that were once common in country areas. Archaic wooden bell towers survive adjoining churches in Lithuania and as well as in parts of Poland
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Giuliano da Sangallo
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Giuliano da Sangallo was an Italian sculptor, architect and military engineer active during the Italian Renaissance. He is known primarily for being the architect of Lorenzo de Medici. In this role, Giuliano designed a villa for Lorenzo as well as a monastery for Augustinian monks, additionally, Giuliano was commissioned to build multiple structures for Pope Julius II and Pope Leo X. Giuliano da Sangallo was born in 1443 in Florence. His father, Francesco Giamberti, was a woodworker and an architect who worked closely with Cosimo de Medici. This proved to be helpful to Giuliano and his brother, Antonio, later in life as it helped them to develop a working relationship and friendship with Cosimos grandson. As a child, Giuliano became an apprentice to a joiner, as an apprentice, his woodworking, building and sculpting skills drew the attention of Lorenzo de Medici. Through this, he was able to develop his eye, learn about classical design. Giulianos first major, independent commission came from other than the Medici family and it showed not only his architectural skill. Lorenzo the Magnificent called upon Giuliano to build fortifications and manage the artillery in the town of Castellina against an invasion led by the Duke of Calabria. In this role, Giuliano successfully pushed out the Calabrian forces and showed his talent for military building. The victory at Calabria gave Lorenzo de Medici confidence to keep working with Giuliano, consequently, Lorenzo commissioned him to design a villa in Poggio a Caiano after holding a competition to determine the best design. Giuliano was able to use Leon Battista Albertis design for the Villa Medici in Fiesole as his initial inspiration, construction on the villa began in 1485 and remained largely unfinished throughout Lorenzos life. His son, Giovanni, oversaw its completion after being elected pope as Pope Leo X. Giulianos design featured classical design elements including Ionic columns and an ancient temple style façade. The Medici Villa in Poggia a Caiano is one of the oldest examples of Renaissance-style country villas and served as an inspiration for many future architects of the era. In 1484, a child from the town of Prato claimed to have seen a painting of the Virgin Mary, Santa Maria delle Carceri was commissioned after the townspeople declared this a miracle and decided that a church should be built at the site of the vision to commemorate it. For this project, Lorenzo de Medici once again hired his favorite architect and his designs relied heavily on his study of the work of Alberti and Brunelleschi. Specifically, Sangallo used a Greek cross plan and this is a classical layout design that features four arms of equal length extending off of a central nave and it had not been used extensively in the Renaissance before that point. Construction began on the church in 1486 but the façade remains unfinished to this day, in 1488, after the initial plans were set for the villa in Poggia a Caiano, Lorenzo de Medici commissioned Giuliano to build a castle for Ferrante of Aragon, the King of Naples
28.
Christopher Columbus
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Christopher Columbus was an Italian explorer, navigator, colonizer, and citizen of the Republic of Genoa. Under the auspices of the Catholic Monarchs of Spain, he completed four voyages across the Atlantic Ocean and those voyages and his efforts to establish permanent settlements on the island of Hispaniola initiated the European colonization of the New World. Western imperialism and economic competition were emerging among European kingdoms through the establishment of routes and colonies. During his first voyage in 1492, he reached the New World instead of arriving at Japan as he had intended, landing on an island in the Bahamas archipelago that he named San Salvador. Over the course of three voyages, he visited the Greater and Lesser Antilles, as well as the Caribbean coast of Venezuela and Central America. These voyages had, therefore, an impact in the historical development of the modern Western world. He spearheaded the transatlantic trade and has been accused by several historians of initiating the genocide of the Hispaniola natives. Columbus himself saw his accomplishments primarily in the light of spreading the Christian religion, Columbus never admitted that he had reached a continent previously unknown to Europeans, rather than the East Indies for which he had set course. He called the inhabitants of the lands that he visited indios, the name Christopher Columbus is the Anglicisation of the Latin Christophorus Columbus. His name in Italian is Cristoforo Colombo and, in Spanish and he was born before 31 October 1451 in the territory of the Republic of Genoa, though the exact location remains disputed. His father was Domenico Colombo, a wool weaver who worked both in Genoa and Savona and who also owned a cheese stand at which young Christopher worked as a helper. Bartolomeo, Giovanni Pellegrino, and Giacomo were his brothers, Bartolomeo worked in a cartography workshop in Lisbon for at least part of his adulthood. He also had a sister named Bianchinetta, Columbus never wrote in his native language, which is presumed to have been a Genoese variety of Ligurian. In one of his writings, he says he went to sea at the age of 10, in 1470, the Columbus family moved to Savona, where Domenico took over a tavern. In the same year, Christopher was on a Genoese ship hired in the service of René of Anjou to support his attempt to conquer the Kingdom of Naples. Some modern historians have argued that he was not from Genoa but, instead and these competing hypotheses have generally been discounted by mainstream scholars. In 1473, Columbus began his apprenticeship as business agent for the important Centurione, Di Negro, later, he allegedly made a trip to Chios, an Aegean island then ruled by Genoa. In May 1476, he took part in a convoy sent by Genoa to carry valuable cargo to northern Europe
29.
Catholic Monarchs
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The Catholic Monarchs is the joint title used in history for Queen Isabella I of Castile and King Ferdinand II of Aragon. They married on October 19,1469, in the city of Valladolid, Isabella was eighteen years old and it is generally accepted by most scholars that the unification of Spain can essentially be traced back to the marriage of Ferdinand and Isabella. The court of Ferdinand and Isabella was constantly on the move, the title of Catholic King and Queen was bestowed on Ferdinand and Isabella by Pope Alexander VI in 1494, in recognition of their defence of the Catholic faith within their realms. Catholic monarchs or kings can also be used in a generic sense, Isabella was named heir to the throne of Castile by her half brother Henry IV of Castile in the Treaty of the Bulls of Guisando. She became Queen of Castile in 1474 and her niece, Joanna of Castile, attempted to gain the throne by bringing in the foreign help of Afonso V of Portugal, leading to the War of Castilian Succession. More recently, some speculate that Joanna was the legitimate successor, Isabellas supporters came out ahead in good part due to Aragons support through Ferdinand, and she officially won in 1479 via the Treaty of Alcáçovas. Ferdinand became the King of Aragon in 1479, the Catholic Monarchs set out to restore royal authority in Spain. To accomplish their goal, they first created a group named the Holy Brotherhood and these men were used as a judicial police force for Castile, as well as to attempt to keep Castilian nobles in check. To establish a more uniform system, the Catholic Monarchs created the Royal Council. This establishment of authority is known as the Pacification of Castile. Even after his death and the union of the crowns under one monarch, the Aragonese, Catalan, further, the monarchs continued ruling through a form of medieval contractualism, which made their rule pre-modern in a few ways. One of those is that they traveled from town to town throughout the kingdom in order to promote loyalty, another is that each community and region was connected to them via loyalty to the crown, rather than bureaucratic ties. Ferdinand and Isabella were noted for being the monarchs of the newly united Spain at the dawn of the modern era and they had a goal of conquering the Muslim kingdom of Granada and completing the Christian reconquest of the Iberian Peninsula. The beginnings of a series of known as the Granada War began with the attack on Alhama de Granada. The attack was led by two Andalusian nobles, Rodrigo Ponce de León and Diego de Merlo, the city fell to Andalusian forces in 1482. The Granada War was aided by Pope Sixtus IV by granting a tithe, after 10 years of fighting the Granada War ended in 1492 when Emir Boabdil surrendered the keys of the Alhambra Palace in Granada to the Castilian soldiers. After a number of revolts, Ferdinand and Isabella ordered the expulsion from Spain of all Jews, the Inquisition had been created in the twelfth century by Pope Lucius III to fight heresy in the south of what is now France and was constituted in a number of European kingdoms. The Catholic Monarchs decided to introduce the Inquisition to Castile, the bull gave the monarchs exclusive authority to name the inquisitors
30.
Pope Alexander VI
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Pope Alexander VI, born Rodrigo de Borja, was Pope from 11 August 1492 until his death. He is one of the most controversial of the Renaissance popes, therefore his Italianized Valencian surname, Borgia, became a byword for libertinism and nepotism, which are traditionally considered as characterizing his pontificate. However, two of Alexanders successors, the also controversial pontiffs Sixtus V and Urban VIII, described him as one of the most outstanding popes since St. Peter. Rodrigo de Borja was born on 1 January 1431, in the town of Xativa near Valencia, one of the component realms of the Crown of Aragon and his parents were Jofré Llançol i Escrivà, and his Aragonese wife and distant cousin Isabel de Borja y Cavanilles. His family name is written Llançol in Valencian and Lanzol in Castillian, Rodrigo adopted his mothers family name of Borja in 1455 following the elevation to the papacy of maternal uncle Alonso de Borja as Calixtus III. Alternatively, it has argued that Rodrigos father was Jofré de Borja y Escrivà, making Rodrigo a Borja from his mother. However, his children were known to be of Llançol paternal lineage, some revisionists suggest that the confusion is attributed by attempts to connect Rodrigo as the father of Giovanni, Cesare and Lucrezia, who were surnamed Llançol i Borja. Rodrigo Borgia studied law at Bologna where he graduated, not simply as Doctor of Law, after the election of his uncle as Pope Callixtus III, he was ordained deacon and created Cardinal-Deacon of San Nicola in Carcere at the age of twenty-five in 1456. The following year, he was appointed vice-chancellor of the Holy Roman Church, both nepotistic appointments were characteristic of the age. Each pope during this period inevitably found himself surrounded by the servants, in 1468, he was ordained to the priesthood and, in 1471, he was consecrated bishop and appointed Cardinal-Bishop of Albano. Contemporary accounts suggest that Rodrigo was handsome, with a cheerful countenance. He was gifted with the quality of being a smooth talker, beautiful women were attracted to him and excited by him in quite a remarkable way, more strongly than how iron is drawn to a magnet. Rodrigo Borgia was also an intelligent man with an appreciation for the arts and sciences and he was capable and cautious, considered a political priest by some. He was a speaker and great at conversation. Additionally, he was so familiar with Holy Writ, that his speeches were fairly sparkling with well-chosen texts of the Sacred Books, when his uncle Alonso de Borja was elected Pope Callixtus III, he inherited the post of bishop of Valencia. Sixteen days before the death of Pope Innocent VIII, he proposed Valencia as a metropolitan see and became the first archbishop of Valencia. When Rodrigo de Borgia was elected pope as Alexander VI following the death of Innocent VIII, the third and the fourth archbishops of Valencia were Juan de Borja and Pedro Luis de Borja, grand-nephews of Alexander VI. The connection began in 1470, and she had four children whom he acknowledged as his own, Cesare, Giovanni, afterwards duke of Gandia, Lucrezia
31.
Coronation of the Virgin
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Christ, sometimes accompanied by God the Father and the Holy Spirit in the form of a dove, places a crown on the head of Mary as Queen of Heaven. In early versions the setting is a Heaven imagined as a court, staffed by saints and angels, in later versions Heaven is more often seen as in the sky. The subject is notable as one where the whole Christian Trinity is often shown together. Although crowned Virgins may be seen in Orthodox Christian icons, the coronation by the deity is not, Mary is sometimes shown, in both Eastern and Western Christian art, being crowned by one or two angels, but this is considered a different subject. The great majority of Roman Catholic churches had a side-altar or Lady chapel dedicated to Mary, the subject is still often enacted in rituals or popular pageants called May crownings, although the crowning is performed by human figures. The belief in Mary as Queen of Heaven obtained the sanction of Pope Pius XII in his encyclical Ad Caeli Reginam of October 11,1954. It is also the fifth Glorious Mystery of the Rosary, the Roman Catholic Church celebrates the feast every August 22, where it replaced the former octave of the Assumption of Mary in 1969, a move made by Pope Paul VI. The feast was celebrated on May 31, at the end of the Marian month. In addition, there are Canonical coronations authorized by the Pope which are given to specific Marian images venerated in a particular place. The scene is the episode in the Life of the Virgin. The scriptural basis is found in the Song of Songs, Psalms, a sermon wrongly believed to be by Saint Jerome elaborated on these and was used by standard medieval works such as the Golden Legend and other writers. The title Queen of Heaven, or Regina Coeli, for Mary goes back to at least the 12th century, the subject also drew from the idea of the Virgin as the throne of Solomon, that is the throne on which a Christ-child sits in a Madonna and Child. It was felt that the throne itself must be royal, in general the art of this period, often paid for by royalty and the nobility, increasingly regarded the heavenly court as a mirror of earthly ones. It was rapidly adopted and is prominent in the portals of French Gothic cathedrals such as Laon, Notre-Dame de Paris, Amiens and Reims, there are three examples extant on Devon roodscreen dados, at East Portlemouth, Holne, and Torbryan. Later God the Father often sits beside Christ, with the Holy Spirit hovering between them, and Mary kneeling in front of them. Christ and God the Father are normally differentiated by age, and to some extent by costume, God the Father often wearing a beehive-shaped crown, by the 15th century some more individual interpretations are found. From the High Renaissance onwards the subject is combined with an Assumption. The Coronation of the Blessed Virgin is also a subject of devotion throughout Christianity, the crown of Mary has been mentioned since the 6th century, as corona virginum
32.
Franciscans
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The Franciscans are a group of related mendicant religious orders within the Catholic Church, founded in 1209 by Francis of Assisi. These orders include the Order of Friars Minor, the Order of Saint Clare, Francis began preaching around 1207 and traveled to Rome to seek approval from the Pope in 1209. The original Rule of Saint Francis approved by the Pope disallowed ownership of property, the austerity was meant to emulate the life and ministry of Jesus Christ. Franciscans traveled and preached in the streets, while boarding in church properties, Saint Clare, under Franciss guidance, founded the Poor Clares in 1212, which remains a Second Order of the Franciscans. The extreme poverty required of members was relaxed in final revision of the Rule in 1223, the degree of observance required of members remained a major source of conflict within the order, resulting in numerous secessions. The Order of Friars Minor, previously known as the Observant branch, is one of the three Franciscan First Orders within the Catholic Church, the others being the Capuchins and Conventuals. The Order of Friars Minor, in its current form, is the result of an amalgamation of smaller orders completed in 1897 by Pope Leo XIII. The latter two, the Capuchin and Conventual, remain distinct religious institutes within the Catholic Church, observing the Rule of Saint Francis with different emphases, Franciscans are sometimes referred to as minorites or greyfriars because of their habit. In Poland and Lithuania they are known as Bernardines, after Bernardino of Siena, the name of original order, Friars Minor, means lesser brothers, and stems from Francis of Assisis rejection of extravagance. Francis was the son of a cloth merchant, but gave up his wealth to pursue his faith more fully. Francis adopted of the tunic worn by peasants as the religious habit for his order. Those who joined him became the original Order of Friars Minor and they all live according to a body of regulations known as the Rule of St Francis. First Order The First Order or the Order of Friars Minor are commonly called simply the Franciscans and this Order is a mendicant religious order of men, some of whom trace their origin to Francis of Assisi. Their official Latin name is the Ordo Fratrum Minorum, St. Francis thus referred to his followers as Fraticelli, meaning Little Brothers. Franciscan brothers are informally called friars or the Minorites and they all live according to a body of regulations known as the Rule of St Francis. These are The Order of Friars Minor, known as the Observants, most commonly simply called Franciscan friars, official name, the Order of Friars Minor Capuchin or simply Capuchins, official name, Friars Minor Capuchin. The Conventual Franciscans or Minorites, official name, Friars Minor Conventual, Second Order The Second Order, most commonly called Poor Clares in English-speaking countries, consists of religious sisters. The order is called the Order of St. Clare, but in the century, prior to 1263, this order was referred to as The Poor Ladies, The Poor Enclosed Nuns
33.
Jacopo Torriti
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Jacopo Torriti or Turriti was an Italian painter and mosaic maker who lived in the 13th century. He worked in the decoration especially in the apse of San Giovanni in Laterano and those in the Lateran were carried out in conjunction with the Franciscan friar, Jacopo Camerino. They were executed between the years 1287 and 1292, and though in imitation of the style of Cimabue, there are no written documents about his life. In 1291 he signed the apse mosaics in the basilica San Giovanni in Laterano in Rome, the mosaics of the apse in Santa Maria Maggiore were executed by him in 1295. They depict the Coronation of the Virgin by Christ in a large medallion, the medallion is encircled with a sprawling floral ornament with flowers, birds and animals, this probably original from the 4th century. In the lower strip of the mosaic we can see the figures of St Peter, St Paul and Pope Nicholas IV. The walls are decorated with scenes from the life of Mary, the apse of Santa Maria Maggiore is the most important surviving example of Roman mosaic art from the late Middle Ages. Torriti probably participated in the execution of some frescoes in the church of Basilica of San Francesco dAssisi. In France, a painting of Jacopo Torriti is exposed at the Museum of Grenoble, walter Armstrong & Robert Edmund Graves, ed. Dictionary of Painters and Engravers, Biographical and Critical, york St. #4, Covent Garden, London, Original from Fogg Library, Digitized May 18,2007, George Bell and Sons. Christ Child A mosaic by Jacopo Torriti in the Pushkin Art Museum, Moscow
34.
Centre Block
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It is also the location of several ceremonial spaces, such as the Hall of Honour, the Memorial Chamber, and Confederation Hall. Built in the Gothic Revival style, the present Centre Block is the second iteration. The first was destroyed by fire in 1916, all remains of the original building is the Library of Parliament. Though construction began immediately after the blaze, sculpting work on the interior continued through the 1970s, one of the most recognizable buildings in Canada, the Centre Block is depicted on the Canadian $10 bill, $20 bill, and the $50 bill. Designed by Jean Omer Marchand and John A. Pearson, the Centre Block is a 144 m long by 75 m deep, and six storey high, symmetrical structure built in the modern Gothic Revival style. As such, it displays a multitude of stone carvings, including gargoyles, grotesques, the roof is of reinforced concrete covered with copper, and dotted with dormer windows. These surfaces are augmented by sculptural decoration done in Indiana limestone, further, there are numerous parliamentary committee rooms and the Parliamentary Press Gallery. The Centre Block is arranged symmetrically around Confederation Hall, located immediately inside the main entrance and it is an octagonal chamber, the perimeter of which is divided by limestone clustered columns into eight bays of two different sizes, themselves subdivided by dark green syenite pillars. Behind these runs a vaulted ambulatory that supports the upper gallery and this column is borne on a stone carved with an image of Neptune amongst sea lions and fish in a mythical sea. The overall pattern represents the element of water, alluding to Canadas motto. Still, the carving, the designs for which had been finalised by Cléophas Soucy in 1941, remained incomplete until 1953. The remaining territorial coats of arms are located in the southeast and southwest corners, the gable springers all display the coats of arms of the provincial and territorial capitals, while the gable ramparts bear symbols of Canadas fauna. It is a long, rib vaulted space of Tyndall limestone divided into five bays by superimposed double arcades of lancet arches atop clustered columns on pedestals. The north end of the hall is crossed on both levels by the Centre Blocks north corridor, with an overlooking gallery lined by iron railings by Paul Beau. The Hall of Honour was intended to be a gallery where statues of notable Canadians would be arranged in the niches along each side. That plan was abandoned in favour of a more general purpose of commemorating the 1916 fire. The sculptures remain incomplete, only the end, closest to the Library of Parliament, has completed carvings. Two other pieces mark the efforts of early nation-building, such as donated by Canadians living in the United States
35.
Ottawa
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Ottawa is the capital city of Canada. It stands on the bank of the Ottawa River in the eastern portion of southern Ontario. Ottawa borders Gatineau, Quebec, the two form the core of the Ottawa–Gatineau census metropolitan area and the National Capital Region. The 2016 census reported a population of 934,243, making it the fourth-largest city in Canada, the City of Ottawa reported that the city had an estimated population of 960,754 as of December 2015. Founded in 1826 as Bytown, and incorporated as Ottawa in 1855, the city name Ottawa was chosen in reference to the Ottawa River nearby, the name of which is derived from the Algonquin Odawa, meaning to trade. The city is the most educated in Canada, and is home to a number of post-secondary, research, and cultural institutions, including the National Arts Centre, Ottawa also has the highest standard of living in the nation and low unemployment. It ranked second out of 150 worldwide in the Numbeo quality of life index 2014–2015, with the draining of the Champlain Sea around ten thousand years ago the Ottawa Valley became habitable. The area was used for wild harvesting, hunting, fishing, trade, travel. The Ottawa river valley has archaeological sites with arrow heads, pottery, the area has three major rivers that meet, making it an important trade and travel area for thousands of years. The Algonquins called the Ottawa River Kichi Sibi or Kichissippi meaning Great River or Grand River, Étienne Brûlé, the first European to travel up the Ottawa River, passed by Ottawa in 1610 on his way to the Great Lakes. Three years later, Samuel de Champlain wrote about the waterfalls of the area and about his encounters with the Algonquins, the early explorers and traders were later followed by many missionaries. The first maps of the area used the word Ottawa to name the river, philemon Wright, a New Englander, created the first settlement in the area on 7 March 1800 on the north side of the river, across from Ottawa in Hull. He, with five other families and twenty-five labourers, set about to create a community called Wrightsville. Wright pioneered the Ottawa Valley timber trade by transporting timber by river from the Ottawa Valley to Quebec City, the following year, the town would soon be named after British military engineer Colonel John By who was responsible for the entire Rideau Waterway construction project. Colonel By set up military barracks on the site of todays Parliament Hill and he also laid out the streets of the town and created two distinct neighbourhoods named Upper Town west of the canal and Lower Town east of the canal. Similar to its Upper Canada and Lower Canada namesakes, historically Upper Town was predominantly English speaking and Protestant whereas Lower Town was predominantly French, Irish, bytowns population grew to 1,000 as the Rideau Canal was being completed in 1832. In 1855 Bytown was renamed Ottawa and incorporated as a city, William Pittman Lett was installed as the first city clerk guiding it through 36 years of development. On New Years Eve 1857, Queen Victoria, as a symbolic, in reality, Prime Minister John A. Macdonald had assigned this selection process to the Executive Branch of the Government, as previous attempts to arrive at a consensus had ended in deadlock
36.
Ontario
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Ontario, one of the 13 provinces and territories of Canada, is located in east-central Canada. It is Canadas most populous province by a margin, accounting for nearly 40 percent of all Canadians. Ontario is fourth-largest in total area when the territories of the Northwest Territories and it is home to the nations capital city, Ottawa, and the nations most populous city, Toronto. There is only about 1 km of land made up of portages including Height of Land Portage on the Minnesota border. Ontario is sometimes divided into two regions, Northern Ontario and Southern Ontario. The great majority of Ontarios population and arable land is located in the south, in contrast, the larger, northern part of Ontario is sparsely populated with cold winters and is heavily forested. The province is named after Lake Ontario, a thought to be derived from Ontarí, io, a Huron word meaning great lake, or possibly skanadario. Ontario has about 250,000 freshwater lakes, the province consists of three main geographical regions, The thinly populated Canadian Shield in the northwestern and central portions, which comprises over half the land area of Ontario. Although this area mostly does not support agriculture, it is rich in minerals and in part covered by the Central and Midwestern Canadian Shield forests, studded with lakes, Northern Ontario is subdivided into two sub-regions, Northwestern Ontario and Northeastern Ontario. The virtually unpopulated Hudson Bay Lowlands in the north and northeast, mainly swampy. Southern Ontario which is further sub-divided into four regions, Central Ontario, Eastern Ontario, Golden Horseshoe, the highest point is Ishpatina Ridge at 693 metres above sea level located in Temagami, Northeastern Ontario. In the south, elevations of over 500 m are surpassed near Collingwood, above the Blue Mountains in the Dundalk Highlands, the Carolinian forest zone covers most of the southwestern region of the province. A well-known geographic feature is Niagara Falls, part of the Niagara Escarpment, the Saint Lawrence Seaway allows navigation to and from the Atlantic Ocean as far inland as Thunder Bay in Northwestern Ontario. Northern Ontario occupies roughly 87 percent of the area of the province. Point Pelee is a peninsula of Lake Erie in southwestern Ontario that is the southernmost extent of Canadas mainland, Pelee Island and Middle Island in Lake Erie extend slightly farther. All are south of 42°N – slightly farther south than the border of California. The climate of Ontario varies by season and location, the effects of these major air masses on temperature and precipitation depend mainly on latitude, proximity to major bodies of water and to a small extent, terrain relief. In general, most of Ontarios climate is classified as humid continental, Ontario has three main climatic regions
37.
Senate of Canada
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The Senate of Canada is a component of the Parliament of Canada, along with the House of Commons and the Monarch. The Senate is modelled after the British House of Lords and consists of 105 members appointed by the Governor General on the advice of the Prime Minister, Senators may serve until they reach the age of 75. The Senate is the house of Parliament and the House of Commons is the lower house. As a matter of practice and custom, the Commons is the dominant chamber, the approval of both chambers is necessary for legislation and, thus, the Senate can reject bills passed by the Commons. Between 1867 and 1987, the Senate rejected fewer than two bills per year, but this has increased in recent years. Moreover, members of the Cabinet are responsible solely to the House of Commons, while the prime minister and the rest of Cabinet remain in office only while they retain the confidence of the Commons, Senators are not beholden to such control. The Senate of Canada and the House of Commons of Canada sit in separate chambers in the Centre Block on Parliament Hill, located in Ottawa, Ontario. The chamber in which the Senate sits is called the red chamber, due to the red cloth that adorns the chamber. The red Senate chamber is decorated, in contrast with the more modest. There are chairs and desks on both sides of the chamber, divided by a centre aisle, the Speakers chair is at one end of the chamber, in front of it is the Clerks table. Various clerks sit at the table, ready to advise the Speaker, Members of the governing party sit on the benches to the Speakers right, while members of the Opposition occupy the benches on the Speakers left. The seat has the coat of arms of the Princess Louise The first two seats are vacant but present during the sitting of the Senate. The Speaker of the Senate uses the third seat with the Arms of Canada and this seat is removed during the throne speech. At either end of the chamber, on the floor, are the visitors galleries. The north gallerys lower seating area, or tribune, is reserved for journalists, the Governor General holds the power to make normal senatorial appointments, although, in modern practice, they make appointments only on the advice of the prime minister. A prime minister normally chooses members of his or her own party to be Senators, in practice, a large number of the members of the Senate are ex-Cabinet ministers, ex-provincial premiers, and other eminent people. The first Aboriginal senator was James Gladstone, who sat as an Independent Conservative, under the constitution, each province or territory is entitled to a specific number of Senate seats. The constitution divides Canada into four areas, each with an number of senators,24 for Ontario,24 for Quebec,24 for the Maritime provinces
38.
Throne
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A throne is the seat of state of a potentate or dignitary, especially the seat occupied by a sovereign on state occasions, or the seat occupied by a pope or bishop on ceremonial occasions. Throne in an abstract sense can refer to the monarchy or the Crown itself, an instance of metonymy. These have ranged from stools in places such as a Africa to ornate chairs and bench-like designs in Europe and Asia, respectively. Accordingly, many thrones are typically held to have been constructed or fabricated out of rare or hard to find materials that may be valuable or important to the land in question, when used in a religious sense, throne can refer to one of two distinct uses. The other use for throne refers to a belief among many of the worlds monotheistic and polytheistic religions that the deity or deities that they worship are seated on a throne. Such beliefs go back to ancient times, and can be seen in surviving artwork, Thrones were found throughout the canon of ancient furniture. The depiction of monarchs and deities as seated on chairs is a topos in the iconography of the Ancient Near East. The word throne itself is from Greek θρόνος, seat, chair, early Greek Διὸς θρόνους was a term for the support of the heavens, i. e. the axis mundi, which term when Zeus became an anthropomorphic god was imagined as the seat of Zeus. In Ancient Greek, a thronos was a specific but ordinary type of chair with a footstool, the Achaeans were known to place additional, empty thrones in the royal palaces and temples so that the gods could be seated when they wished to be. The most famous of these thrones was the throne of Apollo in Amyclae, the Romans also had two types of thrones- one for the Emperor and one for the goddess Roma whose statues were seated upon thrones, which became centers of worship. The word throne in English translations of the Bible renders Hebrew כסא kissē, the Pharaoh of the Exodus is described as sitting on a throne, but mostly the term refers to the throne of the kingdom of Israel, often called the throne of David or throne of Solomon. The literal throne of Solomon is described in 1 Kings 10, 18-20, Moreover the king made a great throne of ivory, and overlaid it with the best gold. The throne had six steps, and the top of the throne was round behind, and there were stays on either side on the place of the seat, and two lions stood beside the stays. And twelve lions stood there on the one side and on the other upon the six steps, in the Book of Esther, the same word refers to the throne of the king of Persia. And He will reign over the house of Jacob forever, Jesus promised his Apostles that they would sit upon twelve thrones, judging the twelve tribes of Israel. Johns Revelation states, And I saw a white throne, and him that sat on it, from whose face the earth. The Apostle Paul speaks of thrones in Colossians 1,16, pseudo-Dionysius the Areopagite, in his work, De Coelesti Hierarchia interprets this as referring to one of the ranks of angels. This concept was expanded upon by Thomas Aquinas in his Summa Theologica, in Medieval times the Throne of Solomon was associated with the Virgin Mary, who was depicted as the throne upon which Jesus sat
39.
Monarchy of Canada
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The Monarchy of Canada is at the very core of both Canadas federal structure and Westminster-style of parliamentary and constitutional democracy. The monarchy is the foundation of the executive, legislature, and judiciary in the federal, the Canadian sovereign is the personification of the Canadian state and, as a matter of constitutional law, is Canada. The current Canadian monarch, since 6 February 1952, is Queen Elizabeth II, as such, Elizabeths son, Prince Charles, is heir apparent. Although the person of the sovereign is shared with 15 other independent countries within the Commonwealth of Nations, each countrys monarchy is separate. However, the Queen is the member of the Royal Family with any constitutional role. While some powers are only by the sovereign, most of the monarchs operational and ceremonial duties are exercised by his or her representative. In each of Canadas provinces, the monarch is represented by a lieutenant governor, as the territories are not sovereign, they do not have a viceroy. As all executive authority is vested in the sovereign, their assent is required to allow for bills to become law and for letters patent, Canada is one of the oldest continuing monarchies in the world. The emergence of this arrangement paralleled the fruition of Canadian nationalism following the end of the First World War and culminated in the passage of the Statute of Westminster in 1931. Upon a demise of the Crown, the late sovereigns heir immediately and automatically succeeds, without any need for confirmation or further ceremony, hence arises the phrase The King is dead. It is customary for the accession of the new monarch to be proclaimed by the governor general on behalf of the Privy Council. Following an appropriate period of mourning, the monarch is crowned in the United Kingdom in an ancient ritual. This is because, in law, the Crown never dies. After an individual ascends the throne, he or she continues to reign until death. The relationship between the Commonwealth realms is such that any change to the rules of succession to their respective crowns requires the consent of all the realms. Succession is governed by statutes, such as the Bill of Rights 1689, the Act of Settlement 1701, in 1936, King Edward VIII abdicated and any possible future descendants of his were excluded from the line of succession. As the Statute of Westminster 1931 disallowed the UK from legislating for Canada, including in relation to succession, the latter was deemed by the Cabinet in 1947 to be part of Canadian law, as is the Bill of Rights 1689, according to the Supreme Court of Canada. The Department of External Affairs included all succession-related laws in its list of acts within Canadian law, certain aspects of the succession rules have been challenged in the courts
40.
Governor General of Canada
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The Governor General of Canada is the federal viceregal representative of the Canadian monarch, currently Queen Elizabeth II. The commission is for a period of time—known as serving at Her Majestys pleasure—though five years is the normal convention. Beginning in 1959, it has also been traditional to rotate between anglophone and francophone incumbents, once in office, the governor general maintains direct contact with the Queen, wherever she may be at the time. The office began in the 16th and 17th centuries with the Crown-appointed governors of the French colony of Canada followed by the British governors of Canada in the 18th and 19th centuries, subsequently, the office is, along with the Crown, the oldest continuous institution in Canada. Throughout this process of gradually increasing Canadian independence, the role of governor general took on additional responsibilities, finally, in 1947, King George VI issued letters patent allowing the viceroy to carry out almost all of the monarchs powers on his or her behalf. The current governor general is David Johnston, who has served since 1 October 2010, johnstons wife—who is thus the viceregal consort—is Sharon Johnston. The Government of Canada spells the title governor general without a hyphen, the Canadian media still often use the governor-general spelling. As governor is the noun in the title, it is pluralized, thus, governors general, moreover, both terms are capitalized when used in the formal title preceding an incumbents name. The position of general is mandated by both the Constitution Act,1867, and the letters patent issued in 1947 by King George VI. As such, on the recommendation of his or her Canadian prime minister and that individual is, from then until being sworn-in, referred to as the governor general-designate. Besides the administration of the oaths of office, there is no set formula for the swearing-in of a governor general-designate, the governor general will then give a speech, outlining whichever cause or causes he or she will champion during his or her time as viceroy. The incumbent will generally serve for at least five years, though this is only a convention. The prime minister may recommend to the Queen that the viceroy remain in her service for a longer period of time. A governor general may also resign, and two have died in office, the sovereign has unrestricted freedom of choice. We leave that to Her Majesty in all confidence, however, between 1867 and 1931, governors general were appointed by the monarch on the advice of the British Cabinet. Thereafter, in accordance with the Statute of Westminster 1931, the appointment was made by the sovereign with the direction of his or her Canadian ministers only. Until 1952, all governors general were also members of the Peerage or sons of peers. These viceroys spent a limited time in Canada, but their travel schedules were so extensive that they could learn more about Canada in five years than many Canadians in a lifetime
41.
Viceregal consort of Canada
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As the hostess of the royal and viceroyal residence in Ottawa, the consort, if female, is also known as the Chatelaine of Rideau Hall. Unlike a viceregal consort, however, Lilias Massey was not addressed as Her Excellency, the position of the viceregal consort carries no official duties and receives no salary. Over the course of the 20th century, it became common for viceregal consorts to select. The activities chosen are typically apolitical and non-divisive
42.
Speech from the throne
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The speech is prepared by the ministers of the crown in cabinet. The event is held annually, although in some places it may occur more or less frequently. In constitutional monarchies today, whether by law or by convention, the head of state reads the Speech From the Throne, the address sets forth the governments priorities with respect to its legislative agenda, for which the cooperation of parliament is sought. In the United Kingdom, the speech is known as Her Majestys Most Gracious Speech, the Gracious Address, or, less formally, in Canada, it is often shortened to Throne Speech. In Australia, this speech is called the Governors speech or opening speech, in Hong Kong, the governors address was termed the Policy Address during Chris Pattens governorship. In the Irish Free State, the governor-general delivered the Governor-Generals Address to Dáil Éireann, in the Commonwealth realms, the Speech From the Throne is an oration that forms part of a ceremony marking the opening of parliament. Some records indicate the ceremony has taken place since the Medieval era, while others place its origins in the 16th century, the speech explained to parliament the reasons it was summoned and sometimes set out the sovereigns policies and objectives. The monarch would sometimes speak to parliament in person, King Edward III, Richard II, and Edward IV did so. It was given on his behalf by the Bishop of Winchester in 1410, in 1453 and 1467, the Bishop of Lincoln, the Bishop of Rochester in 1472, and the Keeper of the Privy Seal in 1431. It may have been written by or with the input of the king or queens advisers, but, in unicameral parliaments, the speech is read in the one legislative chamber. Unusually, in the Irish Free State, the speech was delivered in the house of its bicameral parliament. In the United Kingdom, the speech is read by the reigning sovereign at the State Opening of Parliament. Traditions surrounding the Opening and the speech go back to the 16th century, the present ceremony dates from 1852, the ceremony now occurs annually in May or soon after a general election. Another member of the Royal Family may also perform this duty, such as when, on 1 September 1919, Prince Edward, Prince of Wales, read the Speech From the Throne in the Canadian parliament. On two occasions, the Administrator of the Government delivered the address to the Parliament of Canada,16 May 1963 and 30 September 1974. In almost all the Canadian provinces, the relevant lieutenant governor delivers the speech, at the Provincial level in Canada, only in Quebec is the speech not referred to as the Speech From the Throne. In British overseas territories that have instituted this practice, the relevant governor delivers the speech, however, the British monarch often undertakes visits and speaks to the devolved bodies in a less official capacity. In each of the Canadian territories, the commissioner reads the Throne Speech or Opening Address to the legislature, formally, the motion that follows the speech merely calls on parliament to thank the monarch or viceroy via an Address in Reply
43.
Royal assent
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Royal assent is the method by which a countrys constitutional monarch formally approves an act of that nations parliament, thus making it a law or letting it be promulgated as law. Royal assent is sometimes associated with elaborate ceremonies, however, royal assent is usually granted less ceremonially by letters patent. In other nations, such as Australia, the Governor-General merely signs the bill, in Canada, the Governor-General may give assent either in person at a ceremony held in the Senate or by a written declaration notifying parliament of his or her agreement to the bill. Before the Royal Assent by Commission Act of 1541 became law, the last time royal assent was given by the sovereign in person was during the rule of Queen Victoria at a prorogation on the 12th of August 1854. The Act was repealed and replaced by the Royal Assent Act of 1967, Royal assent is the final step required for a parliamentary bill to become law. -the sovereign may delay the bills assent through the use of his or her powers in near-revolutionary situations. -the sovereign may refuse royal assent on the advice of his or her ministers, under modern constitutional conventions, the sovereign acts on the advice of his or her ministers. Since these ministers most often maintain the support of parliament and are the ones who obtain the passage of bills, it is highly improbable that they would advise the sovereign to withhold assent. Hence, in practice, royal assent is always granted. The Monarch does not have the power to withhold a Bill from assenting, the last bill that was refused assent by the sovereign was the Scottish Militia Bill during Queen Annes reign in 1708. The so-called Model Parliament included bishops, abbots, earls, barons, in 1265, the Earl of Leicester irregularly called a full parliament without royal authorization. The body eventually came to be divided into two branches, bishops, abbots, earls, and barons formed the House of Lords, while the shire, the King would seek the advice and consent of both houses before making any law. The Parliament Acts 1911 and 1949 provide a second potential preamble if the House of Lords were to be excluded from the process, the power of parliament to pass bills was often thwarted by monarchs. Charles I dissolved parliament in 1629, after it passed motions critical of, during the eleven years of personal rule that followed, Charles performed legally dubious actions, such as raising taxes without parliaments approval. After the English Civil War, it was accepted that parliament should be summoned to meet regularly, the last Stuart monarch, Anne, similarly withheld on 11 March 1707, on the advice of her ministers, her assent from a bill for the settling of Militia in Scotland. No monarch has since withheld royal assent on a passed by the British parliament. During the rule of the succeeding Hanoverian dynasty, power was gradually exercised more by parliament, the first Hanoverian monarch, George I, relied on his ministers to a greater extent than did previous monarchs. However, George IV reluctantly granted his assent upon the advice of his ministers, thus, as the concept of ministerial responsibility has evolved, the power to withhold royal assent has fallen into disuse, both in the United Kingdom and in the other Commonwealth realms
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Palace of Westminster
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The Palace of Westminster is the meeting place of the House of Commons and the House of Lords, the two houses of the Parliament of the United Kingdom. Commonly known as the Houses of Parliament after its occupants, the Palace lies on the bank of the River Thames in the City of Westminster. The palace is owned by the monarch in right of the Crown and for ceremonial purposes, the building is managed by committees appointed by both houses, which report to the Speaker of the House of Commons and the Lord Speaker. The first royal palace was built on the site in the 11th century, part of the New Palaces area of 3.24 hectares was reclaimed from the Thames, which is the setting of its nearly 300-metre long façade, called the River Front. Barry was assisted by Augustus Pugin, an authority on Gothic architecture and style. The Palace is one of the centres of political life in the United Kingdom, Westminster has become a metonym for the UK Parliament, the Palace of Westminster has been a Grade I listed building since 1970 and part of a UNESCO World Heritage Site since 1987. The Palace of Westminster site was important during the Middle Ages. Known in medieval times as Thorney Island, the site may have been first-used for a residence by Canute the Great during his reign from 1016 to 1035. St Edward the Confessor, the penultimate Anglo-Saxon monarch of England, Thorney Island and the surrounding area soon became known as Westminster. Neither the buildings used by the Anglo-Saxons nor those used by William I survive, the oldest existing part of the Palace dates from the reign of William Is successor, King William II. The Palace of Westminster was the principal residence in the late Medieval period. The predecessor of Parliament, the Curia Regis, met in Westminster Hall, simon de Montforts parliament, the first to include representatives of the major towns, met at the Palace in 1265. The Model Parliament, the first official Parliament of England, met there in 1295, in 1512, during the early years of the reign of King Henry VIII, fire destroyed the royal residential area of the palace. In 1534, Henry VIII acquired York Place from Cardinal Thomas Wolsey, renaming it the Palace of Whitehall, Henry used it as his principal residence. Although Westminster officially remained a royal palace, it was used by the two Houses of Parliament and by the various law courts. Because it was originally a residence, the Palace included no purpose-built chambers for the two Houses. Important state ceremonies were held in the Painted Chamber which had originally built in the 13th century as the main bedchamber for King Henry III. The House of Commons, which did not have a chamber of its own, the Commons acquired a permanent home at the Palace in St Stephens Chapel, the former chapel of the royal palace, during the reign of Edward VI
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Hereditary peer
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Hereditary peers form part of the peerage in the United Kingdom. There are over eight hundred peers who hold titles that may be inherited. Formerly, most of them were entitled to sit in the House of Lords, Peers are called to the House of Lords with a writ of summons. A hereditary title is not necessarily a title of the peerage, for instance, baronets and baronetesses may pass on their titles, but they are not peers. Conversely, the holder of a title may belong to the peerage. Peerages may be created by means of letters patent, but the granting of new hereditary peerages has dwindled, with six having been created since 1965. The hereditary peerage, as it now exists, combines several different English institutions with analogous ones from Scotland and Ireland, English Earls are an Anglo-Saxon institution. Around 1014, England was divided into shires or counties, largely to defend against the Danes, each shire was led by a great man, called an earl. When the Normans conquered England, they continued to appoint earls, but not for all counties, Earldoms began as offices, with a perquisite of a share of the legal fees in the county, they gradually became honours, with a stipend of £20 a year. Like most feudal offices, earldoms were inherited, but the kings frequently asked earls to resign or exchange earldoms, William the Conqueror and Henry II did not make Dukes, they were themselves only Dukes of Normandy or Aquitaine. But when Edward III of England declared himself King of France, he made his sons Dukes, to them from other noblemen. Later Kings created Marquesses and Viscounts to make finer gradations of honour, which men were ordered to Council varied from Council to Council, a man might be so ordered once and never again, or all his life, but his son and heir might never go. Under Henry VI of England, in the 15th century, just before the Wars of the Roses, the first claim of hereditary right to a writ comes from this reign, so does the first patent, or charter declaring a man to be a Baron. The five orders began to be called Peers, holders of older peerages also began receive greater honour than Peers of the same rank just created. If a man held a peerage, his son would succeed to it, if he had no children, if he had a single daughter, his son-in-law would inherit the family lands, and usually the same Peerage, more complex cases were decided depending on circumstances. Customs changed with time, Earldoms were the first to be hereditary, after Henry II became the Lord of Ireland, he and his successors began to imitate the English system as it was in their time. A writ does not create a peerage in Ireland, all Irish peerages are by patent or charter, in the 18th century, Irish peerages became rewards for English politicians, limited only by the concern that they might go to Dublin and interfere with the Irish Government. Scotland evolved a system, differing in points of detail
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Coffer
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A coffer in architecture is a series of sunken panels in the shape of a square, rectangle, or octagon in a ceiling, soffit or vault. For centuries, it was thought that wooden coffers were first made by crossing the wooden beams of a ceiling in the Loire Valley châteaux of the early Renaissance. In 2012, however, archaeologists working under Andrew Wallace-Hadrill at the House of the Telephus in Herculaneum discovered that wooden coffered ceilings were constructed in Roman times. Experimentation with the shapes in coffering, which solve problems of mathematical tiling. The more complicated problems of diminishing the scale of the coffers were presented by the requirements of curved surfaces of vaults. A prominent example of Roman coffering, employed to lighten the weight of the dome, can be found in the ceiling of the dome in the Pantheon. In ancient Chinese wooden architecture, coffering is known as zaojing, dome Dropped ceiling Cove ceiling Beam ceiling U. S. National Capitol
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Heraldry
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The beauty and pageantry of heraldic designs allowed them to survive the gradual abandonment of armour on the battlefield during the seventeenth century. Heraldry has been described poetically as the handmaid of history, the shorthand of history, in modern times, heraldry is used by individuals, public and private organizations, corporations, cities, towns, and regions to symbolize their heritage, achievements, and aspirations. Various symbols have been used to represent individuals or groups for thousands of years, similar emblems and devices are found in ancient Mesopotamian art of the same period, and the precursors of heraldic beasts such as the griffin can also be found. In the Bible, the Book of Numbers refers to the standards and ensigns of the children of Israel, the Greek and Latin writers frequently describe the shields and symbols of various heroes, and units of the Roman army were sometimes identified by distinctive markings on their shields. The Book of Saint Albans, compiled in 1486, declares that Christ himself was a gentleman of coat armour, the medieval heralds also devised arms for various knights and lords from history and literature. Notable examples include the toads attributed to Pharamond, the cross and martlets of Edward the Confessor, and the arms attributed to the Nine Worthies. These too are now regarded as an invention, rather than evidence of the antiquity of heraldry. The development of the modern heraldic language cannot be attributed to an individual, time. Yet no individual is depicted twice bearing the arms, nor are any of the descendants of the various persons depicted known to have borne devices resembling those in the tapestry. A Spanish manuscript from 1109 describes both plain and decorated shields, none of which appears to have been heraldic, in England, from the time of the Norman conquest, official documents had to be sealed. A notable example of an armorial seal is attached to a charter granted by Philip I, Count of Flanders. Seals from the part of the eleventh and early twelfth centuries show no evidence of heraldic symbolism. One of the earliest known examples of armory as it came to be practiced can be seen on the tomb of Geoffrey Plantagenet, Count of Anjou. An enamel, probably commissioned by Geoffreys widow between 1155 and 1160, depicts him carrying a shield decorated with six golden lions rampant. He wears a helmet adorned with another lion, and his cloak is lined in vair. A medieval chronicle states that Geoffrey was given a shield of this description when he was knighted by his father-in-law, Henry I, in 1128, but this account probably dates to about 1175. Since Henry was the son of Geoffrey Plantagenet, it seems reasonable to suppose that the adoption of lions as an emblem by Henry or his sons might have been inspired by Geoffreys shield. Richard is also credited with having originated the English crest of a lion statant and it is from this garment that the phrase coat of arms is derived
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Lion (heraldry)
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The lion is a common charge in heraldry. It traditionally symbolises bravery, nobility, royalty, strength, stateliness, Lion refers also to a Judeo Christian symbolism. The Lion of Judah stands in the coat of arms of the city of Jerusalem, similar looking lion can be found e. g. In the coat of arms of the Republic of Finland, symmetrically paired animals in particular find continuation from Migration Period art via Insular art to Romanesque art and heraldry. The animals of the predecessors of heraldic designs are likely to have been used as clan symbols. Adopted in Germanic tradition around the 5th century, they were re-interpreted in a Christian context in the kingdoms of Gaul. It was a predecessor of the medieval bestiaries, the lion as a heraldic charge is present from the very earliest development of heraldry in the 12th century. One of the earliest known examples of armory as it came to be practiced can be seen on the tomb of Geoffrey Plantagenet, Count of Anjou. An enamel, probably commissioned by Geoffreys widow between 1155 and 1160, depicts him carrying a shield decorated six golden lions rampant. A chronicle dated to c.1175 states that Geoffrey was given a shield of this description when he was knighted by his father-in-law, Henry I, in 1128. Since Henry was the son of Geoffrey Plantagenet, it seems reasonable to suppose that the adoption of lions as an emblem by Henry or his sons might have been inspired by Geoffreys shield. Richard is also credited with having originated the English crest of a lion statant, unlike the eagle, which is comparatively rare in heraldry because it was reserved as an imperial symbol, the lion became a symbol of chivalry and was not restricted to royal coats of arms. The Zürich armorial has a number of coats of arms with lions, the lion in the coat of arms of Bohemia is depicted with two tails. According to Ménestrier, this is due to a jest made by Emperor Frederick, who granted Vladislaus II, Duke of Bohemia a coat of arms with a lion coué, that is, with its tail between its legs. Vladislaus men refused to follow this emblem, calling it an ape, so that Frederick agreed to improve the arms by giving the lion not just one but two erect tails. One distinction commonly made, although it may be of limited importance, is the distinction of lions in the positions as leopards. The following table summarizes the principal attitudes of heraldic lions, Other terms are used to describe the position in further detail. The lions head is seen in agreement with the overall position
