Gondor is a fictional kingdom in J. R. R. Tolkien's writings, described as the greatest realm of Men in the west of Middle-earth at the end of the Third Age. The third volume of The Lord of the Rings,
The lifeless White Tree of Gondor has been compared to the Dry Tree of medieval legend. Medieval manuscript illustration of the Dry Tree (centre) with the Phoenix, flanked by the Trees of the Sun and the Moon. Both the Dry Tree and the Phoenix are symbols of resurrection and new life. Rouen 1444–1445
James Hamilton, 2nd Marquess of Hamilton holding the white staff of the Lord Steward of the King's Household, Scotland, the same symbol as that of the Stewards of Gondor. Portrait by unknown artist after Daniël Mijtens, 1622
Bold colourful Rohan, modelled on the Anglo-Saxons (here in an 11th-century illustration), "the bit that Tolkien knew best", is contrasted by critics with the solemn but colourless Gondor.
Sandra Ballif Straubhaar notes that in Roman legend, Aeneas escapes the ruin of Troy, while Elendil escapes that of Númenor. Painting Aeneas flees burning Troy by Federico Barocci, 1598
In J. R. R. Tolkien's Middle-earth fiction, Man or Men denote humans, whether male or female, adult or child, in contrast to Elves, Hobbits, Dwarves, Orcs, and other sentient races. Men are described
The Variags of Khand are named for the Varangians, medieval Germanic mercenaries. Painting by Viktor Vasnetsov
A sword fit for a hero: Andúril, "Flame of the West" is forged anew, "for Aragorn son of Arathorn was going to war upon the marches of Mordor".