1.
Opera house
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An opera house is a theatre building used for opera performances that consists of a stage, an orchestra pit, audience seating, and backstage facilities for costumes and set building. While some venues are constructed specifically for operas, other houses are part of larger performing arts centers. In contrast, there was no house in London when Henry Purcell was composing. Early United States opera houses served a variety of functions in towns and cities, hosting community dances, fairs, plays, with the rise of bourgeois and capitalist social forms in the 19th century, European culture moved away from its patronage system to a publicly supported system. In the 2000s, most opera and theatre companies raise funds from a combination of government and institutional grants, ticket sales, the Teatro San Carlo in Naples introduces the plant horseshoe, the oldest in the world, a model for the Italian theater. On this model were built following theaters of Italy and Europe, among others, the theater of the Palace of Caserta. Given the popularity of opera in 18th and 19th century Europe, opera houses are large, with generally more than 1,000 seats. Modern opera houses of the century such as New Yorks Metropolitan Opera. Many operas are better suited to being presented in smaller theatres, in a traditional opera house, the auditorium is U-shaped, with the length of the sides determining the audience capacity. Around this are tiers of balconies, and often, nearer to the stage, are boxes and this is especially true of Wagners Bayreuth Festspielhaus where the pit is almost completely covered. The size of an opera orchestra varies, but for some operas, oratorios and other works, it may be large, for some romantic period works. Similarly, an opera may have a large cast of characters, chorus, dancers, therefore, a major opera house will have extensive dressing room facilities. Opera houses often have on-premises set and costume building shops and facilities for storage of costumes, make-up, masks, and stage properties, major opera houses throughout the world often have highly mechanized stages, with large stage elevators permitting heavy sets to be changed rapidly. At the Metropolitan Opera, for instance, sets are changed during the action, as the audience watches. This occurs in the Mets productions of such as Aida. Much the same happened in the remodeling of Milans La Scala opera house between 2002 and 2004, since the 1990s, however, many opera houses have begun using a subtle form of sound reinforcement called acoustic enhancement. Often, operas are presented in their languages, which may be different from the first language of the audience. For example, a Wagnerian opera presented in London may be in German, therefore, since the 1980s modern opera houses have assisted the audience by providing translated supertitles, projections of the words above or near to the stage
2.
Geneva
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Geneva is the second most populous city in Switzerland and is the most populous city of Romandy, the French-speaking part of Switzerland. Situated where the Rhône exits Lake Geneva, it is the capital of the Republic, the municipality has a population of 198,072, and the canton has 484,736 residents. In 2014, the compact agglomération du Grand Genève had 946,000 inhabitants in 212 communities in both Switzerland and France, within Swiss territory, the commuter area named Métropole lémanique contains a population of 1.25 million. This area is essentially spread east from Geneva towards the Riviera area and north-east towards Yverdon-les-Bains, Geneva is the city that hosts the highest number of international organizations in the world. It is also the place where the Geneva Conventions were signed, Geneva was ranked as the worlds ninth most important financial centre for competitiveness by the Global Financial Centres Index, ahead of Frankfurt, and third in Europe behind London and Zürich. A2009 survey by Mercer found that Geneva has the third-highest quality of life of any city in the world, the city has been referred to as the worlds most compact metropolis and the Peace Capital. In 2009 and 2011, Geneva was ranked as, respectively, the city was mentioned in Latin texts, by Caesar, with the spelling Genava, probably from a Celtic toponym *genawa- from the stem *genu-, in the sense of a bending river or estuary. The medieval county of Geneva in Middle Latin was known as pagus major Genevensis or Comitatus Genevensis, the name takes various forms in modern languages, Geneva /dʒᵻˈniːvə/ in English, French, Genève, German, Genf, Italian, Ginevra, and Romansh, Genevra. The city in origin shares its name, *genawa estuary, with the Italian port city of Genoa, Geneva was an Allobrogian border town, fortified against the Helvetii tribe, when the Romans took it in 121 BC. It became Christian under the Late Roman Empire, and acquired its first bishop in the 5th century, having been connected to the bishopric of Vienne in the 4th. In the Middle Ages, Geneva was ruled by a count under the Holy Roman Empire until the late 14th century, around this time the House of Savoy came to dominate the city. In the 15th century, a republican government emerged with the creation of the Grand Council. In 1541, with Protestantism in the ascendancy, John Calvin, by the 18th century, however, Geneva had come under the influence of Catholic France, which cultivated the city as its own. France also tended to be at odds with the ordinary townsfolk, in 1798, revolutionary France under the Directory annexed Geneva. At the end of the Napoleonic Wars, on 1 June 1814, in 1907, the separation of Church and State was adopted. Geneva flourished in the 19th and 20th centuries, becoming the seat of international organizations. Geneva is located at 46°12 North, 6°09 East, at the end of Lake Geneva. It is surrounded by two chains, the Alps and the Jura
3.
Opera
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Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. In traditional opera, singers do two types of singing, recitative, a style and arias, a more melodic style. Opera incorporates many of the elements of theatre, such as acting, scenery. The performance is given in an opera house, accompanied by an orchestra or smaller musical ensemble. Opera is a key part of the Western classical music tradition, in the 18th century, Italian opera continued to dominate most of Europe, attracting foreign composers such as George Frideric Handel. Opera seria was the most prestigious form of Italian opera, until Christoph Willibald Gluck reacted against its artificiality with his operas in the 1760s. The first third of the 19th century saw the point of the bel canto style, with Gioachino Rossini, Gaetano Donizetti. It also saw the advent of Grand Opera typified by the works of Auber and Meyerbeer, the mid-to-late 19th century was a golden age of opera, led and dominated by Richard Wagner in Germany and Giuseppe Verdi in Italy. The popularity of opera continued through the era in Italy and contemporary French opera through to Giacomo Puccini. During the 19th century, parallel operatic traditions emerged in central and eastern Europe, the 20th century saw many experiments with modern styles, such as atonality and serialism, Neoclassicism, and Minimalism. With the rise of recording technology, singers such as Enrico Caruso, since the invention of radio and television, operas were also performed on these mediums. Beginning in 2006, a number of opera houses began to present live high-definition video transmissions of their performances in cinemas all over the world. In 2009, an opera company offered a download of a complete performance. The words of an opera are known as the libretto, some composers, notably Wagner, have written their own libretti, others have worked in close collaboration with their librettists, e. g. Mozart with Lorenzo Da Ponte. Vocal duets, trios and other ensembles often occur, and choruses are used to comment on the action, in some forms of opera, such as singspiel, opéra comique, operetta, and semi-opera, the recitative is mostly replaced by spoken dialogue. Melodic or semi-melodic passages occurring in the midst of, or instead of, the terminology of the various kinds of operatic voices is described in detail below. Over the 18th century, arias were accompanied by the orchestra. Subsequent composers have tended to follow Wagners example, though some, the changing role of the orchestra in opera is described in more detail below
4.
Dance
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Dance is a performance art form consisting of purposefully selected sequences of human movement. This movement has aesthetic and symbolic value, and is acknowledged as dance by performers and observers within a particular culture, Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. Other forms of movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, figure skating, synchronized swimming. Theatrical dance, also called performance or concert dance, is intended primarily as a spectacle and it often tells a story, perhaps using mime, costume and scenery, or else it may simply interpret the musical accompaniment, which is often specially composed. Examples are western ballet and modern dance, Classical Indian dance and Chinese and Japanese song, most classical forms are centred upon dance alone, but performance dance may also appear in opera and other forms of musical theatre. Such dance seldom has any narrative, a group dance and a corps de ballet, a social partner dance and a pas de deux, differ profoundly. Even a solo dance may be solely for the satisfaction of the dancer. On the other hand, some cultures lay down strict rules as to the dances in which, for example. Archeological evidence for early dance includes 9, 000-year-old paintings in India at the Rock Shelters of Bhimbetka and it has been proposed that before the invention of written languages, dance was an important part of the oral and performance methods of passing stories down from generation to generation. The use of dance in trance states and healing rituals is thought to have been another early factor in the social development of dance. References to dance can be found in very early recorded history, Greek dance is referred to by Plato, Aristotle, Plutarch, the Bible and Talmud refer to many events related to dance, and contain over 30 different dance terms. In Chinese pottery as early as the Neolithic period, groups of people are depicted dancing in a line holding hands, Dance is further described in the Lüshi Chunqiu. Primitive dance in ancient China was associated with sorcery and shamanic rituals, during the first millennium BCE in India, many texts were composed which attempted to codify aspects of daily life. Bharata Munis Natyashastra is one of the earlier texts and it mainly deals with drama, in which dance plays an important part in Indian culture. It categorizes dance into four types - secular, ritual, abstract, the text elaborates various hand-gestures and classifies movements of the various limbs, steps and so on. A strong continuous tradition of dance has since continued in India, through to modern times, where it continues to play a role in culture, ritual, and, notably, the Bollywood entertainment industry. Many other contemporary dance forms can likewise be traced back to historical, traditional, ceremonial, Dance is generally, though not exclusively, performed with the accompaniment of music and may or may not be performed in time to such music. Some dance may provide its own audible accompaniment in place of music, many early forms of music and dance were created for each other and are frequently performed together
5.
Concert
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A concert is a live music performance in front of an audience. A recital is a concert by a soloist or small group which follows a program, a recitalist is a musician who gives frequent recitals. The invention of the piano recital has been attributed to Franz Liszt. The performance may be by a musician, sometimes then called a recital, or by a musical ensemble, such as an orchestra, choir. Indoor concerts held in the largest venues are sometimes called arena concerts or amphitheatre concerts, informal names for a concert include show and gig. Regardless of the venue, musicians perform on a stage. Concerts often require live event support with professional audio equipment, before recorded music, concerts provided the main opportunity to hear musicians play. The nature of a concert varies by musical genre, individual performers, concerts by a small jazz combo or small bluegrass band may have the same order of program, mood, and volume—but vary in music and dress. In a similar way, a musician, band, or genre of music might attract concert attendees with similar dress, hairstyle. For example, concert goers in the 1960s often had hair, sandals. Regular attendees to a concert venue might also have a style that comprises that venues scene. Other Types of concerts, To plan or arrange by mutual agreement, some performers or groups put on very elaborate and expensive shows. To create a memorable and exciting atmosphere and increase the spectacle, some singers, especially popular music, augment concert sound with pre-recorded accompaniment, back-up dancers, and even broadcast vocal tracks of the singers own voice. Activities during these concerts can include dancing, sing-alongs, and moshing, concerts involving a greater number of artists, especially those that last for multiple days, are known as festivals. Unlike other concerts, which remain in a single genre of music or work of a particular artist, festivals often cover a broad scope of music. Due to their size, festivals are almost exclusively held outdoors, new platforms for festivals are becoming increasingly popular such as Jam Cruise, which is a festival held on a cruise ship, as well as Mayan Holidaze, which is a destination festival held in Tulum. Often concert tours are named, to differentiate different tours by the same artist, different segments of longer concert tours are known as legs. In the largest concert tours it is becoming common for different legs to employ separate touring production crews and equipment
6.
Theatre
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The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence, the specific place of the performance is also named by the word theatre as derived from the Ancient Greek θέατρον, itself from θεάομαι. Modern theatre, broadly defined, includes performances of plays and musical theatre, there are connections between theatre and the art forms of ballet, opera and various other forms. The city-state of Athens is where western theatre originated, participation in the city-states many festivals—and mandatory attendance at the City Dionysia as an audience member in particular—was an important part of citizenship. The Greeks also developed the concepts of dramatic criticism and theatre architecture, Actors were either amateur or at best semi-professional. The theatre of ancient Greece consisted of three types of drama, tragedy, comedy, and the satyr play, the origins of theatre in ancient Greece, according to Aristotle, the first theoretician of theatre, are to be found in the festivals that honoured Dionysus. The performances were given in semi-circular auditoria cut into hillsides, capable of seating 10, the stage consisted of a dancing floor, dressing room and scene-building area. Since the words were the most important part, good acoustics, the actors wore masks appropriate to the characters they represented, and each might play several parts. Athenian tragedy—the oldest surviving form of tragedy—is a type of dance-drama that formed an important part of the culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE, no tragedies from the 6th century BCE and only 32 of the more than a thousand that were performed in during the 5th century BCE have survived. We have complete texts extant by Aeschylus, Sophocles, and Euripides, the origins of tragedy remain obscure, though by the 5th century BCE it was institution alised in competitions held as part of festivities celebrating Dionysus. As contestants in the City Dionysias competition playwrights were required to present a tetralogy of plays, the performance of tragedies at the City Dionysia may have begun as early as 534 BCE, official records begin from 501 BCE, when the satyr play was introduced. More than 130 years later, the philosopher Aristotle analysed 5th-century Athenian tragedy in the oldest surviving work of dramatic theory—his Poetics, Athenian comedy is conventionally divided into three periods, Old Comedy, Middle Comedy, and New Comedy. Old Comedy survives today largely in the form of the surviving plays of Aristophanes. New Comedy is known primarily from the papyrus fragments of Menander. Aristotle defined comedy as a representation of people that involves some kind of blunder or ugliness that does not cause pain or disaster. In addition to the categories of comedy and tragedy at the City Dionysia, finding its origins in rural, agricultural rituals dedicated to Dionysus, the satyr play eventually found its way to Athens in its most well-known form. Satyrs themselves were tied to the god Dionysus as his loyal companions, often engaging in drunken revelry
7.
Calvinism
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Calvinism is a major branch of Protestantism that follows the theological tradition and forms of Christian practice of John Calvin and other Reformation-era theologians. The term Calvinism can be misleading, because the tradition which it denotes has always been diverse. The movement was first called Calvinism by Lutherans who opposed it, early influential Reformed theologians include Ulrich Zwingli, John Calvin, Martin Bucer, William Farel, Heinrich Bullinger, Peter Martyr Vermigli, Theodore Beza, and John Knox. In the twentieth century, Abraham Kuyper, Herman Bavinck, B. B, Warfield, J. Gresham Machen, Karl Barth, Martyn Lloyd-Jones, Cornelius Van Til, and Gordon Clark were influential. Contemporary Reformed theologians include J. I, sproul, Timothy J. Keller, John Piper, David Wells, and Michael Horton. Reformed churches may exercise several forms of polity, most are presbyterian or congregationalist. Calvinism is largely represented by Continental Reformed, Presbyterian, and Congregationalist traditions, the biggest Reformed association is the World Communion of Reformed Churches with more than 80 million members in 211 member denominations around the world. There are more conservative Reformed federations such as the World Reformed Fellowship, Calvinism is named after John Calvin. It was first used by a Lutheran theologian in 1552 and it was a common practice of the Catholic Church to name what they perceived to be heresy after its founder. Nevertheless, the term first came out of Lutheran circles, Calvin denounced the designation himself, They could attach us no greater insult than this word, Calvinism. It is not hard to guess where such a deadly hatred comes from that they hold against me, despite its negative connotation, this designation became increasingly popular in order to distinguish Calvinists from Lutherans and from newer Protestant branches that emerged later. Moreover, these churches claim to be—in accordance with John Calvins own words—renewed accordingly with the order of gospel. Since the Arminian controversy, the Reformed tradition—as a branch of Protestantism distinguished from Lutheranism—divided into two groups, Arminians and Calvinists. However, it is now rare to call Arminians a part of the Reformed tradition, some have also argued that Calvinism as a whole stresses the sovereignty or rule of God in all things including salvation. First-generation Reformed theologians include Huldrych Zwingli, Martin Bucer, Wolfgang Capito, John Oecolampadius, scripture was also viewed as a unified whole, which led to a covenantal theology of the sacraments of baptism and the Lords Supper as visible signs of the covenant of grace. Another Reformed distinctive present in these theologians was their denial of the presence of Christ in the Lords supper. Each of these also understood salvation to be by grace alone. Martin Luther and his successor Philipp Melanchthon were undoubtedly significant influences on these theologians, the doctrine of justification by faith alone was a direct inheritance from Luther
8.
Voltaire
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Voltaire was a versatile writer, producing works in almost every literary form, including plays, poems, novels, essays, and historical and scientific works. He wrote more than 21,000 letters and over two books and pamphlets. He was an advocate of civil liberties, despite the risk this placed him in under the strict censorship laws of the time. As a satirical polemicist, he made use of his works to criticize intolerance, religious dogma. Some speculation surrounds Voltaires date of birth, because he claimed he was born on 20 February 1694 as the son of a nobleman. Two of his older brothers—Armand-François and Robert—died in infancy and his brother, Armand. Nicknamed Zozo by his family, Voltaire was baptized on 22 November 1694, with François de Castagnère, abbé de Châteauneuf, and Marie Daumard, the wife of his mothers cousin, standing as godparents. He was educated by the Jesuits at the Collège Louis-le-Grand, where he was taught Latin, theology, and rhetoric, later in life he became fluent in Italian, Spanish, and English. By the time he left school, Voltaire had decided he wanted to be a writer, against the wishes of his father, Voltaire, pretending to work in Paris as an assistant to a notary, spent much of his time writing poetry. When his father out, he sent Voltaire to study law. Nevertheless, he continued to write, producing essays and historical studies, Voltaires wit made him popular among some of the aristocratic families with whom he mixed. In 1713, his father obtained a job for him as a secretary to the new French ambassador in the Netherlands, the marquis de Châteauneuf, at The Hague, Voltaire fell in love with a French Protestant refugee named Catherine Olympe Dunoyer. Their scandalous affair was discovered by de Châteauneuf and Voltaire was forced to return to France by the end of the year, Most of Voltaires early life revolved around Paris. From early on, Voltaire had trouble with the authorities for critiques of the government and these activities were to result in two imprisonments and a temporary exile to England. One satirical verse, in which Voltaire accused the Régent of incest with his own daughter, the Comédie-Française had agreed in January 1717 to stage his debut play, Œdipe, and it opened in mid-November 1718, seven months after his release. Its immediate critical and financial success established his reputation, both the Régent and King George I of Great Britain presented Voltaire with medals as a mark of their appreciation. He mainly argued for tolerance and freedom of thought. He campaigned to eradicate priestly and aristo-monarchical authority, and supported a constitutional monarchy that protects peoples rights, the author adopted the name Voltaire in 1718, following his incarceration at the Bastille
9.
Swiss franc
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The franc is the currency and legal tender of Switzerland and Liechtenstein, it is also legal tender in the Italian exclave Campione dItalia. The Swiss National Bank issues banknotes and the federal mint Swissmint issues coins, the smaller denomination, a hundredth of a franc, is a Rappen in German, centime in French, centesimo in Italian, and rap in Romansh. The ISO code of the used by banks and financial institutions is CHF, although Fr. is used by most businesses and advertisers. Given the different languages used in Switzerland, Latin is used for inscriptions on the coins. In 1798, the Helvetic Republic introduced a currency based on the Berne thaler, the Swiss franc was equal to 6 3⁄4 grams of pure silver or 1 1⁄2 French francs. This franc was issued until the end of the Helvetic Republic in 1803, in order to solve this problem, the new Swiss Federal Constitution of 1848 specified that the federal government would be the only entity allowed to make money in Switzerland. This was followed two years later by the first Federal Coinage Act, passed by the Federal Assembly on 7 May 1850, the franc was introduced at par with the French franc. It replaced the different currencies of the Swiss cantons, some of which had been using a franc which was worth 1 1⁄2 French francs. In 1865, France, Belgium, Italy, and Switzerland formed the Latin Monetary Union, the currency was devalued by 30% following the devaluations of the British pound, U. S. dollar and French franc. In 1945, Switzerland joined the Bretton Woods system and pegged the franc to the U. S. dollar at a rate of $1 =4.30521 francs and this was changed to $1 =4.375 francs in 1949. The Swiss franc has historically considered a safe-haven currency with virtually zero inflation. However, this link to gold, which dates from the 1920s, was terminated on 1 May 2000 following a referendum. By March 2005, following a gold selling program, the Swiss National Bank held 1,290 tonnes of gold in reserves which equated to 20% of its assets. In November 2014, the referendum on the Swiss Gold Initiative which proposed a restoration of 20% gold backing for the Swiss franc was voted down, in March 2011 the franc climbed past the US$1.10 mark. In June 2011 the franc climbed past US$1.20 as investors sought safety amidst the continuation of the Greek sovereign-debt crisis, demand for francs and franc-denominated assets was so strong that nominal short-term Swiss interest rates became negative. In response to the announcement the franc fell against the euro, to 1.22 francs from 1.12 francs, the intervention stunned currency traders since the franc had long been regarded as a safe haven. The franc fell 8. 8% against the euro,9. 5% against the dollar and it was the largest plunge of the franc ever against the euro. The SNB had previously set an exchange rate target in 1978 against the Deutsche mark and maintained it, although at the cost of high inflation
10.
Gioachino Rossini
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Gioachino Antonio Rossini was an Italian composer who wrote operas, as well as some sacred music, songs, chamber music and piano pieces. A precocious composer of operas, he made his debut at the age of eighteen. His best-known operas include the Italian comedies Il barbiere di Siviglia, Litaliana in Algeri and he also wrote a string of serious operas in Italian, including works such as Tancredi, Otello and Semiramide. The semi-serious opera La Gazza Ladra has one of Rossinis most celebrated overtures, after moving to Paris in 1824, he eventually started to write in French. His last opera, the epic Guillaume Tell, replete with its iconic overture, after composing thirty-nine significant operas in nineteen years Rossini retired from the theatre in 1829. Later, he was affected by physical and mental illnesses and for decades wrote relatively little apart from a setting of the Stabat Mater. A return to Paris from Italy in 1855 was followed by better health, during these, he presented salon music in the form of songs, piano pieces and small chamber ensembles that he called Sins of Old Age. He considered the last of these Sins to be the unusually scored Petite messe solennelle that he wrote in 1863, Rossini had been the most popular opera composer in history, and he was one of the most renowned public figures of his time. A rapid and prolific composer, he was quoted as joking, Give me the laundress bill, a tendency for inspired, song-like melodies is evident throughout his scores, earning him the nickname The Italian Mozart. Use of a build up of orchestral sound over a repeated phrase—commonly known as a Rossini crescendo—also prompted the nickname Signor Crescendo. Gioachino Antonio Rossini was born into a family of musicians in Pesaro and his father, Giuseppe, was a horn player and inspector of slaughterhouses. His mother, Anna, was a singer and a bakers daughter, Rossinis father was sympathetic to the French Revolution and welcomed Napoleons troops when they arrived in northern Italy. When Austria restored the old regime, Rossinis father was sent to prison in 1799, Rossinis mother took him to Bologna, making a living as leading singer at various theatres of the Romagna region. Her husband would ultimately join her in Bologna, during this time, Rossini was frequently left in the care of his aging grandmother, who had difficulty supervising the boy. He remained at Bologna in the care of a pork butcher while his father played the horn in the orchestras of the theatres at which his wife sang and these qualities made him a subject for ridicule in the eyes of the young Rossini. He was eventually taken from Prinetti and apprenticed to a blacksmith, in Angelo Tesei, he found a congenial music master, and learned to sight-read, play accompaniments on the piano and sing well enough to take solo parts in the church when he was ten years of age. Important products of this period are six sonate a quattro, or string sonatas, the original scores, dating from 1804 when the composer was twelve, were found in the Library of Congress in Washington D. C. In 1805, he appeared at the theatre of the Commune in Ferdinando Paers Camilla and he was also a capable horn player, treading in the footsteps of his father
11.
Plinth
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In architecture, a plinth is the base or platform upon which a column, pedestal, statue, monument or structure rests. Gottfried Sempers The Four Elements of Architecture posited that the plinth, the hearth, the roof, the plinth usually rests directly on the ground or stylobate. According to Semper, the plinth exists to negotiate between a structure and the ground, Sempers theory has been influential in the development of architecture. Many houses in rural areas of Bangladesh are built on plinths. The word is used for the base of a cabinet or an audio turntable. In dam engineering, the plinth is the link between the ground and the dam, for the case of arch dams, the term is changed to pulvino
12.
Bernese Highlands
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The Berner Oberland, is the higher part of the canton of Bern, Switzerland, in the southern end of the canton, and one of the cantons five administrative regions. The mountain range in the Berner Oberland south of the Aare, the flag of the Berner Oberland consists of a black eagle in a gold field over two fields in the cantonal colours of red and black. The Swiss German dialects spoken in the Berner Oberland are Highest Alemannic German, contrasting with the High Alemannic Bernese German spoken in Bern, in the short-lived Helvetic Republic, the Berner Oberland had been a separate canton. Prehistorically the Berner Oberland was crossed by hunters or traders, the Romans settled along the river and the lakes. They used a number of alpine passes including, the Brünig, Susten, Grimsel, Lötschen, Gemmi, Rawil, Sanetsch, during the High Middle Ages, a number of Berner Oberland villages grew around valley parish churches which were religious and cultural centers within each surrounding valley. During Middle Ages, the Berner Oberland first belonged to the Kingdom of Burgundy followed by the Dukes of Zähringen, after the extinction of the Zähringen line, the Berner Oberland was ruled by a number of local Barons. For a time, some of the Walser barons ruled portions of the Berner Oberland, the Saanen valley was ruled by the Counts of Gruyères. Portions of the passes were held, until the 19th century. The expansionist policy of the city of Bern led them into the Berner Oberland, through conquest, purchase, mortgage or marriage politics Bern was able to acquire the majority of the Berner Oberland from the indebted local barons between 1323 and 1400. Under Bernese control, the five valleys enjoyed extensive rights and far-reaching autonomy in the Bäuerten and Talverbänden, throughout the Late Middle Ages, the Berner Oberland, as a whole or in part, revolted several times against Bernese authority. During the Middle Ages, the settlement pattern in the Berner Oberland was somewhat consistent, a main settlement grew on the valley floor below an elevation near 1,100 m. This main settlement had a market and often a castle or other fortifications and this market town was surrounded by scattered villages, hamlets and individual farm houses to an elevation of 1,600 m. During the 14th-16th centuries, the Berner Oberland villages began extensive trading with the Bernese grain producing towns in the lowlands. This allowed the villages to renounce self-sufficiency in grain and focus on raising cattle in the high alpine pastures. They then exported cattle over the passes into Italy and into the Bernese lowlands, around 1500, in addition to the seven medieval markets, eleven new cattle markets opened to allow the Berner Oberland villagers to sell their cattle. After the Napoleonic invasion of Switzerland in 1798, the old Bernese order was fractured, within this new canton, historic borders and traditional rights were not considered. As there had no previous separatist feeling amongst the conservative population. In 1729, Albrecht von Haller published the poem Die Alpen about his travels through the alpine regions and this combined with other reports and alpine paintings started the tourism industry in the Berner Oberland
