Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras. The original productions consisted of spectacular design and stage effects with plots normally based on or around dramatic historic events. The term is particularly applied to certain productions of the Paris Opéra from the late 1820s to around 1860; 'grand opéra' has sometimes been used to denote the Paris Opéra itself.
Degas (1871): Ballet of the Nuns from Meyerbeer's Robert le diable (1831); one of the earliest sensations of grand opera
Set design by Francesco Bagnara for act 1 of Il crociato in Egitto by Meyerbeer
Meyerbeer Le Prophète set design for the final conflagration by Philippe Chaperon
Le Cid, Massanet, ballet at Le Cid's camp. Set by Rubé, Chaperon and Jambon.
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another.
Macbeth at the Savonlinna Opera Festival in St. Olaf's Castle, Savonlinna, Finland, in 2007
La Scala of Milan
Palais Garnier of the Paris Opéra
Berlin State Opera