Gregg Toland
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Gregg Wesley Toland was an American cinematographer known for his innovative use of techniques such as deep focus, examples of which can be found in his work on Orson Welles' Citizen Kane, William Wyl
Gregg Toland in 1947
Orson Welles and Gregg Toland at work on Citizen Kane (1941); the camera appears to be one of the very few brand-new Mitchell Camera Corp BNCs which were made before the World War II embargo on the manufacture of new production cameras (excepting those intended for the U.S. Army Signal Corps and U.S. allies).
The final ending title card for Citizen Kane, placing Toland on same card as Orson Welles, the director, because Welles felt he deserved it.
The Stranger (1946 film)
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The Stranger is a 1946 American thriller film noir directed and co-written by Orson Welles, starring himself along with Edward G. Robinson and Loretta Young. Welles's third completed feature film as d
Theatrical release poster
Left to right: Edward G. Robinson, Richard Long, Loretta Young, Martha Wentworth, Orson Welles, Philip Merivale, Byron Keith, and an unidentified actress in The Stranger (1946)
Welles and Billy House in The Stranger
Wilson (Edward G. Robinson) steps into the projected image of the Holocaust footage in The Stranger