1.
Early Spring (painting)
–
Early Spring is a hanging scroll painting by Guo Xi. Completed in 1072, it is one of the most famous works of Chinese art from the Song dynasty, the work demonstrates his innovative techniques for producing multiple perspectives which he called the angle of totality. The poem in the right corner was added in 1759 by the Qianlong Emperor. It reads, Culture of the Song dynasty Guo Xis Early Spring
2.
National Palace Museum
–
The National Palace Museum is located in Taipei and Taibao, Taiwan. It has a permanent collection of nearly 700,000 pieces of ancient Chinese imperial artifacts and artworks, the collection encompasses 8,000 years of history of Chinese art from the Neolithic age to the modern. Most of the collection are high quality pieces collected by Chinas emperors, the National Palace Museum and the Palace Museum in the Forbidden City in Beijing, mainland China, share the same roots. In English, the institution in Taipei is distinguished from the one in Beijing by the additional National designation, in common usage in Chinese, the institution in Taipei is known as the Taipei Former Palace, while that in Beijing is known as the Beijing Former Palace. The articles in the consisted of the valuables of the former Imperial family. In 1936, the collection was moved to Nanking after the construction of the storage in the Taoist monastery Chaotian Palace was complete, in 1947, it was shipped back to the Nanjing warehouse. Hang Li-wu, later director of the museum, supervised the transport of some of the collection in three groups from Nanking to the harbor in Keelung, Taiwan between December 1948 and February 1949. By the time the items arrived in Taiwan, the Communist army had seized control of the National Beiping Palace Museum collection so not all of the collection could be sent to Taiwan. For security reasons, the Joint Managerial Office chose the village of Beigou. In the following year, the collection stored in cane sugar mill was transported to the new site in Beigou, with the National Central Librarys reinstatement in 1955, the collection from the National Beiping Library was simultaneously incorporated into the National Central Library. The Joint Managerial Office of the National Beiping Palace Museum and the Preparatory Office of the National Central Museum stayed in Beigou for another ten years, during the decade, the Office obtained a grant from the Asia Foundation to construct a small-scale exhibition hall in the spring of 1956. The exhibition hall, opened in March 1957, was divided into four galleries in which it was possible to more than 200 items. In the autumn of 1960, the Office received a grant of NT$32 million from AID, the Republic of China government also contributed more than NT$30 million to establish a special fund for the construction of a museum in the Taipei suburb of Waishuanxi. The construction of the museum in Waishuanxi was completed in August 1965, the new museum site was christened the Chung-Shan Museum in honor of the founding father of the ROC, Sun Yat-sen, and first opened to the public on the centenary of Sun Yat-sens birthday. Since then, the museum in Taipei has managed, conserved and exhibited the collections of the National Beiping Palace Museum and the Preparatory Office of the National Central Museum. However, relations regarding this treasure have warmed in recent years, the Palace Museum curator Zheng Xinmiao has said that the artifacts in both mainland and Taiwan museums are Chinas cultural heritage jointly owned by people across the Taiwan Strait. Among the artifacts were a white marble tablet from the Tang Dynasty, gold nails and it was not until after Ma died that his wife went to Taiwan in 1971 from America to bring the artifacts to Chiang Kai-shek, who turned them over to the National Palace Museum. The National Palace Museums main building in Taipei was designed by Huang Baoyu, due to the insufficient space to put on display over 600,000 artifacts, the museum underwent expansions in 1967,1970,1984 and 1996
3.
China
–
China, officially the Peoples Republic of China, is a unitary sovereign state in East Asia and the worlds most populous country, with a population of over 1.381 billion. The state is governed by the Communist Party of China and its capital is Beijing, the countrys major urban areas include Shanghai, Guangzhou, Beijing, Chongqing, Shenzhen, Tianjin and Hong Kong. China is a power and a major regional power within Asia. Chinas landscape is vast and diverse, ranging from forest steppes, the Himalaya, Karakoram, Pamir and Tian Shan mountain ranges separate China from much of South and Central Asia. The Yangtze and Yellow Rivers, the third and sixth longest in the world, respectively, Chinas coastline along the Pacific Ocean is 14,500 kilometers long and is bounded by the Bohai, Yellow, East China and South China seas. China emerged as one of the worlds earliest civilizations in the basin of the Yellow River in the North China Plain. For millennia, Chinas political system was based on hereditary monarchies known as dynasties, in 1912, the Republic of China replaced the last dynasty and ruled the Chinese mainland until 1949, when it was defeated by the communist Peoples Liberation Army in the Chinese Civil War. The Communist Party established the Peoples Republic of China in Beijing on 1 October 1949, both the ROC and PRC continue to claim to be the legitimate government of all China, though the latter has more recognition in the world and controls more territory. China had the largest economy in the world for much of the last two years, during which it has seen cycles of prosperity and decline. Since the introduction of reforms in 1978, China has become one of the worlds fastest-growing major economies. As of 2016, it is the worlds second-largest economy by nominal GDP, China is also the worlds largest exporter and second-largest importer of goods. China is a nuclear weapons state and has the worlds largest standing army. The PRC is a member of the United Nations, as it replaced the ROC as a permanent member of the U. N. Security Council in 1971. China is also a member of numerous formal and informal multilateral organizations, including the WTO, APEC, BRICS, the Shanghai Cooperation Organization, the BCIM, the English name China is first attested in Richard Edens 1555 translation of the 1516 journal of the Portuguese explorer Duarte Barbosa. The demonym, that is, the name for the people, Portuguese China is thought to derive from Persian Chīn, and perhaps ultimately from Sanskrit Cīna. Cīna was first used in early Hindu scripture, including the Mahābhārata, there are, however, other suggestions for the derivation of China. The official name of the state is the Peoples Republic of China. The shorter form is China Zhōngguó, from zhōng and guó and it was then applied to the area around Luoyi during the Eastern Zhou and then to Chinas Central Plain before being used as an occasional synonym for the state under the Qing
4.
Painting
–
Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
5.
Song dynasty
–
The Song dynasty was an era of Chinese history that began in 960 and continued until 1279. It succeeded the Five Dynasties and Ten Kingdoms period, coincided with the Liao and Western Xia dynasties and it was the first government in world history to issue banknotes or true paper money nationally and the first Chinese government to establish a permanent standing navy. This dynasty also saw the first known use of gunpowder, as well as the first discernment of true north using a compass, the Song dynasty is divided into two distinct periods, Northern and Southern. During the Northern Song, the Song capital was in the city of Bianjing. The Southern Song refers to the period after the Song lost control of its half to the Jurchen Jin dynasty in the Jin–Song Wars. During this time, the Song court retreated south of the Yangtze, the Southern Song dynasty considerably bolstered its naval strength to defend its waters and land borders and to conduct maritime missions abroad. To repel the Jin, and later the Mongols, the Song developed revolutionary new military technology augmented by the use of gunpowder, in 1234, the Jin dynasty was conquered by the Mongols, who took control of northern China, maintaining uneasy relations with the Southern Song. Möngke Khan, the fourth Great Khan of the Mongol Empire and his younger brother Kublai Khan was proclaimed the new Great Khan, though his claim was only partially recognized by the Mongols in the west. In 1271, Kublai Khan was proclaimed the Emperor of China, after two decades of sporadic warfare, Kublai Khans armies conquered the Song dynasty in 1279. The Mongol invasion led to a reunification under the Yuan dynasty, the population of China doubled in size during the 10th and 11th centuries. The Northern Song census recorded a population of roughly 50 million, much like the Han and this data is found in the Standard Histories. However, it is estimated that the Northern Song had a population of some 100 million people and this dramatic increase of population fomented an economic revolution in pre-modern China. The expansion of the population, growth of cities, and the emergence of a national economy led to the withdrawal of the central government from direct involvement in economic affairs. The lower gentry assumed a role in grassroots administration and local affairs. Appointed officials in county and provincial centers relied upon the gentry for their services, sponsorship. Social life during the Song was vibrant, citizens gathered to view and trade precious artworks, the populace intermingled at public festivals and private clubs, and cities had lively entertainment quarters. The spread of literature and knowledge was enhanced by the expansion of woodblock printing. Technology, science, philosophy, mathematics, and engineering flourished over the course of the Song, although the institution of the civil service examinations had existed since the Sui dynasty, it became much more prominent in the Song period
6.
Shanghai Museum
–
The Shanghai Museum is a museum of ancient Chinese art, situated on the Peoples Square in the Huangpu District of Shanghai, China. Rebuilt at its current location in 1996, it is considered one of Chinas first world-class modern museums, the museum was founded in 1952 and was first open to the public in the former Shanghai Racecourse club house, now at 325 West Nanjing Road. The former Shanghai Municipal Museum was also merged into the new Shanghai Museum, in 1959 the museum moved into the Zhonghui Building at 16 South Henan Road, which previously housed insurance companies and bank offices. During the metal-gathering campaign of the Great Leap Forward, Shanghai Museum participated in rescuing bronzeware from metal that had been confiscated or donated and were sent to be melted down, before the Cultural Revolution, a tradition formed whereby Shanghais wealthy collectors would make annual donations to the museum. The museums work largely halted as a result of the Cultural Revolution, the growth of its collections put enormous pressure on the museums cramped premises. When a new museum was omitted from Shanghais five-year reconstruction plan in 1992, after seeing the dilapidated rooms of the Zhonghui Building, Huang agreed to allocate a prime site on the Peoples Square, but the museum had to raise its own building funds. Ma raised US$25 million by leasing the old building to a Hong Kong developer and he also made many trips abroad to solicit donations, mainly from the Shanghai diaspora who had fled to Hong Kong after the Communist revolution, raising another $10 million. The money still ran short, but he won another 140 million yuan from the city government to complete the building. Construction of the current building started in August 1993 and it was inaugurated on October 12,1996 to wide acclaim. It is 29.5 meters high with five floors, covering an area of 39,200 m². Designed by local architect Xing Tonghe, the building is designed in the shape of an ancient bronze cooking vessel called a ding and it is said that the inspiration for the design was specifically provided by the Da Ke Ding, now on exhibit in the museum. The building has a top and a square base, symbolizing the ancient Chinese perception of the world as round sky. The museum has a collection of over 120,000 pieces, including bronze, ceramics, calligraphy, furniture, jades, ancient coins, paintings, seals, sculptures, minority art and foreign art. The Shanghai Museum houses several items of importance, including one of three extant specimens of a transparent bronze mirror from the Han Dynasty. It has eleven galleries and three special exhibition halls. The collection contains 1783 pieces from the Greeks to the Mongol Empire, ancient Chinese Ceramic Gallery The Shanghai Museum. Shanghai, Shanghai Classics Publishing House,1996
7.
Chinese language
–
Chinese is a group of related, but in many cases mutually unintelligible, language varieties, forming a branch of the Sino-Tibetan language family. Chinese is spoken by the Han majority and many ethnic groups in China. Nearly 1.2 billion people speak some form of Chinese as their first language, the varieties of Chinese are usually described by native speakers as dialects of a single Chinese language, but linguists note that they are as diverse as a language family. The internal diversity of Chinese has been likened to that of the Romance languages, There are between 7 and 13 main regional groups of Chinese, of which the most spoken by far is Mandarin, followed by Wu, Min, and Yue. Most of these groups are mutually unintelligible, although some, like Xiang and certain Southwest Mandarin dialects, may share common terms, all varieties of Chinese are tonal and analytic. Standard Chinese is a form of spoken Chinese based on the Beijing dialect of Mandarin. It is the language of China and Taiwan, as well as one of four official languages of Singapore. It is one of the six languages of the United Nations. The written form of the language, based on the logograms known as Chinese characters, is shared by literate speakers of otherwise unintelligible dialects. Of the other varieties of Chinese, Cantonese is the spoken language and official in Hong Kong and Macau. It is also influential in Guangdong province and much of Guangxi, dialects of Southern Min, part of the Min group, are widely spoken in southern Fujian, with notable variants also spoken in neighboring Taiwan and in Southeast Asia. Hakka also has a diaspora in Taiwan and southeast Asia. Shanghainese and other Wu varieties are prominent in the lower Yangtze region of eastern China, Chinese can be traced back to a hypothetical Sino-Tibetan proto-language. The first written records appeared over 3,000 years ago during the Shang dynasty, as the language evolved over this period, the various local varieties became mutually unintelligible. In reaction, central governments have sought to promulgate a unified standard. Difficulties have included the great diversity of the languages, the lack of inflection in many of them, in addition, many of the smaller languages are spoken in mountainous areas that are difficult to reach, and are often also sensitive border zones. Without a secure reconstruction of proto-Sino-Tibetan, the structure of the family remains unclear. A top-level branching into Chinese and Tibeto-Burman languages is often assumed, the earliest examples of Chinese are divinatory inscriptions on oracle bones from around 1250 BCE in the late Shang dynasty
8.
Pinyin
–
Pinyin, or Hànyǔ Pīnyīn, is the official romanization system for Standard Chinese in mainland China, Malaysia, Singapore, and Taiwan. It is often used to teach Standard Chinese, which is written using Chinese characters. The system includes four diacritics denoting tones, Pinyin without tone marks is used to spell Chinese names and words in languages written with the Latin alphabet, and also in certain computer input methods to enter Chinese characters. The pinyin system was developed in the 1950s by many linguists, including Zhou Youguang and it was published by the Chinese government in 1958 and revised several times. The International Organization for Standardization adopted pinyin as a standard in 1982. The system was adopted as the standard in Taiwan in 2009. The word Hànyǔ means the language of the Han people. In 1605, the Jesuit missionary Matteo Ricci published Xizi Qiji in Beijing and this was the first book to use the Roman alphabet to write the Chinese language. Twenty years later, another Jesuit in China, Nicolas Trigault, neither book had much immediate impact on the way in which Chinese thought about their writing system, and the romanizations they described were intended more for Westerners than for the Chinese. One of the earliest Chinese thinkers to relate Western alphabets to Chinese was late Ming to early Qing Dynasty scholar-official, the first late Qing reformer to propose that China adopt a system of spelling was Song Shu. A student of the great scholars Yu Yue and Zhang Taiyan, Song had been to Japan and observed the effect of the kana syllabaries. This galvanized him into activity on a number of fronts, one of the most important being reform of the script, while Song did not himself actually create a system for spelling Sinitic languages, his discussion proved fertile and led to a proliferation of schemes for phonetic scripts. The Wade–Giles system was produced by Thomas Wade in 1859, and it was popular and used in English-language publications outside China until 1979. This Sin Wenz or New Writing was much more sophisticated than earlier alphabets. In 1940, several members attended a Border Region Sin Wenz Society convention. Mao Zedong and Zhu De, head of the army, both contributed their calligraphy for the masthead of the Sin Wenz Societys new journal. Outside the CCP, other prominent supporters included Sun Yat-sens son, Sun Fo, Cai Yuanpei, the countrys most prestigious educator, Tao Xingzhi, an educational reformer. Over thirty journals soon appeared written in Sin Wenz, plus large numbers of translations, biographies, some contemporary Chinese literature, and a spectrum of textbooks
9.
Chinese people
–
The Han Chinese, Han people or simply Han are an ethnic group native to East Asia. They constitute approximately 92% of the population of China, 95% of Taiwan, 76% of Singapore, 23% of Malaysia, Han Chinese are the worlds largest ethnic group with over 1.3 billion people. Similarly, the Chinese language also came to be named the Han language ever since, in the Oxford Dictionary, the Han are defined as The dominant ethnic group in China. In the Encyclopedia of the Peoples of Asia and Oceania, the Han are called the dominant population in China, as well as in Taiwan, according to the Merriam-Webster Dictionary, the Han are the Chinese peoples especially as distinguished from non-Chinese elements in the population. The name Hanzhong, in turn, was derived from the Han River, which flows through the regions plains. The river, in turn, derives its name from such as Tianhan, Yinhan, Xinghan or Yunhan, all ancient Chinese poetic nicknames for the Milky Way. This gave rise to a commonly used nowadays by overseas Chinese for ethnic identity – Huaren. The term is used in conversation and is also an element in the Cantonese word for Chinatown. The vast majority of Han Chinese – over 1.2 billion of them – live in areas under the jurisdiction of the Peoples Republic of China, where they constitute about 92% of its population. Han Chinese also constitute the majority in both of the administrative regions of the PRC—about 95% and 96% of the population of Hong Kong and Macau. There are over 22 million Han Chinese in Taiwan, they began migrating from the coastal provinces of mainland China to Taiwan during the 13th to 17th century. At first, these migrants chose to settle in locations that bore a resemblance to the areas they had left behind in mainland China, hoklo immigrants from Quanzhou settled in coastal regions, and those from Zhangzhou tended to gather on inland plains, while the Hakka inhabited hilly areas. Clashes between these groups over land, water, and cultural differences led to the relocation of some communities, of about 40 million overseas Chinese worldwide, nearly 30 million live in Southeast Asia. They are collectively called Nanyang Chinese, according to a population genetic study, Singapore is the country with the biggest proportion of Hans in Southeast Asia. Up until the past few decades, overseas Han communities originated predominantly from areas in southern China, christmas Island has a Chinese majority at 70%, large Chinese populations also live in Malaysia and Thailand. Prior to the 1965 split, Malaysia and Singapore used to have the largest overseas Chinese population in the world and this position has since been taken by Thailand. The prehistory of the Han ethnic group is closely intertwined with both records and mythology. Han Chinese trace their ancestry from a confederation of late neolithic/early bronze-age agricultural tribes that lived along the Guanzhong, the Yellow Emperor is traditionally credited to have united with the neighbouring Shennong tribes after defeating their leader, Flame Emperor, at the Battle of Banquan
10.
Landscape painting
–
In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition, detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. The two main traditions spring from Western painting and Chinese art, going well over a thousand years in both cases. Landscape views in art may be imaginary, or copied from reality with varying degrees of accuracy. If the primary purpose of a picture is to depict an actual, specific place, especially including buildings prominently, within a few decades it was used to describe vistas in poetry, and eventually as a term for real views. However the cognate term landscaef or landskipe for a patch of land had existed in Old English. The earliest pure landscapes with no figures are frescos from Minoan Greece of around 1500 BCE. The frescos from the Tomb of Nebamun, now in the British Museum, are a famous example. These were frequently used, as in the illustrated, to bridge the gap between a foreground scene with figures and a distant panoramic vista, a persistent problem for landscape artists. The Chinese style generally showed only a distant view, or used dead ground or mist to avoid that difficulty, aesthetic theories in both regions gave the highest status to the works seen to require the most imagination from the artist. They were often also poets whose lines and images illustrated each other, a revival in interest in nature initially mainly manifested itself in depictions of small gardens such as the Hortus Conclusus or those in millefleur tapestries. The frescos of figures at work or play in front of a background of trees in the Palace of the Popes. Several frescos of gardens have survived from Roman houses like the Villa of Livia, a particular advance is shown in the less well-known Turin-Milan Hours, now largely destroyed by fire, whose developments were reflected in Early Netherlandish painting for the rest of the century. Landscape backgrounds for various types of painting became prominent and skilful during the 15th century. The Italian development of a system of graphical perspective was now known all over Europe. Indeed, certain styles were so popular that they became formulas that could be copied again and again, after the publication of the Small Landscapes, landscape artists in the Low Countries either continued with the world landscape or followed the new mode presented by the Small Landscapes. The popularity of landscape scenes can be seen in the success of the painter Frans Post. Salvator Rosa gave picturesque excitement to his landscapes by showing wilder Southern Italian country, there are different styles and periods, and subgenres of marine and animal painting, as well as a distinct style of Italianate landscape
11.
Henan
–
Henan is a province of the Peoples Republic of China, located in the central part of the country. Its one-character abbreviation is 豫, named after Yuzhou, a Han Dynasty state that parts of Henan. Although the name of the province south of the river, approximately a quarter of the province lies north of the Yellow River. Henan is often referred to as Zhongyuan or Zhongzhou which literally means central plain land or midland, although the name is also applied to the entirety of China proper. Henan is the birthplace of Chinese civilization with over 3,000 years of recorded history, and remained Chinas cultural, economical, numerous heritages have been left behind including the ruins of Shang Dynasty capital city Yin and the Shaolin Temple. Four of the Eight Great Ancient Capitals of China, Luoyang, Anyang, Kaifeng, with an area of 167,000 km2, Henan covers a large part of the fertile and densely populated North China Plain. Its neighbouring provinces are Shaanxi, Shanxi, Hebei, Shandong, Anhui, Henan is Chinas third most populous province with a population of over 94 million. If it were a country by itself, Henan would be the 12th most populous country in the world, behind Mexico, Henan is the 5th largest provincial economy of China and the largest among inland provinces. However, per capita GDP is low compared to eastern and central provinces. The economy continues to depend on its dwindling aluminum and coal reserves, as well as agriculture, heavy industry, tourism, high-tech industry and service sector is underdeveloped and is concentrated around Zhengzhou and Luoyang. Widely regarded as the Cradle of Chinese civilization along with Shanxi and Shaanxi provinces, Henan is known for its historical prosperity, the economic prosperity resulted from its extensive fertile plains and its location at the heart of the country. However, its location also means that it has suffered from nearly all of the major wars in China. In addition, the floods of the Yellow River have caused significant damage from time to time. Kaifeng, in particular, has been buried by the Yellow Rivers silt seven times due to flooding, archaeological sites reveal that prehistoric cultures such as the Yangshao Culture and Longshan Culture were active in what is now northern Henan since the Neolithic Era. The more recent Erlitou culture has been identified with the Xia Dynasty. Virtually the entire kingdom existed within what is now north and central Henan, the Xia Dynasty collapsed around the 16th century BC following the invasion of Shang, a neighboring vassal state centered around todays Shangqiu in eastern Henan. The Shang Dynasty was the first literate dynasty of China and its many capitals are located at the modern cities of Shangqiu, Yanshi, and Zhengzhou. Their last and most important capital, Yin, located in modern Anyang, is where the first Chinese writing was created, in the 11th century BC, the Zhou Dynasty of Shaanxi arrived from the west and overthrew the Shang Dynasty
12.
Scholar-official
–
After the Sui dynasty these officials mostly came from the scholar-gentry who had earned academic degrees by passing the imperial examinations. The scholar-officials were schooled in calligraphy and Confucian texts and they dominated the government and local life of China until the middle of the 20th century. Historian Charles Moore concludes that, Generally speaking, the record of these scholar-gentlemen has been a worthy one and it was good enough to be praised and imitated in 18th century Europe. Nevertheless, it has given China a tremendous handicap in their transition from government by men to government by law, since only a few could become court or local officials, the majority of the scholar-gentry stayed in villages or cities as social leaders. As a class, these claimed to represent morality and virtue. Four arts Junzi Yangban Kuge Bildungsbürgertum Elman, Benjamin A, civil Service Examinations, Berkshire Encyclopedia of China, Great Barrington, MA, Berkshire, pp. 405–410 Esherick, Joseph and Mary Backus Rankin. Chinese Local Elites and Patterns of Dominance, max Weber, The Religion of China, Confucianism and Taoism Jerry Bentley and Herb Ziegler. Traditions and Encounters - A Global Perspective on the Past, the Chinese Gentry, Studies on Their Role in Nineteenth-Century Chinese Society
13.
Chinese art
–
Chinese art is visual art that, whether ancient or modern, originated in or is practiced in China or by Chinese artists. The Chinese art in the Republic of China and that of overseas Chinese can also be considered part of Chinese art where it is based in or draws on Chinese heritage, early stone age art dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. After this early period Chinese art, like Chinese history, is classified by the succession of ruling dynasties of Chinese emperors. After contacts with Western art became increasingly important from the 19th century onwards, traditional Chinese painting involves essentially the same techniques as Chinese calligraphy and is done with a brush dipped in black or colored ink, oils are not used. As with calligraphy, the most popular materials on which paintings are made of paper, the finished work can be mounted on scrolls, such as hanging scrolls or handscrolls. Traditional painting can also be done on album sheets, walls, lacquerware, folding screens, the two main techniques in Chinese painting are, Gong-bi, meaning meticulous, uses highly detailed brushstrokes that delimits details very precisely. It is often coloured and usually depicts figural or narrative subjects. It is often practised by artists working for the court or in independent workshops. Bird-and-flower paintings were often in this style and this style is also referred to as xie yi or freehand style. Artists from the Han to the Tang dynasties mainly painted the human figure, much of what is known of early Chinese figure painting comes from burial sites, where paintings were preserved on silk banners, lacquered objects, and tomb walls. Many early tomb paintings were meant to protect the dead or help their souls get to paradise, others illustrated the teachings of the Chinese philosopher Confucius, or showed scenes of daily life. Most Chinese portraits showed a formal full-length frontal view, and were used in the family in ancestor veneration, Imperial portraits were more flexible, but were generally not seen outside the court, and portraiture formed no part of Imperial propaganda, as in other cultures. Many critics consider landscape to be the highest form of Chinese painting, the time from the Five Dynasties period to the Northern Song period is known as the Great age of Chinese landscape. In the south, Dong Yuan, Juran, and other artists painted the rolling hills and rivers of their native countryside in peaceful scenes done with softer and these two kinds of scenes and techniques became the classical styles of Chinese landscape painting. Chinese ritual bronzes from the Shang and Western Zhou Dynasties come from a period of over a thousand years from c,1500, and have exerted a continuing influence over Chinese art. They are cast with complex patterned and zoomorphic decoration, but avoid the human figure, smaller figures in pottery or wood were placed in tombs for many centuries afterwards, reaching a peak of quality in the Tang Dynasty. Buddhism is also the context of all large portrait sculpture, in total contrast to other areas in medieval China even painted images of the emperor were regarded as private. Imperial tombs have spectacular avenues of approach lined with real and mythological animals on a scale matching Egypt, and smaller versions decorate temples and palaces
14.
Chinese painting
–
Chinese painting is one of the oldest continuous artistic traditions in the world. Painting in the style is known today in Chinese as guóhuà, meaning national or native painting. Traditional painting involves essentially the same techniques as calligraphy and is done with a brush dipped in ink or coloured pigments. As with calligraphy, the most popular materials on which paintings are made are paper, the finished work can be mounted on scrolls, such as hanging scrolls or handscrolls. Traditional painting can also be done on album sheets, walls, lacquerware, folding screens, the two main techniques in Chinese painting are, Gongbi, meaning meticulous, uses highly detailed brushstrokes that delimits details very precisely. It is often coloured and usually depicts figural or narrative subjects. It is often practised by artists working for the court or in independent workshops. Ink and wash painting, in Chinese shui-mo also loosely termed watercolour or brush painting and this style is also referred to as xieyi or freehand style. Landscape painting was regarded as the highest form of Chinese painting, the time from the Five Dynasties period to the Northern Song period is known as the Great age of Chinese landscape. In the south, Dong Yuan, Juran, and other artists painted the rolling hills and rivers of their native countryside in peaceful scenes done with softer and these two kinds of scenes and techniques became the classical styles of Chinese landscape painting. Chinese painting and calligraphy distinguish themselves from other arts by emphasis on motion. The practice is traditionally first learned by rote, in which the shows the right way to draw items. The apprentice must copy these items strictly and continuously until the movements become instinctive, in contemporary times, debate emerged on the limits of this copyist tradition within modern art scenes where innovation is the rule. Changing lifestyles, tools, and colors are also influencing new waves of masters, the earliest paintings were not representational but ornamental, they consisted of patterns or designs rather than pictures. Early pottery was painted with spirals, zigzags, dots, or animals and it was only during the Warring States period that artists began to represent the world around them. Calligraphy and painting were thought to be the purest forms of art, the implements were the brush pen made of animal hair, and black inks made from pine soot and animal glue. In ancient times, writing, as well as painting, was done on silk, however, after the invention of paper in the 1st century AD, silk was gradually replaced by the new and cheaper material. Original writings by famous calligraphers have been valued throughout Chinas history and are mounted on scrolls
15.
Culture of the Song dynasty
–
The Song dynasty was a culturally rich and sophisticated age for China. There was blossoming of and advancements in the arts, music, literature. Appreciation of art among the gentry class flourished during the Song dynasty, especially in regard to paintings, trends in painting styles amongst the gentry notably shifted from the Northern to Southern Song periods, influenced in part by the gradual embrace of the Neo-Confucian political ideology at court. Chinese painting during the Song dynasty reached a new level of sophistication with further development of landscape painting, the shan shui style painting—shan meaning mountain, and shui meaning river—became prominent features in Chinese landscape art. The making of glazed and translucent porcelain and celadon wares with complex use of enamels was also developed further during the Song period, longquan celadon wares were particularly popular in the Song period. Black and red lacquerwares of the Song period featured beautifully carved artwork of miniature nature scenes, landscapes, by the beginning of the Song dynasty a distinctive landscape style had emerged. Artists mastered the formula of creating intricate and realistic scenes placed in the foreground, while the background retained qualities of vast, distant mountain peaks rise out of high clouds and mist, while streaming rivers run from afar into the foreground. There was a significant difference in painting trends between the Northern Song period and Southern Song period. On the other hand, Southern Song officials were interested in reforming society from the bottom up and on a much smaller scale. This change in attitude from one era to the next stemmed largely from the influence of Neo-Confucian philosophy. During the Song dynasty there were art collectors that would often meet in groups to discuss their own paintings, as well as rate those of their colleagues. The poet and statesman Su Shi and his accomplice Mi Fu often partook in these affairs, borrowing art pieces to study and copy, or if they really admired a piece then an exchange was often proposed. The small round paintings popular in the Southern Song were often collected into albums as poets would write poems along the side to match the theme and they were not to be considered real artists. However, during the Song period, there were many acclaimed court painters and they were esteemed by emperors. Emperor Gaozong of Song once commissioned an art project of numerous paintings for the Eighteen Songs of a Nomad Flute, the Southern Song dynasty court painters included Zhao Mengjian, a member of the Imperial family, known for popularising the Three Friends of Winter. During the Song period Buddhism saw a revival since its persecution during the Tang dynasty. This could be seen in the construction of sculpture artwork at the Dazu Rock Carvings in Sichuan province. Chinese literature during the Song period contained a range of different genres and was enriched by the social complexity of the period
16.
International Standard Book Number
–
The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
17.
Virtual International Authority File
–
The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records
18.
Integrated Authority File
–
The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly also by archives, the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero license, the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, and an approach to unambiguous identification of single elements. It also comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format
.jpg)
