1.
Greek underworld
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The Greek underworld, in mythology, is an otherworld where souls go after death, and is the original Greek idea of afterlife. At the moment of death the soul is separated from the corpse, taking on the shape of the former person, the Underworld itself is described as being either at the outer bounds of the ocean or beneath the depths or ends of the earth. It is considered the counterpart to the brightness of Mount Olympus. Hades is an invisible to the living, made solely for the dead. There are five rivers that are visible both in the living world and the underworld. Their names were meant to reflect the emotions associated with death, the Styx is generally considered to be one of the most prominent and central rivers of the Underworld and is also the most widely known out of all the rivers. Its known as the river of hatred and is named after the goddess Styx and this river circles the underworld seven times. The Acheron is the river of pain and its the one that Charon, also known as the Ferryman, rows the dead over according to many mythological accounts, though sometimes it is the river Styx or both. The Lethe is the river of forgetfulness and it is associated with the goddess Lethe, the goddess of forgetfulness and oblivion. In later accounts, a poplar branch dripping with water of the Lethe became the symbol of Hypnos, the Phlegethon is the river of fire. According to Plato, this leads to the depths of Tartarus. The Cocytus is the river of wailing, oceanus is the river that encircles the world, and it marks the east edge of the underworld, as Erebos is west of the mortal world. In front of the entrance to the underworld live Grief, Anxiety, Diseases, fear, Hunger, Death, Agony, and Sleep also live in front of the entrance, together with Guilty Joys. On the opposite threshold is War, the Erinyes, and Eris, close to the doors are many beasts, including Centaurs, Gorgons, the Lernaean Hydra, the Chimera, and Harpies. In the midst of all this, an Elm can be seen where false dreams cling under every leaf, the souls that enter the Underworld carry a coin under their tongue to pay Charon to take them across the river. Charon may make exceptions or allowances for those carrying a certain Golden Bough. Charon is appallingly filthy, with eyes like jets of fire, a bush of unkempt beard upon his chin, although Charon embarks now one group now another, some souls he grimly turns away. These are the unburied which cant be taken across from bank to bank until they receive a proper burial, across the river, guarding the gates of the Underworld, is Cerberus
2.
Christian views on Hades
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Hades, according to various Christian denominations, is the place or state of departed spirits. In the Septuagint, the Greek term ᾅδης is used to translate the Hebrew term שאול in, for example, Isaiah 38,18. In New Testament Greek, the Hebrew phrase לא־תעזב נפשׁי לשׁאול in Psalm 16,10 is quoted in Acts 2,27 as οὐκ ἐγκαταλείψεις τὴν ψυχήν μου εἰς ᾅδου. Except in this verse of 1 Corinthians, where it uses grave, modern translations, for which there are only 10 instances of the word ᾅδης in the New Testament, generally transliterate it as Hades. The word ᾅδης is usually related to afterlife punishment, death and Hades are repeatedly associated in the Book of Revelation. Thou shalt go down unto Hades, Greek, on the other hand, has kept the original meaning of ᾅδης and uses the word κόλασις to refer to what nowadays is usually meant by hell in English. Most mainstream Christian denominations and churches believe in form of conscious existence after the death of the body. The teaching of the Eastern Orthodox Church is that, after the leaves the body. There are exceptions, such as the Theotokos, who was borne by the angels directly into heaven, as for the rest, we must remain in this condition of waiting. Because some have a prevision of the glory to come and others foretaste their suffering, when Christ returns, the soul rejoins its risen body to be judged by Him in the Last judgment. The good and faithful servant will inherit eternal life, the unfaithful with the unbeliever will spend eternity in hell and their sins and their unbelief will torture them as fire. The Latin word infernus or infernum indicated the abode of the dead and it appears in both the documents quoted above, and pointed more obviously than the Greek word to an existence beneath the earth. Later, the transliteration hades of the Greek word ceased to be used in Latin, though infernus is usually translated into English as hell, it did not have the narrow sense that the English word has now acquired. It continued to have the meaning of abode of the dead. John Henry Hobart, an Anglican bishop, writes that Hades, or the place of the dead, is represented as a receptacle with gates. This space is divided into Paradise and Gehenna but with an impassable gulf between the two, souls, with exception of martyrs and saints, remain in Hades until the Final Judgment and Christians may also improve in holiness after death during the middle state before the final judgment. As such, many Anglicans pray for the dead, in the Methodist Church, hades denotes the intermediate state of souls between death and the general resurrection, which is divided into Paradise and Gehenna. After the general judgment, hades will be abolished, john Wesley, the founder of Methodism, made a distinction between hell and hades, and also between paradise and heaven itself
3.
Serapis
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Serapis or Sarapis is a Graeco-Egyptian god. The cult of Serapis was introduced during the 3rd century BC on the orders of Ptolemy I of Egypt as a means to unify the Greeks and Egyptians in his realm. The god was depicted as Greek in appearance, but with Egyptian trappings, a serapeum was any temple or religious precinct devoted to Serapis. The cultus of Serapis was spread as a matter of policy by the Ptolemaic kings. Serapis continued to increase in popularity during the Roman period, often replacing Osiris as the consort of Isis in temples outside Egypt. Serapis is the form used in Latin, but both Σάραπις, Sárapis and Σέραπις, Sérapis appear in Greek, as well as Σαραπo Sarapo in Bactrian. His most renowned temple was the Serapeum of Alexandria, under Ptolemy Soter, efforts were made to integrate Egyptian religion with that of their Hellenic rulers. Ptolemys policy was to find a deity that should win the reverence alike of both groups, despite the curses of the Egyptian priests against the gods of the foreign rulers. Alexander the Great had attempted to use Amun for this purpose, but he was prominent in Upper Egypt, and not as popular with those in Lower Egypt. The Greeks had little respect for animal-headed figures, and so a Greek-style anthropomorphic statue was chosen as the idol and it was named Aser-hapi, which became Serapis, and was said to be Osiris in full, rather than just his Ka. The earliest mention of a Serapis occurs in the death scene of Alexander. Here, Serapis has a temple at Babylon, and is of importance that he alone is named as being consulted on behalf of the dying king. The significance of this Serapsi in the Hellenic psyche, due to its involvement in Alexanders death, may have also contributed to the choice of Osiris-Apis as the chief Ptolemaic god. Plutarch may not be correct, however, as some Egyptologists allege that the Sinope in the tale is really the hill of Sinopeion, also, according to Tacitus, Serapis had been the god of the village of Rhakotis before it expanded into the great capital of Alexandria. He also held a sceptre in his hand indicating his rulership, with Cerberus, gatekeeper of the underworld, the statue also had what appeared to be a serpent at its base, fitting the Egyptian symbol of rulership, the uraeus. With his wife Isis, and their son Horus, Serapis won an important place in the Greek world, in his 2nd-century AD Description of Greece, Pausanias notes two Serapeia on the slopes of Acrocorinth, above the rebuilt Roman city of Corinth and one at Copae in Boeotia. Serapis figured among the deities whose cult was received and disseminated throughout the Roman Empire. At Rome, Serapis was worshiped in the Iseum Campense, the sanctuary of Isis built during the Second Triumvirate in the Campus Martius, from the Flavian Dynasty on, Serapis was one of the deities who might appear on imperial coinage with the reigning emperor
4.
Cerberus
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In Greek mythology, Cerberus, often called the hound of Hades, is the monstrous multi-headed dog that guards the gates of the Underworld to prevent the dead from leaving. Cerberus was the offspring of the monsters Echidna and Typhon, Cerberus is primarily known for his capture by Heracles, one of Heracles twelve labours. Descriptions of Cerberus vary, including the number of his heads, Cerberus was usually three-headed, though not always. And, like these close relatives, Cerberus was, with only the rare iconographic exception, in the earliest description of Cerberus, Hesiods Theogony, Cerberus has fifty heads, while Pindar gave him one hundred heads. However, later writers almost universally give Cerberus three heads, an exception is the Latin poet Horaces Cerberus which has a single dog head, and one hundred snake heads. In art Cerberus is most commonly depicted with two dog heads, never more than three, but occasionally only one. On one of the two earliest depictions, a Corinthian cup from Argos, now lost, Cerberus is shown as a normal single-headed dog, the first appearance of a three-headed Cerberus occurs on a mid sixth century BC Laconian cup. Horaces many snake-headed Cerberus followed a tradition of Cerberus being part snake. This is perhaps already implied as early as in Hesiods Theogony, where Cerberus mother is the half-snake Echidna, in the literary record, the first certain indication of Cerberus serpentine nature comes from the rationalized account of Hecataeus of Miletus, who makes Cerberus a large poisonous snake. Cerberus was given various other traits, according to Euripides, Cerberus not only had three heads but three bodies, and according to Virgil he had multiple backs. Cerberus ate raw flesh, had eyes which flashed fire, a three-tongued mouth, as early as Homer we learn that Heracles was sent by Eurystheus, the king of Tiryns, to bring back Cerberus from Hades the king of the underworld. According to Apollodorus, this was the twelfth and final labour imposed on Heracles, Heracles was aided in his mission by his being an initiate of the Eleusinian Mysteries. Euripides has his initiation being lucky for Heracles in capturing Cerberus, and both Diodorus Siculus and Apollodorus say that Heracles was initiated into the Mysteries, in preparation for his descent into the underworld. According to Diodorus, Heracles went to Athens, where Musaeus, Heracles also had the help of Hermes, the usual guide of the underworld, as well as Athena. In the Odyssey, Homer has Hermes and Athena as his guides, and Hermes and Athena are often shown with Heracles on vase paintings depicting Cerberus capture. By most accounts, Heracles made his descent into the underworld through an entrance at Tainaron, Heraclea, founded c.560 BC, perhaps took its name from the association of its site with Heracles Cerberian exploit. While in the underworld, Heracles met the heroes Theseus and Pirithous, along with bringing back Cerberus, Heracles also managed to rescue Theseus, and in some versions Pirithous as well. The earliest literary mention of the rescue occurs in Euripides, where Heracles saves Theseus, in the lost play Pirithous, both heroes are rescued, while in the rationalized account of Philochorus, Heracles was able to rescue Theseus, but not Pirithous
5.
Cornucopia
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In classical antiquity, the cornucopia or horn of plenty was a symbol of abundance and nourishment, commonly a large horn-shaped container overflowing with produce, flowers or nuts. Mythology offers multiple explanations of the origin of the cornucopia, one of the best-known involves the birth and nurturance of the infant Zeus, who had to be hidden from his devouring father Kronus. In a cave on Mount Ida on the island of Crete, baby Zeus was cared for and protected by a number of attendants, including the goat Amalthea. In another myth, the cornucopia was created when Heracles wrestled with the river god Achelous and wrenched off one of his horns and this version is represented in the Achelous and Hercules mural painting by the American Regionalist artist Thomas Hart Benton. In modern depictions, the cornucopia is typically a hollow, horn-shaped wicker basket filled with various kinds of festive fruit, in most of North America, the cornucopia has come to be associated with Thanksgiving and the harvest. Cornucopia is also the name of the annual November Food and Wine celebration in Whistler, British Columbia, two cornucopias are seen in the flag and state seal of Idaho. The Great Seal of North Carolina depicts Liberty standing and Plenty holding a cornucopia, the coat of arms of Colombia, Panama, Peru and Venezuela, and the Coat of Arms of the State of Victoria, Australia, also feature the cornucopia, symbolising prosperity. In the book and film series The Hunger Games, the Cornucopia is filled with weapons, and is the point of the Games. The horn of plenty is used for art and at Halloween, as it is a symbol of fertility, fortune
6.
Sceptre
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A sceptre or scepter is a symbolic ornamental staff or wand held in the hand by a ruling monarch as an item of royal or imperial insignia. Figuratively, it means royal or imperial authority or sovereignty, either right or cruel, the ancient Indian work of Tirukkural dedicates a separate chapter each on the ethics of the right sceptre and the evils of the cruel sceptre. The Was and other types of staffs were signs of authority in Ancient Egypt, for this reason, they are often described as sceptres, even if they are full-length staffs. One of the earliest royal sceptres was discovered in the 2nd Dynasty tomb of Khasekhemwy in Abydos, kings were also known to carry a staff, and Pharaoh Anedjib is shown on stone vessels carrying a so-called mks-staff. The staff with the longest history seems to be the heqa-sceptre, the Bronze Age rulers of Mesopotamia are not regularly depicted with sceptres. However, in instances, they are shown armed, with bow and arrow. Use of a rod or staff as representing authority can be traced to the beginning of Classical Antiquity. Among the early Greeks, the sceptre was a staff, such as Agamemnon wielded or was used by respected elders, and came to be used by judges, military leaders, priests. It is represented on painted vases as a staff tipped with a metal ornament. When the sceptre is borne by Zeus or Hades, it is headed by a bird, when, in the Iliad, Agamemnon sends Odysseus to the leaders of the Achaeans, he lends him his sceptre. Among the Etruscans, sceptres of great magnificence were used by kings, many representations of such sceptres occur on the walls of the painted tombs of Etruria. The British Museum, the Vatican, and the Louvre possess Etruscan sceptres of gold, the Roman sceptre probably derived from the Etruscan. Under the Republic, a sceptre was a mark of consular rank. It was also used by generals who received the title of imperator. In the First Persian Empire, the Biblical Book of Esther mentions the sceptre of the King of Persia. Esther 5,2 When the king saw Esther the queen standing in the court, she obtained favor in his sight, so Esther came near, and touched the top of the scepter. Under the Roman Empire, the sceptrum Augusti was specially used by the emperors, the codes of the right and the cruel sceptre are found in the ancient Tamil work of Tirukkural, dating back to between the first and the third centuries BCE. With the advent of Christianity, the sceptre was tipped with a cross instead of with an eagle
7.
Cypress
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Cypress is the name applied to many plants in the cypress family Cupressaceae, which is a conifer of northern temperate regions. Most cypress species are trees, while a few are shrubs, the word cypress is derived from Old French cipres, which was imported from Latin cypressus the latinisation of the Greek κυπάρισσος. Species that are known as cypresses include, The Cupressaceae family also contains 13–16 other genera that do not bear cypress in their common names. Species of cypress with very low potential for causing allergies include, Austrocedrus females and Widdringtonia females
8.
Narcissus (plant)
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Narcissus /nɑːrˈsɪsəs/ is a genus of predominantly spring perennial plants in the Amaryllidaceae family. Various common names including daffodil, daffadowndilly, narcissus, and jonquil are used to all or some members of the genus. Narcissus has conspicuous flowers with six petal-like tepals surmounted by a cup- or trumpet-shaped corona, the flowers are generally white or yellow, with either uniform or contrasting coloured tepals and corona. Narcissus were well known in ancient civilisation, both medicinally and botanically, but formally described by Linnaeus in his Species Plantarum, the genus is generally considered to have about ten sections with approximately 50 species. The number of species has varied, depending on how they are classified, the genus arose some time in the Late Oligocene to Early Miocene epochs, in the Iberian peninsula and adjacent areas of southwest Europe. The exact origin of the name Narcissus is unknown, but it is linked to a Greek word for intoxicated. The English word daffodil appears to be derived from asphodel, with which it was commonly compared, the species are native to meadows and woods in southern Europe and North Africa with a center of diversity in the Western Mediterranean, particularly the Iberian peninsula. Both wild and cultivated plants have naturalised widely, and were introduced into the Far East prior to the tenth century, Narcissi tend to be long-lived bulbs, which propagate by division, but are also insect-pollinated. Known pests, diseases and disorders include viruses, fungi, the larvae of flies, mites and nematodes, some Narcissus species have become extinct, while others are threatened by increasing urbanisation and tourism. Today narcissi are popular as cut flowers and as plants in private. The long history of breeding has resulted in thousands of different cultivars, for horticultural purposes, narcissi are classified into divisions, covering a wide range of shapes and colours. Like other members of their family, narcissi produce a number of different alkaloids, which provide protection for the plant. This property has been exploited for use in traditional healing and has resulted in the production of galantamine for the treatment of Alzheimers dementia. Long celebrated in art and literature, narcissi are associated with a number of themes in different cultures, ranging from death to good fortune, the daffodil is the national flower of Wales and the symbol of cancer charities in many countries. The appearance of the flowers in spring is associated with festivals in many places. Narcissus is a genus of perennial herbaceous bulbiferous geophytes, dying back after flowering to a storage bulb. They regrow in the year from brown-skinned ovoid bulbs with pronounced necks. Dwarf species such as N. asturiensis have a height of 5–8 cm
9.
Persephone
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In Greek mythology, Persephone, also called Kore or Cora, is the daughter of Zeus and the harvest goddess Demeter, and is the queen of the underworld. Homer describes her as the formidable, venerable majestic princess of the underworld, Persephone was married to Hades, the god-king of the underworld. Similar myths appear in the Orient, in the cults of gods like Attis, Adonis and Osiris. Persephone is further said to have become by Zeus the mother of Dionysus, Iacchus, or Zagreus, the origins of her cult are uncertain, but it was based on very old agrarian cults of agricultural communities. Persephone was commonly worshipped along with Demeter and with the same mysteries, to her alone were dedicated the mysteries celebrated at Athens in the month of Anthesterion. In Classical Greek art, Persephone is invariably portrayed robed, often carrying a sheaf of grain and she may appear as a mystical divinity with a sceptre and a little box, but she was mostly represented in the process of being carried off by Hades. In Roman mythology, she is called Proserpina, and her mother, persephonē is her name in the Ionic Greek of epic literature. The Homeric form of her name is Persephoneia, in other dialects she was known under variant names, Persephassa, Persephatta, or simply Korē. Plato calls her Pherepapha in his Cratylus, because she is wise, There are also the forms Periphona and Phersephassa. The existence of so many different forms shows how difficult it was for the Greeks to pronounce the word in their own language, an alternative etymology is from φέρειν φόνον, pherein phonon, to bring death. John Chadwick speculatively relates the name of Persephone with the name of Perse, the Romans first heard of her from the Aeolian and Dorian cities of Magna Graecia, who used the dialectal variant Proserpinē. Hence, in Roman mythology she was called Proserpina, a name derived by the Romans from proserpere, to shoot forth. In a Classical period text ascribed to Empedocles, c, and Nestis, moistening mortal springs with tears. The epithets of Persephone reveal her double function as chthonic and vegetation goddess, the surnames given to her by the poets refer to her character as Queen of the lower world and the dead, or her symbolic meaning of the power that shoots forth and withdraws into the earth. Her common name as a goddess is Kore and in Arcadia she was worshipped under the title Despoina the mistress. Plutarch identifies her with spring and Cicero calls her the seed of the fruits of the fields, in the Eleusinian mysteries her return is the symbol of immortality and hence she was frequently represented on sarcophagi. The Orphic Persephone is further said to have become by Zeus the mother of Dionysus, Iacchus, Zagreus, as a goddess of the underworld, Persephone was given euphemistically friendly names. However it is possible some of them were the names of original goddesses
10.
Plutus
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Plutus /ˈpluːtəs/ was the god of wealth in ancient Greek religion and myth. He was the son of Demeter and Iasion, with whom she lay in a thrice-ploughed field, in the theology of the Eleusinian Mysteries he was regarded as the Divine Child. His relation to the ruler of the underworld Pluto, with whom he is often conflated, is complex, as Pluto was also a god of wealth. When the gods sight is restored, in Aristophanes comedy, he is able to determine who is deserving of wealth. Among the Eleusinian figures painted on Greek ceramics, regardless of whether he is depicted as child or youthful ephebe, Plutus can be identified as the one bearing the cornucopia—horn of plenty. In later allegorical bas-reliefs, Plutus is depicted as a boy in the arms of Eirene, as Prosperity is the gift of Peace, or in the arms of Tyche, dante likely included Plutus to symbolize the evil of hoarding wealth. Like many other figures in Greek and Roman mythology, Plutus name is related to several English words
11.
Erinyes
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In Greek mythology the Erinyes, also known as the Furies, were female chthonic deities of vengeance, they were sometimes referred to as infernal goddesses. A formulaic oath in the Iliad invokes them as the Erinyes, walter Burkert suggests they are an embodiment of the act of self-cursing contained in the oath. They correspond to the Dirae in Roman mythology, the Roman writer Maurus Servius Honoratus wrote that they are called Eumenides in hell, Furiae on earth, and Dirae in heaven. According to variant accounts, they emerged from a more primordial level—from Nyx. Their number is usually left indeterminate, Virgil, probably working from an Alexandrian source, recognized three, Alecto or Alekto, Megaera, and Tisiphone or Tilphousia, all of whom appear in the Aeneid. Dante Alighieri followed Virgil in depicting the same three-character triptych of Erinyes, the word Erinys in the singular and as a theonym is first attested in Mycenaean Greek, written in Linear B, in the following forms,
12.
Cronus
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In Greek mythology, Cronus, or Kronos, was the leader and youngest of the first generation of Titans, the divine descendants of Uranus, the sky, and Gaia, the earth. He overthrew his father and ruled during the mythological Golden Age, until he was overthrown by his own son Zeus, Cronus was usually depicted with a harpe, scythe or a sickle, which was the instrument he used to castrate and depose Uranus, his father. Cronus was also identified in antiquity with the Roman deity Saturn. In an ancient myth recorded by Hesiods Theogony, Cronus envied the power of his father, Gaia created a great stone sickle and gathered together Cronus and his brothers to persuade them to castrate Uranus. Only Cronus was willing to do the deed, so Gaia gave him the sickle, when Uranus met with Gaia, Cronus attacked him with the sickle, castrating him and casting his testicles into the sea. From the blood spilled out from Uranus and fell upon the earth, the Gigantes, Erinyes. The testicles produced a white foam from which the goddess Aphrodite emerged, for this, Uranus threatened vengeance and called his sons Titenes for overstepping their boundaries and daring to commit such an act. After dispatching Uranus, Cronus re-imprisoned the Hecatonchires, and the Cyclopes and he and his sister Rhea took the throne of the world as king and queen. The period in which Cronus ruled was called the Golden Age, as the people of the time had no need for laws or rules, everyone did the right thing, and immorality was absent. Cronus learned from Gaia and Uranus that he was destined to be overcome by his own sons, just as he had overthrown his father. As a result, although he sired the gods Demeter, Hestia, Hera, Hades and Poseidon by Rhea, he devoured them all as soon as they were born to prevent the prophecy. When the sixth child, Zeus, was born Rhea sought Gaia to devise a plan to them and to eventually get retribution on Cronus for his acts against his father. Rhea secretly gave birth to Zeus in Crete, and handed Cronus a stone wrapped in swaddling clothes, also known as the Omphalos Stone, Rhea kept Zeus hidden in a cave on Mount Ida, Crete. Still other versions of the say that Zeus was raised by his grandmother. In other versions of the tale, Metis gave Cronus an emetic to force him to disgorge the children, after freeing his siblings, Zeus released the Hecatonchires, and the Cyclopes who forged for him his thunderbolts, Poseidons trident and Hades helmet of darkness. In a vast war called the Titanomachy, Zeus and his brothers and sisters, with the help of the Hecatonchires, and Cyclopes, overthrew Cronus and the other Titans. Afterwards, many of the Titans were confined in Tartarus, however, Atlas, Epimetheus, Helios, Gaia bore the monster Typhon to claim revenge for the imprisoned Titans. Accounts of the fate of Cronus after the Titanomachy differ, in Homeric and other texts he is imprisoned with the other Titans in Tartarus
13.
Rhea (mythology)
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Rhea is the Titaness daughter of the earth goddess Gaia and the sky god Uranus, in Greek mythology and sister and wife to Cronus. In early traditions, she is known as the mother of gods and therefore is associated with Gaia and Cybele. The classical Greeks saw her as the mother of the Olympian gods and goddesses, the Romans identified her with Magna Mater, and the Goddess Ops. Alternatively, the name Rhea may be connected with words for the pomegranate, ῥόα, the name Rhea may ultimately derive from a pre-Greek or Minoan source. Cronus sired six children by Rhea, Hestia, Hades, Demeter, Poseidon, Hera, and Zeus in that order. Apart from Zeus, he swallowed all as soon as they were born, because he had learned from Gaia and Uranus that, as he had overthrown his own father, he was destined to be overcome by his own child. When Zeus was about to be born, however, Rhea sought Uranus and Gaia to devise a plan to him, so that Cronus would get his retribution for his acts against Uranus. Rhea gave birth to Zeus in Crete, and saved him by handing Cronus a stone wrapped in swaddling clothes, Rhea hid Zeus in a cave on Mount Ida in Crete. Her attendants, the warrior-like Curetes and Dactyls, acted as a bodyguard for the infant Zeus, Rhea had no strong local cult or identifiable activity under her control. She was originally worshiped in the island of Crete, identified in mythology as the site of Zeuss infancy and her cults employed rhythmic, raucous chants and dances, accompanied by the tympanon, to provoke a religious ecstasy. Her priests impersonated her mythical attendants, the Curetes and Dactyls, with a clashing of bronze shields, in Roman religion, her counterpart Cybele was Magna Mater deorum Idaea, who was brought to Rome and was identified in Roman mythology as an ancestral Trojan deity. On a functional level, Rhea was thought equivalent to Roman Ops or Opis, the one at Mycenae is most characteristic, with a lioness placed on either side of a pillar that symbolizes the goddess. In Homer, Rhea is the mother of the gods, although not a mother like Cybele. In the Argonautica by Apollonius of Rhodes, the fusion of Rhea, for her temenos they wrought an image of the goddess, a xoanon, from a vine-stump. They leapt and danced in their armour, For this reason the Phrygians still worship Rhea with tambourines, the name of the bird species rhea is derived from the goddess name Rhea. The second largest moon of the planet Saturn is named after her, gantz, Timothy, Early Greek Myth, A Guide to Literary and Artistic Sources, Johns Hopkins University Press,1996, Two volumes, ISBN 978-0-8018-5360-9, ISBN 978-0-8018-5362-3. Hesiod, Theogony, in The Homeric Hymns and Homerica with an English Translation by Hugh G. Evelyn-White, Cambridge, harvard University Press, London, William Heinemann Ltd.1914. Online version at the Perseus Digital Library, Homer, The Iliad with an English Translation by A. T
14.
Poseidon
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Poseidon was one of the twelve Olympian deities of the pantheon in Greek mythology. His main domain was the ocean, and he is called the God of the Sea, additionally, he is referred to as Earth-Shaker due to his role in causing earthquakes, and has been called the tamer of horses. He is usually depicted as a male with curly hair. The name of the sea-god Nethuns in Etruscan was adopted in Latin for Neptune in Roman mythology, both were sea gods analogous to Poseidon. According to some folklore, he was saved by his mother Rhea, who concealed him among a flock of lambs and pretended to have birth to a colt. There is a Homeric hymn to Poseidon, who was the protector of many Hellenic cities, according to the references from Plato in his dialogues Timaeus and Critias, the island of Atlantis was the chosen domain of Poseidon. The form Ποτειδάϝων appears in Corinth, the origins of the name Poseidon are unclear. Walter Burkert finds that the second element da- remains hopelessly ambiguous, another theory interprets the second element as related to the word *δᾶϝον dâwon, water, this would make *Posei-dawōn into the master of waters. There is also the possibility that the word has Pre-Greek origin, Plato in his dialogue Cratylus gives two alternative etymologies, either the sea restrained Poseidon when walking as a foot-bond, or he knew many things. If surviving Linear B clay tablets can be trusted, the name occurs with greater frequency than does di-u-ja. A feminine variant, po-se-de-ia, is found, indicating a lost consort goddess. Poseidon carries frequently the title wa-na-ka in Linear B inscriptions, as king of the underworld, the chthonic nature of Poseidon-Wanax is also indicated by his title E-ne-si-da-o-ne in Mycenean Knossos and Pylos, a powerful attribute. In the cave of Amnisos Enesidaon is related with the cult of Eileithyia and she was related with the annual birth of the divine child. During the Bronze Age, a goddess of nature, dominated both in Minoan and Mycenean cult, and Wanax was her companion in Mycenean cult. It is possible that Demeter appears as Da-ma-te in a Linear B inscription, in Linear B inscriptions found at Pylos, E-ne-si-da-o-ne is related with Poseidon, and Si-to Po-tini-ja is probably related with Demeter. Tablets from Pylos record sacrificial goods destined for the Two Queens, the Two Queens may be related with Demeter and Persephone, or their precursors, goddesses who were not associated with Poseidon in later periods. The violated Demeter was Demeter Erinys, in Arcadia, Demeters mare-form was worshiped into historical times. Her xoanon of Phigaleia shows how the local cult interpreted her, a Medusa type with a horses head with snaky hair, holding a dove and a dolphin, probably representing her power over air and water
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Demeter
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In ancient Greek religion and Greek mythology, Demeter is the goddess of the harvest and agriculture, who presided over grains and the fertility of the earth. Her cult titles include Sito, she of the Grain, as the giver of food or grain, though Demeter is often described simply as the goddess of the harvest, she presided also over the sacred law, and the cycle of life and death. She and her daughter Persephone were the figures of the Eleusinian Mysteries that predated the Olympian pantheon. In the Linear B Mycenean Greek tablets of c, 1400–1200 BC found at Pylos, the two mistresses and the king may be related with Demeter, Persephone and Poseidon. It is possible that Demeter appears in Linear A as da-ma-te on three documents, all three dedicated in religious situations and all three bearing just the name. It is unlikely that Demeter appears as da-ma-te in a Linear B inscription, on the other hand,
16.
Hestia
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In Ancient Greek religion, Hestia is a virgin goddess of the hearth, architecture, and the right ordering of domesticity, the family, the home, and the state. In Greek mythology, she is a daughter of Cronus and Rhea, Hestia received the first offering at every sacrifice in the household. In the public domain, the hearth of the prytaneum functioned as her official sanctuary, with the establishment of a new colony, flame from Hestias public hearth in the mother city would be carried to the new settlement. Hestias name means hearth, fireplace, altar, the oikos, likewise, the hearth of the later Greek prytaneum was the community and governments ritual and secular focus. Hestias name and functions show the importance in the social, religious. It was essential for warmth, food preparation, and the completion of sacrificial offerings to deities, in the latter, Hestia was the recipient of a preliminary, usually cheap. She was also offered the first and last libations of wine at feasts and her own sacrificial animal was a domestic pig. At the level of the polis, the hearths of Greek colonies, Hestias nearest Roman equivalent, Vesta, had similar functions as a divine personification of Romes public, domestic, and colonial hearths, and bound Romans together within a form of extended family. Responsibility for Hestias domestic cult usually fell to the woman of the household. Evidence of her priesthoods is extremely rare, most stems from the early Roman Imperial era, when Sparta offers several examples of women with the priestly title Hestia, Chalcis offers one, a daughter of the local elite. Existing civic cults to Hestia probably served as stock for the grafting of Greek ruler-cult to the Roman emperor, in Athens, a small seating section at the Theatre of Dionysus was reserved for priesthoods of Hestia on the Acropolis, Livia, and Julia, and of Hestia Romaion. A priest at Delos served Hestia the Athenian Demos and Roma, an eminent citizen of Carian Stratoniceia described himself as a priest of Hestia and several other deities, as well as holding several civic offices. Hestia is a goddess of the first Olympian generation and she was the eldest daughter of the Titans Rhea and Cronus, and sister to Zeus, Poseidon, Demeter, Hera, and Hades. As first to be devoured. and the last to be yielded up again, Hestia rejects the marriage suits of Poseidon and Apollo, and swears herself to perpetual virginity. She thus rejects Aphrodites values and becomes, to some extent, her chaste, domestic complementary, Zeus assigns Hestia a duty to feed and maintain the fires of the Olympian hearth with the fatty, combustible portions of animal sacrifices to the gods. Wherever food was cooked, or an offering was burnt, she thus had her share of honour, among all mortals she was chief of the goddesses. At Athens in Platos time, notes Kenneth Dorter there was a discrepancy in the list of the chief gods. The altar to them at the agora, for example, included Hestia, Hestia was known for her kindness, but no ancient source or myth describes such a surrender or removal
17.
Hera
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Hera is the goddess of women and marriage in Greek mythology and religion. She is the daughter of the Titans Cronus and Rhea, Hera is married to her brother Zeus and is titled as the Queen of Heaven. One of her characteristics is her jealous and vengeful nature against Zeuss other lovers and offspring, Hera is commonly seen with the animals she considers sacred including the cow, lion and the peacock. Scholar of Greek mythology Walter Burkert writes in Greek Religion, Nevertheless, there are memories of an aniconic representation, as a pillar in Argos. Her counterpart in the religion of ancient Rome was Juno, According to Plutarch, Hera was an allegorical name and an anagram of aēr. So begins the section on Hera in Walter Burkerts Greek Religion, in a note, he records other scholars arguments for the meaning Mistress as a feminine to Heros, Master. John Chadwick, a decipherer of Linear B, remarks her name may be connected with hērōs, ἥρως, hero, a. J. van Windekens, offers young cow, heifer, which is consonant with Heras common epithet βοῶπις. R. S. P. Beekes has suggested a Pre-Greek origin and her name is attested in Mycenaean Greek written in the Linear B syllabic script as
18.
Zeus
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Zeus /ˈzjuːs/ is the sky and thunder god in ancient Greek religion, who ruled as king of the gods of Mount Olympus. His name is cognate with the first element of his Roman equivalent Jupiter and his mythologies and powers are similar, though not identical, to those of the Indo-European deities such as Indra, Jupiter, Perun, Thor, and Odin. Zeus is the child of Cronus and Rhea, the youngest of his siblings to be born, in most traditions, he is married to Hera, by whom he is usually said to have fathered Ares, Hebe, and Hephaestus. At the oracle of Dodona, his consort was said to be Dione, Zeus was also infamous for his erotic escapades. These resulted in many godly and heroic offspring, including Athena, Apollo, Artemis, Hermes, Persephone, Dionysus, Perseus, Heracles, Helen of Troy, Minos, and the Muses. He was equated with many foreign weather gods, permitting Pausanias to observe That Zeus is king in heaven is a common to all men. His symbols are the thunderbolt, eagle, bull, and oak, in addition to his Indo-European inheritance, the classical cloud-gatherer also derives certain iconographic traits from the cultures of the Ancient Near East, such as the scepter. Zeus is frequently depicted by Greek artists in one of two poses, standing, striding forward with a thunderbolt leveled in his right hand. The gods name in the nominative is Ζεύς Zeús and it is inflected as follows, vocative, Ζεῦ Zeû, accusative, Δία Día, genitive, Διός Diós, dative, Διί Dií. Diogenes Laertius quotes Pherecydes of Syros as spelling the name, Ζάς, Zeus is the Greek continuation of *Di̯ēus, the name of the Proto-Indo-European god of the daytime sky, also called *Dyeus ph2tēr. The god is known under this name in the Rigveda, Latin, Zeus is the only deity in the Olympic pantheon whose name has such a transparent Indo-European etymology. The earliest attested forms of the name are the Mycenaean Greek
19.
Chiron
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In Greek mythology, Chiron was held to be the superlative centaur amongst his brethren. Chiron was notable throughout Greek mythology for his youth-nurturing nature and his personal skills tend to match those of Apollo, his foster father, medicine, music, archery, hunting, prophecy. His parents were Cronus and Philyra, although a centaur, Chirons physical appearance often differs somewhat from other centaurs, demonstrating his status and heritage. This clearly sets Chiron apart from the centaurs, making him easily identifiable. This difference may also have highlighted Chirons unique lineage, being the son of Cronus, Chiron is often depicted carrying a branch with dead hares he has caught hanging from it. Chiron is also depicted wearing clothes, demonstrating he is more civilised. The Education of Achilles wall painting, from the basilica in Herculaneum, is one of the most common Roman depictions of Chiron, as he teaches Achilles the lyre. In this version we see Chiron with a fully equine lower body, in addition to this reconfiguration, Chiron’s appearance is further altered with his ears. Whereas previously human, Chiron’s ears now match those of a satyr and this rendering creates a more bestial version of Chiron, much more akin to a standard centaur. This may then, not be a reworking of the Chiron myth on the part of the Romans. It has also suggested that this fresco is a reproduction of an actual statue in the Roman forum. Like satyrs, centaurs were notorious for being wild, lusty, overly indulgent drinkers and carousers, violent when intoxicated, Chiron, by contrast, was intelligent, civilized and kind, but he was not related directly to the other centaurs. He was known for his knowledge and skill with medicine, according to an archaic myth, he was sired by the Titan Cronus when he had taken the form of a horse and impregnated the nymph Philyra. Myths in the Olympian tradition attributed Chirons uniquely peaceful character and intelligence to Apollo, some sources speculate that Chiron was originally a Thessalian god, later subsumed into the Greek pantheon as a centaur. Chiron lived predominantly on Mount Pelion, there he married the nymph Chariclo who bore him three daughters, Hippe, Endeïs, and Ocyrhoe, and one son Carystus. A great healer, astrologer, and respected oracle, Chiron was said to be the first among centaurs and highly revered as a teacher, Dionysus was loved by Chiron, from whom he learned chants and dances, the bacchic rites and initiations. There is also a persistent link with Peleus throughout Chirons myth, Chiron saved the life of Peleus when Acastus tried to kill him by taking his sword and leaving him out in the woods to be slaughtered by the centaurs. Chiron retrieved the sword for Peleus, Chiron then explained to Peleus how to capture the nymph Thetis, leading to their marriage
20.
Orcus
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Orcus was a god of the underworld, punisher of broken oaths in Italic and Roman mythology. As with Hades, the name of the god was used for the underworld itself. In the later tradition, he was conflated with Dis Pater, Hades is the Greek equivalent of Pluto. Orcus was portrayed in paintings in Etruscan tombs as a hairy, a temple to Orcus may have existed on the Palatine Hill in Rome. It is likely that he was transliterated from the Greek daemon Horkos, the personification of Oaths, the origins of Orcus may have lain in Etruscan religion. The so-called Tomb of Orcus, an Etruscan site at Tarquinia, is a misnomer, resulting from its first discoverers mistaking as Orcus a hairy, bearded giant that was actually a figure of a Cyclops. The Romans sometimes conflated Orcus with other such as Pluto, Hades. The name Orcus seems to have given to his evil and punishing side. Like the name Hades, Orcus could also mean the land of the dead, Orcus was chiefly worshipped in rural areas, he had no official cult in the cities. This remoteness allowed for him to survive in the countryside long after the more prevalent gods had ceased to be worshipped. He survived as a figure into the Middle Ages. Indeed, much of what is known about the associated with Orcus come from medieval sources. The French word ogre may have come from variant forms of word, orgo or ogro, in any case, the French ogre. This orco was the inspiration to J. R. R. Tolkiens orcs in his The Lord of the Rings, in a text published in The War of the Jewels, Tolkien stated, Note. The word used in translation of Q urko, S orch, is Orc, but that is because of the similarity of the ancient English word orc, evil spirit or bogey, to the Elvish words. There is possibly no connexion between them, the English word is now generally supposed to be derived from Latin Orcus. Also, in a letter sent to Gene Wolfe, Tolkien also made this comment, Orc I derived from Anglo-Saxon. But I doubt this, though the matter is too involved to set out here, from this use, countless other fantasy games and works of fiction have borrowed the concept of the orc
21.
Greek language
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Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic and many other writing systems. Together with the Latin texts and traditions of the Roman world, during antiquity, Greek was a widely spoken lingua franca in the Mediterranean world and many places beyond. It would eventually become the official parlance of the Byzantine Empire, the language is spoken by at least 13.2 million people today in Greece, Cyprus, Italy, Albania, Turkey, and the Greek diaspora. Greek roots are used to coin new words for other languages, Greek. Greek has been spoken in the Balkan peninsula since around the 3rd millennium BC, the earliest written evidence is a Linear B clay tablet found in Messenia that dates to between 1450 and 1350 BC, making Greek the worlds oldest recorded living language. Among the Indo-European languages, its date of earliest written attestation is matched only by the now extinct Anatolian languages, the Greek language is conventionally divided into the following periods, Proto-Greek, the unrecorded but assumed last ancestor of all known varieties of Greek. The unity of Proto-Greek would have ended as Hellenic migrants entered the Greek peninsula sometime in the Neolithic era or the Bronze Age, Mycenaean Greek, the language of the Mycenaean civilisation. It is recorded in the Linear B script on tablets dating from the 15th century BC onwards, Ancient Greek, in its various dialects, the language of the Archaic and Classical periods of the ancient Greek civilisation. It was widely known throughout the Roman Empire, after the Roman conquest of Greece, an unofficial bilingualism of Greek and Latin was established in the city of Rome and Koine Greek became a first or second language in the Roman Empire. The origin of Christianity can also be traced through Koine Greek, Medieval Greek, also known as Byzantine Greek, the continuation of Koine Greek in Byzantine Greece, up to the demise of the Byzantine Empire in the 15th century. Much of the written Greek that was used as the language of the Byzantine Empire was an eclectic middle-ground variety based on the tradition of written Koine. Modern Greek, Stemming from Medieval Greek, Modern Greek usages can be traced in the Byzantine period and it is the language used by the modern Greeks, and, apart from Standard Modern Greek, there are several dialects of it. In the modern era, the Greek language entered a state of diglossia, the historical unity and continuing identity between the various stages of the Greek language is often emphasised. Greek speakers today still tend to regard literary works of ancient Greek as part of their own rather than a foreign language and it is also often stated that the historical changes have been relatively slight compared with some other languages. According to one estimation, Homeric Greek is probably closer to demotic than 12-century Middle English is to modern spoken English, Greek is spoken by about 13 million people, mainly in Greece, Albania and Cyprus, but also worldwide by the large Greek diaspora. Greek is the language of Greece, where it is spoken by almost the entire population
22.
Ancient Greek religion
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Ancient Greek religion encompasses the collection of beliefs, rituals, and mythology originating in ancient Greece in the form of both popular public religion and cult practices. These groups varied enough for it to be possible to speak of Greek religions or cults in the plural, many ancient Greeks recognized the twelve major gods and goddesses, although philosophies such as Stoicism and some forms of Platonism used language that seems to assume a single transcendent deity. Different cities often worshiped the deities, sometimes with epithets that distinguished them. Greek religion was tempered by Etruscan cult and belief to form much of the later ancient Roman religion, while there were few concepts universal to all the Greek peoples, there were common beliefs shared by many. Ancient Greek theology was polytheistic, based on the assumption there were many gods. There was a hierarchy of deities, with Zeus, the king of the gods, having a level of control all the others. Some deities had dominion over aspects of nature. Other deities ruled over abstract concepts, for instance Aphrodite controlled love, while being immortal, the gods were certainly not all-good or even all-powerful. They had to obey fate, known to Greek mythology as the Moirai, which overrode any of their divine powers or wills. For instance, in mythology, it was Odysseus fate to return home to Ithaca after the Trojan War, and the gods could only lengthen his journey and make it harder for him, the gods acted like humans, and had human vices. They would interact with humans, sometimes even spawning children with them, at times certain gods would be opposed to others, and they would try to outdo each other. In the Iliad, Aphrodite, Ares and Apollo support the Trojan side in the Trojan War, while Hera, Athena, some gods were specifically associated with a certain city. Athena was associated with the city of Athens, Apollo with Delphi and Delos, Zeus with Olympia, other deities were associated with nations outside of Greece, Poseidon was associated with Ethiopia and Troy, and Ares with Thrace. The Greeks believed in an underworld where the spirits of the dead went after death, one of the most widespread areas of this underworld was ruled over by Hades, a brother of Zeus, and was known as Hades. Other well known realms are Tartarus, a place of torment for the damned, and Elysium, in the early Mycenean religion all the dead went to Hades, but the rise of mystery cults in the Archaic age led to the development of places such as Tartarus and Elysium. Such beliefs are found in the most ancient of Greek sources, such as Homer and this belief remained strong even into the Christian era. For most people at the moment of death there was, however, no hope of anything, some Greeks, such as the philosophers Pythagoras and Plato, also embraced the idea of reincarnation, though this was only accepted by a few. Epicurus taught that the soul was simply atoms which dissolved at death, Greek religion had an extensive mythology
23.
Chthonic
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The translation of meaning discusses deities or spirits of the underworld, especially in Greek religion. The Greek word khthon is one of several for earth, it refers to the interior of the soil, rather than the living surface of the land. These include, but are not strictly limited to, Demeter. Nocturnal ritual sacrifice was a practice in many chthonic cults. When the sacrifice was a creature, the animal was placed in a bothros or megaron. In some Greek chthonic cults, the animal was sacrificed on a raised bomos, offerings were usually burned whole or buried rather than being cooked and shared among the worshippers. C. He does, however, note that this may be somewhat of an overgeneralization, the myths associating the underworld chthonic deities and fertility were not exclusive. Myths about the later Olympian deities also described an association with the fertility, thus Demeter and Persephone both watched over aspects of the fertility of land, yet Demeter had a typically Olympian cult while Persephone had a chthonic one. Also, Demeter was worshiped alongside Persephone with identical rites, and yet occasionally was classified as an Olympian in late poetry, the absorption of some earlier cults into the newer pantheon versus those that resisted being absorbed is suggested as providing the later myths. The categories Olympian and chthonic were not, however, completely separate, some Olympian deities, such as Hermes and Zeus, also received chthonic sacrifices and tithes in certain locations. The deified heroes Heracles and Asclepius might be worshipped as gods or chthonic heroes, depending on the site, moreover, a few deities are not easily classifiable under these terms. Hecate, for instance, was typically offered puppies at crossroads—a practice neither typical of an Olympian sacrifice nor of a sacrifice to Persephone or the heroes. Because of her roles, Hecate is generally classed as chthonic. As well, the chthonic has connotations with regard to gender, in cultural anthropology, men associated with the above, the sky, and women associated with the below, with the earth, water of the underground, and the chthonic deities. This was by no means universal, in Ancient Egypt the main deity of the earth was the male god Geb, his consort was Nut. The term allochthon in structural geology is used to describe a large block of rock which has moved from its original site of formation. From the Greek allo meaning other and chthon designating the process of the mass being moved under the earth. Chthonic law Earth mother Geomancy Life-death-rebirth deities Sky father The dictionary definition of chthonic at Wiktionary
24.
Greek mythology
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It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
25.
Titan (mythology)
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In Greek mythology, the Titans and Titanesses were members of the second generation of divine beings, descending from the primordial deities and preceding the Olympian deities. Based on Mount Othrys, the Titans most famously included the first twelve children of the primordial Gaia and they were giant deities of incredible strength, who ruled during the legendary Golden Age, and also comprised the first pantheon of Greek deities. The first twelve Titans comprised the females Mnemosyne, Tethys, Theia, Phoebe, Rhea, and Themis and the males Oceanus, Hyperion, Coeus, Cronus, Crius, like Cronus overthrowing his father Uranus, the Titans were overthrown by Cronus children, in the Titanomachy. The Greeks may have borrowed this mytheme from the Ancient Near East, Greeks of the classical age knew of several poems about the war between the Olympians and Titans. The dominant one, and the one that has survived, was in the Theogony attributed to Hesiod. A lost epic, Titanomachia was mentioned in passing in an essay On Music that was attributed to Plutarch. The Titans also played a prominent role in the poems attributed to Orpheus, although only scraps of the Orphic narratives survive, they show interesting differences with the Hesiodic tradition. Sometimes the elders are supplanted, and sometimes the rebels lose and are either cast out of power entirely or incorporated into the pantheon, the Titanomachy lasted for ten years. The Titans were imprisoned in Tartarus after the war had ended, Tartarus is the deepest spot known in the Underworld, where the most evil beings would be cast into to be tortured for all eternity. Hesiod does not have the last word on the Titans, surviving fragments of poetry ascribed to Orpheus preserve some variations on the myth. In such text, Zeus does not simply set upon his father violently, instead, Rhea spreads out a banquet for Cronus so that he becomes drunk upon fermented honey. Rather than being consigned to Tartarus, Cronus is dragged—still drunk—to the cave of Nyx, another myth concerning the Titans that is not in Hesiod revolves around Dionysus. At some point in his reign, Zeus decides to give up the throne in favor of the infant Dionysus, who like the infant Zeus, is guarded by the Kouretes. The Titans decide to slay the child and claim the throne for themselves, they paint their faces white with gypsum, distract Dionysus with toys, then him and boil. Zeus, enraged, slays the Titans with his thunderbolt, Athena preserves the heart in a gypsum doll and this story is told by the poets Callimachus and Nonnus, who call this Dionysus Zagreus, and in a number of Orphic texts, which do not. Pindar, Plato, and Oppian refer offhandedly to the Titanic nature of humans, according to them, the body is the titanic part, while soul is the divine part of humans. Other early writers imply that humanity was born out of the malevolent blood shed by the Titans in their war against Zeus, Martin Litchfield West also asserts this in relation to shamanistic initiatory rites of early Greek religious practices. Beekes connects the word with τιτώ, burket, Walter, The Orientalizing Revolution, Near Eastern Influence on Greek Culture in the Early Archaic Age, Harvard University Press,1995
26.
Cosmos
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The cosmos is the universe regarded as a complex and orderly system, the opposite of chaos. Cosmology is the study of the cosmos in several of the above meanings, all cosmologies have in common an attempt to understand the implicit order within the whole of being. In this way, most religions and philosophical systems have a cosmology, Cosmology is a branch of metaphysics that deals with the nature of the universe, a theory or doctrine describing the natural order of the universe. The basic definition of Cosmology is the science of the origin, in modern astronomy the Big Bang theory is the dominant postulation. In physical cosmology, the cosmos is often used in a technical way. Our particular cosmos, the universe, is generally capitalized as the Cosmos. According to Charles Peter Mason in Sir William Smith Dictionary of Greek and Roman Biography and Mythology, Pythagoreans described the universe. It appears, in fact, from this, as well as from the extant fragments, the second book appears to have been an exposition of the nature of numbers, which in the Pythagorean theory are the essence and source of all things. In theology, the cosmos is the heavenly bodies. In Christian theology, the word is used synonymously with aion to refer to worldly life or this world or this age as opposed to the afterlife or World to Come. The book The works of Aristotle mentioned Aristotle says the poet Orpheus never existed, bertrand Russel noted The Orphics were an ascetic sect, wine, to them, was only a symbol, as, later, in the Christian sacrament. The intoxication that they sought was that of enthusiasm, of union with the god and they believed themselves, in this way, to acquire mystic knowledge not obtainable by ordinary means. This mystical element entered into Greek philosophy with Pythagoras, who was a reformer of Orphism as Orpheus was a reformer of the religion of Dionysus, from Pythagoras Orphic elements entered into the philosophy of Plato, and from Plato into most later philosophy that was in any degree religious. Cosmos – Illustrated Encyclopedia of Cosmos and Cosmic Law Greene, B, the Elegant Universe, Superstrings, Hidden Dimensions, and the Quest for the Ultimate Theory. Norton, New York Hawking, S. W, yulsman, T. Origins, The Quest for our Cosmic Roots
27.
Gaia (mythology)
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In Greek mythology, Gaia, also spelled Gaea, is the personification of the Earth and one of the Greek primordial deities. Gaia is the mother of all life, the primal Mother Earth goddess. She is the parent of Uranus, from whose sexual union she bore the Titans and the Giants. Her equivalent in the Roman pantheon was Terra, the Greek word γαῖα is a collateral form of γῆ meaning Earth, a word of uncertain origin. R. S. P. Beekes has suggested a Pre-Greek origin, in Mycenean Greek Ma-ka also contains the root ga-. Gaia is the personification of the Earth and these are her offspring as related in various myths, some are related consistently, some are mentioned only in minor variants of myths, and others are related in variants that are considered to reflect a confusion of the subject or association. *Some said that those marked with a * were born from Uranus blood when Cronus castrated him, hesiods Theogony tells how, after Chaos, wide-bosomed Gaia arose to be the everlasting seat of the immortals who possess Olympus above, and the depths of Tartarus below. He then tells that Gaia brought forth her equal Uranus to cover her on every side, Gaia also bore the hills, and Pontus, without sweet union of love. After them was born Cronos the wily, youngest and most terrible of her children, as each of the Cyclopes and Hecatonchires were born, Uranus hid them in a secret place within Gaia, causing her great pain. She created a grey flint sickle, and Cronus used the sickle to castrate his father Uranus as he approached Gaia to have sex with her. From Uranus spilled blood, Gaia produced the Erinyes, the Giants, from the testicles of Uranus in the sea came forth Aphrodite. By her son Pontus, Gaia bore the sea-deities Nereus, Thaumas, Phorcys, Ceto, and Eurybia. Because Cronus had learned from Gaia and Uranus that he was destined to be overthrown by one of his children, but when Rhea was pregnant with her youngest child, Zeus, she sought help from Gaia and Uranus. When Zeus was born, Rhea gave Cronus a stone wrapped in swaddling-clothes in his place, which Cronus swallowed, with the help of Gaias advice, Zeus defeated the Titans. But afterwards, Gaia, in union with Tartarus, bore the youngest of her sons Typhon, according to Hyginus, Earth, along with Heaven and Sea were the children of Aether and Day. According to Apollodorus, Gaia and Tartarus were the parents of Echidna, Zeus hid Elara, one of his lovers, from Hera by stowing her under the earth. His son by Elara, the giant Tityos, is sometimes said to be a son of Gaia. Gaia is believed by some sources to be the deity behind the Oracle at Delphi
28.
Polycephaly
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Polycephaly is the condition of having more than one head. The term is derived from the Greek stems poly meaning many, a polycephalic organism may be thought of as one being with a supernumerary body part, or as two or more beings with a shared body. Two-headed animals and three-headed animals are the type of multi-headed creatures seen in the real world. In humans, there are two different forms of twinning that can lead to two heads being supported by a single torso, in dicephalus parapagus dipus, the two heads are side by side. In craniopagus parasiticus, the two heads are joined directly to other, but only one head has a functional torso. Survival to adulthood is rare, but does occur in forms of dicephalus parapagus dipus. There are many occurrences of multi-headed animals in mythology, in heraldry and vexillology, the double-headed eagle is a common symbol, though no such animal is known to have ever existed. Two-headed people and animals, though rare, have long known to exist. In humans, as in animals, partial twinning can result in formation of two heads supported by a single torso. Two different ways this can happen are dicephalus parapagus, where there are two side by side, and craniopagus parasiticus, where the heads are joined directly. In dicephalus parapagus dipus, the two heads are side by side, on a torso with two legs, with varying levels of twinning of organs and structures within the torso, the shared body may have four arms altogether, or three arms, or two arms only. There are Greek-based medical terms for the variations, e. g. dibrachius means two-armed, both heads may contain a fully formed brain, or one may be anencephalic. If carried to term, dicephalus parapagus twins are usually stillborn, survival to adulthood does however occasionally occur in cases where the twins are born with three to four arms. Chances of survival are improved if two complete hearts are present, separation surgery is contraindicated, except in cases where one of the twins is clearly dying. Giacomo and Giovanni Battista Tocci, were dicephalus parapagus dipus twins who survived to adulthood, each had his own pair of arms. They learned to speak several languages, but never learned to walk, Abigail and Brittany Hensel, born in 1990, are another instance of dicephalus parapagus dipus twins who grew up. They were born with two arms, plus a vestigial third arm, which was surgically removed. Each twin has her own head, heart and spine
29.
Etruscan religion
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Etruscan religion and mythology were partly incorporated into classical Roman culture, including the Roman pantheon. However, in the last years of the Roman Republic the religion began to fall out of favor and was satirized by such public figures as Marcus Tullius Cicero. The Julio-Claudians, especially Claudius, who claimed a remote Etruscan descent, maintained a knowledge of the language and religion for a time longer. A number of works in the Etruscan language survived until the middle of the first millennium AD, but were destroyed by the ravages of time, decree of the Roman Senate. Around the mun or muni, or tombs, were the man or mani, in iconography after the 5th century BC, the deceased are shown traveling to the underworld. In several instances of Etruscan art, such as in the François Tomb in Vulci, a god was called an ais, which in the plural is aisar. The abode of a god was a fanu or luth, a place, such as a favi. There, one would need to make a fler, or offering, three layers of deities are portrayed in Etruscan art. Ruling over them were higher deities that seem to reflect the Indo-European system, Tin or Tinia, the sky, Uni his wife, and Cel, as a third layer, the Greek gods were adopted by the Etruscan system during the Etruscan Orientalizing Period of 750/700-600 BC. Examples are Aritimi, Menrva, and Pacha, and over time the primary trinity became Tinia, Uni, the Etruscans believed in intimate contact with divinity. They did nothing without proper consultation with the gods and signs from them and these practices were taken over in total by the Romans. The Etruscan scriptures were a corpus of texts termed the Etrusca Disciplina and this name appears in Valerius Maximus, and Marcus Tullius Cicero refers to a disciplina in his writings on the subject. These works did not present prophecies or scriptures in the ordinary sense, the Etruscans appear to have had no systematic ethics or religion and no great visions. The Etruscans accepted the inscrutability of their gods wills and they did not attempt to rationalize or explain divine actions or formulate any doctrines of the gods intentions. These revelations may not be understandable and may not be pleasant or easy. He then quipped, regarding divination from the singing of frogs, and yet they do have by nature some faculty of premonition, clear enough of itself, but too dark for human comprehension. Divinatory inquiries according to discipline were conducted by priests whom the Romans called haruspices or sacerdotes, the Etruscans, as evidenced by the inscriptions, used several words, capen, maru, eisnev, hatrencu. They called the art of haruspicy zich nethsrac, a special magistrate, the cechase, looked after the cecha or rath, sacred things
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Religion in ancient Rome
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The Romans thought of themselves as highly religious, and attributed their success as a world power to their collective piety in maintaining good relations with the gods. According to legends, most of Romes religious institutions could be traced to its founders, particularly Numa Pompilius, the Sabine second king of Rome, who negotiated directly with the gods. This archaic religion was the foundation of the mos maiorum, the way of the ancestors or simply tradition, as Rome came into contact with foreign cultures, and conquered them, foreign religions increasingly attracted devotees among Romans, who increasingly had ancestry from elsewhere in the Empire. The emperors promoted the Imperial cult around the empire, and this, ultimately, Roman polytheism was brought to an end with the adoption of Christianity as the official religion of the empire. The priesthoods of public religion were held by members of the elite classes, there was no principle analogous to separation of church and state in ancient Rome. During the Roman Republic, the men who were elected public officials might also serve as augurs. Priests married, raised families, and led politically active lives, Julius Caesar became pontifex maximus before he was elected consul. The augurs read the will of the gods and supervised the marking of boundaries as a reflection of universal order, Roman religion was thus practical and contractual, based on the principle of do ut des, I give that you might give. Even the most skeptical among Romes intellectual elite such as Cicero, for ordinary Romans, religion was a part of daily life. Each home had a shrine at which prayers and libations to the familys domestic deities were offered. Neighborhood shrines and sacred such as springs and groves dotted the city. The Roman calendar was structured around religious observances, women, slaves, and children all participated in a range of religious activities. The Romans are known for the number of deities they honored. The Romans looked for common ground between their major gods and those of the Greeks, adapting Greek myths and iconography for Latin literature, etruscan religion was also a major influence, particularly on the practice of augury. The mysteries, however, involved exclusive oaths and secrecy, conditions that conservative Romans viewed with suspicion as characteristic of magic, conspiratorial, or subversive activity. Sporadic and sometimes brutal attempts were made to suppress religionists who seemed to threaten traditional morality and unity, one way that Rome incorporated diverse peoples was by supporting their religious heritage, building temples to local deities that framed their theology within the hierarchy of Roman religion. Inscriptions throughout the Empire record the worship of local and Roman deities. Because Romans had never been obligated to one god or one cult only
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Interpretatio graeca
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It is thus a comparative methodology that looks for equivalencies and shared characteristics. Interpretatio romana is comparative discourse in reference to ancient Roman religion and myth, both the Romans and the Gauls reinterpreted Gallic religious traditions in relation to Roman models, particularly Imperial cult. …The meaning of a deity is his or her character as it unfolded in myths, hymns, rites. This character makes a deity comparable to other deities with similar traits, the similarity of gods makes their names mutually translatable. … The practice of translating the names of the created a concept of similarity. Pliny the Elder expressed the translatability of deities as different names to different peoples and this capacity made possible the religious syncretism of the Hellenistic era and the pre-Christian Roman Empire. Herodotus was one of the earliest authors to engage in this form of interpretation, in his observations regarding the Egyptians, he establishes Greco-Egyptian equivalents that endured into the Hellenistic era, including Amon/Zeus, Osiris/Dionysus, and Ptah/Hephaestus. Some pairs of Greek and Roman gods, such as Zeus and Jupiter, are thought to derive from a common Indo-European archetype, some deities dating to Romes oldest religious stratum, such as Janus and Terminus, had no Greek equivalent. Other Greek divine figures, most notably Apollo, were adopted directly into Roman culture, the phrase interpretatio romana was first used by the Imperial-era historian Tacitus in the Germania. Tacitus reports that in a grove of the Nahanarvali, a priest adorned as a woman presides. Elsewhere, he identifies the god of the Germans as Mercury. Some information about the deities of the ancient Gauls, who left no written literature other than inscriptions, is preserved by Greco-Roman sources under the names of Greek, a large number of Gaulish theonyms or cult titles are preserved, for instance, in association with Mars. As with some Greek and Roman divine counterparts, the similarities between a Gallic and a Roman or Greek deity may reflect a common Indo-European origin. Lugh was identified with Mercury, Nodens with Mars as healer and protector, in some cases, however, a Gallic deity is given an interpretatio romana by means of more than one god, varying among literary texts or inscriptions. These tendencies extended to cross-cultural identifications, in the Eastern empire, the Anatolian storm god with his double-headed axe became Jupiter Dolichenus, a favorite cult figure among soldiers. Roman scholars such as Varro interpreted the monotheistic god of the Jews into Roman terms as Caelus or Jupiter Optimus Maximus, some Greco-Roman authors seem to have understood the Jewish invocation of Yahweh Sabaoth as Sabazius. Interpretatio germanica is the practice by the Germanic peoples of identifying Roman gods with the names of Germanic deities, according to Rudolf Simek, this occurred around the 1st century of the common era, when both cultures came into closer contact. This is also the case with Saturn in some West Germanic languages, such as the English Saturday, the West Frisian Saterdei, the Low German Saterdag and the Dutch zaterdag all meaning Saturns day
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Pluto (mythology)
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Pluto was the ruler of the underworld in classical mythology. The earlier name for the god was Hades, which more common as the name of the underworld itself. In ancient Greek religion and mythology, Pluto represents a positive concept of the god who presides over the afterlife. The name Ploutōn came into usage with the Eleusinian Mysteries, in which Pluto was venerated as a stern ruler. The couple received souls in the afterlife, and are invoked together in religious inscriptions, Hades by contrast had few temples and religious practices associated with him, and is portrayed as the dark and violent abductor of Persephone. Pluto and Hades differ in character, but they are not distinct figures, in Greek cosmogony, the god received the rule of the underworld in a three-way division of sovereignty over the world, with his brothers Zeus ruling the Sky and Poseidon the Sea. His central narrative is the abduction of Persephone to be his wife, under the name Pluto, the god appears in other myths in a secondary role, mostly as the possessor of a quest-object, and especially in the descent of Orpheus or other heroes to the underworld. Plūtō is the Latinized form of the Greek Plouton, Plutos Roman equivalent is Dis Pater, whose name is most often taken to mean Rich Father and is perhaps a direct translation of Plouton. Pluto was also identified with the obscure Roman Orcus, like Hades the name of both a god of the underworld and the underworld as a place. The borrowed Greek name Pluto is sometimes used for the ruler of the dead in Latin literature, Pluto becomes the most common name for the classical ruler of the underworld in subsequent Western literature and other art forms. The name Plouton does not appear in Greek literature of the Archaic period, in Hesiods Theogony, the six children of Cronus and Rhea are Zeus, Hera, Poseidon, Hades, Demeter, and Hestia. The male children divide the world into three realms, Hades takes Persephone by force from her mother Demeter, with the consent of Zeus. The resemblance of the name Ploutos to Plouton and it has been noted, cannot be accidental. Plouton is lord of the dead, but as Persephones husband he has serious claims to the powers of fertility, demeters son Plutus merges in the narrative tradition with her son-in-law Pluto, redefining the implacable chariot-driver Hades whose horses trample the flowering earth. Plouton was one of several names for Hades, described in the Iliad as the god most hateful to mortals. Plato says that people prefer the name Plouton, giver of wealth, the name was understood as referring to the boundless riches of the earth, both the crops on its surface—he was originally a god of the land—and the mines hidden within it. What is sometimes taken as confusion of the two gods Plouton and Ploutos held or acquired a significance in antiquity. The Roman poet Ennius, the figure in the Hellenization of Latin literature, considered Pluto a Greek god to be explained in terms of the Roman equivalents Dis Pater
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Latinisation of names
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Latinisation is the practice of rendering a non-Latin name in a Latin style. It is commonly found with personal names, with toponyms. It goes further than romanisation, which is the transliteration of a word to the Latin alphabet from another script and this was often done in the classical era for much the same reason as English-speaking cultures produce English versions of some foreign names. In the case of names in the post-Roman era this may be done to emulate Latin authors. In a scientific context, the purpose of Latinisation may be to produce a name which is internationally consistent. Humanist names, assumed by Renaissance humanists, were very largely Latinised names, Latinisation in humanist names may consist of translation from vernacular European languages, sometimes involving a playful element of punning. Such names could be a cover for social origins. Latinisation is a practice for scientific names. For example, Livistona, the name of a genus of trees, is a Latinisation of Livingstone. In English, place names appear in Latinised form. This is a result of many text books mentioning the places being written in Latin. Because of this, the English language often uses Latinised forms of place names instead of anglicised forms or the original names. Examples of Latinised names for countries or regions are, Estonia Ingria Livonia During the age of the Roman Empire, additionally, Latinised versions of Greek substantives, particularly proper nouns, could easily be declined by Latin speakers with minimal modification of the original word. During the medieval period, following the collapse of the Empire in Western Europe, in the early medieval period, most European scholars were priests and most educated people spoke Latin, and as a result, Latin became firmly established as the scholarly language for the West. Though during modern times Europe has largely abandoned Latin as a scholarly language, by tradition, it is still common in some fields to name new discoveries in Latin. Romanization, conversion of a text in Latin letters Nicolson, Dan H, orthography of Names and Epithets, Latinization of Personal Names
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Classical antiquity
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It is the period in which Greek and Roman society flourished and wielded great influence throughout Europe, North Africa and Southwestern Asia. Conventionally, it is taken to begin with the earliest-recorded Epic Greek poetry of Homer, and continues through the emergence of Christianity and it ends with the dissolution of classical culture at the close of Late Antiquity, blending into the Early Middle Ages. Such a wide sampling of history and territory covers many disparate cultures, Classical antiquity may refer also to an idealised vision among later people of what was, in Edgar Allan Poes words, the glory that was Greece, and the grandeur that was Rome. The culture of the ancient Greeks, together with influences from the ancient Near East, was the basis of art, philosophy, society. The earliest period of classical antiquity takes place before the background of gradual re-appearance of historical sources following the Bronze Age collapse, the 8th and 7th centuries BC are still largely proto-historical, with the earliest Greek alphabetic inscriptions appearing in the first half of the 8th century. Homer is usually assumed to have lived in the 8th or 7th century BC, in the same period falls the traditional date for the establishment of the Ancient Olympic Games, in 776 BC. The Phoenicians originally expanded from Canaan ports, by the 8th century dominating trade in the Mediterranean, carthage was founded in 814 BC, and the Carthaginians by 700 BC had firmly established strongholds in Sicily, Italy and Sardinia, which created conflicts of interest with Etruria. The Etruscans had established control in the region by the late 7th century BC, forming the aristocratic. According to legend, Rome was founded on April 21,753 BC by twin descendants of the Trojan prince Aeneas, Romulus and Remus. As the city was bereft of women, legend says that the Latins invited the Sabines to a festival and stole their unmarried maidens, leading to the integration of the Latins and the Sabines. Archaeological evidence indeed shows first traces of settlement at the Roman Forum in the mid-8th century BC, the seventh and final king of Rome was Tarquinius Superbus. As the son of Tarquinius Priscus and the son-in-law of Servius Tullius, Superbus was of Etruscan birth and it was during his reign that the Etruscans reached their apex of power. Superbus removed and destroyed all the Sabine shrines and altars from the Tarpeian Rock, the people came to object to his rule when he failed to recognize the rape of Lucretia, a patrician Roman, at the hands of his own son. Lucretias kinsman, Lucius Junius Brutus, summoned the Senate and had Superbus, after Superbus expulsion, the Senate voted to never again allow the rule of a king and reformed Rome into a republican government in 509 BC. In fact the Latin word Rex meaning King became a dirty and hated throughout the Republic. In 510, Spartan troops helped the Athenians overthrow the tyrant Hippias, cleomenes I, king of Sparta, put in place a pro-Spartan oligarchy conducted by Isagoras. Greece entered the 4th century under Spartan hegemony, but by 395 BC the Spartan rulers removed Lysander from office, and Sparta lost her naval supremacy. Athens, Argos, Thebes and Corinth, the two of which were formerly Spartan allies, challenged Spartan dominance in the Corinthian War, which ended inconclusively in 387 BC
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Plato
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Plato was a philosopher in Classical Greece and the founder of the Academy in Athens, the first institution of higher learning in the Western world. He is widely considered the most pivotal figure in the development of philosophy, unlike nearly all of his philosophical contemporaries, Platos entire work is believed to have survived intact for over 2,400 years. Along with his teacher, Socrates, and his most famous student, Aristotle, Plato laid the foundations of Western philosophy. Alfred North Whitehead once noted, the safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato. In addition to being a figure for Western science, philosophy. Friedrich Nietzsche, amongst other scholars, called Christianity, Platonism for the people, Plato was the innovator of the written dialogue and dialectic forms in philosophy, which originate with him. He was not the first thinker or writer to whom the word “philosopher” should be applied, few other authors in the history of Western philosophy approximate him in depth and range, perhaps only Aristotle, Aquinas and Kant would be generally agreed to be of the same rank. Due to a lack of surviving accounts, little is known about Platos early life, the philosopher came from one of the wealthiest and most politically active families in Athens. Ancient sources describe him as a bright though modest boy who excelled in his studies, the exact time and place of Platos birth are unknown, but it is certain that he belonged to an aristocratic and influential family. Based on ancient sources, most modern scholars believe that he was born in Athens or Aegina between 429 and 423 BCE. According to a tradition, reported by Diogenes Laertius, Ariston traced his descent from the king of Athens, Codrus. Platos mother was Perictione, whose family boasted of a relationship with the famous Athenian lawmaker, besides Plato himself, Ariston and Perictione had three other children, these were two sons, Adeimantus and Glaucon, and a daughter Potone, the mother of Speusippus. The brothers Adeimantus and Glaucon are mentioned in the Republic as sons of Ariston, and presumably brothers of Plato, but in a scenario in the Memorabilia, Xenophon confused the issue by presenting a Glaucon much younger than Plato. Then, at twenty-eight, Hermodorus says, went to Euclides in Megara, as Debra Nails argues, The text itself gives no reason to infer that Plato left immediately for Megara and implies the very opposite. Thus, Nails dates Platos birth to 424/423, another legend related that, when Plato was an infant, bees settled on his lips while he was sleeping, an augury of the sweetness of style in which he would discourse about philosophy. Ariston appears to have died in Platos childhood, although the dating of his death is difficult. Perictione then married Pyrilampes, her mothers brother, who had served many times as an ambassador to the Persian court and was a friend of Pericles, Pyrilampes had a son from a previous marriage, Demus, who was famous for his beauty. Perictione gave birth to Pyrilampes second son, Antiphon, the half-brother of Plato and these and other references suggest a considerable amount of family pride and enable us to reconstruct Platos family tree
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Cratylus (dialogue)
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Cratylus is the name of a dialogue by Plato. Most modern scholars agree that it was mostly during Platos so-called middle period. The individual Cratylus was the first intellectual influence on Plato, aristotle states that Cratylus influenced Plato by introducing to him the teachings of Heraclitus, according to MW. The subject of Cratylus is the correctness of names, in other words, when discussing a ὄνομα and how it would relate to its subject, Socrates compares the original creation of a word to the work of an artist. An artist uses color to express the essence of his subject in a painting, in much the same way, the creator of words uses letters containing certain sounds to express the essence of a words subject. There is a letter that is best for soft things, one for liquid things and he comments, the best possible way to speak consists in using names all of which are like the things they name, while the worst is to use the opposite kind of names. One countering position, held by Hermogenes, is that names have come due to custom. They do not express the essence of their subject, so they can be swapped with something unrelated by the individuals or communities who use them, the line between the two perspectives is often blurred. During more than half of the dialogue, Socrates makes guesses at Hermogenes request as to where names and these include the names of the Olympian gods, personified deities, and many words that describe abstract concepts. He examines whether, for example, giving names of streams to Cronus, dont you think he who gave to the ancestors of the other gods the names “Rhea” and “Cronus” had the same thought as Heracleitus. Do you think he gave both of them the names of streams merely by chance, the Greek term ῥεῦμα may refer to the flow of any medium and is not restricted to the flow of water or liquids. Many of the words which Socrates uses as examples may have come from an idea originally linked to the name, but have changed over time. Those of which he cannot find a link, he assumes have come from foreign origins or have changed so much as to lose all resemblance to the original word. He states, names have been so twisted in all manner of ways, the final theory of relations between name and object named is posited by Cratylus, a disciple of Heraclitus, who believes that names arrive from divine origins, making them necessarily correct. Socrates rebukes this theory by reminding Cratylus of the imperfection of certain names in capturing the objects they seek to signify, from this point, Socrates ultimately rejects the study of language, believing it to be philosophically inferior to a study of things themselves. ρ is a tool for copying every sort of motion, ι for imitating all the small things that can most easily penetrate everything, φ, ψ. σ, and ζ as all these letters are pronounced with an expulsion of breath, δ and τ as both involve compression and stopping of the power of the tongue when pronounced, they are most appropriate for words indicating a lack or stopping of motion. λ, as the tongue glides most of all when pronounced, γ best used when imitating something cloying, as the gliding of the tongue is stopped when pronounced
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Socrates
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Socrates was a classical Greek philosopher credited as one of the founders of Western philosophy. He is a figure known chiefly through the accounts of classical writers, especially the writings of his students Plato and Xenophon. Platos dialogues are among the most comprehensive accounts of Socrates to survive from antiquity, though it is unclear the degree to which Socrates himself is hidden behind his best disciple, nothing written by Socrates remains extant. As a result, information about him and his philosophies depends upon secondary sources, furthermore, close comparison between the contents of these sources reveals contradictions, thus creating concerns about the possibility of knowing in-depth the real Socrates. This issue is known as the Socratic problem, or the Socratic question, to understand Socrates and his thought, one must turn primarily to the works of Plato, whose dialogues are thought the most informative source about Socrates life and philosophy, and also Xenophon. These writings are the Sokratikoi logoi, or Socratic dialogues, which consist of reports of conversations apparently involving Socrates, as for discovering the real-life Socrates, the difficulty is that ancient sources are mostly philosophical or dramatic texts, apart from Xenophon. There are no straightforward histories, contemporary with Socrates, that dealt with his own time, a corollary of this is that sources that do mention Socrates do not necessarily claim to be historically accurate, and are often partisan. For instance, those who prosecuted and convicted Socrates have left no testament, historians therefore face the challenge of reconciling the various evidence from the extant texts in order to attempt an accurate and consistent account of Socrates life and work. The result of such an effort is not necessarily realistic, even if consistent, amid all the disagreement resulting from differences within sources, two factors emerge from all sources pertaining to Socrates. It would seem, therefore, that he was ugly, also, Xenophon, being an historian, is a more reliable witness to the historical Socrates. It is a matter of debate over which Socrates it is whom Plato is describing at any given point—the historical figure. As British philosopher Martin Cohen has put it, Plato, the idealist, offers an idol, a Saint, a prophet of the Sun-God, a teacher condemned for his teachings as a heretic. It is also clear from other writings and historical artefacts, that Socrates was not simply a character, nor an invention, the testimony of Xenophon and Aristotle, alongside some of Aristophanes work, is useful in fleshing out a perception of Socrates beyond Platos work. The problem with discerning Socrates philosophical views stems from the perception of contradictions in statements made by the Socrates in the different dialogues of Plato and these contradictions produce doubt as to the actual philosophical doctrines of Socrates, within his milieu and as recorded by other individuals. Aristotle, in his Magna Moralia, refers to Socrates in words which make it patent that the virtue is knowledge was held by Socrates. Within the Metaphysics, he states Socrates was occupied with the search for moral virtues, however, in The Clouds, Aristophanes portrays Socrates as accepting payment for teaching and running a sophist school with Chaerephon. Also, in Platos Apology and Symposium, as well as in Xenophons accounts, more specifically, in the Apology, Socrates cites his poverty as proof that he is not a teacher. Two fragments are extant of the writings by Timon of Phlius pertaining to Socrates, although Timon is known to have written to ridicule, details about the life of Socrates can be derived from three contemporary sources, the dialogues of Plato and Xenophon, and the plays of Aristophanes
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Linguistics
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Linguistics is the scientific study of language, and involves an analysis of language form, language meaning, and language in context. Linguists traditionally analyse human language by observing an interplay between sound and meaning, phonetics is the study of speech and non-speech sounds, and delves into their acoustic and articulatory properties. While the study of semantics typically concerns itself with truth conditions, Grammar is a system of rules which governs the production and use of utterances in a given language. These rules apply to sound as well as meaning, and include componential sub-sets of rules, such as those pertaining to phonology, morphology, modern theories that deal with the principles of grammar are largely based within Noam Chomskys ideological school of generative grammar. In the early 20th century, Ferdinand de Saussure distinguished between the notions of langue and parole in his formulation of structural linguistics. According to him, parole is the utterance of speech, whereas langue refers to an abstract phenomenon that theoretically defines the principles. This distinction resembles the one made by Noam Chomsky between competence and performance in his theory of transformative or generative grammar. According to Chomsky, competence is an innate capacity and potential for language, while performance is the specific way in which it is used by individuals, groups. The study of parole is the domain of sociolinguistics, the sub-discipline that comprises the study of a system of linguistic facets within a certain speech community. Discourse analysis further examines the structure of texts and conversations emerging out of a speech communitys usage of language, Stylistics also involves the study of written, signed, or spoken discourse through varying speech communities, genres, and editorial or narrative formats in the mass media. In the 1960s, Jacques Derrida, for instance, further distinguished between speech and writing, by proposing that language be studied as a linguistic medium of communication in itself. Palaeography is therefore the discipline that studies the evolution of scripts in language. Linguistics also deals with the social, cultural, historical and political factors that influence language, through which linguistic, research on language through the sub-branches of historical and evolutionary linguistics also focus on how languages change and grow, particularly over an extended period of time. Language documentation combines anthropological inquiry with linguistic inquiry, in order to describe languages, lexicography involves the documentation of words that form a vocabulary. Such a documentation of a vocabulary from a particular language is usually compiled in a dictionary. Computational linguistics is concerned with the statistical or rule-based modeling of natural language from a computational perspective, specific knowledge of language is applied by speakers during the act of translation and interpretation, as well as in language education – the teaching of a second or foreign language. Policy makers work with governments to implement new plans in education, related areas of study also includes the disciplines of semiotics, literary criticism, translation, and speech-language pathology. Before the 20th century, the philology, first attested in 1716, was commonly used to refer to the science of language
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Proto-Greek
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The unity of Proto-Greek would have ended as Hellenic migrants, who spoke the predecessor of the Mycenaean language, entered the Greek peninsula sometime in the Neolithic or the Bronze Age. The evolution of Proto-Greek could be considered within the context of an early Paleo-Balkan sprachbund that makes it difficult to delineate exact boundaries between individual languages, Proto-Greek is mostly placed in the Early Helladic period, i. e. towards the end of Neolithic Europe. Strengthening of word-initial y- to dy-, palatalization of consonants followed by -y-, producing various affricate consonants and palatal consonants, they later simplified, mostly losing their palatal character. Vocalization of laryngeals between consonants and initially before consonants to /e/, /a/, /o/ from *h₁, *h₂, other unique changes involving laryngeals, see below. Raising of /o/ to /u/ between a resonant and a labial, merging of sequences of velar + *w into the labiovelars, with compensatory lengthening of the consonant in some cases. For example, PIE *h₁éḱwos > PG *íkkʷos > Mycenaean i-qo /íkkʷos/, Attic híppos, dissimilation of aspirates caused an initial aspirated sound to lose its aspiration when a following aspirated consonant occurred in the same word. It also postdates the change of /s/ > /h/, as it affects /h/ as well, ékhō I have < *hekh- < PIE *seǵʰ-oh₂ and it postdates even the loss of aspiration before /j/ that accompanied second-stage palatalization, which postdates both of the previous changes. On the other hand, it predates the development of the first aorist passive marker -thē- since the aspirate in that marker has no effect on preceding aspirates, Greek is unique in reflecting the three different laryngeals with distinct vowels. Most Indo-European languages can be traced back to a variety of late Proto-Indo-European in which all three laryngeals had merged, but Greek clearly cannot. For that reason, Greek is extremely important in reconstructing PIE forms, Greek shows distinct reflexes of the laryngeals in various positions, Most famously, between consonants, where original vocalic *h₁, *h₂, *h₃ are reflected as /e/, /a/, /o/ respectively. Greek vocalized them, Greek érebos darkness < PIE *h₁regʷos vs. Gothic riqiz- darkness, Greek áent- wind < *awent- < PIE *h₂wéh₁n̥t- vs. English wind, the sequence *CRHC becomes CRēC, CRāC, CRōC from H = *h₁, *h₂, *h₃ respectively. Sometimes, CeReC, CaRaC, CoRoC are found instead, Greek thánatos death vs. Doric Greek thnātós mortal and it is sometimes suggested that the position of the accent was a factor in determining the outcome. The sequence *CiHC tends to become *CyēC, *CyāC, *CyōC from H = *h₁, *h₂, *h₃ respectively, sometimes, the outcome CīC is found, as in most other Indo-European languages, or the outcome CiaC in the case of *Cih₂C. *CRHC > *CReHC > CRēC/CRāC/CRōC, or, *CRHC > *CeRHeC > *CeReC/CeRaC/CeRoC > CeReC/CaRaC/CoRoC by assimilation, *CiHC > *CyeHC > CyēC/CyāC/CyōC, or, *Cih₂C > *Cih₂eC > *CiHaC > *CiyaC > CiaC, or, *CiHC remains without vowel insertion > CīC. A laryngeal adjacent to a vowel develops along the lines as other Indo-European languages, The sequence *CRHV passes through *CR̥HV. In the sequence *CHV, the colors a following short /e/, as expected. In a *VHV sequence, the laryngeal again colours any adjacent short /e/ and that change appears to be uniform across the Indo-European languages and was probably the first environment in which laryngeals were lost. Proto-Greek underwent palatalization of consonants before *y and this occurred in two separate stages
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Digamma
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Digamma, waw, or wau is an archaic letter of the Greek alphabet. It originally stood for the sound /w/ but it has remained in use as a Greek numeral for 6. Digamma or wau was part of the original archaic Greek alphabet as initially adopted from Phoenician, like its model, Phoenician waw, it represented the voiced labial-velar approximant /w/ and stood in the 6th position in the alphabet between epsilon and zeta. It is the doublet of the vowel letter upsilon, which was also derived from waw but was placed at the end of the Greek alphabet. Digamma or wau is in turn the ancestor of the Latin letter F, as an alphabetic letter, it is attested in archaic and dialectal ancient Greek inscriptions until the classical period. The shape of the letter went through a development from through, to or, in modern Greek, this is often replaced by the digraph στ. The sound /w/ existed in Mycenean Greek, as attested in Linear B and it is also confirmed by the Hittite name of Troy, Wilusa, corresponding to the Greek name *Wilion. The /w/ sound was lost at times in various dialects. In Ionic, /w/ had probably disappeared before Homers epics were written down, further evidence coupled with cognate-analysis shows that οἶνος was earlier ϝοῖνος /wóînos/. Aeolian was the dialect that kept the sound /w/ longest, in discussions by ancient Greek grammarians of the Hellenistic era, the letter is therefore often described as a characteristic Aeolian feature. Loanwords that entered Greek before the loss of /w-/ lost that sound when Greek did, for instance, Oscan Viteliu gave rise to the Greek word Italia. The Adriatic tribe of the Veneti was called in Ancient Greek, in loanwords that entered the Greek language after the drop of /w/, the phoneme was once again registered, compare for example the spelling of Οὐάτεις for vates. In some local alphabets, a variant glyph of the letter digamma existed that resembled modern Cyrillic И, in one local alphabet, that of Pamphylia, this variant form existed side by side with standard digamma as two distinct letters. It has been surmised that in this dialect the sound /w/ may have changed to labiodental /v/ in some environments, the F-shaped letter may have stood for the new /v/ sound, while the special И-shaped form signified those positions where the old /w/ sound was preserved. Digamma/wau remained in use in the system of Greek numerals attributed to Miletus and it was one of three letters that were kept in this way in addition to the 24 letters of the classical alphabet, the other two being koppa for 90, and sampi for 900. During their history in handwriting in late antiquity and the Byzantine era and it has remained in use as a numeral in Greek to the present day, in contexts such as enumerating chapters in a book or other items in a set. Digamma was derived from Phoenician waw, which was shaped roughly like an Y, of the two Greek reflexes of waw, digamma retained the alphabetic position, but had its shape modified to, while the upsilon retained the original shape but was placed in a new alphabetic position. Early Crete had a form of digamma somewhat closer to the original Phoenician
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