The Banjo Player was painted by Hale Woodruff in Paris in 1929. The original is now at the Virginia Museum of Fine Arts. The image has been called important, because it "reframes Black representation" shifting the viewer from the established Jim Crow image to an image put forth by an African American. Woodruff's painting counters "racist tropes", showing a Black musician playing with competence and dignity. While in Paris, Woodruff met Henry Ossawa Tanner, painter of