1.
Islam
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Islam is an Abrahamic monotheistic religion which professes that there is only one and incomparable God and that Muhammad is the last messenger of God. It is the worlds second-largest religion and the major religion in the world, with over 1.7 billion followers or 23% of the global population. Islam teaches that God is merciful, all-powerful, and unique, and He has guided mankind through revealed scriptures, natural signs, and a line of prophets sealed by Muhammad. The primary scriptures of Islam are the Quran, viewed by Muslims as the word of God. Muslims believe that Islam is the original, complete and universal version of a faith that was revealed many times before through prophets including Adam, Noah, Abraham, Moses. As for the Quran, Muslims consider it to be the unaltered, certain religious rites and customs are observed by the Muslims in their family and social life, while social responsibilities to parents, relatives, and neighbors have also been defined. Besides, the Quran and the sunnah of Muhammad prescribe a comprehensive body of moral guidelines for Muslims to be followed in their personal, social, political, Islam began in the early 7th century. Originating in Mecca, it spread in the Arabian Peninsula. The expansion of the Muslim world involved various caliphates and empires, traders, most Muslims are of one of two denominations, Sunni or Shia. Islam is the dominant religion in the Middle East, North Africa, sizable Muslim communities are also found in Horn of Africa, Europe, China, Russia, Mainland Southeast Asia, Philippines, Northern Borneo, Caucasus and the Americas. Converts and immigrant communities are found in almost every part of the world, Islam is a verbal noun originating from the triliteral root s-l-m which forms a large class of words mostly relating to concepts of wholeness, submission, safeness and peace. In a religious context it means voluntary submission to God, Islām is the verbal noun of Form IV of the root, and means submission or surrender. Muslim, the word for an adherent of Islam, is the active participle of the verb form. The word sometimes has connotations in its various occurrences in the Quran. In some verses, there is stress on the quality of Islam as a state, Whomsoever God desires to guide. Other verses connect Islām and dīn, Today, I have perfected your religion for you, I have completed My blessing upon you, still others describe Islam as an action of returning to God—more than just a verbal affirmation of faith. In the Hadith of Gabriel, islām is presented as one part of a triad that also includes imān, Islam was historically called Muhammadanism in Anglophone societies. This term has fallen out of use and is said to be offensive because it suggests that a human being rather than God is central to Muslims religion
2.
Wayang
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Wayang is a Javanese word for a theatrical performance with puppets or human dancers. When the term is used to refer to kinds of puppet theatre, performances of shadow puppet theatre are accompanied by a gamelan orchestra in Java, and by gender wayang in Bali. UNESCO designated wayang kulit, a puppet theatre and the best known of the Indonesian wayang, as a Masterpiece of Oral. In return for the acknowledgment, UNESCO required Indonesians to preserve their heritage, the term wayang is the Javanese word for shadow, or bayang in standard Indonesian, the word also means imagination. In modern daily Javanese and Indonesian vocabulary, wayang can refer to the puppet itself or the whole puppet theatre performance, Wayang is a generic term denoting traditional theatre in Indonesia. There is no evidence that existed before the first century CE. This leads to the hypothesis that the art was imported from either India or China, jivan Pani has argued that wayang developed from two arts of Odisha in Eastern India, the Ravana Chhaya puppet theatre and the Chhau dance. However, there very well may have been indigenous storytelling traditions that had a impact on the development of the traditional puppet theatre. The oldest known record that probably concerns wayang is from the 9th century, around 860 CE an Old Javanese charter issued by Maharaja Sri Lokapala mentions three sorts of performers, atapukan, aringgit, and abanol. Ringgit is described in an 11th century Javanese poem as a shadow figure. An inscription dated 930 CE says si Galigi mawayang, from that time till today it seems certain features of traditional puppet theatre have remained. Galigi was an itinerant performer who was requested to perform for a royal occasion. At that event he performed a story about the hero Bhima from the Mahabharata and this reference to wayang as shadow plays suggested that wayang performance is already familiar in Airlanggas court and wayang tradition has been established in Java, perhaps earlier. An inscription from this period also mentioned some occupations as awayang, Wayang kulit is a unique form of theatre employing light and shadow. The puppets are crafted from buffalo hide and mounted on bamboo sticks, when held up behind a piece of white cloth, with an electric bulb or an oil lamp as the light source, shadows are cast on the screen. The plays are based on romantic tales, especially adaptations of the classic Indian epics, the Mahabharata. Some of the plays are based on local happening or other local secular stories. It is up to the conductor or dalang or master puppeteer to decide his direction, the dalang is the genius behind the entire performance
3.
Brooklyn Museum
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The Brooklyn Museum is an art museum located in the New York City borough of Brooklyn. At 560,000 square feet, the museum is New York Citys third largest in physical size, the museum initially struggled to maintain its building and collection, only to be revitalized in the late 20th century, thanks to major renovations. Significant areas of the collection include antiquities, specifically their collection of Egyptian antiquities spanning over 3,000 years, African, Oceanic, and Japanese art make for notable antiquities collections as well. American art is represented, starting at the Colonial period. Artists represented in the collection include Mark Rothko, Edward Hopper, Norman Rockwell, Winslow Homer, Edgar Degas, Georgia OKeeffe, the museum also has a Memorial Sculpture Garden which features salvaged architectural elements from throughout New York City. The roots of the Brooklyn Museum extend back to the 1823 founding by Augustus Graham of the Brooklyn Apprentices’ Library in Brooklyn Heights, in 1890, under its director Franklin Hooper, Institute leaders reorganized as the Brooklyn Institute of Arts and Sciences and began planning the Brooklyn Museum. The initial design for the Brooklyn Museum was four times as large as the actualized version, Daniel Chester French, the noted sculptor of the Lincoln Memorial, was the principal designer of the pediment sculptures and the monolithic 12. 5-foot figures along the cornice. The figures were created by 11 sculptors and carved by the Piccirilli Brothers, by 1920, the New York City Subway reached the museum with a subway station, this greatly improved access to the once-isolated museum from Manhattan and other outer boroughs. The Brooklyn Institutes director Franklin Hooper was the museums first director and he was followed by Philip Newell Youtz, Laurance Page Roberts, Isabel Spaulding Roberts, Charles Nagel, Jr. and Edgar Craig Schenck. Thomas S. Buechner became the director in 1960, making him one of the youngest directors in the country. Buechner oversaw a major transformation in the way the museum displayed art and brought some one thousand works that had languished in the museums archives and put them on display. Buechner played a role in rescuing the Daniel Chester French sculptures from destruction due to an expansion project at the Manhattan Bridge in the 1960s. The Brooklyn Museum changed its name to Brooklyn Museum of Art in 1997, on March 12,2004, the museum announced that it would revert to its previous name. In April 2004, the museum opened the James Polshek-designed entrance pavilion on the Eastern Parkway façade, in September 2014, Lehman announced that he was planning to retire around June 2015. In May 2015, Creative Time president and artistic director Anne Pasternak was named the Museums next director, member institutions occupy land or buildings owned by the City of New York and derive part of their yearly funding from the City. The Brooklyn Museum also supplements its earned income with funding from Federal and State governments, as well as donations by individuals. Major benefactors include Frank Lusk Babbott, the museum is the site of the annual Brooklyn Artists Ball which has included celebrity hosts such as Sarah Jessica Parker and Liv Tyler. The Brooklyn Museum exhibits collections that seek to embody the rich heritage of world cultures
4.
Urdu
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Urdu is a persianized standard register of the Hindustani language. It is the language and lingua franca of Pakistan. It is also one of the 22 official languages recognized in the Constitution of India, hyderabad, Rampur, Bhopal and Lucknow are noted Urdu-speaking cities of India. Urdu is historically associated with the Muslims of the northern Indian subcontinent, apart from specialized vocabulary, Urdu is mutually intelligible with Standard Hindi, another recognized register of Hindustani. Urdu, like Hindi, is a form of Hindustani, Urdu developed under the influence of the Persian and Arabic languages, both of which have contributed a significant amount of vocabulary to formal speech. Around 99% of Urdu verbs have their roots in Sanskrit and Prakrit, Urdu words originating from Chagatai and Arabic were borrowed through Persian and hence are Persianized versions of the original words. For instance, the Arabic ta marbuta changes to he or te, nevertheless, contrary to popular belief, Urdu did not borrow from the Turkish language, but from Chagatai. Urdu and Turkish borrowed from Arabic and Persian, hence the similarity in pronunciation of many Urdu, Arabic influence in the region began with the late first-millennium Arab invasion of India in the 7th century. The Persian language was introduced into the subcontinent a few centuries later by various Persianized Central Asian Turkic and Afghan dynasties including that of the Delhi Sultanate. With the advent of the British Raj, Persian was no longer the language of administration but Hindustani, still written in the Persian script, the name Urdu was first used by the poet Ghulam Hamadani Mushafi around 1780. From the 13th century until the end of the 18th century Urdu was commonly known as Hindi, the language was also known by various other names such as Hindavi and Dehlavi. The communal nature of the language lasted until it replaced Persian as the language in 1837 and was made co-official. Urdu was promoted in British India by British policies to counter the previous emphasis on Persian and this triggered a Brahman backlash in northwestern India, which argued that the language should be written in the native Devanagari script. At independence, Pakistan established a highly Persianized literary form of Urdu as its national language, English has exerted a heavy influence on both as a co-official language. Owing to interaction with other languages, Urdu has become localized wherever it is spoken, similarly, the Urdu spoken in India can also be distinguished into many dialects like Dakhni of South India, and Khariboli of the Punjab region since recent times. Because of Urdus similarity to Hindi, speakers of the two languages can understand one another if both sides refrain from using specialized vocabulary. The syntax, morphology, and the vocabulary are essentially identical. Thus linguists usually count them as one language and contend that they are considered as two different languages for socio-political reasons
5.
Legend
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Legend, for its active and passive participants, includes no happenings that are outside the realm of possibility, but may include miracles. Legends may be transformed over time, in order to keep fresh and vital. Many legends operate within the realm of uncertainty, never being believed by the participants. The Brothers Grimm defined legend as folktale historically grounded, a modern folklorists professional definition of legend was proposed by Timothy R. Legend is a loanword from Old French that entered English usage circa 1340. The Old French noun legende derives from the Medieval Latin legenda, in its early English-language usage, the word indicated a narrative of an event. The word legendary was originally a noun meaning a collection or corpus of legends and this word changed to legendry, and legendary became the adjectival form. By 1613, English-speaking Protestants began to use the word when they wished to imply that an event was fictitious, thus, legend gained its modern connotations of undocumented and spurious, which distinguish it from the meaning of chronicle. In 1866, Jacob Grimm described the tale as poetic. Questions of categorising legends, in hopes of compiling a series of categories on the line of the Aarne–Thompson folktale index. Compared to the highly structured folktale, legend is comparatively amorphous, in Einleitung in der Geschichtswissenschaft, Ernst Bernheim asserted that a legend is simply a longstanding rumour. Gordon Allport credited the staying-power of some rumours to the persistent cultural state-of-mind that they embody and capsulise, in the narrow Christian sense, legenda were hagiographical accounts, often collected in a legendary. Hippolyte Delehaye distinguished legend from myth, The legend, on the hand, has, of necessity. It refers imaginary events to some real personage, or it localizes romantic stories in some definite spot, stories that exceed the boundaries of realism are called fables. For example, the talking animal formula of Aesop identifies his brief stories as fables, the parable of the Prodigal Son would be a legend if it were told as having actually happened to a specific son of a historical father. If it included a donkey that gave sage advice to the Prodigal Son it would be a fable, Legend may be transmitted orally, passed on person-to-person, or, in the original sense, through written text. Jacob de Voragines Legenda Aurea or The Golden Legend comprises a series of vitae or instructive biographical narratives and they are presented as lives of the saints, but the profusion of miraculous happenings and above all their uncritical context are characteristics of hagiography. The Legenda was intended to inspire extemporized homilies and sermons appropriate to the saint of the day, the vanishing hitchhiker is the best-known urban legend in America, traceable as far back as 1870, but it is found around the world including in Korea and Russia. In the legend, a girl in a white dress picked up alongside of the road by a passerby
6.
Muhammad
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Muhammad is the prophet of Islam. From a secular historical perspective he was a religious, political, from an Islamic perspective, he was Gods Messenger sent to confirm the essential teachings of monotheism preached previously by Adam, Abraham, Moses, Jesus, and other prophets. He is viewed as the prophet of God in all branches of Islam. Muhammad united Arabia into a single Muslim polity and ensured that his teachings, practices, born approximately 570 CE in the Arabian city of Mecca, Muhammad was orphaned at an early age, he was raised under the care of his paternal uncle Abu Talib. Muhammad gained few early followers, and met hostility from some Meccan tribes, to escape persecution, Muhammad sent some followers to Abyssinia before he and his followers migrated from Mecca to Medina in the year 622. This event, the Hijra, marks the beginning of the Islamic calendar, in Medina, Muhammad united the tribes under the Constitution of Medina. In December 629, after eight years of intermittent conflict with Meccan tribes, Muhammad gathered an army of 10,000 Muslim converts, the attack went largely uncontested and Muhammad seized the city with little bloodshed. In 632, a few months after returning from the Farewell Pilgrimage, he fell ill, before his death, most of the Arabian Peninsula had converted to Islam. The revelations, which Muhammad reported receiving until his death, form the verses of the Quran, regarded by Muslims as the Word of God and around which the religion is based. Besides the Quran, Muhammads teachings and practices, found in the Hadith and sira literature, are upheld by Muslims. The name Muhammad means praiseworthy and appears four times in the Quran, Muhammad is sometimes addressed by designations deriving from his state at the time of the address, thus he is referred to as the enwrapped in Quran 73,1 and the shrouded in Quran 74,1. In Sura Al-Ahzab 33,40 God singles out Muhammad as the Seal of the Prophets, the Quran also refers to Muhammad as Aḥmad more praiseworthy. The name Abū al-Qāsim Muḥammad ibn ʿAbd Allāh ibn ʿAbd al-Muṭṭalib ibn Hāshim, begins with the kunya Abū, the Quran is the central religious text of Islam. Muslims believe it represents the words of God revealed by the archangel Gabriel to Muhammad, the Quran, however, provides minimal assistance for Muhammads chronological biography, most Quranic verses do not provide significant historical context. An important source may be found in the works by writers of the 2nd. These include the traditional Muslim biographies of Muhammad, which additional information about Muhammads life. The earliest surviving written sira is Ibn Ishaqs Life of Gods Messenger written c.767 CE, although the work was lost, this sira was used verbatim at great length by Ibn Hisham and Al-Tabari. Another early history source is the history of Muhammads campaigns by al-Waqidi, many scholars accept the earliest biographies as accurate, though their accuracy is unascertainable
7.
Akbar
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Abul-Fath Jalal-ud-din Muhammad, popularly known as Akbar I and later Akbar the Great, was a Mughal Emperor from 1556 until his death. He was the ruler of the Mughal Dynasty in India. Akbar succeeded his father, Humayun, under a regent, Bairam Khan, a strong personality and a successful general, Akbar gradually enlarged the Mughal Empire to include nearly all of the Indian Subcontinent north of the Godavari river. His power and influence, however, extended over the country because of Mughal military, political, cultural. To unify the vast Mughal state, Akbar established a system of administration throughout his empire and adopted a policy of conciliating conquered rulers through marriage. To preserve peace and order in a religiously and culturally diverse empire, Mughal India developed a strong and stable economy, leading to commercial expansion and greater patronage of culture. Akbar himself was a patron of art and culture, holy men of many faiths, poets, architects and artisans adorned his court from all over the world for study and discussion. Akbars courts at Delhi, Agra, and Fatehpur Sikri became centres of the arts, letters, perso-Islamic culture began to merge and blend with indigenous Indian elements, and a distinct Indo-Persian culture emerged characterised by Mughal style arts, painting, and architecture. A simple, monotheistic cult, tolerant in outlook, it centred on Akbar as a prophet, for which he drew the ire of the ulema, many of his courtiers followed Din-i-Ilahi as their religion as well, as many believed that Akbar was a prophet. One famous courtier who followed this religion was Birbal. Akbars reign significantly influenced the course of Indian history, during his rule, the Mughal empire tripled in size and wealth. He created a military system and instituted effective political and social reforms. By abolishing the tax on non-Muslims and appointing them to high civil and military posts, he was the first Mughal ruler to win the trust. He had Sanskrit literature translated, participated in festivals, realising that a stable empire depended on the co-operation. Thus, the foundations for an empire under Mughal rule was laid during his reign. Akbar was succeeded as emperor by his son, Jahangir, defeated in battles at Chausa and Kannauj in 1539–40 by the forces of Sher Shah Suri Mughal emperor Humayun fled westward to Sindh. There he met and married the then 14-year-old Hamida Banu Begum, daughter of Shaikh Ali Akbar Jami, a teacher of Humauyuns younger brother Hindal Mirza. Jalal ud-din Muhammad Akbar was born the year on 15 October 1542 at the Rajput Fortress of Umerkot in Sindh
8.
Mahmud of Ghazni
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Yamīn-ud-Dawla Abul-Qāṣim Maḥmūd ibn Sebüktegīn, more commonly known as Mahmud of Ghazni, also known as Mahmūd-i Zābulī, was the most prominent ruler of the Ghaznavid Empire. He conquered the eastern Iranian lands, modern Afghanistan, and the northwestern Indian subcontinent from 997 to his death in 1030. He was the first ruler to carry the title Sultan, signifying the extent of his power, during his rule, he invaded and plundered parts of Hindustan 17 times. Mahmud was born on Thursday,10 Muharram,361 AH/ November 2,971 CE in the town of Ghazna in Medieval Khorasan and his father Sabuktigin was a Turkic Mamluk who founded the Ghaznavid dynasty. His mother was the daughter of a Persian aristocrat from Zabulistan, Sultan Mahmud was born on 2 November 971 CE in Ghazni to first Ghaznavid Sultan Sebüktigin, Yusuf Sebüktigin being his younger brother. He was married to a woman named Kausari Jahan and had twin sons Mohammad and Masud, in 994, Mahmud joined his father Sabuktigin in the capture of Khorasan from the rebel Faiq in aid of the Samanid Emir, Nuh II. Mahmud took over his fathers kingdom in 998 after defeating and capturing Ismail at the Battle of Ghazni and he then set out west from Ghazni to take the Kandahar region followed by Bost, where he turned it into a militarised city. Mahmud initiated the first of numerous invasion of North India, on November 28,1001, his army fought and defeated the army of Raja Jayapala of the Kabul Shahis at the battle of Peshawar. In 1002, Mahmud invaded Sistan and dethroned Khalaf ibn Ahmad, from there he decided to focus on Hindustan to the southeast, particularly the highly fertile lands of the Punjab region. At this point, Jayapala attempted to revenge for an earlier military defeat at the hands of Mahmuds father. His son Anandapala succeeded him and continued the struggle to avenge his fathers suicide and he also vowed to raid and loot the wealthy region of northwestern India every year. In 1001 Mahmud of Ghazni had first invaded modern day Afghanistan and Pakistan then parts of India, Mahmud defeated, captured and later released the Shahi ruler Jayapala, who had moved his capital to Peshawar. Jaya Pala killed himself and was succeeded by his son Ananda Pala, in 1013, during Mahmuds 8th expedition into eastern Afghanistan and Pakistan, the Shahi kingdom was overthrown. In 1014 Mahmud led an expedition to Thanesar, the next year he unsuccessfully attacked Kashmir. In 1018, he attacked Mathura and defeated a coalition of rulers there while also killing a ruler called Chandra Pala, in 1021 Mahmud supported the Kannauj king against Chandela Ganda, who was defeated. That same year Shahi Trilochana Pala was killed at Rahib and his son Bhima Pala succeeded him, Mahmud besieged Gwalior, in 1023, where he given tribute. Mahmud attacked Somnath, in 1025, and its ruler Bhima Deva I fled, the next year, he captured Somnath and marched to Kachch against Bhima Deva. That same year Mahmud also attacked the Jat people of Jud, the last four years of Mahmuds life were spent contending with the influx of Oghuz and Seljuk Turks from Central Asia and the Buyid dynasty
9.
Mughal Empire
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The dynasty, though ethnically Turco-Mongol, was Persianate in terms of culture. The Mughal empire extended over parts of the Indian subcontinent. The beginning of the empire is conventionally dated to the victory by its founder Babur over Ibrahim Lodi, the Mughal emperors were Central Asian Turco-Mongols belonging to the Timurid dynasty, who claimed direct descent from both Genghis Khan and Timur. During the reign of Humayun, the successor of Babur, the empire was briefly interrupted by the Sur Empire, the classic period of the Mughal Empire started in 1556 with the ascension of Akbar the Great to the throne. Under the rule of Akbar and his son Jahangir, the region enjoyed economic progress as well as harmony. Akbar was a warrior who also forged alliances with several Hindu Rajput kingdoms. Some Rajput kingdoms continued to pose a significant threat to the Mughal dominance of northwestern India, the reign of Shah Jahan, the fifth emperor, between 1628 and 1658 was the golden age of Mughal architecture. He erected several monuments, the best known of which is the Taj Mahal at Agra, as well as the Moti Masjid, Agra, the Red Fort, the Jama Masjid, Delhi. By the mid-18th century, the Marathas had routed Mughal armies, during the following century Mughal power had become severely limited, and the last emperor, Bahadur Shah II, had authority over only the city of Shahjahanabad. He issued a firman supporting the Indian Rebellion of 1857 and following the defeat was therefore tried by the British East India Company for treason, imprisoned and exiled to Rangoon. Contemporaries referred to the empire founded by Babur as the Timurid empire, which reflected the heritage of his dynasty, another name was Hindustan, which was documented in the Ain-i-Akbari, and which has been described as the closest to an official name for the empire. In the west, the term Mughal was used for the emperor, and by extension, the use of Mughal derived from the Arabic and Persian corruption of Mongol, and it emphasised the Mongol origins of the Timurid dynasty. The term gained currency during the 19th century, but remains disputed by Indologists, similar terms had been used to refer to the empire, including Mogul and Moghul. Nevertheless, Baburs ancestors were sharply distinguished from the classical Mongols insofar as they were oriented towards Persian rather than Turco-Mongol culture, ousted from his ancestral domains in Central Asia, Babur turned to India to satisfy his ambitions. He established himself in Kabul and then pushed steadily southward into India from Afghanistan through the Khyber Pass, Baburs forces occupied much of northern India after his victory at Panipat in 1526. The preoccupation with wars and military campaigns, however, did not allow the new emperor to consolidate the gains he had made in India, the instability of the empire became evident under his son, Humayun, who was driven out of India and into Persia by rebels. Humayuns exile in Persia established diplomatic ties between the Safavid and Mughal Courts, and led to increasing Persian cultural influence in the Mughal Empire, the restoration of Mughal rule began after Humayuns triumphant return from Persia in 1555, but he died from a fatal accident shortly afterwards. Humayuns son, Akbar, succeeded to the throne under a regent, Bairam Khan, through warfare and diplomacy, Akbar was able to extend the empire in all directions and controlled almost the entire Indian subcontinent north of the Godavari River
10.
Mughal painting
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Mughal painting later spread to other Indian courts, both Muslim and Hindu, and later Sikh. This art of painting developed as a blending of Persian and Indian ideas, by the time of the Mughal invasion, the tradition had abandoned the high viewpoint typical of the Persian style, and adopted a more realistic style for animals and plants. No miniatures survive from the reign of the founder of the dynasty, Babur, nor does he mention commissioning any in his diaries, the Baburnama. Copies of this were illustrated by his descendents, Akbar in particular, with portraits of the many new animals Babur encountered when he invaded India. However some surviving un-illustrated manuscripts may have been commissioned by him, Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were more realistically shown. Subjects are rich in variety and include portraits, events and scenes from life, wild life and hunting scenes. The Persian tradition of richly decorated borders framing the image was continued. The style of the Mughal school developed within the royal atelier, knowledge was primarily transmitted through familial and apprenticeship relationships, and the system of joint manuscript production which brought multiple artists together for single works. When Humayun returned to India, he brought him two accomplished Persian artists Abd al-Samad and Mir Sayyid Ali. His usurping brother Kamran Mirza had maintained a workshop in Kabul, humayans major known commission was a Khamsa of Nizami with 36 illuminated pages, in which the different styles of the various artists are mostly still apparent. Apart from the London painting, he commissioned at least two miniatures showing himself with family members, a type of subject that was rare in Persia but was to be common among the Mughals. Mughal painting developed and flourished during the reigns of Akbar, Jahangir, Akbar inherited and expanded his fathers library and atelier of court painters, and paid close personal attention to its output. He had studied painting in his youth under Abd as-Samad, though it is not clear how far these studies went. Between 1560 and 1566 the Tutinama, now in the Cleveland Museum of Art was illustrated, among other manuscripts, between 1562 and 1577 the atelier worked on an illustrated manuscript of the Hamzanama consisting of 1,400 canvas folios. Sadis masterpiece The Gulistan was produced at Fatehpur Sikri in 1582, a Darab Nama around 1585, Mughal style during this period continued to refine itself with elements of realism and naturalism coming to the fore. Between the years of 1570 to 1585 Akbar hired over a one hundred painters to practice Mughal style painting, Jahangir had an artistic inclination and during his reign Mughal painting developed further. Brushwork became finer and the colors lighter, Jahangir was also deeply influenced by European painting
