1.
Bagh Print
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Bagh Print is a traditional hand block print with natural colours, an Indian Handicraft practised in Bagh, Dhar district in Madhya Pradesh, India. Its name is derived from the village Bagh on the banks of the Bagh River, Bagh print fabric with replicated geometric and floral compositions with vegetable colours of red and black over a white background is a popular Textile printing product. Bagh Prints is listed as a geographically tagged and is protected under the Geographical Indications of Goods Act 1999 of the Government of India. It was registered by the Controller General of Patents Designs and Trademarks under the title Bagh Prints of Madhya Pradesh and recorded with tag under Application number 98 in 2008. Its logo with the titleBagh Prints of Madhya Pradesh was approved under application number 505 dated 1 August 2015 under Class 24 Textiles, the Bagh village where this handicraft is practiced lies within the geographical coordinates of 22°22′00″N 74°40′00″E at an elevation of 240 metres. The Bagh river, which flows near the village, is major factor in the adoption of Bagh Print. The Narmada river, about 30 kilometres from Bagh, which is a source, is an important source for this art work. Bagh Print, as it is known in Madhya Pradesh, was started by the community of Muslim Khatris in 1962 when they migrated from Manawar to Bagh. However, the reasons for their migration from Sindh across the Indus is not clear, in this printing technique the cloth used is cotton and silk cloth which are subject to treatment of a blend of corroded iron fillings, alum and Alizarin. The designs are patterned by skilled artisans, on completion of the printing process, the printed fabric is subject to repeated washing in the flowing waters of the river and then dried in the sun for a specific period to obtain the fine luster. The Khatri communitys migration from Sind is also said to be due to harassment by a Brahmin king, after migrating from Sindh their first settlement was Pali. Due tp a severe famine they moved to Gautampur in Malwa region, at that time a new railway line was being laid in Gautampur which made them move from Gautampur to Manawar in Nimar district in Madhya Pradesh. Ismail Khatri is the leading craftsman who migrated to Bagh village with his group in the 1960s. He then gave shape and a new approach to the printing technique which was then in practice in a rudimentary form among 80 percent of the tribal people. However, there was also an impact on this art form in the 1960s. But Ismail Khatri adhered to his technique and made many improvisations and his primary innovation was creating the Bagh Print on different types of cloth by printing on them. His innovative design of a bed cover, which he printed with his patterns, consisted of a bed cover which had 1,200 different blocks which won him the National Award in 1984. In 2011, this art form got a further boost when the BaghPrints design was adopted in a theme of the Madhya Pradesh state at the Republic Day parade in New Delhi on 26 January 2011
2.
India
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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and it is bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast. It shares land borders with Pakistan to the west, China, Nepal, and Bhutan to the northeast, in the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives. Indias Andaman and Nicobar Islands share a border with Thailand. The Indian subcontinent was home to the urban Indus Valley Civilisation of the 3rd millennium BCE, in the following millennium, the oldest scriptures associated with Hinduism began to be composed. Social stratification, based on caste, emerged in the first millennium BCE, early political consolidations took place under the Maurya and Gupta empires, the later peninsular Middle Kingdoms influenced cultures as far as southeast Asia. In the medieval era, Judaism, Zoroastrianism, Christianity, and Islam arrived, much of the north fell to the Delhi sultanate, the south was united under the Vijayanagara Empire. The economy expanded in the 17th century in the Mughal empire, in the mid-18th century, the subcontinent came under British East India Company rule, and in the mid-19th under British crown rule. A nationalist movement emerged in the late 19th century, which later, under Mahatma Gandhi, was noted for nonviolent resistance, in 2015, the Indian economy was the worlds seventh largest by nominal GDP and third largest by purchasing power parity. Following market-based economic reforms in 1991, India became one of the major economies and is considered a newly industrialised country. However, it continues to face the challenges of poverty, corruption, malnutrition, a nuclear weapons state and regional power, it has the third largest standing army in the world and ranks sixth in military expenditure among nations. India is a constitutional republic governed under a parliamentary system. It is a pluralistic, multilingual and multi-ethnic society and is home to a diversity of wildlife in a variety of protected habitats. The name India is derived from Indus, which originates from the Old Persian word Hindu, the latter term stems from the Sanskrit word Sindhu, which was the historical local appellation for the Indus River. The ancient Greeks referred to the Indians as Indoi, which translates as The people of the Indus, the geographical term Bharat, which is recognised by the Constitution of India as an official name for the country, is used by many Indian languages in its variations. Scholars believe it to be named after the Vedic tribe of Bharatas in the second millennium B. C. E and it is also traditionally associated with the rule of the legendary emperor Bharata. Gaṇarājya is the Sanskrit/Hindi term for republic dating back to the ancient times, hindustan is a Persian name for India dating back to the 3rd century B. C. E. It was introduced into India by the Mughals and widely used since then and its meaning varied, referring to a region that encompassed northern India and Pakistan or India in its entirety
3.
Batik
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Batik is a technique of wax-resist dyeing applied to whole cloth, or cloth made using this technique. Batik is made either by drawing dots and lines of the resist with a tool called a canting. In October 2009, UNESCO designated Indonesian batik as a Masterpiece of Oral, the word batik is Javanese in origin. It may either come from the Javanese word amba and titik, the word is first recorded in English in the Encyclopædia Britannica of 1880, in which it is spelled battik. It is attested in the Indonesian Archipelago during the Dutch colonial period in various forms, mbatek, mbatik, batek, wax resist dyeing of fabric is an ancient art form. It already existed in Egypt in the 4th century BC, where it was used to wrap mummies, linen was soaked in wax, in Asia, the technique was practised in China during the Tang Dynasty, and in India and Japan during the Nara Period. In Africa it was practised by the Yoruba tribe in Nigeria, Soninke. These African version however, uses cassava starch or rice paste, the art of batik is most highly developed in the island of Java in Indonesia. In Java, all the materials for the process are readily available — cotton and beeswax, Indonesian batik predates written records, G. P. Rouffaer argues that the technique might have been introduced during the 6th or 7th century from India or Sri Lanka. On the other hand, the Dutch archaeologist J. L. A, brandes and the Indonesian archaeologist F. A. Rouffaer reported that the gringsing pattern was already known by the 12th century in Kediri, East Java. The motif is thought to represent the lotus, a flower in Hindu-Buddhist beliefs. This evidence suggests that intricate batik fabric patterns applied with the canting existed in 13th-century Java or even earlier. In Europe, the technique was described for the first time in the History of Java, published in London in 1817 by Stamford Raffles, in 1873 the Dutch merchant Van Rijckevorsel gave the pieces he collected during a trip to Indonesia to the ethnographic museum in Rotterdam. Today the Tropenmuseum houses the biggest collection of Indonesian batik in the Netherlands, the Dutch and Chinese colonists were active in developing batik, particularly coastal batik, in the late colonial era. They introduced new patterns as well as the use of the cap to mass-produce batiks, displayed at the Exposition Universelle at Paris in 1900, the Indonesian batik impressed the public and artists. In the 1920s, Javanese batik makers migrating to Malaya introduced the use of wax, in Subsaharan Africa, Javanese batik was introduced in the 19th century by Dutch and English traders. The local people there adapted the Javanese batik, making larger motifs with thicker lines, in the 1970s, batik was introduced to Australia, where aboriginal artists at Erna Bella have developed it as their own craft. Firstly, a cloth is washed, soaked and beaten with a large mallet, patterns are drawn with pencil and later redrawn using hot wax, usually made from a mixture of paraffin or bees wax, sometimes mixed with plant resins, which functions as a dye-resist
4.
Java
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Java is an island of Indonesia. With a population of over 141 million or 145 million as of 2015 Census released in December 2015, the Indonesian capital city, Jakarta, is located on western Java. Much of Indonesian history took place on Java and it was the center of powerful Hindu-Buddhist empires, the Islamic sultanates, and the core of the colonial Dutch East Indies. Java was also the center of the Indonesian struggle for independence during the 1930s and 1940s, Java dominates Indonesia politically, economically and culturally. Formed mostly as the result of eruptions, Java is the 13th largest island in the world. A chain of mountains forms an east–west spine along the island. Three main languages are spoken on the island, Javanese, Sundanese, of these, Javanese is the dominant, it is the native language of about 60 million people in Indonesia, most of whom live on Java. Furthermore, most residents are bilingual, speaking Indonesian as their first or second language, while the majority of the people of Java are Muslim, Java has a diverse mixture of religious beliefs, ethnicities, and cultures. Java is divided into four provinces, West Java, Central Java, East Java, and Banten, the origins of the name Java are not clear. One possibility is that the island was named after the plant, which was said to be common in the island during the time. There are other sources, the word jaú and its variations mean beyond or distant. And, in Sanskrit yava means barley, a plant for which the island was famous, Yawadvipa is mentioned in Indias earliest epic, the Ramayana. Sugriva, the chief of Ramas army dispatched his men to Yawadvipa and it was hence referred to in India by the Sanskrit name yāvaka dvīpa. Java is mentioned in the ancient Tamil text Manimekalai by Chithalai Chathanar that states that Java had a kingdom with a capital called Nagapuram, another source states that the Java word is derived from a Proto-Austronesian root word, Iawa that meaning home. The great island of Iabadiu or Jabadiu was mentioned in Ptolemys Geographia composed around 150 CE Roman Empire, Iabadiu is said to mean barley island, to be rich in gold, and have a silver town called Argyra at the west end. The name indicate Java, and seems to be derived from Hindu name Java-dvipa, Java lies between Sumatra to the west and Bali to the east. Borneo lies to the north and Christmas Island is to the south and it is the worlds 13th largest island. Java is surrounded by the Java Sea to the north, Sunda Strait to the west, Java is almost entirely of volcanic origin, it contains thirty-eight mountains forming an east–west spine that have at one time or another been active volcanoes
5.
Indonesia
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Indonesia, officially the Republic of Indonesia, is a unitary sovereign state and transcontinental country located mainly in Southeast Asia with some territories in Oceania. Situated between the Indian and Pacific oceans, it is the worlds largest island country, with more than seventeen thousand islands. At 1,904,569 square kilometres, Indonesia is the worlds 14th-largest country in terms of area and worlds 7th-largest country in terms of combined sea. It has an population of over 260 million people and is the worlds fourth most populous country. The worlds most populous island, Java, contains more than half of the countrys population, Indonesias republican form of government includes an elected legislature and president. Indonesia has 34 provinces, of which five have Special Administrative status and its capital and countrys most populous city is Jakarta, which is also the most populous city in Southeast Asia and the second in Asia. The country shares land borders with Papua New Guinea, East Timor, other neighbouring countries include Singapore, Vietnam, the Philippines, Australia, Palau, and the Indian territory of the Andaman and Nicobar Islands. Despite its large population and densely populated regions, Indonesia has vast areas of wilderness that support the second highest level of biodiversity. The country has abundant natural resources like oil and natural gas, tin, copper, agriculture mainly produces rice, palm oil, tea, coffee, cacao, medicinal plants, spices and rubber. Indonesias major trading partners are Japan, United States, China, the Indonesian archipelago has been an important region for trade since at least the 7th century, when Srivijaya and then later Majapahit traded with China and India. Local rulers gradually absorbed foreign cultural, religious and political models from the early centuries CE, Indonesian history has been influenced by foreign powers drawn to its natural resources. Indonesia consists of hundreds of native ethnic and linguistic groups. The largest – and politically dominant – ethnic group are the Javanese, a shared identity has developed, defined by a national language, ethnic diversity, religious pluralism within a Muslim-majority population, and a history of colonialism and rebellion against it. Indonesias national motto, Bhinneka Tunggal Ika, articulates the diversity that shapes the country, Indonesias economy is the worlds 16th largest by nominal GDP and the 8th largest by GDP at PPP, the largest in Southeast Asia, and is considered an emerging market and newly industrialised country. Indonesia has been a member of the United Nations since 1950, Indonesia is a member of the G20 major economies and World Trade Organization. The name Indonesia derives from the Greek name of the Indós, the name dates to the 18th century, far predating the formation of independent Indonesia. In 1850, George Windsor Earl, an English ethnologist, proposed the terms Indunesians—and, his preference, in the same publication, one of his students, James Richardson Logan, used Indonesia as a synonym for Indian Archipelago. However, Dutch academics writing in East Indies publications were reluctant to use Indonesia, they preferred Malay Archipelago, the Netherlands East Indies, popularly Indië, the East, and Insulinde
6.
Iran
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Iran, also known as Persia, officially the Islamic Republic of Iran, is a sovereign state in Western Asia. Comprising a land area of 1,648,195 km2, it is the second-largest country in the Middle East, with 82.8 million inhabitants, Iran is the worlds 17th-most-populous country. It is the country with both a Caspian Sea and an Indian Ocean coastline. The countrys central location in Eurasia and Western Asia, and its proximity to the Strait of Hormuz, Tehran is the countrys capital and largest city, as well as its leading economic and cultural center. Iran is the site of to one of the worlds oldest civilizations, the area was first unified by the Iranian Medes in 625 BC, who became the dominant cultural and political power in the region. The empire collapsed in 330 BC following the conquests of Alexander the Great, under the Sassanid Dynasty, Iran again became one of the leading powers in the world for the next four centuries. Beginning in 633 AD, Arabs conquered Iran and largely displaced the indigenous faiths of Manichaeism and Zoroastrianism by Islam, Iran became a major contributor to the Islamic Golden Age that followed, producing many influential scientists, scholars, artists, and thinkers. During the 18th century, Iran reached its greatest territorial extent since the Sassanid Empire, through the late 18th and 19th centuries, a series of conflicts with Russia led to significant territorial losses and the erosion of sovereignty. Popular unrest culminated in the Persian Constitutional Revolution of 1906, which established a monarchy and the countrys first legislative body. Following a coup instigated by the U. K. Growing dissent against foreign influence and political repression led to the 1979 Revolution, Irans rich cultural legacy is reflected in part by its 21 UNESCO World Heritage Sites, the third-largest number in Asia and 11th-largest in the world. Iran is a member of the UN, ECO, NAM, OIC. Its political system is based on the 1979 Constitution which combines elements of a democracy with a theocracy governed by Islamic jurists under the concept of a Supreme Leadership. A multicultural country comprising numerous ethnic and linguistic groups, most inhabitants are Shia Muslims, the largest ethnic groups in Iran are the Persians, Azeris, Kurds and Lurs. Historically, Iran has been referred to as Persia by the West, due mainly to the writings of Greek historians who called Iran Persis, meaning land of the Persians. As the most extensive interactions the Ancient Greeks had with any outsider was with the Persians, however, Persis was originally referred to a region settled by Persians in the west shore of Lake Urmia, in the 9th century BC. The settlement was then shifted to the end of the Zagros Mountains. In 1935, Reza Shah requested the international community to refer to the country by its native name, opposition to the name change led to the reversal of the decision, and Professor Ehsan Yarshater, editor of Encyclopædia Iranica, propagated a move to use Persia and Iran interchangeably
7.
Craft
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A craft is a pastime or a profession that requires particular skills and knowledge of skilled work. The traditional terms craftsman and craftswoman are nowadays often replaced by artisan, the beginning of crafts in areas like the Ottoman empire involved the governing bodies requiring members of the city who were skilled at creating goods to open shops in the center of town. These people slowly stopped acting as subsistence farmers and began to represent what we think of a craftsman today, historically, craftsmen tended to concentrate in urban centers and formed guilds. The households of craftsmen were not as self-sufficient as those of people engaged in agricultural work, once an apprentice of a craft had finished his apprenticeship, he would become a journeyman searching for a place to set up his own shop and make a living. After he set up his own shop, he could call himself a master of his craft. But crafts have undergone deep structural changes during and since the era of the Industrial Revolution, thus, they participate in a certain division of labour between industry and craft. There are three aspects to human creativity - Art, Crafts, and Science, roughly determinated, art relies upon intuitive sensing, vision and expression, crafts upon sophisticated technique and science upon knowledge. Handicraft is the main sector of the crafts, it is a type of work where useful. Usually the term is applied to traditional means of making goods, the individual artisanship of the items is a paramount criterion, such items often have cultural and/or religious significance. Items made by mass production or machines are not handicraft goods, handicraft goods are made with craft production processes. Crafts practiced by independent artists working alone or in groups are often referred to as studio craft. Studio craft includes studio pottery, metal work, weaving, wood turning, paper and other forms of working, glass blowing. A craft fair is an event to display and sell crafts. There are craft shops where such goods are sold and craft communities, such as Craftster, a tradesperson is a skilled manual worker in a particular trade or craft. Economically and socially, a status is considered between a laborer and a professional, with a high degree of both practical and theoretical knowledge of their trade. In cultures where professional careers are highly prized there can be a shortage of skilled manual workers, media related to Crafts at Wikimedia Commons
8.
Design
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Design is the creation of a plan or convention for the construction of an object, system or measurable human interaction. Design has different connotations in different fields, in some cases, the direct construction of an object is also considered to use design thinking. Designing often necessitates considering the aesthetic, functional, economic, and it may involve considerable research, thought, modeling, interactive adjustment, and re-design. Meanwhile, diverse kinds of objects may be designed, including clothing, graphical user interfaces, skyscrapers, corporate identities, business processes, and even methods or processes of designing. Thus design may be a substantive referring to an abstraction of a created thing or things. It is an act of creativity and innovation, here, a specification can be manifested as either a plan or a finished product, and primitives are the elements from which the design object is composed. With such a broad denotation, there is no language or unifying institution for designers of all disciplines. This allows for many differing philosophies and approaches toward the subject, the person designing is called a designer, which is also a term used for people who work professionally in one of the various design areas usually specifying which area is being dealt with. A designers sequence of activities is called a process while the scientific study of design is called design science. Another definition of design is planning to manufacture an object, system, thus the word design can be used as a noun or a verb. In a broader sense, the design is an applied art, while the definition of design is fairly broad, design has a myriad of specifications that professionals utilize in their fields. Substantial disagreement exists concerning how designers in many fields, whether amateur or professional, alone or in teams, the prevailing view has been called The Rational Model, Technical Problem Solving and The Reason-Centric Perspective. The alternative view has been called Reflection-in-Action, Evolutionary Design, co-evolution, the Rational Model was independently developed by Herbert A. Simon, an American scientist, and Gerhard Pahl and Wolfgang Beitz, two German engineering design theorists. The Rational Model is based on a rationalist philosophy and underlies the waterfall model, systems development life cycle, according to the rationalist philosophy, design is informed by research and knowledge in a predictable and controlled manner. Technical rationality is at the center of the process, each stage has many associated best practices. Unrealistic assumptions – goals are often unknown when a design project begins, the Action-Centric Perspective is a label given to a collection of interrelated concepts, which are antithetical to The Rational Model. Substantial empirical evidence supports the veracity of this perspective in describing the actions of real designers, like the Rational Model, the Action-Centric model sees design as informed by research and knowledge. Designers context-dependent experience and professional judgment take center stage more than technical rationality, at least two views of design activity are consistent with the Action-Centric Perspective
9.
Dhokra
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Dhokra is non–ferrous metal casting using the lost-wax casting technique. This sort of metal casting has been used in India for over 4,000 years and is still used, one of the earliest known lost wax artefacts is the dancing girl of Mohenjo-daro. The product of dhokra artisans are in demand in domestic and foreign markets because of primitive simplicity, enchanting folk motifs. Dhokra horses, elephants, peacocks, owls, religious images, measuring bowls, the lost wax technique for casting of copper based alloys has also been found in China, Egypt, Malaysia, Nigeria, Central America, and other places. There are two processes of lost wax casting, solid casting and hollow casting. While the former is predominant in the south of India the latter is common in Central. Solid casting does not use a clay core but instead a piece of wax to create the mould, hollow casting is the more traditional method. The first task in the lost wax casting process consists of developing a clay core which is roughly the shape of the final cast image. Next, the core is covered by a layer of wax composed of pure beeswax, resin from the tree Damara orientalis. The wax is then shaped and carved in all its details of design. It is then covered with layers of clay, which takes the form of the wax on the inside. Drain ducts are left for the wax, which melts away when the clay is cooked, the wax is then replaced by the molten metal, often using brass scrap as basic raw material. The liquid metal poured in hardens between the core and the surface of the mould. The metal fills the mould and takes the shape as the wax. The outer layer of clay is chipped off and the metal icon is polished and finished as desired. Dhokra Damar tribes are the traditional metalsmiths of West Bengal and their technique of lost wax casting is named after their tribe, hence Dhokra metal casting. The tribe extends from Jharkhand to West Bengal and Orissa, members are distant cousins of the Chhattisgarh Dhokras. A few hundred years ago, the Dhokras of Central and Eastern India traveled south as far as Kerala and north as far as Rajasthan, Dhokra, or Dokra, craft from around Santiniketan, West Bengal, is popular
10.
Arts and Crafts
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It stood for traditional craftsmanship using simple forms, and often used medieval, romantic, or folk styles of decoration. It advocated economic and social reform and was essentially anti-industrial and it had a strong influence on the arts in Europe until it was displaced by Modernism in the 1930s, and its influence continued among craft makers, designers, and town planners long afterwards. It was inspired by the ideas of architect Augustus Pugin, writer John Ruskin, the movement developed earliest and most fully in the British Isles, and spread across the British Empire and to the rest of Europe and North America. It was largely a reaction against the perceived impoverished state of the arts at the time. The Arts and Crafts style emerged from the attempt to reform design, but it was as much a movement of social reform as design reform and its leading practitioners did not separate the two. The art historian Nikolaus Pevsner has said that exhibits in the Great Exhibition showed ignorance of basic need in creating patterns. Owen Jones, for example, declared that Ornament, fiona MacCarthy says that unlike later zealots like Gandhi, William Morris had no practical objections to the use of machinery per se so long as the machines produced the quality he needed. Morriss followers also had differing views or changed their minds over time. C. R. Ashbee, for example, a figure in the Arts and Crafts Movement. At the time of his Guild of Handicraft, initiated in 1888, he said, We do not reject the machine, but we would desire to see it mastered. Morris insisted that the artist should be a working by hand and advocated a society of free craftspeople. Because craftsmen took pleasure in their work, he wrote, the Middle Ages was a period of greatness in the art of the common people. The treasures in our museums now are only the common used in households of that age. Medieval art was the model for much Arts and Crafts design and medieval life, before capitalism, the founders of the Arts and Crafts Exhibition Society did not insist that the designer should also be the maker. Peter Floud, writing in the 1950s, said that The founders of the Society, never executed their own designs, but invariably turned them over to commercial firms. The Arts and Crafts Movement was associated with socialist ideas in the persons of Morris, T. J. Cobden Sanderson, Walter Crane, Ashbee, in the early 1880s Morris was spending more of his time on socialist propaganda than on designing and making. Ashbee established a community of craftsmen, the Guild of Handicraft, in east London and those adherents who were not socialists, for example, Alfred Hoare Powell, advocated a more humane and personal relationship between employer and employee. Lewis Foreman Day, a successful and influential Arts and Crafts designer, was not a socialist either
11.
Upcycling
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Upcycling is the opposite of downcycling, which is the other half of the recycling process. Downcycling involves converting materials and products into new materials of lesser quality, most recycling involves converting or extracting useful materials from a product and creating a different product or material. The first recorded use of the term upcycling was by Reiner Pilz of Pilz GmbH in an article by Thornton Kay of Salvo in 1994, recycling, he said, I call it downcycling. They smash bricks, they smash everything, what we need is upcycling, where old products are given more value, not less. In the road outside his premises was the result of the Germans demolition waste recycling and it was a pinky looking aggregate with pieces of handmade brick, old tiles, and discernible parts of useful old items mixed with crushed concrete. Is this the future for Europe, upcycling is the title of the German edition of a book first published in English in 1998 by Gunter Pauli under the title Upsizing. The German edition was adapted to the German language and culture by Johannes F. Hartkemeyer, the concept was later incorporated by William McDonough and Michael Braungart in their 2002 book Cradle to Cradle, Remaking the Way We Make Things. They state that the goal of upcycling is to prevent wasting potentially useful materials by making use of existing ones and this reduces the consumption of new raw materials when creating new products. Reducing the use of new raw materials can result in a reduction of energy usage, air pollution, water pollution and this is a significant step towards regenerative design culture where the end products are cleaner, healthier, and usually have a better value than the material inputs. For example, during the process of plastics other than those used to create bottles, many different types of plastics are mixed. This hybrid is used in the manufacturing of plastic lumber applications, however, unlike the engineered polymer ABS which hold properties of several plastics well, recycled plastics suffer phase-separation that causes structural weakness in the final product. A growing number of companies are focusing on upcycling although the trend is still in its infancy with industry-wide figures yet to be produced, upcycling has shown significant growth across the United States. For example, the number of products on Etsy or Pinterest tagged with the word upcycled increased from about 7,900 in January 2010 to nearly 30,000 a year later—an increase of 275%. As of April 2013, that stood at 263,685. The tradition of reusing found objects in mainstream art came of age sporadically through the 20th century, the Amish quilt, for example, came about through reapplication of salvaged fabric. Intellectually, upcycling bears some resemblance to the art of Marcel Duchamp. Pablo Picassos Bulls Head, a made from a discarded bicycle saddle. Throughout the mid-century the artist Joseph Cornell fabricated collages and boxed assemblage works from old books, found objects, robert Rauschenberg collected trash and disused objects, first in Morocco and later on the streets of New York, to incorporate into his art works
12.
Artisan
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Artisans practice a craft and may through experience and aptitude reach the expressive levels of an artist. The adjective artisanal is sometimes used in describing hand-processing in what is viewed as an industrial process. Thus, artisanal is sometimes used in marketing and advertising as a word to describe or imply some relation with the crafting of handmade food products, such as bread. Many of these have traditionally been handmade, rural or pastoral goods but are now commonly made on a larger scale with automated mechanization in factories. Artisans were the dominant producers of products prior to the Industrial Revolution. In ancient Greece, artisans were drawn to agoras and often built workshops nearby, during the Middle Ages, the term artisan was applied to those who made things or provided services. It did not apply to unskilled manual labourers, Artisans were divided into two distinct groups, those who operated their own businesses and those who did not. Those who owned their businesses were called masters, while the latter were the journeymen, one misunderstanding many people have about this social group is that they picture them as workers in the modern sense, employed by someone. The most influential group among the artisans were the masters, the business owners, the owners enjoyed a higher social status in their communities. Shokunin is a Japanese word for artisan or craftsman, which implies a pride in ones own work. In the words of shokunin Tashio Odate, Shokunin means not only having technical skill, a social obligation to work his best for the general welfare of the people, obligation both material and spiritual. Applied art Artist Arts and Crafts movement Caste — Tarkhan Guild Handicraft The dictionary definition of artisan at Wiktionary History of Artisans
13.
Mass production
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Mass production, flow production or continuous production is the production of large amounts of standardized products, including and especially on assembly lines. Together with job production and batch production, it is one of the three main production methods, the term mass production was popularized by a 1926 article in the Encyclopedia Britannica supplement that was written based on correspondence with Ford Motor Company. The New York Times used the term in the title of an article that appeared before publication of the Britannica article, the concepts of mass production are applied to various kinds of products, from fluids and particulates handled in bulk to discrete solid parts to assemblies of such parts. Mass production is a field, but it can generally be contrasted with craft production or distributed manufacturing. Mass production of fluid matter typically involves pipes with centrifugal pumps or screw conveyors to transfer raw materials or partially complete products between vessels, materials on pallets are handled with forklifts. Also used for handling heavy items like reels of paper, steel or machinery are electric overhead cranes, sometimes called bridge cranes because they span large factory bays. Mass production is intensive and energy intensive, as it uses a high proportion of machinery. It is also usually automated while total expenditure per unit of product is decreased, however, the machinery that is needed to set up a mass production line is so expensive that there must be some assurance that the product is to be successful to attain profits. One of the descriptions of mass production is that the skill is built into the tool, for example, in the 19th or early 20th century, this could be expressed as the craftsmanship is in the workbench itself. Later, once computerized control came about, jigs were obviated and this is the specialized capital required for mass production, each workbench and set of tools is different. Crossbows made with bronze parts were produced in China during the Warring States period, the Qin Emperor unified China at least in part by equipping large armies with these weapons, which were equipped with a sophisticated trigger mechanism made of interchangeable parts. Ships of war were produced on a scale at a moderate cost by the Carthaginians in their excellent harbors. The Venetians themselves also produced ships using prefabricated parts and assembly lines many centuries later, the Venetian Arsenal apparently produced nearly one ship every day, in what was effectively the worlds first factory which, at its height, employed 16,000 people. Mass production in the industry has been commonplace since the Gutenberg Bible was published using a printing press in the mid-15th century. In the Industrial Revolution simple mass production techniques were used at the Portsmouth Block Mills in England to make ships pulley blocks for the Royal Navy in the Napoleonic Wars. It was achieved in 1803 by Marc Isambard Brunel in cooperation with Henry Maudslay under the management of Sir Samuel Bentham, the Navy was in a state of expansion that required 100,000 pulley blocks to be manufactured a year. Bentham had already achieved remarkable efficiency at the docks by introducing power-driven machinery, by 1805, the dockyard had been fully updated with the revolutionary, purpose-built machinery at a time when products were still built individually with different components. A total of 45 machines were required to perform 22 processes on the blocks, the machines were almost entirely made of metal thus improving their accuracy and durability
14.
Folk art
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Folk art encompasses art produced from an indigenous culture or by peasants or other laboring tradespeople. In contrast to fine art, folk art is primarily utilitarian, Folk Art is characterized by a naïve style, in which traditional rules of proportion and perspective are not employed. The varied geographical and temporal prevalence and diversity of folk art make it difficult to describe as a whole, though some patterns have been demonstrated. On the other hand, many 18th- and 19th-century American folk art painters made their living by their work, including itinerant portrait painters, some of whom produced large bodies of work. Terms that might overlap with folk art are naïve art, tribal art, primitive art, popular art, outsider art, traditional art, tramp art and working-class art/blue-collar art. As one might expect, these terms can have multiple and even controversial connotations but are used interchangeably with the term folk art. Folk art expresses cultural identity by conveying shared community values and aesthetics and it encompasses a range of utilitarian and decorative media, including cloth, wood, paper, clay, metal and more. If traditional materials are inaccessible, new materials are often substituted, Folk art reflects traditional art forms of diverse community groups — ethnic, tribal, religious, occupational, geographical, age- or gender-based — who identify with each other and society at large. Folk artists traditionally learn skills and techniques through apprenticeships in informal community settings, antique folk art is distinguished from traditional art in that, while collected today based mostly on its artistic merit, it was never intended to be art for art’s sake at the time of its creation. Many folk art traditions like quilting, ornamental picture framing, and decoy carving continue to thrive, contemporary folk artists are frequently self-taught as their work is often developed in isolation or in small communities across the country. Folk artworks, styles and motifs have inspired various artists, for example, Pablo Picasso was inspired by African tribal sculptures and masks, while Natalia Goncharova and others were inspired by traditional Russian popular prints called luboks. In music, Igor Stravinskys seminal The Rite of Spring was inspired by religious rites. CIOFF, International Council of Organizations of Folklore Festivals and Folk Arts
15.
William Morris
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William Morris was an English textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a contributor to the revival of traditional British textile arts. His literary contributions helped to establish the modern fantasy genre, while he played a significant role in propagating the early socialist movement in Britain. Born in Walthamstow, Essex, to a wealthy family, Morris came under the strong influence of medievalism while studying Classics at Oxford University. Webb and Morris designed a home, Red House, then in Kent. In 1861, Morris founded a decorative arts firm with Burne-Jones, Rossetti, Webb, and others, in 1875, Morris assumed total control of the company, which was renamed Morris & Co. Although retaining a main home in London, from 1871 Morris rented the rural retreat of Kelmscott Manor, greatly influenced by visits to Iceland, with Eiríkr Magnússon he produced a series of English-language translations of Icelandic Sagas. In 1877 he founded the Society for the Protection of Ancient Buildings to campaign against the damage caused by architectural restoration, in 1891 he founded the Kelmscott Press to publish limited-edition, illuminated-style print books, a cause to which he devoted his final years. Morris is recognised as one of the most significant cultural figures of Victorian Britain, though best known in his lifetime as a poet, founded in 1955, the William Morris Society is devoted to his legacy, while multiple biographies and studies of his work have seen publication. Many of the associated with his life are open to visitors, much of his work can be found in art galleries and museums. Morris was born at Elm House in Walthamstow, Essex, on 24 March 1834. Raised into a wealthy family, he was named after his father. His mother was Emma Morris, who came from Woodford Hall in Woodford, Essex and he also took rides through the Essex countryside on his pony, and visited the various churches and cathedrals throughout the country, marveling at their architecture. His father took him on visits outside of the county, for instance to Canterbury Cathedral, the Chiswick Horticultural Gardens, and to the Isle of Wight, where he adored Blackgang Chine. In February 1848 Morris began his studies at Marlborough College in Marlborough, Wiltshire and he despised his time there, being bullied, bored, and homesick. He did use the opportunity to many of the prehistoric sites of Wiltshire, such as Avebury and Silbury Hill. At Christmas 1851, Morris was removed from the school and returned to Water House, guy, Assistant Master at the nearby Forest School. In June 1852 Morris entered Oxford Universitys Exeter College, although since the college was full and he disliked the college and was bored by the manner in which they taught him Classics
16.
John Ruskin
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John Ruskin was the leading English art critic of the Victorian era, as well as an art patron, draughtsman, watercolourist, a prominent social thinker and philanthropist. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and his writing styles and literary forms were equally varied. Ruskin also penned essays and treatises, poetry and lectures, travel guides and manuals, letters, the elaborate style that characterised his earliest writing on art was later superseded by a preference for plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society and he also made detailed sketches and paintings of rocks, plants, birds, landscapes, and architectural structures and ornamentation. He was hugely influential in the half of the 19th century. After a period of decline, his reputation has steadily improved since the 1960s with the publication of numerous academic studies of his work. Today, his ideas and concerns are widely recognised as having anticipated interest in environmentalism, sustainability, from the 1850s he championed the Pre-Raphaelites who were influenced by his ideas. His work increasingly focused on social and political issues, Unto This Last marked the shift in emphasis. In 1869, Ruskin became the first Slade Professor of Fine Art at the University of Oxford, in 1871, he began his monthly letters to the workmen and labourers of Great Britain, published under the title Fors Clavigera. In the course of this complex and deeply personal work, he developed the principles underlying his ideal society, as a result, he founded the Guild of St George, an organisation that endures today. Ruskin was the child of first cousins. His father, John James Ruskin, was a sherry and wine importer founding partner and de facto manager of Ruskin, Telford. John James was born and brought up in Edinburgh, Scotland, to a mother from Glenluce and his wife, Margaret Cox, née Cock, was the daughter of an aunt on the English side of the family and a publican in Croydon. She had joined the Ruskin household when she became companion to John Jamess mother, John James had hoped to practice law, but was instead articled as a clerk in London. His father, John Thomas Ruskin, described as a grocer, was an inadequate businessman, to save the family from bankruptcy, John James, whose prudence and success were in stark contrast to his father, took on all debts, settling the last of them in 1832. John James and Margaret were engaged in 1809, but opposition to the union from John Thomas, Ruskin was born at 54 Hunter Street, Brunswick Square, London, south of St Pancras railway station. His childhood was characterised by the influences of his father and mother. John James Ruskin helped to develop his sons Romanticism and they shared a passion for the works of Byron, Shakespeare and especially Walter Scott
17.
Middle Ages
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In the history of Europe, the Middle Ages or Medieval Period lasted from the 5th to the 15th century. It began with the fall of the Western Roman Empire and merged into the Renaissance, the Middle Ages is the middle period of the three traditional divisions of Western history, classical antiquity, the medieval period, and the modern period. The medieval period is subdivided into the Early, High. Population decline, counterurbanisation, invasion, and movement of peoples, the large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the seventh century, North Africa and the Middle East—once part of the Byzantine Empire—came under the rule of the Umayyad Caliphate, although there were substantial changes in society and political structures, the break with classical antiquity was not complete. The still-sizeable Byzantine Empire survived in the east and remained a major power, the empires law code, the Corpus Juris Civilis or Code of Justinian, was rediscovered in Northern Italy in 1070 and became widely admired later in the Middle Ages. In the West, most kingdoms incorporated the few extant Roman institutions, monasteries were founded as campaigns to Christianise pagan Europe continued. The Franks, under the Carolingian dynasty, briefly established the Carolingian Empire during the later 8th, the Crusades, first preached in 1095, were military attempts by Western European Christians to regain control of the Holy Land from Muslims. Kings became the heads of centralised nation states, reducing crime and violence, intellectual life was marked by scholasticism, a philosophy that emphasised joining faith to reason, and by the founding of universities. Controversy, heresy, and the Western Schism within the Catholic Church paralleled the conflict, civil strife. Cultural and technological developments transformed European society, concluding the Late Middle Ages, the Middle Ages is one of the three major periods in the most enduring scheme for analysing European history, classical civilisation, or Antiquity, the Middle Ages, and the Modern Period. Medieval writers divided history into periods such as the Six Ages or the Four Empires, when referring to their own times, they spoke of them as being modern. In the 1330s, the humanist and poet Petrarch referred to pre-Christian times as antiqua, leonardo Bruni was the first historian to use tripartite periodisation in his History of the Florentine People. Bruni and later argued that Italy had recovered since Petrarchs time. The Middle Ages first appears in Latin in 1469 as media tempestas or middle season, in early usage, there were many variants, including medium aevum, or middle age, first recorded in 1604, and media saecula, or middle ages, first recorded in 1625. The alternative term medieval derives from medium aevum, tripartite periodisation became standard after the German 17th-century historian Christoph Cellarius divided history into three periods, Ancient, Medieval, and Modern. The most commonly given starting point for the Middle Ages is 476, for Europe as a whole,1500 is often considered to be the end of the Middle Ages, but there is no universally agreed upon end date. English historians often use the Battle of Bosworth Field in 1485 to mark the end of the period
18.
Catharsis
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Catharsis is the purification and purgation of emotions—especially pity and fear—through art or any extreme change in emotion that results in renewal and restoration. It is a metaphor used by Aristotle in the Poetics. Catharsis is a term in art that describes the effect of tragedy principally on the audience. Nowhere does Aristotle explain the meaning of catharsis as he is using that term in the definition of tragedy in the Poetics, for this reason, a number of diverse interpretations of the meaning of this term have arisen. The term is discussed along with Aristotles concept of anagnorisis. D. W. Lucas, in an edition of the Poetics, comprehensively covers the various nuances inherent in the meaning of the term in an Appendix devoted to Pity, Fear. Lucas himself does not accept any one of interpretations as his own. Purgation and purification, used in centuries, as the common interpretations of catharsis are still in wide use today. In his works prior to the Poetics, Aristotle had used the term catharsis purely in its medical sense, here, however, he employs it as a medical metaphor. F. L. Lucas maintains, therefore, that purification and cleansing are not proper translations for catharsis and it is the human soul that is purged of its excessive passions. Else made the argument against the purgation theory, It presupposes that we come to the tragic drama as patients to be cured, relieved, restored to psychic health. But there is not a word to support this in the Poetics, on the contrary it is evident in every line of the work that Aristotle is presupposing normal auditors, normal states of mind and feeling, normal emotional and aesthetic experience. Tragedy is then a corrective, through watching tragedy, the audience learns how to feel these emotions at proper levels. In the twentieth century a shift took place in the interpretation of catharsis with a number of scholars contributing to the argument in support of the intellectual clarification concept. It is generally understood that Aristotles theory of mimesis and catharsis are responses to Platos negative view of artistic mimesis on an audience. Aristotles concept of catharsis, in all of the major senses attributed to it, the following analysis by E. R. what fascinates us is the spectacle of a man freely choosing, from the highest motives a series of actions which lead to his own ruin. Oedipus might have left the plague to take its course, when Apollos word came back, he might still have left the murder of Laius uninvestigated, but piety and justice required him to act. He need not have forced the truth from the reluctant Theban herdsman, teiresias, Jocasta, the herdsman, each in turn tries to stop him, but in vain, he must read the last riddle, the riddle of his own life
19.
Guild
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A guild /ɡɪld/ is an association of artisans or merchants who control the practice of their craft in a particular town. The earliest types of guild were formed as confraternities of tradesmen and they were organized in a manner something between a professional association, trade union, a cartel, and a secret society. A lasting legacy of traditional guilds are the guildhalls constructed and used as meeting places, an important result of the guild framework was the emergence of universities at Bologna, Oxford and Paris, they originated as guilds of students as at Bologna, or of masters as at Paris. Usually the founders were free independent master craftsmen who hired apprentices, there were several types of guilds, including the two main categories of merchant guilds and craft guilds but also the frith guild and religious guild. In many cases became the governing body of a town. The Freedom of the City, effective from the Middle Ages until 1835, gave the right to trade, Trade guilds arose in the 14th century as craftsmen united to protect their common interest. The occasion for these oaths were drunken banquets held on December 26, gregory of Tours tells a miraculous tale of a builder whose art and techniques suddenly left him, but were restored by an apparition of the Virgin Mary in a dream. Michel Rouche remarks that the story speaks for the importance of practically transmitted journeymanship, in France, guilds were called corps de métiers. According to Viktor Ivanovich Rutenburg, Within the guild itself there was little division of labour. Thus, according to Étienne Boileaus Book of Handicrafts, by the century there were no less than 100 guilds in Paris. In Catalan towns, specially at Barcelona, guilds or gremis were a basic agent in the society, a shoemakers guild is recorded in 1208. In England, specifically in the City of London Corporation, more than 110 guilds, referred to as companies, survive today. Other groups, such as the Worshipful Company of Tax Advisers, have been formed far more recently, membership in a livery company is expected for individuals participating in the governance of The City, as the Lord Mayor and the Remembrancer. The guild system reached a state in Germany circa 1300 and held on in German cities into the 19th century. In the 15th century, Hamburg had 100 guilds, Cologne 80, the latest guilds to develop in Western Europe were the gremios of Spain, e. g. Valencia or Toledo. Not all city economies were controlled by guilds, some cities were free, in order to become a Master, a Journeyman would have to go on a three-year voyage called Journeyman years. The practice of the Journeyman years still exists in Germany and France, in Ghent, as in Florence, the woolen textile industry developed as a congeries of specialized guilds. The appearance of the European guilds was tied to the emergent money economy, before this time it was not possible to run a money-driven organization, as commodity money was the normal way of doing business
20.
Industrial Revolution
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The Industrial Revolution was the transition to new manufacturing processes in the period from about 1760 to sometime between 1820 and 1840. The Industrial Revolution began in Great Britain and most of the important technological innovations were British, aided by these legal and cultural foundations, an entrepreneurial spirit and consumer revolution drove industrialisation in Britain, which would be emulated in countries around the world. A change in marrying patterns to getting married later made able to accumulate more human capital during their youth. The Industrial Revolution marks a turning point in history, almost every aspect of daily life was influenced in some way. In particular, average income and population began to exhibit unprecedented sustained growth, mechanised textile production spread from Great Britain to continental Europe in the early 19th century, with important centres of textiles, iron and coal emerging in Belgium, and later in France. Since then industrialisation has spread throughout much of the world, the precise start and end of the Industrial Revolution is still debated among historians, as is the pace of economic and social changes. Economic historians are in agreement that the onset of the Industrial Revolution is the most important event in the history of humanity since the domestication of animals and plants. The term Industrial Revolution applied to change was becoming more common by the late 1830s. Friedrich Engels in The Condition of the Working Class in England in 1844 spoke of an industrial revolution, however, although Engels wrote in the 1840s, his book was not translated into English until the late 1800s, and his expression did not enter everyday language until then. Credit for popularising the term may be given to Arnold Toynbee, some historians, such as John Clapham and Nicholas Crafts, have argued that the economic and social changes occurred gradually and the term revolution is a misnomer. This is still a subject of debate among some historians, the commencement of the Industrial Revolution is closely linked to a small number of innovations, beginning in the second half of the 18th century. By the 1830s the following gains had been made in important technologies, Textiles – mechanised cotton spinning powered by steam or water greatly increased the output of a worker, the power loom increased the output of a worker by a factor of over 40. The cotton gin increased productivity of removing seed from cotton by a factor of 50, large gains in productivity also occurred in spinning and weaving of wool and linen, but they were not as great as in cotton. Steam power – the efficiency of steam engines increased so that they used between one-fifth and one-tenth as much fuel, the adaptation of stationary steam engines to rotary motion made them suitable for industrial uses. The high pressure engine had a power to weight ratio. Steam power underwent an expansion after 1800. Iron making – the substitution of coke for charcoal greatly lowered the fuel cost for pig iron, using coke also allowed larger blast furnaces, resulting in economies of scale. The cast iron blowing cylinder was first used in 1760 and it was later improved by making it double acting, which allowed higher furnace temperatures
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Tradesman
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In Victorian England, The terms skilled worker, craftsman, artisan, and tradesman were used in senses that overlap. All describe people with specialized training in the skills needed for a kind of work. Some of them produced goods that they sold from their own premises, still others were factory hands who had become experts in some complex part of the process and could command high wages and steady employment. Skilled workers in the trades were also referred to by one or another of these terms. One study of Caversham, New Zealand at the turn of the notes that a skilled trade was considered a trade that required an apprenticeship to entry. Skilled tradesmen worked either in traditional handicraft workshops or newer factories that emerged during the Industrial Revolution, tradesmen are contrasted with unskilled workers, agricultural workers, and professionals. Both types of work, however, are considered blue-collar, there is no definitive list of modern skilled trades, as definitions vary, with some lists being broader than others. Despite this, polling for the found that apprenticeships have a lower perceived value than bachelors degrees. Grey-collar worker Guild Journeyman List of construction trades Master craftsman Skilled worker Trade union Technician Vocational education Torpey, high wages after high school - without a bachelors degree
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Hobby
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A hobby is a regular activity that is done for enjoyment, typically during ones leisure time. Hobbies can include collecting themed items and objects, engaging in creative and artistic pursuits, playing sports, a list of hobbies is lengthy and always changing as interests and fashions change. By continually participating in a hobby, one can acquire substantial skill. Engagement in hobbies has increased since the nineteenth century as workers have more leisure time and advancing production. As some hobbies have become popular, like stamp collecting, others have been created following technological advances. Hobbyists are a part of a group of people engaged in leisure pursuits where the boundaries of each group overlap to some extent. The Serious Leisure Perspective groups hobbyists with amateurs and volunteers and identifies three broad groups of activity with hobbies being found mainly in the Serious leisure category. Casual leisure is intrinsically rewarding, short-lived, pleasurable activity requiring little or no preparation b, Serious leisure is the systematic pursuit of an amateur, hobbyist, or volunteer that is substantial, rewarding and results in a sense of accomplishment. Project-based leisure is a short-term often a one-off project that is rewarding, in the 16th century, the term hobyn had the meaning of small horse and pony. The term hobby horse was documented in a 1557 payment confirmation for a Hobbyhorse from Reading, the item, originally called a Tourney Horse, was made of a wooden or basketwork frame with an artificial tail and head. It was designed for a child to mimic riding a real horse, by 1816 the derivative, hobby, was introduced into the vocabulary of a number of English people. Over the course of subsequent centuries, the term came to be associated with recreation, a hobby became an activity that is practised regularly and usually with some worthwhile purpose. Hobbies are usually, but not always, practised primarily for interest and enjoyment, the origins pursuits that others thought somewhat childish or trivial. However, as early as 1676 Sir Matthew Hale, in Contemplations Moral and Divine and he was acknowledging that a hobby horse produces a legitimate sense of pride. By the mid 18th century there was a flourishing of hobbies as working people had more hours of work. They spent more time to pursue interests that brought them satisfaction, however, there was concern that these working people might not use their leisure time in worthwhile pursuits. The hope of weaning people away from bad habits by the provision of counter-attractions came to the fore in the 1830s, the flourishing book and magazine trade of the day encouraged worthwhile hobbies and pursuits. The burgeoning manufacturing trade made materials used in hobbies cheap and was responsive to the interests of hobbyists
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Fine art
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Historically, the five main fine arts were painting, sculpture, architecture, music and poetry, with performing arts including theatre and dance. Today, the fine arts commonly include additional forms, such as film, photography, video production/editing, design, sequential art, conceptual art, and printmaking. However, in some institutes of learning or in museums, fine art, in that sense, there are conceptual differences between the fine arts and the applied arts. The word fine does not so much denote the quality of the artwork in question and this definition originally excluded the applied or decorative arts, and the products of what were regarded as crafts. According to some writers the concept of a category of fine art is an invention of the early modern period in the West. Larry Shiner in his The Invention of Art, A Cultural History locates the invention in the 18th century, There was a traditional “system of the arts” in the West before the eighteenth century. ”Similar ideas have been expressed by Paul Oskar Kristeller, Pierre Bourdieu, and Terry Eagleton, though the point of invention is often placed earlier, in the Italian Renaissance. The separation of arts and crafts that often exists in Europe, in Japanese aesthetics the activities of everyday life are depicted by integrating not only art with craft but man-made with nature. Traditional Chinese art distinguished within Chinese painting between the mostly landscape painting of scholar gentlemen and the artisans of the schools of court painting. A high status was given to many things that would be seen as craft objects in the West, in particular ceramics, jade carving, weaving. Drawing is a form of expression and is one of the major forms of the visual arts. Common instruments include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoals, chalk, pastels, markers, stylus, There are a number of subcategories of drawing, including cartooning. Mosaics are images formed with pieces of stone or glass. They can be decorative or functional, an artist who designs and makes mosaics is called a mosaic artist or a mosaicist. Printmaking is the process of making artworks by printing, normally on paper, except in the case of monotyping, the process is capable of producing multiples of the same piece, which is called a print. Each print is considered an original, as opposed to a copy, the reasoning behind this is that the print is not a reproduction of another work of art in a different medium — for instance, a painting — but rather an image designed from inception as a print. An individual print is also referred to as an impression, prints are created from a single original surface, known technically as a matrix. But there are other kinds, discussed below. Multiple nearly identical prints can be called an edition, in modern times each print is often signed and numbered forming a limited edition
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Manual labor
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Manual labour or manual work is physical work done by people, most especially in contrast to that done by machines, and to that done by working animals. It is most literally work done with the hands, and, by figurative extension, for most of human prehistory and history, manual labour and its close cousin, animal labour, have been the primary ways that physical work has been accomplished. To be implemented, they require that sufficient technology exist and that its capital costs be justified by the amount of wages that they will obviate. Thus there is a partial but significant correlation between manual labour and unskilled or semiskilled workers, throughout human existence the latter has involved a spectrum of variants, from slavery, to caste or caste-like systems, to subtler forms of inequality. Economic competition often results in trying to buy labour at the lowest possible cost or to obviate it entirely. It has always been the case for humans that many workers begin their working lives lacking any special level of skill or experience and these conditions have assured the correlations strength and persistence. The phrase hard labour has become a legal euphemism for penal labour. Throughout human existence, but most especially since the Age of Enlightenment, humans have not yet succeeded in instantiating any such utopia, but some social systems have been designed that go far enough toward the goal that hope yet remains for further improvement. Concepts such as the Three-fifths compromise and the Untermensch defined slaves as less than human, one interesting historical trend that is true of all of the systems above is that they began crumbling in the 20th century and have continued crumbling since. Todays forms of them are mostly greatly weakened compared to past generations versions, at the lowest extreme, such distortion produces subtler forms of racism and de facto inequality of opportunity. The more plausible the deniability, the easier the rationalisation and perpetuation, at such areas of the spectrum, it becomes ever harder to justify efforts that use de jure methods to fight de facto imbalances, because valid instances can be highlighted by all sides. A willingness to recognise that manual labour can involve skill and intelligence can take a variety of forms, in its healthier forms, it recognises the dignity and intelligence of blue-collar workers, and it recognises their civil equality with white-collar workers. Yet it simultaneously leaves room in society for meritocracy, allowing both upward and downward social mobility. In its more pathological forms, it may admit that there can be a science of manual labour. Some people would have only the first, others, only the second, therefore, players usually should not be their own coaches. Whether Taylor was capable of predicting and preventing that problem is unclear, an example of the second pathology are 20th-century variants of communism, such as Leninism and Stalinism. Mechanisation and automation strive to reduce the amount of labour required for production. Automation helps to bring mechanisation to more complicated tasks that require dexterity, decision making based on visual input
25.
Blue-collar
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In English-speaking countries, a blue-collar worker is a working class person who performs non-agricultural manual labour. Often something is physically being built or maintained, in contrast, the white-collar worker typically performs work in an office environment and may involve sitting at a computer or desk. A third type of work is a worker whose labour is related to customer interaction, entertainment. Many occupations blend blue, white or pink industry categorizations, blue-collar work is often paid hourly wage-labor, although some professionals may be paid by the project or salaried. There is a range of payscales for such work depending upon field of specialty. Industrial and manual workers wear durable canvas or cotton clothing that may be soiled during the course of their work. Navy and light blue colors conceal potential dirt or grease on the clothing, helping him or her to appear cleaner. For the same reason, blue is a color for boilersuits which protect a workers clothing. Some blue collar workers have uniforms with the name of the business or the name embroidered or printed on it. Historically the popularity of the color blue among manual labourers contrasts with the popularity of white shirts worn by people in office environments. The blue collar/white collar color scheme has socio-economic class connotations, however, this distinction has become blurred with the increasing importance of skilled labour, and the relative increase in low-paying white-collar jobs. The term blue collar was first used in reference to trades jobs in 1924, Alden, a higher level academic education is often not required for many blue-collar jobs. However, certain fields may require specialized training, licensing or certification as well as a school diploma or GED. With the information revolution, Western nations have moved towards a service, many manufacturing jobs have been offshored to developing nations which pay their workers lower wages. This offshoring has pushed formerly agrarian nations to industrialized economies and concurrently decreased the number of jobs in developed countries. Due to this economic osmosis, the rust belt has experienced high unemployment, poverty, blue-collar can be used as an adjective to describe the environment of the blue-collar worker such as a blue-collar neighborhood, restaurant, or bar
26.
Ceramic
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A ceramic is an inorganic, non-metallic, solid material comprising metal, non-metal or metalloid atoms primarily held in ionic and covalent bonds. This article gives an overview of ceramic materials from the point of view of materials science, the crystallinity of ceramic materials ranges from highly oriented to semi-crystalline, vitrified, and often completely amorphous. Most often, fired ceramics are either vitrified or semi-vitrified as is the case with earthenware, stoneware, varying crystallinity and electron consumption in the ionic and covalent bonds cause most ceramic materials to be good thermal and electrical insulators. With such a range of possible options for the composition/structure of a ceramic, the breadth of the subject is vast. Many composites, such as fiberglass and carbon fiber, while containing ceramic materials, are not considered to be part of the ceramic family. The earliest ceramics made by humans were pottery objects or figurines made from clay, either by itself or mixed with materials like silica, hardened, sintered. Later ceramics were glazed and fired to create smooth, colored surfaces, decreasing porosity through the use of glassy, ceramics now include domestic, industrial and building products, as well as a wide range of ceramic art. In the 20th century, new materials were developed for use in advanced ceramic engineering. The word ceramic comes from the Greek word κεραμικός, of pottery or for pottery, from κέραμος, potters clay, tile, the earliest known mention of the root ceram- is the Mycenaean Greek ke-ra-me-we, workers of ceramics, written in Linear B syllabic script. The word ceramic may be used as an adjective to describe a material, product or process, or it may be used as a noun, either singular, or, more commonly, as the plural noun ceramics. A ceramic material is an inorganic, non-metallic, often crystalline oxide, nitride or carbide material, some elements, such as carbon or silicon, may be considered ceramics. Ceramic materials are brittle, hard, strong in compression, weak in shearing and they withstand chemical erosion that occurs in other materials subjected to acidic or caustic environments. Ceramics generally can withstand high temperatures, such as temperatures that range from 1,000 °C to 1,600 °C. Glass is often not considered a ceramic because of its amorphous character. However, glassmaking involves several steps of the process and its mechanical properties are similar to ceramic materials. Traditional ceramic raw materials include minerals such as kaolinite, whereas more recent materials include aluminium oxide. The modern ceramic materials, which are classified as advanced ceramics, include silicon carbide, both are valued for their abrasion resistance, and hence find use in applications such as the wear plates of crushing equipment in mining operations. Advanced ceramics are used in the medicine, electrical, electronics industries. Crystalline ceramic materials are not amenable to a range of processing
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Glass
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Glass is a non-crystalline amorphous solid that is often transparent and has widespread practical, technological, and decorative usage in, for example, window panes, tableware, and optoelectronics. The most familiar, and historically the oldest, types of glass are silicate glasses based on the chemical compound silica, the primary constituent of sand. The term glass, in usage, is often used to refer only to this type of material. Many applications of silicate glasses derive from their optical transparency, giving rise to their use as window panes. Glass can be coloured by adding metallic salts, and can also be painted and printed with vitreous enamels and these qualities have led to the extensive use of glass in the manufacture of art objects and in particular, stained glass windows. Although brittle, silicate glass is extremely durable, and many examples of glass fragments exist from early glass-making cultures, because glass can be formed or moulded into any shape, it has been traditionally used for vessels, bowls, vases, bottles, jars and drinking glasses. In its most solid forms it has also used for paperweights, marbles. Some objects historically were so commonly made of glass that they are simply called by the name of the material, such as drinking glasses. Porcelains and many polymer thermoplastics familiar from everyday use are glasses and these sorts of glasses can be made of quite different kinds of materials than silica, metallic alloys, ionic melts, aqueous solutions, molecular liquids, and polymers. For many applications, like glass bottles or eyewear, polymer glasses are a lighter alternative than traditional glass, silica is a common fundamental constituent of glass. In nature, vitrification of quartz occurs when lightning strikes sand, forming hollow, fused quartz is a glass made from chemically-pure SiO2. It has excellent resistance to shock, being able to survive immersion in water while red hot. However, its high melting-temperature and viscosity make it difficult to work with, normally, other substances are added to simplify processing. One is sodium carbonate, which lowers the transition temperature. The soda makes the glass water-soluble, which is undesirable, so lime, some magnesium oxide. The resulting glass contains about 70 to 74% silica by weight and is called a soda-lime glass, soda-lime glasses account for about 90% of manufactured glass. Most common glass contains other ingredients to change its properties, lead glass or flint glass is more brilliant because the increased refractive index causes noticeably more specular reflection and increased optical dispersion. Adding barium also increases the refractive index, iron can be incorporated into glass to absorb infrared energy, for example in heat absorbing filters for movie projectors, while cerium oxide can be used for glass that absorbs UV wavelengths
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Textiles
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A textile or cloth is a flexible material consisting of a network of natural or artificial fibres. Yarn is produced by spinning raw fibres of wool, flax, cotton, hemp, Textiles are formed by weaving, knitting, crocheting, knotting, or felting. The words fabric and cloth are used in textile assembly trades as synonyms for textile, however, there are subtle differences in these terms in specialized usage. Textile refers to any material made of interlacing fibres, a fabric is a material made through weaving, knitting, spreading, crocheting, or bonding that may be used in production of further goods. Cloth may be used synonymously with fabric but is often a piece of fabric used for a specific purpose. The word textile is from Latin, from the adjective textilis, meaning woven, from textus, the word cloth derives from the Old English clað, meaning a cloth, woven or felted material to wrap around one, from Proto-Germanic kalithaz. The discovery of dyed flax fibres in a cave in the Republic of Georgia dated to 34,000 BCE suggests textile-like materials were made even in prehistoric times. The production of textiles is a craft whose speed and scale of production has been altered almost beyond recognition by industrialization, however, for the main types of textiles, plain weave, twill, or satin weave, there is little difference between the ancient and modern methods. Textiles have an assortment of uses, the most common of which are for clothing and for such as bags. In the household they are used in carpeting, upholstered furnishings, window shades, towels, coverings for tables, beds, and other flat surfaces, in the workplace they are used in industrial and scientific processes such as filtering. Textiles are used in traditional crafts such as sewing, quilting. Textiles for industrial purposes, and chosen for other than their appearance, are commonly referred to as technical textiles. Technical textiles include textile structures for applications, medical textiles, geotextiles, agrotextiles. In all these applications stringent performance requirements must be met, woven of threads coated with zinc oxide nanowires, laboratory fabric has been shown capable of self-powering nanosystems using vibrations created by everyday actions like wind or body movements. Fashion designers commonly rely on textile designs to set their fashion collections apart from others, armani, the late Gianni Versace, and Emilio Pucci can be easily recognized by their signature print driven designs. Textiles can be made from many materials and these materials come from four main sources, animal, plant, mineral, and synthetic. In the past, all textiles were made from natural fibres, including plant, animal, in the 20th century, these were supplemented by artificial fibres made from petroleum. Textiles are made in various strengths and degrees of durability, from the finest gossamer to the sturdiest canvas, microfibre refers to fibres made of strands thinner than one denier
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Metal
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A metal is a material that is typically hard, opaque, shiny, and has good electrical and thermal conductivity. Metals are generally malleable—that is, they can be hammered or pressed permanently out of shape without breaking or cracking—as well as fusible and ductile, about 91 of the 118 elements in the periodic table are metals, the others are nonmetals or metalloids. Some elements appear in both metallic and non-metallic forms, astrophysicists use the term metal to collectively describe all elements other than hydrogen and helium, the simplest two, in a star. The star fuses smaller atoms, mostly hydrogen and helium, to larger ones over its lifetime. In that sense, the metallicity of an object is the proportion of its matter made up of all chemical elements. Many elements and compounds that are not normally classified as metals become metallic under high pressures, the atoms of metallic substances are typically arranged in one of three common crystal structures, namely body-centered cubic, face-centered cubic, and hexagonal close-packed. In bcc, each atom is positioned at the center of a cube of eight others, in fcc and hcp, each atom is surrounded by twelve others, but the stacking of the layers differs. Some metals adopt different structures depending on the temperature, atoms of metals readily lose their outer shell electrons, resulting in a free flowing cloud of electrons within their otherwise solid arrangement. This provides the ability of metallic substances to easily transmit heat, while this flow of electrons occurs, the solid characteristic of the metal is produced by electrostatic interactions between each atom and the electron cloud. This type of bond is called a metallic bond, Metals are usually inclined to form cations through electron loss, reacting with oxygen in the air to form oxides over various timescales. Examples,4 Na + O2 →2 Na2O2 Ca + O2 →2 CaO4 Al +3 O2 →2 Al2O3, the transition metals are slower to oxidize because they form a passivating layer of oxide that protects the interior. Others, like palladium, platinum and gold, do not react with the atmosphere at all, some metals form a barrier layer of oxide on their surface which cannot be penetrated by further oxygen molecules and thus retain their shiny appearance and good conductivity for many decades. The oxides of metals are generally basic, as opposed to those of nonmetals, exceptions are largely oxides with very high oxidation states such as CrO3, Mn2O7, and OsO4, which have strictly acidic reactions. Painting, anodizing or plating metals are good ways to prevent their corrosion, however, a more reactive metal in the electrochemical series must be chosen for coating, especially when chipping of the coating is expected. Water and the two form an electrochemical cell, and if the coating is less reactive than the coatee. Metals in general have high conductivity, high thermal conductivity. Typically they are malleable and ductile, deforming under stress without cleaving, in terms of optical properties, metals are shiny and lustrous. Sheets of metal beyond a few micrometres in thickness appear opaque, although most metals have higher densities than most nonmetals, there is wide variation in their densities, lithium being the least dense solid element and osmium the densest
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Wood
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Wood is a porous and fibrous structural tissue found in the stems and roots of trees, and other woody plants. It is a material, a natural composite of cellulose fibers which are strong in tension embedded in a matrix of lignin which resists compression. Wood is sometimes defined as only the secondary xylem in the stems of trees, in a living tree it performs a support function, enabling woody plants to grow large or to stand up by themselves. It also conveys water and nutrients between the leaves, other growing tissues, and the roots, Wood may also refer to other plant materials with comparable properties, and to material engineered from wood, or wood chips or fiber. In 2005, the stock of forests worldwide was about 434 billion cubic meters. As an abundant, carbon-neutral renewable resource, woody materials have been of intense interest as a source of renewable energy, in 1991 approximately 3.5 billion cubic meters of wood were harvested. Dominant uses were for furniture and building construction, a 2011 discovery in the Canadian province of New Brunswick discovered the earliest known plants to have grown wood, approximately 395 to 400 million years ago. Wood can be dated by carbon dating and in species by dendrochronology to make inferences about when a wooden object was created. People have used wood for millennia for many purposes, primarily as a fuel or as a material for making houses, tools, weapons, furniture, packaging, artworks. Constructions using wood date back ten thousand years, buildings like the European Neolithic long house were made primarily of wood. Recent use of wood has changed by the addition of steel. The year-to-year variation in tree-ring widths and isotopic abundances gives clues to the climate at that time. This process is known as growth, it is the result of cell division in the vascular cambium, a lateral meristem. These cells then go on to form thickened secondary cell walls, composed mainly of cellulose, hemicellulose, if the distinctiveness between seasons is annual, these growth rings are referred to as annual rings. Where there is little seasonal difference growth rings are likely to be indistinct or absent, if the bark of the tree has been removed in a particular area, the rings will likely be deformed as the plant overgrows the scar. It is usually lighter in color than that near the portion of the ring. The outer portion formed later in the season is known as the latewood or summerwood. However, there are differences, depending on the kind of wood
31.
Buell Children's Museum
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The Buell Childrens Museum is a childrens museum in Pueblo, Colorado, United States that offers hands-on exhibits focusing on the arts, science and history. The Museum is accredited as a part of The Sangre de Cristo Arts & Conference Center by the American Alliance of Museums, and is affiliated with the Association of Childrens Museums. The Buell Childrens Museum is a part of The Sangre de Cristo Arts & Conference Center which opened in 1972, with funding provided by the Economic Development Administration and Pueblo County. In 1982, an expansion, funded by Puebloan Helen T. White, in 2000, a further expansion added the 12,000 square-foot, two-level Buell Childrens Museum and the Jackson Sculpture Garden. The Buell Children’s Museum offers 7,500 square feet of gallery space, a theater, a café. The Reilly Family Gallery offers changing, hands-on exhibitions, sensations is a high-tech, multi-sensory exhibit in which visitors activate lights, sound clips and videos. The El Pomar Magic Carpet Theater allows visitors to watch a program or star in their own theatrical production, the Artrageous Studio allows visitors to create arts & crafts. The Buell Baby Barn has activities for those four, in a barnyard theme. In 2002 Child Magazine recognized the museum as the number two arts-related children’s museum in the country, in 2004, the museum was named the winner of the Award of Excellence in Arts & Humanities by the El Pomar Foundation
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Pueblo, Colorado
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Pueblo /ˈpwɛbloʊ/ is a home rule municipality that is the county seat and the most populous city of Pueblo County, Colorado, United States. The population was 106,595 in 2010 census, making it the 267th most populous city in the United States, Pueblo is the heart of the Pueblo Metropolitan Statistical Area totaling over 160,000 people and an important part of the Front Range Urban Corridor. As of 2014, Pueblo is the city of the Pueblo-Cañon City combined statistical area totaling approximately 208,000 people. Pueblo is situated at the confluence of the Arkansas River and Fountain Creek,112 miles south of the Colorado State Capitol in Denver, the area is considered semi-arid desert land, with approximately 12 inches of precipitation annually. With its location in the Banana Belt, Pueblo tends to get less snow than the major cities in Colorado. Pueblo is one of the largest steel-producing cities in the United States, the Historic Arkansas River Project is a river walk in the Union Avenue Historic Commercial District, and shows the history of the devastating Pueblo Flood of 1921. Pueblo has the least expensive real estate of all major cities in Colorado. The median home price for homes on the market in Pueblo is $147,851 as of February 2013 and it is the sixth most affordable place to live in America as measured by the 2014 Cost of Living Index. Costs of housing, goods and services, utilities, transportation, groceries, Pueblo was listed by AARP in 2013 as one of the Best Places to Live in the USA. James Beckwourth, George Simpson, and other such as Mathew Kinkead. George married Juana Maria Suaso and lived there for a year or two before moving, however, Simpson had no title to the land. The adobe structures were built with the intention of settlement and trade next to the Arkansas River, about a dozen families lived there, trading with Native American tribes for hides, skins, livestock, as well as cultivated plants, and liquor. Evidence of this trade, as well as other utilitarian goods and they allegedly killed between fifteen and nineteen men, as well as captured two children and one woman. The trading post was abandoned after the raid, but it became important again between 1858 and 1859 during the Colorado Gold Rush of 1859, the current city of Pueblo represents the consolidation of four towns, Pueblo, South Pueblo, Central Pueblo, and Bessemer. Pueblo, South Pueblo, and Central Pueblo legally consolidated as the City of Pueblo between March 9 and April 6,1886. The consolidated city became an economic and social center of Colorado, and was home to important early Colorado families such as the Thatchers, the Ormans. One author crowed of Pueblo that the necessity exists no longer for Sharps rifles and these have been supplied by the plow and the mowing-machine. Steel emerged as a key industry very early, and in 1909 the city was considered the only town west of the Mississippi River
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Scandinavia
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Scandinavia /ˌskændᵻˈneɪviə/ is a historical and cultural region in Northern Europe characterized by a common ethnocultural North Germanic heritage and mutually intelligible North Germanic languages. The term Scandinavia always includes the three kingdoms of Denmark, Norway and Sweden, the remote Norwegian islands of Svalbard and Jan Mayen are usually not seen as a part of Scandinavia, nor is Greenland, an overseas territory of Denmark. This looser definition almost equates to that of the Nordic countries, in Nordic languages, only Denmark, Norway and Sweden are commonly included in the definition of Scandinavia. In English usage, Scandinavia sometimes refers to the geographical area, the name Scandinavia originally referred vaguely to the formerly Danish, now Swedish, region Scania. Icelanders and the Faroese are to a significant extent descended from the Norse, Finland is mainly populated by Finns, with a minority of approximately 5% of Swedish speakers. A small minority of Sami people live in the north of Scandinavia. The Danish, Norwegian and Swedish languages form a continuum and are known as the Scandinavian languages—all of which are considered mutually intelligible with one another. Faroese and Icelandic, sometimes referred to as insular Scandinavian languages, are intelligible in continental Scandinavian languages only to a limited extent, Finnish and Meänkieli are closely related to each other and more distantly to the Sami languages, but are entirely unrelated to the Scandinavian languages. Apart from these, German, Yiddish and Romani are recognized minority languages in Scandinavia, the southern and by far most populous regions of Scandinavia have a temperate climate. Scandinavia extends north of the Arctic Circle, but has mild weather for its latitude due to the Gulf Stream. Much of the Scandinavian mountains have a tundra climate. There are many lakes and moraines, legacies of the last glacial period, Scandinavia usually refers to Denmark, Norway, and Sweden. Some sources argue for the inclusion of the Faroe Islands, Finland and Iceland, though that broader region is known by the countries concerned as Norden. Before this time, the term Scandinavia was familiar mainly to classical scholars through Pliny the Elders writings, and was used vaguely for Scania, as a political term, Scandinavia was first used by students agitating for Pan-Scandinavianism in the 1830s. After a visit to Sweden, Andersen became a supporter of early political Scandinavism, the term is often defined according to the conventions of the cultures that lay claim to the term in their own use. More precisely, and subject to no dispute, is that Finland is included in the broader term Nordic countries, various promotional agencies of the Nordic countries in the United States serve to promote market and tourism interests in the region. The official tourist boards of Scandinavia sometimes cooperate under one umbrella, Norways government entered one year later. All five Nordic governments participate in the joint promotional efforts in the United States through the Scandinavian Tourist Board of North America, Scandinavia can thus be considered a subset of the Nordic countries
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Sloyd
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Sloyd, also known as Educational sloyd, is a system of handicraft-based education started by Uno Cygnaeus in Finland in 1865. The system was refined and promoted worldwide, and was taught in the United States until the early 20th Century. It is still taught as a subject in Swedish and Norwegian schools. The word sloyd is derived from the Swedish word Slöjd, which translates as crafts, handicraft and it refers primarily to woodwork but also paper-folding and sewing, embroidery, knitting and crochet. Otto Salomon, with the support of his uncle, started a school for teachers in Nääs in the 1870s. The school attracted students throughout the world and was active until around 1960. Sloyd had a impact on the early development of manual training, manual arts, industrial education. Sloyd has been a Swedish school subject since the 1870s and compulsory since 1955, in the present national curriculum for Swedish elementary schools, students have classes in Slöjd every semester, normally between the ages of nine and fifteen. In most schools, the course is divided traditionally in two parts, soft materials and hard materials. Each semester, students switch between the two different classrooms, differences in what kind of tasks are selected, and how the subject-specific content is handled, depend on the teachers training. Throughout its history, the school has had a single aim—social betterment by means of education as shall increase efficiency. Indeed, it is due to the work started here. The implication is that the teachings were absorbed into the Boston educational system. Gustaf Larsson wrote a number of books about sloyd and sloyd education, ednah Anne Rich, a graduate of Gustaf Larssons school in Boston and of the Sloyd Training School at Nääs started Sloyd teacher training in Santa Barbara. In a few years, sloyd was being taught in hundreds of schools throughout the US, in “Educational sloyd, ” as devised by Otto Salomon in the 1870s, woodworking projects were designed to build incrementally on the child’s growing skill. Salomon believed that the teacher should carefully study and know each child and it was said that from the student’s perspective, no project should be any more difficult than the immediately preceding project. Sloyd was taught through the use of series of models, growing in difficulty and complexity that the students were supposed to reproduce without interference from the teacher. Salomon developed exercises in the use of various tools leading to proficiency in the making of models, the objects in the model series were designed to be useful to the child and his family, thereby building a relationship of good will and mutual support in the childs education
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Vocational education
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Craft vocations are usually based on manual or practical activities and are traditionally non-academic but related to a specific trade or occupation. Vocational education is referred to as career education or technical education. Vocational education can take place at the secondary, post-secondary, further education, and higher education level, however, online vocational education has grown in popularity, and made it easier than ever for students to learn various trade skills and soft skills from established professionals in the industry. Wilhelm von Humboldts educational model goes beyond vocational training, if this basis is laid through schooling, vocational skills are easily acquired later on, and a person is always free to move from one occupation to another, as so often happens in life. In Australia vocational education and training is mostly post-secondary and provided through the vocational education, however some senior schools do offer school-based apprenticeships and traineeships for students in years 10,11 and 12. Australia’s apprenticeship system includes both apprenticeships in trades and traineeships in other more service-oriented occupations. Both involve a legal contract between the employer and the apprentice or trainee and provide a combination of school-based and workplace training, Apprenticeships typically last three to four years, traineeships only one to two years. Apprentices and trainees receive a wage which increases as they progress through the training scheme and this allows national portability of qualifications and units of competency. A crucial feature of the package is that the content of the vocational qualifications is theoretically defined by industry. A Training Package is owned by one of 11 Industry Skills Councils which are responsible for developing and reviewing the qualifications, the National Centre for Vocational Education Research or NCVER is a not-for-profit company owned by the federal, state and territory ministries responsible for training. It is responsible for collecting, managing, analysing, evaluating and communicating research and statistics about vocational education, the boundaries between vocational education and tertiary education are becoming more blurred. A number of training providers such as Melbourne Polytechnic, BHI. Such applied courses include equine studies, winemaking and viticulture, aquaculture, information technology, music, illustration, culinary management, the largest and the most unified system of vocational education was created in the Soviet Union with the professionalno-tehnicheskoye uchilische and Tehnikum. But it became effective with the transition of the economies of post-Soviet countries to a market economy. Education and training is the responsibility of states, but the single European labour market makes some cooperation on education imperative, including on vocational education. The process is based on mutually agreed priorities that are reviewed periodically, much of the activity is monitored by Cedefop, the European Centre for the Development of Vocational Training. In Finland, vocational education belongs to secondary education, after the nine-year comprehensive school, almost all students choose to go to either a lukio, which is an institution preparing students for tertiary education, or to a vocational school. Both forms of secondary education last three years, and give a qualification to enter university or ammattikorkeakoulu, i. e. Finnish polytechnics
36.
Community center
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Community centres or community centers are public locations where members of a community tend to gather for group activities, social support, public information, and other purposes. They may sometimes be open for the community or for a specialized group within the greater community. Examples of community centres for groups include, Christian community centres, Islamic community centres, Jewish community centres. Community centres generally perform many the following functions in its community, as the place for all-community celebrations at various occasions and traditions. As the place for meetings of the citizens on various issues. As the place where politicians or other official leaders come to meet the citizens and ask for their opinions, as a place where community members meet each other socially. As a place housing local clubs and volunteer activities, as a place that community members, can rent cheaply when a private family function or party is too big for their own home. For instance the non-church parts of weddings, funerals etc, as a place that passes on and retells local history. As a place where local non-government activities are organized, as a place where indoor circuses can entertain the paying public. Around the world appear to be four common ways in which the operation of the kind of community centre are owned and organized. Kominkan Sponsored, A rich citizen or commercial corporation owns the place, commercial, The community centre is a purely commercial entity which profit from renting its facilities to various community groups on terms suitable for such use. Each individual community centre typically has its own peculiar origin and history, buildings have been erected specifically to function as community centres at least as far back as the 1880, perhaps even earlier. When an official government building is no longer needed for its purpose, it is sometimes offered to the community as gift. When a commercial building of local importance is no longer used. Building that served many of the community centre purposes in addition to a different primary use, early forms of community centres in the United States were based in schools providing facilities to inner city communities out of school hours. An early celebrated example of this is to be found in Rochester, edward J. Ward, a Presbyterian minister, joined the Extension Department at the University of Wisconsin–Madison, organizing the Wisconsin Bureau of Civic and Social Development. By 1911 they organized a conference on schools as social centres. Despite concerns expressed by politicians and public officials that they provide a focus for alternative political and social activity
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Bagh print
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Bagh Print is a traditional hand block print with natural colours, an Indian Handicraft practised in Bagh, Dhar district in Madhya Pradesh, India. Its name is derived from the village Bagh on the banks of the Bagh River, Bagh print fabric with replicated geometric and floral compositions with vegetable colours of red and black over a white background is a popular Textile printing product. Bagh Prints is listed as a geographically tagged and is protected under the Geographical Indications of Goods Act 1999 of the Government of India. It was registered by the Controller General of Patents Designs and Trademarks under the title Bagh Prints of Madhya Pradesh and recorded with tag under Application number 98 in 2008. Its logo with the titleBagh Prints of Madhya Pradesh was approved under application number 505 dated 1 August 2015 under Class 24 Textiles, the Bagh village where this handicraft is practiced lies within the geographical coordinates of 22°22′00″N 74°40′00″E at an elevation of 240 metres. The Bagh river, which flows near the village, is major factor in the adoption of Bagh Print. The Narmada river, about 30 kilometres from Bagh, which is a source, is an important source for this art work. Bagh Print, as it is known in Madhya Pradesh, was started by the community of Muslim Khatris in 1962 when they migrated from Manawar to Bagh. However, the reasons for their migration from Sindh across the Indus is not clear, in this printing technique the cloth used is cotton and silk cloth which are subject to treatment of a blend of corroded iron fillings, alum and Alizarin. The designs are patterned by skilled artisans, on completion of the printing process, the printed fabric is subject to repeated washing in the flowing waters of the river and then dried in the sun for a specific period to obtain the fine luster. The Khatri communitys migration from Sind is also said to be due to harassment by a Brahmin king, after migrating from Sindh their first settlement was Pali. Due tp a severe famine they moved to Gautampur in Malwa region, at that time a new railway line was being laid in Gautampur which made them move from Gautampur to Manawar in Nimar district in Madhya Pradesh. Ismail Khatri is the leading craftsman who migrated to Bagh village with his group in the 1960s. He then gave shape and a new approach to the printing technique which was then in practice in a rudimentary form among 80 percent of the tribal people. However, there was also an impact on this art form in the 1960s. But Ismail Khatri adhered to his technique and made many improvisations and his primary innovation was creating the Bagh Print on different types of cloth by printing on them. His innovative design of a bed cover, which he printed with his patterns, consisted of a bed cover which had 1,200 different blocks which won him the National Award in 1984. In 2011, this art form got a further boost when the BaghPrints design was adopted in a theme of the Madhya Pradesh state at the Republic Day parade in New Delhi on 26 January 2011
38.
Banner-making
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Banner-making is the ancient art or craft of sewing banners. Techniques used include applique, embroidery, fabric painting, patchwork, in the United Kingdom, the first of these banners were sometimes painted by local signwriters, coachpainters or decorators. More often than not, they were made by a member of the branch who was considered to be artistic. However, from 1837 onwards, more than three quarters were made by the firm of George Tutill of Chesham in Buckinghamshire, all their banners were made from pure silk woven by Huguenots in London. At the height of production there were said to be 17,000 looms in operation. The silk was stretched taut over a frame and coated with India rubber. This allowed the paint to dry quickly and to make it more pliant or elastic, there were many designs from the Bible, from heraldry or from popular tradition, e. g. the all-seeing eye, or symbols of truth, hope or justice. With the advent of Conservative governments in Britain after the 1979 general election, trades union banners lost their popularity, additionally the large number of trade union mergers meant that many banners no longer had the correct union name on and became obsolete. Durham Miners Gala is probably the largest current parade of trade union banners, there are special museums which restore, preserve and exhibit trade union banners, e. g. the Peoples History Museum in Manchester and Beamish Museum in the North East. Design is all-important in a banner for ecclesiastical use, the banner maker needs a sound knowledge of religious symbolism and iconography. There is also the question of its use, i. e. indoor or outdoor, if outdoor, it needs weatherproofing and must be able to be carried. Whether indoor or outdoor, proper storage provision must be made, the types of material can vary from vinyl to cloth
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Calligraphy
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Calligraphy is a visual art related to writing. It is the design and execution of lettering with a broad tip instrument, brush, a contemporary calligraphic practice can be defined as, the art of giving form to signs in an expressive, harmonious, and skillful manner. Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable, classical calligraphy differs from typography and non-classical hand-lettering, though a calligrapher may practice both. It is also used for props and moving images for film and television, testimonials, birth and death certificates, maps, the principal tools for a calligrapher are the pen and the brush. Calligraphy pens write with nibs that may be flat, round, for some decorative purposes, multi-nibbed pens—steel brushes—can be used. However, works have also created with felt-tip and ballpoint pens. There are some styles of calligraphy, like Gothic script, which require a stub nib pen, Writing ink is usually water-based and is much less viscous than the oil-based inks used in printing. Normally, light boxes and templates are used to achieve straight lines without pencil markings detracting from the work, ruled paper, either for a light box or direct use, is most often ruled every quarter or half inch, although inch spaces are occasionally used. This is the case with litterea unciales, and college-ruled paper often acts as a guideline well, common calligraphy pens and brushes are, Quill Dip pen Ink brush Qalam Fountain pen Western calligraphy is recognizable by the use of the Latin script. The Latin alphabet appeared about 600 BC, in Rome, and by the first century developed into Roman imperial capitals carved on stones, Rustic capitals painted on walls, in the second and third centuries the uncial lettering style developed. As writing withdrew to monasteries, uncial script was more suitable for copying the Bible. It was the monasteries which preserved calligraphic traditions during the fourth and fifth centuries, at the height of the Empire, its power reached as far as Great Britain, when the empire fell, its literary influence remained. The Semi-uncial generated the Irish Semi-uncial, the small Anglo-Saxon, each region developed its own standards following the main monastery of the region, which are mostly cursive and hardly readable. Christian churches promoted the development of writing through the copying of the Bible, particularly the New Testament. Two distinct styles of writing known as uncial and half-uncial developed from a variety of Roman bookhands, the 7th-9th centuries in northern Europe were the heyday of Celtic illuminated manuscripts, such as the Book of Durrow, Lindisfarne Gospels and the Book of Kells. Charlemagnes devotion to improved scholarship resulted in the recruiting of a crowd of scribes, according to Alcuin, Alcuin developed the style known as the Caroline or Carolingian minuscule. The first manuscript in hand was the Godescalc Evangelistary — a Gospel book written by the scribe Godescalc. Carolingian remains the one hand from which modern booktype descends
40.
Canvas work
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Canvas work is a type of embroidery in which yarn is stitched through a canvas or other foundation fabric. Canvas work is a form of counted-thread embroidery, common types of canvas work include needlepoint, petit point, and bargello. Early canvas work or needlepoint used tent, continental or basketweave stitches, bargello, first developed in Europe, uses colors and stitches across multiple canvas intersections to create motion and patterns. Modern methods have incorporated crewel and other embroidery stitches to add depth and differences not only by shading, aida cloth or Hardanger fabric can also be used for canvas work, and plastic canvas is used in craft projects. Canvas is measured by the number of squares per inch or centimetre, in canvas work the stitches may completely cover the canvas. Newer methods will use the canvas as part of the pattern, yarns vary from knitting yarns and tapestry wools to pure silk, synthetic, or metallic threads. Fine ribbons, plastic thread, raffia and string can also be used in canvas work, a famous example of a large carpet worked in canvas work is the Bradford carpet which is on display in the Victoria and Albert Museum, London
41.
Cross-stitch
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Cross-stitch is a form of sewing and a popular form of counted-thread embroidery in which X-shaped stitches in a tiled, raster-like pattern are used to form a picture. The stitcher counts the threads on a piece of fabric in each direction so that the stitches are of uniform size. This form of cross-stitch is also called counted cross-stitch in order to distinguish it from other forms of cross-stitch, sometimes cross-stitch is done on designs printed on the fabric, the stitcher simply stitches over the printed pattern. Cross-stitch is also executed on easily countable fabric called aida cloth, fabrics used in cross-stitch include linen, aida, and mixed-content fabrics called evenweave such as jobelan. Fabrics are categorized by threads per inch, which can range from 11 to 40 count, aida fabric has a lower count because it is made with two threads grouped together for ease of stitching. The finished stitching size is reduced by half if the stitcher counts and stitches over one fabric thread. These methods are referred to as 2 over 2 - i. e.2 embroidery threads used to stitch over 2 fabric threads. Cross-stitch is the oldest form of embroidery and can be all over the world. Many folk museums show examples of clothing decorated with cross-stitch, especially from continental Europe, Asia, and Eastern and Central Europe. The cross stitch sampler is called that because it was stitched by a young girl to learn how to stitch and to record alphabet. These samples of her stitching could be referred back to over the years, often, motifs and initials were stitched on household items to identify their owner, or simply to decorate the otherwise-plain cloth. In the United States, the earliest known cross-stitch sampler is currently housed at Pilgrim Hall in Plymouth, the sampler was created by Loara Standish, daughter of Captain Myles Standish and pioneer of the Leviathan stitch, circa 1653. Traditionally, cross-stitch was used to embellish items like household linens, tablecloths, dishcloths, although there are many cross-stitchers who still employ it in this fashion, it is now increasingly popular to work the pattern on pieces of fabric and hang them on the wall for decoration. Cross stitch is often used to make greeting cards, pillowtops, or as inserts for box tops, coasters. Multicoloured, shaded, painting-like patterns as we know today are a fairly modern development. Besides designs created expressly for cross stitch, there are programs that convert a photograph or a fine art image into a chart suitable for stitching. One stunning example of this is in the cross stitched reproduction of the Sistine Chapel charted and stitched by Joanna Lopianowski-Roberts, individually owned local needlework shops often have stitching nights at their shops, or host weekend stitching retreats. Today cotton floss is the most common embroidery thread and it is a thread made of mercerized cotton, composed of six strands that are only loosely twisted together and easily separable
42.
Crochet
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Crochet is a process of creating fabric by interlocking loops of yarn, thread, or strands of other materials using a crochet hook. The name is derived from the French term crochet, meaning small hook and these are made of materials such as metal, wood, or plastic and are manufactured commercially and produced in artisan workshops. The word crochet is derived from the Old French crochet, a diminutive of croche, in turn from the Germanic croc, although that fabric is not known to be crochet in the present sense, a genealogical relationship between the techniques sharing that name appears likely. Knitted textiles survive from early periods but the first substantive evidence of crocheted fabric relates to its appearance in Europe during the 19th century, earlier work identified as crochet was commonly made by nålebinding, a separate looped yarn technique. The first known published instructions for crochet explicitly using that term to designate the craft in its present sense and this includes a color plate showing five different style purses of which three were intended to be crocheted with silk thread. The first is simple open crochet, a mesh of chain-stitch arches, the second starts in a semi-open form, where chain-stitch arches alternate with equally long segments of slip-stitch crochet, and closes with a star made with double-crochet stitches. The third purse is made entirely in double-crochet, the instructions prescribe the use of a tambour needle and introduce a number of decorative techniques. The earliest dated English reference to garments made of cloth produced by looping yarn with a hook — shepherds knitting — is in, The Memoirs of a Highland Lady, by Elizabeth Grant. The journal entry, itself, is dated 1812 but was not recorded in its published form until some time between 1845 and 1867, and the actual date of publication was first in 1898. Nonetheless, the 1833 volume of Penélopé describes and illustrates a shepherds hook, in 1842, one of the numerous books discussing crochet that began to appear in the 1840s states, Crochet needles, sometimes called Shepherds hooks, are made of steel, ivory, or box-wood. They have a hook at one end similar in shape to a fish-hook, by which the wool or silk is caught and these instruments are to be procured of various sizes. It derives its present name from the French, the instrument with which it is worked being by them, from its crooked shape, termed crochet. This art has attained its highest degree of perfection in England, whence it has been transplanted to France and Germany, an instruction book from 1846 describes Shepherd or Single Crochet as what in current British usage is either called single crochet or slip-stitch crochet, with U. S. American terminology always using the latter and it similarly equates Double and French crochet. Notwithstanding the categorical assertion of a purely British origin, there is evidence of a connection between French tambour embroidery and crochet. The former method of production was illustrated in detail in 1763 in Diderots Encyclopedia, the 1823 Penélopé instructions unequivocally state that the tambour tool was used for crochet and the first of the 1840s instruction books uses the terms tambour and crochet as synonyms. This equivalence is retained in the 4th edition of work,1847. The strong taper of the shepherds hook eases the production of slip-stitch crochet but is less amenable to stitches that require multiple loops on the hook at the same time, early yarn hooks were also continuously tapered but gradually enough to accommodate multiple loops
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Darning
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Darning is a sewing technique for repairing holes or worn areas in fabric or knitting using needle and thread alone. It is often done by hand, but it is possible to darn with a sewing machine. Net darning, also called filet lace, is a 19th-century technique using stitching on a foundation fabric to imitate lace. Needle weaving is a drawn thread work embroidery technique that involves darning patterns into barelaid warp or weft thread, in its simplest form, darning consists of anchoring the thread in the fabric on the edge of the hole and carrying it across the gap. It is then anchored on the side, usually with a running stitch or two. If enough threads are criss-crossed over the hole, the hole will eventually be covered with a mass of thread, fine darning, sometimes known as Belgian darning, attempts to make the repair as invisible and neat as possible. Often the hole is cut into a square or darn blends into the fabric, there are many varieties of fine darning. Simple over-and-under weaving of threads can be replaced by various fancy weaves, such as twills, chevrons, invisible darning is the epitome of this attempt at restoring the fabric to its original integrity. Threads from the original weaving are unraveled from a hem or seam, invisible darning is appropriate for extremely expensive fabrics and items of apparel. In machine darning, lines of machine running stitch are run back and forth across the hole, then the fabric is rotated and this is a fast way to darn, but it cannot match the effects of fine darning. When the repairs are finished, the egg is removed. A shell of the tiger cowry Cypraea tigris, an ornament in Europe. A darning mushroom is a tool usually made of wood. The sock is stretched over the top of the mushroom. A darning gourd is a dried gourd with a pronounced neck. The sock can be stretched over the end of the gourd. A used incandescent light bulb can be used to hold a sock in place for darning, the length of the stitches may be varied to produce geometric designs. Traditional embroidery using pattern darning is found in Africa, Japan, Northern and Eastern Europe, pattern darning is also used as a filling stitch in blackwork embroidery
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Embroidery
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Embroidery is the handicraft of decorating fabric or other materials with needle and thread or yarn. Embroidery may also incorporate materials such as, pearls, beads, quills. Today, embroidery is most often seen on caps, hats, coats, blankets, dress shirts, denim, stockings, Embroidery is available with a wide variety of thread or yarn color. The process used to tailor, patch, mend and reinforce cloth fostered the development of sewing techniques, indeed, the remarkable stability of basic embroidery stitches has been noted, It is a striking fact that in the development of embroidery. There are no changes of materials or techniques which can be felt or interpreted as advances from a primitive to a later, on the other hand, we often find in early works a technical accomplishment and high standard of craftsmanship rarely attained in later times. The art of embroidery has been found world-wide and several examples have been found. Works in China have been dated to the Warring States period, depending on time, location and materials available, embroidery could be the domain of a few experts or a wide-spread, popular technique. This flexibility led to a variety of works, from the royal to the mundane, in 18th century England and its colonies, samplers employing fine silks were produced by the daughters of wealthy families. Embroidery was a marking a girls path into womanhood as well as conveying rank. Conversely, embroidery is also an art, using materials that were accessible to nonprofessionals. Examples include Hardanger from Norway, Merezhka from Ukraine, Mountmellick embroidery from Ireland, Nakshi kantha from Bangladesh and West Bengal, many techniques had a practical use such as Sashiko from Japan, which was used as a way to reinforce clothing. Embroidery was an important art in the Medieval Islamic world, the 17th century Turkish traveler Evliya Çelebi called it the craft of the two hands. Because embroidery was a sign of social status in Muslim societies. Craftsmen embroidered items with gold and silver thread, Embroidery cottage industries, some employing over 800 people, grew to supply these items. Taste for fine material has become general, and the drapery of embroidered fabrics used at feasts surpasses every description. The development of embroidery and its mass production came about in stages in the Industrial Revolution. The earliest machine embroidery used a combination of machine looms and teams of women embroidering the textiles by hand and this was done in France by the mid-1800s. The manufacture of machine-made embroideries in St. Gallen in eastern Switzerland flourished in the half of the 19th century
