1.
Hans Holbein the Younger
–
Hans Holbein the Younger was a German and Swiss artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century and he also produced religious art, satire and Reformation propaganda, and made a significant contribution to the history of book design. He is called the Younger to distinguish him from his father, Hans Holbein the Elder, Born in Augsburg, Holbein worked mainly in Basel as a young artist. At first he painted murals and religious works and designed for stained glass windows and he also painted the occasional portrait, making his international mark with portraits of the humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein worked for reformist clients while continuing to serve traditional religious patrons and his Late Gothic style was enriched by artistic trends in Italy, France and the Netherlands, as well as by Renaissance humanism. The result was a combined aesthetic uniquely his own, Holbein travelled to England in 1526 in search of work, with a recommendation from Erasmus. He was welcomed into the humanist circle of Thomas More, where he built a high reputation. After returning to Basel for four years, he resumed his career in England in 1532 and this time he worked under the patronage of Anne Boleyn and Thomas Cromwell. By 1535, he was Kings Painter to King Henry VIII, in this role, he produced not only portraits and festive decorations but designs for jewellery, plate and other precious objects. His portraits of the family and nobles are a record of the court in the years when Henry was asserting his supremacy over the English church. Holbeins art was prized from early in his career, the French poet and reformer Nicholas Bourbon dubbed him the Apelles of our time, a typical contemporary accolade. Holbein has also described as a great one-off of art history. After his death, some of his work was lost, but much was collected, recent exhibitions have also highlighted his versatility. He turned his fluid line to designs ranging from jewellery to monumental frescoes. Holbeins art has sometimes been called realist, since he drew and his portraits were renowned in their time for their likeness, and it is through Holbeins eyes that many famous figures of his day, such as Erasmus and More, are now seen. Holbein was never content, however, with outward appearance and he embedded layers of symbolism, allusion, and paradox in his art, to the lasting fascination of scholars. In the view of art historian Ellis Waterhouse, his portraiture remains unsurpassed for sureness and economy of statement, penetration into character, Holbein was born in the free imperial city of Augsburg during the winter of 1497–98. He was a son of the painter and draughtsman Hans Holbein the Elder, whose trade he and his brother, Ambrosius
2.
Augsburg
–
Augsburg is a city in Swabia, Bavaria, Germany. It was a Free Imperial City for over 500 years and it is a university town and home of the Regierungsbezirk Schwaben and the Bezirk Schwaben. Augsburg is a district and home to the institutions of the Landkreis Augsburg. It is the third-largest city in Bavaria with a population of 286,000 citizens, after Neuss and Trier, Augsburg is Germanys third oldest city, being founded by the Romans as Augusta Vindelicorum, named after the Roman emperor Augustus. Augsburg is the only German city with its own legal holiday and this gives Augsburg more legal holidays than any other region or city in Germany. Augsburg was the home of two families that rose to great prominence internationally, replacing the Medicis as Europes leading bankers, the Fugger. Augsburg lies at the convergence of the Alpine rivers Lech and Wertach, in the south extends the Lechfeld, an Outwash plain of the post ice age between the rivers Lech and Wertach, where rare primeval landscapes were preserved. The Augsburg city forest and the Lech valley heaths today rank among the most species-rich middle European habitats, on Augsburg borders the nature park Augsburg Western Woods - a large forestland. The city itself is also heavily greened, as a result, in 1997 Augsburg was the first German city to win the Europe-wide contest Entente Florale for Europes greenest and most livable city. Augsburg is surrounded by the counties Landkreis Augsburg in the west, the neighboring towns and cities are Friedberg, Königsbrunn, Stadtbergen, Neusäß, Gersthofen, Rehling, Affing, Kissing, Mering, Merching, Bobingen, Gessertshausen und Diedorf. Augsburg has a continental climate. The city was founded in 15 BC by Drusus and Tiberius as Augusta Vindelicorum, the name means Augusta of the Vindelici. This garrison camp soon became the capital of the Roman province of Raetia, thus, Augsburg was the intersection of many important European east-west and north-south connections, which later evolved as major trade routes of the Middle Ages. Around 120 AD Augsburg became the capital of the Roman province Raetia, Augsburg was sacked by the Huns in the 5th century AD, by Charlemagne in the 8th century, and by Welf of Bavaria in the 11th century, but arose each time to greater prosperity. Augsburg was granted the status of a Free Imperial City on March 9,1276 and from then until 1803, it was independent of its former overlord, the Prince-Bishop of Augsburg. Frictions between the city-state and the prince-bishops were to remain frequent however, particularly after Augsburg became Protestant and curtailed the rights, with a strategic location as intersection of trade routes to Italy, the Free Imperial City became a major trading center. Augsburg produced large quantities of goods, cloth and textiles. Augsburg became the base of two banking families that rose to prominence, the Fuggers and the Welsers
3.
Holy Roman Empire
–
The Holy Roman Empire was a multi-ethnic complex of territories in central Europe that developed during the Early Middle Ages and continued until its dissolution in 1806. On 25 December 800, Pope Leo III crowned the Frankish king Charlemagne as Emperor, reviving the title in Western Europe, more than three centuries after the fall of the Western Roman Empire. The title was revived in 962 when Otto I was crowned emperor, fashioning himself as the successor of Charlemagne, some historians refer to the coronation of Charlemagne as the origin of the empire, while others prefer the coronation of Otto I as its beginning. Scholars generally concur, however, in relating an evolution of the institutions and principles constituting the empire, the office of Holy Roman Emperor was traditionally elective, although frequently controlled by dynasties. Emperor Francis II dissolved the empire on 6 August 1806, after the creation of the Confederation of the Rhine by Napoleon, before 1157, the realm was merely referred to as the Roman Empire. In a decree following the 1512 Diet of Cologne, the name was changed to Holy Roman Empire of the German Nation, by the end of the 18th century, the term Holy Roman Empire of the German Nation had fallen out of official use. As Roman power in Gaul declined during the 5th century, local Germanic tribes assumed control, by the middle of the 8th century, however, the Merovingians had been reduced to figureheads, and the Carolingians, led by Charles Martel, had become the de facto rulers. In 751, Martel’s son Pepin became King of the Franks, the Carolingians would maintain a close alliance with the Papacy. In 768 Pepin’s son Charlemagne became King of the Franks and began an expansion of the realm. He eventually incorporated the territories of present-day France, Germany, northern Italy, on Christmas Day of 800, Pope Leo III crowned Charlemagne emperor, restoring the title in the west for the first time in over three centuries. After the death of Charles the Fat in 888, however, the Carolingian Empire broke apart, according to Regino of Prüm, the parts of the realm spewed forth kinglets, and each part elected a kinglet from its own bowels. After the death of Charles the Fat, those crowned emperor by the pope controlled only territories in Italy, the last such emperor was Berengar I of Italy, who died in 924. Around 900, autonomous stem duchies reemerged in East Francia, on his deathbed, Conrad yielded the crown to his main rival, Henry the Fowler of Saxony, who was elected king at the Diet of Fritzlar in 919. Henry reached a truce with the raiding Magyars, and in 933 he won a first victory against them in the Battle of Riade, Henry died in 936, but his descendants, the Liudolfing dynasty, would continue to rule the Eastern kingdom for roughly a century. Upon Henry the Fowlers death, Otto, his son and designated successor, was elected King in Aachen in 936 and he overcame a series of revolts from an elder brother and from several dukes. After that, the managed to control the appointment of dukes. In 951, Otto came to the aid of Adelaide, the queen of Italy, defeating her enemies, marrying her. In 955, Otto won a victory over the Magyars in the Battle of Lechfeld
4.
Alsace
–
Alsace is a cultural and historical region in eastern France now located in the administrative region of Grand Est. Alsace is located on Frances eastern border and on the west bank of the upper Rhine adjacent to Germany, from 1982 until January 2016, Alsace was the smallest of 22 administrative regions in metropolitan France, consisting of the Bas-Rhin and Haut-Rhin departments. Territorial reform passed by the French legislature in 2014 resulted in the merger of the Alsace administrative region with Champagne-Ardenne and Lorraine to form Grand Est. The predominant historical language of Alsace is Alsatian, a Germanic dialect also spoken across the Rhine, but today most Alsatians primarily speak French, the political status of Alsace has been heavily influenced by historical decisions, wars, and strategic politics. The economic and cultural capital as well as largest city of Alsace is Strasbourg, the city is the seat of several international organizations and bodies. The name Alsace can be traced to the Old High German Ali-saz or Elisaz, an alternative explanation is from a Germanic Ell-sass, meaning seated on the Ill, a river in Alsace. In prehistoric times, Alsace was inhabited by nomadic hunters, by 1500 BC, Celts began to settle in Alsace, clearing and cultivating the land. It should be noted that Alsace is a surrounded by the Vosges mountains. It creates Foehn winds which, along with irrigation, contributes to the fertility of the soil. In a world of agriculture, Alsace has always been a region which explains why it suffered so many invasions and annexations in its history. By 58 BC, the Romans had invaded and established Alsace as a center of viticulture, to protect this highly valued industry, the Romans built fortifications and military camps that evolved into various communities which have been inhabited continuously to the present day. While part of the Roman Empire, Alsace was part of Germania Superior, with the decline of the Roman Empire, Alsace became the territory of the Germanic Alemanni. The Alemanni were agricultural people, and their Germanic language formed the basis of modern-day dialects spoken along the Upper Rhine, Clovis and the Franks defeated the Alemanni during the 5th century AD, culminating with the Battle of Tolbiac, and Alsace became part of the Kingdom of Austrasia. Under Clovis Merovingian successors the inhabitants were Christianized, Alsace formed part of the Middle Francia, which was ruled by the eldest grandson Lothar I. Lothar died early in 855 and his realm was divided into three parts, the part known as Lotharingia, or Lorraine, was given to Lothars son. The rest was shared between Lothars brothers Charles the Bald and Louis the German, the Kingdom of Lotharingia was short-lived, however, becoming the stem duchy of Lorraine in Eastern Francia after the Treaty of Ribemont in 880. Alsace was united with the other Alemanni east of the Rhine into the duchy of Swabia. Alsace experienced great prosperity during the 12th and 13th centuries under Hohenstaufen emperors, Frederick I set up Alsace as a province to be ruled by ministeriales, a non-noble class of civil servants
5.
International Gothic
–
International Gothic is a period of Gothic art which initially developed in Burgundy, France and northern Italy in the late 14th and early 15th century. It then spread widely across Western Europe, hence the name for the period. The main influences were northern France, the Duchy of Burgundy, the Imperial court in Prague, royal marriages such as that between Richard II of England and Anne of Bohemia helped to spread the style. It was initially a style of courtly sophistication, but somewhat more robust versions spread to art commissioned by the mercantile classes. Usage of the terms by art historians varies somewhat, with using the term more restrictively than others. Some art historians feel the term is in many ways, since it tends to skate over both differences and details of transmission. The important Bohemian version of the style developed in the court of Charles IV, Holy Roman Emperor in Prague, which for a brief period became a leading force in the development of European art. Charles came from the Luxembourg dynasty, was tutored by the future Pope Clement VI, the Bohemian style initially lacked the elongated figures of other centres, but had a richness and sweetness in female figures that were very influential. Charles had at least one Italian altarpiece, apparently made in Italy and sent to Prague, for St. Vitus Cathedral in Prague, he first used a French architect, and then the German Peter Parler. As the style developed in Northern Europe, Italian artists were in turn influenced by it, from this period come the earliest surviving panel portraits of monarchs, and royal manuscripts show a greatly increased number of realistic portraits of the monarch who commissioned them. In painting and sculpture, the style is known in German as the Schöne Stil or Weicher Stil. Stylistic features are a dignified elegance, which replaces monumentality, along with rich decorative colouring, elongated figures and it also makes a more practised use of perspective, modelling, and setting. Figures begin to be more space in their settings, and interest is taken in realistically depicted plants. In some works, above all the calendar scenes of the Très Riches Heures du Duc de Berry. Decoration became increasingly ornate as the style developed in Northern Europe, claus Sluter was the leading sculptor in Burgundy, and was one artist able to use the style with a strongly monumental effect. Most sculptors are unknown, and the style tended to survive longer in Northern sculpture than painting, smaller painted wood figures, most often of the Madonna, were significant, and being relatively portable, probably helped to disseminate the style across Europe. In Burgundy Jean Malouel, Melchior Broederlam and Henri Bellechose were succeeded by Robert Campin, master Bertram and Conrad von Soest were leading regional masters in Germany, working largely for city burghers. Surviving panel paintings of the best quality from before 1390 are very rare except from Italy, many of these artists moved between countries or regions during their careers, exposing them to the styles of other centres
6.
Germany
–
Germany, officially the Federal Republic of Germany, is a federal parliamentary republic in central-western Europe. It includes 16 constituent states, covers an area of 357,021 square kilometres, with about 82 million inhabitants, Germany is the most populous member state of the European Union. After the United States, it is the second most popular destination in the world. Germanys capital and largest metropolis is Berlin, while its largest conurbation is the Ruhr, other major cities include Hamburg, Munich, Cologne, Frankfurt, Stuttgart, Düsseldorf and Leipzig. Various Germanic tribes have inhabited the northern parts of modern Germany since classical antiquity, a region named Germania was documented before 100 AD. During the Migration Period the Germanic tribes expanded southward, beginning in the 10th century, German territories formed a central part of the Holy Roman Empire. During the 16th century, northern German regions became the centre of the Protestant Reformation, in 1871, Germany became a nation state when most of the German states unified into the Prussian-dominated German Empire. After World War I and the German Revolution of 1918–1919, the Empire was replaced by the parliamentary Weimar Republic, the establishment of the national socialist dictatorship in 1933 led to World War II and the Holocaust. After a period of Allied occupation, two German states were founded, the Federal Republic of Germany and the German Democratic Republic, in 1990, the country was reunified. In the 21st century, Germany is a power and has the worlds fourth-largest economy by nominal GDP. As a global leader in industrial and technological sectors, it is both the worlds third-largest exporter and importer of goods. Germany is a country with a very high standard of living sustained by a skilled. It upholds a social security and universal health system, environmental protection. Germany was a member of the European Economic Community in 1957. It is part of the Schengen Area, and became a co-founder of the Eurozone in 1999, Germany is a member of the United Nations, NATO, the G8, the G20, and the OECD. The national military expenditure is the 9th highest in the world, the English word Germany derives from the Latin Germania, which came into use after Julius Caesar adopted it for the peoples east of the Rhine. This in turn descends from Proto-Germanic *þiudiskaz popular, derived from *þeudō, descended from Proto-Indo-European *tewtéh₂- people, the discovery of the Mauer 1 mandible shows that ancient humans were present in Germany at least 600,000 years ago. The oldest complete hunting weapons found anywhere in the world were discovered in a mine in Schöningen where three 380, 000-year-old wooden javelins were unearthed
7.
Painting
–
Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
8.
France
–
France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
9.
Weingarten Abbey
–
Weingarten Abbey or St. Martins Abbey is a Benedictine monastery on the Martinsberg in Weingarten near Ravensburg in Baden-Württemberg. In 1056, Welf I, Duke of Bavaria, founded a Benedictine monastery on the Martinsberg, overlooking the village of Altdorf, the name Weingarten is documented from about 1123. He settled it with monks from Altomünster Abbey, in 1126, Henry IX, Duke of Bavaria, withdrew here after his abdication, he died the same year and was buried in the abbey church. The monks worked, among other things, at manuscript illumination and their most famous work is the Berthold Sacramentary of 1217, now in the Pierpont Morgan Library in New York City. Also of especial note is the Welfenchronik, written and illustrated in about 1190, the monastery was elevated to the status of a Reichsabtei, independent of all territorial lordship except that of the emperor, in 1274. It acquired territory of 306 km2, stretching from the Allgäu to the Bodensee and including many forests and vineyards, following the order on April 27,1728 to stop construction on the north wing, the southern wing was extended and the east wing was completed. In 1803, during the German Mediatisation, the abbey was dissolved, at first, it became part of the Principality of Nassau-Orange-Fulda, and then in 1806 part of the Kingdom of Württemberg. The buildings were used inter alia as a factory and as a barracks, in 1922, Weingarten was re-founded and re-settled by Benedictines from Beuron Archabbey and from the English Abbey of Erdington which had itself been settled from Beuron. In 1940, the monks were expelled by the National Socialists, the monks are responsible for the management of the Blutritt, or pilgrimage to the Reliquary of the Holy Blood in the abbey church, they also run a guesthouse. Weingarten belongs to the Beuronese Congregation of the Benedictine Confederation and it is a monastery of two ecclesiastical traditions or rites — one part of the monks follow the Roman Rite, the other part the Byzantine. In 2009 only four remained in Weingarten. The abbey was vacated at October 16,2010, the Catholic Diocese of Rottenburg-Stuttgart did step in as follow-up tenant, in 2014, the Diocese offered the rooms to the State of Baden-Württemberg as a refugees home. In 2015, the number of refugees did rise steeply, in July and August 2015 a part of the former abbey rooms was cut off and prepared to serve as additional Bedarfsorientierte Erstaufnahmeeinrichtung. At end of October 2015 about 130 refugees were accommodated there, the abbey and the St. Martins Basilica are a major attraction on the tourist route known as the Oberschwäbische Barockstrasse. The current church was built between 1715 and 1724 in the Italian-German Baroque style according to plans by Franz Beer, the church is the second largest church in Germany, and is the largest Baroque church in Germany. The 102 meter long church is known as the Swabian St. Peters since this church is almost exactly one-half the size of St. Peters Basilica in Rome. Within the church is the famous Gabler Organ, an organ that was built between 1735 and 1750 by Joseph Gabler. The organ has over 60 registers,169 ranks,63 voices and it is considered the 44th largest organ in the world
10.
Renaissance
–
The Renaissance was a period in European history, from the 14th to the 17th century, regarded as the cultural bridge between the Middle Ages and modern history. It started as a movement in Italy in the Late Medieval period and later spread to the rest of Europe. This new thinking became manifest in art, architecture, politics, science, Early examples were the development of perspective in oil painting and the recycled knowledge of how to make concrete. Although the invention of movable type sped the dissemination of ideas from the later 15th century. In politics, the Renaissance contributed to the development of the customs and conventions of diplomacy, the Renaissance began in Florence, in the 14th century. Other major centres were northern Italian city-states such as Venice, Genoa, Milan, Bologna, the word Renaissance, literally meaning Rebirth in French, first appeared in English in the 1830s. The word also occurs in Jules Michelets 1855 work, Histoire de France, the word Renaissance has also been extended to other historical and cultural movements, such as the Carolingian Renaissance and the Renaissance of the 12th century. The Renaissance was a movement that profoundly affected European intellectual life in the early modern period. Renaissance scholars employed the humanist method in study, and searched for realism, however, a subtle shift took place in the way that intellectuals approached religion that was reflected in many other areas of cultural life. In addition, many Greek Christian works, including the Greek New Testament, were back from Byzantium to Western Europe. Political philosophers, most famously Niccolò Machiavelli, sought to describe life as it really was. Others see more competition between artists and polymaths such as Brunelleschi, Ghiberti, Donatello, and Masaccio for artistic commissions as sparking the creativity of the Renaissance. Yet it remains much debated why the Renaissance began in Italy, accordingly, several theories have been put forward to explain its origins. During the Renaissance, money and art went hand in hand, Artists depended entirely on patrons while the patrons needed money to foster artistic talent. Wealth was brought to Italy in the 14th, 15th, and 16th centuries by expanding trade into Asia, silver mining in Tyrol increased the flow of money. Luxuries from the Eastern world, brought home during the Crusades, increased the prosperity of Genoa, unlike with Latin texts, which had been preserved and studied in Western Europe since late antiquity, the study of ancient Greek texts was very limited in medieval Western Europe. One of the greatest achievements of Renaissance scholars was to bring this entire class of Greek cultural works back into Western Europe for the first time since late antiquity, Arab logicians had inherited Greek ideas after they had invaded and conquered Egypt and the Levant. Their translations and commentaries on these ideas worked their way through the Arab West into Spain and Sicily and this work of translation from Islamic culture, though largely unplanned and disorganized, constituted one of the greatest transmissions of ideas in history
11.
Woodcut
–
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print, the block is cut along the wood grain. The surface is covered with ink by rolling over the surface with a roller, leaving ink upon the flat surface. Multiple colors can be printed by keying the paper to a frame around the woodblocks, single-leaf woodcut is a term for a woodcut presented as a single image or print, as opposed to a book illustration. Among these the best known are the 16th century Hieronymus Andreae, Hans Lützelburger and Jost de Negker, all of whom ran workshops, the formschneider in turn handed the block on to specialist printers. There were further specialists who made the blank blocks and this is why woodcuts are sometimes described by museums or books as designed by rather than by an artist, but most authorities do not use this distinction. The division of labour had the advantage that a trained artist could adapt to the medium relatively easily, there were various methods of transferring the artists drawn design onto the block for the cutter to follow. Either the drawing would be made directly onto the block, or a drawing on paper was glued to the block, either way, the artists drawing was destroyed during the cutting process. Other methods were used, including tracing, in both Europe and the Far East in the early 20th century, some artists began to do the whole process themselves. In Japan, this movement was called sōsaku-hanga, as opposed to shin-hanga, in the West, many artists used the easier technique of linocut instead. Compared to intaglio techniques like etching and engraving, only low pressure is required to print, as a relief method, it is only necessary to ink the block and bring it into firm and even contact with the paper or cloth to achieve an acceptable print. In Europe a variety of woods including boxwood and several nut and fruit woods like pear or cherry were commonly used, in Japan, there are three methods of printing to consider, Stamping, Used for many fabrics and most early European woodcuts. Used for European woodcuts and block-books later in the fifteenth century, also used for many Western woodcuts from about 1910 to the present. The block goes face up on a table, with the paper or fabric on top, the back is rubbed with a hard pad, a flat piece of wood, a burnisher, or a leather frotton. A traditional Japanese tool used for this is called a baren, later in Japan, complex wooden mechanisms were used to help hold the woodblock perfectly still and to apply proper pressure in the printing process. This was especially helpful once multiple colors were introduced and had to be applied with precision atop previous ink layers, printing in a press, presses only seem to have been used in Asia in relatively recent times. Printing-presses were used from about 1480 for European prints and block-books, simple weighted presses may have been used in Europe before the print-press, but firm evidence is lacking
12.
Bern
–
The city of Bern or Berne is the de facto capital of Switzerland, referred to by the Swiss as their Bundesstadt, or federal city. With a population of 141,762, Bern is the fourth-most populous city in Switzerland, the Bern agglomeration, which includes 36 municipalities, had a population of 406,900 in 2014. The metropolitan area had a population of 660,000 in 2000, Bern is also the capital of the canton of Bern, the second-most populous of Switzerlands cantons. The official language in Bern is German, but the language is an Alemannic Swiss German dialect. In 1983, the old town in the centre of Bern became a UNESCO World Heritage Site. Bern is ranked among the top ten cities for the best quality of life. The etymology of the name Bern is uncertain and it has long been considered likely that the city was named after the Italian city of Verona, which at the time was known as Bern in Middle High German. As a result of the find of the Bern zinc tablet in the 1980s, it is now common to assume that the city was named after a pre-existing toponym of Celtic origin. The bear was the animal of the seal and coat of arms of Bern from at least the 1220s. The earliest reference to the keeping of bears in the Bärengraben dates to the 1440s. No archaeological evidence that indicates a settlement on the site of city centre prior to the 12th century has been found so far. In antiquity, a Celtic oppidum stood on the Engehalbinsel north of Bern, fortified since the second century BC, during the Roman era, a Gallo-Roman vicus was on the same site. The Bern zinc tablet has the name Brenodor, in the Early Middle Ages, a settlement in Bümpliz, now a city district of Bern, was some 4 km from the medieval city. The medieval city is a foundation of the Zähringer ruling family, according to 14th-century historiography, Bern was founded in 1191 by Berthold V, Duke of Zähringen. In 1218, after Berthold died without an heir, Bern was made an imperial city by the Goldene Handfeste of Holy Roman Emperor Frederick II. In 1353, Bern joined the Swiss Confederacy, becoming one of the eight cantons of the period of 1353 to 1481. The city grew out towards the west of the boundaries of the peninsula formed by the river Aare, the Zytglogge tower marked the western boundary of the city from 1191 until 1256, when the Käfigturm took over this role until 1345. It was, in turn, succeeded by the Christoffelturm until 1622, during the time of the Thirty Years War, two new fortifications – the so-called big and small Schanze – were built to protect the whole area of the peninsula
