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Harvest Threshing
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Le Dépiquage des Moissons, also known as Harvest Threshing, and The Harvesters, is an immense oil painting created in 1912 by the French artist, theorist and writer Albert Gleizes. It was first reveal
Albert Gleizes, 1912, Le Dépiquage des Moissons, Harvest Threshing, oil on canvas, 269 x 353 cm, National Museum of Western Art, Tokyo, Japan
Albert Gleizes, 1912, Le Dépiquage des Moissons, Harvest Threshing, oil on canvas, 269 x 353 cm, National Museum of Western Art, Tokyo, Japan
Panorama Meudon, Issy-les-Moulineaux and Paris, View from Terrasse de Meudon, early 20th-century postcard
Panorama Meudon, Issy-les-Moulineaux and Paris, View from Terrasse de Meudon, early 20th-century postcard
La Moisson, C.L.C, early 20th-century postcard
La Moisson, C.L.C, early 20th-century postcard
Longwy Bas. Vue générale, (Longwy à Longuyon, usines, 1904), postcard
Longwy Bas. Vue générale, (Longwy à Longuyon, usines, 1904), postcard
The Bathers (Gleizes)
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The Bathers is a large oil painting created at the outset of 1912 by the French artist Albert Gleizes. It was exhibited at the Salon des Indépendants in Paris during the spring of 1912; the Salon de l
Harvest Threshing
…extension of Paul Cézanne's preoccupations: his will to deconstruct, his revolt against imitation and refusal of Renaissance perspective. Much as that of Les Baigneuses and Man on a Balcony (Portrait of Dr. Théo Morinaud) painted the same year, the subject matter of Harvest Threshing—a semi-urban landscape that possesses…
Albert Gleizes, 1912, Les Baigneuses, oil on canvas, 105 x 171 cm, Paris, Musée d'Art Moderne de la Ville de Paris
Albert Gleizes, 1912, Les Baigneuses, oil on canvas, 105 x 171 cm, Paris, Musée d'Art Moderne de la Ville de Paris
Albert Gleizes, 1911, Dessin pour les Baigneuses, published in La Revue de France et des pays français, February - March 1912
Albert Gleizes, 1911, Dessin pour les Baigneuses, published in La Revue de France et des pays français, February - March 1912
Albert Gleizes, 1912, Les Baigneuses, The Bathers, (left) vs. Courbevoie, postcard ca.1912, Les Bord de Seine, L'Ile de la Jatte (right). The Île de l
Albert Gleizes, 1912, Les Baigneuses, The Bathers, (left) vs. Courbevoie, postcard ca.1912, Les Bord de Seine, L'Ile de la Jatte (right). The Île de la Jatte (or Île de la Grande Jatte) is an island over which Gleizes would have passed on his way to and from the center of Paris. The island is well known as the setting for Georges Seurat's A Sunday Afternoon on the Island of La Grande Jatte (1884), and his Bathers at Asnières, in the background of which smoke emanating from industrial factories of
Albert Gleizes, 1911, Le Chemin, Paysage à Meudon, Paysage avec personnage, oil on canvas, 146.4 x 114.4 cm. Exhibited at Salon des Indépendants, Pari
Albert Gleizes, 1911, Le Chemin, Paysage à Meudon, Paysage avec personnage, oil on canvas, 146.4 x 114.4 cm. Exhibited at Salon des Indépendants, Paris, 1911, Salon des Indépendants, Brussels, 1911, Galeries Dalmau, Barcelona, 1912, Galerie La Boétie, Salon de La Section d'Or, 1912, stolen by Nazi occupiers from the home of collector Alphonse Kann during World War II, returned to its rightful owners in 1997