The Ebro is a river on the Iberian Peninsula. It is the second longest river in the Iberian peninsula after the Tagus and the second biggest by discharge volume and by drainage area after the Douro; the Ebro flows through the following cities: Reinosa in Cantabria. The source of the river Ebro is from the Latin words Fontes Iberis, source of the Ebro. Close by is a large artificial lake, Embalse del Ebro, created by the damming of the river; the upper Ebro rushes through rocky gorges in Burgos Province. Flowing eastwards it begins forming a wider river valley of limestone rocks when it reaches Navarre and La Rioja thanks to many tributaries flowing down from the Iberian System on one side, the Navarre mountains and the western Pyrenees, on the other. There, the climate becomes progressively more continental, with more extreme temperatures and drier characteristics, therefore experiencing hot and dry summers which resemble summers seen in arid and semiarid climates. Karst geological processes shaped the landscape of layers of soluble carbonate rock of extensive limestone bedrock formed in an ancient seabed.
Aragonite, a mineral named for Aragon, attests to the fact that carbonates are abundant in the central Ebro Valley. The valley expands and the Ebro's flow becomes slower as its water volume increases, flowing across Aragon. There, larger tributaries flowing from the central Pyrenees and the Iberian System discharge large amounts of water in spring during the thawing season of the mountain snow; as it flows through Zaragoza the Ebro, is a sizeable river. There, the Basilica of Our Lady of the Pillar stands next to the Ebro; the soils in most of the valley are poor soils: calcareous, pebbly and sometimes salted with saltwater endorheic lagoons. The semi-arid interior of the Ebro Valley has either drought summers and a semi-desert climate with rainfall between 400 and 600 mm, with a maximum in the fall and spring, it is covered with chaparral vegetation. Summers are hot and winters are cold; the dry summer season has temperatures of more than 35 °C reaching over 40 °C. In winter, the temperatures drop below 0 °C.
In some areas the vegetation depends on moisture produced by condensation fog. It is a continental Mediterranean climate with extreme temperatures. There are many ground frosts on clear nights, sporadic snowfalls; the biomes are diverse in these Mediterranean climate zones: Mediterranean forests and scrub. Hinterlands are distinctive on account of extensive sclerophyll shrublands known as maquis, or garrigues; the dominant species are Quercus ilex. These trees form monospecific communities or communities integrated with Pinus, Mediterranean buckthorns, Chamaerops humilis, Pistacia, Thymus, so on; the hinterland climate becomes progressively more continental and drier, therefore there is an end from extreme temperatures accompanied by slow-growing dwarf juniper species to unvegetated desert steppes as in "llanos de Belchite" or "Calanda desert". The mountain vegetation is coniferous forests that are drought adapted, trees in the genus Quercus with different drought tolerance in the wetter highlands.
Halophiles extremophile characteristic communities are frequent in endorheic areas such as lagoons and creeks, which are Tamarix covered and include endemic species of bryophytes, plumbaginacea, Carex, asteraceaes, etc. Their presence is related to the marine origin of the Ebro valley and the extensive marine deposits in the same area. After reaching Catalonia, the Ebro Valley narrows, the river becomes constrained by mountain ranges, making wide bends. Massive dams have been built in this area, such as the dams at Riba-roja and Flix. In the final section of its course the river bends flows through spectacular gorges; the massive calcareous cliffs of the Serra de Cardó range constrain the river during this last stretch, separating the Ebro Valley from the Mediterranean coastal area. After passing the gorges, the Ebro bends again eastwards near Tortosa before discharging in a delta on the Mediterranean Sea close to Amposta in the province of Tarragona; the Ebro Delta, in the Province of Tarragona, Catalonia, is at 340 km2 one of the largest wetland areas in the western Mediterranean region.
The delta has expanded on soils washed downriver—the historical rate of growth of the delta is demonstrated by the town of Amposta. A seaport in the 4th century, it is now well inland from the current rivermouth; the rounded form of the delta attests to the balance between sediment deposition by the Ebro and removal of this material by wave erosion. The modern delta is in intensive agricultural use for rice and vegetables; the Ebro delta has numerous beaches and salt pans that provide habitat for over 300 species of birds. In 1983 Spain designated a large part of the delta as the Ebro Delta Natural Park to protect its natural resources. A network of canals and irrigation ditches constructed by both agricultural and conservation groups are helping to maintain the ecologic and economic resources of the Ebro
Sagunto is a town in Eastern Spain, in the modern fertile comarca of Camp de Morvedre in the province of Valencia. It is located c. 30 km north of Valencia, close to the Costa del Azahar on the Mediterranean Sea. It is best known for the remains of the ancient Iberian and Roman city of Saguntum, which played a significant part in the Second Punic War between the Carthaginians and the Romans. During the 5th century BC, the Iberians built a walled settlement on the hill overseeing the plain; the city traded with coastal colonies in the western Mediterranean such as Carthage and, under their influence, minted its own coins. During this period, the city was known as Arse. By 219 BC, Saguntum was a large and commercially prosperous town, which sided with the local colonists and Rome against Carthage, drew Hannibal's first assault, his siege of Saguntum, which triggered the Second Punic War, one of the most important wars of antiquity. After stiff resistance over the course of eight months, related by the Roman historian Livy and in more detail by Silius Italicus, Saguntum was captured in 219 BC by the armies of Hannibal.
Seven years the town was retaken by the Romans. In 214 BC, it became a municipium, was flourished. Hispania was not pacified and Romanised, as the Iberian career of Quintus Sertorius makes clear. Saguntum minted coins under his protection, but continued to house a mint in Roman times; the Romans built a great circus in the lower part of the city and a theatre seating 8,000 spectators. Texts found indicate that the city had about 50,000 inhabitants; this prosperity lasted for most of the empire, is attested by inscriptions and ruins. Under the Arian Visigothic kings, Saguntum received its Catholic patron saint, a bishop named Sacerdos, "the priest", who died peacefully of natural causes about AD 560. In the early 8th century, the Muslim Arabs came and the city became part of the Caliphate of Cordoba and at that time the city reached an era of splendor, with baths, palaces and schools open for its cosmopolitan population; the town was known as Morvedre, a name derived from Latin muri veteres "ancient walls."
However, as Valencia grew, Saguntum declined. In 1098, the city was conquered by El Cid but the Muslims recovered it shortly thereafter; the city had been under the Muslim Arab rule for over 500 years when James I of Aragon conquered it in 1238. During the Peninsular War, a Spanish attempt to raise the French siege of the castle failed in the Battle of Saguntum on 25 October 1811. In the weeks before the battle, the Spanish garrison made a successful defense. Historian Charles Oman stated that the site was converted into a fortress in 1810–1811 by General Joaquín Blake at the suggestion of British officer Charles William Doyle. At that time, much of the intact Roman theater was dismantled to provide stone for restoring the old walls. Saguntum has retained many Valencian Gothic structures. In the late 19th century, a steel-making industry grew up that supported the modern city, which extends in the coastal plain below the citadel hill; the last steel oven closed in April 1984. It is now a tourist attraction.
The remains of Sagunto Castle may be seen on top of the hill. It preserves much of its walled ramparts, of Moorish origin. A Roman theater restored in late 20th century, it is found on the northern slope of the citadel hill. It was the first official; the Gothic Esglèsia de Santa Maria, in the Plaça Major. The Palau Municipal, or town hall; the early Gothic Esglèsia del Salvador. The narrow streets of the Juderia, on the hillside on the way up to the citadel; the 13th century Santa Ana convent adjacent to the Plaça de Pi. The Sagunto History Museum, located in the house of Mestre Peña, a building in the Jewish quarter dating from the fourteenth and fifteenth centuries; the largest collection is from the Ibero-Roman Period. The famed composer Don Joaquín Rodrigo, who composed Concierto de Aranjuez, among others, was born in Sagunt. Ripollès i Alegre, P. P.. Arse-Saguntum: historia monetaria de la ciudad y su territorio. Fundación Bancaja. ISBN 8484710270. Oman, Charles. A History of the Peninsular War Volume V. 5.
Mechanicsburg, Pennsylvania: Stackpole. ISBN 1-85367-225-4. Sagunt, a virtual trip Sagunto: City of Ruins
Polybius was a Greek historian of the Hellenistic period noted for his work The Histories, which covered the period of 264–146 BC in detail. The work describes the rise of the Roman Republic to the status of dominance in the ancient Mediterranean world and includes his eyewitness account of the Sack of Carthage in 146 BC. Polybius is important for his analysis of the mixed constitution or the separation of powers in government, influential on Montesquieu's The Spirit of the Laws and the framers of the United States Constitution. Polybius was born around 200 BC in Megalopolis, when it was an active member of the Achaean League, his father, was a prominent, land-owning politician and member of the governing class who became strategos of the Achaean League. Polybius was able to observe first hand the political and military affairs of Megalopolis, he developed an interest in horse riding and hunting, diversions that commended him to his Roman captors. In 182 BC, he was given quite an honor when he was chosen to carry the funeral urn of Philopoemen, one of the most eminent Achaean politicians of his generation.
In either 169 BC or 170 BC, Polybius was elected hipparchus, an event which presaged election to the annual strategia. His early political career was devoted towards maintaining the independence of Megalopolis. Polybius’ father, was a prominent advocate of neutrality during the Roman war against Perseus of Macedon. Lycortas attracted the suspicion of the Romans, Polybius subsequently was one of the 1,000 Achaean nobles who were transported to Rome as hostages in 167 BC, was detained there for 17 years. In Rome, by virtue of his high culture, Polybius was admitted to the most distinguished houses, in particular to that of Lucius Aemilius Paullus Macedonicus, the conqueror in the Third Macedonian War, who entrusted Polybius with the education of his sons and Scipio Aemilianus. Polybius remained on cordial terms with his former pupil Scipio Aemilianus and was among the members of the Scipionic Circle; when Scipio defeated the Carthaginians in the Third Punic War, Polybius remained his counsellor.
The Achaean hostages were released in 150 BC, Polybius was granted leave to return home, but the next year he went on campaign with Scipio Aemilianus to Africa, was present at the Sack of Carthage in 146, which he described. Following the destruction of Carthage, Polybius journeyed along the Atlantic coast of Africa, as well as Spain. After the destruction of Corinth in the same year, Polybius returned to Greece, making use of his Roman connections to lighten the conditions there. Polybius was charged with the difficult task of organizing the new form of government in the Greek cities, in this office he gained great recognition. In the succeeding years, Polybius resided in Rome, completing his historical work while undertaking long journeys through the Mediterranean countries in the furtherance of his history, in particular with the aim of obtaining firsthand knowledge of historical sites, he interviewed veterans to clarify details of the events he was recording and was given access to archival material.
Little is known of Polybius' life. He wrote about this war in a lost monograph. Polybius returned to Greece in his life, as evidenced by the many existent inscriptions and statues of him there; the last event mentioned in his Histories seems to be the construction of the Via Domitia in southern France in 118 BC, which suggests the writings of Pseudo-Lucian may have some grounding in fact when they state, " fell from his horse while riding up from the country, fell ill as a result and died at the age of eighty-two". Polybius’ Histories cover the period from 264 BC to 146 BC, its main focus is the period from 220 BC to 167 BC, describing Rome's efforts in subduing its arch-enemy and thereby becoming the dominant Mediterranean force. Books I through V of The Histories are the introduction for the years during his lifetime, describing the politics in leading Mediterranean states, including ancient Greece and Egypt, culminating in their ultimate συμπλοκή or interconnectedness. In Book VI, Polybius describes the political and moral institutions that allowed the Romans to succeed.
He describes the Second Punic Wars. Polybius concludes the Romans are the pre-eminent power because they have customs and institutions which promote a deep desire for noble acts, a love of virtue, piety towards parents and elders, a fear of the gods, he chronicled the conflicts between Hannibal and Publius Cornelius Scipio Africanus such as the Battle of Ticinus, the Battle of the Trebia, the Siege of Saguntum, the Battle of Lilybaeum, the Battle of Rhone Crossing. In Book XII, Polybius discusses the worth of Timaeus’ account of the same period of history, he asserts Timaeus' point of view is inaccurate and biased in favor of Rome. Therefore, Polybius's Histories is useful in analyzing the different Hellenistic versions of history and of use as a credible illustration of actual events during the Hellenistic period. In the seventh volume of his Histories, Polybius defines the historian's job as the analysis of documentation, the review of relevant geographical information, political experience.
Polybius held that historians should only chronicle events whose participants the historian was able to interview, was among the first to champion the notion of factual integrity in historical wri
Helike was an ancient Greek polis, submerged by a tsunami in the winter of 373 BC. It was located in the regional unit of Achaea, northern Peloponnesos, two kilometres from the Corinthian Gulf and near the city of Boura, like Helike, was a member of the Achaean League. Modern research attributes the catastrophe to an earthquake and accompanying tsunami which destroyed and submerged the city. In an effort to protect the site from destruction, the World Monuments Fund included Helike in its 2004 and 2006 List of 100 Most Endangered Sites. Helike was founded in the Bronze Age; the poet Homer states that the city of Helike participated in the Trojan War as a part of Agamemnon's forces. Following its fall to the Achaeans, Helike led the Achaean League, an association that joined twelve neighboring cities in an area including today's town of Aigio. Helike known as Dodekapolis, became a cultural and religious center with its own coinage. Finds from ancient Helike are limited to two fifth-century copper coins, now housed in Bode Museum, Berlin.
The obverse shows the head of Poseidon, the city's patron, the reverse his trident. There was a temple dedicated to the Helikonian Poseidon. Helike founded colonies including Priene in Asia Sybaris in South Italy, its panhellenic temple and sanctuary of Helikonian Poseidon were known throughout the classical world, second only in religious importance to Delphi. The city was destroyed in two years before the Battle of Leuctra, during a winter night. Several events were construed in retrospect as having warned of the disaster: some "immense columns of flame" appeared, five days all animals and vermin fled the city, going toward Keryneia; the city and a space of 12 stadia below it were covered over by the sea. All the inhabitants perished without a trace, the city was obscured from view except for a few building fragments projecting from the sea. Ten Spartan ships anchored in the harbour were dragged down with it. An attempt involving 2,000 men to recover bodies was unsuccessful. Aigion took possession of its territory.
The catastrophe was attributed to the vengeance of Poseidon, whose wrath was incited because the inhabitants of Helike had refused to give their statue of Poseidon to the Ionian colonists in Asia, or to supply them with a model. According to some authorities, the inhabitants of Helike and Bura had murdered the Ionian deputies. About 150 years after the disaster, the philosopher Eratosthenes visited the site and reported that a standing bronze statue of Poseidon was submerged in a "poros", "holding in one hand a hippocamp", where it posed a hazard to those who fished with nets. Around 174 AD the traveler Pausanias visited a coastal site still called Helike, located seven kilometres southeast of Aigio, reported that the walls of the ancient city were still visible under water, "but not so plainly now as they were once, because they are corroded by the salt water". For centuries after, its submerged ruins could still be seen. Roman tourists sailed over the site, admiring the city's statuary; the site silted over and the location was lost to memory.
Adalberto Giovannini argued that the submergence of Helike might have inspired Plato to write his story about Atlantis. Ancient scholars and writers who visited the ruins include the Greeks Strabo and Diodoros of Sicily, the Romans Aelian and Ovid. On 23 August 1817, a similar disaster, an earthquake followed by a tsunami, occurred on the same spot; the earthquake was preceded like that produced by a battery of cannon. The aftershock was said to have lasted a minute and a half, during which the sea rose at the mouth of the Selinous River and extended to cover all the ground below Vostitza. After its retreat, not a trace was left of some artillery depots which had stood on the shore, the beach was carried away completely. In Vostitza, 65 people lost their lives and two thirds of its buildings were ruined, as were five villages in the plain; the submerged town was long one of the biggest targets for underwater archaeology. Scientists were divided in their opinions about the exact location of Helike.
Numerous archaeologists, historians and explorers wrote and searched, trying to discover any trace of the ancient town, with little success. But their work, essays and studies contributed to an important and growing body of knowledge. Among them are the following: In 1826, François Pouqueville, French diplomat and archaeologist, who wrote the Voyage en Grèce. Other investigators include in 1948 the German archaeologist Georg Karo.
A bust is a sculpted or cast representation of the upper part of the human figure, depicting a person's head and neck, a variable portion of the chest and shoulders. The piece is supported by a plinth; the bust is a portrait intended to record the appearance of an individual, but may sometimes represent a type. They may be of any medium used for sculpture, such as marble, terracotta, wax or wood. Sculptural portrait heads from classical antiquity, stopping at the neck, are sometimes displayed as busts. However, these are fragments from full-body statues, or were created to be inserted into an existing body, a common Roman practice. Sculpted heads stopping at the neck are sometimes mistakenly called busts; the portrait bust was a Hellenistic Greek invention, though few original Greek examples survive, as opposed to many Roman copies of them. There are four Roman copies as busts of Pericles with the Corinthian helmet, but the Greek original was a full-length bronze statue, they were popular in Roman portraiture.
The Roman tradition may have originated in the tradition of Roman patrician families keeping wax masks death masks, of dead members, in the atrium of the family house. When another family member died, these were worn by people chosen for the appropriate build in procession at the funeral, in front of the propped-up body of the deceased, as an "astonished" Polybius reported, from his long stay in Rome beginning in 167 BC; these seem to have been replaced or supplemented by sculptures. Possession of such imagines maiorum was a requirement for belonging to the Equestrian order. Herma Portrait Belting, Hans, An Anthropology of Images: Picture, Body, 2014, Princeton University Press, ISBN 0691160961, 9780691160962, google books Stewart, Statues in Roman Society: Representation and Response, 2003, Oxford University Press, ISBN 0199240949, 9780199240944, google books Livius.org: Bust gallery of famous ancient Greeks Oxford definition Dictionary.com definition
Hanno the Great
Hanno the Great may refer to any of three different leaders of ancient Carthage, according to Gilbert Charles-Picard and Colette Picard: Hanno I the Great, Hanno II the Great, Hanno III the Great. According to Warmington, there were three elders of Carthage called Hanno who were given the same nickname but he conjectures that it was a family nickname or a term not well understood by the ancient Greek or Roman writers. Warmington discusses only two of them but he does not use Roman numerals for them. Lancel mentions only one Hanno the Great, the Picards' "Hanno I", he references "Hanno II" but calls him "Hanno". Hanno the Great was a politician and military leader of the 4th century BC, his title, according to Justin, was princeps Cathaginiensium. It is considered more that the title signifies first among equals, rather than being a title of nobility or royalty, his rival Suniatus was called the potentissimus Poenorum, or "the most powerful of the Carthaginians", in the year 368. Several years Suniatus was accused of high treason and executed.
In 367 Hanno the Great commanded a fleet of 200 ships which won a decisive naval victory over the Greeks of Sicily. His victory blocked the plans of Dionysius I of Syracuse to attack Lilybaeum, a city allied to Carthage in western Sicily. For about twenty years Hanno the Great was the leading figure of Carthage, the wealthiest. In the 340s he schemed to become the tyrant. After distributing food to the populace, the time for a show of force came and he utilized for that purpose the native slaves and a Berber chieftain. Although not a military threat to Carthage, Hanno the Great was captured, found to be a traitor, tortured to death. Many members of his family were put to death, yet his son Gisgo was given the command of seventy ships of Carthage manned by Greek mercenaries and sent to Lilybaeum, after which peace was negotiated by Carthage with Timoleon of Syracuse, c. 340. Thereafter, this family's prestige and influence at Carthage would tell in generations. Hanno I the Great was an ancestor of Hanno II the Great.
Hanno the Great was a wealthy Carthaginian aristocrat in the 3rd century BC. Hanno's wealth was based on the land he owned in Africa and the Iberian Peninsula, during the First Punic War he led the faction in Carthage, opposed to continuing the war against Roman Republic, he preferred to continue conquering territory in Africa rather than fight a naval war against Rome that would bring him no personal gain. In these efforts, he was opposed by the Carthaginian general Hamilcar Barca. Hanno demobilized the Carthaginian navy in 244 BC, giving Rome time to rebuild its navy and defeat Carthage by 241 BC. After the war, Hanno refused to pay the Berber mercenaries, promised money and rewards by Hamilcar; the mercenaries revolted, Hanno took control of the Carthaginian army to attempt to defeat them. His attempt failed and he gave control of the army back to Hamilcar, they both cooperated to crush the rebels in 238 BC. His nickname "the Great" was earned because of his conquests among the African enemies of Carthage, he continued to oppose war with Rome, which would involve naval engagements.
During the Second Punic War, he led the anti-war faction in Carthage, is blamed for preventing reinforcements from being sent to Hamilcar's son Hannibal after his victory at the Battle of Cannae. After Carthage's defeat at the Battle of Zama in 202 BC, he was among the ambassadors to negotiate peace with the Romans; the third Hanno the Great was an ultra-conservative politician at Carthage during the 2nd century BC. Other Hannos in Carthaginian history Huss, Geschichte der Karthager, Munich: C. H. Beck. Hanno II the Great
For the Renaissance painter Sofonisba Anguissola, see Sofonisba Anguissola. For the American activist Sophonisba Breckinridge, see Sophonisba Breckinridge. Sophonisba was a Carthaginian noblewoman who lived during the Second Punic War, the daughter of Hasdrubal Gisco Gisgonis. In an act that became legendary, Sophonisba poisoned herself rather than be humiliated in a Roman triumph; the form of the name Sophonisba is not known until the fifteenth century, in a few late manuscripts of Livy, but it is the better known form because of literature. Dio Cassius tells us that Sophoniba was a great beauty, betrothed to King Masinissa until 206. Masinissa was the leader of the Massylii Numidians. However, in 206, Masinissa allied himself to Rome. Dio Cassius suggests that this was because Hasdrubal found a better ally in Syphax, king of the Masaesyli, as was normal in those days, Hasdrubal used his daughter to conclude the diplomatic alliances with Syphax, who had himself been allied to Rome; because Masinissa meets Sophonisba for the first time after the defeat of Syphax, this account is criticized as being "most improbable" by H. E. Butler and H. H. Scullard.
Syphax was defeated and captured in 203 BC by Masinissa and Scipio Africanus in the Battle of the Great Plains on the Bagradas. Masinissa married her. Scipio, refused to agree to this arrangement, insisting on the immediate surrender of the princess so that she could be taken to Rome and appear in the triumphal parade. Masinissa, upbraided by Scipio for his weakness, was urged to leave her. Masinissa feared the Romans more. Thus, he swore his love to her, he told her that he could not free her from captivity or shield her from Roman wrath, so he asked her to die like a true Carthaginian princess. With great composure, she drank a cup of poison, her story much embellished, is told indirectly in Polybius. Polybius, never refers to Sophonisba by name in his allusions to her marriage to Syphax, in his extensive account of Laelius' maneuvers against Syphax; the historian had met Masinissa. It has been proposed that Polybius' account provides the basis for the Sophonisba story; when Polybius does refer to her, he uses the diminutive in a tone.
In one passage, Polybius ridicules Syphax for being less courageous than his own "child bride". Petrarch elaborated her story in his epic poem Africa, published posthumously in 1396; the playwright John Marston wrote The Wonder of Women a Roman tragedy based on the story of Sophonisba, in 1606 for the Children of the Queen's Revels. There are a number of paintings of Sophonisba drinking her poison, but the subject is very similar to that of Artemisia II of Caria drinking her husband's ashes, the Rembrandt in the Prado and a Donato Creti in the National Gallery are examples of works where the intended subject remains uncertain between the two. Sophonisba became the subject of tragedies from the 16th to the 19th centuries, along with the story of Cleopatra, furnished more dramas than any other; the first tragedy is credited to the Italian Galeotto Del Carretto, written in 1502, but issued posthumously in 1546. The first to appear, was Gian Giorgio Trissino's play of 1515 which, "in codifying the forms of Italian classical tragedy, helped consign Del Carretto's Sofonisba to oblivion."
In France, Trissino's version was adapted by Mellin de Saint-Gelais, may have served as the primary model for versions by Antoine de Montchrestien and Nicolas de Montreux. The tragedy by Jean Mairet is one of the first monuments of French "classicism", was followed by a version from Pierre Corneille; the story of Sophonisba served as subject for works by John Marston, David Murray, Nathaniel Lee, Daniel Caspar von Lohenstein, Henry Purcell, Antonio Caldara, Leonardo Leo, Luca Antonio Predieri, James Thomson, Niccolò Jommelli, Baldassare Galuppi, Tommaso Traetta, Antonio Boroni, Christopher Gluck, Maria Teresa Agnesi, Mattia Vento, François Joseph Lagrange-Chancel, revised by Voltaire, Christian Gottlob Neefe, António Leal Moreira, Joseph Joaquín Mazuelo, Vittorio Alfieri, Pietro Alessandro Guglielmi, Marcos Portugal, Ferdinando Paer, Vincenzo Federici, Luigi Petrali, Emanuel Geibel, Jeronim de Rada, Giuseppe Brunati, Dimitrie Cuclin, Vasco Graça Moura, others. Sophonisba appears in film, first in Giovanni Pastrone's 1914 silent film Cabiria and again in Carmine Gallone's 1937 epic movie Scipio Africanus: The Defeat of Hannibal.
Livy, Ab urbe condita libri xxix.23, xxx.8, 12-15.8 Livius.org: Sophoniba