1.
Uraeus
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The Uraeus is the stylized, upright form of an Egyptian cobra, used as a symbol of sovereignty, royalty, deity and divine authority in ancient Egypt. The Uraeus is a symbol for the goddess Wadjet and she was one of the earliest Egyptian deities and who often was depicted as a cobra. The center of her cult was in Per-Wadjet, later called Buto by the Greeks and she became the patroness of the Nile Delta and the protector of all of Lower Egypt. In whatever manner that the Uraeus was displayed upon the head, it was, in effect. The pharaoh was recognized only by wearing the Uraeus, which conveyed legitimacy to the ruler, there is evidence for this tradition even in the Old Kingdom during the third millennium BCE. Several goddesses associated with or being considered aspects of Wadjet are depicted wearing the Uraeus also, the importance of their separate cults kept them from becoming merged as with so many Egyptian deities. Together, they were known as The Two Ladies, who became the joint protectors and patrons of the unified Egypt. Later, the pharaohs were seen as a manifestation of the sun god Ra, in some mythological works, the eyes of Ra are said to be uraei. As the Uraeus was seen as a symbol, the deities Horus. In early ancient Egyptian mythology, Horus would have been the given to any king as part of the many titles taken. According to the mythology of Re, the first Uraeus was said to have been created by the goddess Isis, who formed it from the dust of the earth. In this version of the mythology, the Uraeus was the instrument with which Isis gained the throne of Egypt for Osiris, Isis is associated with and may be considered an aspect of Wadjet. In 1919, after only a half-hour of excavation, the Qufti worker Hosni Ibrahim held in his hands the solid-gold Golden Uraeus of Senusret II and it had been decided to make a complete clearance of the El-Lahun Pyramids rooms at Saqqara. The start in the offering chamber, leading from the tomb, on the south, immediately revealed in the turnover of the six inches of debris. Prior to the 1922 find of Tutankhamuns tomb, this Golden Uraeus was the only ornament ever known to be worn by an entombed pharaoh, and it was thought that it was passed to the next pharaoh. The Golden Uraeus is of gold,6.7 cm, black eyes of granite, a snake head of deep ultramarine lapis lazuli, the flared cobra hood of dark carnelian inlays. For mounting on the crown, two loops in the rear-supporting tail of the cobra provide the attachment points. Besides the Uraeus being used as an ornament for statuary or as an adornment on the pharaoh, it also was used for jewellery, however, another important use is as the hieroglyph
2.
Egyptian hieroglyphs
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Egyptian hieroglyphs were the formal writing system used in Ancient Egypt. It combined logographic, syllabic and alphabetic elements, with a total of some 1,000 distinct characters, cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts are derived from hieroglyphic writing, the writing system continued to be used throughout the Late Period, as well as the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, with the closing of pagan temples in the 5th century, knowledge of hieroglyphic writing was lost, and the script remained undeciphered throughout the medieval and early modern period. The decipherment of hieroglyphs would only be solved in the 1820s by Jean-François Champollion, the word hieroglyph comes from the Greek adjective ἱερογλυφικός, a compound of ἱερός and γλύφω, supposedly a calque of an Egyptian phrase mdw·w-nṯr gods words. The glyphs themselves were called τὰ ἱερογλυφικὰ γράμματα the sacred engraved letters, the word hieroglyph has become a noun in English, standing for an individual hieroglyphic character. As used in the sentence, the word hieroglyphic is an adjective. Hieroglyphs emerged from the artistic traditions of Egypt. For example, symbols on Gerzean pottery from c.4000 BC have been argued to resemble hieroglyphic writing, proto-hieroglyphic symbol systems develop in the second half of the 4th millennium BC, such as the clay labels of a Predynastic ruler called Scorpion I recovered at Abydos in 1998. The first full sentence written in hieroglyphs so far discovered was found on a seal found in the tomb of Seth-Peribsen at Umm el-Qaab. There are around 800 hieroglyphs dating back to the Old Kingdom, Middle Kingdom, by the Greco-Roman period, there are more than 5,000. However, given the lack of evidence, no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt. Since the 1990s, and discoveries such as the Abydos glyphs, as writing developed and became more widespread among the Egyptian people, simplified glyph forms developed, resulting in the hieratic and demotic scripts. These variants were more suited than hieroglyphs for use on papyrus. Hieroglyphic writing was not, however, eclipsed, but existed alongside the other forms, especially in monumental, the Rosetta Stone contains three parallel scripts – hieroglyphic, demotic, and Greek. Hieroglyphs continued to be used under Persian rule, and after Alexander the Greats conquest of Egypt, during the ensuing Ptolemaic and Roman periods. It appears that the quality of comments from Greek and Roman writers about hieroglyphs came about, at least in part. Some believed that hieroglyphs may have functioned as a way to distinguish true Egyptians from some of the foreign conquerors, another reason may be the refusal to tackle a foreign culture on its own terms, which characterized Greco-Roman approaches to Egyptian culture generally
3.
Dendera
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Dendera is a small town and former bishopric in Egypt situated on the west bank of the Nile, about 5 kilometres south of Qena, on the opposite side of the river. It is located approximately 60 kilometres north of Luxor and remains a Latin Catholic titular see, the modern Arab town is built on the ancient site of Ta-ynt-netert, which means She of the Divine Pillar. In the Greek era, the town was known as Tentyra and it was once the -modest- capital of the 6th Nome of Upper Egypt, and was also called Nikentori or Nitentori, which means willow wood or willow earth. Some scholars believe the name derives from the sky and fertility goddess Hathor, also associated with the Greek Aphrodite, the official deity of the city was a crocodile. Crocodiles were also venerated as deities in other Egyptian cities, which rise to many quarrels. After Egypt became a Roman possession, the city of Tentyris was part of the Late Roman province of Thebais Secunda and its bishopric was a suffragan of Ptolemais Hermiou, the capital and metropolitan see of the province. Pachomius, whose diocese boasted the celebrated convent of Tabennisi, the town was given its present Arabic name of Denderah during the late Ottoman Empire and ruled 6000 inhabitants in Qena district. M. I. André van den Bronk, Society of African Missions Teodoro Bensch Jean-Rosière-Eugène Arnau], the Dendera Temple complex, which contains the Temple of Hathor, is one of the best-preserved temples, if not the best-preserved one, in all of Upper Egypt. The whole complex covers some 40,000 square meters and is surrounded by a hefty mud brick wall and it was once home to the celebrated Dendera zodiac, which is now displayed in the Louvre Museum in Paris. There are also Roman and pharaonic Mammisi, ruins of a Coptic church, the area around the temple has been extensively landscaped and now has a modern visitor centre, bazaar and small cafeteria. This area has an amount of sunshine year round due to its stable descending air. According to the Köppen Climate Classification system, Dendera has a hot desert climate, Dendera light Dendera Herbermann, Charles, ed. Tentyris. This article incorporates text from a now in the public domain, Herbermann, Charles. GigaCatholic, listing the titular bishops Media related to Dendera at Wikimedia Commons
4.
Sistrum
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A sistrum is a musical instrument of the percussion family, chiefly associated with ancient Iraq and Egypt. It consists of a handle and a U-shaped metal frame, made of brass or bronze, when shaken the small rings or loops of thin metal on its movable crossbars produce a sound that can be from a soft clank to a loud jangling. Its name in the ancient Egyptian language was sekhem and sesheshet, sekhem is the simpler, hoop-like sistrum, while sesheshet is the naos-shaped one. The sistrum was an instrument in ancient Egypt. It was also shaken to avert the flooding of the Nile, isis in her role as mother and creator was depicted holding a pail symbolizing the flooding of the Nile, in one hand and a sistrum in the other. The goddess Bast too is often depicted holding a sistrum, symbolizing her role as a goddess of dance, joy, Sistra are still used in the Alexandrian Rite and Ethiopic Rite. Besides the depiction in Egyptian art with dancing and expressions of joy, the hieroglyph for the sistrum is shown. The ancient Minoans also used the sistrum, and a number of made of local clay have been found on the island of Crete. Five of these are displayed at the Archaeological Museum of Agios Nikolaos, a sistrum is also depicted on the Harvester Vase, an artifact found at the site of Agia Triada. The sistrum has remained a liturgical instrument in the Ethiopian Orthodox Church throughout the centuries and is played during the dance performed by the debtera on important church festivals and it is also occasionally found in NeoPagan worship & ritual. The sistrum was occasionally revived in 19th century Western orchestral music, nowadays, however, it is replaced by its close modern equivalent, the tambourine. The effect produced by the sistrum in music - when shaken in short, sharp, rhythmic pulses - is to arouse movement, the barcoo dog, a sheep herding tool used in Australian bush band music, is a type of sistrum. Sistrum Media related to Sistra at Wikimedia Commons Sistrum
5.
Ra
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Ra or Re is the ancient Egyptian sun god. By the Fifth Dynasty in the 25th and 24th centuries BC, he had become a god in ancient Egyptian religion. In later Egyptian dynastic times, Ra was merged with the god Horus and he was believed to rule in all parts of the created world, the sky, the earth, and the underworld. He was associated with the falcon or hawk, when in the New Kingdom the god Amun rose to prominence he was fused with Ra as Amun-Ra. During the Amarna Period, Akhenaten suppressed the cult of Ra in favor of another deity, the Aten, the deified solar disc. The cult of the Mnevis bull, an embodiment of Ra, had its center in Heliopolis, all forms of life were believed to have been created by Ra, who called each of them into existence by speaking their secret names. Alternatively man was created from Ras tears and sweat, hence the Egyptians call themselves the Cattle of Ra, in the myth of the Celestial Cow it is recounted how mankind plotted against Ra and how he sent his eye as the goddess Sekhmet to punish them. When she became bloodthirsty she was pacified by drinking beer mixed with red dye, to the Egyptians, the sun represented light, warmth, and growth. This made the sun deity very important, as the sun was seen as the ruler of all that he created, the sun disk was either seen as the body or eye of Ra. Ra was the father of Shu and Tefnut, whom he created, Shu was the god of the wind, and Tefnut was the goddess of the rain. Sekhmet was the Eye of Ra and was created by the fire in Ras eye, Ra was thought to travel on the Atet, two solar barks called the Mandjet or morning boat and the Mesektet or evening boat. These boats took him on his journey through the sky and the Duat, while Ra was on the Mesektet, he was in his ram-headed form. When Ra traveled in his sun boat, he was accompanied by other deities including Sia and Hu. Sometimes, members of the Ennead helped him on his journey, including Set, who overcame the serpent Apophis, and Mehen, when Ra was in the underworld, he would visit all of his various forms. Apophis, the god of chaos, was a serpent who attempted to stop the sun boats journey every night by consuming it or by stopping it in its tracks with a hypnotic stare. During the evening, the Egyptians believed that Ra set as Atum or in the form of a ram, the night boat would carry him through the underworld and back towards the east in preparation for his rebirth. When Ra was in the underworld, he merged with Osiris, the god of the dead, Ra was worshipped as the Creator god among some ancient Egyptians, specifically followers of his cult at Heliopolis. It was believed that Ra wept, and from his tears came man and these cult-followers believed that Ra was self-created, while followers of Ptah believed that Ra was created by Ptah
6.
Horus
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Horus is one of the most significant ancient Egyptian deities. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom, different forms of Horus are recorded in history and these are treated as distinct gods by Egyptologists. He was most often depicted as a falcon, most likely a falcon or peregrine falcon. In another tradition Hathor is regarded as his mother and sometimes as his wife, Horus served many functions, most notably being a god of the sky, war and hunting. Horus is recorded in Egyptian hieroglyphs as ḥr. w Falcon, additional meanings are thought to have been the distant one or one who is above, over. As the language changed over time, it appeared in Coptic dialects variously as hoːɾ or ħoːɾ and was adopted into ancient Greek as Ὧρος Hōros and it also survives in Late Egyptian and Coptic theophoric names such as Har-si-ese Horus, Son of Isis. Nekheny may have been another falcon god worshipped at Nekhen, city of the falcon, Horus may be shown as a falcon on the Narmer Palette, dating from about the 31st century BC. In early Egypt, Horus was the brother of Isis, Osiris, Set, as different cults formed, he became the son of Isis and Osiris. Isis remained the sister of Osiris, Set and Nephthys, the Pyramid Texts describe the nature of the pharaoh in different characters as both Horus and Osiris. The pharaoh as Horus in life became the pharaoh as Osiris in death, New incarnations of Horus succeeded the deceased pharaoh on earth in the form of new pharaohs. The lineage of Horus, the product of unions between the children of Atum, may have been a means to explain and justify pharaonic power. The gods produced by Atum were all representative of cosmic and terrestrial forces in Egyptian life, the notion of Horus as the pharaoh seems to have been superseded by the concept of the pharaoh as the son of Ra during the Fifth Dynasty. Once Isis knew she was pregnant with Horus, she fled to the Nile Delta marshlands to hide from her brother Set, who jealously killed Osiris, there Isis bore a divine son, Horus. Since Horus was said to be the sky, he was considered to contain the sun. It became said that the sun was his eye and the moon his left, and that they traversed the sky when he. Later, the reason that the moon was not as bright as the sun was explained by a tale, known as the The Contendings of Horus and Seth. As Horus was the victor he became known as ḥr. w wr Horus the Great. In the struggle, Set had lost a testicle, explaining why the desert, Horus left eye had also been gouged out, then a new eye was created by part of Khonsu, the moon god, and was replaced
7.
Ihy
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Ihy is a god in ancient Egyptian mythology who represents the ecstasy of playing the sistrum. His name may mean sistrum player, referring to his function and this is in allusion to his relationship with the cow goddess Hathor who was often said to be his mother. Other goddesses might be called his mother, however, including Isis, Sekhmet, the god Horus is Ihys father. Ihy was depicted as a holding a sistrum or as a nude child with his finger in his mouth. He was worshiped alongside Horus and Hathor at Dendera, Hathor was his mother and Horus as his father Media related to Ihy at Wikimedia Commons
8.
Amentet
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Amunet was a primordial goddess in Ancient Egyptian religion. She is a member of the Ogdoad and the consort of Amun and her name, meaning the female hidden one, was simply the feminine form of Amuns own name. It is possible that she was never an independent deity, as the first mention of either of them is in a pair, at Karnak, Amuns cult center, priests were dedicated to Amunets service. The goddess also played a part in ceremonies such as the Sed festival. Amunet was depicted as a woman wearing the Red Crown and carrying a staff of papyrus, in late texts from Karnak she was syncretized with Neith, although she remained a distinct deity as late as the Ptolemaic period. In the TV series Penny Dreadful, the character of Vanessa Ives is implied to be an incarnation of Amunet, in the TV series Stargate SG-1, Amaunet is a recurring Goauld character and consort of Apophis. Amunet will appear portrayed by Sofia Boutella in a fictionalized characterization, the film will serve as the first official installment in the Universal Monsters Cinematic Universe
9.
Egyptian language
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The language spoken in ancient Egypt was a branch of the Afroasiatic language family. The earliest known complete sentence in the Egyptian language has been dated to about 2690 BCE, making it one of the oldest recorded languages known. Egyptian was spoken until the seventeenth century in the form of Coptic. The national language of modern Egypt is Egyptian Arabic, which gradually replaced Coptic as the language of life in the centuries after the Muslim conquest of Egypt. Coptic is still used as the language of the Coptic Orthodox Church of Alexandria. It has several hundred fluent speakers today, the Egyptian language belongs to the Afroasiatic language family. Of the other Afroasiatic branches, Egyptian shows its greatest affinities with Semitic, in Egyptian, the Proto-Afroasiatic voiced consonants */d z ð/ developed into pharyngeal ⟨ꜥ⟩ /ʕ/, e. g. Eg. Afroasiatic */l/ merged with Egyptian ⟨n⟩, ⟨r⟩, ⟨ꜣ⟩, and ⟨j⟩ in the dialect on which the language was based. Original */k g ḳ/ palatalize to ⟨ṯ j ḏ⟩ in some environments and are preserved as ⟨k g q⟩ in others, Egyptian has many biradical and perhaps monoradical roots, in contrast to the Semitic preference for triradical roots. Egyptian probably is more archaic in this regard, whereas Semitic likely underwent later regularizations converting roots into the triradical pattern, scholars group the Egyptian language into six major chronological divisions, Archaic Egyptian language Old Egyptian language Middle Egyptian language, characterizing Middle Kingdom. Demotic Coptic The earliest Egyptian glyphs date back to around 3300 BC and these early texts are generally lumped together under the general term Archaic Egyptian. They record names, titles and labels, but a few of them show morphological and syntactic features familiar from later, more complete, Old Egyptian is dated from the oldest known complete sentence, found in the tomb of Seth-Peribsen and dated to around 2690 BCE. It reads, dmḏ. n. f t3wj n z3. f nswt-bjt pr-jb. snj He has united the Two Lands for his son, extensive texts appear from about 2600 BCE. Demotic first appears about 650 BCE and survived as a written language until the fifth century CE and it probably survived in the Egyptian countryside as a spoken language for several centuries after that. Bohairic Coptic is still used by the Coptic Churches, Old, Middle, and Late Egyptian were all written using hieroglyphs and hieratic. Demotic was written using a script derived from hieratic, its appearance is similar to modern Arabic script and is also written from right to left. Coptic is written using the Coptic alphabet, a form of the Greek alphabet with a number of symbols borrowed from Demotic for sounds that did not occur in ancient Greek. Arabic became the language of Egypts political administration soon after the early Muslim conquests in the seventh century, today, Coptic survives as the sacred language of the Coptic Orthodox Church of Alexandria and the Coptic Catholic Church
10.
Greek language
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Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic and many other writing systems. Together with the Latin texts and traditions of the Roman world, during antiquity, Greek was a widely spoken lingua franca in the Mediterranean world and many places beyond. It would eventually become the official parlance of the Byzantine Empire, the language is spoken by at least 13.2 million people today in Greece, Cyprus, Italy, Albania, Turkey, and the Greek diaspora. Greek roots are used to coin new words for other languages, Greek. Greek has been spoken in the Balkan peninsula since around the 3rd millennium BC, the earliest written evidence is a Linear B clay tablet found in Messenia that dates to between 1450 and 1350 BC, making Greek the worlds oldest recorded living language. Among the Indo-European languages, its date of earliest written attestation is matched only by the now extinct Anatolian languages, the Greek language is conventionally divided into the following periods, Proto-Greek, the unrecorded but assumed last ancestor of all known varieties of Greek. The unity of Proto-Greek would have ended as Hellenic migrants entered the Greek peninsula sometime in the Neolithic era or the Bronze Age, Mycenaean Greek, the language of the Mycenaean civilisation. It is recorded in the Linear B script on tablets dating from the 15th century BC onwards, Ancient Greek, in its various dialects, the language of the Archaic and Classical periods of the ancient Greek civilisation. It was widely known throughout the Roman Empire, after the Roman conquest of Greece, an unofficial bilingualism of Greek and Latin was established in the city of Rome and Koine Greek became a first or second language in the Roman Empire. The origin of Christianity can also be traced through Koine Greek, Medieval Greek, also known as Byzantine Greek, the continuation of Koine Greek in Byzantine Greece, up to the demise of the Byzantine Empire in the 15th century. Much of the written Greek that was used as the language of the Byzantine Empire was an eclectic middle-ground variety based on the tradition of written Koine. Modern Greek, Stemming from Medieval Greek, Modern Greek usages can be traced in the Byzantine period and it is the language used by the modern Greeks, and, apart from Standard Modern Greek, there are several dialects of it. In the modern era, the Greek language entered a state of diglossia, the historical unity and continuing identity between the various stages of the Greek language is often emphasised. Greek speakers today still tend to regard literary works of ancient Greek as part of their own rather than a foreign language and it is also often stated that the historical changes have been relatively slight compared with some other languages. According to one estimation, Homeric Greek is probably closer to demotic than 12-century Middle English is to modern spoken English, Greek is spoken by about 13 million people, mainly in Greece, Albania and Cyprus, but also worldwide by the large Greek diaspora. Greek is the language of Greece, where it is spoken by almost the entire population
11.
Ancient Egyptian deities
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Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt. The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, the gods complex characteristics were expressed in myths and in intricate relationships between deities, family ties, loose groups and hierarchies, and combinations of separate gods into one. Deities diverse appearances in art—as animals, humans, objects, and combinations of different forms—also alluded, through symbolism, to their essential features. In different eras, various gods were said to hold the highest position in society, including the solar deity Ra, the mysterious god Amun. The highest deity was usually credited with the creation of the world, some scholars have argued, based in part on Egyptian writings, that the Egyptians came to recognize a single divine power that lay behind all things and was present in all the other deities. Gods were assumed to be present throughout the world, capable of influencing natural events, people interacted with them in temples and unofficial shrines, for personal reasons as well as for larger goals of state rites. Egyptians prayed for help, used rituals to compel deities to act. Humans relations with their gods were a part of Egyptian society. The beings in ancient Egyptian tradition who might be labeled as deities are difficult to count, Egyptian texts list the names of many deities whose nature is unknown and make vague, indirect references to other gods who are not even named. The Egyptologist James P. Allen estimates that more than 1,400 deities are named in Egyptian texts, the Egyptian languages terms for these beings were nṯr, god, and its feminine form nṯrt, goddess. Scholars have tried to discern the nature of the gods by proposing etymologies for these words, but none of these suggestions has gained acceptance. The hieroglyphs that were used as ideograms and determinatives in writing these words show some of the traits that the Egyptians connected with divinity, the most common of these signs is a flag flying from a pole. Similar objects were placed at the entrances of temples, representing the presence of a deity, other such hieroglyphs include a falcon, reminiscent of several early gods who were depicted as falcons, and a seated male or female deity. The feminine form could also be written with an egg as determinative, connecting goddesses with creation and birth, or with a cobra, the Egyptians distinguished nṯrw, gods, from rmṯ, people, but the meanings of the Egyptian and the English terms do not match perfectly. The term nṯr may have applied to any being that was in some way outside the sphere of everyday life, Egyptian religious art also depicts places, objects, and concepts in human form. These personified ideas range from deities that were important in myth and ritual to obscure beings, only mentioned once or twice, confronting these blurred distinctions between gods and other beings, scholars have proposed various definitions of a deity. One widely accepted definition, suggested by Jan Assmann, says that a deity has a cult, is involved in some aspect of the universe, according to a different definition, by Dimitri Meeks, nṯr applied to any being that was the focus of ritual. From this perspective, gods included the king, who was called a god after his coronation rites, and deceased souls, likewise, the preeminence of the great gods was maintained by the ritual devotion that was performed for them across Egypt
12.
Music
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Music is an art form and cultural activity whose medium is sound organized in time. The common elements of music are pitch, rhythm, dynamics, different styles or types of music may emphasize, de-emphasize or omit some of these elements. The word derives from Greek μουσική, Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as the harmony of the spheres and it is music to my ears point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, There is no noise, the creation, performance, significance, and even the definition of music vary according to culture and social context. There are many types of music, including music, traditional music, art music, music written for religious ceremonies. For example, it can be hard to draw the line between some early 1980s hard rock and heavy metal, within the arts, music may be classified as a performing art, a fine art or as an auditory art. People may make music as a hobby, like a teen playing cello in a youth orchestra, the word derives from Greek μουσική. According to the Online Etymological Dictionary, the music is derived from mid-13c. Musike, from Old French musique and directly from Latin musica the art of music and this is derived from the. Greek mousike of the Muses, from fem. of mousikos pertaining to the Muses, from Mousa Muse. In classical Greece, any art in which the Muses presided, Music is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes, or as an entertainment product for the marketplace. With the advent of recording, records of popular songs. Some music lovers create mix tapes of their songs, which serve as a self-portrait. An environment consisting solely of what is most ardently loved, amateur musicians can compose or perform music for their own pleasure, and derive their income elsewhere. Professional musicians sometimes work as freelancers or session musicians, seeking contracts and engagements in a variety of settings, There are often many links between amateur and professional musicians. Beginning amateur musicians take lessons with professional musicians, in community settings, advanced amateur musicians perform with professional musicians in a variety of ensembles such as community concert bands and community orchestras. However, there are many cases where a live performance in front of an audience is also recorded and distributed. Live concert recordings are popular in classical music and in popular music forms such as rock, where illegally taped live concerts are prized by music lovers
13.
Dance
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Dance is a performance art form consisting of purposefully selected sequences of human movement. This movement has aesthetic and symbolic value, and is acknowledged as dance by performers and observers within a particular culture, Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. Other forms of movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, figure skating, synchronized swimming. Theatrical dance, also called performance or concert dance, is intended primarily as a spectacle and it often tells a story, perhaps using mime, costume and scenery, or else it may simply interpret the musical accompaniment, which is often specially composed. Examples are western ballet and modern dance, Classical Indian dance and Chinese and Japanese song, most classical forms are centred upon dance alone, but performance dance may also appear in opera and other forms of musical theatre. Such dance seldom has any narrative, a group dance and a corps de ballet, a social partner dance and a pas de deux, differ profoundly. Even a solo dance may be solely for the satisfaction of the dancer. On the other hand, some cultures lay down strict rules as to the dances in which, for example. Archeological evidence for early dance includes 9, 000-year-old paintings in India at the Rock Shelters of Bhimbetka and it has been proposed that before the invention of written languages, dance was an important part of the oral and performance methods of passing stories down from generation to generation. The use of dance in trance states and healing rituals is thought to have been another early factor in the social development of dance. References to dance can be found in very early recorded history, Greek dance is referred to by Plato, Aristotle, Plutarch, the Bible and Talmud refer to many events related to dance, and contain over 30 different dance terms. In Chinese pottery as early as the Neolithic period, groups of people are depicted dancing in a line holding hands, Dance is further described in the Lüshi Chunqiu. Primitive dance in ancient China was associated with sorcery and shamanic rituals, during the first millennium BCE in India, many texts were composed which attempted to codify aspects of daily life. Bharata Munis Natyashastra is one of the earlier texts and it mainly deals with drama, in which dance plays an important part in Indian culture. It categorizes dance into four types - secular, ritual, abstract, the text elaborates various hand-gestures and classifies movements of the various limbs, steps and so on. A strong continuous tradition of dance has since continued in India, through to modern times, where it continues to play a role in culture, ritual, and, notably, the Bollywood entertainment industry. Many other contemporary dance forms can likewise be traced back to historical, traditional, ceremonial, Dance is generally, though not exclusively, performed with the accompaniment of music and may or may not be performed in time to such music. Some dance may provide its own audible accompaniment in place of music, many early forms of music and dance were created for each other and are frequently performed together
14.
Fertility
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Fertility is the natural capability to produce offspring. As a measure, fertility rate is the number of offspring born per mating pair, Fertility differs from fecundity, which is defined as the potential for reproduction. A lack of fertility is infertility while a lack of fecundity would be called sterility, Human fertility depends on factors of nutrition, sexual behavior, consanguinity, culture, instinct, endocrinology, timing, economics, way of life, and emotions. In demographic contexts, fertility refers to the production of offspring. While fertility can be measured, fecundity cannot be, demographers measure the fertility rate in a variety of ways, which can be broadly broken into period measures and cohort measures. Period measures refer to a cross-section of the population in one year, cohort data on the other hand, follows the same people over a period of decades. Both period and cohort measures are widely used, crude birth rate - the number of live births in a given year per 1,000 people alive at the middle of that year. One disadvantage of this indicator is that it is influenced by the age structure of the population, general fertility rate - the number of births in a year divided by the number of women aged 15–44, times 1000. It focuses on the potential mothers only, and takes the age distribution into account, child-Woman Ratio - the ratio of the number of children under 5 to the number of women 15–49, times 1000. It is especially useful in historical data as it not require counting births. This measure is actually a hybrid, because it involves deaths as well as births, TFR equals the sum for all age groups of 5 times each ASFR rate. Gross Reproduction Rate - the number of girl babies a synthetic cohort will have and it assumes that all of the baby girls will grow up and live to at least age 50. NRR is always lower than GRR, but in countries where mortality is low, almost all the baby girls grow up to be potential mothers. In countries with high mortality, NRR can be as low as 70% of GRR, when NRR =1.0, each generation of 1000 baby girls grows up and gives birth to exactly 1000 girls. When NRR is less one, each generation is smaller than the previous one. When NRR is greater than 1 each generation is larger than the one before, NRR is a measure of the long-term future potential for growth, but it usually is different from the current population growth rate. A parents number of children strongly correlates with the number of children that each person in the generation will eventually have. Factors generally associated with increased fertility include religiosity, intention to have children, Factors generally associated with decreased fertility include wealth, education, female labor participation, urban residence, intelligence, increased female age and increased male age
15.
Miners
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A miner is a person who extracts ore, coal, or other mineral from the earth through mining. There are two senses in which the term is used, in its narrowest sense, a miner is someone who works at the rock face, cutting, blasting, or otherwise working and removing the rock. In a broader sense, a miner is working within a mine. Mining is one of the most dangerous trades in the world, in some countries, miners lack social guarantees and in case of injury may be left to cope without assistance. Different functions of the individual miner, many of the roles are specific to a type of mining, such as coal mining. Roles considered to be miners in the narrower sense have included, Hewer, collier, a hewer who hews coal with a pick. Driller, who works a rock drill to bore holes for placing dynamite or other explosives, other roles within mines that did not involve breaking rock have included, Loader, who loads the mining carts with coal at the face. Putter, who works the carts around the mine, barrow-man, who transported the broken coal from the face in wheelbarrows. Hurrier, who transported coal carts from a mine to the surface, timberer, who fashions and installs timber supports to support the walls and ceiling in an underground mine. In addition to miners working underground, a mine employs other workers in duties at the surface, in addition to office staff of various sorts, these may include, Brakesman, who operate the winding engine. Mining engineers use the principles of math and science to develop solutions to technical problems for miners. In most cases, a degree in engineering, mining engineering or geological engineering is required. Because technology is changing, miners and mining engineers need to continue their education. The basics of mining engineering includes finding, extracting, and preparing minerals, metals and these mined products are used for electric power generation and manufacturing industries. Mining engineers also supervise the construction of mine operations and create ways to transport the extracted minerals to processing plants. Underground mining Miners apron Miners cap Miners habit Mining helmet Mooskappe, miners cap worn in the Harz
16.
Prehistoric Egypt
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This Predynastic era is traditionally equivalent to the final part of the Neolithic period beginning c.6000 BC and corresponds to the Naqada III period. The Predynastic period is divided into cultural periods, each named after the place where a certain type of Egyptian settlement was first discovered. The Late Paleolithic in Egypt started around 30,000 BC, the Nazlet Khater skeleton was found in 1980 and dated in 1982 from nine samples ranging between 35,100 and 30,360 years. This specimen is the only complete human skeleton from the earliest Late Stone Age in Africa. Excavation of the Nile has exposed early stone tools, the earliest of these lithic industries were located within the 100-foot terrace, and were Chellean, primitive Acheulean and an Egyptian form of the Clactonian. Within the 50-foot terrace was developed Acheulean, originally reported as Early Mousterian but since changed to Levalloisean, other implements were located in the 30-foot terrace. The 15- and 10-foot terraces saw a more developed version of the Levalloisean, finally, tools of the Egyptian Sebilian technology and an Egyptian version of the Aterian technology were also located. Some of the oldest known buildings were discovered in Egypt by archaeologist Waldemar Chmielewski along the border near Wadi Halfa. They were mobile structures—easily disassembled, moved, and reassembled—providing hunter-gatherers with semi-permanent habitation, Aterian tool-making reached Egypt c.40,000 BC. The Khormusan industry in Egypt began between 40,000 and 30,000 BC, khormusans developed advanced tools not only from stone but also from animal bones and hematite. They also developed small arrow heads resembling those of Native Americans, the end of the Khormusan industry came around 16,000 B. C. with the appearance of other cultures in the region, including the Gemaian. The Halfan culture flourished along the Nile Valley of Egypt and Nubia between 18,000 and 15,000 BC, though one Halfan site dates to before 24,000 BC, people survived on a diet of large herd animals and the Khormusan tradition of fishing. Greater concentrations of artifacts indicate that they were not bound to seasonal wandering and they are viewed as the parent culture of the Ibero-Maurusian industry, which spread across the Sahara and into Spain. The Halfan culture was derived in turn from the Khormusan, which depended on specialized hunting, fishing, the primary material remains of this culture are stone tools, flakes, and a multitude of rock paintings. Qadan peoples developed sickles and grinding stones to aid in the collecting and processing of plant foods prior to consumption. However, there are no indications of the use of these tools after around 10,000 BC, in Egypt, analyses of pollen found at archaeological sites indicate that the Sebilian culture were gathering wheat and barley. It has been hypothesized that the sedentary lifestyle used by farmers led to increased warfare, continued expansion of the desert forced the early ancestors of the Egyptians to settle around the Nile more permanently and adopt a more sedentary lifestyle. The period from 9000 to 6000 BC has left little in the way of archaeological evidence
17.
Land of Punt
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The Land of Punt, also called Pwenet, or Pwene by the ancient Egyptians, was an ancient kingdom. A trading partner of Egypt, it was known for producing and exporting gold, aromatic resins, blackwood, ebony, ivory, the region is known from ancient Egyptian records of trade expeditions to it. Some biblical scholars have identified it with the land of Put. At times Punt is referred to as Ta netjer, the Land of the God, the exact location of Punt is still debated by historians. Most scholars today believe Punt was situated to the southeast of Egypt, most likely in the region of modern Djibouti, Eritrea, northeast Ethiopia, Somalia. However, some scholars point instead to a range of ancient inscriptions that locate Punt in the Arabian Peninsula and it is also possible that the territory covered both the Horn of Africa and Southern Arabia. Puntland, the Somali administrative region situated at the extremity of the Horn of Africa, is named in reference to the Land of Punt, the earliest recorded ancient Egyptian expedition to Punt was organized by Pharaoh Sahure of the Fifth Dynasty. However, gold from Punt is recorded as having been in Egypt as early as the time of Pharaoh Khufu of the Fourth Dynasty, subsequently, there were more expeditions to Punt in the Sixth, Eleventh, Twelfth and Eighteenth dynasties of Egypt. In the Twelfth Dynasty, trade with Punt was celebrated in literature in the Tale of the Shipwrecked Sailor. In the reign of Mentuhotep III, an officer named Hannu organized one or more voyages to Punt, trading missions of the 12th dynasty pharaohs Senusret I, Amenemhat II and Amenemhat IV had also successfully navigated their way to and from the mysterious land of Punt. Hatshepsut personally made the most famous ancient Egyptian expedition that sailed to Punt, a report of that five-ship voyage survives on reliefs in Hatshepsuts mortuary temple at Deir el-Bahri. In reality, Nehsis expedition was a trading mission to a land, Punt. Moreover, Nehsis visit to Punt was not inordinately brave since he was accompanied by at least five shiploads of marines and greeted warmly by the chief of Punt and his immediate family. The Puntites traded not only in their own produce of incense, ebony and short-horned cattle and they will load their ships to the satisfaction of their hearts with trees of green incense, and all the good things of the land. Hatshepsuts 18th dynasty successors, such as Thutmose III and Amenhotep III also continued the Egyptian tradition of trading with Punt, the trade with Punt continued into the start of the 20th dynasty before terminating prior to the end of Egypts New Kingdom. They were loaded, in travelling overland, upon asses and upon men and they were sent forward downstream, arriving in festivity, bringing tribute into the royal presence. After the end of the New Kingdom period, Punt became an unreal and fabulous land of myths, at times, the ancient Egyptians called Punt Ta netjer, meaning Gods Land. This referred to the fact that it was among the regions of the Sun God, that is and these eastern regions resources included products used in temples, notably incense
18.
Hatshepsut
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Hatshepsut was the fifth pharaoh of the Eighteenth Dynasty of Egypt. She was the second historically confirmed female pharaoh, the first being Sobekneferu, Hatshepsut came to the throne of Egypt in 1478 BC. Officially, she ruled jointly with Thutmose III, who had ascended to the throne the year as a child of about two years old. Hatshepsut was the wife of Thutmose II, Thutmose III’s father. She is generally regarded by Egyptologists as one of the most successful pharaohs, according to Egyptologist James Henry Breasted she is also known as the first great woman in history of whom we are informed. Hatshepsut was the daughter and only child of Thutmose I and his primary wife Ahmose and her husband Thutmose II was the son of Thutmose I and a secondary wife named Mutnofret, who carried the title Kings daughter and was probably a child of Ahmose I. Hatshepsut and Thutmose II had a daughter named Neferure, Thutmose II fathered Thutmose III with Iset, a secondary wife. Today Egyptologists generally agree that Hatshepsut assumed the position of pharaoh, Hatshepsut was described as having a reign of about 22 years by ancient authors. Josephus and Julius Africanus both quote Manethos king list, mentioning a woman called Amessis or Amensis who has identified as Hatshepsut. In Josephus work, her reign is described as lasting 21 years and nine months, dating the beginning of her reign is more difficult, however. Her fathers reign began in either 1526 or 1506 BC according to the high and low estimates of her reign, the length of the reigns of Tuthmosis I and Tuthmosis II, however, cannot be determined with absolute certainty. With short reigns, Hatshepsut would have ascended the throne 14 years after the coronation of Tuthmosis I, longer reigns would put her ascension 25 years after Tuthmosis Is coronation. Thus, Hatshepsut could have assumed power as early as 1512 BC, or, Hatshepsut established the trade networks that had been disrupted during the Hyksos occupation of Egypt during the Second Intermediate Period, thereby building the wealth of the eighteenth dynasty. She oversaw the preparations and funding for a mission to the Land of Punt and this trading expedition to Punt was roughly during Hatshepsuts ninth year of reign. It set out in her name with five ships, each measuring 70 feet long bearing several sails, many trade goods were bought in Punt, notably frankincense and myrrh. Hatshepsuts delegation returned from Punt bearing 31 live myrrh trees, the roots of which were kept in baskets for the duration of the voyage. This was the first recorded attempt to transplant foreign trees and it is reported that Hatshepsut had these trees planted in the courts of her mortuary temple complex. Egyptians also returned with a number of gifts from Punt
19.
Menat
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Menat was a name used for the goddess Hathor. With a slightly different hieroglyphic spelling, it referred to an ancient Egyptian artifact which and it was held in the hand by its counterpoise and used as a rattle by Hathors priestesses. Often it was worn as an amulet, even by Apis bulls. The menat comprised a plate termed an aegis, worn on the chest, the other ends of the strings were tied to a counterweight which dangled on the wearers back. The aegis was often made of faience, but other materials as varied as leather and it was often inscribed or bore depictions of deities associated with Hathor, such as the one of Sekhmet displayed to the right. The necklace was meant to ensure good luck and fortune and to protect against evil spirits and it was also worn for protection in the afterlife and is often found buried with the dead, given as a grave gift since Ramesside times. Worn by women, it was expected to foster fruitfulness and good health, robert A. Armour, Gods and Myths of Ancient Egypt, American Univ. Eerdmans, Dictionary of Deities and Demons in the Bible, Wm. B, eerdmans Publishing 1999 Erman, Johann Peter Adolf, and Hermann Grapow, eds. Wörterbuch der aegyptischen Sprache im Auftrage der deutschen Akademien, media related to Menat-necklace and counterpoise at Wikimedia Commons
20.
Narmer Palette
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The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archeological find, dating from about the 31st century BC. It contains some of the earliest hieroglyphic inscriptions ever found, the tablet is thought by some to depict the unification of Upper and Lower Egypt under the king Narmer. On one side, the king is depicted with the bulbed White Crown of Upper Egypt, and the other side depicts the king wearing the level Red Crown of Lower Egypt. Along with the Scorpion Macehead and the Narmer Maceheads, also together in the Main Deposit at Nekhen. The Palette shows many of the conventions of Ancient Egyptian art. The Egyptologist Bob Brier has referred to the Narmer Palette as the first historical document in the world, also found at this dig were the Narmer Macehead and the Scorpion Macehead. The exact place and circumstances of these finds were not recorded very clearly by Quibell and Green. In fact, Greens report placed the Palette in a different layer one or two away from the deposit, which is considered to be more accurate on the basis of the original excavation notes. It has been suggested that these objects were royal donations made to the temple, Nekhen, or Hierakonpolis, was the ancient capital of Upper Egypt during the pre-dynastic Naqada III phase of Egyptian history. One theory is that it was used to grind cosmetics to adorn the statues of the gods, the Narmer Palette is part of the permanent collection of the Egyptian Museum in Cairo. It is one of the exhibits which visitors have been able to see when entering the museum. It has the Journal dEntrée number JE32169 and the Catalogue Général number CG14716, the Narmer Palette is a 63-centimetre tall, shield-shaped, ceremonial palette, carved from a single piece of flat, soft dark gray-green siltstone. The stone has often been identified, in the past. Slate is layered and prone to flaking, and schist is a rock containing large. Both are unlike the finely grained, hard, flake-resistant siltstone and this material was used extensively during the pre-dynastic period for creating such palettes and also was used as a source for Old Kingdom statuary. A statue of the 2nd dynasty pharaoh Khasekhemwy, found in the complex as the Narmer Palette at Hierakonpolis. Both sides of the Palette are decorated, carved in raised relief, at the top of both sides are the central serekhs bearing the rebus symbols nr and mr inside, being the phonetic representation of Narmers name. The serekh on each side are flanked by a pair of heads with highly curved horns
21.
Isis
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Isis is a goddess from the polytheistic pantheon of Egypt. She was first worshiped in ancient Egyptian religion, and later her worship spread throughout the Roman Empire, Isis was worshipped as the ideal mother and wife as well as the patroness of nature and magic. She was the friend of slaves, sinners, artisans and the downtrodden, Isis is often depicted as the mother of Horus, the falcon-headed deity associated with king and kingship. Isis is also known as protector of the dead and goddess of children, as the personification of the throne, she was an important representation of the pharaohs power. The pharaoh was depicted as her child, who sat on the throne she provided. Her cult was popular throughout Egypt, but her most important temples were at Behbeit El Hagar in the Nile delta, and, beginning in the reign with Nectanebo I, on the island of Philae in Upper Egypt. In the typical form of her myth, Isis was the first daughter of Geb, god of the Earth, and Nut, goddess of the Sky and she married her brother, Osiris, and she conceived Horus with him. Isis was instrumental in the resurrection of Osiris when he was murdered by Set, using her magical skills, she restored his body to life after having gathered the body parts that had been strewn about the earth by Set. This myth became very important during the Greco-Roman period, for example, it was believed that the Nile River flooded every year because of the tears of sorrow which Isis wept for Osiris. Osiriss death and rebirth was relived each year through rituals, the worship of Isis eventually spread throughout the Greco-Roman world, continuing until the suppression of paganism in the Christian era. The popular motif of Isis suckling her son Horus, however, the Greek name version of Isis is close to her original, Egyptian name spelling. Isis name was written with the signs of a throne seat. The grammar, spelling and used signs of Isis name never changed during time in any way, however, the symbolic and metaphoric meaning of Isis name remains unclear. The throne seat sign in her name might point to a role as a goddess of kingship. Thus, her name could mean she of the kings throne, but all other Egyptian deities have names that point to clear cosmological or nature elemental roles, thus the name of Isis shouldnt be connected to the king himself. The throne seat symbol might alternatively point to a meaning as throne-mother of the gods and this in turn would supply a very old existence of Isis, long before her first mentioning during the late Old Kingdom, but this hypothesis remains unproven. A third possible meaning might be hidden in the egg-symbol, that was used in Isis name. The egg-symbol always represented motherhood, implying a role of Isis
22.
Bastet
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Bastet was a goddess in ancient Egyptian religion, worshiped as early as the 2nd Dynasty. As Bast, she was the goddess of warfare in Lower Egypt and her name is also translated as Baast, Ubaste, and Baset. In Greek mythology, she is known as Ailuros. The uniting Egyptian cultures had deities that shared similar roles and usually the same imagery, in Upper Egypt, Sekhmet was the parallel warrior lioness deity. Often similar deities merged into one with the unification, but that did not occur with these deities having such strong roots in their cultures, instead, these goddesses began to diverge. During the 22nd Dynasty, Bast had transformed from a lioness deity into a major protector deity represented as a cat. Bastet, the associated with this later identity, is the name commonly used by scholars today to refer to this deity. Bastet, the form of the name which is most commonly adopted by Egyptologists today because of its use in later dynasties, is a modern convention offering one possible reconstruction, in early Egyptian, her name appears to have been bꜣstt. In Egyptian writing, the second t marks a feminine ending, but was not usually pronounced, by the first millennium, then, bꜣstt would have been something like *Ubaste in Egyptian speech, later becoming Coptic Oubaste. During later dynasties, the deity remained, but was assigned a role in the pantheon by bearing the name Bastet. This happened after Thebes became the capital of Ancient Egypt during the 18th Dynasty, diminishing her status, they began referring to the deity with the added suffix, as Bastet, and their use of the new name was well-documented, becoming very familiar to researchers. By the 22nd Dynasty the transition had occurred in all regions, what the name of the goddess means remains uncertain. One recent suggestion by Stephen Quirke explains it as meaning She of the ointment jar and this ties in with the observation that her name was written with the hieroglyph for ointment jar and that she was associated with protective ointments, among other things. The name of the known as alabaster might, through Greek. Bastet was originally a warrior goddess of the sun throughout most of ancient Egyptian history. Greeks occupying ancient Egypt toward the end of its civilization changed her into a goddess of the moon, as protector of Lower Egypt, she was seen as defender of the pharaoh, and consequently of the later chief male deity, Ra. Along with the lioness goddesses, she would occasionally be depicted as the embodiment of the Eye of Ra. She has been depicted as fighting the evil snake named Apep, images of Bastet were often created from alabaster
23.
Osiris
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Osiris was an Egyptian god, usually identified as the god of the afterlife, the underworld, and the dead, but more appropriately as the god of transition, resurrection, and regeneration. He was also associated with the epithet Khenti-Amentiu, meaning Foremost of the Westerners, as ruler of the dead, Osiris was also sometimes called king of the living, ancient Egyptians considered the blessed dead the living ones. Osiris was considered the brother of Isis, Set, Nephthys, and Horus the Elder and he was described as the Lord of love, He Who is Permanently Benign and Youthful and the Lord of Silence. The Kings of Egypt were associated with Osiris in death – as Osiris rose from the dead they would, in union with him, inherit eternal life through a process of imitative magic. By the New Kingdom all people, not just pharaohs, were believed to be associated with Osiris at death, Osiris was widely worshipped as Lord of the Dead until the suppression of the Egyptian religion during the rise of Christianity in the Roman Empire. Osiris is a Latin transliteration of the Ancient Greek Ὄσιρις IPA, in Egyptian hieroglyphs the name is appears as wsjr or jsjrt. Since hieroglyphic writing lacks vowels, Egyptologists have vocalized the name in various ways as Asar, Yasar, Aser, Asaru, Ausar, Ausir, Wesir, Usir, several proposals have been made for the etymology and meaning of the original name wsjr. John Gwyn Griffiths proposed a derivation from wsr signifying the powerful, moreover, one of the oldest attestations of the god Osiris appears in the mastaba of the deceased Netjer-wser. David Lorton proposed that Wsjr is composed by the morphemes set-jret signifying ritual activity, wolfhart Westendorf proposed an etymology from Waset-jret she who bears the eye. He also carries the crook and flail, the crook is thought to represent Osiris as a shepherd god. The symbolism of the flail is more uncertain with shepherds whip, fly-whisk and he was commonly depicted as a pharaoh with a complexion of either green or black in mummiform. The Pyramid Texts describe early conceptions of an afterlife in terms of travelling with the sun god amongst the stars. Amongst these mortuary texts, at the beginning of the 4th dynasty, is found, An offering the king gives, by the end of the 5th dynasty, the formula in all tombs becomes An offering the king gives and Osiris. Osiris is the father of the god Horus, whose conception is described in the Osiris myth. The myth described Osiris as having been killed by his brother Set, Isis joined the fragmented pieces of Osiris, but the only body part missing was the phallus. Isis fashioned a golden phallus, and briefly brought Osiris back to life by use of a spell that she learned from her father and this spell gave her time to become pregnant by Osiris before he again died. Isis later gave birth to Horus, as such, since Horus was born after Osiris resurrection, Horus became thought of as a representation of new beginnings and the vanquisher of the evil Set. Ptah-Seker thus gradually became identified with Osiris, the two becoming Ptah-Seker-Osiris, Osiris soul, or rather his Ba, was occasionally worshipped in its own right, almost as if it were a distinct god, especially in the Delta city of Mendes
24.
Aphrodite
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Aphrodite is the Greek goddess of love, beauty, pleasure, and procreation. She is identified with the planet Venus, and her Roman equivalent is the goddess Venus, as with many ancient Greek deities, there is more than one story about her origins. According to Hesiods Theogony, she was born when Cronus cut off Uranuss genitals and threw them into the sea, according to Homers Iliad, she is the daughter of Zeus and Dione. In Plato, these two origins are said to be of hitherto separate entities, Aphrodite Ourania and Aphrodite Pandemos, Aphrodite had many lovers—both gods, such as Ares, and men, such as Anchises. She played a role in the Eros and Psyche legend, and was lover and surrogate mother of Adonis. Many lesser beings were said to be children of Aphrodite, Aphrodite is also known as Cytherea and Cypris after the two cult sites, Cythera and Cyprus, which claimed to be her place of birth. Myrtle, roses, doves, sparrows and swans were sacred to her, the ancient Greeks identified her with the Ancient Egyptian goddess Hathor. Aphrodite had many names such as Acidalia and Cerigo, each used by a different local cult of the goddess in Greece. The Greeks recognized all of these names as referring to the single goddess Aphrodite, despite the differences in what these local cults believed the goddess demanded of them. The Attic philosophers of the 4th century, however, drew a distinction between a celestial Aphrodite of transcendent principles, and a separate, common Aphrodite who was the goddess of the people, hesiod derives Aphrodite from aphrós sea-foam, interpreting the name as risen from the foam. Michael Janda, accepting this as genuine, claims the birth myth as an Indo-European mytheme. Likewise, Witczak proposes an Indo-European compound *abʰor- very and *dʰei- to shine and it has been argued that etymologies based on comparison with Eos are unlikely since Aphrodites attributes are entirely different from those of Eos or the Vedic deity Ushas. A number of improbable non-Greek etymologies have suggested in scholarship. One Semitic etymology compares Aphrodite to the Assyrian barīrītu, the name of a demon that appears in Middle Babylonian. Hammarström looks to Etruscan, comparing prϑni lord, an Etruscan honorific loaned into Greek as πρύτανις and this would make the theonym in origin an honorific, the lady. Hjalmar Frisk and Robert Beekes reject this etymology as implausible, especially since Aphrodite actually appears in Etruscan in the borrowed form Apru, the medieval Etymologicum Magnum offers a highly contrived etymology, deriving Aphrodite from the compound habrodíaitos, she who lives delicately, from habrós and díaita. The alteration from b to ph is explained as a characteristic of Greek obvious from the Macedonians. Aphrodite is usually said to have been born near her chief center of worship, Paphos, on the island of Cyprus, however, other versions of her myth have her born near the island of Cythera, hence another of her names, Cytherea
25.
Bat (goddess)
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Bat was a cow goddess in Egyptian mythology depicted as a human face with cow ears and horns. By the time of the Middle Kingdom, her identity and attributes were subsumed within the goddess Hathor, the worship of Bat dates to earliest times and may have its origins in Late Paleolithic cattle herding. Bat was the goddess of Seshesh, otherwise known as Hu or Diospolis Parva. The epithet Bat may be linked to the word ba with the suffix t. A persons ba roughly equates to his or her personality or emanation and is translated as soul. Although it was rare for Bat to be depicted in painting or sculpture. In other instances she was pictured as a bovine creature surrounded by stars or as a human woman. More commonly, Bat was depicted on amulets, with a face, but with bovine features, such as the ears of a cow. Bat became strongly associated with the sistrum, and the center of her cult was known as the Mansion of the Sistrum, the sistrum is a musical instrument, shaped like an ankh, that was one of the most frequently used sacred instruments in ancient Egyptian temples. Some instruments would include depictions of Bat, with her head and neck as the handle and base, the imagery is repeated on each side, having two faces, as mentioned in the Pyramid Texts. I am Praise, I am Majesty, I am Bat with Her Two Faces, I am the One Who Is Saved, the imagery of Bat as a divine cow was remarkably similar to that of Hathor, a parallel goddess from Lower Egypt. In two dimensional images, both goddesses often are depicted straight on, facing the onlooker and not in profile in accordance with the usual Egyptian convention, the significant difference in their depictions is that Bats horns curve inward and Hathors curve outward slightly. It is possible that this could be based in the different breeds of cattle herded at different times. Hathors cult center was in the 6th Nome of Upper Egypt, adjacent to the 7th where Bat was the cow goddess, by the Middle Kingdom, the cult of Hathor had again absorbed that of Bat in a manner similar to other mergers in the Egyptian pantheon. The goddess Bat - discussion on Philae The goddess Bat - discussion on Egyptian Myths
26.
Pyramid Texts
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The Pyramid Texts are a collection of ancient Egyptian religious texts from the time of the Old Kingdom. Written in Old Egyptian, the texts were carved on the walls. The oldest of the texts have been dated to between ca, unlike the later Coffin Texts and Book of the Dead, the pyramid texts were reserved only for the pharaoh and were not illustrated. The spells delineate all of the ways the pharaoh could travel, including the use of ramps, stairs, ladders, the spells could also be used to call the gods to help, even threatening them if they did not comply. The texts were first discovered in 1881 by Gaston Maspero, and translations were made by Kurt Heinrich Sethe, Louis Speleers, Raymond O. Faulkner, Samuel A. B. The oldest version consists of 228 spells and comes from the Pyramid of Unas, Pyramid Texts were also discovered on fragments of wood within in the tomb of queen Meretites II. Kurt Sethes first edition of the texts contained 714 distinct spells. No single collection uses all recorded spells, after death, the king must first rise from his tomb. Take your head, collect your bones, Gather your limbs, take your bread that rots not, your beer that sours not, Stand at the gates that bar the common people. The gatekeeper comes out to you, he grasps your hand, Takes you into heaven and he rejoices at your coming, gives you his hands, Kisses you, caresses you, Sets you before the spirits, the imperishable stars. The texts then describe several ways for the pharaoh to reach the heavens, in utterance 304 the king says, Hail, daughter of Anubis, above the hatches of heaven, Comrade of Thoth, above the ladders rails, Open Unass path, let Unas pass. If the boatman refuses to him, the king has other plans, If you fail to ferry Unas, He will leap and sit on the wing of Thoth. Apart from the burial of Unas, only the Pyramid of Teti displays the Cannibal Hymn, a god who lives on his fathers, who feeds on his mothers. Unas is the bull of heaven Who rages in his heart, Who lives on the being of every god, Who eats their entrails When they come, the cannibal hymn later reappeared in the Coffin Texts as Spell 573. It was dropped by the time the Book of the Dead was being copied, in the first scene of Philip Glasss opera Akhnaten, the phrase Open are the double doors of the horizon is a quotation from the Pyramid Texts. More specifically, it seems to come from Utterance 220, the American death metal band Nile made a song, Unas Slayer of the Gods which contains many references to the Pyramid Texts, including the Cannibal Hymn. In the 2001 action-adventure movie, The Mummy Returns, when Imhotep gets a jar full of dust and blows it, he part of the Utterance 373. In neuer deutscher Uebersetzung, vollständig bearbeitet und herausgegeben von Wolfgang Kosack Christoph Brunner, Berlin 2012, a New Concordance of the Pyramid Texts
27.
Nekhen
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Nekhen /ˈnɛkən/ or Hierakonpolis was the religious and political capital of Upper Egypt at the end of prehistoric Egypt and probably also during the Early Dynastic Period. Some authors suggest occupation dates that should begin thousands of years earlier, Nekhen was the center of the cult of a hawk deity, Horus of Nekhen, which raised in this city one of the most ancient Egyptian temples. It retained its importance as the center for this divine patron of the kings long after the site had otherwise declined. The first settlement at Nekhen dates from either the predynastic Amratian culture or perhaps during the late Badari culture, at its height from about 3400 BC, Nekhen had at least 5000 and possibly as many as 10,000 inhabitants. The ruins of the city originally were excavated toward the end of the century by the English archaeologists James Quibell. Quibell and Green discovered the Main Deposit, a foundation deposit beneath the temple, Quibell was originally trained under Flinders Petrie, the father of modern Egyptology. However, he failed to follow Petries methods and the temple was a site to excavate to begin with, so his excavation was poorly conducted. Specifically, the context of the items therein is poorly recorded and often the reports of Quibell. The most famous artifact commonly associated with the deposit, the Narmer Palette, is now thought to have probably not been in the main deposit at all. Quibells report made in 1900 put the palette in the deposit, Greens version is substantiated by earlier field notes, so it is now the accepted record of events. The main deposit dates to the early Old Kingdom, but the style of the objects in the deposit indicate that they were from Naqada III and were moved into the deposit at a later date. The other important item in the deposit clearly dates to the late prehistoric and this object, the Scorpion Macehead, depicts a king known only by the ideogram for scorpion, now called Scorpion II, participating in what seems to be a ritual irrigation ceremony. Renee Friedman representing the University of California, Berkeley and the British Museum until Barbara Adamss death in 2001, the structure at Nekhen with the misnomer fort is a massive mud-brick enclosure built by Pharaoh Khasekhemwy of the Second Dynasty. It appears to be similar in structure and purpose as the constructed at Abydos. The true function of these structures is unknown, but they seem to be related to the rituals of kingship, the ritual structure was built on a prehistoric cemetery. The excavations there, as well as the work of later brick robbers, have undermined the walls. For two years, during 2005 and 2006, the led by Friedman was attempting to stabilize the existing structure. Other discoveries at Nekhen include Tomb 100, the oldest tomb with painted decoration on its plaster walls, the sepulchre is thought to date to the Gerzeh culture
28.
Old Kingdom of Egypt
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The term itself was coined by eighteenth-century historians and the distinction between the Old Kingdom and the Early Dynastic Period is not one which would have been recognized by Ancient Egyptians. The Old Kingdom is most commonly regarded as the period from the Third Dynasty through to the Sixth Dynasty, many Egyptologists also include the Memphite Seventh and Eighth Dynasties in the Old Kingdom as a continuation of the administration centralized at Memphis. During the Old Kingdom, the king of Egypt became a god who ruled absolutely and could demand the services. Under King Djoser, the first king of the Third Dynasty of the Old Kingdom, the capital of Egypt was moved to Memphis. A new era of building was initiated at Saqqara under his reign, King Djosers architect, Imhotep is credited with the development of building with stone and with the conception of the new architectural form—the Step Pyramid. Indeed, the Old Kingdom is perhaps best known for the number of pyramids constructed at this time as burial places for Egypts kings. For this reason, the Old Kingdom is frequently referred to as the Age of the Pyramids, the first king of the Old Kingdom was Djoser of the third dynasty, who ordered the construction of a pyramid in Memphis necropolis, Saqqara. An important person during the reign of Djoser was his vizier and it was in this era that formerly independent ancient Egyptian states became known as nomes, under the rule of the king. The former rulers were forced to assume the role of governors or otherwise work in tax collection, Egyptians in this era worshipped their king as a god, believing that he ensured the annual flooding of the Nile that was necessary for their crops. Egyptian views on the nature of time during this period held that the worked in cycles. They also perceived themselves as a specially selected people, the Old Kingdom and its royal power reached a zenith under the Fourth Dynasty, which began with Sneferu. Using more stones than any king, he built three pyramids, a now collapsed pyramid in Meidum, the Bent Pyramid at Dahshur. However, the development of the pyramid style of building was reached not at Saqqara. Sneferu was succeeded by his son, Khufu who built the Great Pyramid of Giza, after Khufus death, his sons Djedefra and Khafra may have quarrelled. The latter built the pyramid and the Sphinx in Giza. Recent reexamination of evidence has led Egyptologist Vassil Dobrev to propose that the Sphinx had been built by Djedefra as a monument to his father Khufu, alternatively, the Sphinx has been proposed to be the work of Khafra and Khufu himself. There were military expeditions into Canaan and Nubia, with Egyptian influence reaching up the Nile into what is today the Sudan, the later kings of the Fourth Dynasty were king Menkaure, who built the smallest pyramid in Giza, Shepseskaf and, perhaps, Djedefptah. The Fifth Dynasty began with Userkaf and was marked by the importance of the cult of sun god Ra
29.
Tree deity
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A tree deity or tree spirit is a nature deity related to a tree. Such deities are present in many cultures and they are usually represented as a young woman, often connected to ancient fertility and tree worship lore. The status of tree deities varies from that of a fairy, ghost, sprite or nymph. The Yakshis or Yakshinis, mythical maiden deities of Hindu, Buddhist, and Jain mythology are associated with trees, especially the ashoka tree. Although these tree deities are usually benevolent, there are also yakshinis with malevolent characteristics in Indian folklore, panaiveriyamman, named after panai, the Tamil name for the Palmyra palm, is an ancient fertility deity linked to this palm that is so important in Tamil culture. This deity is known as Taalavaasini, a name that further relates her to all types of palm trees. Some other Tamil tree deities are related to ancient agricultural deities, such as Puliyidaivalaiyamman, the deity of the tamarind tree and these were seen as manifestations of a goddess who offers her blessings by giving fruits in abundance. In Thailand the village ghosts or fairies related to such as Nang Takian. There are also other tree ghosts that are male, Tree deities were common in ancient Northern European lore. In Charlemagnes time, following the Capitulatio de partibus Saxione in 782 offerings to sacred trees or any form of worship of the spirits of trees. Even as late as 1227 the Synod of Trier decreed that the worship of trees and sources was forbidden, splendens the living embodiment of Bathoubwrai, the supreme deity in the Bathouist religion of the Bodo people or Mech of Assam and Nepal. Tāne-mahuta, atua of the forests and birds and one of the children of Rangi-nui and Papa-tū-ā-nuku Maori mythology Akathaso Ent Nymph Salabhanjika Talking tree Tree worship Vegetation deity
30.
Wadjet
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Wadjet, known to the Greek world as Uto among other names, was originally the ancient local goddess of the city of Dep. She was said to be the patron and protector of Lower Egypt and upon unification with Upper Egypt, the image of Wadjet with the sun disk is called the uraeus, and it was the emblem on the crown of the rulers of Lower Egypt. She was also the protector of kings and of women in childbirth and her oracle was in the renowned temple in Per-Wadjet that was dedicated to her worship and gave the city its name. This oracle may have been the source for the tradition that spread to Greece from Egypt. The Going Forth of Wadjet was celebrated on December 25 with chants, an annual festival held in the city celebrated Wadjet on April 21. Other important dates for special worship of her were June 21, the Summer Solstice and she also was assigned the fifth hour of the fifth day of the moon. Wadjet was closely associated in the Egyptian pantheon with the Eye of Ra, the hieroglyph for her eye is shown below, sometimes two are shown in the sky of religious images. Per-Wadjet also contained a sanctuary of Horus, the child of the sun deity who would be interpreted to represent the pharaoh, much later, Wadjet became associated with Isis as well as with many other deities. The name Wadjet is derived from the term for the symbol of her domain, Lower Egypt and her name means papyrus-colored one, as wadj is the Ancient Egyptian word for the color green and the et is an indication of her gender. Eventually, Wadjet was claimed as the goddess and protector of the whole of Lower Egypt and became associated with Nekhbet, depicted as a white vulture. After the unification the image of Nekhbet joined Wadjet on the crown, the Ancient Egyptian word Wadj signifies blue and green. It is also the name for the well-known Eye of the Moon, indeed, in later times, she was often depicted simply as a woman with a snakes head, or as a woman wearing the uraeus. The uraeus originally had been her body alone, which wrapped around or was coiled upon the head of the pharaoh or another deity, Wadjet was depicted as a cobra. As patron and protector, later Wadjet often was shown coiled upon the head of Ra, in order to act as his protection, this image of her became the uraeus symbol used on the royal crowns as well. This is an image that appeared repeatedly in the later images and myths of cultures surrounding the Mediterranean Sea, called the caduceus. Her image also rears up from the staff of the poles that are used to indicate deities, as seen in the hieroglyph for uraeus above. An interpretation of the Milky Way was that it was the snake, Wadjet. In this interpretation she was associated with Hathor and other early deities among the various aspects of the great mother goddess, including Mut
31.
Papyrus of Ani
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The Papyrus of Ani is a papyrus manuscript with cursive hieroglyphs and color illustrations created c.1250 BCE, in the 19th dynasty of the New Kingdom of ancient Egypt. The Papyrus of Ani is the manuscript compiled for the Theban scribe Ani, note, Divisions vary based on compilations, Sections are groups of related sentences, Titles are not original to the text. Ogden Goelet, Translation by Dr. Raymond O. Faulkner, Preface by Carol Andrews, Featuring Integrated Text and Full Color Images, c1994, contains, Map Key to the Papyrus, Commentary by Dr. Ogden Goelet, Selected Bibliography, and Glossary of Terms and Concepts. Eternal Egypt, Masterworks of Ancient Art from the British Museum, the Egyptian Book of the Dead, c1895, Dover ed.1967. Egyptian Text Transliteration and Translation, Introduction, etc. by Sir E. A. Wallis Budge, the Egyptian Book of the Dead. This article is about an item held in the British Museum
32.
Eye of Ra
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The Eye of Ra or Eye of Re is a being in ancient Egyptian mythology that functions as a feminine counterpart to the sun god Ra and a violent force that subdues his enemies. The Eye goddess acts as mother, sibling, consort, and she is his partner in the creative cycle in which he begets the renewed form of himself that is born at dawn. The Eyes violent aspect defends Ra against the agents of disorder that threaten his rule and this dangerous aspect of the Eye goddess is often represented by a lioness or by the uraeus, or cobra, a symbol of protection and royal authority. The Eye of Ra is similar to the Eye of Horus, which belongs to a different god, Horus, but represents many of the same concepts. The disastrous effects when the Eye goddess rampages out of control, the Eye of Ra was involved in many areas of ancient Egyptian religion, including in the cults of the many goddesses who are equated with it. Its life-giving power was celebrated in temple rituals, and its dangerous aspect was invoked in the protection of the pharaoh, of sacred places, the Egyptians often referred to the sun and the moon as the eyes of particular gods. The right eye of the god Horus, for instance, was equated with the sun, however, in Egyptian belief, many terms and concepts are fluid, so the sun could also be called the Eye of Horus. The yellow or red disk-like sun emblem in Egyptian art represents the Eye of Ra, because of the great importance of the sun in Egyptian religion, this emblem is among the most common religious symbols in all of Egyptian art. Although Egyptologists usually call this emblem the sun disk, its shape in Egyptian relief sculpture suggests that the Egyptians may have envisioned it as a sphere. The emblem often appears atop the heads of solar-associated deities, including Ra himself, the disk could even be regarded as Ras physical form. At other times, the sun god, in forms, is depicted inside the disk shape as if enclosed within it. The disk is often called Ras daughter in Egyptian texts, as the sun, the Eye of Ra is a source of heat and light, and it is associated with fire and flames. It is also equated with the red light that appears before sunrise, the presence of the feminine suffix -t in jrt may explain why these independent eyes were thought of as female. The Eye of Ra, in particular, is involved in the sun gods creative actions. In Egyptian mythology, the emergence from the horizon each morning is likened to Ras birth, an event that revitalizes him. Ra emerges from the body of a goddess who represents the sky—usually Nut, depictions of the rising sun often show Ra as a child contained within the solar disk. In this context, the Egyptologist Lana Troy suggests, the disk may represent the womb from which he is born or the placenta that emerges with him. The Eye of Ra can also take the form of a goddess, Ra was sometimes said to enter the body of the sky goddess at sunset, impregnating her and setting the stage for his rebirth at sunrise
33.
Mehet-Weret
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Mehet-Weret is a goddess of the sky in Ancient Egyptian religion. She was mentioned in the Pyramid Texts, in Ancient Egyptian creation myths, she gives birth to the sun at the beginning of time, and in art she is portrayed as a cow with a sun disk between her horns. She is associated with the goddesses Neith, Hathor, and Isis, all of whom have similar characteristics, Mehet-Weret is primarily known as being the “Celestial Cow” or “Cow Goddess” because of her physical characteristics, but she contributes to the world in more ways than that. She is also the Goddess of Water, Creation, and Rebirth, in Egyptian mythology, Mehet-Weret is one of the components in the making. Mehet-Weret was responsible for raising the sun into the sky every day, not only did this goddess produce the light for the crops of those who worshipped her, she was also what caused the annual Nile River flood that fertilized each of the crops with her plentiful water. In Egyptian mythology, Mehet-Weret was known as the Goddess of Water and Creation and she is referenced as being the river of stars known as the Milky Way, because of her physical traits of being the responsible for the annual flood of the Nile River. Mehet-Weret is described as being the mother of Ra, the ancient Egyptian solar deity, as the Goddess of Creation, she gives birth to the sun every day and is the reason the world isn’t in the dark. In her physical description, she is described as having a sun disk between her horns, in typical fashion, she protects her son Ra and keeps him close to her. Mehet-Weret is described as having a body with a cow’s head. A sun disk lies between the horns on her head, which connects her to the creation of the sun, Mehet-Weret is featured on the sarcophagus of Khonsu. The hieroglyphics painted on the outside of the sarcophagus are yet another way to protect the deceased, even in hieroglyphics, Mehet-Weret is dressed in many ritual artifacts as a way to keep her goddess-like standing. The picture features a human bowing and adoring her, this was meant as a way to signify her importance as a divine being, in this picture, Mehet-Weret signifies that after his death, the pharaoh will be reborn into the afterlife. “Myth of the Heavenly Cow” by Nadine Guilhou tells the story of a goddess that is related to Mehet-Weret who is named Hathor. Hathor is seen as more troublesome than Mehet-Weret, because she creates chaos in the human world, while Hathor is the bloodthirsty warrior cow, focused on the destruction of humankind, Mehet-Weret is responsible for creating some of the most basic needs for humankind, sun and water. The goddess Mehet-Weret was featured in a number of spells in The Book of the Dead, in this spell she was credited for the birth of Re, also known as the Sun God Ra. But she is also the one who protects Re, because it was believed by the ancient people of Egypt that the sun died every day and was reborn by Mehet-Weret. She was responsible for taking him into the underworld, or night because of the darkness, the people of Egypt believed that Mehet-Weret was the Goddess of Creation and Rebirth, so she was featured in one of the spells to help the humans make their way into the afterlife. The Book of the Dead is an important text in the Egyptian culture because it allows the audience to understand the different journeys that the ancient Egyptians believed in to get to the afterlife
34.
Apep
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Apep or Apophis was the ancient Egyptian deity who embodied chaos and was thus the opponent of light and Maat. He appears in art as a giant serpent and his name is reconstructed by Egyptologists as *ʻAʼpāpī, as it was written ꜥꜣpp and survived in later Coptic as Ⲁⲫⲱⲫ Aphōph. Apep was first mentioned in the Eighth Dynasty, and he was honored in the names of the Fourteenth Dynasty king Apepi, Ra was the solar deity, bringer of light, and thus the upholder of Maat. Apep was viewed as the greatest enemy of Ra, and thus was given the title Enemy of Ra, as the personification of all that was evil, Apep was seen as a giant snake or serpent leading to such titles as Serpent from the Nile and Evil Lizard. Some elaborations said that he stretched 16 yards in length and had a made of flint. Also, comparable hostile snakes as enemies of the sun god existed under other names already before the name Apep occurred, the etymology of his name is perhaps to be sought in some west-semitic language where a word root ꜣpp meaning to slither existed. A verb root ꜥꜣpp does at any rate not exist elsewhere in Ancient Egyptian, Apeps name much later came to be falsely connected etymologically in Egyptian with a different root meaning spat out, the Romans referred to Apep by this translation of his name. Apophis was a golden snake known to be miles long. He was so large that he attempted to swallow the sun every day, tales of Apeps battles against Ra were elaborated during the New Kingdom. Storytellers said that every day Apep must lie just below the horizon and this appropriately made him a part of the underworld. In some stories Apep waited for Ra in a mountain called Bakhu, where the sun set. The wide range of Apeps possible location gained him the title World Encircler and it was thought that his terrifying roar would cause the underworld to rumble. Myths sometimes say that Apep was trapped there, because he had been the chief god overthrown by Ra. The Coffin Texts imply that Apep used a magical gaze to overwhelm Ra, Ra was assisted by a number of defenders who travelled with him, including Set and possibly the Eye of Ra. Apeps movements were thought to cause earthquakes, and his battles with Set may have meant to explain the origin of thunderstorms. In some accounts, Ra himself defeats Apep in the form of a cat, Ra was worshipped, and Apep worshipped against. Ras victory each night was thought to be ensured by the prayers of the Egyptian priests, the Egyptians practiced a number of rituals and superstitions that were thought to ward off Apep, and aid Ra to continue his journey across the sky. The Egyptian priests had a guide to fighting Apep, referred to as The Books of Overthrowing Apep
35.
Tefnut
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Tefnut is a goddess of moisture, moist air, dew and rain in Ancient Egyptian religion. She is the sister and consort of the air god Shu, like most Egyptian deities, including her brother, Tefnut has no single ideograph or symbol. Her name in hieroglyphics consists of four single phonogram symbols t-f-n-t, although the n phonogram is a representation of waves on the surface of water, it was never used as an ideogram or determinative for the word water, or for anything associated with water. Tefnut is a daughter of the solar god Ra-Atum, married to her brother, Shu, she is mother of Nut, the sky and Geb, the earth. Tefnuts grandchildren were Osiris, Isis, Set, Nephthys, and in some versions and she was also a great grandmother of Horus the Younger. Alongside her father, brother, children, grandchildren, and great-grandchild, there are a number of variants to the myth of the creation of Tefnut and her twin brother Shu. In all versions, Tefnut is the product of parthenogenesis, in the Heliopolitan creation myth, the solar god Atum masturbates to produce Tefnut and Shu. Atum was creative in that he proceeded to himself in Heliopolis. He took his penis in his hand so that he obtain the pleasure of orgasm thereby. And brother and sister were born - that is Shu and Tefnut, Pyramid Text 527 In some versions of this myth, Atum also swallows his semen, and spits it out to form the twins, or else the spitting of his saliva forms the act of procreation. Both of these contain a play on words, the tef sound which forms the first syllable of the name Tefnut also constitutes a word meaning to spit or to expectorate. The Coffin Texts contain references to Shu being sneezed out by Atum from his nose, the Bremner-Rind Papyrus and the Memphite Theology describe Atum masturbating into his mouth, before spitting out his semen to form the twins. Tefnut is a deity, and appears as human with a lioness head when depicted as part of the Great Ennead of Heliopolis. The other frequent depiction is as a lioness, but Tefnut can also be depicted as fully human. In her fully or semi anthropomorphic form, she is depicted wearing a wig, topped either with a serpent, or a uraeus and solar disk. Her face is used in a double headed form with that of her brother Shu on collar counterpoises. During the 18th and 19th Dynasties, particularly during the Amarna period, Tefnut was depicted in human form wearing a low flat headdress, akhenatens mother, Tiye was depicted wearing a similar headdress, and identifying with Hathor-Tefnut. The iconic blue crown of Nefertiti is thought by archaeologist Joyce Tyldesley to be derived from Tiyes headdress, Heliopolis and Leontopolis were the primary cult centres
36.
Nut (goddess)
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Nut, also known by various other transcriptions, is the goddess of the sky in the Ennead of ancient Egyptian religion. She was seen as a nude woman arching over the earth. The pronunciation of ancient Egyptian is uncertain because vowels were long omitted from its writing and her name Nwt, itself also meaning Sky, is usually transcribed as Nut but also sometimes appears as Nunut, Nenet, Naunet, Newet, and the certainly erroneous Nuit. She also appears in the record by a number of epithets. Nut is a daughter of Shu and Tefnut and her brother and husband is Geb. She had four or five children, Osiris, Set, Isis, Nephthys and she is considered one of the oldest deities among the Egyptian pantheon, with her origin being found on the creation story of Heliopolis. She was originally the goddess of the sky, but eventually became referred to as simply the sky goddess. Her headdress was the hieroglyphic of part of her name, a pot, which may also symbolize the uterus. Mostly depicted in human form, Nut was also sometimes depicted in the form of a cow whose great body formed the sky and heavens. A sacred symbol of Nut was the used by Osiris to enter her heavenly skies. This ladder-symbol was called maqet and was placed in tombs to protect the deceased, Nut and her brother, Geb, may be considered enigmas in the world of mythology. In direct contrast to most other mythologies which usually develop a sky father associated with an Earth mother, she personified the sky, Osiris is killed by his brother Set and scattered over the Earth in 14 pieces which Isis gathers up and puts back together. Osiris then climbs a ladder into his mother Nut for safety, a huge cult developed about Osiris that lasted well into Roman times. Isis was her husbands queen in the underworld and the basis for the role of the queen on earth. It can be said that she was a version of the great goddess Hathor, like Hathor she not only had death and rebirth associations, but was the protector of children and the goddess of childbirth. Ra, the sun god, was the second to rule the world, Ra was a strong ruler but he feared anyone taking his throne. When he discovered that Nut was to have children, he was furious and he decreed, Nut shall not give birth any day of the year. At that time, the year was only 360 days, Nut spoke to Thoth, god of wisdom, and he had a plan
37.
Milky Way
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The Milky Way is the galaxy that contains our Solar System. The descriptive milky is derived from the appearance from Earth of the galaxy – a band of light seen in the night sky formed from stars that cannot be distinguished by the naked eye. The term Milky Way is a translation of the Latin via lactea, from Earth, the Milky Way appears as a band because its disk-shaped structure is viewed from within. Galileo Galilei first resolved the band of light into individual stars with his telescope in 1610, until the early 1920s, most astronomers thought that the Milky Way contained all the stars in the Universe. Following the 1920 Great Debate between the astronomers Harlow Shapley and Heber Curtis, observations by Edwin Hubble showed that the Milky Way is just one of many galaxies, the Milky Way is a barred spiral galaxy with a diameter between 100,000 light-years and 180,000 light-years. The Milky Way is estimated to contain 100–400 billion stars, there are probably at least 100 billion planets in the Milky Way. The Solar System is located within the disk, about 26,000 light-years from the Galactic Center, on the edge of one of the spiral-shaped concentrations of gas. The stars in the inner ≈10,000 light-years form a bulge, the very center is marked by an intense radio source, named Sagittarius A*, which is likely to be a supermassive black hole. Stars and gases at a range of distances from the Galactic Center orbit at approximately 220 kilometers per second. The constant rotation speed contradicts the laws of Keplerian dynamics and suggests much of the mass of the Milky Way does not emit or absorb electromagnetic radiation. This mass has been termed dark matter, the rotational period is about 240 million years at the position of the Sun. The Milky Way as a whole is moving at a velocity of approximately 600 km per second with respect to frames of reference. The oldest stars in the Milky Way are nearly as old as the Universe itself, the Milky Way has several satellite galaxies and is part of the Local Group of galaxies, which is a component of the Virgo Supercluster, which is itself a component of the Laniakea Supercluster. The Milky Way can be seen as a band of white light some 30 degrees wide arcing across the sky. Dark regions within the band, such as the Great Rift, the area of the sky obscured by the Milky Way is called the Zone of Avoidance. The Milky Way has a low surface brightness. Its visibility can be reduced by background light such as light pollution or stray light from the Moon. The sky needs to be darker than about 20.2 magnitude per square arcsecond in order for the Milky Way to be seen and it should be visible when the limiting magnitude is approximately +5.1 or better and shows a great deal of detail at +6.1
38.
Solar deity
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A solar deity is a sky deity who represents the Sun, or an aspect of it, usually by its perceived power and strength. Solar deities and sun worship can be found throughout most of recorded history in various forms, the Sun is sometimes referred to by its Latin name Sol or by its Greek name Helios. The English word sun stems from Proto-Germanic *sunnǭ, the Neolithic concept of a solar barge is found in the later myths of ancient Egypt, with Ra and Horus. Predynasty Egyptian beliefs attribute Atum as the sun-god and Horus as a god of the sky, as the Old Kingdom theocracy gained power, early beliefs were incorporated with the expanding popularity of Ra and the Osiris-Horus mythology. Atum became Ra-Atum, the rays of the setting sun, Osiris became the divine heir to Atums power on Earth and passes his divine authority to his son Horus. Early Egyptian myths imply the sun is within the lioness, Sekhmet, at night and is reflected in her eyes, or that it is within the cow, Hathor, during the night, being reborn each morning as her son. Mesopotamian Shamash plays an important role during the Bronze Age, similarly, South American cultures have a tradition of Sun worship, as with the Incan Inti. Proto-Indo-European religion has a chariot, the sun as traversing the sky in a chariot. In Germanic mythology this is Sol, in Vedic Surya, and in Greek Helios, svarog is the Slavic solar deity, represented as a spirit of fire. During the Roman Empire, a festival of the birth of the Unconquered Sun was celebrated on the winter solstice—the rebirth of the sun—which occurred on December 25 of the Julian calendar. In late antiquity, the centrality of the sun in some Imperial religious systems suggest a form of a solar monotheism. The religious commemorations on December 25 were replaced under Christian domination of the Empire with the birthday of Christ, the Tiv people consider the Sun to be the son of the supreme being Awondo and the Moon Awondos daughter. The Barotse tribe believes that the Sun is inhabited by the sky god Nyambi, some Sara people also worship the sun. Even where the sun god is equated with the supreme being, the Ancient Egyptian god of creation, Amun is also believed to reside inside the sun. So is the Akan creator deity, Nyame and the Dogon deity of creation, also in Egypt, there was a religion that worshiped the sun directly, and was among the first monotheistic religions, Atenism. Sun worship was prevalent in ancient Egyptian religion, the earliest deities associated with the sun are all goddesses, Wadjet, Sekhmet, Hathor, Nut, Bast, Bat, and Menhit. First Hathor, and then Isis, give birth to and nurse Horus, Hathor the horned-cow is one of the 12 daughters of Ra, gifted with joy and is a wet-nurse to Horus. From at least the 4th Dynasty of Ancient Egypt, the sun was worshipped as the deity Re, and portrayed as a falcon headed god surmounted by the solar disk, and surrounded by a serpent
39.
Egyptians
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The Black Egyptian hypothesis is the hypothesis that Ancient Egypt was a predominately Black civilization, as the term is currently understood in modern American ethic perception. Mainstream scholars recognize that many indigenous Egyptians, including several Pharaohs, were of ancestry that, in the modern era, the Black Egyptian hypothesis goes a lot further, claiming that Egypt, from north to south, was a black civilization. At the UNESCO Symposium on the Peopling of Ancient Egypt and the Deciphering of the Meroitic script in Cairo in 1974, some modern scholars such as W. E. B. Du Bois, Chancellor Williams, Cheikh Anta Diop, John G. Jackson, Ivan van Sertima, Martin Bernal, the frequently criticized Journal of African Civilizations has continually advocated that Egypt should be viewed as a Black civilization. Diop and others believed the views were fueled by scientific racism. Diop used an approach to counteract prevailing views on the Ancient Egyptians origins. Since the second half of the 20th century, most scholars have held that modern notions of race to ancient Egypt is anachronistic. The focus of some experts who study population biology has been to consider whether or not the Ancient Egyptians were primarily biologically North African rather than to which race they belonged, in 1975, the mummy of Ramesses II was taken to France for preservation. The mummy was also tested by Professor Pierre-Fernand Ceccaldi, the chief forensic scientist at the Criminal Identification Laboratory of Paris. Professor Ceccaldi determined that, Hair, astonishingly preserved, showed some complementary data - especially about pigmentation, the description given here refers to a fair-skinned person with wavy ginger hair. Keita wrote that There is no reason to believe that the primary ancestors of the Egyptian population emerged and evolved outside of northeast Africa. Stuart Tyson Smith writes in the 2001 Oxford Encyclopedia of Ancient Egypt that Any characterization of race of the ancient Egyptians depends on modern cultural definitions, not on scientific study. Thus, by modern American standards it is reasonable to characterize the Egyptians as black, several Ancient Greek historians noted that Egyptians had complexions that were melanchroes. There is considerable controversy over the translation of melanchroes, most scholars translate it as black. Alan B Lloyd wrote that there is no justification for relating this description to negroes. Melanchroes could denote any colour from bronzed to black and negroes are not the physical type to show curly hair. These characteristics would certainly be found in many Egs, ancient and modern, some of the most often quoted historians are Strabo, Diodorus Siculus, and Herodotus. Herodotus states in a few passages that the Egyptians were black/dark, lucian observes an Egyptian boy and notices that he is not merely black, but has thick lips
40.
Nile
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The Nile is a major north-flowing river in northeastern Africa. It is generally regarded as the longest river in the world, in particular, the Nile is the primary water source of Egypt and Sudan. The Nile has two tributaries, the White Nile and Blue Nile. The White Nile is considered to be the headwaters and primary stream of the Nile itself, the Blue Nile, however, is the source of most of the water and silt. The White Nile is longer and rises in the Great Lakes region of central Africa and it flows north through Tanzania, Lake Victoria, Uganda and South Sudan. The Blue Nile begins at Lake Tana in Ethiopia and flows into Sudan from the southeast, the two rivers meet just north of the Sudanese capital of Khartoum. The northern section of the river flows north almost entirely through the Sudanese desert to Egypt, then ends in a large delta, Egyptian civilization and Sudanese kingdoms have depended on the river since ancient times. Most of the population and cities of Egypt lie along those parts of the Nile valley north of Aswan, in the ancient Egyptian language, the Nile is called Ḥpī or Iteru, meaning river. In Coptic, the words piaro or phiaro meaning the river come from the ancient name. The English name Nile and the Arabic names en-Nîl and an-Nîl both derive from the Latin Nilus and the Ancient Greek Νεῖλος, beyond that, however, the etymology is disputed. One possible etymology derives it from a Semitic Nahal, meaning river, the standard English names White Nile and Blue Nile, to refer to the rivers source, derive from Arabic names formerly applied only to the Sudanese stretches which meet at Khartoum. Above Khartoum, the Nile is also known as the White Nile, at Khartoum the river is joined by the Blue Nile. The White Nile starts in equatorial East Africa, and the Blue Nile begins in Ethiopia, both branches are on the western flanks of the East African Rift. The drainage basin of the Nile covers 3,254,555 square kilometers, the source of the Nile is sometimes considered to be Lake Victoria, but the lake has feeder rivers of considerable size. It is either the Ruvyironza, which emerges in Bururi Province, Burundi, or the Nyabarongo, the two feeder rivers meet near Rusumo Falls on the Rwanda-Tanzania border. Gish Abay is reportedly the place where the water of the first drops of the Blue Nile develop. The Nile leaves Lake Nyanza at Ripon Falls near Jinja, Uganda and it flows north for some 130 kilometers, to Lake Kyoga. For the remaining part it flows westerly through the Murchison Falls until it reaches the very northern shores of Lake Albert where it forms a significant river delta
41.
Serabit el-Khadim
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Archaeological excavation, initially by Sir Flinders Petrie, revealed ancient mining camps and a long-lived Temple of Hathor, the Egyptian goddess who was favoured as a protector in desert regions. Thirty incised graffiti in a Proto-Sinaitic script shed light on the history of the alphabet, the mines were worked by prisoners of war from southwest Asia who presumably spoke a Northwest Semitic language, such as the Canaanite that was ancestral to Phoenician and Hebrew. The script has graphic similarities with the Egyptian hieratic script, the less elaborate form of the hieroglyphs, in the 1950s and 60s it was common to show the derivation of the Canaanite alphabet from hieratic, using William Albrights interpretations of Proto-Sinaitic as the key. The word baʿlat lends credence to the identification of the language as Semitic, however, the lack of further progress in decipherment casts doubt over the other suppositions, and the identification of the hieratic prototypes remains speculative. His article The Serabit Inscriptions, II, at that time, #355 was still in situ at Serabit but had not been photographed by the previous Harvard Mission. In the course of study, I perceived that some signs doubtful in the inscriptions already published were made clear by the new slabs. Both articles provide an analysis of the Proto-Sinaitic inscriptions during earlier expeditions to the site, in her book A History of Sinai, Lina Eckenstein theorized that Serabit el-Khadim was the historical site of Mt. Sinai where Moses received the 10 commandments. This theory comes in no part to the site containing a temple of Hathor which is believed to be the Golden Calf idol constructed by the Hebrews while Moses was on the mountain top. The Early Alphabetic Inscriptions from Sinai and Their Decipherment, oakland, Bulletin of the American Schools of Oriental Research. The Decipherment and Significance of the Inscriptions, Harvard Theological Review, Vol.21, “The Protosinaitic Inscriptions, Harvard Theological Review, Vol.25, No. W. M. Flinders Petrie, Researches in Sinai, London,1906, R. Giveon, The Stones of Sinai speak, Tokyo,1978. Eckenstein, Lina, A History of Sinai, London, Society for Promoting Christian Knowledge,1921. The Rediscovery of the Inscriptions, Harvard Theological Review, Vol.21, No
42.
Turquoise
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Turquoise is an opaque, blue-to-green mineral that is a hydrated phosphate of copper and aluminium, with the chemical formula CuAl648·4H2O. It is rare and valuable in finer grades and has been prized as a gemstone, in recent times, turquoise has been devalued, like most other opaque gems, by the introduction onto the market of treatments, imitations, and synthetics. Pliny the Elder referred to the mineral as callais and the Aztecs knew it as chalchihuitl, the finest of turquoise reaches a maximum Mohs hardness of just under 6, or slightly more than window glass. Characteristically a cryptocrystalline mineral, turquoise almost never forms single crystals and its crystal system is proven to be triclinic via X-ray diffraction testing. With lower hardness comes lower specific gravity and greater porosity, These properties are dependent on grain size, the lustre of turquoise is typically waxy to subvitreous, and transparency is usually opaque, but may be semitranslucent in thin sections. Colour is as variable as the other properties, ranging from white to a powder blue to a sky blue. The blue is attributed to idiochromatic copper while the green may be the result of either iron impurities or dehydration, a reading of 1. 61–1.65 has been taken from rare single crystals. An absorption spectrum may also be obtained with a spectroscope, revealing a line at 432 nm. Under longwave ultraviolet light, turquoise may occasionally fluoresce green, yellow or bright blue, it is inert under shortwave ultraviolet, Turquoise is insoluble in all but heated hydrochloric acid. Its streak is a bluish white and its fracture is conchoidal. Despite its low relative to other gems, turquoise takes a good polish. Turquoise may also be peppered with flecks of pyrite or interspersed with dark, as a secondary mineral, turquoise apparently forms by the action of percolating acidic aqueous solutions during the weathering and oxidation of preexisting minerals. In the Southwestern United States turquoise is almost invariably associated with the products of copper sulfide deposits in or around potassium-feldspar-bearing porphyritic intrusives. In some occurrences alunite, potassium sulfate, is a prominent secondary mineral. Turquoise is nearly always cryptocrystalline and massive and assumes no definite external shape, crystals, even at the microscopic scale, are exceedingly rare. Typically the form is vein or fracture filling, nodular, or botryoidal in habit, Turquoise may also pseudomorphously replace feldspar, apatite, other minerals, or even fossils. Odontolite is fossil bone or ivory that has been thought to have been altered by turquoise or similar phosphate minerals such as the iron phosphate vivianite. Intergrowth with other copper minerals such as chrysocolla is also common
43.
Duat
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Duat was the realm of the dead in ancient Egyptian mythology. It was the realm of the deity Osiris and the residence of other gods, the Duat was the region through which the sun god Ra traveled from west to east during the night, and where he battled Apep. It was also the place where peoples souls went after death for judgement, burial chambers formed touching-points between the mundane world and the Duat, and spirits could use tombs to travel back and forth from the Duat. What is known of the Duat derives principally from funerary texts such as the Book of Gates, the Book of Caverns, the Coffin Texts, the Amduat, and the Book of the Dead. Each of these fulfilled a different purpose and gave a different perspective on the Duat. Surviving texts differ in age and origin, and there likely was never a single interpretation of the Duat. The geography of Duat is similar in outline to the world the Egyptians knew, there are realistic features like rivers, islands, fields, lakes, mounds and caverns, along with fantastic lakes of fire, walls of iron and trees of turquoise. In the Book of Two Ways, one of the Coffin Texts, the Book of the Dead and Coffin Texts were intended to guide people who had recently died through the Duats dangerous landscape and to a life as an akh or blessed spirit amongst the gods. The dead person must pass a series of gates guarded by dangerous spirits, depicted as human bodies with heads of animals, insects. These beings have equally grotesque names, for instance Blood-drinker who comes from the Slaughterhouse or One who eats the excrement of his hindquarters, other features emphasised in these texts are mounds and caverns, inhabited by gods or supernatural animals, which threatened the spirits of the dead. The purpose of the books is not to lay out a geography, if the deceased successfully passed these unpleasant demons, he or she would reach the Weighing of the Heart. In this ritual, the heart of the deceased was weighed by Anubis, using a feather, representing Maat, any hearts heavier than her feather were rejected and eaten by the Ammit, the Devourer of Souls. Those souls that were lighter than a feather passed the test would be allowed to travel toward the paradise of Aaru, in spite of the unpleasant inhabitants of the Duat, this was no Hell to which souls were condemned, the nature of Duat is more complex than that. The grotesque spirits of the underworld were not evil, but under the control of the Gods. The Duat was also a residence of gods themselves, as well as Osiris, Anubis, Thoth, Horus, Hathor and Maat all appear as a dead soul makes its way toward judgement. It was also in the underworld that the sun, Ra, travelled under the Earth upon his Atet barge from west to east and was transformed from its aged Atum form into Khepri, the new dawning Sun. Just as a person faced many challenges in the Duat. The Egyptian Book of the Dead, The Book of Going Forth by Day, chronicle Books,2000 Pinch, G. Magic in Ancient Egypt
44.
Heliopolis (ancient Egypt)
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Heliopolis was a major city of ancient Egypt. It was the capital of the 13th or Heliopolite Nome of Lower Egypt and it is now located in Ayn Shams, a northeastern suburb of Cairo. Heliopolis was one of the oldest cities of ancient Egypt, occupied since the Predynastic Period and it greatly expanded under the Old and Middle Kingdoms but is today mostly destroyed, its temples and other buildings having been scavenged for the construction of medieval Cairo. Most information about the ancient city comes from surviving records, the major surviving remnant of Heliopolis is the obelisk of the Temple of Ra-Atum erected by Senusret I of Dynasty XII. It still stands in its position, now within Al-Masalla in Al-Matariyyah. The 21 m high red granite obelisk weighs 120 tons, Heliopolis is the latinized form of the Ptolemaic Greek name Hēlioúpolis, meaning City of the Sun. Helios, the personified and deified form of the sun, was identified by the Greeks with the native Egyptian gods Ra and Atum and its native name was I͗wnw, whose exact pronunciation is uncertain because ancient Egyptian recorded only consonantal values. Its traditional Egyptological transcription is Iunu but it appears in biblical Hebrew as Ôn and Āwen, variant transcriptions include Awnu and Annu. The city also appears in the Old Kingdom Pyramid Texts as the House of Ra, in ancient Egypt, Heliopolis was a regional center from predynastic times. It was principally notable as the center of the sun god Atum. The primary temple of the city was known as the Great House or House of Atum and its priests maintained that Atum or Ra was the first being, rising self-created from the primeval waters. A decline in the importance of Ras cult during Dynasty V led to the development of the Ennead, the high priests of Ra are not as well documented as those of other deities, although the high priests of Dynasty VI have been discovered and excavated. During the Amarna Period of Dynasty XVIII, Pharaoh Akhenaten introduced a kind of worship of Aten. As part of his projects, he built a Heliopolitan temple named Elevating Aten. The cult of the Mnevis bull, another embodiment of the Sun, had its altar here as well and their personal formal burial ground was situated north of the city. The store-city Pithom is mentioned once in the Hebrew Bible, and according to one theory, ptolemy II had Manetho, the chief priest of Heliopolis, collect his history of the ancient kings of Egypt from its archives. By the 1st century BC, in fact, Strabo found the deserted. In Roman Egypt, Heliopolis belonged to the province Augustamnica, causing it to appear as Heliopolis in Augustamnica when it needed to be distinguished from Baalbek and its population probably contained a considerable Arabian element
45.
Atum
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Atum, sometimes rendered as Atem or Tem, is an important deity in Egyptian mythology. Atums name is thought to be derived from the word tem which means to complete or finish, thus he has been interpreted as being the complete one and also the finisher of the world, which he returns to watery chaos at the end of the creative cycle. As creator he was seen as the substance of the world. In the Heliopolitan creation myth, Atum was considered to be the first god, having created himself, sitting on a mound, early myths state that Atum created the god Shu and goddess Tefnut by spitting them out of his mouth. To explain how Atum did this, the uses the metaphor of masturbation. Other interpretations state that he has made union with his shadow, in the Old Kingdom the Egyptians believed that Atum lifted the dead kings soul from his pyramid to the starry heavens. He was also a deity, associated with the primary sun god Ra. Atum was linked specifically with the sun, while Ra or the closely linked god Khepri were connected with the sun at morning. Atum is the god of pre-existence and post-existence, in the binary solar cycle, the serpentine Atum is contrasted with the ram-headed scarab Khepri—the young sun god, whose name is derived from the Egyptian hpr to come into existence. Khepri-Atum encompassed sunrise and sunset, thus reflecting the solar cycle. Atum was a deity, the first being to emerge from the darkness and endless watery abyss that existed before creation. A product of the energy and matter contained in this chaos, he created his children—the first deities and he produced from his own sneeze, or in some accounts, semen, Shu, the god of air, and Tefnut, the goddess of moisture. The brother and sister, curious about the waters that surrounded them, went to explore the waters. Unable to bear his loss, Atum sent a fiery messenger, the tears of joy he shed on their return were the first human beings. He is usually depicted as a man wearing either the royal head-cloth or the white and red crown of Upper Egypt and Lower Egypt. Sometimes he also is shown as a serpent, the form he returns to at the end of the creative cycle, atums cult centered on the city of Heliopolis. The only surviving remnant of Heliopolis is the Temple of Re-Atum obelisk located in Al-Masalla of Al-Matariyyah and it was erected by Senusret I of the Twelfth dynasty, and still stands in its original position. The 68 ft high red granite obelisk weighs 120 tons, band I, Die heiligen Tiere des Atum
46.
Venus figurines
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These figurines were carved from soft stone, bone or ivory, or formed of clay and fired. The latter are among the oldest ceramics known, in total, some 144 such figurines are known, virtually all of modest size, between 3 cm and 40 cm or more in height. They are some of the earliest works of prehistoric art, most of them have small heads, wide hips, and legs that taper to a point. In contrast, arms and feet are absent, and the head is usually small. Depictions of hairstyles can be detailed, and especially in Siberian examples, the original cultural meaning and purpose of these artifacts is not known. It has frequently been suggested that they may have served a ritual or symbolic function, the use of the name is metaphorical as there is no link between the figurines and the Roman goddess Venus, although they have been seen as representations of a primordial female goddess. The term has been criticised for being more a reflection of modern western ideas than reflecting the beliefs of the original owners. Vénus impudique, the figurine that gave the class its name, was the very first Paleolithic sculptural representation of a woman discovered in modern times. It was found in about 1864 by Paul Hurault, 8th Marquis de Vibraye at the archaeological site of Laugerie-Basse in the Vézère valley. The Magdalenian Venus from Laugerie-Basse is headless, footless, armless, four years later, Salomon Reinach published an article about a group of steatite figurines from the caves of Balzi Rossi. The famous Venus of Willendorf was excavated in 1908 in a deposit in the Danube valley. Since then, hundreds of similar figurines have been discovered from the Pyrenees to the plains of Siberia. The ivory carving, found in six fragments in Germanys Hohle Fels cave, represents the features of Venus figurines, including the swollen belly, wide-set thighs. The majority of the Venus figurines appear to be depictions of females, many of which follow certain artistic conventions, most of them are roughly lozenge-shaped, with two tapering terminals at top and bottom and the widest point in the middle. In some examples, certain parts of the anatomy are exaggerated, abdomen, hips, breasts, thighs. In contrast, other details are neglected or absent, especially arms. The heads are often of small size and devoid of detail. Some may represent pregnant women, while others show no such signs, the absence of feet has led to suggestions that the figures might have been made to stand upright by inserting the legs into the ground like a peg
47.
Dendera Temple complex
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Dendera Temple complex, is located about 2.5 kilometres south-east of Dendera, Egypt. It is one of the temple complexes in Egypt. The area was used as the sixth Nome of Upper Egypt, the whole complex covers some 40,000 square meters and is surrounded by a hefty mud brick enclosed wall. Dendera was a site for chapels or shrines from the beginning of history of ancient Egypt and it seems that pharaoh Pepi I built on this site and evidence exists of a temple in the eighteenth dynasty. But the earliest extant building in the compound today is the Mammisi raised by Nectanebo II – last of the native pharaohs, the all overshadowing building in the Complex is the main temple, namely Hathor temple. The temple has been modified on the site starting as far back as the Middle Kingdom. The existing structure was no later than the late Ptolemaic period. The temple, dedicated to Hathor, is one of the best preserved temples in all Egypt, subsequent additions were added in Roman times. On the rear of the exterior is a carving of Cleopatra VII Philopator and her son, Ptolemy XV Philopator Philometor Caesar. The sculptured Dendera zodiac is a widely known relief found in a late Greco-Roman temple, containing images of Taurus, a sketch was made of it during the Napoleonic campaign in Egypt. In 1820 it was removed from the ceiling and is now in the Louvre. Champollions guess that it was Ptolemaic proved correct and Egyptologists now date it to the first century BC, the Dendera necropolis is a series of mastaba tombs. The necropolis dates from the Early Dynastic Period of the Old Kingdom to the First Intermediate Period of Egypt, the necropolis runs the eastern edge of the western hill and over the northern plain. The subterranean Hathor temple tombs total 12 chambers, some reliefs are dated to as late as Ptolemy XII Neos Dionysos reign. The crypts reportedly were used for storing vessels and divine iconography, an opening in the Flame Room floor leads to a narrow chamber with representations on the walls of the objects which were kept in them. In the second chamber, a relief depicts Pepi I and he offers a statuette of the god Ihy to four images of Hathor. In the crypt, reached from the Throne room, Ptolemy XII has jewelry, Hathor Temple has a relief sometimes known as the Dendera light because of a controversial fringe thesis about its nature. The Dendera light images comprise five stone reliefs in the Hathor temple at the Dendera Temple complex located in Egypt
48.
Upper Egypt
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Upper Egypt is the strip of land on both sides of the Nile that extends between Nubia and downriver to Lower Egypt. Upper Egypt is between the Cataracts of the Nile above modern-day Aswan, downriver to the area between Dahshur and El-Ayait, which is south of modern-day Cairo, the northern part of Upper Egypt, between Sohag and El-Ayait, is also known as Middle Egypt. In Arabic, inhabitants of Upper Egypt are known as Saidis, in ancient Egypt, Upper Egypt was known as tꜣ šmꜣw, literally the Land of Reeds or the Sedgeland It was divided into twenty-two districts called nomes. The first nome was roughly where modern-day Aswan is and the twenty-second was at modern Atfih just to the south of Cairo, the main city of prehistoric Upper Egypt was Nekhen, whose patron deity was the vulture goddess Nekhbet. By about 3600 BC, Neolithic Egyptian societies along the Nile had based their culture on the raising of crops, shortly after 3600 BC, Egyptian society began to grow and increase in complexity. A new and distinctive pottery, which was related to the Levantine ceramics, extensive use of copper became common during this time. The Mesopotamian process of sun-drying adobe and architectural principles—including the use of the arch, concurrent with these cultural advances, a process of unification of the societies and towns of the upper Nile River, or Upper Egypt, occurred. At the same time the societies of the Nile Delta, or Lower Egypt also underwent a unification process, warfare between Upper and Lower Egypt occurred often. During his reign in Upper Egypt, King Narmer defeated his enemies on the Delta, for most of pharaonic Egypts history, Thebes was the administrative center of Upper Egypt. After its devastation by the Assyrians, its importance declined, under the Ptolemies, Ptolemais Hermiou took over the role of Upper Egypts capital city. Upper Egypt was represented by the tall White Crown Hedjet, and its symbols were the flowering lotus, in the 11th century, large numbers of pastoralists, known as Hilalians, fled Upper Egypt and moved westward into Libya and as far as Tunis. It is believed that degraded grazing conditions in Upper Egypt, associated with the beginning of the Medieval Warm Period, were the cause of the migration. In the 20th-century Egypt, the title Prince of the Said was used by the apparent to the Egyptian throne. Although the Kingdom of Egypt was abolished after the Egyptian revolution of 1952, media related to Upper Egypt at Wikimedia Commons
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