Helen Louise Gardner was an American stage and film actress, screenwriter, film producer and costume designer. She was the first film actor to form her own production company. Her productions were primarily feature-length films, making her one of the earliest adopters of the feature film. Gardner's work was distinct for frequently centering female characters. Gardner is also considered one of the screen's first vamps.
1911
A femme fatale, sometimes called a maneater, Mata Hari, or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising, deadly traps. She is an archetype of literature and art. Her ability to enchant, entice and hypnotize her victim with a spell was in the earliest stories seen as verging on supernatural; hence, the femme fatale today is still often described as having a power akin to an enchantress, seductress, witch, having power over men. Femmes fatales are typically villainous, or at least morally ambiguous, and always associated with a sense of mystification, and unease.
The divine femme fatale of Hindu mythology, Apsara Mohini is described to have enchanted gods, demons and sages alike.
Salome in a 1906 painting by Franz von Stuck
Actress Theda Bara, in the film A Fool There Was
Femme fatale Phyllis Dietrichson, played by Barbara Stanwyck, in the classic film noir Double Indemnity