1.
Louis Lully
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Louis Lully was a French musician and the eldest son of Jean-Baptiste Lully. Louis Lully was the child and eldest son of Jean-Baptiste Lully. He married Marthe Bourgeois on 27 December 1694, in St. Martial de Paris, with the tacit and verbal consent of Madeleine Lambert, his mother, the son survived Louis Lully by only a little over a year, dying in Paris on 21 July 1735. What success he had as a composer was mostly down to works written in collaboration with others. For example, he collaborated with his brother Jean-Louis and Pierre Vignon on Zéphire et Flore, the one work he composed on his own, Orphée, was badly received when it was performed, though historians find it important for the prominence given in it to accompanied recitative. LIntermédiaire des chercheurs et curieux 42, no, the New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. Carnival in Venice or Protest in Paris, Louis XIV and the Politics of Subversion at the Paris Opéra. Journal of the American Musicological Society 54, no
2.
France
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France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
3.
Baroque music
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Baroque music is a style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era, Baroque music forms a major portion of the classical music canon, being widely studied, performed, and listened to. The Baroque period saw the creation of tonality, an approach to writing music in which a song or piece is written in a particular key, during the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. A characteristic Baroque form was the dance suite, while the pieces in a dance suite were inspired by actual dance music, dance suites were designed for listening, not for accompanying dancers. During the period, composers and performers used more elaborate ornamentation, made changes in musical notation. Many musical terms and concepts from this era, such as toccata, fugue, dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously, was an important part of many Baroque choral and instrumental works. The word baroque comes from the Portuguese word barroco, meaning misshapen pearl, the term Baroque is generally used by music historians to describe a broad range of styles from a wide geographic region, mostly in Europe, composed over a period of approximately 150 years. The systematic application by historians of the baroque to music of this period is a relatively recent development. In 1919, Curt Sachs became the first to apply the five characteristics of Heinrich Wölfflins theory of the Baroque systematically to music, all of these efforts resulted in appreciable disagreement about time boundaries of the period, especially concerning when it began. In English the term acquired currency only in the 1940s, in the writings of Bukofzer, nevertheless, the term has become widely used and accepted for this broad range of music. It may be helpful to distinguish the Baroque from both the preceding and following periods of musical history, the Baroque period is divided into three major phases, early, middle, and late. Although they overlap in time, they are dated from 1580 to 1630, from 1630 to 1680. In reference to music, they based their ideals on a perception of Classical musical drama that valued discourse, the early realizations of these ideas, including Jacopo Peris Dafne and LEuridice, marked the beginning of opera, which were a catalyst for Baroque music. Concerning music theory, the widespread use of figured bass represents the developing importance of harmony as the linear underpinnings of polyphony. Harmony is the end result of counterpoint, and figured bass is a representation of those harmonies commonly employed in musical performance. With figured bass, numbers, accidentals or symbols were placed above the bassline that was read by keyboard instrument players such as players or pipe organists. The numbers, accidentals or symbols indicated to the player what intervals she should play above each bass note. The keyboard player would improvise a chord voicing for each bass note and this led to the idea that certain sequences of chords, rather than just notes, could provide a sense of closure at the end of a piece—one of the fundamental ideas that became known as tonality
4.
Sacred music
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Religious music is music performed or composed for religious use or through religious influence. Ritual music is music, sacred or not, performed or composed for or as ritual, according to some scholars, the earliest music in the Christian Church came from Jewish worship music, with some additional Syriac influence. It is believed that this music lay somewhere between singing and speaking, or speaking with an understood ritual cadence, however, there is another opinion that the roots of early Christian music come from the early ascetic monastic orders. Hindu music is created for or influenced by Hinduism. The earliest synagogal music was based on the system as that in the Temple in Jerusalem. Shintō music is music for Shinto which is the native religion of Japan. Buddhist music is music for Buddhist ceremony or meditation, Zoroastrian music is a genre of music that accompanies Zoroastrian traditions and rites. Church music Gospel music Liturgical music Music and politics Secular music Spiritual World Sacred Music Festival Conomos, early Christian and Byzantine Music, History and Performance. Reprinted Archdiocesan School of Byzantine Music, Greek Orthodox Archdioces of America,15 November 2012, from Age to Age, How Christians Have Celebrated the Eucharist. The Oxford History of Western Music, fertonani, Cesare, Raffaele Mellace, Cesare Toscani, eds. La Musica Sacra nella Milano del Settecento, Gregorian chant, liturgical music The Gregorian chant of the abbeys of Provence in France New England religious music Hibbas Web Anthology of Traditional Jewish Music Religious Music - Greek
5.
Cantata
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A cantata is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata, several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Johann Sebastian Bach composed cycles of cantatas for the occasions of the liturgical year. The term originated in the early 17th century simultaneously with opera, prior to that, all cultured music was vocal. With the rise of music the term appeared, while the instrumental art became sufficiently developed to be embodied in sonatas. From the beginning of the 17th century until late in the 18th, a cantata consisted first of a declamatory narrative or scene in recitative, held together by a primitive aria repeated at intervals. Fine examples may be found in the music of Giacomo Carissimi. With the rise of the da capo aria, the became a group of two or three arias joined by recitative. George Frideric Handels numerous Italian duets and trios are examples on a large scale. His Latin motet Silete Venti, for solo, shows the use of this form in church music. This is equally evident whether we examine the church cantatas of Bach, of which nearly 200 are extant. Cantatas were in demand for the services of the Lutheran church. Many secular cantatas were composed for events in the nobility and they were so similar in form to the sacred ones that many of them were parodied to sacred cantatas, for example in Bachs Christmas Oratorio. The term cantata came to be applied almost exclusively to choral works, Anton Bruckner composed several Name-day cantatas, a Festive Cantata and two secular cantatas. Brucknerss Psalm 146 is also in cantata form, mendelssohns Symphony Cantata, the Lobgesang, is a hybrid work, partly in the oratorio style. Robert Schumann wrote the cantata Paradise and the Peri, the full lyric possibilities of a string of choral songs were realized by Johannes Brahms in his Rinaldo, that—like the Walpurgisnacht—was set to a text by Goethe. The competition for the French Prix de Rome prescribed that each candidate submit a cantata, hector Berlioz failed in three attempts before finally winning in 1830 with Sardanapale. While almost all of the Prix de Rome cantatas have long since been forgotten, cantatas, both of the chamber variety and on a grand scale, were composed after 1900 as well
6.
Palace of Versailles
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The Palace of Versailles, Château de Versailles, or simply Versailles, is a royal château in Versailles in the Île-de-France region of France. Versailles is therefore not only as a building, but as a symbol of the system of absolute monarchy of the Ancien Régime. First built by Louis XIII in 1623, as a lodge of brick and stone. The first phase of the expansion was designed and supervised by the architect Louis Le Vau and it culminated in the addition of three new wings of stone, which surrounded Louis XIIIs original building on the north, south, and west. After Le Vaus death in 1670, the work was taken over and completed by his assistant, charles Le Brun designed and supervised the elaborate interior decoration, and André Le Nôtre landscaped the extensive Gardens of Versailles. Le Brun and Le Nôtre collaborated on the fountains, and Le Brun supervised the design. During the second phase of expansion, two enormous wings north and south of the wings flanking the Cour Royale were added by the architect Jules Hardouin-Mansart. He also replaced Le Vaus large terrace, facing the garden on the west, with became the most famous room of the palace. The Royal Chapel of Versailles, located at the end of the north wing, was begun by Mansart in 1688. One of the most baffling aspects to the study of Versailles is the cost – how much Louis XIV, owing to the nature of the construction of Versailles and the evolution of the role of the palace, construction costs were essentially a private matter. Initially, Versailles was planned to be a residence for Louis XIV and was referred to as the kings house. Once Louis XIV embarked on his campaigns, expenses for Versailles became more of a matter for public record. To counter the costs of Versailles during the years of Louis XIVs personal reign. Accordingly, all materials that went into the construction and decoration of Versailles were manufactured in France, even the mirrors used in the decoration of the Hall of Mirrors were made in France. While Venice in the 17th century had the monopoly on the manufacture of mirrors, to meet the demands for decorating and furnishing Versailles, Colbert nationalised the tapestry factory owned by the Gobelin family, to become the Manufacture royale des Gobelins. In 1667, the name of the enterprise was changed to the Manufacture royale des Meubles de la Couronne, the Comptes meticulously list the expenditures on the silver furniture – disbursements to artists, final payments, delivery – as well as descriptions and weight of items purchased. Entries for 1681 and 1682 concerning the silver used in the salon de Mercure serve as an example. 5 In anticipation, For the silver balustrade for the bedroom,90,000 livres II
7.
Paris
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Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
8.
Bourgeois
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A legally defined class of the Middle Ages to the end of the Ancien Régime in France, that of inhabitants having the rights of citizenship and political rights in a city. This bourgeoisie destroyed aristocratic privilege and established civic equality after the French monarchy collapsed, the aristocracy crumbled because it refused to reform institutions and financial systems. An affluent and often opulent stratum of the class who stand opposite the proletariat class. In English, bourgeoisie identified a social class oriented to economic materialism and hedonism, hence, since the 19th century, the term bourgeoisie usually is politically and sociologically synonymous with the ruling upper class of a capitalist society. The 18th century saw a partial rehabilitation of bourgeois values in such as the drame bourgeois and bourgeois tragedy. The bourgeoisie emerged as a historical and political phenomenon in the 11th century when the bourgs of Central and this urban expansion was possible thanks to economic concentration due to the appearance of protective self-organisation into guilds. Guilds arose when individual businessmen conflicted with their feudal landlords who demanded greater rents than previously agreed. In English, the bourgeoisie is often used to denote the middle classes. In fact, the French term encompasses both the upper and middle classes, a misunderstanding which has occurred in other languages as well. The bourgeoisie in France and many French-speaking countries consists of four evolving social layers, petite bourgeoisie, moyenne bourgeoisie, grande bourgeoisie, the petite bourgeoisie consists of people who have experienced a brief ascension in social mobility for one or two generations. It usually starts with a trade or craft, and by the second and third generation, the petite bourgeois would belong to the British lower middle class and would be American middle income. They are distinguished mainly by their mentality, and would differentiate themselves from the proletariat or working class and this class would include artisans, small traders, shopkeepers, and small farm owners. They are not employed, but may not be able to afford employees themselves, the moyenne bourgeoisie or middle bourgeoisie contains people who have solid incomes and assets, but not the aura of those who have become established at a higher level. They tend to belong to a family that has been bourgeois for three or more generations, some members of this class may have relatives from similar backgrounds, or may even have aristocratic connections. The moyenne bourgeoisie is the equivalent of the British and American upper-middle classes, the grande bourgeoisie are families that have been bourgeois since the 19th century, or for at least four or five generations. Members of these tend to marry with the aristocracy or make other advantageous marriages. This bourgeoisie family has acquired an established historical and cultural heritage over the decades, the names of these families are generally known in the city where they reside, and their ancestors have often contributed to the regions history. These families are respected and revered and they belong to the upper class, and in the British class system are considered part of the gentry
9.
Huissier
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The French word huissier comes from huis, an archaic term for a door. The word huissier thus designates two professions that originally had to do with opening and closing doors, in French government ministries and Parliament, a huissier, which can be translated as usher, is an employee who provides general service to the minister or assembly. Traditionally, they wear a chain around the neck, because their function was to lock and unlock doors. There is some debate that the demonym for people from the U. S. state of Indiana, aegis Huissier de justice Neck order Chain of office Doorman Footman Usher Hospitality Protocol Meet and Greet
10.
Louis XIV
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Louis XIV, known as Louis the Great or the Sun King, was a monarch of the House of Bourbon who ruled as King of France and Navarre from 1643 until his death in 1715. His reign of 72 years and 110 days is the longest of any monarch of a country in European history. In the age of absolutism in Europe, Louis XIVs France was a leader in the centralization of power. Louis began his rule of France in 1661, after the death of his chief minister. By these means he became one of the most powerful French monarchs, under his rule, the Edict of Nantes, which granted rights to Huguenots, was abolished. The revocation effectively forced Huguenots to emigrate or convert in a wave of dragonnades, which managed to virtually destroy the French Protestant minority. During Louis reign, France was the leading European power, and it fought three wars, the Franco-Dutch War, the War of the League of Augsburg. There were also two lesser conflicts, the War of Devolution and the War of the Reunions, warfare defined Louis XIVs foreign policies, and his personality shaped his approach. Impelled by a mix of commerce, revenge, and pique, in peacetime he concentrated on preparing for the next war. He taught his diplomats their job was to create tactical and strategic advantages for the French military, Louis XIV was born on 5 September 1638 in the Château de Saint-Germain-en-Laye, to Louis XIII and Anne of Austria. He was named Louis Dieudonné and bore the title of French heirs apparent. At the time of his birth, his parents had married for 23 years. His mother had experienced four stillbirths between 1619 and 1631, leading contemporaries thus regarded him as a divine gift and his birth a miracle of God. Sensing imminent death, Louis XIII decided to put his affairs in order in the spring of 1643, in defiance of custom, which would have made Queen Anne the sole Regent of France, the king decreed that a regency council would rule on his sons behalf. His lack of faith in Queen Annes political abilities was his primary rationale and he did, however, make the concession of appointing her head of the council. Louis relationship with his mother was uncommonly affectionate for the time, contemporaries and eyewitnesses claimed that the Queen would spend all her time with Louis. Both were greatly interested in food and theatre, and it is likely that Louis developed these interests through his close relationship with his mother. This long-lasting and loving relationship can be evidenced by excerpts in Louis journal entries, such as, but attachments formed later by shared qualities of the spirit are far more difficult to break than those formed merely by blood
11.
Page (occupation)
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A page or page boy is traditionally a young male servant, but may also have been used for a messenger at the service of a nobleman. The origin of the term is uncertain, but may come either from the Latin pagus, a page boy is often used as a symbolic attendant during wedding ceremonies to carry the rings, a role comparable to the scattering of flower petals by flower girls. In medieval times, a page was an attendant to a nobleman or a knight, until the age of about seven, sons of noble families would receive training in manners and basic literacy from their mothers or other female relatives. Upon reaching seven years old, a boy would be sent to the castle and this would match the age at which apprenticeships or servants employment would be entered into by young males from lower social classes. A young boy served as a page for about seven years, running messages, serving, cleaning clothing and weapons and he might be required to arm or dress the lord to whom he had been sent by his own family. Personal service of this nature was not considered as demeaning, in the context of shared noble status by page and it was seen rather as a form of education in return for labour. While a page did not receive reimbursement other than clothing, accommodation and food, in return for his work, the page would receive training in horse-riding, hunting, hawking and combat - the essential skills required of adult men of his rank in medieval society. Less physical training included schooling in the playing of instruments, the composition and singing of songs. They also learned courtly manners and, in attending to the needs of their master, at age fourteen, the young noble could graduate to become a squire, and by age 21, perhaps a knight himself. These boys were often the scions of other families who were sent to learn the ways of the manorial system by observation. Their residence in the served as a goodwill gesture between the two families involved and helped them gain social and political contacts for their adult lives. A reference to this kind of page is found in the Christmas carol Good King Wenceslaus, Hither, page and this type of page is almost unheard of today outside of royal residences, although the functions and status of legislative pages are a clear continuation of the earlier role. Until the early 20th century boys of humble background might gain a place in a great house. According to the International Butler Academy, these pages were apprentice footmen, unlike the hall boys, who did heavy work, these pages performed light odd-jobs and stood in attendance wearing livery when guests were being received. During and following the Renaissance it became fashionable for black boys and young men to be decorative pages, placed into fancy costumes and attending fashionable ladies and this custom lasted for several centuries and the African page became a staple accoutrement of baroque and rococo style. Valentine Nwanze played an African page attending James Graham, Marquess of Montrose in the film Rob Roy, koko, the fictional manservant of an opera diva, is cast as her African page in A Nut at the Opera by Maurice Vellekoop. Decorative pages feature in a drawing room scene in Persuasion, while the traditional pages are rare in the modern private workforce, US television network NBCs page program is a notable example of contemporary workplace pages. Page of Honour Page Slave collar
12.
Saint-Germain l'Auxerrois
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The Church of Saint-Germain-lAuxerrois is situated at 2 Place du Louvre, Paris 75001, the nearest Métro station is Louvre-Rivoli. Alexandre Boëly was organist at church from 1840 to 1851. Founded in the 7th century, the church was rebuilt many times over several centuries and it now has construction in Roman, Gothic and Renaissance styles. The most striking feature is the porch, with a rose window and a balustrade above which encircles the whole church. During the Wars of Religion, its bell called Marie sounded on the night of 23 August 1572, thousands of Huguenots, who visited the city for a royal wedding, were killed by the mob of Paris. A splendid stained glass still remains, in spite of plunderings during the French Revolution, the north tower was added in 1860 and stands opposite the Mairie of the 1st Arrondissement. Website Media related to Église Saint-Germain-lAuxerrois de Paris at Wikimedia Commons
13.
Henry Du Mont
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Henri Dumont was a Southern-Netherlandisch composer. Dumont was born to Henry de Thier and Elisabeth Orban in Looz, the family moved in 1613 to Maastricht, where Henri and his brother Lambert were choirboys at the church of Notre-Dame. In 1630 he was named organist and given a leave of two months to complete his education, in the principality of Liège he studied with Léonard de Hodémont, absorbing trends from Italy. On 1 December 1632, he resigned in favor of his brother, in 1639 he went to Paris to become organist at the important parish church of Saint-Paul. From this time he used the name Dumont or Du Mont in place of De Thier, from 1652 he was harpsichordist at the court of the Duke of Anjou, and in 1660 he obtained that post to the young queen Marie-Thérése. In 1663 he became maitre of the Chapelle Royale in Versailles, in 1672 he became Sous-maître de la musique du Roy, Dumont was married to Mechthild Loyens, daughter of the mayor of Maastricht. As a widower he acquired the benefice of the abbey of Silly near Lisieux in Normandy. In 1683 he resigned the last of his posts and died a year later in Paris, with the exception of a few songs and the instrumental pieces in the 1657 Meslanges, Dumont was a composer of religious music. His output includes nearly a hundred Petits Motets, the principal French genre of his time, his illustrious successors were Jean-Baptiste Lully, Du Mont was the first to publish separate continuo partbooks in France. Meslanges à II, III, IV et V parties, avec la basse continue Cantica sacra II, III, IV cum vocibus tum instrumentibus modulata. Liber primus, Paris 1652 Meslanges à II, III, IV et V parties, imprimez par exprès commandement de Sa Majesté. In addition, the Bibliothèque Nationale holds numerous works in manuscript among which is Dialogus de anima for five voices, the anthology Cantica sacra published in 1652 contained motets for 1,2,3 or 4 soloists with continuo, the first of their kind in France. What was new was not the use of continuo but the combining, in sacred music, of solo voices with obbligato instruments, here there are many innovations, such as the introduction of typical Italian devices such as vocalise and echo. The grand motets also look forward to later written for Versailles. The oratorio genre and the style are both prefigured in the dialogue motets. As to the continuo, if he did not introduce it to France, he was the first to print a separate partbook and his grands motets pour la Chapelle Royale reunite all the formal experiments of his previous work. It is notable that Dumonts motets were sung in churches into the 1730s. Dumonts grands motets for the Chapelle Royale are the first representatives of the genre, the five-part writing is typical of the French grand motet and remained so until the 18th century
14.
Jean-Baptiste Lully
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Jean-Baptiste Lully was an Italian-born French composer, instrumentalist, and dancer who spent most of his life working in the court of Louis XIV of France. He is considered a master of the French baroque style, Lully disavowed any Italian influence in French music of the period. He became a French subject in 1661, Lully was born on November 28,1632 in Florence, Grand Duchy of Tuscany, to a family of millers. His general education and his training during his youth in Florence remain uncertain. He used to say that a Franciscan friar gave him his first music lessons and he also learned to play the violin. Guise took the boy to Paris, where the fourteen-year-old entered Mademoiselles service and he probably honed his musical skills by working with Mademoiselles household musicians and with composers Nicolas Métru, François Roberday and Nicolas Gigault. The teenagers talents as a guitarist, violinist, and dancer quickly won him the nicknames Baptiste, when Mademoiselle was exiled to the provinces in 1652 after the rebellion known as the Fronde, Lully begged his leave. Because he did not want to live in the country, by February 1653 Lully had attracted the attention of young Louis XIV, dancing with him in the Ballet royal de la nuit. By March 16,1653, Lully had been made royal composer for instrumental music and his vocal and instrumental music for court ballets gradually made him indispensable. In 1660 and 1662 he collaborated on performances of Francesco Cavallis Xerse. When Louis XIV took over the reins of government in 1661, in December 1661 the Florentine was granted letters of naturalization. The latter assertion was an untruth, from 1661 on, the trios and dances he wrote for the court were promptly published. When he became surintendant de la de la chambre du roi in 1661. He relied mainly on the Little Violins for court ballets and their collaboration began in earnest in 1664 with Le Mariage forcé. In 1672 Lully broke with Molière, who turned to Marc-Antoine Charpentier, having acquired Pierre Perrins opera privilege, Lully became the director of the Académie Royale de Musique, that is, the royal opera, which performed in the Palais-Royal. Between 1673 and 1687 he produced a new opera almost yearly and fiercely protected his monopoly over that new genre, after Queen Marie-Thérèses death in 1683 and the kings secret marriage to Mme de Maintenon, devotion came to the fore at court. The kings enthusiasm for opera dissipated, he was revolted by Lullys dissolute life, in 1686, to show his displeasure, Louis XIV made a point of not inviting Lully to perform Armide at Versailles. Lully died from gangrene, having struck his foot with his conducting staff during a performance of his Te Deum to celebrate Louis XIVs recovery from surgery
15.
Idyll
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An idyll or idyl is a short poem, descriptive of rustic life, written in the style of Theocritus short pastoral poems, the Idylls. Unlike Homer, Theocritus did not engage in heroes and warfare and his idylls are limited to a small intimate world, and describe scenes from everyday life. Later imitators include the Roman poets Virgil and Catullus, Italian poets Torquato Tasso, Sannazaro and Leopardi, the English poet Alfred, Lord Tennyson, goethe called his poem Hermann and Dorothea—which Schiller considered the very climax in Goethes production—an idyll. Examples of the latter are Lullys LIdylle sur la Paix set to a text by Racine, in the visual arts, an idyll is a painting depicting the same sort of subject matter to be found in idyllic poetry, often with rural or peasant life as its central theme. One of the earliest examples is the early 15th century Très Riches Heures du Duc de Berry, the genre was particularly popular in English paintings of the Victorian era
16.
Louis, Dauphin of France, Duke of Burgundy
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Louis, Duke of Burgundy and later Dauphin of France was the eldest son of Louis, Grand Dauphin, and father of Louis XV. Until he became the official Dauphin of France upon his fathers death in 1711, he was known as Le Petit Dauphin to distinguish him from his father, who was known as le Grand Dauphin. Louis was born in the Palace of Versailles, the eldest son of Louis, le Grand Dauphin, at birth, he received the title of Duke of Burgundy. He lost his mother when he was eight and his father never played a major role in politics. Fénelons thoughts and beliefs influenced the young prince throughout his life, at the age of 15, he married his second cousin, Princess Marie-Adélaïde of Savoy, the daughter of Victor Amadeus II, Duke of Savoy and Anne Marie dOrléans. This match had been decided as part of the Treaty of Turin, the wedding took place on 7 December 1697 at the Palace of Versailles. In 1702, at the age of twenty, the Duke of Burgundy was admitted by Louis XIV to the Conseil den haut and his father had only been admitted to the High Council at the age of thirty. In 1708, during the War of the Spanish Succession, Louis was given command of the army in Flanders, with the experienced soldier Louis Joseph, Duke of Vendôme, serving under him. The uncertainty as to which of the two should truly command the army led to delays and the need to refer decisions to Louis XIV, continued indecision led to French inactivity as messages travelled between the front and Versailles, the Allies were then able to take the initiative. The culmination of this was the Battle of Oudenarde, where the Duke of Burgundys mistaken choices and reluctance to support Vendôme led to a decisive defeat for the French. In the aftermath of the defeat, his hesitation to relieve the Siege of Lille led to the loss of the city and these high-ranking aristocrats sought a return to a monarchy less absolute and less centralised, with more powers granted to the individual provinces. They perceived that government should work through councils and intermediary organs between the king and the people, had the Duke of Burgundy succeeded to the throne, he may have applied this concept of monarchy. Louis became Dauphin of France upon the death of his father in 1711, in February 1712, his wife contracted measles and died on February 12. The Duke of Burgundy, who loved his wife and who had stayed by her side throughout the fatal illness, picked up the disease and died on 18 February. He died at the Château de Marly at the age of 29, both of his sons also became infected. The elder, Louis, Duke of Brittany, the latest in a series of Dauphins, the only one to survive was the two-year-old Duke of Anjou, the future King Louis XV. It also ruined the hopes of the faction de Bourgogne, whose members would die of natural death. However, the absenteeism, ineptitude and conflicts of the aristocrats caused this system of governance to fail, and it was soon abandoned in 1718 in favour of a return to absolute monarchy
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Appartement du roi
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The appartement du roi or Kings Apartment is the suite of rooms in the Palace of Versailles that served as the living quarters of Louis XIV. Overlooking the Marble Court, these rooms are situated in the oldest part of the chateau in rooms designated for use by the queen in Louis XIII’s chateau. The appartement du roi evolved to become the working quarters for Louis XV. Initially, the appartement du roi consisted of a suite of eight rooms that issued from the Queen’s Staircase, the number was reduced to seven after 1701 and to six in 1755. The vestibule is paneled in marble and lighted by two windows that opened onto the cour royale, in 1701, in order to provide more light to the staircase, the south wall opposite the windows was opened, thus creating a loggia from the vestibule. The salle des gardes du roi, served to house the Garde du corps du roi – the King’s Body Guard. The early decor of this room included walls clad in tooled gilt leather, two large chandeliers emblazoned with the king’s monogram complemented the decor. The utilitarian nature of the room was evidenced by the benches, camp beds. On Mondays, a table, dressed with a gold-fringed velvet rug, would be placed in this room, the première antichambre or salon du grand couvert, opened with three windows onto the cour de marbre and with three windows onto the cour de la reine. The decoration of the room consisted of scenes by Joseph Parrocel with the “Battle of Arbela” being displayed over the mantelpiece. After the death of the queen and the dauphine, the served for those occasions during which Louis XIV dined alone in public. For the grand couvert, a table with a single armchair was dressed before the fireplace, the wall opposite the fireplace originally contained a tribune for musicians, but this was suppressed in the 18th century. The end of one of the scandalous events in Versailles history during the Sun King’s reign transpired in this room. In 1691, the fringe from the portieres in the Salon de Mars, toward the service of dessert, a bundle was thrown through one of the windows facing the cour de marbre and landed on the king’s table. Louis XIV’s only comment, “I think that those are my fringes. ”The salon de l’œil de bœuf or Antechamber of the Œil-de-Bœuf was formed in 1701 by combining two adjacent rooms, the deuxième antichambre and chambre du roi. The salon de l’œil de bœuf became the main antechamber to the King’s Bedroom, Louis XIV spared no expense in decorating this room. Over the mantelpiece, the famed “Noli me tangeres” by Lambert Sustris was displayed. When in 1684 Louis XIV moved into the adjacent room to the south, for 17 years, it served as venue for the ceremonies that surrounded the life of the king, such as the lever and the coucher
18.
Duchess Maria Anna Victoria of Bavaria
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Maria Anna Victoria of Bavaria, Dauphine of France was Dauphine of France as spouse of Louis, Grand Dauphin, son and heir of Louis XIV. She was known as the Dauphine Marie Anne Victoire or la Grande Dauphine, the dauphine was a pathetic figure at the court of France, isolated and unappreciated due to the perception that she was dull, unattractive and sickly. Maria Anna was the eldest daughter of Ferdinand Maria, Elector of Bavaria, born in Munich, capital of the Electorate of Bavaria, Maria Anna was betrothed to the dauphin of France in 1668, at the age of eight, and was carefully educated to fulfill that role. Besides her native language of German, she was taught to speak French, Italian and she was said to have looked forward to the fate of becoming dauphine of France. Maria Anna was very close to her mother, who died in 1676 and her siblings included Violante of Bavaria, future wife of Ferdinando de Medici as well as the future Elector of Bavaria, Maximilian II Emanuel. Prior to her marriage to the dauphin, there was a ceremony in Munich on 28 January 1680. She was the first dauphine of France since Mary, Queen of Scots married Francis II of France in 1558. Upon her marriage, Maria Anna took on the rank of her husband as a Fille de France, this meant that she was entitled to the style Royal Highness, when she first arrived in France, Maria Anna made a good impression with her good French. When she entered Strasbourg, she was addressed in German, but interrupted the greeting by saying, Gentlemen, the impression of her appearance, however, was not as good, and she was called terribly ugly. Others said, that although she may not have been beautiful, as soon as she married the dauphin, Maria Anna was the second most important woman at court after her mother-in-law, Queen Maria Theresa of Spain. When the queen died in July 1683, Maria Anna ranked as the most prominent female at court and was given the apartments of the late queen. The king expected her to perform the functions of the first lady at court, the king was completely unsympathetic to her situation and accused her falsely of hypochondria. Her husband took mistresses, and she lived a life in her apartments, where she spoke with her friends in German. She was very close to a fellow German at court, Elizabeth Charlotte of the Palatinate and she was said to be depressed having to live at a court where beauty was so much prized, not being beautiful herself. An autopsy revealed a multitude of disorders that completely vindicated her complaints of chronic. Maria Anna was buried at the Royal Basilica of Saint Denis and she is an ancestor of Prince Henri the Count of Paris, Orléanist pretender to the French throne. Also Juan Carlos I of Spain, Albert II, King of the Belgians, Henri, Grand Duke of Luxembourg and of Vittorio Emanuele, Prince of Naples, a pretender to the Italian throne
19.
Louvre Palace
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The Louvre Palace is a former royal palace located on the Right Bank of the Seine in Paris, between the Tuileries Gardens and the church of Saint-Germain lAuxerrois. Its present structure has evolved in stages since the 16th century, in 1793 part of the Louvre became a public museum, now the Musée du Louvre, which has expanded to occupy most of the building. The Palace is situated in the right-bank of the River Seine between Rue de Rivoli to the north and the Quai François Mitterrand to the south. To the west is the Jardin des Tuileries and, to the east, the Rue de lAmiral de Coligny, where its most architecturally famous façade, the Louvre Colonnade, the Cour Napoléon and Cour du Carrousel are separated by the street known as the Place du Carrousel. Some 51,615 sq m in the complex are devoted to public exhibition floor space. The Old Louvre occupies the site of the 12th-century fortress of King Philip Augustus and its foundations are viewable in the basement level as the Medieval Louvre department. This structure was razed in 1546 by King Francis I in favour of a royal residence which was added to by almost every subsequent French monarch. King Louis XIV, who resided at the Louvre until his departure for Versailles in 1678, completed the Cour Carrée, the Old Louvre is a quadrilateral approximately 160 m on a side consisting of 8 ailes which are articulated by 8 pavillons. With it, the last external vestiges of the medieval Louvre were demolished, the New Louvre is the name often given to the wings and pavilions extending the Palace for about 500 m westwards on the north and on the south sides of the Cour Napoléon and Cour du Carrousel. This consummation only lasted a few years, however, as the Tuileries was burned in 1871, the northern limb of the new Louvre consists of three great pavilions along the Rue de Rivoli, the Pavillon de la Bibliothèque, Pavillon de Rohan and Pavillon de Marsan. As on the side, three inside pavilions and their wings define three more subsidiary Courts, Cour du Sphinx, Cour Viconti and Cour Lefuel. The Chinese American architect I. M. Pei was selected in 1983 to design François Mitterrands Grand Louvre Project. The ground-level entrance to this complex was situated in the centre of the Cour Napoléon and is crowned by the prominent steel-and-glass pyramid, in a proposal by Kenneth Carbone, the nomenclature of the wings of the Louvre was simplified in 1987 to reflect the Grand Louvres organization. This allows the visitor to avoid becoming totally mystified at the bewildering array of named wings. The origin of the name Louvre is unclear, the French historian Henri Sauval, probably writing in the 1660s, stated that he had seen in an old Latin-Saxon glossary, Leouar is translated castle and thus took Leouar to be the origin of Louvre. According to Keith Briggs, Sauvals theory is often repeated, even in recent books, but this glossary has never seen again. Briggs suggests that H. J. Wolfs proposal in 1969 that Louvre derives instead from Latin Rubras, david Hanser, on the other hand, reports that the word may come from French louveterie, a place where dogs were trained to chase wolves. In 1190 King Philip II Augustus, who was about to leave on the Third Crusade, completed in 1202, the new fortress was situated in what is now the southwest quadrant of the Cour Carrée
20.
Livres
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The livre tournois was, one of numerous currencies used in France in the Middle Ages, and a unit of account used in France in the Middle Ages and the early modern period. The denier tournois coin was minted by the abbey of Saint Martin in the Touraine region of France. The livre tournois was, in common with the original livre of Charlemagne, divided into 20 sols, between 1360 and 1641, coins worth one livre tournois were minted, known as francs. Other francs were minted under Charles V of France, Henri III of France, the use of the name franc became a synonym for livre tournois in accounting. The first French paper money, issued between 1701 and 1720, was denominated in livres tournois and this was the last time the name was used officially, as later notes and coins were denominated simply in livres, the livre parisis having finally been abolished in 1667. With many forms of domestic and international money circulating throughout Europe in the late Middle Ages and the modern period. In the world of banking of the 13th century, it was the florin. For example, the Louisiana Purchase treaty of 1803 specified the relative ratios of the franc, dollar and livre tournois. The official use of the livre tournois accounting unit in all contracts in France was legislated in 1549, since coins in Europe in the Middle Ages and the Early modern period did not have any indication of their value, their official value was determined by royal edicts. In cases of financial need, French kings could use the value for currency devaluation. By reversing these techniques, currencies could be reinforced, royal finance officers faced many difficulties. For more on issues, see Monetary policy and Greshams Law. French livre Livre parisis French franc Louis Luxembourgish livre Écu Roman currency
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Jesuit
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The Society of Jesus Latin, Societas Iesu, S. J. SJ or SI) is a religious congregation of the Catholic Church which originated in Spain. The society is engaged in evangelization and apostolic ministry in 112 nations on six continents, Jesuits work in education, intellectual research, and cultural pursuits. Jesuits also give retreats, minister in hospitals and parishes, and promote social justice, Ignatius of Loyola founded the society after being wounded in battle and experiencing a religious conversion. He composed the Spiritual Exercises to help others follow the teachings of Jesus Christ, ignatiuss plan of the orders organization was approved by Pope Paul III in 1540 by a bull containing the Formula of the Institute. Ignatius was a nobleman who had a background, and the members of the society were supposed to accept orders anywhere in the world. The Society participated in the Counter-Reformation and, later, in the implementation of the Second Vatican Council, the Society of Jesus is consecrated under the patronage of Madonna Della Strada, a title of the Blessed Virgin Mary, and it is led by a Superior General. The Society of Jesus on October 3,2016 announced that Superior General Adolfo Nicolás resignation was officially accepted, on October 14, the 36th General Congregation of the Society of Jesus elected Father Arturo Sosa as its thirty-first Superior General. The headquarters of the society, its General Curia, is in Rome, the historic curia of St. Ignatius is now part of the Collegio del Gesù attached to the Church of the Gesù, the Jesuit Mother Church. In 2013, Jorge Mario Bergoglio became the first Jesuit Pope, the Jesuits today form the largest single religious order of priests and brothers in the Catholic Church. As of 1 January 2015, Jesuits numbered 16,740,11,986 clerics regular,2,733 scholastics,1,268 brothers and 753 novices. In 2012, Mark Raper S. J. wrote, Our numbers have been in decline for the last 40 years—from over 30,000 in the 1960s to fewer than 18,000 today. The steep declines in Europe and North America and consistent decline in Latin America have not been offset by the significant increase in South Asia, the Society is divided into 83 Provinces with six Independent Regions and ten Dependent Regions. On 1 January 2007, members served in 112 nations on six continents with the largest number in India and their average age was 57.3 years,63.4 years for priests,29.9 years for scholastics, and 65.5 years for brothers. The current Superior General of the Jesuits is Arturo Sosa, the Society is characterized by its ministries in the fields of missionary work, human rights, social justice and, most notably, higher education. It operates colleges and universities in countries around the world and is particularly active in the Philippines. In the United States it maintains 28 colleges and universities and 58 high schools and he ensured that his formula was contained in two papal bulls signed by Pope Paul III in 1540 and by Pope Julius III in 1550. The formula expressed the nature, spirituality, community life and apostolate of the new religious order, the meeting is now commemorated in the Martyrium of Saint Denis, Montmartre
22.
Senlis, Oise
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Senlis is a commune in the Oise department in northern France. It has a long and rich heritage, having traversed centuries of history and this medieval town has welcomed some of the most renowned figures in French history, including Hugh Capet, Louis IX, the Marshal of France, Anne of Kiev and Séraphine de Senlis. The monarchs of the early French dynasties lived here, attracted by the proximity of the Chantilly forest and it is renowned for the gothic Senlis Cathedral and its vast historical monuments. Its inhabitants are called Senlisiens and Senlisiennes, Senlis is part of the province of lOise in the region of Hauts-de-France in the north of France. It is situated on the river Nonette, between the forests of Chantilly and dErmenonville in the South and dHalatte on the North and it is located 40 kilometers from the north of Paris,44 km from Beauvais and 79 km from Amiens. The highest point of the lies at the heart of the forest Halatte. Geologically, the area is occupied by a vast limestone plateau of the Lutetian covered mostly in silt, Senlis was known in early Roman imperial times as Augustomagus and later as Civitas Silvanectium. During the 3rd century, a high defensive wall, about half of which still exists, was erected around the settlement in response to Frankish incursions. The wall remained in use into the 13th century, the town also featured a Roman amphitheatre, the remains of which are still visible, about 500 m west of the walled town. The amphitheatre seated as many as 10,000 people and was used for meetings, theatre, gladiatorial combats. The monarchs of the early French dynasties lived here, attracted by the proximity of the Chantilly Forest and its venison, in 987 Alberon, the archbishop of Reims, called together an assembly, and asked them to choose Hugh Capet as king of France. However, the monarchs of France soon abandoned the city, preferring Compiègne, new life was given to the city in the 12th century, and ramparts were built. The popularity of the city fell, and it slipped into decline. Today it remains an attraction for tourists for its long history, Senlis fell under the ownership of Hugh Capet in 981. He was elected king by his barons in 987 before being crowned at Noyon, under the Capetian rule, Senlis became a royal city and remained so until the reign of Charles X. A castle was built during this period remains are still visible today. The city reached its apogee in the 12th and 13th centuries as trade in wool and leather increased, with an increasing population, the city expanded and needed new ramparts, a second chamber was erected under Phillip II that was larger and higher than the ramparts of the Gallo-Romans. A municipal charter was granted to the town in 1173 by King Louis VII, the bishop of Senlis and the Chancellor Guérin became close advisors to the King, strengthening Senlis ties to the French royalty
23.
Trial in absentia
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Trial in absentia is a criminal proceeding in a court of law in which the person who is subject to it is not physically present at those proceedings. In absentia is Latin for in the absence and its meaning varies by jurisdiction and legal system. In common law systems, the phrase is more than a spatial description. In these systems it suggests a recognition of a violation to a right to be present in court proceedings in a criminal trial. Conviction in a trial in which a defendant is not present to answer the charges is held to be a violation of natural justice, specifically, it violates the second principle of natural justice, audi alteram partem. In some civil law systems, such as that of Italy. Such trials may require the presence of the lawyer, depending on the country. Member states of the Council of Europe that are party to the European Convention on Human Rights are bound to adhere to Article 6 of The Convention, which protects the right to a fair trial. Trials in absentia are banned in some states of the EU and permitted in others. The Framework Decision on the European Arrest Warrant provides for the legal guarantees relevant to trials in absentia, the Framework Decision provides detailed conditions and requirements on which a trial in absentia can be considered compatible with Article 6, the right to a fair trial. There are some guarantees in the system that make sure that its fair. In absentia judgments are common you can criticize that, but its quite common, the Council of Europe has made commentary on judgments that are made in absentia. The Committee of Ministers, in Resolution 11, of 21 May 1975, in a 1985 judgement in the case Colozza v Italy, the European Court of Human Rights stressed that a person charged with a criminal offence is entitled to take part in the hearings. This entitlement is based on the right to a fair trial, colozza’s position, that person should, once he becomes aware of the proceedings, be able to obtain, from a court which has heard him, a fresh determination of the merits of the charge. The Human Rights Committee examined Monguya Mbenge v. Zaire in which the applicant was sentenced to death while exiled in Belgium and was able to learn of the case against him through the media. This highly impeded the applicant’s capacity to prepare any form of defense, in general, the Czech Criminal Procedural Code requires the presence of the defendant in any criminal proceedings. The Code recognizes the following exemptions from this rule, when criminal proceedings may be conducted without the presence of the person charged, where a defendant is unknown, This may arise before charges against a person are brought, normally in respect of pre-trial proceedings. Normally, a defendant enjoys the right to be present or represented by an attorney during the interrogation or identity parade, but where the defendant is not yet identified, in order to secure full legality and impartiality, a judge is present
24.
Philip V of Spain
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Before his reign, Philip occupied an exalted place in the royal family of France as a grandson of King Louis XIV. His father, Louis, the Grand Dauphin, had the strongest genealogical claim to the throne of Spain when it became vacant in 1700. It was well known that the union of France and Spain under one monarch would upset the balance of power in Europe, Philip was the first member of the House of Bourbon to rule as king of Spain. The sum of his two reigns,45 years and 21 days, is the longest in modern Spanish history and he was a younger brother of Louis, Duke of Burgundy, the father of Louis XV of France. At birth, Philip was created Duke of Anjou, a title for younger sons in the French royal family. He would be known by name until he became the king of Spain. Philip was tutored with his brothers by François Fénelon, Archbishop of Cambrai, the three were also educated by Paul de Beauvilliers. In 1700 the King Charles II of Spain died childless and his will named the turning 17-year-old Philip, grandson of Charles half-sister Maria Theresa, the first wife of Louis XIV, as his successor. Upon any possible refusal, the crown of Spain would be offered next to Philips younger brother, Philip had the better genealogical claim to the Spanish throne, because his Spanish grandmother and great-grandmother were older than the ancestors of the Archduke Charles of Austria. However, the Austrian branch claimed that Philips grandmother had renounced the Spanish throne for herself and this was countered by the French branchs claim that it was on the basis of a dowry that had never been paid. After the Royal Council decided to accept the provisions of the will of Charles II naming Philip king of Spain, the ambassador, along with his son, knelt before Philip and made a long speech in Spanish which Philip did not understand, although Louis XIV did. Philip only later learned to speak Spanish, on 2 November 1701 the almost 18 year old Philip married the 13-year-old Maria Luisa of Savoy, as chosen by his grandfather King Louis XIV, by then an old man of 63. She was the daughter of Victor Amadeus II, Duke of Savoy, there was a proxy ceremony at Turin, the capital of the Duchy of Savoy, and another one at Versailles on 11 September. As queen of Spain, Maria Luisa proved very popular with her subjects and she served as regent for her husband on several occasions. Her most successful term was when Philip was away touring his Italian domains for nine months in 1702, in 1714, she died at the age of 26 from tuberculosis, a devastating emotional blow to her husband. The actions of Louis XIV heightened the fears of the English, the Dutch, however, a second act of the French king justified a hostile interpretation, pursuant to a treaty with Spain, Louis occupied several towns in the Spanish Netherlands. This was the spark that ignited the powder keg created by the issues of the War of the League of Augsburg. Almost immediately the War of the Spanish Succession began, inside Spain, the Crown of Castile supported Philip of France
25.
Leopold, Duke of Lorraine
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Leopold, surnamed the Good, was Duke of Lorraine and Bar from 1690 to his death. Leopold Joseph Charles Dominique Agapet Hyacinthe was the son of Charles V, Duke of Lorraine, and his wife Eleonora Maria Josefa of Austria, a half-sister of Leopold I, Holy Roman Emperor. At the time of Leopolds birth, Lorraine and Bar had been occupied by Louis XIV of France, forcing his parents to move into exile to Austria, therefore, Leopold was born in the palace of Innsbruck and received his first name in honour of the Emperor. Leopold grew up in Innsbruck, while his father would be engaged in defending Vienna against the Turks, in 1690, his father died and eleven-year-old Leopold inherited the still occupied Duchies. His mother, trying to fulfil her husbands last wishes of returning her children to their patrimony, Leopold was sent to Vienna to receive a military education under the supervision of the Emperor. In Vienna, he grew up with his cousins, the Archdukes Joseph and Charles, Leopold was also created a Knight of the Order of the Golden Fleece that year. Like his father before him, he entered the Imperial Army and, aged eighteen, three years later, he received the command of the Army of the Rhine. On 30 October 1697, the Nine Years War ended with the signing of the Treaty of Ryswick, the treaty restored the Duchies of Lorraine and Bar to the House of Lorraine, as Leopolds mother had hoped, she died four days later in Vienna. On 17 August 1698, Duke Lepold made a triumphant entry into his capital Nancy and he reconstructed and repopulated his war-stricken duchy, encouraging immigration. At the end of his reign the duchy was safe and prosperous, in his foreign policy, Leopold tried to further good relations with France and to appease his powerful neighbor. On 13 October 1698 at the Palace of Fontainebleau, Leopold married Élisabeth Charlotte dOrléans, the niece of Louis XIV, Elisabeth Charlotte turned out to be a caring mother and gave birth to thirteen children, of whom five survived into adulthood. Three of them died within a week in May 1711 due to an outbreak at the Château de Lunéville. Despite Leopolds diplomatic attempts, his capital, Nancy, was occupied by troops during the War of the Spanish Succession. Fearing for his family, Leopold relocated the court to the Château de Lunéville and it was here that his first child Leopold was born in 1700. In 1703, the Duke introduced the Code Léopold regulating the government of the Duchy and he tried to install his eldest daughter, Elisabeth Charlotte, as Abbess of Remiremont but failed due to the opposition of Pope Clement XI. Leopolds marital life was troubled in 1706, when he took Anne-Marguerite de Lignéville, Princess of Beauvau-Craon as his mistress, Elisabeth Charlotte however, following her mothers advice, remained silent. In 1708, Leopold had claimed the Duchy of Montferrat as the closest relative of his cousin, Charles III Gonzaga, erstwhile Duke of Mantua, who had been deposed and then died without male issue. However, the Emperor had already promised Montferrat to the Dukes of Savoy but wishing to compensate the House of Lorraine, during the visit, Leopold, as a foreign prince, received the style of Royal Highness
26.
Louis XV of France
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Louis XV, known as Louis the Beloved, was a monarch of the House of Bourbon who ruled as King of France and Navarre from 1 September 1715 until his death. He succeeded his great-grandfather Louis XIV at the age of five, Cardinal Fleury was his chief minister from 1726 until the Cardinals death in 1743, at which time the young king took sole control of the kingdom. During his reign, Louis returned the Austrian Netherlands, territory won at the Battle of Fontenoy of 1745, Louis also ceded New France in North America to Spain and Great Britain at the conclusion of the Seven Years War in 1763. He incorporated the territories of Lorraine and Corsica into the kingdom of France and he was succeeded by his grandson Louis XVI in 1774. French culture and influence were at their height in the first half of the eighteenth century, however, many scholars believe that Louis XVs decisions damaged the power of France, weakened the treasury, discredited the absolute monarchy, and made it more vulnerable to distrust and destruction. Evidence for this view is provided by the French Revolution, which broke out 15 years after his death, norman Davies characterized Louis XVs reign as one of debilitating stagnation, characterized by lost wars, endless clashes between the Court and Parliament, and religious feuds. A few scholars defend Louis, arguing that his negative reputation was based on propaganda meant to justify the French Revolution. Jerome Blum described him as a perpetual adolescent called to do a mans job, Louis XV was born in the Palace of Versailles on 15 February 1710 during the reign of Louis XIV. His grandfather, Louis Le Grand Dauphin, had three sons with his wife Marie Anne Victoire of Bavaria, Louis, Duke of Burgundy, Philippe, Duke of Anjou, and Charles, Duke of Berry. Louis XV was the son of the Duke of Burgundy and his wife Marie Adélaïde of Savoy, the eldest daughter of Victor Amadeus II, Duke of Savoy. At birth, Louis XV received a title for younger sons of the French royal family. In April 1711, Louis Le Grand Dauphin suddenly died, making Louis XVs father, the Duke of Burgundy, at that time, Burgundy had two living sons, Louis, Duke of Brittany and his youngest son, the future Louis XV. A year later, Marie Adélaïde, Duchess of Burgundy, contracted smallpox and her husband, said to be heartbroken by her death, died the same week, also having contracted smallpox. Within a week of his death, it was clear that the two children had also been infected. The elder son was treated by bloodletting in an unsuccessful effort to save him. Fearing that the Dauphin would die, the Court had both the Dauphin and the Duke of Anjou baptised, the Dauphin died the same day,8 March 1712. His younger brother, the Duke of Anjou, was treated by his governess, Madame de Ventadour. The two year old Dauphin survived the smallpox, on 1 September 1715, Louis XIV died of gangrene, having reigned for 72 years
27.
Libretto
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A libretto is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term libretto is also used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata. Libretto, from Italian, is the diminutive of the word libro, sometimes other language equivalents are used for libretti in that language, livret for French works and Textbuch for German. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. The relationship of the librettist to the composer in the creation of a work has varied over the centuries, as have the sources. In the context of a modern English language musical theatre piece, Libretti for operas, oratorios and cantatas in the 17th and 18th centuries generally were written by someone other than the composer, often a well-known poet. Metastasio was one of the most highly regarded librettists in Europe and his libretti were set many times by many different composers. Another noted 18th-century librettist was Lorenzo Da Ponte, who wrote the libretti for three of Mozarts greatest operas, as well as for other composers. Eugène Scribe was one of the most prolific librettists of the 19th century, providing the words for works by Meyerbeer, Auber, Bellini, Donizetti, Rossini and Verdi. The French writers duo Henri Meilhac and Ludovic Halévy wrote a number of opera and operetta libretti for the likes of Jacques Offenbach, Jules Massenet. Arrigo Boito, who wrote libretti for, among others, Giuseppe Verdi and Amilcare Ponchielli, the libretto is not always written before the music. Some composers wrote their own libretti, Richard Wagner is perhaps most famous in this regard, with his transformations of Germanic legends and events into epic subjects for his operas and music dramas. Hector Berlioz, too, wrote the libretti for two of his works, La Damnation de Faust and Les Troyens. Alban Berg adapted Georg Büchners play Woyzeck for the libretto of Wozzeck, sometimes the libretto is written in close collaboration with the composer, this can involve adaptation, as was the case with Rimsky-Korsakov and his librettist Belsky, or an entirely original work. In the case of musicals, the music, the lyrics, thus, a musical such as Fiddler on the Roof has a composer, a lyricist and the writer of the book. In rare cases, the composer writes everything except the dance arrangements - music, lyrics and libretto, Other matters in the process of developing a libretto parallel those of spoken dramas for stage or screen. A famous case of the latter is Wagners 1861 revision of the original 1845 Dresden version of his opera Tannhäuser for Paris, since the late 19th century some opera composers have written music to prose or free verse libretti. The libretto of a musical, on the hand, is almost always written in prose
28.
Palace of Fontainebleau
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The Palace of Fontainebleau or Château de Fontainebleau is located 55 kilometres southeast of the centre of Paris, and is one of the largest French royal châteaux. The medieval castle and later château was the residence of French monarchs from Louis VII through Napoleon III, Napoleon I abdicated his throne there before being exiled to Elba. Today, it is a museum and a UNESCO World Heritage Site that is located in the commune of Fontainebleau. The earliest record of a castle at Fontainebleau dates to 1137. It became a residence and hunting lodge of the Kings of France because of the abundant game. It took its name one of the springs, the fountain de Bliaud, located now in the English garden. He commissioned the architect Gilles le Breton to build a palace in the new Renaissance style and it included monumental Porte Dorée, as its southern entrance. As well as a monumental Renaissance stairway, the portique de Serlio, beginning in about 1528, Francis constructed the Gallery Francis I, which allowed him to pass directly from his apartments to the chapel of the Trinitaires. He brought the architect Sebastiano Serlio from Italy, and the Florentine painter Giovanni Battista di Jacopo, known as Rosso Fiorentino, another Italian painter, Francesco Primaticcio from Bologna, joined later in the decoration of the palace. Together their style of decoration became known as the first School of Fontainebleau and this was the first great decorated gallery built in France. Broadly speaking, at Fontainebleau the Renaissance was introduced to France, in about 1540, Francis began another major addition to the chateau. Using land on the east side of the chateau purchased from the order of the Trinitaires, he began to build a new square of buildings around a large courtyard. It was enclosed on the north by the wing of the Ministers, on the east by the wing of Ferrare, the chateau was surrounded by a new park in the style of the Italian Renaissance garden, with pavilions and the first grotto in France. Primaticcio created more monumental murals for the gallery of Ulysses, following the death of Francis I, King Henry II decided to continue and expand the chateau. The King and his wife chose the architects Philibert Delorme and Jean Bullant to do the work and they extended the east wing of the lower court, and decorated it with the first famous horseshoe-shaped staircase. In the oval court, they transformed the loggia planned by Francois into a Salle des Fétes or grand ballroom with a coffered ceiling. Facing the courtyard of the fountain and the pond, they designed a new building. At Henris orders, the Nymphe de Fontainebleau was installed at the entrance of Château dAnet
29.
Louis, Grand Dauphin
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Louis of France was the eldest son and heir of Louis XIV, King of France, and his spouse, Maria Theresa of Spain. As the heir apparent to the French throne, he was styled Dauphin and he became known as Le Grand Dauphin after the birth of his own son, Le Petit Dauphin. As he died before his father, he never became king, as a Fils de France he was entitled to the style of Royal Highness. He was baptised on 24 March 1662 at the chapel of the Château de Saint-Germain-en-Laye, at the ceremony, Cardinal de Vendôme and the Princess of Conti acted as proxies for the godparents, Pope Clement IX and Queen Henrietta Maria of England. For this ceremony, Jean-Baptiste Lully composed the motet Plaude Laetare Gallia, when Louis reached the age of seven, he was removed from the care of women and placed in the society of men. No prince could have been deserving of such feelings. Monseigneur, as the heir to the throne was now known, had inherited his mothers docility, all his life he remained petrified with admiration of his formidable father and stood in fear of him even while lavish proofs of affection were showered upon him. The best way for Monseigneur to do someone an injury was to him to the royal favour. He knew it, and did not conceal it from his rare petitioners, Louis XIV saw to it that his sons upbringing was quite the opposite of his own. Bossuet overwhelmed his backward pupil with such splendid lessons that the Dauphin developed a horror of books, learning. By the age of eighteen, Monseigneur had assimilated almost none of the knowledge amassed to so little purpose, and it was said that when Louis was an adult, he could pass a whole day simply tapping his cane against his foot in an armchair. Nonetheless, his generosity, affability, and liberality gave him popularity in Paris. Louis was one of six children of his parents. The others all died in childhood, the second longest-lived, Marie Thérèse of France. According to various reports, Marie Louise and Louis were in love, however, Louis XIV used Marie Louise to forge a link with Spain and forced her to marry the invalid Charles II of Spain, the Dauphins own half-uncle. Louis was engaged to his cousin, Maria Anna Victoria of Bavaria. She was an older than Louis and, upon arriving at the French court, was described as being very unattractive. Nonetheless, she was a cultured princess
30.
Opera
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Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. In traditional opera, singers do two types of singing, recitative, a style and arias, a more melodic style. Opera incorporates many of the elements of theatre, such as acting, scenery. The performance is given in an opera house, accompanied by an orchestra or smaller musical ensemble. Opera is a key part of the Western classical music tradition, in the 18th century, Italian opera continued to dominate most of Europe, attracting foreign composers such as George Frideric Handel. Opera seria was the most prestigious form of Italian opera, until Christoph Willibald Gluck reacted against its artificiality with his operas in the 1760s. The first third of the 19th century saw the point of the bel canto style, with Gioachino Rossini, Gaetano Donizetti. It also saw the advent of Grand Opera typified by the works of Auber and Meyerbeer, the mid-to-late 19th century was a golden age of opera, led and dominated by Richard Wagner in Germany and Giuseppe Verdi in Italy. The popularity of opera continued through the era in Italy and contemporary French opera through to Giacomo Puccini. During the 19th century, parallel operatic traditions emerged in central and eastern Europe, the 20th century saw many experiments with modern styles, such as atonality and serialism, Neoclassicism, and Minimalism. With the rise of recording technology, singers such as Enrico Caruso, since the invention of radio and television, operas were also performed on these mediums. Beginning in 2006, a number of opera houses began to present live high-definition video transmissions of their performances in cinemas all over the world. In 2009, an opera company offered a download of a complete performance. The words of an opera are known as the libretto, some composers, notably Wagner, have written their own libretti, others have worked in close collaboration with their librettists, e. g. Mozart with Lorenzo Da Ponte. Vocal duets, trios and other ensembles often occur, and choruses are used to comment on the action, in some forms of opera, such as singspiel, opéra comique, operetta, and semi-opera, the recitative is mostly replaced by spoken dialogue. Melodic or semi-melodic passages occurring in the midst of, or instead of, the terminology of the various kinds of operatic voices is described in detail below. Over the 18th century, arias were accompanied by the orchestra. Subsequent composers have tended to follow Wagners example, though some, the changing role of the orchestra in opera is described in more detail below
31.
Momus
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Momus was in Greek mythology the personification of satire and mockery, two stories about whom figure among Aesop’s Fables. During the Renaissance, several literary works used him as a mouthpiece for their criticism of tyranny, onstage he finally became the figure of harmless fun. As a sharp-tongued spirit of criticism, Momus was eventually expelled from the company of the gods on Mount Olympus. His name is related to μομφή, meaning blame, reproach, hesiod said that Momus was a son of Night, “though she lay with none”, and the twin of the misery goddess Oizys. In the 8th century BCE epic Cypria, Momus was credited with stirring up the Trojan War in order to reduce the human population, sophocles wrote a later satyr play called Momos, now almost entirely lost, which may have derived from this. Two of Aesops fables feature the god, the most widely reported of these in Classical times is numbered 100 in the Perry Index. There Momus is asked to judge the handiwork of three gods, a man, a house and a bull, because of it, Plutarch and Aristotle criticized Aesop’s story-telling as deficient in understanding, while Lucian insisted that anyone with sense was able to sound out a man’s thoughts. As another result, Momus became a by-word for fault-finding, thus a poem in the Greek Anthology remarks of statues by Praxiteles that “Momus himself will cry out, Father Zeus, this was perfect skill. A social comedy from the 2nd century CE served as inspiration for later criticisms of society, at the start of the Renaissance, Leon Battista Alberti wrote the political work Momus or The Prince, which continued the god’s story after his exile to earth. Since his continued criticism of the gods was destabilizing the divine establishment, later, however, missing his candor, he sought out a manuscript that Momus had left behind in which was described how a land could be ruled with strictly regulated justice. At the start of the 16th century, Erasmus also presented Momus as a champion of legitimate criticism of authorities. Allowing that the god was “not quite as popular as others, because few people freely admit criticism, yet I dare say of the crowd of gods celebrated by the poets. Momus there plays a part in the series of dialogues conducted by the Olympian deities. 17th century English writers introduced the figure of Momus in a spirit of fun, as in Thomas Carew’s masque Coelum Britannicum. There too Momus and Mercury draw up a plan to reform the ‘Star Chamber’ of Heaven, two centuries on, it was to influence Henry David Thoreau as he was preparing to write his Walden. Elsewhere in Europe, Momus was becoming softened into a figure of light-hearted and sentimental comedy, a typical production has him competing for the amorous favours of a nymph in Henry Desmarets’ opéra-ballet Les amours de Momus. By this period, then, Momus was the patron of humorous satire and he also lent his name to George Saville Carey’s satirical poem, Momus, or a critical examination into the merits of the performers and comic pieces at the Theatre-Royal in the Hay-Market. The god himself plays no part there, only “Momus’ sons”, media related to Momus at Wikimedia Commons Ella Wheeler Wilcox, Momus, God of Laughter, Poem at www. americanpoems. com
32.
Jean-Baptiste Rousseau
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Jean-Baptiste Rousseau was a French playwright and poet, particularly noted for his short cynical epigrams. Rousseau was born in Paris, the son of a shoemaker, as a young man, he gained favour with Boileau, who encouraged him to write. Rousseau began with the theatre, for which he had no aptitude, a one-act comedy, Le Café, failed in 1694, and he was not much happier with a more ambitious play, Le Flatteur, or with the opera Venus et Adonis. In 1700 he tried another comedy, Le Capricieux, which had the same fate and he then went with Tallard as an attaché to London, and, in days when literature still led to high position, seemed likely to achieve success. His misfortunes began with a club squabble at the Café Laurent, which was frequented by literary men. A shower of libellous and sometimes obscene verses was written by or attributed to him, and at last he was turned out of the café. At the same time his poems, as yet printed only singly or in manuscript, acquired him a great reputation, verses more offensive than ever were handed round, and gossip maintained that Rousseau was their author. Legal proceedings of various kinds followed, and Rousseau ascribed the lampoon to Bernard-Joseph Saurin, in 1712 Rousseau was prosecuted for defamation of character, and, on his non-appearance in court, was condemned to perpetual exile. Prince Eugene of Savoy and other persons of distinction took him under their protection during his exile and he met Voltaire in Brussels in 1722. Voltaires Le Pour et le contre is said to have shocked Rousseau, at any rate the latter had thenceforward no fiercer enemy than Voltaire. His death elicited from Jean-Jacques Lefranc, marquis de Pompignan an ode that was better than anything of Rousseaus own work. That work may be divided into two sections. As an epigrammatist Rousseau is inferior only to his friend Alexis Piron, besides the Soleure edition mentioned above, Rousseau published an issue of his work in London in 1723. Works by or about Jean-Baptiste Rousseau at Internet Archive Works by Jean-Baptiste Rousseau at LibriVox
33.
Maria Luisa of Savoy
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Maria Luisa of Savoy was a Savoyard princess and the first wife of Philip V of Spain. She acted as Regent of Spain and had influence over her husband. She is closely associated with Princesse des Ursins, throughout her life, Maria Luisa remained close to her older sister Maria Adelaide who later married Louis, Duke of Burgundy, the eldest grandson of Louis XIV. In her youth, Maria Luisa was described as playful and fun loving and had received a good education, Philip V of Spain, a French prince, was recently crowned King of Spain upon the death of childless Charles II. In order to enforce his authority over Spain due to his French birth, Philip V decided to maintain ties with Victor Amadeus II. Maria Luisa was wed by proxy to Philip V on 12 September 1701 at the age of thirteen and was escorted to Nice. While in Nice, she was greeted by Pope Clement XI who gave her the Golden Rose on 20 September as a gift for the young princess. Within a week, she sailed from Nice for Antibes and was taken to Barcelona, the official marriage took place on 2 November 1701. The Princesse des Ursins was a member of the household of the Queen and she would maintain great influence over Maria Luisa as her Camarera mayor de Palacio, chief of the household to the young queen, who was still a child. As Philip V, contrary to the custom of the time, actually shared a bedroom with Maria Luisa and she was also said to be very beautiful and intelligent. Unlike what was normal for a Spanish monarch, he slept in her bed the entire night. In 1702, Philip V was obliged to leave Spain to fight in Naples as part of the ongoing War of Spanish Succession, during her husbands absence, Maria Luisa acted as Regent from Madrid. She was praised as a ruler, having successfully implemented various changes in government and insisted upon all complaints being investigated. Her leadership encouraged the reorganization in the junta and, in doing this, inspiring people, despite being only fourteen at that time, Maria Luisas effective regency made her admired in Madrid and throughout Spain. After her husbands return in 1703, she resumed her role as queen consort, in 1704, the Princesse des Ursins was exiled at the order of Louis XIV, devastating Maria Luisa. However, in 1705, the Princesse returned to Madrid, much to the joy of the young queen, Maria Luisa gave birth to the couples first child, Infante Luis Felipe in 1707. Maria Luisa gave birth to three children, two of whom would survive infancy. Towards the end of her life, the Queen became ill and she eventually died from the effects of tuberculosis on 14 February 1714
34.
Antoine Danchet
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Antoine Danchet was a French playwright, librettist and dramatic poet. Danchet was born in Riom, in the Auvergne, France, having been a professor of rhetoric at Chartres and then a tutor at Paris, Danchet gave up teaching to write for the theatre. He wrote some opera libretti which, set to music by André Campra, by contrast, his tragedies, mediocre imitations of Racine, almost all failed. An associate member of the Académie des inscriptions et belles-lettres from 1705, voltaire wrote an epigram about him stating that his membership was more for his good deeds than his writing. His works, published in 1751 include, in addition to works, odes, cantatas. Hésione, Tancrède, Cyrus, Les Tyndarides, Les fêtes vénitiennes, Les Héraclides, Nitétis
35.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
36.
Castil-Blaze
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François-Henri-Joseph Blaze, known as Castil-Blaze, was a French musicologist, music critic, composer, and music editor. Blaze was born and grew up in Cavaillon, Vaucluse and he went to Paris to study law, but also to learn music, at the Conservatoire de Paris. After having passed several years in Vaucluse, Castil-Blaze moved back to Paris. A large part of his activities consisted of adapting French and foreign opera for different stages in French provinces, in these cases, Castil-Blaze adapted the libretto as well as the music. This arranging work was criticized, but Castil-Blaze claimed that this permitted part of the public to become familiar with opera. Castil-Blaze is mostly known as a music critic, beginning 7 December 1820, he published Musical Chronicles in the Journal des débats, signing his articles, which were often very controversial, XXX. In these irregularly-published chronicles, Castil-Blaze seemed to take certain liberties, most of the chronicles criticized the lyric works, but others were dedicated to thoughts about music, to composers necrologies, or to concert reviews. Castil-Blaze wrote for the Journal des Débats until 1832, when he joined le Constitutionnel, he collaborated in Fétiss Revue musicale. He is without a doubt, in France, the first music critic to have studied music and he is the author of various books and articles on the theory of music, music history, and the history of the theater. He started a series of three dedicated to three great lyric theaters of Paris, Opéra National de Paris, the Comédie-Italienne, and the Opéra-Comique. He was only able to finish and publish the first two before his death, the remains in manuscript and is at the Bibliothèque nationale de France. Today, these works arouse the interest of historians, but also their distrust, as a composer, Castil-Blaze mostly made arrangements, but he was also the author of several original works, particularly of sacred music, of which there are two high masses. Finally, he worked as an editor, first for his own literary and musical works, dictionnaire de musique moderne,2 volumes. Paris, Au magasin de musique de la Lyre moderne,1821, la Danse et les ballets depuis Bacchus jusquà Mlle Taglioni. LAcadémie impériale de musique de 1645 à1855, lOpéra italien de 1548 à1856. Trois quatuors pour deux violons, viole et violoncelle, oeuv, from Sibley Music Library Digital Scores Collection Trio in C, Op.17 No.2 for three bassoons Gislason, Donald Garth. Castil-Blaze, De lOpéra en France and the Feuilleton of the Journal des Débats, ph. D. Dissertation, U. of British Columbia. Recherches sur Castil-Blaze, Thesis, Faculté des Lettres dAix en Provence, Castil-Blaze in The New Grove Dictionary of Music and Musicians, 2nd edition, edited by Stanley Sadie
37.
The New Grove Dictionary of Music and Musicians
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The New Grove Dictionary of Music and Musicians is an encyclopedic dictionary of music and musicians. Along with the German-language Musik in Geschichte und Gegenwart, it is one of the largest reference works on Western music, in recent years it has been made available as an electronic resource called Grove Music Online, which is now an important part of Oxford Music Online. A Dictionary of Music and Musicians was first published in four volumes edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume, an Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In 1900, minor corrections were made to the plates and the series was reissued in four volumes. The original edition and the reprint are now available online. Grove limited the chronological span of his work to begin at 1450 while continuing up to the present day, the second edition, in five volumes, was edited by Fuller Maitland and published from 1904 to 1910, this time as Groves Dictionary of Music and Musicians. The individual volumes of the edition were reprinted many times. An American Supplement edited by Waldo Selden Pratt and Charles N. Boyd was added in 1920 and this edition removed the first editions beginning date of 1450, though important earlier composers and theorists are still missing from this edition. These volumes are now freely available online. The third edition, also in five volumes, was a revision of the 2nd edition. The fourth edition, also edited by Colles, was published in 1940 in five volumes, in addition to the American Supplement, MacMillan also published a Supplementary Volume edited by Colles. The fifth edition, in nine volumes, was edited by Eric Blom and this was the most thoroughgoing revision of the work since its inception, with many articles rewritten in a more modern style and a large number of entirely new articles. Many of the articles were written by Blom personally, or translated by him, an additional Supplementary Volume, prepared for the most part by Eric Blom, followed in 1961. Blom died in 1959, and the Supplementary Volume was completed by Denis Stevens, the fifth edition was reprinted in 1966,1968,1970,1973, and 1975. The next edition was published in 1980 under the name The New Grove Dictionary of Music and its senior editor was Stanley Sadie with Nigel Fortune also serving as one of the main editors for the publication. It was reprinted with minor corrections each subsequent year until 1995, in the mid-1990s, the hardback set sold for about $2,300. A paperback edition was reprinted in 1995 which sold for $500, the second edition under this title was published in 2001, in 29 volumes. It was also available by subscription on the internet in a service called Grove Music Online
38.
International Music Score Library Project
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Since its launch on February 16,2006, over 370,000 scores and 42,000 recordings for over 110,000 works by over 14,000 composers have been uploaded. The project uses MediaWiki software to provide contributors with a familiar interface, since June 6,2010, IMSLP has also included public domain and licensed recordings in its scope, to allow for study by ear. The site was launched on February 16,2006, the library consists mainly of scans of old musical editions out of copyright. In addition, it admits scores by composers who wish to share their music with the world by releasing it under a Creative Commons license. One of the projects of IMSLP was the sorting and uploading of the complete works of Johann Sebastian Bach in the Bach-Gesellschaft Ausgabe. Besides providing a repository, IMSLP offers possibilities as a musicological encyclopaedia, since multiple. Also, pages on publishers provide valuable information, and the pages themselves often contain a large quantity of information. IMSLP is recommended as a tool by MIT, which also uses it extensively for providing scores for its OpenCourseWare courses. In 2007–2015, IMSLP / Petrucci Music Library used logo based on a score, the score image in the background was taken from the beginning of the very first printed book of music, the Harmonice Musices Odhecaton. It was published in Venice, Italy in 1501 by Ottaviano Petrucci, in 2016, IMSLP changed its logo to a clean wordmark, featuring its two project names – IMSLP and Petrucci Music Library. In 2009, IMSLP won the MERLOT Classics award for Music and it was named one of the Top 100 Web Sites of 2009 by PC Magazine. On October 19,2007, the IMSLP closed following legal demands from Universal Edition of Vienna, at first I thought this letter would be similar in content to the first Cease and Desist letter I received in August. I cannot apologize enough to all IMSLP contributors, who have done so much for IMSLP in the last two years, in response, director Michael S. Hart of Project Gutenberg offered support to keep the project online. This offer was declined by Feldmahler, who voiced concern about having the project hosted in the United States, on November 2,2007, Michael Geist, a prominent Canadian copyright academic, wrote an article for the BBC discussing the specifics and the wider implications of this case. IMSLP went back online on June 30,2008, although the server is located in Canada, files which are not public domain in the US were until July 2010 flagged, for Technical Block or Temporary Block, and could not be viewed. The FAQ posted in their forum stated, Unfortunately, these temporary blocks will be until further notice – possibly all the way until the expiration of term in the USA. After an initial phase, flagged items have disappeared thanks to the introduction of regional servers operated by unaffiliated organizations. On 21 April 2011, the Music Publishers Association issued a DMCA takedown notice against the IMSLP, Go Daddy, the domain name registrar for the IMSLP, removed the domain name imslp. org, leaving it inaccessible
