1.
Andrew Lang
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Andrew Lang was a Scottish poet, novelist, literary critic, and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales, the Andrew Lang lectures at the University of St Andrews are named after him. On 17 April 1875, he married Leonora Blanche Alleyne, youngest daughter of C. T. Alleyne of Clifton and she was variously credited as author, collaborator, or translator of Langs Color/Rainbow Fairy Books which he edited. He soon made a reputation as one of the most able and versatile writers of the day as a journalist, poet, critic, in 1906, he was elected FBA. He died of angina pectoris at the Tor-na-Coille Hotel in Banchory, Banchory and he was buried in the cathedral precincts at St Andrews. Lang is now known for his publications on folklore, mythology. The interest in folklore was from early life, he read John Ferguson McLennan before coming to Oxford, the earliest of his publications is Custom and Myth. In Myth, Ritual and Religion he explained the irrational elements of mythology as survivals from more primitive forms and his Blue Fairy Book was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was followed by other collections of fairy tales, collectively known as Andrew Langs Fairy Books. In the preface of the Lilac Fairy Book he credits his wife with translating and transcribing most of the stories in the collections, Lang examined the origins of totemism in Social Origins. Lang was one of the founders of psychical research and his writings on anthropology include The Book of Dreams and Ghosts, Magic and Religion. He served as President of the Society for Psychical Research in 1911. He collaborated with S. H. Butcher in a translation of Homers Odyssey. He was a Homeric scholar of conservative views, Langs writings on Scottish history are characterised by a scholarly care for detail, a piquant literary style, and a gift for disentangling complicated questions. He also wrote monographs on The Portraits and Jewels of Mary Stuart and James VI, the somewhat unfavourable view of John Knox presented in his book John Knox and the Reformation aroused considerable controversy. He gave new information about the career of the Young Pretender in Pickle the Spy, an account of Alestair Ruadh MacDonnell, whom he identified with Pickle. This was followed by The Companions of Pickle and a monograph on Prince Charles Edward, in 1900 he began a History of Scotland from the Roman Occupation. He edited The Poems and Songs of Robert Burns, and was responsible for the Life and Letters of JG Lockhart, and The Life, Letters and Diaries of Sir Stafford Northcote, 1st Earl of Iddesleigh
2.
Andrew Lang's Fairy Books
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Andrew Langs Fairy Books are a series of twenty-five collections of true and fictional stories for children, published between 1889 and 1913. The best known books of the series are the collections of fairy tales. In all, the volumes feature 798 stories, besides the 153 poems in The Blue Poetry Book, Andrew Lang was a Scots poet, novelist, and literary critic. As acknowledged in the prefaces, although Lang himself made most of the selections, his wife, four of the later volumes were published as by Mrs. Lang. He is best recognized for the works he did not write, the twelve Coloured Fairy Books were illustrated by H. J. Ford, the first two volumes shared with G. P. Jacomb-Hood and Lancelot Speed respectively, the sequels alone. Several other volumes were illustrated by Ford, a. Wallis Mills also contributed some illustrations. The most well-known volumes of the series are the twelve Fairy Books, although Lang did not collect any fairy tales himself from oral primary sources, only he and Madame dAulnoy have collected tales from such a large variety of sources. These collections have been influential, Lang gave many of the tales their first appearance in English. As acknowledged in the prefaces, although Lang himself made most of the selections, his wife, Langs urge to gather and publish fairy tales was rooted in his own experience with the folk and fairy tales of his home territory along the English-Scottish border. At the time he worked, English fairy-tale collections were rare, over a generation, Langs books worked a revolution in this public perception. The series was popular, helped by Langs reputation as a folklorist. The series proved of great influence in literature, increasing the popularity of fairy tales over tales of real life. It inspired such imitators as English Fairy Tales and More English Fairy Tales by Joseph Jacobs, some of Langs collected stories were included without any attribution at all, and the rest are listed with brief notes. When this is Grimm or Madame dAulnoy or attributed to a collection, the stories can be tracked down. For instance, The Wonderful Birch is listed only as From the Russo-Karelian, J. R. R. Tolkien, in his essay On Fairy-Stories stated that while he appreciated the collections, he objected to his editing the stories for children. He also criticized Lang for including stories without magical elements in them, here, unlike The Giant Who Had No Heart in His Body or other similar stories, the monkey merely claims that his heart is outside his body. However, many fairy tale collectors include tales with no strictly marvelous elements, the first edition consisted of 5000 copies, which sold for 6 shillings each. The book assembled a range of tales, with seven from the Brothers Grimm, five from Madame dAulnoy
3.
Illustrator
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An illustrator is an artist who specializes in enhancing writing or elucidating concepts by providing a visual representation that corresponds to the content of the associated text or idea. The illustration may be intended to clarify complicated concepts or objects that are difficult to describe textually, illustration is the art of making images that work with something and add to it without needing direct attention and without distracting from the thing they illustrate. The other thing is the focus of the attention, and the role is to add personality. A cartoon illustration can add humor to stories or essays, use reference images to create scenes and characters. This can be as simple as looking at an image to inspire artwork, or creating character sketches. Some traditional illustration techniques include watercolor, pen and ink, airbrush art, oil painting, pastels, wood engraving, and linoleum cuts. Traditional illustration seems to have come full circle, from falling out of favor to photography in the early 1990s to being superseded by CGI, universities and art schools offer specific courses in illustration so this has become a new avenue into the profession. Many illustrators are freelance, commissioned by publishers or advertising agencies, most scientific illustrations and technical illustrations are also known as information graphics. Among the information graphics specialists are medical illustrators who illustrate human anatomy, often requiring years of artistic. A particularly popular medium with illustrators of the 1950s and 1960s was casein, the immediacy and durability of these media suited illustrations demands well. The artwork in both types of paint withstood the rigors of travel to clients and printers without damage, digital illustration is the technique of using a computer to produce original artwork. Digital illustrators use a combination of software and image editing software to create computer art. Digital illustration is not merely the manipulation of images with software, computer illustration or digital illustration is the use of digital tools to produce images under the direct manipulation of the artist, usually through a pointing device such as a tablet or a mouse. Computers dramatically changed the industry and today many cartoonists and illustrators create digital illustrations using computers, graphics tablets, software such as Adobe Illustrator or Adobe Photoshop are now widely used by those professionals
4.
Royal Academy of Arts
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The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly in London. The Royal Academy of Arts was founded through an act of King George III on 10 December 1768 with a mission to promote the arts of design in Britain through education and exhibition. Supporters wanted to foster a national school of art and to encourage appreciation, fashionable taste in 18th-century Britain was based on continental and traditional art forms, providing contemporary British artists little opportunity to sell their works. From 1746 the Foundling Hospital, through the efforts of William Hogarth, the success of this venture led to the formation of the Society of Artists of Great Britain and the Free Society of Artists. Both these groups were primarily exhibiting societies, their success was marred by internal factions among the artists. The combined vision of education and exhibition to establish a school of art set the Royal Academy apart from the other exhibiting societies. It provided the foundation upon which the Royal Academy came to dominate the art scene of the 18th and 19th centuries, supplanting the earlier art societies. Sir William Chambers, a prominent architect, used his connections with George III to gain royal patronage and financial support of the Academy, the painter Joshua Reynolds was made its first president. Francis Milner Newton was elected the first secretary, a post he held for two decades until his resignation in 1788, the instrument of foundation, signed by George III on 10 December 1768, named 34 founder members and allowed for a total membership of 40. William Hoare and Johann Zoffany were added to this list later by the King and are known as nominated members, among the founder members were two women, a father and daughter, and two sets of brothers. The Royal Academy was initially housed in cramped quarters in Pall Mall, although in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace. In 1780 it was installed in purpose-built apartments in the first completed wing of New Somerset House, located in the Strand and designed by Chambers, the Academy moved in 1837 to Trafalgar Square, where it occupied the east wing of the recently completed National Gallery. These premises soon proved too small to house both institutions, in 1868,100 years after the Academys foundation, it moved to Burlington House, Piccadilly, where it remains. Burlington House is owned by the British Government, and used rent-free by the Royal Academy, the first Royal Academy exhibition of contemporary art, open to all artists, opened on 25 April 1769 and ran until 27 May 1769. 136 works of art were shown and this exhibition, now known as the Royal Academy Summer Exhibition, has been staged annually without interruption to the present day. In 1870 the Academy expanded its programme to include a temporary annual loan exhibition of Old Masters. The range and frequency of these exhibitions have grown enormously since that time. Britains first public lectures on art were staged by the Royal Academy, led by Reynolds, the first president, a program included lectures by Dr. William Hunter, John Flaxman, James Barry, Sir John Soane, and J. M. W. Turner
5.
Rudyard Kipling
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Joseph Rudyard Kipling was an English journalist, short-story writer, poet, and novelist. Kiplings works of fiction include The Jungle Book, Kim, and many short stories and his poems include Mandalay, Gunga Din, The Gods of the Copybook Headings, The White Mans Burden, and If—. Kipling was one of the most popular writers in the United Kingdom, Henry James said, Kipling strikes me personally as the most complete man of genius, as distinct from fine intelligence, that I have ever known. In 1907, at the age of 42, he was awarded the Nobel Prize in Literature, making him the first English-language writer to receive the prize and its youngest recipient to date. He was also sounded out for the British Poet Laureateship and on occasions for a knighthood. Kiplings subsequent reputation has changed according to the political and social climate of the age, George Orwell called him a prophet of British imperialism. Literary critic Douglas Kerr wrote, is still an author who can inspire passionate disagreement and his place in literary, but as the age of the European empires recedes, he is recognised as an incomparable, if controversial, interpreter of how empire was experienced. That, and a recognition of his extraordinary narrative gifts. Rudyard Kipling was born on 30 December 1865, in Bombay, in the Bombay Presidency of British India, to Alice Kipling, Alice was a vivacious woman about whom Lord Dufferin would say, Dullness and Mrs. Kipling cannot exist in the same room. Lockwood Kipling, a sculptor and pottery designer, was the Principal, John Lockwood and Alice had met in 1863 and courted at Rudyard Lake in Rudyard, Staffordshire, England. They married and moved to India in 1865 and they had been so moved by the beauty of the Rudyard Lake area that when their first child was born they referenced it when naming him. Alices sister Georgiana was married to painter Edward Burne-Jones, and her sister Agnes was married to painter Edward Poynter, Kiplings most famous relative was his first cousin, Stanley Baldwin, who was Conservative Prime Minister of the United Kingdom three times in the 1920s and 1930s. Kiplings birth home on the campus of the J J School of Art in Bombay for many years was used as the Deans residence. Although the cottage bears a plaque stating that this is the site where Kipling was born, the original cottage may have torn down decades ago. Some historians and conservationists are also of the view that the bungalow merely marks a site close to the home of his birth, as the bungalow was built in 1882, Kipling seems to have also said so to the dean when he visited J J School in the 1930s. Kipling was to write of Bombay, According to Bernice M. Murphy, Kipling’s parents considered themselves Anglo-Indians and so too would their son, complex issues of identity and national allegiance would become prominent features in his fiction. So one spoke English, haltingly translated out of the idiom that one thought. Kiplings days of light and darkness in Bombay ended when he was five years old
6.
Repton School
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Repton School is a co-educational independent school for day and boarding pupils in Repton, Derbyshire, England. The school has around 660 pupils aged between 13 and 18, of whom 451 are boarders, Repton School taught only boys for its first 400 years, Repton started accepting girls in the sixth form early in the 1970s, and within 20 years became completely coeducational. Relations with the Thackers deteriorated such that, by 1650s, the school, in 1642, the school commenced an action against the Thacker family and in 1652 the family also brought an action against the school which was settled out of court. The atmosphere around the dispute was aggressive and on occasions the Thackers diverted drains into the buildings by constructing dams. In 1670 a wall was built to keep the parties apart, pupil numbers seem to have oscillated between 80 and 200 in the first hundred years, but as the school was free until 1768 it is unclear how teaching was afforded. The headmaster was free to keep, and did keep, cattle in a room within the school in this period. A pupils letter home in 1728 relates to his father that the headmaster, George Fletcher, the school declined in the 1700s and the 1800s. Pupil numbers were below 50 by 1833, and a former pupil recalled after leaving, even more than the paucity of its numbers, was the almost total absence of all those facilities. Football was played upon the gravel, between the Arch, and the broken pillars. No gymnasium, no court, no racquet court. No French, no German, no Music. No chapel, no masters house beyond the Arch, no bridge across the Trent, why did even 50 boys resort to Sir John Ports old School. Although by 1830s some of the reforms of Dr. Thomas Arnold were being implemented at the school, decline was finally arrested by headmaster Steuart Pears, who worked hard to raise the schools status and reputation. In 1884, a chapel was added to the schools buildings, harold Abrahams CBE, the Olympic champion in the Paris Olympics of 1924 in the 100m sprint, depicted in the 1981 film Chariots of Fire, joined Repton School in 1914. Recalling his time at the school, Abrahams said he encountered anti-semitism often feeling bullied, in 1907 a gymnasium was added, this building is now listed at grade II. 1,912 former pupils of the served in the First World War. A war memorial was added to the site in 1921. When he died the school wrote that he was perhaps the best poet Repton has had, in the Second World War,188 former members of the school lost their lives serving their country. The school itself struggled before and during the War, the school owed £50,000 and, in 1941, one boarding house was closed in 1938 and a second was closed in 1942. The total number of pupils was 353 on the outbreak of war, the Cross was reopened in 1945 and Latham House in 1947
7.
Clare College, Cambridge
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Clare College is a constituent college of the University of Cambridge in Cambridge, England. The college was founded in 1326 as University Hall, making it the second-oldest surviving college of the University after Peterhouse and it was refounded in 1338 as Clare Hall by an endowment from Elizabeth de Clare. Clare is famous for its choir and for its gardens on the Backs. The current Master is Anthony Grabiner, Baron Grabiner, a British barrister, Clare is consistently one of the most popular Cambridge colleges amongst prospective applicants. As of 2016, it had an endowment of over £106m, the college was founded in 1326 by the universitys Chancellor, Richard Badew, and was originally named University Hall. Providing maintenance for only two fellows, it hit financial hardship. In 1338, the college was refounded as Clare Hall by an endowment from Elizabeth de Clare, a granddaughter of Edward I, the college was known as Clare Hall until 1856, when it changed its name to Clare College. Clares Old Court, a Grade I listed building, frames Kings College Chapel as the border of one of the most celebrated architectural vistas in England. It was built between 1638 and 1715, with an interruption for the English Civil War. The colleges chapel was built in 1763 and designed by Sir James Burrough and its altarpiece is Annunciation by Cipriani. Clare has a bridge over the river which is the oldest of Cambridges current bridges. Fourteen stone balls decorate it, one of which has a missing section, a more likely explanation is that a wedge of stone cemented into the ball as part of a repair job became loose and fell out into the river. Clares bridge connects Old Court to Memorial Court, which was designed by Giles Gilbert Scott, a new court, Lerner Court, was opened in January 2008 and was designed by architects van Heyningen and Haward. Clare is known as a liberal and progressive college, in 1972 it became one of the three male Cambridge colleges that led the way in admitting female undergraduates. Clare continues in tradition and has won praise for the transparency of its admissions process. Clare is known as one of the most musical colleges in Cambridge and its choir has performed all over the world. Many Clare students play instruments, and the music society, Clare College Music Society, is well known. Like most Cambridge colleges, Clare allows students to have a piano in their college rooms, as well as popular jazz and comedy nights, Clare is renowned for Clare Ents, a student night held every Friday in term time
8.
Slade School of Fine Art
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The UCL Slade School of Fine Art is the art school of University College London and is based in London, United Kingdom. It is world-renowned and is ranked as the UKs top art. The school is organised as a department of UCLs Faculty of Arts, distinguished past teachers include Henry Tonks, Wilson Steer, Randolph Schwabe, William Coldstream, Andrew Forge, Lucian Freud, Phyllida Barlow, John Hilliard, Bruce McLean, Alfred Gerrard. Edward Allington is currently a Professor of Fine Art and Head of Graduate Sculpture, two of its most important periods were immediately before, and immediately after, the turn of the twentieth century, described by Henry Tonks as its two crises of brilliance. R. W. The Slade Centre for Electronic Media in Fine Art was opened in 1995, the centre provides opportunities for research into electronic media and fine art with the goal of contributing to debate on national and international levels. The Slade had previously been home to Malcolm Hughess Computer and Experimental Department in the 1970s, in 1997 SCEMFA presented Collision, a public lecture series by artists, writers, and curators working with interactivity, telematics, and digital works. Throughout 1998, SCEMFA collaborated with Channel 4 UK to organise Cached, funded by the Arts Council, this series investigated the conceptual and practical issues of producing art for the internet through a series of artists presentations. Works by students and staff of the Slade School of Fine Art form the basis of the UCL Art museum today, in a 2008 survey conducted by The Sunday Times the Slade recorded perfect scores
9.
Hubert von Herkomer
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Sir Hubert von Herkomer CVO RA was a German born British painter, and also a pioneering film-director and composer. Though a very successful portraitist, especially of men, he is remembered for his earlier works that took a realistic approach to the conditions of life of the poor. Hard Times, showing the family of a travelling day-labourer at the side of a road, is one of his best known works. Herkomer was born at Waal, Bavaria and his family was poor and his mother tried to supplement the earnings of his father by giving music lessons. Once his mother gave him a sovereign for some shopping. Lorenz Herkomer, his father and a wood-carver of great ability, left Bavaria in 1851 with his wife and child for the United States, settling in Cleveland, Ohio. They soon returned to Europe and settled in Southampton in 1857, huberts education was slight, He went to school for a month or two, and, falling ill never returned. In a lengthy interview for Chums boys annual in 1896, Herkomer recalled his childhood and we were constantly in want of money. I was always inclined to art, and as a little boy worked principally at my fathers bench, the reputation I gained among my play fellows, however, was as a maker of kites. He also crafted mechanical toys including clowns and wagons to give to his friends and he lived for some time at Southampton and in the school of art there began his art training. An uncle in America commissioned his father to carve the four evangelists in wood, receiving some money his father determined to take Hubert to Munich so that he could study art whilst his father worked on the carving. In Chums, he recalled his trip vividly, Ah, how I remember that first visit to Germany and we crossed to Antwerp in a cattle boat. And never shall I forget the miseries of that voyage, and then there were the railway carriages on the other side. We were compelled to travel fourth-class, in the company of people who were no less filthy than the carriages, I swore a big oath that if ever I had any money I would travel in the most luxurious style possible. I have never forgotten that oath, the pair led a hard life whilst in Munich, but he stated that they were very happy days and his father sat as model for him during that time. In 1866 he entered upon a serious course of study at the South Kensington Schools and, in 1869. He sold his first picture for two guineas but by the time he was twenty-four, he had sold a picture for five hundred pounds. In same year, he began working as an illustrator for the newly founded newspaper The Graphic
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