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First page of The second Part of Henry the Sixt, with the death of the Good Duke Humfrey from the First Folio (1623).
First page of The second Part of Henry the Sixt, with the death of the Good Duke Humfrey from the First Folio (1623).
The Conjuration by John Opie (1792)
The Conjuration by John Opie (1792)
A Lithograph depicting Act I Scene IV
A Lithograph depicting Act I Scene IV
Title page from the 1550 edition of Edward Hall's The Union of the Two Noble and Illustre Families of Lancaster and York.
Title page from the 1550 edition of Edward Hall's The Union of the Two Noble and Illustre Families of Lancaster and York.
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Opening page of the First Folio King John
Opening page of the First Folio King John
'Henry VII crowned at Bosworth', by Richard Caton Woodville Jr.—a key moment in the 'Tudor myth'
'Henry VII crowned at Bosworth', by Richard Caton Woodville Jr.—a key moment in the 'Tudor myth'
'Joan of Arc conjures demons in Shakespeare's Henry VI' (engraving by C. Warren, 1805, after J. Thurston). "Next to her, Talbot is a blundering oaf, w
'Joan of Arc conjures demons in Shakespeare's Henry VI' (engraving by C. Warren, 1805, after J. Thurston). "Next to her, Talbot is a blundering oaf, who furiously attributes her success to sorcery, whereas the audience knows that she has simply outfoxed him by superior military strategy." – H. A. Kelly (1970)
'Falstaff', (Adolfo Hohenstein)—according to Danby, "in every sense, the bigger man" than Hal
'Falstaff', (Adolfo Hohenstein)—according to Danby, "in every sense, the bigger man" than Hal