1.
Altshausen
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Altshausen is a small Swabian municipality near Ravensburg, Baden-Württemberg, southern Germany. Altshausen is situated in Upper Swabia, about 40 kilometers north of Lake Constance, north-west of the village is the Upper Danube Nature Park while to the South-west is the hill-chain of the Altdorfer Wald. It is notable for its Teutonic Order castle and as the birthplace of Hermann of Reichenau, in the center of the town there is the Altshausen Schloss, which is the main palace still owned by the House of Wurttemberg. Altshausen is part of the Upper Swabian Baroque Route, a tourist road from the Swabian Alps to Upper Swabia, on both routes the tourists can visit many monuments and points of view. Bicske, Hungary Sausset-les-Pins, France Official website
2.
Music theory
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Music theory is the study of the practices and possibilities of music. The term is used in three ways in music, though all three are interrelated. The first is what is otherwise called rudiments, currently taught as the elements of notation, of key signatures, of time signatures, of rhythmic notation, Theory in this sense is treated as the necessary preliminary to the study of harmony, counterpoint, and form. The second is the study of writings about music from ancient times onwards, Music theory is frequently concerned with describing how musicians and composers make music, including tuning systems and composition methods among other topics. However, this medieval discipline became the basis for tuning systems in later centuries, Music theory as a practical discipline encompasses the methods and concepts composers and other musicians use in creating music. The development, preservation, and transmission of music theory in this sense may be found in oral and written music-making traditions, musical instruments, and other artifacts. In ancient and living cultures around the world, the deep and long roots of music theory are clearly visible in instruments, oral traditions, and current music making. Many cultures, at least as far back as ancient Mesopotamia and ancient China, have also considered music theory in more formal ways such as written treatises, in modern academia, music theory is a subfield of musicology, the wider study of musical cultures and history. Etymologically, music theory is an act of contemplation of music, from the Greek θεωρία, a looking at, viewing, contemplation, speculation, theory, also a sight, a person who researches, teaches, or writes articles about music theory is a music theorist. University study, typically to the M. A. or Ph. D level, is required to teach as a music theorist in a US or Canadian university. Methods of analysis include mathematics, graphic analysis, and especially analysis enabled by Western music notation, comparative, descriptive, statistical, and other methods are also used. See for instance Paleolithic flutes, Gǔdí, and Anasazi flute, several surviving Sumerian and Akkadian clay tablets include musical information of a theoretical nature, mainly lists of intervals and tunings. The scholar Sam Mirelman reports that the earliest of these dates from before 1500 BCE. Further, All the Mesopotamian texts are united by the use of a terminology for music that, much of Chinese music history and theory remains unclear. The earliest texts about Chinese music theory are inscribed on the stone and they include more than 2800 words describing theories and practices of music pitches of the time. The bells produce two intertwined pentatonic scales three tones apart with additional pitches completing the chromatic scale, Chinese theory starts from numbers, the main musical numbers being twelve, five and eight. Twelve refers to the number of pitches on which the scales can be constructed, the Lüshi chunqiu from about 239 BCE recalls the legend of Ling Lun. On order of the Yellow Emperor, Ling Lun collected twelve bamboo lengths with thick, blowing on one of these like a pipe, he found its sound agreeable and named it huangzhong, the Yellow Bell
3.
Alma Redemptoris Mater
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Alma Redemptoris Mater is a Marian hymn, written in Latin hexameter, and one of four seasonal liturgical Marian antiphons sung at the end of the office of Compline. Hermannus Contractus is said to have authored the hymn based on the writings of Saints Fulgentius, Epiphanius and it is mentioned in The Prioresss Tale, one of Geoffrey Chaucers Canterbury Tales. Formerly it was recited at compline only from the first Sunday in Advent until the Feast of the Purification, depending on the period, the following combinations of a versicle, response, and collect are added. Hear thou thy peoples cry, Star of the deep, and portal of the sky. Mother of Him Who thee from nothing made, Sinking we strive and call to thee for aid, Oh, by that joy which Gabriel brought to thee, Thou Virgin first and last, the Angel of the LORD brought tidings unto Mary ℟. And she conceived by the Holy Ghost, through the same Christ, our Lord. After childbirth, O Virgin, thou didst remain inviolate, intercede for us, O Mother of God
4.
Beatification
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Beatification is a recognition accorded by the Catholic Church of a dead persons entrance into Heaven and capacity to intercede on behalf of individuals who pray in his or her name. Local bishops had the power of beatifying until 1634, when Pope Urban VIII, in the apostolic constitution Cœlestis Jerusalem of 6 July, reserved the power of beatifying to the Apostolic See. The requirement of a miracle is not relevant to the canonization of those who died in martyrdom, the feast day for a Blessed person is not universal, but is celebrated only in regions where the person receives particular veneration. For instance, Saint Kateri Tekakwitha was especially honored in the United States, the person may also be honored in a particular religious order, diocese, or organization, such as John Duns Scotus among the Franciscans, the Archdiocese of Cologne and other places. Pope John Paul II markedly changed previous Catholic practice of beatification, by October 2004, he had beatified 1,340 people, more than the sum of all of his predecessors since Pope Sixtus V, who established a beatification procedure similar to that used today. The Pope himself still can preside, as happened on 19 September 2010, cultus confirmation is a somewhat different procedure, wherein the church recognizes a local cult of a person, asserting that veneration of that person is acceptable. Such a confirmation is more an official sanctioning of folk Catholicism than a step in a canonization procedure. This article incorporates text from a now in the public domain, Herbermann, Charles. Juris Canonici et Juris Canonico-Civilis Compendium Nova Editio, Tomus Tertius, Pars Secunda List of all Blesseds in the Catholic Church by GCatholic. org
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Count
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Count or countess is a title in European countries for a noble of varying status, but historically deemed to convey an approximate rank intermediate between the highest and lowest titles of nobility. The word count came into English from the French comte, itself from Latin comes—in its accusative comitem—meaning “companion”, the adjective form of the word is comital. The British and Irish equivalent is an earl, alternative names for the count rank in the nobility structure are used in other countries, such as Graf in Germany and Hakushaku during the Japanese Imperial era. In the Western Roman Empire, Count came to indicate generically a military commander, in the Eastern Roman Empire, from about the seventh century, count was a specific rank indicating the commander of two centuries. Military counts in the Late Empire and the Germanic successor kingdoms were often appointed by a dux, the position of comes was originally not hereditary. By virtue of their estates, many counts could pass the title to their heirs—but not always. For instance, in Piast Poland, the position of komes was not hereditary, the title had disappeared by the era of the Polish–Lithuanian Commonwealth, and the office had been replaced by others. Only after the Partitions of Poland did the title of count resurface in the title hrabia, in the United Kingdom, the equivalent Earl can also be used as a courtesy title for the eldest son of a duke or marquess. In Italy, by contrast, all the sons of certain counts were counts, in Sweden there is a distinction between counts created before and after 1809. All children in comital families elevated before 1809 are called count/countess, the following lists are originally based on a Glossary on Heraldica. org by Alexander Krischnig. The male form is followed by the female, and when available, apart from all these, a few unusual titles have been of comital rank, not necessarily to remain there. Dauphin was a comital title in southern France, used by the Dauphins of Vienne and Auvergne. The Dauphin was the lord of the province known as the région Dauphiné. Conde-Barão Count-Baron is a title used in Portugal, notably by D. Luís Lobo da Silveira, 7th Baron of Alvito. His palace in Lisbon still exists, located in a named after him. The German Graf and Dutch graaf stems from the Byzantine-Greek grapheus meaning he who calls a meeting together), the Ottoman military title of Serdar was used in Montenegro and Serbia as a lesser noble title with the equivalent rank of a Count. Since Louis VII, the highest precedence amongst the vassals of the French crown was enjoyed by those whose benefice or temporal fief was a pairie, i. e. In the eleventh century, conti like the Count of Savoy or the Norman Count of Apulia, were virtually sovereign lords of broad territories
