1.
Hortus deliciarum
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Hortus deliciarum is a medieval manuscript compiled by Herrad of Landsberg at the Hohenburg Abbey in Alsace, better known today as Mont Sainte-Odile. It was an encyclopedia, begun in 1167 as a pedagogical tool for young novices at the convent. It is the first encyclopedia that was written by a woman. It was finished in 1185, and was one of the most celebrated illuminated manuscripts of the period, the majority of the work is in Latin, with glosses in German. Most of the manuscript was not original, but was a compendium of 12th century knowledge, the manuscript contained poems, illustrations, and music, and drew from texts by classical and Arab writers. Interspersed with writings from other sources were poems by Herrad, addressed to the nuns, the most famous portion of the manuscript is the illustrations, of which there were 336, which symbolised various themes, including theosophical, philosophical, and literary themes. In 1870, the manuscript was burnt and destroyed when the housing it in Strasbourg was bombed during a siege on the city. Hortus deliciarum is one of the first sources of polyphony originating from a convent, the manuscript contained at least 20 song texts, all of which were originally notated with music. Those that can be recognized now are from the conductus repertory, the notation was in semi-quadratic neumes with pairs of four-line staves. Two songs survive with music intact, Primus parens hominum, a song. J. Bowers and J. Tick ed, women Making Music, the Western Musical Tradition, 1150-1950 Ful weel she soong the service dyvyne, The Cloistered Musician in the Middle Ages by Anne Bagnall Yardley. ISBN 0-252-01470-7 Rosalie Green, Michael Evans, Christine Bischoff, and Michael Curschmann The Hortus Deliciarum of Herrad of Hohenbourg, Herrad of Landsberg, Grove Music Online, ed. L. Macy, grovemusic. com. Folio selections in online catalog Oberlin college 12 plates taken from the 1818 Engelhardt facsimile formerly online at Museum of Alsace
2.
Miniature (illuminated manuscript)
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These include Persian miniatures, and their Mughal, Ottoman and other Indian offshoots. This article gives an art historical account of the miniature form, for the techniques involved in production, see illuminated manuscript. The earliest extant miniatures are a series of colored drawings or miniatures cut from the Ambrosian Iliad and they are similar in style and treatment with the pictorial art of the later Roman classical period. Of even greater value from a point of view are the miniatures of the Vatican manuscript of Virgil, known as the Vergilius Vaticanus. They are in a perfect condition and on a larger scale than the Ambrosian fragments. The drawing is quite classical in style, and the idea is conveyed that the miniatures are copies from an older series. The colors are opaque, indeed, in all the miniatures of early manuscripts the employment of body color was universal. The method followed in placing the different scenes on the page is highly instructive of the practice followed, as we may presume, by the artists of the early centuries. Again, for the purpose of securing something like perspective, an arrangement of zones was adopted. It was reserved for the Byzantine school to break away more decidedly from the natural presentment of things, but on comparing the miniatures of the Byzantine school generally with their classical predecessors, one has a sense of having passed from the open air into the cloister. Under the restraint of ecclesiastical domination Byzantine art became more and more stereotyped, the tendency grows to paint the flesh-tints in swarthy hues, to elongate and emaciate the limbs, and to stiffen the gait. Browns, blue-greys and neutral tints are in favor, in the miniatures of Byzantine manuscripts are first seen those backgrounds of bright gold which afterwards appear in such profusion in the productions of every western school of painting. The influence of Byzantine art on that of medieval Italy is obvious, the early mosaics in the churches of Italy, such as those at Ravenna and Venice, also afford examples of the dominating Byzantine influence. In the native schools of illumination of Western Europe, decoration only was the leading motive, the highest qualities of the miniatures of the 10th and 11th century of this school lie in fine outline drawing, which had a lasting influence on the English miniature of the later centuries. But the southern Anglo-Saxon school rather stands apart from the line of development of the western medieval miniature. Under the Carolingian monarchs there developed a school of painting derived from classical models, in this school, which owed its origin to the encouragement of Charlemagne, it is seen that the miniature appears in two forms. Accompanied as it was with profuse decoration in border and initial, on the other hand, there is also the miniature in which there is an attempt at illustration, as, for example, the depicting of scenes from the Bible. Here there is freedom, and we trace the classical style which copies Roman, as distinguished from Byzantine
3.
Alsace
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Alsace is a cultural and historical region in eastern France now located in the administrative region of Grand Est. Alsace is located on Frances eastern border and on the west bank of the upper Rhine adjacent to Germany, from 1982 until January 2016, Alsace was the smallest of 22 administrative regions in metropolitan France, consisting of the Bas-Rhin and Haut-Rhin departments. Territorial reform passed by the French legislature in 2014 resulted in the merger of the Alsace administrative region with Champagne-Ardenne and Lorraine to form Grand Est. The predominant historical language of Alsace is Alsatian, a Germanic dialect also spoken across the Rhine, but today most Alsatians primarily speak French, the political status of Alsace has been heavily influenced by historical decisions, wars, and strategic politics. The economic and cultural capital as well as largest city of Alsace is Strasbourg, the city is the seat of several international organizations and bodies. The name Alsace can be traced to the Old High German Ali-saz or Elisaz, an alternative explanation is from a Germanic Ell-sass, meaning seated on the Ill, a river in Alsace. In prehistoric times, Alsace was inhabited by nomadic hunters, by 1500 BC, Celts began to settle in Alsace, clearing and cultivating the land. It should be noted that Alsace is a surrounded by the Vosges mountains. It creates Foehn winds which, along with irrigation, contributes to the fertility of the soil. In a world of agriculture, Alsace has always been a region which explains why it suffered so many invasions and annexations in its history. By 58 BC, the Romans had invaded and established Alsace as a center of viticulture, to protect this highly valued industry, the Romans built fortifications and military camps that evolved into various communities which have been inhabited continuously to the present day. While part of the Roman Empire, Alsace was part of Germania Superior, with the decline of the Roman Empire, Alsace became the territory of the Germanic Alemanni. The Alemanni were agricultural people, and their Germanic language formed the basis of modern-day dialects spoken along the Upper Rhine, Clovis and the Franks defeated the Alemanni during the 5th century AD, culminating with the Battle of Tolbiac, and Alsace became part of the Kingdom of Austrasia. Under Clovis Merovingian successors the inhabitants were Christianized, Alsace formed part of the Middle Francia, which was ruled by the eldest grandson Lothar I. Lothar died early in 855 and his realm was divided into three parts, the part known as Lotharingia, or Lorraine, was given to Lothars son. The rest was shared between Lothars brothers Charles the Bald and Louis the German, the Kingdom of Lotharingia was short-lived, however, becoming the stem duchy of Lorraine in Eastern Francia after the Treaty of Ribemont in 880. Alsace was united with the other Alemanni east of the Rhine into the duchy of Swabia. Alsace experienced great prosperity during the 12th and 13th centuries under Hohenstaufen emperors, Frederick I set up Alsace as a province to be ruled by ministeriales, a non-noble class of civil servants
4.
Mont Sainte-Odile Abbey
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Mont Sainte-Odile Abbey, also known as Hohenburg Abbey, is a nunnery, situated on Mont Sainte-Odile, one of the most famous peaks of the Vosges mountain range in the French region of Alsace. It was founded about 690 by Saint Odile, daughter of the Frankish duke Adalrich of Alsace at Obernai, originally Hohenburg seems to have been occupied by Benedictine nuns who were replaced by canonesses in the 11th century. Devastated by fire several times, the church was rebuilt in 1050. During her rule Hohenburg became famous for its strict discipline as well as the learning of its nuns. She was succeeded in 1167 by Herrade of Landsberg, under whose rule the fame of Hohenburg continued to increase and she built the Premonstratensian monastery of Saint Gorgo on the slope of the mountain in 1178, and the Augustinian monastery of Truttenhausen at its foot. One noteworthy tradition of the abbey is the production of unicorn images, Hohenburg Abbey perished by fire in 1546. Some of the returned to their parents, others became Protestants. In 1661, Hohenburg was rebuilt and occupied by Premonstratensians, during the French Revolution it was confiscated by the government and sold as national property in 1791. Andreas Räss, Bishop of Strasbourg, purchased the buildings in 1853 for his diocese, perpetual adoration has been practiced at the convent since 1931. Between August 2000 and May 2002 more than 1,000 ancient books went missing from the monastery library, stanislas Gosse, a book collector, stole the books after finding an old map showing a secret entrance into the library. The route was not easy, however, involving climbing up walls, a steep staircase. A mechanism then opened the back of one of five cupboards, the disappearance of so many books over such a length of time confused the librarian, the monks and the police, with Gosse finally being caught by closed-circuit television cameras
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Vosges
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The Vosges, also called the Vosges Mountains, are a range of low mountains in eastern France, near its border with Germany. Together with the Palatine Forest to the north on the German side of the border, they form a single geomorphological unit and it runs in a north-northeast direction from the Burgundian Gate to the Börrstadt Basin, and forms the western boundary of the Upper Rhine Plain. The Grand Ballon is the highest peak at 1424 m, followed by the Storkenkopf, and the Hohneck. The elongated massif is divided south to north into three sections, The Higher Vosges or High Vosges, extending in the part of the range from Belfort to the river valley of the Bruche. The rounded summits of the Hautes Vosges are called ballons in French, in addition, the term Central Vosges is used to designate the various lines of summits, especially those above 1000 metres in elevation. The French department of Vosges is named after the range, erosive glacial action was the primary catalyst for development of the representative highland massif feature. Geographically, the Vosges Mountains are wholly in France, far above the Col de Saverne separating them from the Palatinate Forest in Germany, the latter area logically continues the same Vosges geologic structure but traditionally receives this different name for historical and political reasons. From 1871 to 1918 the Vosges marked the border between Germany and France, due to the Franco-Prussian War, the Vosges in their southern and central parts are called the Hautes Vosges. These consist of a large Carboniferous mountain eroded just before the Permian Period with gneiss, granites, in the north, south and west, there are places less eroded by glaciers, and here Vosges Triassic and Permian red sandstone remains are found in large beds. The grès vosgien, are embedded sometimes up to more than 500 metres in thickness, the Lower Vosges in the north are dislocated plates of various sandstones, ranging from 300 to 600 metres high. The Col de Saales, between the Higher and Central Vosges, reaches nearly 579 m, both lower and narrower than the Higher Vosges, with Mont Donon being the highest point of this Nordic section. Both areas exhibit steeper slopes towards the Rhine River and a gradual descent on the other side. This occurs because both the Vosges and the Black Forest were formed by uplift, in a response to the opening of the Rhine Graben. The Rhine Graben is an extensional basin. When such basins form, the thinning of the crust causes uplift immediately adjacent to the basin, the temperature is much lower in the west front of the mountains than in the low plains behind the massif, especially in summer. On the eastern slope economic vineyards reach to a height of 400 metres, on the hand, in the mountains, it is a land of pasture. The Moselle, Meurthe and Sarre rivers and their numerous affluents all rise on the Lorraine side, in the High Moselle and Meurthe basins, moraines, boulders and polished rocks testify to the former existence of glaciers which once covered the top of the Vosges. Over the centuries, settlement increased gradually, as was typical for a forested region, forests were cleared for, inter alia, agriculture, livestock and early industrial factories and the water mills used water power
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Mural
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A mural is any piece of artwork painted or applied directly on a wall, ceiling or other permanent surface. A distinguishing characteristic of painting is that the architectural elements of the given space are harmoniously incorporated into the picture. Some wall paintings are painted on canvases, which are then attached to the wall. Whether these works can be accurately called murals is a subject of controversy in the art world. Murals of sorts date to Upper Paleolithic times such as the paintings in the Chauvet Cave in Ardèche department of southern France, many ancient murals have been found within ancient Egyptian tombs, the Minoan palaces and in Pompeii. During the Middle Ages murals were executed on dry plaster. The huge collection of Kerala mural painting dating from the 14th century are examples of fresco secco, in Italy, circa 1300, the technique of painting of frescos on wet plaster was reintroduced and led to a significant increase in the quality of mural painting. In modern times, the became more well-known with the Mexican muralism art movement. There are many different styles and techniques, the best-known is probably fresco, which uses water-soluble paints with a damp lime wash, a rapid use of the resulting mixture over a large surface, and often in parts. The colors lighten as they dry, the marouflage method has also been used for millennia. Murals today are painted in a variety of ways, using oil or water-based media, the styles can vary from abstract to trompe-lœil. Initiated by the works of artists like Graham Rust or Rainer Maria Latzke in the 1980s, trompe-loeil painting has experienced a renaissance in private. The buon fresco technique consists of painting in pigment mixed with water on a layer of wet, fresh. The pigment is absorbed by the wet plaster, after a number of hours. After this the painting stays for a time up to centuries in fresh. Fresco-secco painting is done on dry plaster, the pigments thus require a binding medium, such as egg, glue or oil to attach the pigment to the wall. By the end of the century this had largely displaced the buon fresco method. This technique had, in reduced form, the advantages of a secco work, in Greco-Roman times, mostly encaustic colors applied in a cold state were used
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Strasbourg
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Strasbourg is the capital and largest city of the Grand Est region of France and is the official seat of the European Parliament. Located close to the border with Germany in the region of Alsace. In 2014, the city proper had 276,170 inhabitants, Strasbourgs metropolitan area had a population of 773,347 in 2013, making it the ninth largest metro area in France and home to 13% of the Grand Est regions inhabitants. The transnational Eurodistrict Strasbourg-Ortenau had a population of 915,000 inhabitants in 2014, Strasbourg is the seat of several European institutions, such as the Council of Europe and the Eurocorps, as well as the European Parliament and the European Ombudsman of the European Union. The city is also the seat of the Central Commission for Navigation on the Rhine, Strasbourgs historic city centre, the Grande Île, was classified a World Heritage site by UNESCO in 1988, the first time such an honour was placed on an entire city centre. The largest Islamic place of worship in France, the Strasbourg Grand Mosque, was inaugurated by French Interior Minister Manuel Valls on 27 September 2012. Economically, Strasbourg is an important centre of manufacturing and engineering, as well as a hub of road, rail, the port of Strasbourg is the second largest on the Rhine after Duisburg, Germany. Before the 5th century, the city was known as Argantorati, a Celtic Gaulish name Latinized first as Argentorate, after the 5h century, the city became known by a completely different name Gallicized as Strasbourg. That name is of Germanic origin and means Town of roads, Strasbourg is situated on the eastern border of France with Germany. This border is formed by the River Rhine, which forms the eastern border of the modern city. The historic core of Strasbourg however lies on the Grande Île in the River Ill, which flows parallel to, and roughly 4 kilometres from. The natural courses of the two eventually join some distance downstream of Strasbourg, although several artificial waterways now connect them within the city. This section of the Rhine valley is an axis of north-south travel, with river traffic on the Rhine itself. The city is some 400 kilometres east of Paris, in spite of its position far inland, Strasbourgs climate is classified as Oceanic, with warm, relatively sunny summers and cold, overcast winters. Precipitation is elevated from mid-spring to the end of summer, but remains largely constant throughout the year, on average, snow falls 30 days per year. The highest temperature recorded was 38.5 °C in August 2003. The lowest temperature recorded was −23.4 °C in December 1938. Nonetheless, the disappearance of heavy industry on both banks of the Rhine, as well as effective measures of traffic regulation in and around the city have reduced air pollution
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This article incorporates text from a publication now in the public domain: Herbermann, Charles, ed. (1913). "article name needed". Catholic Encyclopedia. New York: Robert Appleton.
Herbermann, Charles, ed. (1913). 
