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Court Ladies Preparing Newly Woven Silk, a Chinese silk painting by Emperor Huizong of Song, early 12th century.
Court Ladies Preparing Newly Woven Silk, a Chinese silk painting by Emperor Huizong of Song, early 12th century.
The cocoon of the domesticated silk moth; unlike wild silk moths, its cocoon is entirely white
The cocoon of the domesticated silk moth; unlike wild silk moths, its cocoon is entirely white
Detail of silk ritual garment from a 4th-century BC, Zhou dynasty, China
Detail of silk ritual garment from a 4th-century BC, Zhou dynasty, China
A lacquerware painting from the Jingmen Tomb (Chinese: 荊門楚墓; Pinyin: Jīngmén chǔ mù) of the State of Chu (704–223 BC), depicting men wearing tradition
A lacquerware painting from the Jingmen Tomb (Chinese: 荊門楚墓; Pinyin: Jīngmén chǔ mù) of the State of Chu (704–223 BC), depicting men wearing traditional silk dress and riding in a two horsed chariot
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Woven silk textile from Tomb No. 1 at Mawangdui, Changsha, Hunan province, China, dated to the Western Han Era, 2nd century BCE
Woven silk textile from Tomb No. 1 at Mawangdui, Changsha, Hunan province, China, dated to the Western Han Era, 2nd century BCE
Chinese jade and steatite plaques, in the Scythian-style animal art of the steppes. 4th–3rd century BCE. British Museum.
Chinese jade and steatite plaques, in the Scythian-style animal art of the steppes. 4th–3rd century BCE. British Museum.
Soldier with a centaur in the Sampul tapestry, wool wall hanging, 3rd–2nd century BCE, Xinjiang Museum, Urumqi, Xinjiang, China.
Soldier with a centaur in the Sampul tapestry, wool wall hanging, 3rd–2nd century BCE, Xinjiang Museum, Urumqi, Xinjiang, China.
A ceramic horse head and neck (broken from the body), from the Chinese Eastern Han dynasty (1st–2nd century CE)
A ceramic horse head and neck (broken from the body), from the Chinese Eastern Han dynasty (1st–2nd century CE)