The production of silk originated in Neolithic China within the Yangshao culture. Though it would later reach other places in the world, the art of silk production remained confined to China until the Silk Road opened at 114 BC. Even after trade opened, China maintained a virtual monopoly over silk production for another thousand years. The use of silk within China was not confined to clothing alone, and silk was used for a number of applications, such as writing. Within clothing, the color of silk worn also held social importance, and formed an important guide of social class during the Tang dynasty.
Court Ladies Preparing Newly Woven Silk, a Chinese silk painting by Emperor Huizong of Song, early 12th century.
The cocoon of the domesticated silk moth; unlike wild silk moths, its cocoon is entirely white
Detail of silk ritual garment from a 4th-century BC, Zhou dynasty, China
A lacquerware painting from the Jingmen Tomb (Chinese: 荊門楚墓; Pinyin: Jīngmén chǔ mù) of the State of Chu (704–223 BC), depicting men wearing traditional silk dress and riding in a two horsed chariot
The Silk Road was a network of Eurasian trade routes active from the second century BCE until the mid-15th century. Spanning over 6,400 kilometers, it played a central role in facilitating economic, cultural, political, and religious interactions between the East and West. The name "Silk Road," first coined in the late 19th century, has fallen into disuse among some modern historians in favor of Silk Routes, on the grounds that it more accurately describes the intricate web of land and sea routes connecting Central, East, South, Southeast, and West Asia as well as East Africa and Southern Europe.
Woven silk textile from Tomb No. 1 at Mawangdui, Changsha, Hunan province, China, dated to the Western Han Era, 2nd century BCE
Chinese jade and steatite plaques, in the Scythian-style animal art of the steppes. 4th–3rd century BCE. British Museum.
Soldier with a centaur in the Sampul tapestry, wool wall hanging, 3rd–2nd century BCE, Xinjiang Museum, Urumqi, Xinjiang, China.
A ceramic horse head and neck (broken from the body), from the Chinese Eastern Han dynasty (1st–2nd century CE)