1.
Goths
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The Goths were an East Germanic people, two of whose branches, the Visigoths and the Ostrogoths, played an important role in the fall of the Western Roman Empire and the emergence of Medieval Europe. In the Gothic language they were called the Gut-þiuda, most commonly translated as Gothic people, gut-þiudai, or Gutans Inferred from gen. pl. gutani in Pietroassa inscription. In Old Norse they were known as the Gutar or Gotar, in Latin as the Gothi, the exact origin of the ancient Goths is unknown. Evidence of them before they interacted with the Romans is limited, Modern academics have generally abandoned this theory. Today, the Wielbark culture is thought to have developed from earlier cultures in the same area, archaeological finds show close contacts between southern Sweden and the Baltic coastal area on the continent, and further towards the south-east, evidenced by pottery, house types and graves. Rather than a migration, similarities in the material cultures may be products of long-term regular contacts. However, the record could indicate that while his work is thought to be unreliable. Sometime around the 1st century AD, Germanic peoples may have migrated from Scandinavia to Gothiscandza, early archaeological evidence in the traditional Swedish province of Östergötland suggests a general depopulation during this period. However, there is no evidence for a substantial emigration from Scandinavia. Upon their arrival on the Pontic Steppe, the Germanic tribes adopted the ways of the Eurasian nomads, the first Greek references to the Goths call them Scythians, since this area along the Black Sea historically had been occupied by an unrelated people of that name. The earliest known material culture associated with the Goths on the southern coast of the Baltic Sea is the Wielbark culture, centered on the modern region of Pomerania in northern Poland. This culture replaced the local Oxhöft or Oksywie culture in the 1st century, the culture of this area was influenced by southern Scandinavian culture beginning as early as the late Nordic Bronze Age and early Pre-Roman Iron Age. In Eastern Europe they formed part of the Chernyakhov culture and it has been suggested that the Goths maintained contact with southern Sweden during their migration. In the first attested incursion in Thrace, the Goths were mentioned as Boranoi by Zosimus, the first incursion of the Roman Empire that can be attributed to Goths is the sack of Histria in 238. Several such raids followed in subsequent decades, in particular the Battle of Abrittus in 251, led by Cniva, at the time, there were at least two groups of Goths, the Thervingi and the Greuthungs. Goths were subsequently recruited into the Roman Army to fight in the Roman-Persian Wars. The Moesogoths settled in Thrace and Moesia, the first seaborne raids took place in three subsequent years, probably 255-257. An unsuccessful attack on Pityus was followed in the year by another
2.
Peter Nicolai Arbo
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Peter Nicolai Arbo was a Norwegian historical painter, who specialized in painting motifs from Norwegian history and images from Norse mythology. He is most noted for Asgårdsreien, a motif based on the Wild Hunt legend and Valkyrie. Peter Nicolai Arbo grew up at Gulskogen Manor in Gulskogen, a borough in Drammen and he was the son of headmaster Christian Fredrik Arbo and his wife Marie Christiane von Rosen. His brother Carl Oscar Eugen Arbo was a medical doctor. Arbos childhood home, Gulskogen, was built in 1804 as a residence for his older cousin, lumber dealer. Arbo started his art education with a year at the Art School operated by Frederik Ferdinand Helsted in Copenhagen 1851-1852, after this, he studied at the art academy in Düsseldorf. From 1853 to 1855 he studied under of Karl Ferdinand Sohn, professor of Kunstakademie Düsseldorf, at Düsseldorf he was for some time a private student of the history painter C. He had contact with Adolph Tidemand and became a friend of Hans Gude both of whom were professors at the art academy in Düsseldorf. He is associated with the Düsseldorf school of painting, in 1861 Arbo returned to Norway and the following year he went on a study trip together with Gude and Frederik Collett. In 1863 he painted the first version of Horse flock on the high mountains, the version from 1889 is at the National Museum of Art, Architecture and Design in Oslo and is considered one of the most important of his works. In 1866 he was appointed a Knight of the Royal Norwegian Order of St. Olav and he held numerous positions, including as a juror in Stockholm in 1866 and Philadelphia in 1876, and was Commissioner of the Viennese art department exhibition in 1873. He was also a member of the National Gallery Company from 1875, drammens Museum is located in the heart of Drammen, on the southern side of the Drammen River. In earlier years this was an area of elegant country houses on the magnificent landed property known as Marienlyst, exhibits of the museum include items from the historical and cultural background of Norway. Drammen museum consists of five departments including Gulskogen Manor, the childhood home Peder Nicolai Arbo, in the many beautiful rooms of Gulskogen Manor, one will find works by this distinguished history-painter. Paintings by Peter Nicolai Arbo Marit I
3.
Huns
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The Huns were a nomadic people who lived in Eastern Europe, the Caucasus, and Central Asia between the 1st century AD and the 7th century AD. In 91 AD, the Huns were said to be living near the Caspian Sea, by 370, the Huns had established a vast, if short-lived, dominion in Europe. In the 18th century, the French scholar Joseph de Guignes became the first to propose a link between the Huns and the Xiongnu people, who were neighbours of China in the 3rd century BC. Since Guignes time, considerable effort has been devoted to investigating such a connection. However, there is no consensus on a direct connection between the dominant element of the Xiongnu and that of the Huns. Numerous other ethnic groups were included under Attilas rule, including very many speakers of Gothic and their main military technique was mounted archery. The Huns may have stimulated the Great Migration, a factor in the collapse of the Western Roman Empire. They formed an empire under Attila the Hun, who died in 453. Variants of the Hun name are recorded in the Caucasus until the early 8th century, the Huns were a confederation of warrior bands, ready to integrate other groups to increase their military power, in the Eurasian Steppe in the 4th to 6th centuries AD. Most aspects of their ethnogenesis are uncertain, walter Pohl explicitly states, All we can say safely is that the name Huns, in late antiquity, described prestigious ruling groups of steppe warriors. Jerome associated them with the Scythians in a letter, written four years after the Huns invaded the eastern provinces in 395. The equation of the Huns with the Scythians, together with a fear of the coming of the Antichrist in the late 4th century. This demonization of the Huns is also reflected in Jordaness Getica, written in the 6th century, otto J. Maenchen-Helfen was the first to challenge the traditional approach, based primarily on the study of written sources, and to emphasize the importance of archaeological research. Thereafter the identification of the Xiongnu as the Huns ancestors became controversial among some, the similarity of their ethnonyms is one of the most important links between the two peoples. A Sogdian merchant described the invasion of northern China by the Xwn people in a letter, Étienne de la Vaissière asserts both documents prove that Huna or Xwn were the exact transcriptions of the Chinese Xiongnu name. Christopher P. Atwood rejects that identification because of the very poor match between the three words. For instance, Xiongnu begins with a velar fricative, Huna with a voiceless glottal fricative, Xiongnu is a two-syllable word. However, according to Zhengzhang Shangfang, Xiongnu was pronounced in Late Old Chinese, the Chinese Book of Wei contain references to the remains of the descendants of the Xiongnu who lived in the region of the Altai Mountains in the early 5th century AD
4.
Dnieper
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It is the longest river of Ukraine and Belarus and the fourth longest river in Europe. The total length ranges between 2,145 km and 2,201 km with a basin of 504,000 square kilometres. The river is noted for its dams and hydroelectric stations, the Dnieper is an important navigable waterway for the economy of Ukraine and is connected via the Dnieper–Bug Canal to other waterways in Europe. In antiquity, the river was known to the Greeks as the Borysthenes and was part of the Amber Road, Arheimar, a capital of the Goths, was located on the Dnieper, according to the Hervarar saga. The name Dnieper is derived from Sarmatian Dānu apara the river on the far side, according to V. Abaev the name Dnieper derives from Scythian Dānu apr deep river, while the name Dniester is combination of Scythian Dānu and Thracian Ister, the old name of Dniester. In the three countries through which it flows it has essentially the name, albeit pronounced differently, Russian, Днепр, Belarusian, Дняпро or Днепр, Ukrainian. The late Greek and Roman authors called it Δάναπρις - Danapris and Danaper respectively - and its Old East Slavic name used at the time of Kievan Rus was Slavuta or Slavutych, the Huns called it Var, and Bulgars - Buri-Chai. The name in Crimean Tatar, Özü, the total length of the river is 2,145 kilometres, of which 485 km are within Russia,700 km are within Belarus, and 1,095 km are within Ukraine. Its basin covers 504,000 square kilometres, of which 289,000 km2 are within Ukraine,118,360 km2 are within Belarus, the source of the Dnieper is the sedge bogs of the Valdai Hills in central Russia, at an elevation of 220 m. For 115 km of its length, it serves as the border between Belarus and Ukraine and its estuary, or liman, used to be defended by the strong fortress of Ochakiv. On the Dnepr River to the south of Komarin urban-type settlement, Braghin District, the Dnieper has many tributaries with 89 being rivers of 100+ km. The water resources of the Dnieper basin compose around 80% out of all Ukraine, Dnieper Rapids were part of trade route from the Varangians to the Greeks, first mentioned in the Kiev Chronicle. The route was established in the late eighth and early ninth centuries. On the Dnieper the Varangians had to portage their ships round seven rapids, after Dnieper Hydroelectric Station was built in 1932, they were inundated by Dnieper Reservoir. The river is part of the Quagga mussels native range, the mussel has been accidentally introduced around the world where it has become an invasive species. From the mouth of the Prypiat River to the Kakhovka Hydroelectric Station, there are six sets of dams and hydroelectric stations, the first constructed was the Dnieper Hydroelectric Station near Zaporizhia, built in 1927–1932 with an output of 558 MW. It was destroyed during World War II, but was rebuilt in 1948 with an output of 750 MW, the Dnieper River in different regions Major cities, over 100,000 in population, are in bold script. Cities and towns located on the Dnieper are listed in order from the source to its mouth, Arheimar
5.
Danube
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The Danube is Europes second-longest river, after the Volga River, and also the longest river in the European Union region. It is located in Central and Eastern Europe, the Danube was once a long-standing frontier of the Roman Empire, and today flows through 10 countries, more than any other river in the world. Its drainage basin extends into nine more countries, the Latin name Dānuvius is one of a number of Old European river names derived from a Proto-Indo-European *dānu. Other river names from the root include the Dunajec, Dzvina/Daugava, Don, Donets, Dnieper, Dniestr. In Rigvedic Sanskrit, dānu means fluid, drop, in Avestan, in the Rigveda, Dānu once appears as the mother of Vrtra. Known to the ancient Greeks as the Istros a borrowing from a Daco-Thracian name meaning strong, in Latin, the Danube was variously known as Danubius, Danuvius or as Ister. The Dacian/Thracian name was Donaris for the upper Danube and Istros for the lower Danube, the Thraco-Phrygian name was Matoas, the bringer of luck. The Latin name is masculine, as are all its Slavic names, the German Donau is feminine, as it has been re-interpreted as containing the suffix -ouwe wetland. Classified as a waterway, it originates in the town of Donaueschingen, in the Black Forest of Germany, at the confluence of the rivers Brigach. The Danube then flows southeast for about 2,800 km, passing through four capital cities before emptying into the Black Sea via the Danube Delta in Romania and its drainage basin extends into nine more. The highest point of the basin is the summit of Piz Bernina at the Italy–Switzerland border. The land drained by the Danube extends into other countries. Many Danubian tributaries are important rivers in their own right, navigable by barges, from its source to its outlet into the Black Sea, its main tributaries are, The Danube flows through many cities, including four national capitals, more than any other river in the world. Danube remains a mountain river until Passau, with average bottom gradient 0. 0012%. Middle Section, From Devín Gate to Iron Gate, at the border of Serbia and Romania, the riverbed widens and the average bottom gradient becomes only 0. 00006%. Lower Section, From Iron Gate to Sulina, with average gradient as little as 0. 00003%, about 60 of its tributaries are also navigable. In 1994 the Danube was declared one of ten Pan-European transport corridors, routes in Central, the amount of goods transported on the Danube increased to about 100 million tons in 1987. In 1999, transport on the river was difficult by the NATO bombing of three bridges in Serbia during the Kosovo War
6.
Norns
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The Norns in Norse mythology are female beings who rule the destiny of gods and men. They roughly correspond to other controllers of humans destiny, the Fates, in Snorri Sturlusons interpretation of the Völuspá, Urðr, Verðandi and Skuld, the three most important of the Norns, come out from a hall standing at the Well of Urðr or Well of Fate. They draw water from the well and take sand that lies around it and these three Norns are described as powerful maiden giantesses whose arrival from Jötunheimr ended the golden age of the gods. They may be the same as the maidens of Mögþrasir who are described in Vafþrúðnismál, beside these three famous Norns, there are many others who appear at a persons birth in order to determine his or her future. In the pre-Christian Norse societies, Norns were thought to have visited newborn children, there were both malevolent and benevolent Norns, the former caused all the malevolent and tragic events in the world while the latter were kind and protective goddesses. The origin of the name norn is uncertain, it may derive from a meaning to twine. Bek-Pedersen suggests that the word norn has relation to the Swedish dialect word norna and this relates to the perception of norns as shadowy, background figures who only really ever reveal their fateful secrets to men as their fates come to pass. It should be noted that wyrd and urðr are etymological cognates, both Urðr and Verðandi are derived from the Old Norse verb verða, to be. While Urðr derives from the past tense, Verðandi derives from the present tense of verða, Skuld is derived from the Old Norse verb skulla, need/ought to be/shall be, its meaning is that which should become, or that needs to occur. There is no distinction between norns, fylgjas, hamingjas and valkyries, nor with the generic term dísir. Moreover, artistic license permitted such terms to be used for women in Old Norse poetry. To quote Snorri Sturlusons Skáldskaparmál on the names used for women. There are a number of surviving Old Norse sources that relate to the norns, the most important sources are the Prose Edda and the Poetic Edda. A skaldic reference to the norns appears in Hvinis poem in Ynglingatal 24 found in Ynglingasaga 47 and this reference brings in the phrase norna dómr which means judgment of the nornir. In most cases, when the norns pass judgment, it means death to those who have been judged - in this case, along with being associated with being bringers of death, Bek-Pedersen suggests that this phrase brings in a quasi-legal aspect to the nature of the norns. This legal association is employed quite frequently within skaldic and eddic sources and this phrase can also be seen as a threat, as death is the final and inevitable decision that the norns can make with regard to human life. The Poetic Edda is valuable in representing older material in poetry from which Snorri tapped information in the Prose Edda, like Gylfaginning, the Poetic Edda mentions the existence of many lesser norns beside the three main norns. Moreover, it agrees with Gylfaginning by telling that they were of several races
7.
Norse mythology
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The cosmos in Norse mythology consists of Nine Worlds that flank a central cosmological tree, Yggdrasil. Units of time and elements of the cosmology are personified as deities or beings, various forms of a creation myth are recounted, where the world is created from the flesh of the primordial being Ymir, and the first two humans are Ask and Embla. These worlds are foretold to be reborn after the events of Ragnarök, there the surviving gods will meet, and the land will be fertile and green, and two humans will repopulate the world. Norse mythology has been the subject of scholarly discourse since the 17th century, by way of comparative mythology and historical linguistics, scholars have identified elements of Germanic mythology reaching as far back as Proto-Indo-European mythology. In the modern period, the Romanticist Viking revival re-awoke an interest in the subject matter, the myths have further been revived in a religious context among adherents of Germanic Neopaganism. The majority of these Old Norse texts were created in Iceland and this occurred primarily in the 13th century. The Prose Edda was composed as a manual for producing skaldic poetry—traditional Old Norse poetry composed by skalds. Originally composed and transmitted orally, skaldic poetry utilizes alliterative verse, kennings, the Prose Edda presents numerous examples of works by various skalds from before and after the Christianization process and also frequently refers back to the poems found in the Poetic Edda. The Poetic Edda consists almost entirely of poems, with some prose narrative added, in comparison to skaldic poetry, Eddic poetry is relatively unadorned. Numerous further texts, such as the sagas, provide further information, the saga corpus consists of thousands of tales recorded in Old Norse ranging from Icelandic family histories to Migration period tales mentioning historic figures such as Attila the Hun. By way of historical linguistics and comparative mythology, comparisons to other attested branches of Germanic mythology may also lend insight, wider comparisons to the mythology of other Indo-European peoples by scholars has resulted in the potential reconstruction of far earlier myths. Of the mythical tales and poems that are presumed to have existed during the Middle Ages, Viking Age, Migration Period, numerous gods are mentioned in the source texts. In the mythology, Thor lays waste to numerous jötnar who are foes to the gods or humanity, the god Odin is also frequently mentioned in surviving texts. One-eyed, wolf and raven-flanked, and spear in hand, Odin pursues knowledge throughout the worlds, Odin has a strong association with death, Odin is portrayed as the ruler of Valhalla, where valkyries carry half of those slain in battle. Odins wife is the powerful goddess Frigg who can see the future but tells no one, and together they have a beloved son, Baldr. After a series of dreams had by Baldr of his death, his death is engineered by Loki, and Baldr thereafter resides in Hel. Odin must share half of his share of the dead with a powerful goddess and she is beautiful, sensual, wears a feathered cloak, and practices seiðr. She rides to battle to choose among the slain, and brings her chosen to her afterlife field Fólkvangr, Freyja weeps for her missing husband Óðr, and seeks after him in far away lands
8.
Baldr
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Baldr is a god in Norse mythology, who is given a central role in the mythology. His precise function is, however, disputed and he is often interpreted as the god of love, peace, forgiveness, justice, light or purity, but he was not directly attested as a god of such. He is the son of Odin and the goddess Frigg. His twin brother is the blind god Höðr, jacob Grimm in his Teutonic Mythology identifies Old Norse Baldr with the Old High German Baldere, Palter, Paltar and with Old English bealdor, baldor lord, prince, king. Old Norse shows this usage of the word as an honorific in a few cases, as in baldur î brynju and herbaldr, both epithets of heroes in general. Grimm traces the etymology of the name to *balþaz, whence Gothic balþs, Old English bald, Old High German pald, all meaning white, but the interpretation of Baldr as the brave god may be secondary. Baltic has a word meaning the white, the good, in continental Saxon and Anglo-Saxon tradition, the son of Woden is called not Bealdor but Baldag and Bældæg, Beldeg, which shows association with day, possibly with Day personified as a deity. This, as Grimm points out, would agree with the shining one, white one. Grimms etymology is endorsed by modern research, according to Rudolf Simek, the original name for Baldr must be understood as shining day. One of the two Merseburg Incantations names Baldere, but also mentions a figure named Phol, considered to be a byname for Baldr and this interpretation is linked to the presupposition that the figure in question is a companion of Wodan, the upper god. In a different interpretation, phol is just another form of folon mentioned in the next line, in the Poetic Edda the tale of Baldrs death is referred to rather than recounted at length. Among the visions which the Völva sees and describes in the known as the Völuspá is one of the fatal mistletoe, the birth of Váli. Yet looking far into the future the Völva sees a vision of a new world. The Eddic poem Baldrs Dreams mentions that Baldr has bad dreams which the gods then discuss, Odin rides to Hel and awakens a seeress, who tells him Höðr will kill Baldr but Vali will avenge him. In Gylfaginning, Baldur is described as follows, Apart from this description Baldr is known primarily for the story of his death and his death is seen as the first in the chain of events which will ultimately lead to the destruction of the gods at Ragnarök. Baldr will be reborn in the new world, according to Völuspá and he had a dream of his own death and his mother had the same dreams. Since dreams were usually prophetic, this depressed him, so his mother Frigg made every object in every realm vow never to hurt Baldr, all objects made this vow except mistletoe. When Loki, the mischief-maker, heard of this, he made a spear from this plant
9.
Bragi
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Bragi is the skaldic god of poetry in Norse mythology. Bragi is generally associated with bragr, the Norse word for poetry, the name of the god may have been derived from bragr, or the term bragr may have been formed to describe what Bragi does. A connection between the name Bragi and Old English brego chieftain has been suggested but is now discounted. A connection between Bragi and the bragarfull promise cup is sometimes suggested, as bragafull, a form of the word. Snorri Sturluson writes in the Gylfaginning after describing Odin, Thor, and Baldr, One is called Bragi, he is renowned for wisdom, and most of all for fluency of speech and skill with words. He knows most of skaldship, and after him skaldship is called bragr, and from his name that one is called bragr-man or -woman, in Skáldskaparmál Snorri writes, How should one periphrase Bragi. By calling him husband of Iðunn, first maker of poetry, and the long-bearded god and that Bragi is Odins son is clearly mentioned only here and in some versions of a list of the sons of Odin. But wish-son in stanza 16 of the Lokasenna could mean Odins son and is translated by Hollander as Odins kin, Bragis mother is possibly the giantess Gunnlod. In that poem Bragi at first forbids Loki to enter the hall but is overruled by Odin, Loki then gives a greeting to all gods and goddesses who are in the hall save to Bragi. Bragi responds that if they were outside the hall, he would have Lokis head, when Bragis wife Iðunn attempts to calm Bragi, Loki accuses her of embracing her brothers slayer, a reference to matters that have not survived. It may be that Bragi had slain Iðunns brother, the meaning of this is obscure. The first part of Snorri Sturlusons Skáldskaparmál is a dialogue between Ægir and Bragi about the nature of poetry, particularly skaldic poetry, Bragi tells the origin of the mead of poetry from the blood of Kvasir and how Odin obtained this mead. He then goes on to discuss various poetic metaphors known as kennings, Snorri Sturluson clearly distinguishes the god Bragi from the mortal skald Bragi Boddason, whom he often mentions separately. Compare the appearance of the Welsh Taliesin in the branch of the Mabinogi. Legendary chronology sometimes does become muddled, whether Bragi the god originally arose as a deified version of Bragi Boddason was much debated in the 19th century, especially by the scholars Eugen Mogk and Sophus Bugge. In the poem Eiríksmál Odin, in Valhalla, hears the coming of the dead Norwegian king Eric Bloodaxe and his host, Bragi is then mentioned, questioning how Odin knows that it is Eric and why Odin has let such a king die. In the poem Hákonarmál, Hákon the Good is taken to Valhalla by the valkyrie Göndul and Odin sends Hermóðr, in these poems Bragi could be either a god or a dead hero in Valhalla. Attempting to decide is further confused because Hermóðr also seems to be sometimes the name of a god and that Bragi was also the first to speak to Loki in the Lokasenna as Loki attempted to enter the hall might be a parallel
10.
Heimdallr
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In Norse mythology, Heimdallr is a god who possesses the resounding horn Gjallarhorn, owns the golden-maned horse Gulltoppr, has gold teeth, and is the son of Nine Mothers. Heimdallr is said to be the originator of social classes among humanity, Heimdallr and Loki are foretold to kill one another during the events of Ragnarök. Heimdallr is additionally referred to as Rig, Hallinskiði, Gullintanni, two lines of an otherwise lost poem about the god, Heimdalargaldr, survive. Heimdallr also appears as Heimdalr and Heimdali, the etymology of the name is obscure, but the one who illuminates the world has been proposed. Heimdallr may be connected to Mardöll, one of Freyjas names, Heimdallr and its variants are sometimes modernly anglicized as Heimdall or Heimdal. Heimdallr is attested as having three other names, Hallinskiði, Gullintanni, and Vindlér or Vindhlér, the name Hallinskiði is obscure, but has resulted in a series of attempts at deciphering it. Gullintanni literally means the one with the golden teeth, Vindlér translates as either the one protecting against the wind or wind-sea. All three have resulted in theories about the god. A lead spindle whorl bearing an Old Norse Younger Futhark inscription that mentions Heimdallr was discovered in Saltfleetby, the spindle whorl itself is dated from the year 1000 to 1100 AD. On the inscription, the god Heimdallr is mentioned alongside the god Odin and Þjálfi, in the Poetic Edda, Heimdallr is attested in six poems, Völuspá, Grímnismál, Lokasenna, Þrymskviða, Rígsþula, and Hrafnagaldr Óðins. Heimdallr is mentioned thrice in Völuspá, in the first stanza of the poem, the undead völva reciting the poem calls out for listeners to be silent and refers to Heimdallr, This stanza has led to various scholarly interpretations. The holy races have been considered variously as either humanity or the gods, the notion of humanity as Heimdallrs sons is otherwise unattested and has also resulted in various interpretations. Some scholars have pointed to the introduction to the poem Rígsþula. Later in Völuspá, the völva foresees the events of Ragnarök, schach details that Heimdallar hljóð has aroused much speculation. Snorri seems to have confused this word with gjallarhorn, but there is no attestation of the use of hljóð in the sense of horn in Icelandic. Various scholars have read this as hearing rather than horn, larrington says that Odin exchanged one of his eyes for wisdom from Mimir, guardian of the well, while Heimdall seems to have forfeited his ear. In the poem Grímnismál, Odin, tortured, starved and thirsty, in the poem Lokasenna, Loki flyts with various gods who have met together to feast. At one point during the exchanges, the god Heimdallr says that Loki is drunk and witless, and asks Loki why he wont stop speaking
11.
Odin
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In Germanic mythology, Odin is a widely revered god. In the modern period, Odin continued to be acknowledged in the folklore of Germanic Europe. Forms of his name appear frequently throughout the Germanic record, though narratives regarding Odin are mainly found in Old Norse works recorded in Iceland and these texts make up the bulk of modern understanding of Norse mythology. In Old Norse texts, Odin is depicted as one-eyed and long-bearded, frequently wielding a spear named Gungnir, and wearing a cloak, Odin is attested as having many sons, most famously the god Baldr with Frigg, and is known by hundreds of names. Odin has an association with Yule, and mankinds knowledge of both the runes and poetry is also attributed to him. In Old Norse texts, Odin is given primacy over female beings associated with the battlefield—the valkyries—and oversees Valhalla, where he receives half of those who die in battle, the other half are chosen by the goddess Freyja for her afterlife location, Fólkvangr. In later folklore, Odin appears as a leader of the Wild Hunt and he has also been associated with charms and other forms of magic, particularly in Old English and Old Norse texts. Odin has been a frequent subject of study in Germanic studies, in the modern period, Odin has inspired numerous works of poetry, music, and other forms of media. He is venerated in most forms of the new religious movement Heathenry, together with other gods venerated by the ancient Germanic peoples, some branches focus particularly on him. The Old Norse theonym Óðinn and its cognates, including Old English Wōden, Old Saxon Wōden, the masculine noun *wōđanaz developed from the Proto-Germanic adjective *wōđaz, related to Latin vātēs and Old Irish fáith, both meaning seer, prophet. Adjectives stemming from *wōđaz include Gothic woþs possessed, Old Norse óðr, mad, frantic, furious, additionally the Old Norse noun æði rage, fury and Old High German wuotī madness derive from the feminine noun *wōđīn, from *wōđaz. Over 170 names are recorded for the god Odin and these names are variously descriptive of attributes of the god, refer to myths involving him, or refer to religious practices associated with the god. This multitude of names makes Odin the god with the most names known among the Germanic peoples, the weekday name Wednesday derives from Old English wōdnesdæg. Cognate terms are found in other Germanic languages, such as Middle Low German wōdensdach, all of these terms derive from Proto-Germanic *Wodensdag, itself a Germanic interpretation of Latin Dies Mercurii. However, in Old High German, the derived from Odins was replaced by a translation of Church Latin media hebdomas. The earliest records of the Germanic peoples were recorded by the Romans and they regard it as a religious duty to offer to him, on fixed days, human as well as other sacrificial victims. Hercules and Mars they appease by animal offerings of the permitted kind, in this instance, Tacitus refers to the god Odin as Mercury, Thor as Hercules, and Týr as Mars, and the identity of the Isis of the Suebi has been debated. But their rankings in their respective religious spheres may have very different
12.
Thor
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In Norse mythology, Thor is a hammer-wielding god associated with thunder, lightning, storms, oak trees, strength, the protection of mankind, and also hallowing and fertility. The cognate deity in wider Germanic mythology and paganism was known in Old English as Þunor and in Old High German as Donar, into the modern period, Thor continued to be acknowledged in rural folklore throughout Germanic regions. Thor is frequently referred to in place names, the day of the week Thursday bears his name, in Norse mythology, largely recorded in Iceland from traditional material stemming from Scandinavia, numerous tales and information about Thor are provided. With Sif, Thor fathered the goddess Þrúðr, with Járnsaxa, he fathered Magni, with a mother whose name is not recorded, he fathered Móði, and he is the stepfather of the god Ullr. The same sources list Thor as the son of the god Odin and the earth, Jörð. Thor has two servants, Þjálfi and Röskva, rides in a cart or chariot pulled by two goats, Tanngrisnir and Tanngnjóstr, and is ascribed three dwellings. Thor wields the mountain-crushing hammer, Mjölnir, wears the belt Megingjörð and the iron gloves Járngreipr, Thor has inspired numerous works of art and references to Thor appear in modern popular culture. Like other Germanic deities, veneration of Thor is revived in the period in Heathenry. The name of the god is the origin of the weekday name Thursday, by employing a practice known as interpretatio germanica during the Roman Empire period, the Germanic peoples adopted the Roman weekly calendar, and replaced the names of Roman gods with their own. Latin dies Iovis was converted into Proto-Germanic *Þonares dagaz, from which stems modern English Thursday, beginning in the Viking Age, personal names containing the theonym Thórr are recorded with great frequency. Prior to the Viking Age, no examples are recorded, thórr-based names may have flourished during the Viking Age as a defiant response to attempts at Christianization, similar to the wide scale Viking Age practice of wearing Thors hammer pendants. They regard it as a duty to offer to him, on fixed days. Hercules and Mars they appease by animal offerings of the permitted kind, in this instance, Tacitus refers to the god Odin as Mercury, Thor as Hercules, and the god Týr as Mars, and the identity of the Isis of the Suebi has been debated. In Thors case, the identification with the god Hercules is likely at least in part due to similarities between Thors hammer and Hercules club. In his Annals, Tacitus again refers to the veneration of Hercules by the Germanic peoples, Donar, the southern Germanic form of the gods name. According to an account, the Christian missionary Saint Boniface felled an oak tree dedicated to Jove in the 8th century. Around the second half of the 8th century, Old English mentions of a figure named Thunor are recorded, gabriel Turville-Petre saw this as an invented origin for the placename demonstrating loss of memory that Thunor had been a gods name. Adam details that Thor, they reckon, rules the sky, he governs thunder and lightning, winds and storms, fine weather and fertility and that Thor, with his mace, looks like Jupiter
