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History
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Secondo Pia's 1898 negative of the image on the Shroud of Turin. Image from Musée de l'Élysée, Lausanne.
Secondo Pia's 1898 negative of the image on the Shroud of Turin. Image from Musée de l'Élysée, Lausanne.
Veronica's veil by Claude Mellan (c. 1649)
Veronica's veil by Claude Mellan (c. 1649)
Stampita or print of the Holy Face of Jesus (modern reproduction).
Stampita or print of the Holy Face of Jesus (modern reproduction).
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The Shroud of Turin: modern photo of the face, positive (left), and digitally processed image (right)
The Shroud of Turin: modern photo of the face, positive (left), and digitally processed image (right)
Full-length image of the Turin Shroud before the 2002 restoration
Full-length image of the Turin Shroud before the 2002 restoration
Secondo Pia's 1898 negative of the image on the Shroud of Turin has an appearance suggesting a positive image. It is used as part of the devotion to t
Secondo Pia's 1898 negative of the image on the Shroud of Turin has an appearance suggesting a positive image. It is used as part of the devotion to the Holy Face of Jesus. Image from Musée de l'Élysée, Lausanne.
The pilgrim medallion of Lirey (before 1453)
The pilgrim medallion of Lirey (before 1453)