1.
Honolulu, Hawaii
–
Honolulu is the capital and largest city of the U. S. state of Hawaii. It is an part of and the county seat of the City and County of Honolulu on the island of Oahu. The city is the gateway to Hawaii and a major portal into the United States. The city is also a hub for international business, military defense, as well as famously being host to a diverse variety of east-west and Pacific culture, cuisine. Honolulu is the most remote city of its size in the world and is both the westernmost and the southernmost major U. S. city. For statistical purposes, the U. S. Census Bureau recognizes the area commonly referred to as City of Honolulu as a census county division. Honolulu is a financial center of the islands and of the Pacific Ocean. The population of the city of Honolulu was 337,256 as of the 2010 census, while the Honolulu CCD was 390,738, Honolulu means sheltered harbor or calm port. The old name is said to be Kou, a district encompassing the area from Nuuanu Avenue to Alakea Street. The city has been the capital of the Hawaiian Islands since 1845, as of 2015, Honolulu was ranked high on world livability rankings, and was also ranked as the 2nd safest city in the U. S. It is also the most populated Oceanian city outside Australasia and ranks second to Auckland as the most populous city in Polynesia, evidence of the first settlement of Honolulu by the original Polynesian migrants to the archipelago comes from oral histories and artifacts. These indicate that there was a settlement where Honolulu now stands in the 11th century, however, after Kamehameha I conquered Oʻahu in the Battle of Nuʻuanu at Nuʻuanu Pali, he moved his royal court from the Island of Hawaiʻi to Waikīkī in 1804. His court relocated in 1809 to what is now downtown Honolulu, the capital was moved back to Kailua-Kona in 1812. In 1794, Captain William Brown of Great Britain was the first foreigner to sail into what is now Honolulu Harbor, more foreign ships followed, making the port of Honolulu a focal point for merchant ships traveling between North America and Asia. In 1845, Kamehameha III moved the permanent capital of the Hawaiian Kingdom from Lahaina on Maui to Honolulu and he and the kings that followed him transformed Honolulu into a modern capital, erecting buildings such as St. Andrews Cathedral, ʻIolani Palace, and Aliʻiōlani Hale. At the same time, Honolulu became the center of commerce in the islands, an economic and tourism boom following statehood brought rapid economic growth to Honolulu and Hawaiʻi. Modern air travel brings, as of 2007,7.6 million visitors annually to the islands, today, Honolulu is a modern city with numerous high-rise buildings, and Waikīkī is the center of the tourism industry in Hawaiʻi, with thousands of hotel rooms. According to the United States Census Bureau, the CDP has an area of 68.4 square miles
Honolulu, Hawaii
–
Port of Honolulu, as seen by Russian artist
Louis Choris in 1816.
Honolulu, Hawaii
–
Clockwise: Aerial view of
Downtown Honolulu,
Pearl Harbor right outside the city, statue of
King Kamehameha I in downtown,
Diamond Head, waterfront on
Waikiki Beach, and
Honolulu Hale (City Hall)
Honolulu, Hawaii
–
Queen Street, Honolulu, 1856, by
George Henry Burgess.
Honolulu, Hawaii
–
The
Great Chinatown Fire.
2.
National Register of Historic Places
–
The National Register of Historic Places is the United States federal governments official list of districts, sites, buildings, structures, and objects deemed worthy of preservation. The passage of the National Historic Preservation Act in 1966 established the National Register, of the more than one million properties on the National Register,80,000 are listed individually. The remainder are contributing resources within historic districts, each year approximately 30,000 properties are added to the National Register as part of districts or by individual listings. For most of its history the National Register has been administered by the National Park Service and its goals are to help property owners and interest groups, such as the National Trust for Historic Preservation, coordinate, identify, and protect historic sites in the United States. While National Register listings are mostly symbolic, their recognition of significance provides some financial incentive to owners of listed properties, protection of the property is not guaranteed. During the nomination process, the property is evaluated in terms of the four criteria for inclusion on the National Register of Historic Places, the application of those criteria has been the subject of criticism by academics of history and preservation, as well as the public and politicians. Occasionally, historic sites outside the proper, but associated with the United States are also listed. Properties can be nominated in a variety of forms, including individual properties, historic districts, the Register categorizes general listings into one of five types of properties, district, site, structure, building, or object. National Register Historic Districts are defined geographical areas consisting of contributing and non-contributing properties, some properties are added automatically to the National Register when they become administered by the National Park Service. These include National Historic Landmarks, National Historic Sites, National Historical Parks, National Military Parks/Battlefields, National Memorials, on October 15,1966, the Historic Preservation Act created the National Register of Historic Places and the corresponding State Historic Preservation Offices. Initially, the National Register consisted of the National Historic Landmarks designated before the Registers creation, approval of the act, which was amended in 1980 and 1992, represented the first time the United States had a broad-based historic preservation policy. To administer the newly created National Register of Historic Places, the National Park Service of the U. S. Department of the Interior, hartzog, Jr. established an administrative division named the Office of Archeology and Historic Preservation. Hartzog charged OAHP with creating the National Register program mandated by the 1966 law, ernest Connally was the Offices first director. Within OAHP new divisions were created to deal with the National Register, the first official Keeper of the Register was William J. Murtagh, an architectural historian. During the Registers earliest years in the late 1960s and early 1970s, organization was lax and SHPOs were small, understaffed, and underfunded. A few years later in 1979, the NPS history programs affiliated with both the U. S. National Parks system and the National Register were categorized formally into two Assistant Directorates. Established were the Assistant Directorate for Archeology and Historic Preservation and the Assistant Directorate for Park Historic Preservation, from 1978 until 1981, the main agency for the National Register was the Heritage Conservation and Recreation Service of the United States Department of the Interior. In February 1983, the two assistant directorates were merged to promote efficiency and recognize the interdependency of their programs, jerry L. Rogers was selected to direct this newly merged associate directorate
National Register of Historic Places
–
Logo used for the NRHP.
National Register of Historic Places
–
Old Slater Mill, a historic district in
Pawtucket, Rhode Island, was the first property listed in the National Register on November 13, 1966.
National Register of Historic Places
–
The
Loren Andrus Octagon House in
Washington, Michigan has been on the NRHP since September 3, 1971.
National Register of Historic Places
–
Built in 1800 by
Samuel McIntire in
Salem, the
Stephen Phillips House is operated as a
historic house museum by
Historic New England and open for public tours.
3.
Geographic coordinate system
–
A geographic coordinate system is a coordinate system used in geography that enables every location on Earth to be specified by a set of numbers, letters or symbols. The coordinates are chosen such that one of the numbers represents a vertical position. A common choice of coordinates is latitude, longitude and elevation, to specify a location on a two-dimensional map requires a map projection. The invention of a coordinate system is generally credited to Eratosthenes of Cyrene. Ptolemy credited him with the adoption of longitude and latitude. Ptolemys 2nd-century Geography used the prime meridian but measured latitude from the equator instead. Mathematical cartography resumed in Europe following Maximus Planudes recovery of Ptolemys text a little before 1300, in 1884, the United States hosted the International Meridian Conference, attended by representatives from twenty-five nations. Twenty-two of them agreed to adopt the longitude of the Royal Observatory in Greenwich, the Dominican Republic voted against the motion, while France and Brazil abstained. France adopted Greenwich Mean Time in place of local determinations by the Paris Observatory in 1911, the latitude of a point on Earths surface is the angle between the equatorial plane and the straight line that passes through that point and through the center of the Earth. Lines joining points of the same latitude trace circles on the surface of Earth called parallels, as they are parallel to the equator, the north pole is 90° N, the south pole is 90° S. The 0° parallel of latitude is designated the equator, the plane of all geographic coordinate systems. The equator divides the globe into Northern and Southern Hemispheres, the longitude of a point on Earths surface is the angle east or west of a reference meridian to another meridian that passes through that point. All meridians are halves of great ellipses, which converge at the north and south poles, the prime meridian determines the proper Eastern and Western Hemispheres, although maps often divide these hemispheres further west in order to keep the Old World on a single side. The antipodal meridian of Greenwich is both 180°W and 180°E, the combination of these two components specifies the position of any location on the surface of Earth, without consideration of altitude or depth. The grid formed by lines of latitude and longitude is known as a graticule, the origin/zero point of this system is located in the Gulf of Guinea about 625 km south of Tema, Ghana. To completely specify a location of a feature on, in, or above Earth. Earth is not a sphere, but a shape approximating a biaxial ellipsoid. It is nearly spherical, but has an equatorial bulge making the radius at the equator about 0. 3% larger than the radius measured through the poles, the shorter axis approximately coincides with the axis of rotation
Geographic coordinate system
–
Longitude lines are perpendicular and latitude lines are parallel to the equator.
4.
Honolulu
–
Honolulu is the capital and largest city of the U. S. state of Hawaii. It is an part of and the county seat of the City and County of Honolulu on the island of Oahu. The city is the gateway to Hawaii and a major portal into the United States. The city is also a hub for international business, military defense, as well as famously being host to a diverse variety of east-west and Pacific culture, cuisine. Honolulu is the most remote city of its size in the world and is both the westernmost and the southernmost major U. S. city. For statistical purposes, the U. S. Census Bureau recognizes the area commonly referred to as City of Honolulu as a census county division. Honolulu is a financial center of the islands and of the Pacific Ocean. The population of the city of Honolulu was 337,256 as of the 2010 census, while the Honolulu CCD was 390,738, Honolulu means sheltered harbor or calm port. The old name is said to be Kou, a district encompassing the area from Nuuanu Avenue to Alakea Street. The city has been the capital of the Hawaiian Islands since 1845, as of 2015, Honolulu was ranked high on world livability rankings, and was also ranked as the 2nd safest city in the U. S. It is also the most populated Oceanian city outside Australasia and ranks second to Auckland as the most populous city in Polynesia, evidence of the first settlement of Honolulu by the original Polynesian migrants to the archipelago comes from oral histories and artifacts. These indicate that there was a settlement where Honolulu now stands in the 11th century, however, after Kamehameha I conquered Oʻahu in the Battle of Nuʻuanu at Nuʻuanu Pali, he moved his royal court from the Island of Hawaiʻi to Waikīkī in 1804. His court relocated in 1809 to what is now downtown Honolulu, the capital was moved back to Kailua-Kona in 1812. In 1794, Captain William Brown of Great Britain was the first foreigner to sail into what is now Honolulu Harbor, more foreign ships followed, making the port of Honolulu a focal point for merchant ships traveling between North America and Asia. In 1845, Kamehameha III moved the permanent capital of the Hawaiian Kingdom from Lahaina on Maui to Honolulu and he and the kings that followed him transformed Honolulu into a modern capital, erecting buildings such as St. Andrews Cathedral, ʻIolani Palace, and Aliʻiōlani Hale. At the same time, Honolulu became the center of commerce in the islands, an economic and tourism boom following statehood brought rapid economic growth to Honolulu and Hawaiʻi. Modern air travel brings, as of 2007,7.6 million visitors annually to the islands, today, Honolulu is a modern city with numerous high-rise buildings, and Waikīkī is the center of the tourism industry in Hawaiʻi, with thousands of hotel rooms. According to the United States Census Bureau, the CDP has an area of 68.4 square miles
Honolulu
–
Port of Honolulu, as seen by Russian artist
Louis Choris in 1816.
Honolulu
–
Clockwise: Aerial view of
Downtown Honolulu,
Pearl Harbor right outside the city, statue of
King Kamehameha I in downtown,
Diamond Head, waterfront on
Waikiki Beach, and
Honolulu Hale (City Hall)
Honolulu
–
Queen Street, Honolulu, 1856, by
George Henry Burgess.
Honolulu
–
The
Great Chinatown Fire.
5.
Hawaii
–
Hawaii is the 50th and most recent state to have joined the United States of America, having received statehood on August 21,1959. Hawaii is the only U. S. state located in Oceania and it is the northernmost island group in Polynesia, occupying most of an archipelago in the central Pacific Ocean. Hawaii is the only U. S. state not located in the Americas, the state encompasses nearly the entire volcanic Hawaiian archipelago, which comprises hundreds of islands spread over 1,500 miles. At the southeastern end of the archipelago, the eight main islands are—in order from northwest to southeast, Niʻihau, Kauaʻi, Oʻahu, Molokaʻi, Lānaʻi, Kahoʻolawe, Maui, and the Island of Hawaiʻi. The last is the largest island in the group, it is called the Big Island or Hawaiʻi Island to avoid confusion with the state or archipelago. The archipelago is physiographically and ethnologically part of the Polynesian subregion of Oceania, Hawaii has over a million permanent residents, along with many visitors and U. S. military personnel. Its capital is Honolulu on the island of Oʻahu, Hawaii is the 8th-smallest and the 11th-least populous, but the 13th-most densely populated of the fifty U. S. states. It is the state with an Asian plurality. The states coastline is about 750 miles long, the fourth longest in the U. S. after the coastlines of Alaska, Florida, the state of Hawaii derives its name from the name of its largest island, Hawaiʻi. A common Hawaiian explanation of the name of Hawaiʻi is that was named for Hawaiʻiloa and he is said to have discovered the islands when they were first settled. The Hawaiian language word Hawaiʻi is very similar to Proto-Polynesian *Sawaiki, cognates of Hawaiʻi are found in other Polynesian languages, including Māori, Rarotongan and Samoan. According to linguists Pukui and Elbert, lsewhere in Polynesia, Hawaiʻi or a cognate is the name of the underworld or of the home, but in Hawaii. A somewhat divisive political issue arose in 1978 when the Constitution of the State of Hawaii added Hawaiian as an official state language. The title of the constitution is The Constitution of the State of Hawaii. Article XV, Section 1 of the Constitution uses The State of Hawaii, diacritics were not used because the document, drafted in 1949, predates the use of the okina and the kahakō in modern Hawaiian orthography. The exact spelling of the name in the Hawaiian language is Hawaiʻi. In the Hawaii Admission Act that granted Hawaiian statehood, the government recognized Hawaii as the official state name. Official government publications, department and office titles, and the Seal of Hawaii use the spelling with no symbols for glottal stops or vowel length
Hawaii
–
Hawaii from space, January 26, 2014
Hawaii
–
Flag
Hawaii
–
Nā Pali coast, Kaua ʻ i
Hawaii
–
The main islands and undersea terrain of Hawaii
6.
Anna Rice Cooke
–
Anna Rice Cooke was a patron of the arts and the founder of the Honolulu Museum of Art. Anna Charlotte Rice was born on September 5,1853 into a prominent missionary family on Oahu and her father was teacher William Harrison Rice, and her mother was Mary Sophia Hyde. Anna grew up on the island of Kauaʻi and she attended Punahou School 1867–1868, and Mills College 1871–1872. In 1874, she married Charles Montague Cooke, a businessman. Ones of her sons was Charles Montague Cooke, Jr. an American zoologist, other children were Clarence H. Cooke, George P. Cooke, Richard A. Cooke, Alice T. Cooke and Theodore A. Cooke. In 1882, the Cookes built a home on Beretania Street, in the time, they had unobstructed views of Diamond Head and Punahou School from their second-story windows. As Cookes career prospered, they began to gather their own fine art collection. Annas first additions were parlor pieces that graced their Beretania Street home and she frequented the shop of furniture maker Yeun Kwock Fong Inn who often had ceramics and textile pieces sent from his brother in China. Fong Inn eventually became one of Honolulu’s leading art importers, anna was an advocate for local artists, especially Charles W. Bartlett. She hosted exhibitions in her home, and introduced artists to her wealthy friends, the Cookes’ art collection outgrew their own home and the homes of their children. In 1920, she and her daughter Alice, her daughter-in-law Dagmar, cox, an art and drama teacher, began to catalogue and research the collection with the intent to display the items in a museum for the children of Hawaii. With little formal training, these women obtained a charter for the museum from the Territory of Hawaii in 1922, in 1924, Cooke hired the painter Frank Montague Moore as the first director of the Honolulu Museum of Art. From the beginning, she wanted a museum that reflected the unique attributes of Hawaiis multi-cultural make-up, the Cookes donated their Beretania Street home for the museum, along with an endowment of $25,000 and several thousand works of art. Their family home was torn down to make way for the new museum, goodhue died before the project was completed. Stepping in to finish the job was Hardie Phillip, over the years, this unique style has been imitated in many buildings throughout the state. On April 8,1927, the Honolulu Museum of Art opened, on August 8,1934, Cooke died quietly in her home. Honolulu Academy of Arts, Honolulu Academy of Arts, Honolulu, Honolulu Star-bulletin,1937, marian, Sister Grace, The Honolulu Academy of Arts, Its Origin and Founder, Honolulu, The Honolulu Academy of Arts,1984
Anna Rice Cooke
–
Painting by
Frederic Yates (1854-1919), 1910,
Honolulu Museum of Art
7.
United States
–
Forty-eight of the fifty states and the federal district are contiguous and located in North America between Canada and Mexico. The state of Alaska is in the northwest corner of North America, bordered by Canada to the east, the state of Hawaii is an archipelago in the mid-Pacific Ocean. The U. S. territories are scattered about the Pacific Ocean, the geography, climate and wildlife of the country are extremely diverse. At 3.8 million square miles and with over 324 million people, the United States is the worlds third- or fourth-largest country by area, third-largest by land area. It is one of the worlds most ethnically diverse and multicultural nations, paleo-Indians migrated from Asia to the North American mainland at least 15,000 years ago. European colonization began in the 16th century, the United States emerged from 13 British colonies along the East Coast. Numerous disputes between Great Britain and the following the Seven Years War led to the American Revolution. On July 4,1776, during the course of the American Revolutionary War, the war ended in 1783 with recognition of the independence of the United States by Great Britain, representing the first successful war of independence against a European power. The current constitution was adopted in 1788, after the Articles of Confederation, the first ten amendments, collectively named the Bill of Rights, were ratified in 1791 and designed to guarantee many fundamental civil liberties. During the second half of the 19th century, the American Civil War led to the end of slavery in the country. By the end of century, the United States extended into the Pacific Ocean. The Spanish–American War and World War I confirmed the status as a global military power. The end of the Cold War and the dissolution of the Soviet Union in 1991 left the United States as the sole superpower. The U. S. is a member of the United Nations, World Bank, International Monetary Fund, Organization of American States. The United States is a developed country, with the worlds largest economy by nominal GDP. It ranks highly in several measures of performance, including average wage, human development, per capita GDP. While the U. S. economy is considered post-industrial, characterized by the dominance of services and knowledge economy, the United States is a prominent political and cultural force internationally, and a leader in scientific research and technological innovations. In 1507, the German cartographer Martin Waldseemüller produced a map on which he named the lands of the Western Hemisphere America after the Italian explorer and cartographer Amerigo Vespucci
United States
–
Native Americans meeting with Europeans, 1764
United States
–
Flag
United States
–
The signing of the
Mayflower Compact, 1620.
United States
–
The
Declaration of Independence: the
Committee of Five presenting their draft to the
Second Continental Congress in 1776
8.
National Gallery of Art
–
The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D. C. located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was established in 1937 for the American people by a joint resolution of the United States Congress. Andrew W. Mellon donated an art collection and funds for construction. The Gallery often presents temporary special exhibitions spanning the world and the history of art and it is one of the largest museums in North America. In 1930 Mellon formed the A. W. Mellon Educational and Charitable Trust, when quizzed by Abbot, he explained that the project was in the hands of the Trust and that its decisions were partly dependent on the attitude of the Government towards the gift. Designed by architect John Russell Pope, the new structure was completed and accepted by President Franklin D. Roosevelt on behalf of the American people on March 17,1941. Neither Mellon nor Pope lived to see the completed, both died in late August 1937, only two months after excavation had begun. At the time of its inception it was the largest marble structure in the world, as anticipated by Mellon, the creation of the National Gallery encouraged the donation of other substantial art collections by a number of private donors. The Gallerys East Building was constructed in the 1970s on much of the land left over from the original congressional joint resolution. It was funded by Mellons children Paul Mellon and Ailsa Mellon Bruce, designed by famed architect I. M. Pei, the contemporary structure was completed in 1978 and was opened on June 1 of that year by President Jimmy Carter. The new building was built to house the Museums collection of paintings, drawings, sculptures. The design received a National Honor Award from the American Institute of Architects in 1981, the final addition to the complex is the National Gallery of Art Sculpture Garden. Completed and opened to the public on May 23,1999, the National Gallery of Art is supported through a private-public partnership. The United States federal government provides funds, through annual appropriations, to support the museums operations, all artwork, as well as special programs, are provided through private donations and funds. The museum is not part of the Smithsonian Institution, noted directors of the National Gallery have included David E. Finley, Jr. John Walker, and J. Carter Brown. Rusty Powell III is the current director, entry to both buildings of the National Gallery of Art is free of charge. From Monday through Saturday, the museum is open from 10 a. m. –5 p. m. it is open from 11 –6 p. m. on Sundays and it is closed on December 25 and January 1. The museum comprises two buildings, the West Building and the East Building linked by an underground passage
National Gallery of Art
–
National Gallery of Art
National Gallery of Art
–
The East Building
National Gallery of Art
–
Exhibitions in the West Building
National Gallery of Art
–
Exhibitions in the East Building
9.
Hokusai
–
Katsushika Hokusai was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. He was influenced by Sesshū Tōyō and other styles of Chinese painting, born in Edo, Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji which includes the internationally iconic print, The Great Wave off Kanagawa. Hokusai created the Thirty-Six Views both as a response to a travel boom and as part of a personal obsession with Mount Fuji. It was this series, specifically The Great Wave print and Fine Wind, Clear Morning, as historian Richard Lane concludes, Indeed, if there is one work that made Hokusais name, both in Japan and abroad, it must be this monumental print-series. While Hokusais work prior to this series is important, it was not until this series that he gained broad recognition. Hokusais date of birth is unclear, but is stated as the 23rd day of the 9th month of the 10th year of the Hōreki era to an artisan family, in the Katsushika district of Edo. It is believed his father was the mirror-maker Nakajima Ise, who produced mirrors for the shogun and his father never made Hokusai an heir, so it is possible that his mother was a concubine. Hokusai began painting around the age of six, perhaps learning from his father, Hokusai was known by at least thirty names during his lifetime. While the use of names was a common practice of Japanese artists of the time. Hokusais name changes are so frequent, and so related to changes in his artistic production and style. At 14, he worked as an apprentice to a wood-carver, until the age of 18, Shunshō was an artist of ukiyo-e, a style of wood block prints and paintings that Hokusai would master, and head of the so-called Katsukawa school. Ukiyo-e, as practiced by artists like Shunshō, focused on images of the courtesans, after a year, Hokusais name changed for the first time, when he was dubbed Shunrō by his master. It was under this name that he published his first prints, during the decade he worked in Shunshōs studio, Hokusai was married to his first wife, about whom very little is known except that she died in the early 1790s. He married again in 1797, although this second wife died after a short time. He fathered two sons and three daughters with two wives, and his youngest daughter Sakae, also known as Ōi, eventually became an artist. Upon the death of Shunshō in 1793, Hokusai began exploring other styles of art and he was soon expelled from the Katsukawa school by Shunkō, the chief disciple of Shunshō, possibly due to studies at the rival Kanō school. This event was, in his own words, inspirational, What really motivated the development of my style was the embarrassment I suffered at Shunkōs hands. Hokusai also changed the subjects of his works, moving away from the images of courtesans, instead, his work became focused on landscapes and images of the daily life of Japanese people from a variety of social levels
Hokusai
–
The Great Wave off Kanagawa, Hokusai's most famous print, the first in the series 36 Views of Mount Fuji
Hokusai
–
Three women
Hokusai
–
Hokusai landscape with two falconers
Hokusai
–
Shunga by Hokusai
10.
Vincent van Gogh
–
Vincent Willem van Gogh was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created about 2,100 artworks, including around 860 oil paintings and his suicide at 37 followed years of mental illness and poverty. Born into a family, Van Gogh drew as a child and was serious, quiet. As a young man he worked as an art dealer, often travelling and he turned to religion, and spent time as a Protestant missionary in southern Belgium. He drifted in ill health and solitude before taking up painting in 1881 and his younger brother Theo supported him financially, and the two kept up a long correspondence by letter. His early works, mostly still lifes and depictions of peasant labourers, in 1886 he moved to Paris, where he met members of the avant-garde, including Émile Bernard and Paul Gauguin, who were reacting against the Impressionist sensibility. As his work developed he created a new approach to still lifes and his paintings grew brighter in colour as he developed a style that became fully realised during his stay in Arles in the south of France in 1888. During this period he broadened his subject matter to include trees, cypresses, wheat fields. Van Gogh suffered from episodes and delusions and though he worried about his mental stability, he often neglected his physical health, did not eat properly. His friendship with Gauguin ended after a confrontation with a razor and he spent time in psychiatric hospitals, including a period at Saint-Rémy. After he discharged himself and moved to the Auberge Ravoux in Auvers-sur-Oise near Paris and his depression continued and on 27 July 1890, Van Gogh shot himself in the chest with a revolver. He died from his injuries two days later, Van Gogh was unsuccessful during his lifetime, and was considered a madman and a failure. He became famous after his suicide, and exists in the imagination as the quintessential misunderstood genius. His reputation began to grow in the early 20th century as elements of his style came to be incorporated by the Fauves. The most comprehensive source on Van Gogh is the correspondence between him and his younger brother, Theo. Their lifelong friendship, and most of what is known of Vincents thoughts, Theo van Gogh was an art dealer and provided his brother with financial and emotional support, and access to influential people on the contemporary art scene. Theo kept all of Vincents letters to him, Vincent kept few of the letters he received, after both had died, Theos widow Johanna arranged for the publication of some of their letters. A few appeared in 1906 and 1913, the majority were published in 1914, Vincents letters are eloquent and expressive and have been described as having a diary-like intimacy, and read in parts like autobiography
Vincent van Gogh
–
Self-Portrait, Spring 1887, Oil on pasteboard, 42 × 33.7 cm.,
Art Institute of Chicago (F 345)
Vincent van Gogh
–
Vincent c. 1871-1872 aged 18. This photograph was taken at the time when he was working at the branch of
Goupil & Cie 's gallery in
The Hague.
Vincent van Gogh
–
Vincent c. 1866, approx. age 13
Vincent van Gogh
–
Van Gogh's drawing of
87 Hackford Road
11.
Paul Gauguin
–
Eugène Henri Paul Gauguin was a French post-Impressionist artist. Underappreciated until after his death, Gauguin is now recognized for his use of color. His work was influential to the French avant-garde and many artists, such as Pablo Picasso. Many of his paintings were in the possession of Russian collector Sergei Shchukin and he was an important figure in the Symbolist movement as a painter, sculptor, printmaker, ceramist, and writer. He was also a proponent of wood engraving and woodcuts as art forms. Gauguin was born in Paris, France to Clovis Gauguin and Alina Maria Chazal on June 7,1848 and his birth coincided with revolutionary upheavals throughout Europe that year. His father, a 34-year-old liberal journalist, came from a family of petit-bourgeoisie entrepreneurs residing in Orléans and he was compelled to flee France when the newspaper for which he wrote was suppressed by French authorities. Gauguins mother, the 22-year-old Aline Marie Chazal, was the daughter of Andre Chazal, an engraver, and Flora Tristan and their union ended when Andre assaulted his wife Flora and was sentenced to prison for attempted murder. Paul Gauguins maternal grandmother, Flora Tristan, was the daughter of Thérèse Laisnay. Details of Thérèses family background are not known, her father, Don Mariano, was a Spanish nobleman, members of the wealthy Tristan Moscoso family held powerful positions in Peru. Nonetheless, Don Marianos unexpected death plunged his mistress and daughter Flora into poverty, when Floras marriage with Andre failed, she petitioned for and obtained a small monetary settlement from her fathers Peruvian relatives. She sailed to Peru in hopes of enlarging her share of the Tristan Moscoso family fortune and this never materialized, but she successfully published a popular travelogue of her experiences in Peru which launched her literary career in 1838. An active supporter of early socialist societies, Gauguins maternal grandmother helped to lay the foundations for the 1848 revolutionary movements, placed under surveillance by French police and suffering from overwork, she died in 1844. Her grandson Paul idolized his grandmother, and kept copies of her books with him to the end of his life. In 1850, Clovis Gauguin departed for Peru with his wife Alina and he died of a heart attack en route, and Alina arrived in Peru a widow with the 18-month-old Paul and his 2 ½ year-old sister, Marie. Gauguins mother was welcomed by her granduncle, whose son-in-law would shortly assume the presidency of Peru. To the age of six, Paul enjoyed an upbringing, attended by nursemaids. He retained a vivid memory of period of his childhood which instilled indelible impressions of Peru that haunted him the rest of his life
Paul Gauguin
–
Aline Marie Chazal Tristán, La mère de l'artiste ("The Artist's Mother"), 1889,
Staatsgalerie Stuttgart.
Paul Gauguin
–
Gauguin, c. 1891
Paul Gauguin
–
Woman Sewing, 1880,
Ny Carlsberg Glyptotek
12.
Claude Monet
–
Monets ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property, Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the 9th arrondissement of Paris. He was the son of Claude Adolphe Monet and Louise Justine Aubrée Monet. On 20 May 1841, he was baptized in the parish church, Notre-Dame-de-Lorette, as Oscar-Claude. Despite being baptized Catholic, Monet later became an atheist, in 1845, his family moved to Le Havre in Normandy. His father wanted him to go into the familys ship-chandling and grocery business and his mother was a singer, and supported Monets desire for a career in art. On 1 April 1851, Monet entered Le Havre secondary school of the arts, locals knew him well for his charcoal caricatures, which he would sell for ten to twenty francs. Monet also undertook his first drawing lessons from Jacques-François Ochard, a student of Jacques-Louis David. On the beaches of Normandy around 1856 he met fellow artist Eugène Boudin, Boudin taught Monet en plein air techniques for painting. Both received the influence of Johan Barthold Jongkind, on 28 January 1857, his mother died. At the age of sixteen, he left school and went to live with his widowed, childless aunt, when Monet traveled to Paris to visit the Louvre, he witnessed painters copying from the old masters. Having brought his paints and other tools with him, he would go and sit by a window. Monet was in Paris for several years and met other painters, including Édouard Manet and others who would become friends. After drawing a low number in March 1861, Monet was drafted into the First Regiment of African Light Cavalry in Algeria for a seven-year period of military service. His prosperous father could have purchased Monets exemption from conscription but declined to do so when his son refused to give up painting. While in Algeria Monet did only a few sketches of scenes, a single landscape. In a Le Temps interview of 1900 however he commented that the light, after about a year of garrison duty in Algiers, Monet contracted typhoid fever and briefly went absent without leave. Following convalescence, Monets aunt intervened to get him out of the army if he agreed to complete a course at an art school and it is possible that the Dutch painter Johan Barthold Jongkind, whom Monet knew, may have prompted his aunt on this matter
Claude Monet
–
Claude Monet, photo by
Nadar, 1899.
Claude Monet
–
Impression, Sunrise (Impression, soleil levant), 1872; the painting that gave its name to the style.
Musée Marmottan Monet, Paris
Claude Monet
–
The Woman in the Green Dress,
Camille Doncieux, 1866,
Kunsthalle Bremen
Claude Monet
–
Le déjeuner sur l'herbe, (right section), 1865–1866, with
Gustave Courbet,
Frédéric Bazille and Camille Doncieux, first wife of the artist,
Musée d'Orsay,
Paris
13.
Pablo Picasso
–
Pablo Ruiz y Picasso, also known as Pablo Picasso, was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Picasso demonstrated extraordinary artistic talent in his years, painting in a naturalistic manner through his childhood. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, Picassos work is often categorized into periods. Much of Picassos work of the late 1910s and early 1920s is in a neoclassical style and his later work often combines elements of his earlier styles. Ruiz y Picasso were included for his father and mother, respectively, born in the city of Málaga in the Andalusian region of Spain, he was the first child of Don José Ruiz y Blasco and María Picasso y López. His mother was of one quarter Italian descent, from the territory of Genoa, though baptized a Catholic, Picasso would later on become an atheist. Picassos family was of middle-class background and his father was a painter who specialized in naturalistic depictions of birds and other game. For most of his life Ruiz was a professor of art at the School of Crafts, Picasso showed a passion and a skill for drawing from an early age. According to his mother, his first words were piz, piz, a shortening of lápiz, from the age of seven, Picasso received formal artistic training from his father in figure drawing and oil painting. Ruiz was an academic artist and instructor, who believed that proper training required disciplined copying of the masters. His son became preoccupied with art to the detriment of his classwork, the family moved to A Coruña in 1891, where his father became a professor at the School of Fine Arts. On one occasion, the father found his son painting over his sketch of a pigeon. In 1895, Picasso was traumatized when his sister, Conchita. After her death, the moved to Barcelona, where Ruiz took a position at its School of Fine Arts. Picasso thrived in the city, regarding it in times of sadness or nostalgia as his true home, Ruiz persuaded the officials at the academy to allow his son to take an entrance exam for the advanced class. This process often took students a month, but Picasso completed it in a week, the student lacked discipline but made friendships that would affect him in later life. His father rented a room for him close to home so he could work alone, yet he checked up on him numerous times a day. Picassos father and uncle decided to send the young artist to Madrids Real Academia de Bellas Artes de San Fernando, at age 16, Picasso set off for the first time on his own, but he disliked formal instruction and stopped attending classes soon after enrolment
Pablo Picasso
–
Picasso in 1908
Pablo Picasso
–
Pablo Picasso with his sister Lola, 1889
Pablo Picasso
–
Pablo Picasso, 1901, Old Woman (Woman with Gloves), oil on cardboard, 67 x 52.1 cm,
Philadelphia Museum of Art
Pablo Picasso
–
Pablo Picasso, 1901-02, Femme au café (Absinthe Drinker), oil on canvas, 73 x 54 cm,
Hermitage Museum, Saint Petersburg, Russia
14.
Andy Warhol
–
Andy Warhol was an American artist who was a leading figure in the visual art movement known as pop art. Born and raised in Pittsburgh, Warhol initially pursued a career as a commercial illustrator. After exhibiting his work in galleries in the late 1950s. He promoted a collection of known as Warhol superstars, and is credited with coining the widely used expression 15 minutes of fame. In the late 1960s, he managed and produced the rock band The Velvet Underground. He authored numerous books, including The Philosophy of Andy Warhol and Popism and he is also notable as a gay man who lived openly as such before the gay liberation movement. Warhol has been the subject of retrospective exhibitions, books. The Andy Warhol Museum in his city of Pittsburgh, which holds an extensive permanent collection of art. Many of his creations are very collectible and highly valuable, the highest price ever paid for a Warhol painting is US$105 million for a 1963 canvas titled Silver Car Crash, his works include some of the most expensive paintings ever sold. A2009 article in The Economist described Warhol as the bellwether of the art market, Warhol was born on August 6,1928 in Pittsburgh, Pennsylvania. He was the child of Ondrej Warhola and Julia, whose first child was born in their homeland. His parents were working-class Lemko emigrants from Mikó, located in todays northeastern Slovakia, Warhols father emigrated to the United States in 1914, and his mother joined him in 1921, after the death of Warhols grandparents. Warhols father worked in a coal mine, the family lived at 55 Beelen Street and later at 3252 Dawson Street in the Oakland neighborhood of Pittsburgh. The family was Byzantine Catholic and attended St. John Chrysostom Byzantine Catholic Church, Andy Warhol had two older brothers—Pavol, the oldest, was born before the family emigrated, Ján was born in Pittsburgh. Pavols son, James Warhola, became a childrens book illustrator. He became a hypochondriac, developing a fear of hospitals and doctors, often bedridden as a child, he became an outcast at school and bonded with his mother. At times when he was confined to bed, he drew, listened to the radio, Warhol later described this period as very important in the development of his personality, skill-set and preferences. When Warhol was 13, his father died in an accident, as a teenager, Warhol graduated from Schenley High School in 1945
Andy Warhol
–
Warhol in 1975
Andy Warhol
–
Warhol's childhood home. 3252 Dawson Street,
South Oakland neighborhood of
Pittsburgh, Pennsylvania
Andy Warhol
–
Warhol (left) and
Tennessee Williams (right) talking on the
SS France, 1967; in the background:
Paul Morrissey.
Andy Warhol
–
Campbell's Soup I (1968)
15.
Asian art
–
The history of Asian art, or Eastern art, includes a vast range of influences from various cultures and religions. Developments in Asian art historically parallel those in Western art, in general a few centuries earlier, Chinese art, Indian art, Korean art, Japanese art, each had significant influence on Western art, and, vice versa. Near Eastern art also had a significant influence on Western art, excluding prehistoric art, the art of Mesopotamia represents the oldest forms of Asian art. Balinese art is art of Hindu-Javanese origin that grew from the work of artisans of the Majapahit Kingdom, from the 16th until the 20th centuries, the village of Kamasan, Klungkung, was the centre of classical Balinese art. During the first part of the 20th century, new varieties of Balinese art developed, since the late twentieth century, Ubud and its neighboring villages established a reputation as the center of Balinese art. Ubud and Batuan are known for their paintings, Mas for their woodcarvings, Celuk for gold and silver smiths, eiseman correctly pointed out that Balinese art is actually carved, painted, woven, and prepared into objects intended for everyday use rather than as object d art. This groundbreaking period of creativity reached a peak in the late 1930s, a stream of famous visitors, including Charlie Chaplin and the anthropologists Gregory Bateson and Margaret Mead, encouraged the talented locals to create highly original works. During their stay in Bali in the mid-1930s, Bateson and Mead collected over 2000 paintings, predominantly from the village of Batuan, among western artists, Spies and Bonnet are often credited for the modernization of traditional Balinese paintings. From the 1950s onwards Baliese artists incorporated aspects of perspective and anatomy from these artists, more importantly, they acted as agents of change by encouraging experimentation, and promoted departures from tradition. The result was an explosion of expression that increased the rate of change in Balinese art. Buddhist art traveled with believers as the spread, adapted. It developed to the north through Central Asia and into Eastern Asia to form the Northern branch of Buddhist art, bhutanese art is similar to the art of Tibet. Both are based upon Vajrayana Buddhism, with its pantheon of divine beings, the major orders of Buddhism in Bhutan are Drukpa Kagyu and Nyingma. The former is a branch of the Kagyu School and is known for documenting the lineage of Buddhist masters. The Nyingma order is known for images of Padmasambhava, who is credited with introducing Buddhism into Bhutan in the 7th century, according to legend, Padmasambhava hid sacred treasures for future Buddhist masters, especially Pema Lingpa, to find. The treasure finders are also frequent subjects of Nyingma art, each divine being is assigned special shapes, colors, and/or identifying objects, such as lotus, conch-shell, thunderbolt, and begging bowl. All sacred images are made to specifications that have remained remarkably unchanged for centuries. Wall paintings and sculptures, in regions, are formulated on the principal ageless ideals of Buddhist art forms
Asian art
–
Kalachakra Dance Mask
Asian art
Asian art
–
Ming Dynasty Xuande Archaic Porcelain Vase
Asian art
–
" Deity " Zhong Kui the Demon Queller
16.
Hawaiian art
–
The Hawaiian archipelago consists of 137 islands in the Pacific Ocean that are far from any other land. Polynesians arrived there one to two years ago, and in 1778 Captain James Cook and his crew became the first Europeans to visit Hawaii. Public collections of Hawaiian art may be found at the Honolulu Museum of Art, the Bishop Museum, the Hawaii State Art Museum, in 1967, Hawaii became the first state in the nation to implement a Percent for Art law. Art existing prior to Cook’s arrival is very similar to the art of other Pacific Islanders and this art includes wood carvings, feather work, petroglyphs, bark cloth and tattoos. Native Hawaiians had neither metal nor woven cloth, production of this art continued after Cook’s arrival. A few craftsmen still produce traditional Hawaiian arts, either to sell to tourists or to preserve native culture, some of the first westerners to visit Hawaii were artists—both professional and amateur. Many of the ships had professional artists to record their discoveries. These artists sketched and painted Hawaii’s people and landscapes using imported materials, artworks produced by Hawaii’s native born and long-term residents incorporating western materials and ideas include paintings on canvas and quilts. They may be distinctly Hawaiian in subject matter or as diverse as their places of origin, most of the art currently produced in Hawaii falls into this third category. Blackburn, Mark, Hawaiiana, Schiffer Publishing, Atglen, PA,1996, ISBN 0-7643-0109-8 Brigham, William Tufts, Ka hana kapa, making of bark-cloth in Hawaii, Honolulu, clarke, Joan and Diane Dods, Artists/Hawaii, Honolulu, University of Hawaii Press,1996. Department of Education, State of Hawaii, Artists of Hawaii, Honolulu, Department of Education, forbes, David W. Encounters with Paradise, Views of Hawaii and its People, 1778-1941, Honolulu Academy of Arts,1992. Haar, Francis and Neogy, Prithwish, Artists of Hawaii, Nineteen Painters and Sculptors, Honolulu Academy of Arts, Honolulu Academy of Arts, Selected works, Honolulu, Hawaii, Honolulu Academy of Arts,1990. Kaeppler, Adrienne Lois, The fabrics of Hawaii, Leigh-on-Sea, serrao, Poakalani, The Hawaiian quilt, A spiritual experience, Reflection on its history, heritage, designing, quilting methods and patterns, Honolulu, Mutual Pub. Finding Paradise, Island Art in Private Collections, University of Hawaii Press,2002
Hawaiian art
–
Ku ʻ u Hae Aloha (My Beloved Flag), Hawaiian cotton quilt from Waimea, before 1918,
Honolulu Museum of Art.
Hawaiian art
–
Kii-Hulu Manu (Hawaiian feathered image), 18th century, believed to represent Kuka’ilimoku, wicker, feathers, mother-of-pearl, dog teeth, Cook-Forster Collection of the
Georg-August University of Göttingen, Germany
Hawaiian art
–
Hawaii visitor
Joseph Henry Sharp 's oil painting 'Blow Hole, Honolulu'
Hawaiian art
–
From Cliffs to Evening by
Reuben Tam, oil on canvas, 1978,
Honolulu Museum of Art
17.
American Alliance of Museums
–
AAM is dedicated to ensuring that museums remain a vital part of the American landscape, connecting people with the greatest achievements of the human experience, past, present and future. AAM is the organization representing the entire scope of museums and professionals and nonpaid staff who work for. AAM currently represents more than 25,000 individual museum professionals, at the 2014 American Alliance of Museums conference, the Institute of Museum and Library Services announced there are now at least 35,000 museums in the US. 1906, Foundation 1911, Directory of North and South American museums published 1923, Headquarters established in Washington, the M&T Network is the AAM link between museums and media technologies. As such, it identifies, examines, and advocates appropriate uses of technologies in helping museums meet the needs of their diverse publics. Membership is limited to institutions or individuals that are members of AAM, the mission of the M&T is to identify, access, and advocate a broad variety of program uses for media and technology in helping museum professionals meet the needs of their diverse publics. The Spark is the first comprehensive plan in AAM’s recent history. It articulates a vision for museums, the field and AAM, the mission highlights AAMs commitment to leadership, advocacy, collaboration and service. The Spark contains four goals, excellence, advocacy, sustainability and alignment
American Alliance of Museums
–
AAM logo
American Alliance of Museums
–
Headquarters of AAM, Washington, DC
18.
John Singer Sargent
–
John Singer Sargent was an American artist, considered the leading portrait painter of his generation for his evocations of Edwardian era luxury. During his career, he created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and his oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine, and Florida. His parents were American, but he was trained in Paris prior to moving to London and his commissioned works were consistent with the grand manner of portraiture, while his informal studies and landscape paintings displayed a familiarity with Impressionism. In later life Sargent expressed ambivalence about the restrictions of formal portrait work and he lived most of his life in Europe. Art historians generally ignored the society such as Sargent until the late 20th century. Before Sargents birth, his father, FitzWilliam, was an eye surgeon at the Wills Eye Hospital in Philadelphia 1844–1854, after Johns older sister died at the age of two, his mother, Mary, suffered a breakdown, and the couple decided to go abroad to recover. They remained nomadic expatriates for the rest of their lives, although based in Paris, Sargents parents moved regularly with the seasons to the sea and the mountain resorts in France, Germany, Italy, and Switzerland. While Mary was pregnant, they stopped in Florence, Tuscany, Sargent was born there in 1856. A year later, his sister Mary was born, after her birth, FitzWilliam reluctantly resigned his post in Philadelphia and accepted his wifes entreaties to remain abroad. They lived modestly on an inheritance and savings, living a quiet life with their children. They generally avoided society and other Americans except for friends in the art world, four more children were born abroad, of whom only two lived past childhood. Although his father was a patient teacher of basic subjects, young Sargent was a rambunctious child, as his father wrote home, He is quite a close observer of animated nature. His mother was convinced that traveling around Europe, and visiting museums and churches. Several attempts to have him formally schooled failed, owing mostly to their itinerant life, Sargents mother was a fine amateur artist and his father was a skilled medical illustrator. Early on, she gave him sketchbooks and encouraged drawing excursions, young Sargent worked with care on his drawings, and he enthusiastically copied images from The Illustrated London News of ships and made detailed sketches of landscapes. FitzWilliam had hoped that his sons interest in ships and the sea might lead him toward a naval career, at thirteen, his mother reported that John sketches quite nicely, & has a remarkably quick and correct eye. If we could afford to give him really good lessons, he would soon be quite a little artist, at the age of thirteen, he received some watercolor lessons from Carl Welsch, a German landscape painter. Although his education was far from complete, Sargent grew up to be a literate and cosmopolitan young man, accomplished in art, music
John Singer Sargent
–
Self-Portrait, 1906, oil on canvas,
Uffizi Gallery, Florence.
John Singer Sargent
–
Fanny Watts, Sargent's childhood friend. The first painting at Paris Salon, 1877,
Philadelphia Museum of Art
John Singer Sargent
–
The Daughters of Edward Darley Boit, 1882,
Museum of Fine Arts, Boston
John Singer Sargent
–
An Out-of-Doors Study, 1889, depicting
Paul César Helleu sketching with his wife Alice Guérin. The
Brooklyn Museum, New York.
19.
Japanese art
–
It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BC, to the present. Japan has been subject to invasions of new and strange ideas followed by long periods of minimal contact with the outside world. Over time the Japanese developed the ability to absorb, imitate, the earliest complex art in Japan was produced in the 7th and 8th centuries in connection with. After the Ōnin War, Japan entered a period of political, social, in the state that emerged under the leadership of the Tokugawa shogunate, organized religion played a much less important role in peoples lives, and the arts that survived were primarily secular. Painting is the artistic expression in Japan, practiced by amateurs. Until modern times, the Japanese wrote with a rather than a pen. With the rise of popular culture in the Edo period, a style of woodblock prints became a major form, Japanese ceramics are among the finest in the world and include the earliest known artifacts of their culture. In architecture, Japanese preferences for natural materials and an interaction of interior and exterior space are clearly expressed and they built simple houses of wood and thatch set into shallow earthen pits to provide warmth from the soil. They crafted lavishly decorated pottery vessels, clay figurines called dogū. The next wave of immigrants was the Yayoi people, named for the district in Tokyo where remnants of their settlements first were found. These people, arriving in Japan about 350 BC, brought their knowledge of rice cultivation, the manufacture of copper weapons and bronze bells. The third stage in Japanese prehistory, the Kofun period, represents a modification of Yayoi culture, the period is named for the large number of kofun megalithic tombs created during this period. In this period, diverse groups of people formed political alliances, typical artifacts are bronze mirrors, symbols of political alliances, and clay sculptures called haniwa which were erected outside tombs. The transmission of Buddhism provided the impetus for contacts between China, Korea and Japan. Throughout the 7th and 8th centuries, however, the focus in contacts between Japan and the Asian continent was the development of Buddhism. The most common designations are the Suiko period, 552–645, the Hakuhō period, 645–710, the earliest Japanese sculptures of the Buddha are dated to the 6th and 7th century. After the Chinese Northern Wei buddhist art had infiltrated a Korean peninsula, many historians portray Korea as a mere transmitter of Buddhism. The Three Kingdoms, and particularly Baekje, were instrumental as active agents in the introduction and formation of a Buddhist tradition in Japan in 538 or 552 and they illustrate the terminal point of the Silk Road transmission of art during the first few centuries of our era
Japanese art
–
Cypress Tree Byōbu, folding screen by
Kano Eitoku, 1590
Japanese art
–
Sudden Shower at the Atake Bridge,
Hiroshige, 1856
Japanese art
–
Crab,
Kawahara Keiga, 1823-1829
Japanese art
–
Statuette with Snow Glasses, Jōmon Era
20.
Chinese art
–
Chinese art is visual art that, whether ancient or modern, originated in or is practiced in China or by Chinese artists. The Chinese art in the Republic of China and that of overseas Chinese can also be considered part of Chinese art where it is based in or draws on Chinese heritage, early stone age art dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. After this early period Chinese art, like Chinese history, is classified by the succession of ruling dynasties of Chinese emperors. After contacts with Western art became increasingly important from the 19th century onwards, traditional Chinese painting involves essentially the same techniques as Chinese calligraphy and is done with a brush dipped in black or colored ink, oils are not used. As with calligraphy, the most popular materials on which paintings are made of paper, the finished work can be mounted on scrolls, such as hanging scrolls or handscrolls. Traditional painting can also be done on album sheets, walls, lacquerware, folding screens, the two main techniques in Chinese painting are, Gong-bi, meaning meticulous, uses highly detailed brushstrokes that delimits details very precisely. It is often coloured and usually depicts figural or narrative subjects. It is often practised by artists working for the court or in independent workshops. Bird-and-flower paintings were often in this style and this style is also referred to as xie yi or freehand style. Artists from the Han to the Tang dynasties mainly painted the human figure, much of what is known of early Chinese figure painting comes from burial sites, where paintings were preserved on silk banners, lacquered objects, and tomb walls. Many early tomb paintings were meant to protect the dead or help their souls get to paradise, others illustrated the teachings of the Chinese philosopher Confucius, or showed scenes of daily life. Most Chinese portraits showed a formal full-length frontal view, and were used in the family in ancestor veneration, Imperial portraits were more flexible, but were generally not seen outside the court, and portraiture formed no part of Imperial propaganda, as in other cultures. Many critics consider landscape to be the highest form of Chinese painting, the time from the Five Dynasties period to the Northern Song period is known as the Great age of Chinese landscape. In the south, Dong Yuan, Juran, and other artists painted the rolling hills and rivers of their native countryside in peaceful scenes done with softer and these two kinds of scenes and techniques became the classical styles of Chinese landscape painting. Chinese ritual bronzes from the Shang and Western Zhou Dynasties come from a period of over a thousand years from c,1500, and have exerted a continuing influence over Chinese art. They are cast with complex patterned and zoomorphic decoration, but avoid the human figure, smaller figures in pottery or wood were placed in tombs for many centuries afterwards, reaching a peak of quality in the Tang Dynasty. Buddhism is also the context of all large portrait sculpture, in total contrast to other areas in medieval China even painted images of the emperor were regarded as private. Imperial tombs have spectacular avenues of approach lined with real and mythological animals on a scale matching Egypt, and smaller versions decorate temples and palaces
Chinese art
–
Chinese
jade ornament, with
dragon and
phoenix design, of the late
Spring and Autumn Period (722–482 BC).
Chinese art
–
Early Autumn, 13th century, by
Song loyalist painter
Qian Xuan. The decaying lotus leaves and dragonflies hovering over stagnant water are probably a veiled criticism of
Mongol rule.
Chinese art
–
Ju ware bowl in the shape of a lotus, 1086-1106 AD
Chinese art
–
Portrait of the
Yuan dynasty Emperor
Kubilai Khan
21.
Samuel H. Kress
–
Samuel Henry Kress was a businessman and philanthropist, founder of the S. H. Kress & Co. five and ten cent store chain. With his fortune, Kress amassed one of the most significant collections of Italian Renaissance, in the 1950s and 1960s, a foundation established by Kress would donate 776 works of art from the Kress collection to 18 regional art museums in the United States. Kress was born in the village of Cherryville, near Allentown, Pennsylvania and his father was a retail merchant. His siblings were Mary Conner Kress, Jennie Weston Kress, Palmer John Kress, Claude Washington Kress, another sibling, Elmer Kress, died ten days after birth. Kress never married or had children, young Kress worked in the stone quarries. Intelligent, energetic and precocious, he earned his credentials by the age of 17. His first position was instructor for a class of 80 students and he walked 3 miles each way to the schoolhouse. In 1887, Kress opened a stationery and notions store in Nanticoke, as the business prospered he used his profits to open additional stores, naming his chain S. H. Kress & Co. These eventually would become known as the Kress Five and Dime stores. Unlike many businessmen of his day who only opened their stores in urban areas. These stores became the jewel of many of cities, which only had a dry goods or general store until then. By the mid-1920s, he was living in a penthouse at 1020 Fifth Avenue in New York City, across the street from the Metropolitan Museum of Art and he was a major art collector, and created a foundation to hold and dispose of his vast art collection. Kress died in 1955 and is interred in the Woodlawn Cemetery in The Bronx, S. H. Kress & Co. a chain of five and dime retail department stores, was started in Nanticoke, Pennsylvania, by Samuel H. Kress in 1896. Eventually expanding to over 200 locations nationwide, Kress stores were long a familiar sight in many cities, the Kress chain was known for the fine architecture of the stores, with a number of locations being hailed by architects for their design. A number of former Kress stores, now put to uses, are ranked as landmarks. Some of the most well-known Kress locations included New York Citys Fifth Avenue, Canal Street, New Orleans, in 1964 ownership of Kress was acquired by Genesco, Inc. The company abandoned its center-city stores and moved to the shopping malls, Genesco began liquidating Kress and closing down the Kress stores in 1980. Kress was founder and president of the eponymous Samuel H. Kress Foundation, an avid art lover, he acquired, through art dealer Joseph Duveen, a collection of paintings and sculpture, primarily of the Italian Baroque school
Samuel H. Kress
–
A Kress store building, showing the characteristic design
22.
Italian Renaissance
–
The term Renaissance is in essence a modern one that came into currency in the 19th century, in the work of historians such as Jules Michelet and Jacob Burckhardt. The French word renaissance means Rebirth, and the era is best known for the renewed interest in the culture of classical antiquity after the period that Renaissance humanists labeled the Dark Ages. Though today perhaps best known for Italian Renaissance art and architecture, the period saw major achievements in literature, music, philosophy, Italy became the recognized European leader in all these areas by the late 15th century, and to varying degrees retained this lead until about 1600. This was despite a turbulent and generally disastrous period in Italian politics, the European Renaissance began in Tuscany, and centred in the city of Florence. It later spread to Venice, where the remains of ancient Greek culture were brought together, the Renaissance later had a significant effect on Rome, which was ornamented with some structures in the new allantico mode, then was largely rebuilt by humanist sixteenth-century popes. The Italian Renaissance peaked in the century as foreign invasions plunged the region into the turmoil of the Italian Wars. However, the ideas and ideals of the Renaissance endured and spread into the rest of Europe, setting off the Northern Renaissance, the Italian Renaissance is best known for its cultural achievements. Accounts of Renaissance literature usually begin with Petrarch and his friend, famous vernacular poets of the 15th century include the renaissance epic authors Luigi Pulci, Matteo Maria Boiardo, and Ludovico Ariosto. 15th century writers such as the poet Poliziano and the Platonist philosopher Marsilio Ficino made extensive translations from both Latin and Greek, the same is true for architecture, as practiced by Brunelleschi, Leon Battista Alberti, Andrea Palladio, and Bramante. Their works include Florence Cathedral, St. Peters Basilica in Rome, yet cultural contributions notwithstanding, some present-day historians also see the era as one of the beginning of economic regression for Italy. By the Late Middle Ages, Latium, the heartland of the Roman Empire. Rome was a city of ancient ruins, and the Papal States were loosely administered, and vulnerable to external interference such as that of France, and later Spain. The Papacy was affronted when the Avignon Papacy was created in southern France as a consequence of pressure from King Philip the Fair of France, in the south, Sicily had for some time been under foreign domination, by the Arabs and then the Normans. Sicily had prospered for 150 years during the Emirate of Sicily, in contrast Northern and Central Italy had become far more prosperous, and it has been calculated that the region was among the richest of Europe. The Crusades had built lasting trade links to the Levant, the main trade routes from the east passed through the Byzantine Empire or the Arab lands and onwards to the ports of Genoa, Pisa, and Venice. Luxury goods bought in the Levant, such as spices, dyes, moreover, the inland city-states profited from the rich agricultural land of the Po valley. From France, Germany, and the Low Countries, through the medium of the Champagne fairs, land and river trade routes brought goods such as wool, wheat, and precious metals into the region. The extensive trade that stretched from Egypt to the Baltic generated substantial surpluses that allowed significant investment in mining, thus, while northern Italy was not richer in resources than many other parts of Europe, the level of development, stimulated by trade, allowed it to prosper
Italian Renaissance
–
Renaissance
Italian Renaissance
–
Pandolfo Malatesta (1417–1468), lord of
Rimini, by
Piero della Francesca. Malatesta was a capable
condottiere, following the tradition of his family. He was hired by the
Venetians to fight against the
Turks (unsuccessfully) in 1465, and was patron of
Leone Battista Alberti, whose
Tempio Malatestiano at Rimini is one of the first entirely classical buildings of the Renaissance.
Italian Renaissance
–
Leonardo da Vinci, Italian
Renaissance Man
Italian Renaissance
–
Giulio Clovio,
Adoration of the Magi and
Solomon Adored by the
Queen of Sheba from the Farnese Hours, 1546.
23.
Visual arts of the United States
–
Visual art of the United States or American art is visual art made in the United States or by American artists. Early colonial art on the East Coast initially relied on artists from Europe, in the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. American artists who remained at home became increasingly skilled, although there was awareness of them in Europe. The American Revolution produced a demand for art, especially history painting. A parallel development taking shape in rural America was the American craft movement, which began as a reaction to the industrial revolution. After 1850 Academic art in the European style flourished, and as richer Americans became very wealthy, the flow of European art, new and old, to the US began, museums began to be opened to display much of this. Developments in modern art in Europe came to America from exhibitions in New York City such as the Armory Show in 1913, after World War II, New York replaced Paris as the center of the art world. Since then many American movements have shaped Modern and Postmodern art, Art in the United States today covers a huge range of styles. One of the first painters to visit British America was John White, eventually the English settlements grew large enough to support professional artists, mostly portrait-painters, often largely self-taught. Among the earliest was John Smybert, a trained artist from London who emigrated in 1728 intending to be a professor of fine art and his friend Peter Pelham was a painter and printmaker. Both needed other sources of income and had shops, most of early American art consists of history painting and especially portraits. As in Colonial America, many of the painters who specialized in portraits were essentially self-taught, notable among them are Joseph Badger, John Brewster, Jr. and William Jennys. The young nations artists generally emulated the style of British art, which they knew through prints, Robert Feke, an untrained painter of the colonial period, achieved a sophisticated style based on Smiberts example. Charles Willson Peale, who gained much of his earliest art training by studying Smiberts copies of European paintings, Peales younger brother James Peale and four of Peales sons—Raphaelle Peale, Rembrandt Peale, Rubens Peale and Titian Peale—were also artists. John Singleton Copley painted emblematic portraits for the prosperous merchant class. Benjamin West painted portraits as well as paintings of the French. John Trumbull painted large battle scenes of the Revolutionary War, when landscape was painted it was most often done to show how much property a subject owned, or as a picturesque background for a portrait. Americas first well-known school of painting—the Hudson River School—appeared in 1820, Thomas Cole pioneered the movement which included Albert Bierstadt, Frederic Edwin Church, Thomas Doughty and several others
Visual arts of the United States
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John White,
Roanoke Indians, 1585, watercolor,
British Museum
Visual arts of the United States
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Gilbert Stuart,
George Washington, also known as The Athenaeum and The Unfinished Portrait, 1796,
Museum of Fine Arts, Boston, is his most celebrated and famous work.
Visual arts of the United States
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John Singleton Copley,
Watson and the Shark, (original version), 1778
24.
Western art history
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The art of Europe encompasses the history of visual art in Europe. European prehistoric art started as mobile rock, and cave painting art, written histories of European art often begin with the art of the Ancient Middle East, and the Ancient Aegean civilisations, dating from the 3rd millennium BC. Parallel with these significant cultures, art of one form or another existed all over Europe, wherever there were people, leaving signs such as carvings, decorated artifacts and huge standing stones. Before the 1800s, the Christian church was an influence upon European art. The history of the Church was very much reflected in the history of art, in the same period of time there was renewed interest in heroes and heroines, tales of mythological gods and goddesses, great wars, and bizarre creatures which were not connected to religion. Secularism has influenced European art since the Classical period, while most art of the last 200 years has produced without reference to religion. On the other hand, European art has often influenced by politics of one kind or another, of the state, of the patron. European art is arranged into a number of periods, which, historically. Broadly the periods are, Classical, Byzantine, Medieval, Gothic, Renaissance, Baroque, Rococo, Neoclassical, European prehistoric art is an important part of the European cultural heritage. Prehistoric art history is divided into four main periods, Stone age, Neolithic, Bronze age. Most of the artifacts of this period are small sculptures. The oldest European cave art dates back 40,800, rock painting was also performed on cliff faces, but fewer of those have survived because of erosion. One well-known example is the paintings of Astuvansalmi in the Saimaa area of Finland. When Marcelino Sanz de Sautuola first encountered the Magdalenian paintings of the Altamira cave, Cantabria, Spain in 1879, recent reappraisals and numerous additional discoveries have since demonstrated their authenticity, while at the same time stimulating interest in the artistry of Upper Palaeolithic peoples. Cave paintings, undertaken with only the most rudimentary tools, can also furnish valuable insight into the culture, the figures are generally rather sketchily depicted in thin paint, with the relationships between the groups of humans and animals more carefully depicted than individual figures. Other less numerous groups of art, many engraved rather than painted. The Iberian examples are believed to date from a period perhaps covering the Upper Paleolithic, Mesolithic. There are human heads and some fully represented animals, but full-length human figures at any size are so rare that their absence may represent a religious taboo, the Minoan culture is regarded as the oldest civilization in Europe
Western art history
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Pierre Mignard,
Clio,
muse of
heroic poetry and
history, 17th century
Western art history
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History of art
Western art history
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Venus of Willendorf.
Western art history
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Minoan Ceramic Art
25.
Decorative arts
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The decorative arts are arts or crafts concerned with the design and manufacture of beautiful objects that are also functional. It includes interior design, but not usually architecture, the decorative arts are often categorized in opposition to the fine arts, namely, painting, drawing, photography, and large-scale sculpture, which generally have no function other than to be seen. The distinction between the decorative and the arts has essentially arisen from the post-Renaissance art of the West. This distinction is less meaningful when considering the art of other cultures and periods. For example, Islamic art in many periods and places consists entirely of the arts, often using geometric and plant forms. The distinction between decorative and fine arts is not very useful for appreciating Chinese art, and neither is it for understanding Early Medieval art in Europe, large-scale wall-paintings were much less regarded, crudely executed, and rarely mentioned in contemporary sources. They were probably seen as a substitute for mosaic, which for this period must be viewed as a fine art. The term ars sacra is sometimes used for medieval Christian art done in metal, ivory, textiles, illuminated manuscripts have a much higher survival rate, especially in the hands of the church, as there was little value in the materials and they were easy to store. Most European art during the Middle Ages had been produced under a different set of values. The lower status given to works of art in contrast to fine art narrowed with the rise of the Arts and Crafts Movement. This aesthetic movement of the half of the 19th century was born in England and inspired by William Morris. The movement represented the beginning of an appreciation of the decorative arts throughout Europe. Many converts, both professional artists ranks and from among the intellectual class as a whole, helped spread the ideas of the movement. The influence of the Arts and Crafts Movement led to the arts being given a greater appreciation and status in society. Until the enactment of the Copyright Act 1911 only works of art had been protected from unauthorised copying. The 1911 Act extended the definition of a work to include works of artistic craftsmanship
Decorative arts
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The front side of the
Cross of Lothair (c. 1000), a classic example of "Ars Sacra"
Decorative arts
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Surahi,
Mughal, 17th Century CE.
National Museum, New Delhi
Decorative arts
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Chinese bowl,
Northern Song Dynasty, 11th or 12th century, porcelaneous pottery with
celadon glaze
26.
African art
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African art is a term typically used for the art of Sub-Saharan Africa. Often, casual, amateur observers tend to generalize traditional African art, the definition may also include the art of the African diasporas, such as the art of African Americans. Despite this diversity, there are some unifying artistic themes when considering the totality of the culture from the continent of Africa. The term African art does not usually include the art of the North African areas along the Mediterranean coast, for more than a millennium, the art of such areas had formed part of Islamic art, although with many particular characteristics. The art of Ethiopia, with a long Christian tradition, is different from that of most of Africa. Masks are important elements in the art of many peoples, along with human figures, direct images of deities are relatively infrequent, but masks in particular are or were often made for religious ceremonies, today many are made for tourists as airport art. African masks were an influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction, since the late 19th century there has been an increasing amount of African art in Western collections, the finest pieces of which are now prominently displayed. Many West African figures are used in rituals and are often coated with materials placed on them for ceremonial offerings. The Mande-speaking peoples of the region make pieces from wood with broad, flat surfaces and arms. In Central Africa, however, the main distinguishing characteristics include heart-shaped faces that are curved inward and display patterns of circles, eastern Africans, in many areas shorter of large timber to carve, are known for Tinga Tinga paintings and Makonde sculptures. There is also tradition of producing textile art, Modern Zimbabwean sculptors in soapstone have achieved considerable international success. Southern Africas oldest known clay figures date from 400 to 600 AD and have heads with a mixture of human. An example would be Dan artistry as well as its presence in the Western African diaspora, emphasis on the human figure, The human figure has always been the primary subject matter for most African art, and this emphasis even influenced certain European traditions. Another common theme is the inter-morphosis of human and animal, visual abstraction, African artworks tend to favor visual abstraction over naturalistic representation. This is because many African artworks generalize stylistic norms, emphasis on sculpture, African artists tend to favor three-dimensional artworks over two-dimensional works. Even many African paintings or cloth works were meant to be experienced three-dimensionally, distinct from the static form of traditional Western sculpture African art displays animation, a readiness to move. For example, traditional African masks and costumes very often are used in communal, ceremonial contexts, in African thought, the three cannot be differentiated. Nonlinear scaling, Often a small part of an African design will look similar to a larger part, louis Senghor, Senegals first president, referred to this as dynamic symmetry
African art
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Mask from
Gabon
African art
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Mambila figure, Nigeria
African art
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Yoruba bronze head sculpture,
Ife, Nigeria c. 12th century A.D.
African art
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Makonde carving c.1974
27.
Art of Oceania
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Oceanic art or Oceanian art comprises the creative works made by the native peoples of the Pacific Islands and Australia, including areas as far apart as Hawaii and Easter Island. Specifically it comprises the works of the two groups of people who settled the area, though during two different periods and they would in time however, come to interact and together reach even more remote islands. The area is broken down into four separate regions, Polynesia, Micronesia, Australasia. The former two share a common culture of the Lapita, while the latter two comprise settlers of the first wave of people into the area. All of the regions in later times would be affected by western influence. In more recent times, the people of Oceania have found an appreciation of their regions artistic heritage. The artistic creations of people varies greatly throughout the cultures. The subject matter typically carries themes of fertility or the supernatural, Art such as masks were used in religious ceremonies or social rituals. Petroglyphs, Tattooing, painting, wood carving, stone carving, Art of Oceania properly encompasses the artistic traditions of the people indigenous to Australia, New Zealand, Pacific Island and Lebanon Dahia. The ancestors of the people of these came from Southeast Asia by two different groups at separate times. The first, an Australoid people and the ancestors of modern-day Melanesians and Australian Aboriginals, came to New Guinea, the Melanesians expanded as far as the northern Solomon Islands by 38,000 BC. The second wave, from Southeast Asia, would not come for another 30,000 years and they would come to interact and together reach even the most remote Pacific islands. These early peoples lacked a system, and made works on perishable materials. By 1500 BC the Lapita culture, descendants of the wave, would begin to expand. At around the time, art began to appear in New Guinea. The period from 1000 BC on, the Lapita people would consolidate and begin to create the contemporary Polynesian cultures of Samoa, Tonga and they would from there venture further out into the Pacific and settle the Marquesas and northern Cook Islands between 200 BC and 1 AD. Starting around 1100 AD, the people of Easter Island would begin construction of nearly 900 moai. At about 1200 AD, the people of Pohnpei, a Micronesian island, would embark on another construction, building Nan Madol, a city of artificial islands
Art of Oceania
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Moai at
Rano Raraku,
Rapa Nui (Easter Island)
Art of Oceania
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Split gong figures from
Vanuatu
Art of Oceania
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Modern
Maori tiki pendant
Art of Oceania
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Birdmen (
Tangata manu) paintings in a cave at the foot of
Rano Kau,
Rapa Nui (Easter island).
28.
Textile
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A textile or cloth is a flexible material consisting of a network of natural or artificial fibres. Yarn is produced by spinning raw fibres of wool, flax, cotton, hemp, Textiles are formed by weaving, knitting, crocheting, knotting, or felting. The words fabric and cloth are used in textile assembly trades as synonyms for textile, however, there are subtle differences in these terms in specialized usage. Textile refers to any material made of interlacing fibres, a fabric is a material made through weaving, knitting, spreading, crocheting, or bonding that may be used in production of further goods. Cloth may be used synonymously with fabric but is often a piece of fabric used for a specific purpose. The word textile is from Latin, from the adjective textilis, meaning woven, from textus, the word cloth derives from the Old English clað, meaning a cloth, woven or felted material to wrap around one, from Proto-Germanic kalithaz. The discovery of dyed flax fibres in a cave in the Republic of Georgia dated to 34,000 BCE suggests textile-like materials were made even in prehistoric times. The production of textiles is a craft whose speed and scale of production has been altered almost beyond recognition by industrialization, however, for the main types of textiles, plain weave, twill, or satin weave, there is little difference between the ancient and modern methods. Textiles have an assortment of uses, the most common of which are for clothing and for such as bags. In the household they are used in carpeting, upholstered furnishings, window shades, towels, coverings for tables, beds, and other flat surfaces, in the workplace they are used in industrial and scientific processes such as filtering. Textiles are used in traditional crafts such as sewing, quilting. Textiles for industrial purposes, and chosen for other than their appearance, are commonly referred to as technical textiles. Technical textiles include textile structures for applications, medical textiles, geotextiles, agrotextiles. In all these applications stringent performance requirements must be met, woven of threads coated with zinc oxide nanowires, laboratory fabric has been shown capable of self-powering nanosystems using vibrations created by everyday actions like wind or body movements. Fashion designers commonly rely on textile designs to set their fashion collections apart from others, armani, the late Gianni Versace, and Emilio Pucci can be easily recognized by their signature print driven designs. Textiles can be made from many materials and these materials come from four main sources, animal, plant, mineral, and synthetic. In the past, all textiles were made from natural fibres, including plant, animal, in the 20th century, these were supplemented by artificial fibres made from petroleum. Textiles are made in various strengths and degrees of durability, from the finest gossamer to the sturdiest canvas, microfibre refers to fibres made of strands thinner than one denier
Textile
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Sunday textile market on the sidewalks of
Karachi, Pakistan
Textile
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Simple textile (magnified)
Textile
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A small fabric shop in
Al-Mukalla, Yemen
Textile
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Late antique textile,
Egyptian, now in the
Dumbarton Oaks collection
29.
Contemporary art
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Contemporary art is the art of today, produced by artists who are living in the twenty-first century. Contemporary art provides an opportunity to reflect on contemporary society and the relevant to ourselves. Contemporary artists work in a globally influenced, culturally diverse, and their art is a dynamic combination of materials, methods, concepts, and subjects that challenge traditional boundaries and defy easy definition. In vernacular English, modern and contemporary are synonyms, resulting in some conflation of the modern art. Some define contemporary art as art produced within our lifetime, recognizing that lifetimes, however, there is a recognition that this generic definition is subject to specialized limitations. The classification of art as a special type of art, rather than a general adjectival phrase. In London, the Contemporary Art Society was founded in 1910 by the critic Roger Fry and others, as a private society for buying works of art to place in public museums. A number of other institutions using the term were founded in the 1930s, such as in 1938 the Contemporary Art Society of Adelaide, Australia, particular points that have been seen as marking a change in art styles include the end of World War II and the 1960s. There has perhaps been a lack of natural break points since the 1960s, and definitions of what contemporary art in the 2010s vary. Art from the past 20 years is likely to be included, and definitions often include art going back to about 1970, the art of the late 20th and early 21st century. Many use the formulation Modern and Contemporary Art, which avoids this problem, smaller commercial galleries, magazines and other sources may use stricter definitions, perhaps restricting the contemporary to work from 2000 onwards. One of the many people have in approaching contemporary artwork is its diversity - diversity of material, form, subject matter. It is distinguished by the lack of a uniform organizing principle, ideology, or -ism that we so often see in other. Broadly speaking, we see Modernism as looking at modernist principals - the focus of the work is self-referential, likewise, Impressionism looks at our perception of a moment through light and color as opposed to attempts at stark realism. Contemporary art, on the hand, does not have one. Its view, instead, is refracted, prismatic, and multi-faceted, reflecting the diversity of the world today, in all of its complexities, contemporary art reflects life as we know it. It can be, therefore, contradictory, confusing, and open-ended, there are, however, a number of common themes that have appeared in contemporary works. Post-modern, post-structuralist, feminist, and Marxist theory have played important roles in the development of theories of art
Contemporary art
–
History of art
Contemporary art
–
The
Museum of Contemporary Art in
Miami, Florida.
30.
James A. Michener
–
Michener was known for the popularity of his works, he had numerous bestsellers and works selected for Book of the Month Club. He was also known for his meticulous research behind the books and his non-fiction works include Iberia, about his travels in Spain and Portugal, his memoir titled The World Is My Home, and Sports in America. Return to Paradise combines fictional short stories with Micheners factual descriptions of the Pacific areas where they take place. His first book was adapted as the popular Broadway musical South Pacific by Richard Rodgers and Oscar Hammerstein and he also wrote an analysis of the Electoral College system of the United States in a book which condemned it, entitled Presidential Lottery, The Reckless Gamble in Our Electoral System. It was published in 1969, and republished in 2014 and 2016, Michener wrote that he did not know who his biological parents were or exactly when or where he was born. He said he was raised a Quaker by a mother, Mabel Michener, in Doylestown, Bucks County. Michener graduated from Doylestown High School in 1925 and he attended Swarthmore College, Swarthmore, Pennsylvania, where he played basketball and was a member of the Phi Delta Theta fraternity. After graduating summa cum laude in 1929 with a Bachelor of Arts degree in English and History, Michener took a job as a high school English teacher at The Hill School in Pottstown, Pennsylvania. From 1933 to 1936, he taught English at George School in Newtown and he attended Colorado State College of Education in Greeley, Colorado, in 1970 renamed the University of Northern Colorado, where he earned a Master of Arts degree in Education. After graduation, he taught at the university, and at College High School for several years, the library at the University of Northern Colorado was later named after him in October 1972. In 1935, Michener married Patti Koon and he accepted a Guest Lecturer position at Harvard, from 1939 to 1940, but left to join Macmillan Publishers as their social studies education editor. Michener was called to duty during World War II in the United States Navy. He traveled throughout the South Pacific Ocean on various assignments which he gained because his base commanders mistakenly thought his father was Admiral Marc Mitscher and his experiences during these travels inspired his stories published in his breakout work Tales of the South Pacific. In 1960, Michener was chairman of the Bucks County committee to elect John F. Kennedy, in 1962, he unsuccessfully ran as a Democratic candidate for a seat in the U. S. House of Representatives from Pennsylvania, a decision he later considered a misstep. My mistake was to run in 1962 as a Democratic candidate for Congress, kept saying, Dont do it, dont do it. I lost and went back to writing books, in 1968, Michener served as the campaign manager for twice-elected US senator Joseph S. Clarks third-term run. Michener was later Secretary for the 1967–68 Pennsylvania Constitutional Convention, also that year, Michener was a member of the Electoral College, serving as a Pennsylvania Democrat. He wrote about that experience in Presidential Lottery, The Reckless Gamble in Our Electoral System, in it, he suggested alternate systems, including a direct popular vote
James A. Michener
–
Author James A. Michener in 1991
James A. Michener
–
Michener's typewriter at the
James A. Michener Art Museum in
Doylestown, Pennsylvania
31.
Hawaiian Art
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The Hawaiian archipelago consists of 137 islands in the Pacific Ocean that are far from any other land. Polynesians arrived there one to two years ago, and in 1778 Captain James Cook and his crew became the first Europeans to visit Hawaii. Public collections of Hawaiian art may be found at the Honolulu Museum of Art, the Bishop Museum, the Hawaii State Art Museum, in 1967, Hawaii became the first state in the nation to implement a Percent for Art law. Art existing prior to Cook’s arrival is very similar to the art of other Pacific Islanders and this art includes wood carvings, feather work, petroglyphs, bark cloth and tattoos. Native Hawaiians had neither metal nor woven cloth, production of this art continued after Cook’s arrival. A few craftsmen still produce traditional Hawaiian arts, either to sell to tourists or to preserve native culture, some of the first westerners to visit Hawaii were artists—both professional and amateur. Many of the ships had professional artists to record their discoveries. These artists sketched and painted Hawaii’s people and landscapes using imported materials, artworks produced by Hawaii’s native born and long-term residents incorporating western materials and ideas include paintings on canvas and quilts. They may be distinctly Hawaiian in subject matter or as diverse as their places of origin, most of the art currently produced in Hawaii falls into this third category. Blackburn, Mark, Hawaiiana, Schiffer Publishing, Atglen, PA,1996, ISBN 0-7643-0109-8 Brigham, William Tufts, Ka hana kapa, making of bark-cloth in Hawaii, Honolulu, clarke, Joan and Diane Dods, Artists/Hawaii, Honolulu, University of Hawaii Press,1996. Department of Education, State of Hawaii, Artists of Hawaii, Honolulu, Department of Education, forbes, David W. Encounters with Paradise, Views of Hawaii and its People, 1778-1941, Honolulu Academy of Arts,1992. Haar, Francis and Neogy, Prithwish, Artists of Hawaii, Nineteen Painters and Sculptors, Honolulu Academy of Arts, Honolulu Academy of Arts, Selected works, Honolulu, Hawaii, Honolulu Academy of Arts,1990. Kaeppler, Adrienne Lois, The fabrics of Hawaii, Leigh-on-Sea, serrao, Poakalani, The Hawaiian quilt, A spiritual experience, Reflection on its history, heritage, designing, quilting methods and patterns, Honolulu, Mutual Pub. Finding Paradise, Island Art in Private Collections, University of Hawaii Press,2002
Hawaiian Art
–
Ku ʻ u Hae Aloha (My Beloved Flag), Hawaiian cotton quilt from Waimea, before 1918,
Honolulu Museum of Art.
Hawaiian Art
–
Kii-Hulu Manu (Hawaiian feathered image), 18th century, believed to represent Kuka’ilimoku, wicker, feathers, mother-of-pearl, dog teeth, Cook-Forster Collection of the
Georg-August University of Göttingen, Germany
Hawaiian Art
–
Hawaii visitor
Joseph Henry Sharp 's oil painting 'Blow Hole, Honolulu'
Hawaiian Art
–
From Cliffs to Evening by
Reuben Tam, oil on canvas, 1978,
Honolulu Museum of Art
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