1.
Italian language
–
By most measures, Italian, together with Sardinian, is the closest to Latin of the Romance languages. Italian is a language in Italy, Switzerland, San Marino, Vatican City. Italian is spoken by minorities in places such as France, Montenegro, Bosnia & Herzegovina, Crimea and Tunisia and by large expatriate communities in the Americas. Many speakers are native bilinguals of both standardized Italian and other regional languages, Italian is the fourth most studied language in the world. Italian is a major European language, being one of the languages of the Organisation for Security and Cooperation in Europe. It is the third most widely spoken first language in the European Union with 65 million native speakers, including Italian speakers in non-EU European countries and on other continents, the total number of speakers is around 85 million. Italian is the working language of the Holy See, serving as the lingua franca in the Roman Catholic hierarchy as well as the official language of the Sovereign Military Order of Malta. Italian is known as the language of music because of its use in musical terminology and its influence is also widespread in the arts and in the luxury goods market. Italian has been reported as the fourth or fifth most frequently taught foreign language in the world, Italian was adopted by the state after the Unification of Italy, having previously been a literary language based on Tuscan as spoken mostly by the upper class of Florentine society. Its development was influenced by other Italian languages and to some minor extent. Its vowels are the second-closest to Latin after Sardinian, unlike most other Romance languages, Italian retains Latins contrast between short and long consonants. As in most Romance languages, stress is distinctive, however, Italian as a language used in Italy and some surrounding regions has a longer history. What would come to be thought of as Italian was first formalized in the early 14th century through the works of Tuscan writer Dante Alighieri, written in his native Florentine. Dante is still credited with standardizing the Italian language, and thus the dialect of Florence became the basis for what would become the language of Italy. Italian was also one of the recognised languages in the Austro-Hungarian Empire. Italy has always had a dialect for each city, because the cities. Those dialects now have considerable variety, as Tuscan-derived Italian came to be used throughout Italy, features of local speech were naturally adopted, producing various versions of Regional Italian. Even in the case of Northern Italian languages, however, scholars are not to overstate the effects of outsiders on the natural indigenous developments of the languages
2.
Roman art
–
Roman art refers to the visual arts made in Ancient Rome and in the territories of the Roman Empire. Roman art includes architecture, painting, sculpture and mosaic work, sculpture was perhaps considered as the highest form of art by Romans, but figure painting was also very highly regarded. Roman coins were an important means of propaganda, and have survived in enormous numbers, other perishable forms of art have not survived at all. Stylistic eclecticism and practical application are the hallmarks of much Roman art, though very little remains of Greek wall art and portraiture, certainly Greek sculpture and vase painting bears this out. These forms were not likely surpassed by Roman artists in fineness of design or execution. As another example of the lost Golden Age, he singled out Peiraikos, whose artistry is surpassed by only a very few. ”The adjective vulgar is used here in its original meaning, the Greek antecedents of Roman art were legendary. In the mid-5th century BC, the most famous Greek artists were Polygnotos, noted for his murals, and Apollodoros. In sculpture, Skopas, Praxiteles, Phidias, and Lysippos were the foremost sculptors, Ancient Greek treatises on the arts are known to have existed in Roman times though are now lost. Many Roman artists came from Greek colonies and provinces, the high number of Roman copies of Greek art also speaks of the esteem Roman artists had for Greek art, and perhaps of its rarer and higher quality. One exception is the Roman bust, which did not include the shoulders, the traditional head-and-shoulders bust may have been an Etruscan or early Roman form. Where Greek artists were highly revered in their society, most Roman artists were anonymous, there is no recording, as in Ancient Greece, of the great masters of Roman art, and practically no signed works. Roman culture assimilated many cultures and was for the most part tolerant of the ways of conquered peoples, Roman art was commissioned, displayed, and owned in far greater quantities, and adapted to more uses than in Greek times. Wealthy Romans were more materialistic, they decorated their walls with art, their home with decorative objects, when Constantine moved the capital of the empire to Byzantium, Roman art incorporated Eastern influences to produce the Byzantine style of the late empire. When Rome was sacked in the 5th century, artisans moved to, of the vast body of Roman painting we now have only a very few pockets of survivals, with many documented types not surviving at all, or doing so only from the very end of the period. A succession of dated styles have been defined and analysed by modern art historians beginning with August Mau, there are a number of other parts of painted rooms surviving from Rome and elsewhere, which somewhat help to fill in the gaps of our knowledge of wall-painting. Nothing remains of the Greek paintings imported to Rome during the 4th and 5th centuries, in sum, the range of samples is confined to only about 200 years out of the about 900 years of Roman history, and of provincial and decorative painting. Most of this painting was done using the secco method. There is evidence from mosaics and a few inscriptions that some Roman paintings were adaptations or copies of earlier Greek works
3.
Bronze
–
These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as stiffness, ductility, or machinability. The archeological period where bronze was the hardest metal in use is known as the Bronze Age. In the ancient Near East this began with the rise of Sumer in the 4th millennium BC, with India and China starting to use bronze around the same time, everywhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BC and reaching most of Eurasia by about 500 BC, the discovery of bronze enabled people to create metal objects which were harder and more durable than previously possible. Bronze tools, weapons, armor, and building such as decorative tiles were harder and more durable than their stone. It was only later that tin was used, becoming the major ingredient of bronze in the late 3rd millennium BC. Tin bronze was superior to arsenic bronze in that the process could be more easily controlled. Also, unlike arsenic, metallic tin and fumes from tin refining are not toxic, the earliest tin-alloy bronze dates to 4500 BCE in a Vinča culture site in Pločnik. Other early examples date to the late 4th millennium BC in Africa, Susa and some ancient sites in China, Luristan, ores of copper and the far rarer tin are not often found together, so serious bronze work has always involved trade. Tin sources and trade in ancient times had a influence on the development of cultures. In Europe, a source of tin was the British deposits of ore in Cornwall. In many parts of the world, large hoards of bronze artefacts are found, suggesting that bronze also represented a store of value, in Europe, large hoards of bronze tools, typically socketed axes, are found, which mostly show no signs of wear. With Chinese ritual bronzes, which are documented in the inscriptions they carry and from other sources and these were made in enormous quantities for elite burials, and also used by the living for ritual offerings. Pure iron is soft, and the process of beating and folding sponge iron to wrought iron removes from the metal carbon. Careful control of the alloying and tempering eventually allowed for wrought iron with properties comparable to modern steel, Bronze was still used during the Iron Age, and has continued in use for many purposes to the modern day. Among other advantages, it does not rust, the weaker wrought iron was found to be sufficiently strong for many uses. Archaeologists suspect that a disruption of the tin trade precipitated the transition. The population migrations around 1200–1100 BC reduced the shipping of tin around the Mediterranean, limiting supplies, there are many different bronze alloys, but typically modern bronze is 88% copper and 12% tin
4.
Statue
–
A statue is a sculpture representing one or more people or animals, normally full-length, as opposed to a bust, and at least close to life-size, or larger. A small statue, usually enough to be picked up, is called a statuette or figurine. Statues have been produced in many cultures from prehistory to the present, the worlds tallest statue, Spring Temple Buddha, is 128 metres, and is located in Lushan County, Henan, China. Many statues are built on commission to commemorate a historical event, many statues are intended as public art, exhibited outdoors or in public buildings. Some statues gain fame in their own right, separate from the person or concept they represent, Ancient statues often survive showing the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marble sculpture, most of the colour was weathered off over time, small remnants were removed during cleaning, in some cases small traces remained which could be identified. Richter goes so far as to say of classical Greek sculpture, All stone sculpture, whether limestone or marble, was painted, medieval statues were also usually painted, with some still retaining their original pigments. The colouring of statues ceased during the Renaissance, as excavated classical sculptures, the Löwenmensch figurine from the Swabian Alps in Germany is the oldest known statue in the world, and dates to 30, 000-40,000 years ago. The Venus of Hohle Fels, from the area, is somewhat later. Throughout history, statues have been associated with images in many religious traditions, from Ancient Egypt, Ancient Greece. Egyptian statues showing kings as sphinxes have existed since the Old Kingdom, the oldest statue of a striding pharaoh dates from the reign of Senwosret I and is the Egyptian Museum, Cairo. The Middle Kingdom of Egypt witnessed the growth of block statues which then became the most popular form until the Ptolemaic period, the oldest statue of a deity in Rome was the bronze statue of Ceres in 485 BC. The oldest statue in Rome is now the statue of Diana on the Aventine, the wonders of the world include several statues from antiquity, with the Colossus of Rhodes and the Statue of Zeus at Olympia among the Seven Wonders of the Ancient World. While Byzantine art flourished in various forms, sculpture and statue making witnessed a general decline, an example was the statue of Justinian which stood in the square across from the Hagia Sophia until the fall of Constantinople in the 15th century. While making statues was not subject to a ban, it was hardly encouraged in this period. Starting with the work of Maillol around 1900, the human figures embodied in statues began to move away from the schools of realism that had held them bound for thousands of years. The Futurist and Cubist schools took this even further until statues, often still nominally representing humans, had lost all. By the 1920s and 1930s statues began to appear that were abstract in design
5.
Horse
–
The horse is one of two extant subspecies of Equus ferus. It is an ungulate mammal belonging to the taxonomic family Equidae. The horse has evolved over the past 45 to 55 million years from a small multi-toed creature, Eohippus, into the large, humans began to domesticate horses around 4000 BC, and their domestication is believed to have been widespread by 3000 BC. Horses in the subspecies caballus are domesticated, although some domesticated populations live in the wild as feral horses. There is an extensive, specialized vocabulary used to describe equine-related concepts, covering everything from anatomy to life stages, size, colors, markings, breeds, locomotion, and behavior. Horses anatomy enables them to use of speed to escape predators and they have a well-developed sense of balance. Related to this need to flee from predators in the wild is an unusual trait, female horses, called mares, carry their young for approximately 11 months, and a young horse, called a foal, can stand and run shortly following birth. Most domesticated horses begin training under saddle or in harness between the ages of two and four and they reach full adult development by age five, and have an average lifespan of between 25 and 30 years. There are more than 300 breeds of horse in the world today, horses were historically used in warfare, from which a wide variety of riding and driving techniques developed, using many different styles of equipment and methods of control. Many products are derived from horses, including meat, milk, hide, hair, bone, humans provide domesticated horses with food, water and shelter, as well as attention from specialists such as veterinarians and farriers. Specific terms and specialized language are used to describe equine anatomy, different life stages, colors, depending on breed, management and environment, the modern domestic horse has a life expectancy of 25 to 30 years. Uncommonly, a few animals live into their 40s and, occasionally, the oldest verifiable record was Old Billy, a 19th-century horse that lived to the age of 62. In modern times, Sugar Puff, who had listed in Guinness World Records as the worlds oldest living pony. The exception is in endurance riding, where the age to compete is based on the animals actual calendar age. The following terminology is used to describe horses of various ages, Colt, a common terminology error is to call any young horse a colt, when the term actually only refers to young male horses. Filly, A female horse under the age of four, foal, A horse of either sex less than one year old. A nursing foal is sometimes called a suckling and a foal that has been weaned is called a weanling, most domesticated foals are weaned at five to seven months of age, although foals can be weaned at four months with no adverse physical effects. Gelding, A castrated male horse of any age, mare, A female horse four years old and older
6.
Quadriga
–
A quadriga is a car or chariot drawn by four horses abreast. It was raced in the Ancient Olympic Games and other contests and it is represented in profile as the chariot of gods and heroes on Greek vases and in bas-relief. The quadriga was adopted in ancient Roman chariot racing, quadrigas were emblems of triumph, Victory and Fame often are depicted as the triumphant woman driving it. In classical mythology, the quadriga is the chariot of the gods, Apollo was depicted driving his quadriga across the heavens, delivering daylight, the word quadriga may refer to the chariot alone, the four horses without it, or the combination. Originally erected in the Hippodrome of Constantinople, possibly on a triumphal arch, venetian Crusaders looted these sculptures in the Fourth Crusade and placed them on the terrace of St Marks Basilica. In 1797, Napoleon carried the quadriga off to Paris, due to the effects of atmospheric pollution, the original quadriga was retired to a museum and replaced with a replica in the 1980s. Located atop the Brandenburg Gate in Berlin, Germany, it was seized by Napoleon during his occupation of Berlin in 1806 and it was returned to Berlin by Field Marshal Gebhard von Blücher in 1814. Her olive wreath was subsequently supplemented with an Iron Cross, the iron cross was restored after German reunification in 1990. C.1815 - The Carrousel quadriga is situated atop the Arc de Triomphe du Carrousel in Paris, the arch itself was built to commemorate the victories of Napoleon, but the quadriga was sculpted by Baron François Joseph Bosio to commemorate the Restoration of the Bourbons. The Restoration is represented by an allegorical goddess driving a quadriga, two winged Victory figures, each leading a horse, trumpet Columbias arrival. The sculptor was Frederick William MacMonnies and it was sculpted by Daniel Chester French and Edward Clark Potter. 1911-35 - The Monument to Vittorio Emanuele II in Rome, Italy features two statues of goddess Victoria riding on quadrigas,1912 - The Wellington Arch Quadriga is situated atop the Wellington Arch in London, England. It was designed by Adrian Jones, the sculpture shows a small boy leading the quadriga, with Peace descending upon it from heaven. 1919-23 - The former Banco di Bilbao headquarters at no.16 Calle de Alcalá in Madrid, now part of Banco Bilbao Vizcaya Argentaria, the building was designed by Ricardo Bastida, with the sculptor of the chariot Higinio Basterras, and other sculptures by Quentin de la Torre. The charioteers are helmeted men standing on the handrails of the chariots, height to plinth, about 87 feet. 2002 - The Grand Theatre, Warsaw features a quadriga reflecting the original Antonio Corazzis 1833 plans for the building, horses of Saint Mark in Venice, remnants of a quadriga of Constantinople taken by Enrico Dandolo. Trigarium Troika Chisholm, Hugh, ed. Quadriga, university of Chicago Quadriga Berlin. de, Brandenburger Tor, Pariser Platz, Quadriga
7.
Chariot racing
–
Chariot racing was one of the most popular ancient Greek, Roman, and Byzantine sports. Chariot racing was dangerous to drivers and horses as they often suffered serious injury and even death, but these dangers added to the excitement. Chariot races could be watched by women, who were barred from watching other sports. In the Roman form of racing, teams represented different groups of financial backers. As in modern sports like soccer, spectators generally chose to support a team, identifying themselves strongly with its fortunes. The rivalries were sometimes politicized, when teams became associated with competing social or religious ideas and this helps explain why Roman and later Byzantine emperors took control of the teams and appointed many officials to oversee them. The sport faded in importance in the West after the fall of Rome and it survived for a time in the Byzantine Empire, where the traditional Roman factions continued to play a prominent role for several centuries, gaining influence in political matters. Their rivalry culminated in the Nika riots, which marked the decline of the sport. It is unknown exactly when chariot racing began, but it may have been as old as chariots themselves, the participants in this race were Diomedes, Eumelus, Antilochus, Menelaus, and Meriones. The race, which was one lap around the stump of a tree, was won by Diomedes, who received a slave woman and a cauldron as his prize. In the ancient Olympic Games, as well as the other Panhellenic Games, the chariot racing event was first added to the Olympics in 680 BC with the games expanding from a one-day to a two-day event to accommodate the new event. The races themselves were held in the hippodrome, which held both chariot races and riding races, the single horse race was known as the keles. The hippodrome was situated at the south-east corner of the sanctuary of Olympia, on the flat area south of the stadium. Until recently, its location was unknown, since it is buried by several meters of sedimentary material from the Alfeios River. In 2008, however, Annie Muller and staff of the German Archeological Institute used radar to locate a large, rectangular structure similar to Pausaniass description. Pausanias, who visited Olympia in the second century AD, describes the monument as a large, elongated, flat space, the elongated racecourse was divided longitudinally into two tracks by a stone or wooden barrier, the embolon. All the horses or chariots ran on one track toward the east, then turned around the embolon, distances varied according to the event. The racecourse was surrounded by natural and artificial banks for the spectators, the race was begun by a procession into the hippodrome, while a herald announced the names of the drivers and owners
8.
Loggia
–
A loggia is an architectural feature which is a covered exterior gallery or corridor usually on an upper level, or sometimes ground level. The outer wall is open to the elements, usually supported by a series of columns or arches, Loggias can be located either on the front or side of a building and are not meant for entrance but as an out-of-door sitting room. From the early Middle Ages, nearly every Italian comune had an arched loggia in its main square which served as a symbol of communal justice and government. The main difference between a loggia and a portico is the role within the layout of the building. The portico allows entrance to the inside from the exterior and can be found on vernacular, the loggia is accessed only from inside and intended as a place for leisure. Thus, it is mainly on noble residences and public buildings. A classic use of both is that represented in the Mosaics of Basilica of Sant Apollinare Nuovo of the Royal Palace, a double loggia occurs when a loggia is located on an upper floor level above a loggia on the floor beneath. In Italian architecture, a loggia often takes the form of a small, often ornate, summer house built on the roof of a residence to enjoy cooling winds and they were especially popular in the 17th century and are prominent in Rome and Bologna, Italy. Grinnell College in Grinnell, Iowa, contains three sets of dorms connected by loggias. In the town center of Chester in the United Kingdom, a number of timber-framed buildings dating from the Tudor to Victorian periods have first-floor loggias called the Chester Rows, in Russia, a loggia can be a recessed balcony on a residential apartment building. A loggia was added to the Sydney Opera House in 2006, at the archeological site of Hagia Triada on the Greek island of Crete, several loggias constructed around 1400 BC have been located and whose column bases still remain. Peristyle Portico Veranda Curl, James Stevens, a Dictionary of Architecture and Landscape Architecture. The dictionary definition of loggia at Wiktionary Media related to Loggias at Wikimedia Commons
9.
St Mark's Basilica
–
The Patriarchal Cathedral Basilica of Saint Mark, commonly known as Saint Marks Basilica, is the cathedral church of the Roman Catholic Archdiocese of Venice, northern Italy. It is the most famous of the churches and one of the best known examples of Italo-Byzantine architecture. It lies at the end of the Piazza San Marco, adjacent. For its opulent design, gold mosaics, and its status as a symbol of Venetian wealth and power. The church was burned in a rebellion in 976, when the populace locked Pietro IV Candiano inside to kill him, nothing certain is known of the form of these early churches. From perhaps 1063 the present basilica was constructed, the consecration is variously recorded as being in 1084-5,1093,1102 and 1117, probably reflecting a series of consecrations of different parts. In 1094 the supposed body of Saint Mark was rediscovered in a pillar by Vitale Faliero, the building also incorporates a low tower, believed by some to have been part of the original Doges Palace. The Pala dOro ordered from Constantinople was installed on the altar in 1105. The main features of the present structure were all in place by then, except for the narthex or porch, and the facade. — The basic structure of the building has not been much altered. Its decoration has changed greatly over time, though the impression of the interior with a dazzling display of gold ground mosaics on all ceilings. Gradually, the exterior brickwork became covered with marble cladding and carvings, some older than the building itself. The latest structural additions include the closing-off of the Baptistery and St Isidors Chapel, the carvings on the facade and the Sacristy. During the 13th century the emphasis of the churchs function seems to have changed from being the chapel of the Doge to that of a state church. The transfer of the see was ordered by Napoleon during his period of control of Venice, before this, Venices cathedral from 1451 was the much less grand San Pietro di Castello. The procurators, an important organ of the Republic of Venice, were in charge of administration, their seats were the Procuratie, all building and restoring works were directed by the protos, great architects such as Jacopo Sansovino and Baldassarre Longhena held the office. The doge himself appointed a group of clergy led by the primicerio. Procurators and protos still exist and perform the tasks for the Patriarchate. The exterior of the west facade of the basilica is divided in three registers, lower, upper, and domes, in the lower register of the façade, five round-arched portals, enveloped by polychrome marble columns, open into the narthex through bronze-fashioned doors
10.
Venice
–
Venice is a city in northeastern Italy and the capital of the Veneto region. It is situated across a group of 118 small islands that are separated by canals and these are located in the shallow Venetian Lagoon, an enclosed bay that lies between the mouths of the Po and the Piave Rivers. Parts of Venice are renowned for the beauty of their settings, their architecture, the lagoon and a part of the city are listed as a World Heritage Site. In 2014,264,579 people resided in Comune di Venezia, together with Padua and Treviso, the city is included in the Padua-Treviso-Venice Metropolitan Area, with a total population of 2.6 million. PATREVE is a metropolitan area without any degree of autonomy. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC, the city was historically the capital of the Republic of Venice. Venice has been known as the La Dominante, Serenissima, Queen of the Adriatic, City of Water, City of Masks, City of Bridges, The Floating City, and City of Canals. The City State of Venice is considered to have been the first real international financial center which gradually emerged from the 9th century to its peak in the 14th century and this made Venice a wealthy city throughout most of its history. It is also known for its several important artistic movements, especially the Renaissance period, Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi. Venice has been ranked the most beautiful city in the world as of 2016, the name Venetia, however, derives from the Roman name for the people known as the Veneti, and called by the Greeks Eneti. The meaning of the word is uncertain, although there are other Indo-European tribes with similar-sounding names, such as the Celtic Veneti, Baltic Veneti, and the Slavic Wends. Linguists suggest that the name is based on an Indo-European root *wen, so that *wenetoi would mean beloved, lovable, a connection with the Latin word venetus, meaning the color sea-blue, is also possible. The alternative obsolete form is Vinegia, some late Roman sources reveal the existence of fishermen on the islands in the original marshy lagoons. They were referred to as incolae lacunae, the traditional founding is identified with the dedication of the first church, that of San Giacomo on the islet of Rialto — said to have taken place at the stroke of noon on 25 March 421. Beginning as early as AD166 to 168, the Quadi and Marcomanni destroyed the center in the area. The Roman defences were again overthrown in the early 5th century by the Visigoths and, some 50 years later, New ports were built, including those at Malamocco and Torcello in the Venetian lagoon. The tribuni maiores, the earliest central standing governing committee of the islands in the Lagoon, the traditional first doge of Venice, Paolo Lucio Anafesto, was actually Exarch Paul, and his successor, Marcello Tegalliano, was Pauls magister militum. In 726 the soldiers and citizens of the Exarchate rose in a rebellion over the controversy at the urging of Pope Gregory II
11.
Italy
–
Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
12.
Sack of Constantinople (1204)
–
The Sack of Constantinople or Siege of Constantinople occurred in 1204 and marked the culmination of the Fourth Crusade. Mutinous Crusader armies captured, looted, and destroyed parts of Constantinople, after the capture, the Latin Empire was created and Baldwin of Flanders was crowned Emperor Baldwin I of Constantinople in the Hagia Sophia. After the citys sacking, most of the Byzantine Empires territories were divided up, however, the restored Empire would never return to its former territorial or economic status, and eventually fell to the rising Ottoman Sultanate in the 1453 Siege of Constantinople. The sack of Constantinople is a turning point in medieval history. The Crusaders decision to attack a major Christian capital was unprecedented and immediately controversial, the Fourth Crusade therefore left Christendom more divided and weakened than before. Following the siege of Constantinople in 1203, on 1 August 1203, the pro-Crusader Alexios Angelos was crowned Emperor Alexios IV of the Byzantine Empire, who then tried to pacify the city. But riots between anti-Crusader Greeks and pro-Crusader Latins broke out later that month and lasted until November, during which most of the populace began to turn against Emperor Alexios IV. Emperor Alexios V then attempted to negotiate with the Crusaders for a withdrawal from Byzantine territory, when Alexios V ordered Alexios IVs execution on 8 February, the Crusaders declared war on Alexios V. In March 1204, the Crusader and Venetian leadership decided on the outright conquest of Constantinople, by the end of March, the combined Crusader armies were besieging Constantinople as Emperor Alexios V began to strengthen the citys defences while conducting more active operations outside the city. By the first week of April, the Crusaders had begun their siege from their encampment in the town of Galata across the Golden Horn from Constantinople, on 12 April 1204 weather conditions finally favoured the Crusaders as the weather cleared and a second assault on the city was ordered. A strong north wind aided the Venetian ships near the Golden Horn to come close to the city wall, after a short battle approximately 70 Crusaders managed to enter the city. Emperor Alexios V fled from the city that night through the Polyandriou Gate, the Crusaders looted, terrorized, and vandalized Constantinople for three days, during which many ancient and medieval Roman and Greek works were either stolen or destroyed. The famous bronze horses from the Hippodrome were sent back to adorn the façade of St Marks Basilica in Venice, as well as being stolen, works of immeasurable artistic value were destroyed merely for their material value. One of the most precious works to such a fate was a large bronze statue of Hercules, created by the legendary Lysippos. Like so many other artworks made of bronze, the statue was melted down for its content by the Crusaders. The great Library of Constantinople was destroyed as well, the civilian population of Constantinople were subject to the Crusaders ruthless lust for spoils and glory, thousands of them were killed in cold blood. Women, even nuns, were raped by the Crusader army, the very altars of these churches were smashed and torn to pieces for their gold and marble by the warriors. Although the Venetians engaged in looting too, their actions were far more restrained, doge Dandolo still appeared to have far more control over his men
13.
Napoleon
–
Napoleon Bonaparte was a French military and political leader who rose to prominence during the French Revolution and led several successful campaigns during the French Revolutionary Wars. As Napoleon I, he was Emperor of the French from 1804 until 1814, Napoleon dominated European and global affairs for more than a decade while leading France against a series of coalitions in the Napoleonic Wars. He won most of these wars and the vast majority of his battles, one of the greatest commanders in history, his wars and campaigns are studied at military schools worldwide. Napoleons political and cultural legacy has ensured his status as one of the most celebrated and he was born Napoleone di Buonaparte in Corsica to a relatively modest family from the minor nobility. When the Revolution broke out in 1789, Napoleon was serving as an officer in the French army. Seizing the new opportunities presented by the Revolution, he rose through the ranks of the military. The Directory eventually gave him command of the Army of Italy after he suppressed a revolt against the government from royalist insurgents, in 1798, he led a military expedition to Egypt that served as a springboard to political power. He engineered a coup in November 1799 and became First Consul of the Republic and his ambition and public approval inspired him to go further, and in 1804 he became the first Emperor of the French. Intractable differences with the British meant that the French were facing a Third Coalition by 1805, in 1806, the Fourth Coalition took up arms against him because Prussia became worried about growing French influence on the continent. Napoleon quickly defeated Prussia at the battles of Jena and Auerstedt, then marched the Grand Army deep into Eastern Europe, France then forced the defeated nations of the Fourth Coalition to sign the Treaties of Tilsit in July 1807, bringing an uneasy peace to the continent. Tilsit signified the high watermark of the French Empire, hoping to extend the Continental System and choke off British trade with the European mainland, Napoleon invaded Iberia and declared his brother Joseph the King of Spain in 1808. The Spanish and the Portuguese revolted with British support, the Peninsular War lasted six years, featured extensive guerrilla warfare, and ended in victory for the Allies. The Continental System caused recurring diplomatic conflicts between France and its client states, especially Russia, unwilling to bear the economic consequences of reduced trade, the Russians routinely violated the Continental System and enticed Napoleon into another war. The French launched an invasion of Russia in the summer of 1812. The resulting campaign witnessed the collapse of the Grand Army, the destruction of Russian cities, in 1813, Prussia and Austria joined Russian forces in a Sixth Coalition against France. A lengthy military campaign culminated in a large Allied army defeating Napoleon at the Battle of Leipzig in October 1813, the Allies then invaded France and captured Paris in the spring of 1814, forcing Napoleon to abdicate in April. He was exiled to the island of Elba near Rome and the Bourbons were restored to power, however, Napoleon escaped from Elba in February 1815 and took control of France once again. The Allies responded by forming a Seventh Coalition, which defeated Napoleon at the Battle of Waterloo in June, the British exiled him to the remote island of Saint Helena in the South Atlantic, where he died six years later at the age of 51
14.
Classical antiquity
–
It is the period in which Greek and Roman society flourished and wielded great influence throughout Europe, North Africa and Southwestern Asia. Conventionally, it is taken to begin with the earliest-recorded Epic Greek poetry of Homer, and continues through the emergence of Christianity and it ends with the dissolution of classical culture at the close of Late Antiquity, blending into the Early Middle Ages. Such a wide sampling of history and territory covers many disparate cultures, Classical antiquity may refer also to an idealised vision among later people of what was, in Edgar Allan Poes words, the glory that was Greece, and the grandeur that was Rome. The culture of the ancient Greeks, together with influences from the ancient Near East, was the basis of art, philosophy, society. The earliest period of classical antiquity takes place before the background of gradual re-appearance of historical sources following the Bronze Age collapse, the 8th and 7th centuries BC are still largely proto-historical, with the earliest Greek alphabetic inscriptions appearing in the first half of the 8th century. Homer is usually assumed to have lived in the 8th or 7th century BC, in the same period falls the traditional date for the establishment of the Ancient Olympic Games, in 776 BC. The Phoenicians originally expanded from Canaan ports, by the 8th century dominating trade in the Mediterranean, carthage was founded in 814 BC, and the Carthaginians by 700 BC had firmly established strongholds in Sicily, Italy and Sardinia, which created conflicts of interest with Etruria. The Etruscans had established control in the region by the late 7th century BC, forming the aristocratic. According to legend, Rome was founded on April 21,753 BC by twin descendants of the Trojan prince Aeneas, Romulus and Remus. As the city was bereft of women, legend says that the Latins invited the Sabines to a festival and stole their unmarried maidens, leading to the integration of the Latins and the Sabines. Archaeological evidence indeed shows first traces of settlement at the Roman Forum in the mid-8th century BC, the seventh and final king of Rome was Tarquinius Superbus. As the son of Tarquinius Priscus and the son-in-law of Servius Tullius, Superbus was of Etruscan birth and it was during his reign that the Etruscans reached their apex of power. Superbus removed and destroyed all the Sabine shrines and altars from the Tarpeian Rock, the people came to object to his rule when he failed to recognize the rape of Lucretia, a patrician Roman, at the hands of his own son. Lucretias kinsman, Lucius Junius Brutus, summoned the Senate and had Superbus, after Superbus expulsion, the Senate voted to never again allow the rule of a king and reformed Rome into a republican government in 509 BC. In fact the Latin word Rex meaning King became a dirty and hated throughout the Republic. In 510, Spartan troops helped the Athenians overthrow the tyrant Hippias, cleomenes I, king of Sparta, put in place a pro-Spartan oligarchy conducted by Isagoras. Greece entered the 4th century under Spartan hegemony, but by 395 BC the Spartan rulers removed Lysander from office, and Sparta lost her naval supremacy. Athens, Argos, Thebes and Corinth, the two of which were formerly Spartan allies, challenged Spartan dominance in the Corinthian War, which ended inconclusively in 387 BC
15.
Greeks
–
The Greeks or Hellenes are an ethnic group native to Greece, Cyprus, southern Albania, Turkey, Sicily, Egypt and, to a lesser extent, other countries surrounding the Mediterranean Sea. They also form a significant diaspora, with Greek communities established around the world, many of these regions coincided to a large extent with the borders of the Byzantine Empire of the late 11th century and the Eastern Mediterranean areas of ancient Greek colonization. The cultural centers of the Greeks have included Athens, Thessalonica, Alexandria, Smyrna, most ethnic Greeks live nowadays within the borders of the modern Greek state and Cyprus. The Greek genocide and population exchange between Greece and Turkey nearly ended the three millennia-old Greek presence in Asia Minor, other longstanding Greek populations can be found from southern Italy to the Caucasus and southern Russia and Ukraine and in the Greek diaspora communities in a number of other countries. Today, most Greeks are officially registered as members of the Greek Orthodox Church, the Greeks speak the Greek language, which forms its own unique branch within the Indo-European family of languages, the Hellenic. They are part of a group of ethnicities, described by Anthony D. Smith as an archetypal diaspora people. Both migrations occur at incisive periods, the Mycenaean at the transition to the Late Bronze Age, the Mycenaeans quickly penetrated the Aegean Sea and, by the 15th century BC, had reached Rhodes, Crete, Cyprus and the shores of Asia Minor. Around 1200 BC, the Dorians, another Greek-speaking people, followed from Epirus, the Dorian invasion was followed by a poorly attested period of migrations, appropriately called the Greek Dark Ages, but by 800 BC the landscape of Archaic and Classical Greece was discernible. The Greeks of classical antiquity idealized their Mycenaean ancestors and the Mycenaean period as an era of heroes, closeness of the gods. The Homeric Epics were especially and generally accepted as part of the Greek past, as part of the Mycenaean heritage that survived, the names of the gods and goddesses of Mycenaean Greece became major figures of the Olympian Pantheon of later antiquity. The ethnogenesis of the Greek nation is linked to the development of Pan-Hellenism in the 8th century BC, the works of Homer and Hesiod were written in the 8th century BC, becoming the basis of the national religion, ethos, history and mythology. The Oracle of Apollo at Delphi was established in this period, the classical period of Greek civilization covers a time spanning from the early 5th century BC to the death of Alexander the Great, in 323 BC. It is so named because it set the standards by which Greek civilization would be judged in later eras, the Peloponnesian War, the large scale civil war between the two most powerful Greek city-states Athens and Sparta and their allies, left both greatly weakened. Many Greeks settled in Hellenistic cities like Alexandria, Antioch and Seleucia, two thousand years later, there are still communities in Pakistan and Afghanistan, like the Kalash, who claim to be descended from Greek settlers. The Hellenistic civilization was the period of Greek civilization, the beginnings of which are usually placed at Alexanders death. This Hellenistic age, so called because it saw the partial Hellenization of many non-Greek cultures and this age saw the Greeks move towards larger cities and a reduction in the importance of the city-state. These larger cities were parts of the still larger Kingdoms of the Diadochi, Greeks, however, remained aware of their past, chiefly through the study of the works of Homer and the classical authors. An important factor in maintaining Greek identity was contact with barbarian peoples and this led to a strong desire among Greeks to organize the transmission of the Hellenic paideia to the next generation
16.
Lysippos
–
Lysippos was a Greek sculptor of the 4th century BC. Together with Scopas and Praxiteles, he is considered one of the three greatest sculptors of the Classical Greek era, bringing transition into the Hellenistic period, problems confront the study of Lysippos because of the difficulty of identifying his style among the copies which survive. The Victorious Youth or Getty bronze, which resurfaced around 1972, has been associated with him, born at Sicyon around 390 BC Lysippos was a worker in bronze in his youth. He taught himself the art of sculpture, later becoming head of the school of Argos, according to Pliny, he produced more than 1,500 works, all of them in bronze. He was famous for his attention to the details of eyelids and his pupil, Chares of Lindos, constructed the Colossus of Rhodes, one of the Seven Wonders of the Ancient World. As this statue does not exist today, debate continues as to whether its sections were cast in bronze or hammered of sheer bronze, Lysippos was successor in contemporary repute to the famous sculptor Polykleitos. Among the works attributed to him are the so-called Horses of Saint Mark, Eros Stringing the Bow, Agias, the similar Oil Pourer, Lysippos was also famous for his bronze sculptures of Zeus and Herakles. The only remaining version of one such statue is a Roman copy of The Weary Herakles, by Glykon, during his lifetime, Lysippos was personal sculptor to Alexander the Great, indeed, he was the only artist whom the conqueror saw fit to represent him. We forgive cattle for fleeing a lion, Lysippos has been credited with the stock representation of an inspired, godlike Alexander with tousled hair and lips parted, looking upward. One fine example, an early Imperial Roman copy found at Tivoli, is conserved at the Louvre, on 26 February 2010, Greek authorities arrested two men found in illegal possession of various antiquities, including a bronze statue of Alexander, which is possibly a work of Lysippos. If confirmed, this would make it the first original work of Lysippos ever discovered, the statue is currently being examined at the laboratory of the Archaeological Museum of Thessaloniki, which is expected to confirm or deny its authenticity. In 1972 the Victorious Youth, Getty Bronze, or Atleta di Fano to Italians, was discovered and at the urging of Paul Getty, the bronze was pulled out of the sea and restored. Because of the amount of corrosion and the layer of incrustation that coated the statue when it was found. This is less surprising, as most of the classical bronze statues archeologists have found have been fished out of the Mediterranean Sea. It was not uncommon for a shipwreck to occur with something as precious as a sculpture on board, without any way to find or retrieve them, these pieces were left to sit at the bottom of the ocean for centuries. Fortunately, the damaging corrosion can be removed by cleaning the surfaces mechanically with a scalpel. The Getty Bronze is believed by some to be Lysipposs work, or at least a copy, because the detail on it is consistent with his style of work and his canon of proportions. Lysipposs work is described by ancient sources as naturalistic with slender and often lengthened proportions and those depicted in the works of Lysippos had smaller heads than those of his mentor Polykleitos because he used a one to eight scale for the head and the total height of the body
17.
Equestrian Statue of Marcus Aurelius
–
The Equestrian Statue of Marcus Aurelius is an ancient Roman statue in the Campidoglio, Rome, Italy. It is made of bronze and stands 4.24 m tall, although the emperor is mounted, it exhibits many similarities to standing statues of Augustus. The overall theme is one of power and divine grandeur — the emperor is over life-size and is holding out his hand in a gesture much like that in the Augustus portraits. In this case the gesture may also signify clemency as some historians assert that an enemy may have been sculpted begging for mercy under the horses raised hoof. Such an image was meant to portray the Emperor as victorious, however, shown without weapons or armour, Marcus Aurelius seems to be a bringer of peace rather than a military hero, for this is how he saw himself and his reign. He is riding without the use of stirrups, which had not yet introduced to the West. While the horse has been studied in order to be recreated for other artists works. The statue was erected ca.175 CE and its original location is debated, the Roman Forum and Piazza Colonna have been proposed. Statues were also destroyed because medieval Christians thought that they were pagan idols, the statue of Marcus Aurelius was not melted down because in the Middle Ages it was incorrectly thought to portray the first Christian Emperor, Constantine. Indeed, it is the only surviving bronze statue of a pre-Christian Roman emperor. In the medieval era it was one of the few Roman statues to remain on public view and it was moved to the Piazza del Campidoglio during Michelangelos redesign of the Hill. Though he disagreed with its positioning, he designed a special pedestal for it. The original is on display in the Palazzo dei Conservatori of the Musei Capitolini, on the night of November 29,1849, at the inception of the revolutionary Roman Republic, a mass procession set up the Red-White-Green tricolore in the hands of the mounted Marcus Aurelius. The statue is depicted on the reverse of the Italian €0.50 euro coin, a replica of the statue has been located on the campus of Brown University in the United States since 1908. The statue was formerly clad in gold, an old local myth says that the statue will turn gold again on the Judgement Day. The Monument to Prince Józef Poniatowski in Warsaw, from 1829, was based on this statue
18.
Triumphal arch
–
A triumphal arch is a monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road. The main structure is decorated with carvings, sculpted reliefs. More elaborate triumphal arches may have multiple archways, Triumphal arches are one of the most influential and distinctive types of architecture associated with ancient Rome. The survival of great Roman triumphal arches such as the Arch of Titus inspired many states and rulers, up to the present day. Triumphal arch is also the given to the arch above the entrance to the chancel of a medieval church where a rood can be placed. The origins of the Roman triumphal arch are unclear, Triumphal arch look similar to Mesopotamian Arch entrances like the Ishtar Gate but there is no evidence to support that the Romans got their influence from there. The development of the arch is often associated with ancient Roman architecture. To fully understand this development however it is important to understand the importance of basic arches in Roman civilization, the Romans had learned how to construct effective arches from the Etruscans, who lived in central Italy. This knowledge had a impact on the architecture of Roman civilization. As a result, the Romans used arches for things such as aqueducts, amphitheaters, bridges and they had effectively used the arch in various aspects of their civilization and city structure. Since the Romans had effectively perfected this architectural structure, one could conclude that the arch symbolized perfection, monumental gateways had already been in use for hundreds of years by civilizations such as the Hittites, Assyrians, Babylonians and Myceneans. There were precursors to the arch within the Roman world, in Italy. Surviving examples of Etruscan arches can still be seen at Perugia, the two key elements of the triumphal arch – a round-topped arch and a square entablature – had long been in use as separate architectural elements in ancient Greece. Entablatures were a part of the structural fabric of such buildings. The great innovation of the Romans was to combine a round arch, the first recorded Roman triumphal arches were set up in the time of the Roman Republic. Generals who were granted a triumph were termed triumphators and would erect fornices or honorific arches bearing statues to commemorate their victories, a number of fornices were built in Rome during the Republican era. Lucius Steritinus erected two in 196 BC to commemorate his victories in Hispania, another fornix was built on the Capitoline Hill by Scipio Africanus in 190 BC, and Quintus Fabius Maximus Allobrogicus constructed one in the Roman Forum in 121 BC. None of them today and little is known about their appearance
19.
Septimius Severus
–
Septimius Severus, also known as Severus, was Roman emperor from 193 to 211. Severus was born in Leptis Magna in the Roman province of Africa, as a young man he advanced through the cursus honorum—the customary succession of offices—under the reigns of Marcus Aurelius and Commodus. Severus seized power after the death of Emperor Pertinax in 193 during the Year of the Five Emperors, after deposing and killing the incumbent emperor Didius Julianus, Severus fought his rival claimants, the generals Pescennius Niger and Clodius Albinus. Niger was defeated in 194 at the Battle of Issus in Cilicia, later that year Severus waged a short punitive campaign beyond the eastern frontier, annexing the Kingdom of Osroene as a new province. Severus defeated Albinus three years later at the Battle of Lugdunum in Gaul, furthermore, he enlarged and fortified the Limes Arabicus in Arabia Petraea. In 202, he campaigned in Africa and Mauretania against the Garamantes, capturing their capital Garama, late in his reign he travelled to Britain, strengthening Hadrians Wall and reoccupying the Antonine Wall. In 208 he invaded Caledonia, but his ambitions were cut short when he fell ill in late 210. Severus died in early 211 at Eboracum, succeeded by his sons Caracalla, with the succession of his sons, Severus founded the Severan dynasty, the last dynasty of the empire before the Crisis of the Third Century. Born on 11 April 145 at Leptis Magna as the son of Publius Septimius Geta and Fulvia Pia, Septimius Severus came from a wealthy and he had Italian Roman ancestry on his mothers side and descended from Punic - and perhaps also Libyan - forebears on his fathers side. His mothers ancestors had moved from Italy to North Africa, they belonged to the gens Fulvia, Septimius Severus had two siblings, an older brother, Publius Septimius Geta, and a younger sister, Septimia Octavilla. Severuss maternal cousin was Praetorian prefect and consul Gaius Fulvius Plautianus, Septimius Severus grew up in the town of Leptis Magna. He spoke the local Punic language fluently, but he was educated in Latin and Greek. Little else is known of the young Severus education, but according to Cassius Dio the boy had been eager for education than he had actually got. Presumably Severus received lessons in oratory, at age 17 he gave his first public speech, sometime around 162 Septimius Severus set out for Rome seeking a public career. At the recommendation of his relative Gaius Septimius Severus, the emperor Marcus Aurelius granted him entry into the senatorial ranks, membership of the senatorial order was a prerequisite to attain positions within the cursus honorum and to gain entry into the Roman Senate. Nevertheless, it appears that Severus career during the 160s met with some difficulties and it is likely that he served as a vigintivir in Rome, overseeing road maintenance in or near the city, and he may have appeared in court as an advocate. At the time of Emperor Marcus Aurelius he was the State Attorney, however, he omitted the military tribunate from the cursus honorum and had to delay his quaestorship until he had reached the required minimum age of 25. To make matters worse, the Antonine Plague swept through the capital in 166, with his career at a halt, Severus decided to temporarily return to Leptis, where the climate was healthier
20.
Constantinople
–
Constantinople was the capital city of the Roman/Byzantine Empire, and also of the brief Latin, and the later Ottoman empires. It was reinaugurated in 324 AD from ancient Byzantium as the new capital of the Roman Empire by Emperor Constantine the Great, after whom it was named, Constantinople was famed for its massive and complex defences. The first wall of the city was erected by Constantine I, Constantinople never truly recovered from the devastation of the Fourth Crusade and the decades of misrule by the Latins. The origins of the name of Byzantion, more known by the later Latin Byzantium, are not entirely clear. The founding myth of the city has it told that the settlement was named after the leader of the Megarian colonists, Byzas. The later Byzantines of Constantinople themselves would maintain that the city was named in honour of two men, Byzas and Antes, though this was likely just a play on the word Byzantion. During this time, the city was also called Second Rome, Eastern Rome, and Roma Constantinopolitana. As the city became the remaining capital of the Roman Empire after the fall of the West, and its wealth, population, and influence grew. In the language of other peoples, Constantinople was referred to just as reverently, the medieval Vikings, who had contacts with the empire through their expansion in eastern Europe used the Old Norse name Miklagarðr, and later Miklagard and Miklagarth. In Arabic, the city was sometimes called Rūmiyyat al-kubra and in Persian as Takht-e Rum, in East and South Slavic languages, including in medieval Russia, Constantinople was referred to as Tsargrad or Carigrad, City of the Caesar, from the Slavonic words tsar and grad. This was presumably a calque on a Greek phrase such as Βασιλέως Πόλις, the modern Turkish name for the city, İstanbul, derives from the Greek phrase eis tin polin, meaning into the city or to the city. In 1928, the Turkish alphabet was changed from Arabic script to Latin script, in time the city came to be known as Istanbul and its variations in most world languages. In Greece today, the city is still called Konstantinoúpolis/Konstantinoúpoli or simply just the City, apart from this, little is known about this initial settlement, except that it was abandoned by the time the Megarian colonists settled the site anew. A farsighted treaty with the emergent power of Rome in c.150 BC which stipulated tribute in exchange for independent status allowed it to enter Roman rule unscathed. The site lay astride the land route from Europe to Asia and the seaway from the Black Sea to the Mediterranean, and had in the Golden Horn an excellent and spacious harbour. He would later rebuild Byzantium towards the end of his reign, in which it would be briefly renamed Augusta Antonina, fortifying it with a new city wall in his name, Constantine had altogether more colourful plans. Rome was too far from the frontiers, and hence from the armies and the imperial courts, yet it had been the capital of the state for over a thousand years, and it might have seemed unthinkable to suggest that the capital be moved to a different location. Constantinople was built over 6 years, and consecrated on 11 May 330, Constantine divided the expanded city, like Rome, into 14 regions, and ornamented it with public works worthy of an imperial metropolis
21.
Copper
–
Copper is a chemical element with symbol Cu and atomic number 29. It is a soft, malleable, and ductile metal with high thermal and electrical conductivity. A freshly exposed surface of copper has a reddish-orange color. Copper is one of the few metals that occur in nature in directly usable metallic form as opposed to needing extraction from an ore and this led to very early human use, from c.8000 BC. Copper used in buildings, usually for roofing, oxidizes to form a green verdigris, Copper is sometimes used in decorative art, both in its elemental metal form and in compounds as pigments. Copper compounds are used as agents, fungicides, and wood preservatives. Copper is essential to all living organisms as a trace dietary mineral because it is a key constituent of the enzyme complex cytochrome c oxidase. In molluscs and crustaceans, copper is a constituent of the blood pigment hemocyanin, replaced by the hemoglobin in fish. In humans, copper is found mainly in the liver, muscle, the adult body contains between 1.4 and 2.1 mg of copper per kilogram of body weight. The filled d-shells in these elements contribute little to interatomic interactions, unlike metals with incomplete d-shells, metallic bonds in copper are lacking a covalent character and are relatively weak. This observation explains the low hardness and high ductility of single crystals of copper, at the macroscopic scale, introduction of extended defects to the crystal lattice, such as grain boundaries, hinders flow of the material under applied stress, thereby increasing its hardness. For this reason, copper is supplied in a fine-grained polycrystalline form. The softness of copper partly explains its high conductivity and high thermal conductivity. The maximum permissible current density of copper in open air is approximately 3. 1×106 A/m2 of cross-sectional area, Copper is one of a few metallic elements with a natural color other than gray or silver. Pure copper is orange-red and acquires a reddish tarnish when exposed to air, as with other metals, if copper is put in contact with another metal, galvanic corrosion will occur. A green layer of verdigris can often be seen on old structures, such as the roofing of many older buildings. Copper tarnishes when exposed to sulfur compounds, with which it reacts to form various copper sulfides. There are 29 isotopes of copper, 63Cu and 65Cu are stable, with 63Cu comprising approximately 69% of naturally occurring copper, both have a spin of 3⁄2
22.
Tin
–
Tin is a chemical element with symbol Sn and atomic number 50. It is a metal in group 14 of the periodic table. It is obtained chiefly from the mineral cassiterite, which contains tin dioxide, Tin shows a chemical similarity to both of its neighbors in group 14, germanium and lead, and has two main oxidation states, +2 and the slightly more stable +4. Tin is the 49th most abundant element and has, with 10 stable isotopes, metallic tin is not easily oxidized in air. The first alloy used on a scale was bronze, made of tin and copper. After 600 BC, pure metallic tin was produced, pewter, which is an alloy of 85–90% tin with the remainder commonly consisting of copper, antimony, and lead, was used for flatware from the Bronze Age until the 20th century. In modern times, tin is used in alloys, most notably tin/lead soft solders. Another large application for tin is corrosion-resistant tin plating of steel, inorganic tin compounds are rather non-toxic. Because of its low toxicity, tin-plated metal was used for packaging as tin cans. However, overexposure to tin may cause problems with metabolizing essential trace elements such as copper and zinc, Tin is a soft, malleable, ductile and highly crystalline silvery-white metal. When a bar of tin is bent, a sound known as the tin cry can be heard from the twinning of the crystals. Tin melts at the low temperature of about 232 °C, the lowest in group 14, the melting point is further lowered to 177.3 °C for 11 nm particles. β-tin, which is stable at and above room temperature, is malleable, in contrast, α-tin, which is stable below 13.2 °C, is brittle. α-tin has a cubic crystal structure, similar to diamond. α-tin has no properties at all because its atoms form a covalent structure in which electrons cannot move freely. It is a dull-gray powdery material with no common uses other than a few specialized semiconductor applications and these two allotropes, α-tin and β-tin, are more commonly known as gray tin and white tin, respectively. Two more allotropes, γ and σ, exist at temperatures above 161 °C, in cold conditions, β-tin tends to transform spontaneously into α-tin, a phenomenon known as tin pest. Commercial grades of tin resist transformation because of the effect of the small amounts of bismuth, antimony, lead
23.
Hippodrome of Constantinople
–
The Hippodrome of Constantinople was a circus that was the sporting and social centre of Constantinople, capital of the Byzantine Empire. Today it is a square named Sultanahmet Meydanı in the Turkish city of Istanbul, the word hippodrome comes from the Greek hippos, horse, and dromos, path or way. For this reason, it is also called Atmeydanı in Turkish. Horse racing and chariot racing were popular pastimes in the ancient world and hippodromes were common features of Greek cities in the Hellenistic, Roman, although the Hippodrome is usually associated with Constantinoples days of glory as an imperial capital, it actually predates that era. The first Hippodrome was built when the city was called Bysantium, in AD203 the Emperor Septimius Severus rebuilt the city and expanded its walls, endowing it with a hippodrome, an arena for chariot races and other entertainment. In AD324, the Emperor Constantine the Great decided to move the seat of the government from Rome to Byzantium and this name failed to impress and the city soon became known as Constantinople, the City of Constantine. Constantine greatly enlarged the city, and one of his major undertakings was the renovation of the Hippodrome and it is estimated that the Hippodrome of Constantine was about 450 m long and 130 m wide. Its stands were capable of holding 100,000 spectators, the race-track at the Hippodrome was U-shaped, and the Kathisma was located at the eastern end of the track. The Kathisma could be accessed directly from the Great Palace through a passage which only the emperor or other members of the family could use. The Hippodrome Boxes, which had four statues of horses in gilded copper on top, stood at the end. The track was lined with bronze statues of famous horses and chariot drivers. Throughout the Byzantine period, the Hippodrome was the centre of the social life. The Reds and the Whites gradually weakened and were absorbed by the two major factions. A total of up to eight chariots, powered by four horses each and these races were not simple sporting events, but also provided some of the rare occasions in which the Emperor and the common citizens could come together in a single venue. Political discussions were made at the Hippodrome, which could be directly accessed by the Emperor through a passage that connected the Kathisma with the Great Palace of Constantinople. The rivalry between the Blues and Greens often became mingled with political or religious rivalries, and sometimes riots, which amounted to civil wars that broke out in the city between them. The most severe of these was the Nika riots of 532, in which an estimated 30,000 people were killed and many important buildings, the current Hagia Sophia was built by Justinian following the Nika Revolt. Constantinople never really recovered from its sack during the Fourth Crusade and even though the Byzantine Empire survived until 1453, by that time, the Hippodrome was used for various occasions such as the lavish and days-long circumcision ceremony of the sons of Sultan Ahmed III
24.
Chios
–
Chios is the fifth largest of the Greek islands, situated in the Aegean Sea,7 kilometres off the Anatolian coast. The island is separated from Turkey by the Çeşme Strait, Chios is notable for its exports of mastic gum and its nickname is the Mastic Island. Tourist attractions include its medieval villages and the 11th-century monastery of Nea Moni, administratively, the island forms a separate municipality within the Chios regional unit, which is part of the North Aegean region. The principal town of the island and seat of the municipality is Chios town, locals refer to Chios town as Chora. Chios island is crescent or kidney shaped,50 kilometres long north to south,29 kilometres at its widest. The terrain is mountainous and arid, with a ridge of mountains running the length of the island, the two largest of these mountains, Pelineon and Epos, are situated in the north of the island. The center of the island is divided between east and west by a range of peaks, known as Provatas. Chios can be divided into five regions, Midway up the east coast lie the main centers, the main town of Chios. Chios Town, with a population of 32,400, is built around the main harbour. The town was damaged by an earthquake in 1881. North of Chios Town lies the suburb of Vrontados, which claims to be the birthplace of Homer. The suburb lies in the Omiroupoli municipality, and its connection to the poet is supported by a site known traditionally as Teachers Rock. The villages, built between the 14th and 16th centuries, have a carefully designed layout with fortified gates and narrow streets to protect against the frequent raids by marauding pirates. Between Chios Town and the Mastichochoria lie a number of historic villages including Armolia, Myrmighi. Along the east coast are the villages of Kataraktis and to the south Nenita. Directly in the centre of the island, between the villages of Avgonyma to the west and Karyes to the east, is the 11th century monastery of Nea Moni, a UNESCO World Heritage Site. The monastery was built with funds given by the Byzantine Emperor Constantine IX, the monastery had substantial estates attached, with a thriving community until the massacre of 1822. It was further damaged during the 1881 earthquake, in 1952, due to the shortage of monks, Nea Moni was converted to a convent
