1.
Tutelary deity
–
A tutelary is a deity or spirit who is a guardian, patron or protector of a particular place, geographic feature, person, lineage, nation, culture or occupation. One type of deity is the genius, the personal deity or daimon of an individual from birth to death. Another form of personal tutelary spirit is the spirit of European folklore. Socrates spoke of hearing the voice of his spirit or daimonion. This sign I have had ever since I was a child, the Greeks also thought deities guarded specific places, for instance, Athena was the patron goddess of the city of Athens. Tutelary deities who guard and preserve a place or a person are fundamental to ancient Roman religion, the tutelary deity of a man was his Genius, or that of a woman her Juno. In the Imperial era, the Genius of the Emperor was a focus of Imperial cult, an emperor might also adopt a major deity as his personal patron or tutelary, as Augustus did Apollo. Each town or city had one or more deities, whose protection was considered particularly vital in time of war. Rome itself was protected by a goddess whose name was to be kept secret on pain of death. The Capitoline Triad of Juno, Jupiter, and Minerva were also tutelaries of Rome, the Italic towns had their own tutelary deities. Juno often had this function, as at the Latin town of Lanuvium and the Etruscan city of Veii, the tutelary deity of Praeneste was Fortuna, whose oracle was renowned. The depiction of some such as the Magna Mater as tower-crowned represents their capacity to preserve the city. Tutelary deities were also attached to sites of a smaller scale, such as storerooms, crossroads. The poet Martial lists the tutelary deities who watch over various aspects of his farm, the Lares Compitales were the tutelary gods of a neighborhood, each of which had a compitum devoted to these. During the Republic, the cult of local or neighborhood tutelaries sometimes became rallying points for political and social unrest, chinese folk religion, both past and present, includes a myriad of tutelary deities. Exceptional individuals may become deified after death, guan Yu is a well-known tutelary. In Korean shamanism, jangseung and sotdae were placed at the edge of villages to frighten off demons and they were also worshiped as deities. In Shinto, the spirits, or kami, which life to human bodies come from nature
Tutelary deity
–
The
mural crown of
Cybele represents the walls of the city she protects
Tutelary deity
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Lararium depicting tutelary deities of the house: the ancestral Genius (center) flanked by two Lares, with a guardian serpent below
Tutelary deity
–
Ready-made
spirit houses for the Chao Thi in
Thailand
2.
Pschent
–
The Pschent was the name of the Double Crown worn by rulers in Ancient Egypt. The Ancient Egyptians generally referred to it as sekhemti, the Two Powerful Ones and it combined the Red Deshret Crown of Lower Egypt and the White Hedjet Crown of Upper Egypt. The Pschent represented the power over all of unified Egypt. These were fastened to the front of the Pschent and referred to as the Two Ladies, later, the vulture head sometimes was replaced by a second cobra. The Cairo fragment, on the hand, shows these prehistoric rulers wearing the Pschent. As is the case with the Deshret and the Hedjet Crowns and it is known only from statuary, depictions, inscriptions, and ancient tales. Among the deities sometimes depicted wearing the Double Crown are Horus and Atum or Ra both representing the pharaoh or having a special relationship to the pharaoh
Pschent
–
Ring of
Ptolemy VI Philometor wearing the Pschent-Double Crown, 3rd to 2nd Century BC. Ptolemaic rulers wore the Pschent in Egypt only and wore the
diadem in the other territories
Pschent
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Pschent, the double crown of Egypt
Pschent
–
Horus falcon with Double Crown
Pschent
–
Statue of Amenhotep III wearing a pschent
3.
Nekhen
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Nekhen /ˈnɛkən/ or Hierakonpolis was the religious and political capital of Upper Egypt at the end of prehistoric Egypt and probably also during the Early Dynastic Period. Some authors suggest occupation dates that should begin thousands of years earlier, Nekhen was the center of the cult of a hawk deity, Horus of Nekhen, which raised in this city one of the most ancient Egyptian temples. It retained its importance as the center for this divine patron of the kings long after the site had otherwise declined. The first settlement at Nekhen dates from either the predynastic Amratian culture or perhaps during the late Badari culture, at its height from about 3400 BC, Nekhen had at least 5000 and possibly as many as 10,000 inhabitants. The ruins of the city originally were excavated toward the end of the century by the English archaeologists James Quibell. Quibell and Green discovered the Main Deposit, a foundation deposit beneath the temple, Quibell was originally trained under Flinders Petrie, the father of modern Egyptology. However, he failed to follow Petries methods and the temple was a site to excavate to begin with, so his excavation was poorly conducted. Specifically, the context of the items therein is poorly recorded and often the reports of Quibell. The most famous artifact commonly associated with the deposit, the Narmer Palette, is now thought to have probably not been in the main deposit at all. Quibells report made in 1900 put the palette in the deposit, Greens version is substantiated by earlier field notes, so it is now the accepted record of events. The main deposit dates to the early Old Kingdom, but the style of the objects in the deposit indicate that they were from Naqada III and were moved into the deposit at a later date. The other important item in the deposit clearly dates to the late prehistoric and this object, the Scorpion Macehead, depicts a king known only by the ideogram for scorpion, now called Scorpion II, participating in what seems to be a ritual irrigation ceremony. Renee Friedman representing the University of California, Berkeley and the British Museum until Barbara Adamss death in 2001, the structure at Nekhen with the misnomer fort is a massive mud-brick enclosure built by Pharaoh Khasekhemwy of the Second Dynasty. It appears to be similar in structure and purpose as the constructed at Abydos. The true function of these structures is unknown, but they seem to be related to the rituals of kingship, the ritual structure was built on a prehistoric cemetery. The excavations there, as well as the work of later brick robbers, have undermined the walls. For two years, during 2005 and 2006, the led by Friedman was attempting to stabilize the existing structure. Other discoveries at Nekhen include Tomb 100, the oldest tomb with painted decoration on its plaster walls, the sepulchre is thought to date to the Gerzeh culture
Nekhen
–
The painted tomb of Nekhen.
4.
Edfu
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Edfu is an Egyptian city, located on the west bank of the Nile River between Esna and Aswan, with a population of approximately sixty thousand people. For the ancient history of the city, see below, Edfu is the site of the Ptolemaic Temple of Horus and an ancient settlement, Tell Edfu. About 5 km north of Edfu are remains of ancient pyramids, the town is known for the major Ptolemaic temple, built between 237 BC and 57 BC, into the reign of Cleopatra VII. Of all the remains in Egypt, the Temple of Horus at Edfu is the most completely preserved. Built from sandstone blocks, the huge Ptolemaic temple was constructed over the site of a smaller New Kingdom temple, oriented east to west, facing towards the river. The later structure faces north to south and leaves the remains of the older temple pylon to be seen on the east side of the first court. The remains of the ancient settlement of Edfu are situated about 50 m to the west of the Ptolemaic temple - to the left of the temple pylon. This settlement is known as Wetjeset-hor and the Latin name was Apollinopolis Magna, according to Notitia Dignitatum, part of Legio II Traiana Fortis was camped in Apollo superior, which was the Roman name for the town. Although unassuming and unglamorous to the tourists, Tell Edfu is a monument that contains evidence of more Egyptian history and is of more archaeological interest than the Ptolemaic temple. The remains of the settlement provides an insight into the development of Edfu as a town from the end of the Old Kingdom until the Byzantine period. The settlement at Edfu was the capital of the Second Upper Egypt nome, the oldest part of the town which can be dated to the late Old Kingdom lies on the eastern part of the tell, not far from the Ptolemaic temple. There is evidence that the town flourished during the First Intermediate Period when it expanded extensively to the west, interestingly, it is one of few settlements in southern Egypt that throve when it seems that the north, especially around the delta, was in economic decline. A central part of the site was explored by Henri Henne from the Institute for Egyptology in Lille in 1921 and 1922 and his team identified the remains of a small sanctuary from the Late or Ptolemaic period, possibly the Osiris chapel built by Psamtek I. Henne was followed by Octave Guéraud in 1928 then by Maurice Alliot in 1931 who each explored and excavated different aspects of the settlement remains, bruyère, J. Manteuffel and Kazimierz Michałowski, and three elaborate reports on the archaeology of Tell Edfu were published. Unfortunately, since no new detailed discoveries or thorough research has been completed at the tell except for recent work done by Barry Kemp. Since 2001, the Tell Edfu project has been directed by Nadine Moeller, the current work focuses on the eastern part of the site. Latter dates to the Second Intermediate Period, at least seven large round silos have been excavated here with a diameter between 5.5 and 6.5 meters which makes them the largest ones so far discovered within an ancient Egyptian urban centre. No larger remains dating earlier than the 5th Dynasty have been found at Edfu, the ancient cemetery comprised mastabas of the Old Kingdom as well as later tombs
Edfu
–
The front of the
Temple of Edfu
Edfu
–
Street in Edfu
Edfu
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Lantern Slide Collection: Views, Objects: Egypt. Edfu [selected images]. View 01: Egypt - Edfu., n.d. Brooklyn Museum Archives
Edfu
–
Statue of Horus, Edfu Temple.
5.
Eye of Horus
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The Eye of Horus is an ancient Egyptian symbol of protection, royal power and good health. The eye is personified in the goddess Wadjet, the Eye of Horus is similar to the Eye of Ra, which belongs to a different god, Ra, but represents many of the same concepts. Wadjet was one of the earliest of Egyptian deities who later associated with other goddesses such as Bast, Sekhmet, Mut. She was the deity of Lower Egypt and the major Delta shrine the per-nu was under her protection. Hathor is also depicted with this eye, funerary amulets were often made in the shape of the Eye of Horus. The Wadjet or Eye of Horus is the element of seven gold, faience, carnelian. The Wedjat was intended to protect the pharaoh in the afterlife, Ancient Egyptian and Middle-Eastern sailors would frequently paint the symbol on the bow of their vessel to ensure safe sea travel. Horus was the ancient Egyptian sky god who was depicted as a falcon. His right eye was associated with the sun god, Ra, the eye symbol represents the marking around the eye of the falcon, including the teardrop marking sometimes found below the eye. The mirror image, or left eye, sometimes represented the moon, in one myth, when Set and Horus were fighting for the throne after Osiriss death, Set gouged out Horuss left eye. The majority of the eye was restored by either Hathor or Thoth, when Horuss eye was recovered, he offered it to his father, Osiris, in hopes of restoring his life. Hence, the eye of Horus was often used to sacrifice, healing, restoration. There are seven different hieroglyphs used to represent the eye, most commonly ir. t in Egyptian, in Egyptian myth the eye was not the passive organ of sight but more an agent of action, protection or wrath. The Eye of Horus was represented as a hieroglyph, designated D10 in Gardiners sign list and it is represented in the Unicode character block for Egyptian hieroglyphs as U+13080. In Ancient Egyptian most fractions were written as the sum of two or more unit fractions, with scribes possessing tables of answers, thus instead of 3⁄4, one would write 1⁄2 + 1⁄4. Studies from the 1970s to this day in Egyptian mathematics have clearly shown this theory was fallacious, the evolution of the symbols used in mathematics, although similar to the different parts of the Eye of Horus, is now known to be distinct. Wadjet eye tatoos associated with Hathor depicted on 3, 000-year-old mummy
Eye of Horus
–
An Eye of Horus or Wedjat
pendant
Eye of Horus
–
The
Wedjat, later called The Eye of Horus
Eye of Horus
–
The crown of a
Nubian king
Eye of Horus
–
Wooden case decorated with bronze, silver, ivory and gold
6.
Serket
–
Serqet /ˈsɜːrˌkɛt/ is the goddess of fertility, nature, animals, medicine, magic, and healing venomous stings and bites in Egyptian mythology, originally the deification of the scorpion. In the art of ancient Egypt, Serqet was shown as a scorpion or as a woman with a scorpion on her head, although Serqet does not appear to have had any temples, she had a sizable number of priests in many communities. Her close association with the early rulers implies that she was their protector, notably Scorpion I and Scorpion II. As the protector against venom and snakebite, Serqet often was said to protect the deities from Apep, as many of the venomous creatures of Egypt could prove fatal, Serqet also was considered a protector of the dead, particularly being associated with venoms and fluids causing stiffening. As the guard of one of the jars and a protector, Serqet gained a strong association with Isis, Nephthys, and Neith. According to this hypothesis, Serket is referred to as She who gives breath because of the way waterscorpions seem to breath underwater, les prêtres-ouâb de Sekhmet et les conjurateurs de Serket
Serket
–
the Egyptian goddess Serket. She is often depicted as a woman with a scorpion gracing her crown. She holds the ankh, the symbol of life, in one hand and a staff, representing power, in the other.
7.
Hathor
–
Hathor is an Ancient Egyptian goddess who personified the principles of joy, feminine love, and motherhood. She was one of the most important and popular throughout the history of Ancient Egypt. Hathor was worshipped by royalty and common people alike, in tomb paintings, she is often depicted as Mistress of the West, welcoming the dead into the next life. In other roles, she was a goddess of music, dance, foreign lands and she was believed to assist women in childbirth. She was also believed to be the goddess of miners. Hathor is commonly depicted as a cow goddess with horns in which is set a sun disk with Uraeus, twin feathers are also sometimes shown in later periods as well as a menat necklace. The Ancient Egyptians viewed reality as multi-layered in which deities who merge for various reasons, while retaining divergent attributes and myths, were not seen as contradictory but complementary. In a complicated relationship Hathor is at times the mother, daughter and wife of Ra and, like Isis, is at times described as the mother of Horus, the cult of Osiris promised eternal life to those deemed morally worthy. Originally the justified dead, male or female, became an Osiris but by early Roman times females became identified with Hathor, the Ancient Greeks sometimes identified Hathor with the goddess Aphrodite. Hathor is ambiguously depicted until the fourth dynasty, in the historical era Hathor is shown using the imagery of a cow deity. At times they are regarded as one and the goddess, though likely having separate origins. The evidence pointing to the deity being Hathor in particular is based on a passage from the Pyramid texts which states that the Kings apron comes from Hathor, from the Old Kingdom she was also called Lady of the Sycamore in her capacity as a tree deity. Hathor had a relationship with Ra. At times she is the eye of Ra and considered his daughter and she absorbed this role from another cow goddess Mehet-Weret who was the mother of Ra in a creation myth and carried him between her horns. As a mother she gave birth to Ra each morning on the eastern horizon, the Milky Way was seen as a waterway in the heavens, sailed upon by both the sun deity and the moon, leading the ancient Egyptians to describe it as The Nile in the Sky. Hathor also was favoured as a protector in desert regions, as Serabit el-Khadim was where turquoise was mined, Hathors titles included Lady of Turquoise, Mistress of Turquoise, and Lady of Turquoise Country. Hathors identity as a cow, perhaps depicted as such on the Narmer Palette, meant that she identified with another ancient cow-goddess of fertility. The assimilation of Bat, who was associated with the sistrum, in this later form, Hathors cult became centred in Dendera in Upper Egypt and it was led by priestesses and priests who also were dancers, singers and other entertainers
Hathor
–
Cow deities appear on the Kings belt and the top of the
Narmer Palette
Hathor
–
Hathor as a cow, wearing her necklace and showing her sacred eye –
Papyrus of Ani.
Hathor
–
The Milky Way seen as it may have appeared to Ancient Egyptians
Hathor
–
Sculpture of Hathor as a cow, with all of her symbols, the sun disk, the cobra, as well as her necklace and crown.
8.
Hapi (Son of Horus)
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This article is about the funerary deity. Hapi can also refer to Hapi, a Nile god, or Hapi-ankh, Hapi, sometimes transliterated as Hapy, is one of the Four sons of Horus in ancient Egyptian religion, depicted in funerary literature as protecting the throne of Osiris in the Underworld. Hapi was the son of Heru-ur and Isis or Serqet and he is not to be confused with another god of the same name. Hapi is in turn protected by the goddess Nephthys, when his image appears on the side of a coffin, he is usually aligned with the side intended to face north. When embalming practices changed during the Third Intermediate Period and the organs were placed back inside the body. Since drowning was the form of death associated with the lungs, the spelling of his name includes a hieroglyph which is thought to be connected with steering a boat, although its exact nature is not known. For this reason he was connected with navigation, although early references call him the great runner. As one of the four pillars of Shu and one of the four rudders of heaven he was associated with the North, Four Sons of Horus – in-depth treatment of the Four Sons and their interrelationships
Hapi (Son of Horus)
–
Hapi in the Übersee-Museum
9.
Qebehsenuef
–
Qebehsenuef is an ancient Egyptian deity. He is one of the four sons of Horus in Egyptian mythology, in the preparation of mummies, his canopic jar was used for the intestines. He is seen as a mummy with a falcon head and he was said to be protected by the goddess Serket. The intestine was used in sacrificed animals, by soothsayers, to predict the future, with death by poison, the canopic jar deity is protected by Serket who bears the emblem of the scorpion. I am thy son, O Osiris Ani, triumphant, I have come to protect thee. I have collected thy bones, and I have gathered together thy members, I have brought thy heart and I have placed it upon its throne within thy body. I have made thy house to flourish after thee, O thou who livest for ever, together with Maa-atef-f, Kheri-beq-f, and Horus-Khenti-maa, the four sons of Horus were known as the Seven Shining Ones, protectors of the body of Osiris
Qebehsenuef
–
Canopic jar Depicting Qebehsenuef
10.
Ihy
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Ihy is a god in ancient Egyptian mythology who represents the ecstasy of playing the sistrum. His name may mean sistrum player, referring to his function and this is in allusion to his relationship with the cow goddess Hathor who was often said to be his mother. Other goddesses might be called his mother, however, including Isis, Sekhmet, the god Horus is Ihys father. Ihy was depicted as a holding a sistrum or as a nude child with his finger in his mouth. He was worshiped alongside Horus and Hathor at Dendera, Hathor was his mother and Horus as his father Media related to Ihy at Wikimedia Commons
Ihy
–
The god
Khnum, accompanied by
Heqet, moulds Ihy in a relief from the
mammisi (birth temple),
Dendera Temple complex,
Dendera,
Egypt
Ihy
–
v
11.
Osiris
–
Osiris was an Egyptian god, usually identified as the god of the afterlife, the underworld, and the dead, but more appropriately as the god of transition, resurrection, and regeneration. He was also associated with the epithet Khenti-Amentiu, meaning Foremost of the Westerners, as ruler of the dead, Osiris was also sometimes called king of the living, ancient Egyptians considered the blessed dead the living ones. Osiris was considered the brother of Isis, Set, Nephthys, and Horus the Elder and he was described as the Lord of love, He Who is Permanently Benign and Youthful and the Lord of Silence. The Kings of Egypt were associated with Osiris in death – as Osiris rose from the dead they would, in union with him, inherit eternal life through a process of imitative magic. By the New Kingdom all people, not just pharaohs, were believed to be associated with Osiris at death, Osiris was widely worshipped as Lord of the Dead until the suppression of the Egyptian religion during the rise of Christianity in the Roman Empire. Osiris is a Latin transliteration of the Ancient Greek Ὄσιρις IPA, in Egyptian hieroglyphs the name is appears as wsjr or jsjrt. Since hieroglyphic writing lacks vowels, Egyptologists have vocalized the name in various ways as Asar, Yasar, Aser, Asaru, Ausar, Ausir, Wesir, Usir, several proposals have been made for the etymology and meaning of the original name wsjr. John Gwyn Griffiths proposed a derivation from wsr signifying the powerful, moreover, one of the oldest attestations of the god Osiris appears in the mastaba of the deceased Netjer-wser. David Lorton proposed that Wsjr is composed by the morphemes set-jret signifying ritual activity, wolfhart Westendorf proposed an etymology from Waset-jret she who bears the eye. He also carries the crook and flail, the crook is thought to represent Osiris as a shepherd god. The symbolism of the flail is more uncertain with shepherds whip, fly-whisk and he was commonly depicted as a pharaoh with a complexion of either green or black in mummiform. The Pyramid Texts describe early conceptions of an afterlife in terms of travelling with the sun god amongst the stars. Amongst these mortuary texts, at the beginning of the 4th dynasty, is found, An offering the king gives, by the end of the 5th dynasty, the formula in all tombs becomes An offering the king gives and Osiris. Osiris is the father of the god Horus, whose conception is described in the Osiris myth. The myth described Osiris as having been killed by his brother Set, Isis joined the fragmented pieces of Osiris, but the only body part missing was the phallus. Isis fashioned a golden phallus, and briefly brought Osiris back to life by use of a spell that she learned from her father and this spell gave her time to become pregnant by Osiris before he again died. Isis later gave birth to Horus, as such, since Horus was born after Osiris resurrection, Horus became thought of as a representation of new beginnings and the vanquisher of the evil Set. Ptah-Seker thus gradually became identified with Osiris, the two becoming Ptah-Seker-Osiris, Osiris soul, or rather his Ba, was occasionally worshipped in its own right, almost as if it were a distinct god, especially in the Delta city of Mendes
Osiris
–
Head of the God Osiris, ca. 595-525 B.C.E.
Brooklyn Museum
Osiris
–
Osiris with an Atef-crown made of bronze in the
Naturhistorisches Museum (Vienna)
Osiris
–
The gods Osiris,
Anubis, and
Horus, from a tomb painting.
Osiris
–
The family of Osiris. Osiris on a
lapis lazuli pillar in the middle, flanked by
Horus on the left and
Isis on the right (22nd dynasty,
Louvre,
Paris)
12.
Isis
–
Isis is a goddess from the polytheistic pantheon of Egypt. She was first worshiped in ancient Egyptian religion, and later her worship spread throughout the Roman Empire, Isis was worshipped as the ideal mother and wife as well as the patroness of nature and magic. She was the friend of slaves, sinners, artisans and the downtrodden, Isis is often depicted as the mother of Horus, the falcon-headed deity associated with king and kingship. Isis is also known as protector of the dead and goddess of children, as the personification of the throne, she was an important representation of the pharaohs power. The pharaoh was depicted as her child, who sat on the throne she provided. Her cult was popular throughout Egypt, but her most important temples were at Behbeit El Hagar in the Nile delta, and, beginning in the reign with Nectanebo I, on the island of Philae in Upper Egypt. In the typical form of her myth, Isis was the first daughter of Geb, god of the Earth, and Nut, goddess of the Sky and she married her brother, Osiris, and she conceived Horus with him. Isis was instrumental in the resurrection of Osiris when he was murdered by Set, using her magical skills, she restored his body to life after having gathered the body parts that had been strewn about the earth by Set. This myth became very important during the Greco-Roman period, for example, it was believed that the Nile River flooded every year because of the tears of sorrow which Isis wept for Osiris. Osiriss death and rebirth was relived each year through rituals, the worship of Isis eventually spread throughout the Greco-Roman world, continuing until the suppression of paganism in the Christian era. The popular motif of Isis suckling her son Horus, however, the Greek name version of Isis is close to her original, Egyptian name spelling. Isis name was written with the signs of a throne seat. The grammar, spelling and used signs of Isis name never changed during time in any way, however, the symbolic and metaphoric meaning of Isis name remains unclear. The throne seat sign in her name might point to a role as a goddess of kingship. Thus, her name could mean she of the kings throne, but all other Egyptian deities have names that point to clear cosmological or nature elemental roles, thus the name of Isis shouldnt be connected to the king himself. The throne seat symbol might alternatively point to a meaning as throne-mother of the gods and this in turn would supply a very old existence of Isis, long before her first mentioning during the late Old Kingdom, but this hypothesis remains unproven. A third possible meaning might be hidden in the egg-symbol, that was used in Isis name. The egg-symbol always represented motherhood, implying a role of Isis
Isis
–
Isis depicted with outstretched wings (wall painting, c. 1360 BCE)
Isis
–
Isis nursing Horus (
Louvre)
Isis
–
Temple of Isis at Philae. The Court. 1893. Wilbour Library of Egyptology,
Brooklyn Museum
Isis
–
Philae, Egypt. Temple of Isis., n.d.
Brooklyn Museum Archives
13.
Set (deity)
–
Set /sɛt/ or Seth is a god of the desert, storms, disorder, violence, and foreigners in ancient Egyptian religion. In Ancient Greek, the name is given as Sēth. Set is not, however, a god to be ignored or avoided, he has a role where he is employed by Ra on his solar boat to repel Apep. Set had a role as a reconciled combatant. He was lord of the red land where he was the balance to Horus role as lord of the black land, in Egyptian mythology, Set is portrayed as the usurper who killed and mutilated his own brother Osiris. Osiris wife Isis reassembled Osiris corpse and resurrected him long enough to conceive his son, Horus sought revenge upon Set, and the myths describe their conflicts. This Osiris myth is a prominent theme in Egyptian mythology, Sets siblings are Osiris, Isis, and Nephthys. He married Nephthys and fathered Anubis, and in some accounts he had relationships with the foreign goddesses Anat, some early Egyptologists proposed that it was a stylised representation of the giraffe, owing to the large flat-topped horns which correspond to a giraffes ossicones. The Egyptians themselves, however, made a distinction between the giraffe and the Set animal, during the Late Period, Set is depicted as a donkey or as having a donkeys head. The earliest representations of what might be the Set animal comes from a dating to the Naqada I phase of the Predynastic Period. If these are ruled out, then the earliest Set animal appears on a head of the King Scorpion. The head and the tail of the Set animal are clearly present. In the mythology of Heliopolis, Set was born of the sky goddess Nut, Sets sister and wife was Nephthys. Nut and Geb also produced two children who became husband and wife, the divine Osiris and Isis, whose son was Horus. The Chester Beatty Papyrus No.1 contains the known as The Contendings of Horus. Classical authors also recorded the story, notably Plutarchs De Iside et Osiride and these myths generally portray Osiris as a wise lord, king, and bringer of civilization, happily married to his sister, Isis. Set was envious of his brother, and he killed and dismembered Osiris, Isis reassembled Osiris corpse and embalmed him. As the archetypal mummy, Osiris reigned over the afterworld as a king among deserving spirits of the dead, Osiris son Horus was conceived by Isis with Osiris corpse
Set (deity)
–
Set spearing Apep
Set (deity)
–
Set
Set (deity)
–
Set and Horus adoring Ramesses in the small temple at Abu Simbel
14.
Nephthys
–
Nephthys or Nebthet or Neber-Het was a goddess in ancient Egyptian religion. A member of the Great Ennead of Heliopolis in Egyptian mythology, she was a daughter of Nut, Nephthys was typically paired with her sister Isis in funerary rites because of their role as protectors of the mummy and the god Osiris and as the sister-wife of Set. Nephthys is the Greek form of an epithet and this is a pervasive error repeated in many commentaries concerning this deity. Her name means specifically, Lady of the Enclosure which associates her with the role of priestess. Along with her sister Isis, Nephthys represented the temple pylon or trapezoidal tower gateway entrance to the temple which also displayed the flagstaff and this entrance way symbolised the horizon or akhet. At the time of the Fifth Dynasty Pyramid Texts, Nephthys appears as a goddess of the Heliopolitan Ennead and she is the sister of Isis and companion of the war-like deity, Set. As sister of Isis and especially Osiris, Nephthys is a goddess who symbolizes the death experience. Nephthys was known in some ancient Egyptian temple theologies and cosmologies as the Useful Goddess or the Excellent Goddess and these late Ancient Egyptian temple texts describe a goddess who represented divine assistance and protective guardianship. Nephthys is regarded as the mother of the funerary-deity Anubis in some myths, alternatively Anubis appears as the son of Bastet or Isis. As the primary nursing mother of the incarnate Pharaonic-god, Horus, though other goddesses could assume this role, Nephthys was most usually portrayed in this function. In contrast Nephthys is sometimes featured as a ferocious and dangerous divinity. Nephthys was typically paired with her sister Isis in funerary rites because of their role as protectors of the mummy and the god Osiris and as the sister-wife of Set. Less well understood than her sister Isis, Nephthys was no less important in Egyptian Religion as confirmed by the work of E. Hornung, along with the work of noted scholars. Ascend and descend, descend with Nephthys, sink into darkness with the Night-bark, ascend and descend, ascend with Isis, rise with the Day-bark. Pyramid Text Utterance 222 line 210, in the funerary role, Nephthys often was depicted as a kite, or as a woman with falcon wings, usually outstretched as a symbol of protection. Nephthyss association with the kite or the Egyptian hawk evidently reminded the ancients of the lamentations usually offered for the dead by wailing women, in this capacity, it is easy to see how Nephthys could be associated with death and putrefaction in the Pyramid Texts. Nephthys was clearly viewed as a force of heavenly transition, i. e. the Pharaoh becomes strong for his journey to the afterlife through the intervention of Isis. The same divine power could be applied later to all of the dead and it should here be noted that Nephthys was not necessarily viewed as the polar opposite of Isis, but rather as a different reflection of the same reality, eternal life in transition
Nephthys
–
Nephthys - Musée du Louvre, Paris, France
Nephthys
–
Triad of Isis, Nephthys, and
Harpocrates. Early Greco-Roman.
Walters Museum
15.
Anubis
–
Anubis or Anpu is the Greek name of a god associated with mummification and the afterlife in ancient Egyptian religion, usually depicted as a canine or a man with a canine head. Like many ancient Egyptian deities, Anubis assumed different roles in various contexts, depicted as a protector of graves as early as the First Dynasty, Anubis was also an embalmer. By the Middle Kingdom he was replaced by Osiris in his role as lord of the underworld, one of his prominent roles was as a god who ushered souls into the afterlife. He attended the weighing scale during the Weighing of the Heart, despite being one of the most ancient and one of the most frequently depicted and mentioned gods in the Egyptian pantheon, Anubis played almost no role in Egyptian myths. Anubis was depicted in black, a color that symbolized both rebirth and the discoloration of the corpse after embalming, Anubis is associated with Wepwawet, another Egyptian god portrayed with a dogs head or in canine form, but with grey or white fur. Historians assume that the two figures were eventually combined and his daughter is the serpent goddess Kebechet. Anubis is a Greek rendering of this gods Egyptian name, in Egypts Early Dynastic period, Anubis was portrayed in full animal form, with a jackal head and body. A jackal god, probably Anubis, is depicted in stone inscriptions from the reigns of Hor-Aha, Djer, the oldest known textual mention of Anubis is in the Pyramid Texts of the Old Kingdom, where he is associated with the burial of the pharaoh. In the Old Kingdom, Anubis was the most important god of the dead and he was replaced in that role by Osiris during the Middle Kingdom. In the Roman era, which started in 30 BC, tomb paintings depict him holding the hand of deceased persons to them to Osiris. The parentage of Anubis varied between myths, times and sources, in early mythology, he was portrayed as a son of Ra. In the Coffin Texts, which were written in the First Intermediate Period, another tradition depicted him as the son of his father Ra and mother Nephthys. George Hart sees this story as an attempt to incorporate the independent deity Anubis into the Osirian pantheon, an Egyptian papyrus from the Roman period simply called Anubis the son of Isis. In the Ptolemaic period, when Egypt became a Hellenistic kingdom ruled by Greek pharaohs, Anubis was merged with the Greek god Hermes, the two gods were considered similar because they both guided souls to the afterlife. The center of this cult was in uten-ha/Sa-ka/ Cynopolis, a place whose Greek name means city of dogs, in Book XI of The Golden Ass by Apuleius, there is evidence that the worship of this god was continued in Rome through at least the 2nd century. Indeed, Hermanubis also appears in the alchemical and hermetical literature of the Middle Ages, in contrast to real wolves, Anubis was a protector of graves and cemeteries. Several epithets attached to his name in Egyptian texts and inscriptions referred to that role, the Jumilhac papyrus recounts another tale where Anubis protected the body of Osiris from Set. Set attempted to attack the body of Osiris by transforming himself into a leopard, Anubis stopped and subdued Set, however, and he branded Sets skin with a hot iron rod
Anubis
–
Anubis attending the
mummy of the deceased.
Anubis
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Statue of
Hermanubis, a hybrid of Anubis and the Greek god
Hermes (
Vatican Museums)
Anubis
–
The "weighing of the heart," from the book of the dead of
Hunefer. Anubis is portrayed as both guiding the deceased forward and manipulating the scales, under the scrutiny of the ibis-headed
Thoth.
Anubis
–
A crouching or "recumbent"
statue of Anubis as a black-coated wolf (from the
Tomb of Tutankhamun)
16.
Ancient Egyptian deities
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Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt. The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, the gods complex characteristics were expressed in myths and in intricate relationships between deities, family ties, loose groups and hierarchies, and combinations of separate gods into one. Deities diverse appearances in art—as animals, humans, objects, and combinations of different forms—also alluded, through symbolism, to their essential features. In different eras, various gods were said to hold the highest position in society, including the solar deity Ra, the mysterious god Amun. The highest deity was usually credited with the creation of the world, some scholars have argued, based in part on Egyptian writings, that the Egyptians came to recognize a single divine power that lay behind all things and was present in all the other deities. Gods were assumed to be present throughout the world, capable of influencing natural events, people interacted with them in temples and unofficial shrines, for personal reasons as well as for larger goals of state rites. Egyptians prayed for help, used rituals to compel deities to act. Humans relations with their gods were a part of Egyptian society. The beings in ancient Egyptian tradition who might be labeled as deities are difficult to count, Egyptian texts list the names of many deities whose nature is unknown and make vague, indirect references to other gods who are not even named. The Egyptologist James P. Allen estimates that more than 1,400 deities are named in Egyptian texts, the Egyptian languages terms for these beings were nṯr, god, and its feminine form nṯrt, goddess. Scholars have tried to discern the nature of the gods by proposing etymologies for these words, but none of these suggestions has gained acceptance. The hieroglyphs that were used as ideograms and determinatives in writing these words show some of the traits that the Egyptians connected with divinity, the most common of these signs is a flag flying from a pole. Similar objects were placed at the entrances of temples, representing the presence of a deity, other such hieroglyphs include a falcon, reminiscent of several early gods who were depicted as falcons, and a seated male or female deity. The feminine form could also be written with an egg as determinative, connecting goddesses with creation and birth, or with a cobra, the Egyptians distinguished nṯrw, gods, from rmṯ, people, but the meanings of the Egyptian and the English terms do not match perfectly. The term nṯr may have applied to any being that was in some way outside the sphere of everyday life, Egyptian religious art also depicts places, objects, and concepts in human form. These personified ideas range from deities that were important in myth and ritual to obscure beings, only mentioned once or twice, confronting these blurred distinctions between gods and other beings, scholars have proposed various definitions of a deity. One widely accepted definition, suggested by Jan Assmann, says that a deity has a cult, is involved in some aspect of the universe, according to a different definition, by Dimitri Meeks, nṯr applied to any being that was the focus of ritual. From this perspective, gods included the king, who was called a god after his coronation rites, and deceased souls, likewise, the preeminence of the great gods was maintained by the ritual devotion that was performed for them across Egypt
Ancient Egyptian deities
–
The gods
Osiris,
Anubis, and
Horus
Ancient Egyptian deities
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Isis, a
mother goddess and a patroness of kingship, holds Pharaoh
Seti I in her lap.
Ancient Egyptian deities
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The sky goddess Nut swallows the sun, which travels through her body at night to be reborn at dawn.
Ancient Egyptian deities
–
Deities personifying
provinces of Egypt
17.
Prehistoric Egypt
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This Predynastic era is traditionally equivalent to the final part of the Neolithic period beginning c.6000 BC and corresponds to the Naqada III period. The Predynastic period is divided into cultural periods, each named after the place where a certain type of Egyptian settlement was first discovered. The Late Paleolithic in Egypt started around 30,000 BC, the Nazlet Khater skeleton was found in 1980 and dated in 1982 from nine samples ranging between 35,100 and 30,360 years. This specimen is the only complete human skeleton from the earliest Late Stone Age in Africa. Excavation of the Nile has exposed early stone tools, the earliest of these lithic industries were located within the 100-foot terrace, and were Chellean, primitive Acheulean and an Egyptian form of the Clactonian. Within the 50-foot terrace was developed Acheulean, originally reported as Early Mousterian but since changed to Levalloisean, other implements were located in the 30-foot terrace. The 15- and 10-foot terraces saw a more developed version of the Levalloisean, finally, tools of the Egyptian Sebilian technology and an Egyptian version of the Aterian technology were also located. Some of the oldest known buildings were discovered in Egypt by archaeologist Waldemar Chmielewski along the border near Wadi Halfa. They were mobile structures—easily disassembled, moved, and reassembled—providing hunter-gatherers with semi-permanent habitation, Aterian tool-making reached Egypt c.40,000 BC. The Khormusan industry in Egypt began between 40,000 and 30,000 BC, khormusans developed advanced tools not only from stone but also from animal bones and hematite. They also developed small arrow heads resembling those of Native Americans, the end of the Khormusan industry came around 16,000 B. C. with the appearance of other cultures in the region, including the Gemaian. The Halfan culture flourished along the Nile Valley of Egypt and Nubia between 18,000 and 15,000 BC, though one Halfan site dates to before 24,000 BC, people survived on a diet of large herd animals and the Khormusan tradition of fishing. Greater concentrations of artifacts indicate that they were not bound to seasonal wandering and they are viewed as the parent culture of the Ibero-Maurusian industry, which spread across the Sahara and into Spain. The Halfan culture was derived in turn from the Khormusan, which depended on specialized hunting, fishing, the primary material remains of this culture are stone tools, flakes, and a multitude of rock paintings. Qadan peoples developed sickles and grinding stones to aid in the collecting and processing of plant foods prior to consumption. However, there are no indications of the use of these tools after around 10,000 BC, in Egypt, analyses of pollen found at archaeological sites indicate that the Sebilian culture were gathering wheat and barley. It has been hypothesized that the sedentary lifestyle used by farmers led to increased warfare, continued expansion of the desert forced the early ancestors of the Egyptians to settle around the Nile more permanently and adopt a more sedentary lifestyle. The period from 9000 to 6000 BC has left little in the way of archaeological evidence
Prehistoric Egypt
–
Predynastic artifacts: clockwise from top left: a
Bat figurine, a Naqada jar, an ivory figurine, cosmetic palette, a
flint knife, and a
diorite vase.
Prehistoric Egypt
–
Female Figure, ca. 3500-3400 B.C.E. Terracotta, painted, 11 1/2 x 5 1/2 x 2 1/4 in. (29.2 x 14 x 5.7 cm).
Brooklyn Museum
Prehistoric Egypt
–
A typical Naqada II pot with ship theme
18.
Ptolemaic Kingdom
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The Ptolemaic Kingdom was a Hellenistic kingdom based in Egypt. Alexandria became the city and a major center of Greek culture. To gain recognition by the native Egyptian populace, they named themselves the successors to the Pharaohs, the later Ptolemies took on Egyptian traditions by marrying their siblings, had themselves portrayed on public monuments in Egyptian style and dress, and participated in Egyptian religious life. The Ptolemies had to fight native rebellions and were involved in foreign and civil wars led to the decline of the kingdom. Hellenistic culture continued to thrive in Egypt throughout the Roman and Byzantine periods until the Muslim conquest. The era of Ptolemaic reign in Egypt is one of the most well documented periods of the Hellenistic Era. In 332 BC, Alexander the Great, King of Macedon invaded the Achaemenid satrapy of Egypt and he visited Memphis, and traveled to the oracle of Amun at the Oasis of Siwa. The oracle declared him to be the son of Amun, the wealth of Egypt could now be harnessed for Alexanders conquest of the rest of the Persian Empire. Early in 331 BC he was ready to depart, and led his forces away to Phoenicia and he left Cleomenes as the ruling nomarch to control Egypt in his absence. Following Alexanders death in Babylon in 323 BC, a crisis erupted among his generals. Perdiccas appointed Ptolemy, one of Alexanders closest companions, to be satrap of Egypt, Ptolemy ruled Egypt from 323 BC, nominally in the name of the joint kings Philip III and Alexander IV. However, as Alexander the Greats empire disintegrated, Ptolemy soon established himself as ruler in his own right, Ptolemy successfully defended Egypt against an invasion by Perdiccas in 321 BC, and consolidated his position in Egypt and the surrounding areas during the Wars of the Diadochi. In 305 BC, Ptolemy took the title of King, as Ptolemy I Soter, he founded the Ptolemaic dynasty that was to rule Egypt for nearly 300 years. All the male rulers of the dynasty took the name Ptolemy, while princesses and queens preferred the names Cleopatra, Arsinoe and Berenice. Because the Ptolemaic kings adopted the Egyptian custom of marrying their sisters, many of the kings ruled jointly with their spouses and this custom made Ptolemaic politics confusingly incestuous, and the later Ptolemies were increasingly feeble. The only Ptolemaic Queens to officially rule on their own were Berenice III, Cleopatra V did co-rule, but it was with another female, Berenice IV. Cleopatra VII officially co-ruled with Ptolemy XIII Theos Philopator, Ptolemy XIV, and Ptolemy XV, upper Egypt, farthest from the centre of government, was less immediately affected, even though Ptolemy I established the Greek colony of Ptolemais Hermiou to be its capital. But within a century Greek influence had spread through the country, nevertheless, the Greeks always remained a privileged minority in Ptolemaic Egypt
Ptolemaic Kingdom
–
Eagle of Zeus
Ptolemaic Kingdom
–
Bust of
Ptolemy I Soter, king of Egypt (305 BC–282 BC) and founder of the Ptolemaic dynasty
Ptolemaic Kingdom
–
A bust depicting King
Ptolemy II Philadelphus 309–246 BCE
19.
Egypt (Roman province)
–
The province encompassed most of modern-day Egypt except for the Sinai Peninsula. Aegyptus was bordered by the provinces of Creta et Cyrenaica to the West, the province came to serve as a major producer of grain for the empire and had a highly developed urban economy. Aegyptus was by far the wealthiest Eastern Roman province, in Alexandria, its capital, it possessed the largest port, and the second largest city, of the Roman Empire. As a province, Egypt was ruled by a uniquely styled Augustal prefect, the prefect was a man of equestrian rank and was appointed by the Emperor. The second prefect, Aelius Gallus, made an expedition to conquer Arabia Petraea. The Red Sea coast of Aegyptus was not brought under Roman control until the reign of Claudius, the third prefect, Gaius Petronius, cleared the neglected canals for irrigation, stimulating a revival of agriculture. Petronius even led a campaign into present-day central Sudan against the Kingdom of Kush at Meroe, failing to acquire permanent gains, in 22 BC he razed the city of Napata to the ground and retreated to the north. From the reign of Nero onward, Aegyptus enjoyed an era of prosperity which lasted a century, under Trajan a Jewish revolt occurred, resulting in the suppression of the Jews of Alexandria and the loss of all their privileges, although they soon returned. Hadrian, who twice visited Aegyptus, founded Antinoöpolis in memory of his drowned lover Antinous, from his reign onward buildings in the Greco-Roman style were erected throughout the country. Under Antoninus Pius oppressive taxation led to a revolt in 139, of the native Egyptians and this Bucolic War, led by one Isidorus, caused great damage to the economy and marked the beginning of Egypts economic decline. Avidius Cassius, who led the Roman forces in the war, declared emperor in 175. On the approach of Marcus Aurelius, Cassius was deposed and killed, a similar revolt broke out in 193, when Pescennius Niger was proclaimed emperor on the death of Pertinax. The Emperor Septimius Severus gave a constitution to Alexandria and the capitals in 202. There was a series of revolts, both military and civilian, through the 3rd century, under Decius, in 250, the Christians again suffered from persecution, but their religion continued to spread. This warrior queen claimed that Egypt was a home of hers through a familial tie to Cleopatra VII. She was well educated and familiar with the culture of Egypt, its religion, two generals based in Aegyptus, Probus and Domitius Domitianus, led successful revolts and made themselves emperors. Diocletian captured Alexandria from Domitius in 298 and reorganised the whole province and his edict of 303 against the Christians began a new era of persecution. This was the last serious attempt to stem the growth of Christianity in Egypt
Egypt (Roman province)
–
Northern Africa under Roman rule
Egypt (Roman province)
–
Province of Aegyptus in 117 AD.
Egypt (Roman province)
–
Bust of Roman Nobleman, ca. 30 B.C.E.– 50 C.E., 54.51,
Brooklyn Museum
Egypt (Roman province)
–
Possible depiction of the province of Egypt from the Hadrianeum in Rome
20.
Egyptology
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A practitioner of the discipline is an Egyptologist. In Europe, particularly on the Continent, Egyptology is primarily regarded as being a philological discipline, the first explorers were the ancient Egyptians themselves. Thutmose IV restored the Sphinx and had the dream that inspired his restoration carved on the famous Dream Stele, less than two centuries later, Prince Khaemweset, fourth son of Ramesses II, is famed for identifying and restoring historic buildings, tombs and temples including the pyramid. The Ptolemies were much interested in the work of the ancient Egyptians, the Romans too carried out restoration work in this most ancient of lands. A number of their accounts have survived and offer insights as to conditions in their time periods. Abdul Latif al-Baghdadi, a teacher at Cairos Al-Azhar University in the 13th century, similarly, the 15th-century Egyptian historian al-Maqrizi wrote detailed accounts of Egyptian antiquities. In the early 17th century, John Greaves measured the pyramids, having inspected the broken Obelisk of Domitian in Rome, then destined for the Earl of Arundels collection in London. In the late 18th century, with Napoleons scholars recording of Egyptian flora, fauna and history, the British captured Egypt from the French and gained the Rosetta Stone. Modern Egyptology is generally perceived as beginning about 1822, egyptologys modern history begins with the invasion of Egypt by Napoleon Bonaparte. The subsequent publication of Description de lÉgypte between 1809 and 1829 made numerous ancient Egyptian source materials available to Europeans for the first time, jean-François Champollion, Thomas Young and Ippolito Rosellini were some of the first Egyptologists of wide acclaim. The German Karl Richard Lepsius was a participant in the investigations of Egypt, mapping, excavating. Champollion announced his general decipherment of the system of Egyptian hieroglyphics for the first time, the Stones decipherment was a very important development of Egyptology. Egyptology became more professional via work of William Matthew Flinders Petrie, Petrie introduced techniques of field preservation, recording, and excavating. Howard Carters expedition brought much acclaim to the field of Egyptology, a tradition of collecting objets-orientales Egyptologists Electronic Forum, version 64. List shows Egyptology societies and Institutes Egyptology at DMOZ Egyptology Books, the University of Memphis Institute of Egyptian Art and Archaeology. Hawass, Zahi, Brock, Lyla Pinch, eds, Egyptology at the Dawn of the Twenty-First Century Proceedings of the Eighth International Congress of Egyptologists. Rare Books and Special Collections Digital Library Underwood & Underwood Egypt Stereoviews Collection, czech Institute of Egyptology, Faculty of Arts, Charles University in Prague
Egyptology
–
The
Great Sphinx of Giza against
Khafre's Pyramid at the
Giza pyramid complex
Egyptology
–
Hieroglyphs and depictions transcribed by
Ippolito Rosellini in 1832
Egyptology
–
A section of the
Papyrus of Ani showing
cursive hieroglyphs
21.
Lanner falcon
–
The lanner falcon is a medium-sized bird of prey that breeds in Africa, southeast Europe and just into Asia. It is mainly resident, but some birds disperse widely after the breeding season. It is a falcon, at 43–50 cm length with a wingspan of 95–105 cm. European lanner falcons have slate grey or brown-grey upperparts, most African subspecies are a blue grey above. The breast is streaked in northern birds, resembling greyish saker falcons, sexes are similar, but the browner young birds resemble saker falcons even more. However, sakers have a top of the head and less clear head-side patterns. The lanners call is a harsh wray-e, the lanner falcon is a bird of open country and savanna. It usually hunts by horizontal pursuit, rather than the peregrine falcons stoop from a height and it lays three to four eggs on a cliff ledge nest, or occasionally in an old stick nest in a tree. This is presumably the oldest living hierofalcon species, support for this assumption comes mainly from biogeography agreeing better with the confusing pattern of DNA sequence data in this case than in others. They are bred in captivity for falconry, hybrids with the peregrine are often seen. Merret claimed that the lanar lived in Sherwood Forest and the Forest of Dean in England, in the wild, lanner falcon numbers are somewhat declining in Europe, though the species remains relatively common in parts of Africa. Jackdaw flocks are targets of coordinated hunting by pairs of lanner falcons, in Africa and Israel, lanner falcons were observed as hunting bats. Lanner falcon species text in The Atlas of Southern African Birds, birdLife species factsheet for Falco biarmicus Falco biarmicus. Lanner falcon photo gallery at VIREO Interactive range map of Falco biarmicus at IUCN Red List maps Audio recordings of Lanner falcon on Xeno-canto
Lanner falcon
–
Lanner falcon
Lanner falcon
–
Flying in South Africa
Lanner falcon
–
Eggs, Collection
Museum Wiesbaden
Lanner falcon
–
Lanner falcon at
Plettenberg Bay,
South Africa
22.
Peregrine falcon
–
The peregrine falcon, also known as the peregrine, and historically as the duck hawk in North America, is a widespread bird of prey in the family Falconidae. A large, crow-sized falcon, it has a back, barred white underparts. As is typical of bird-eating raptors, peregrine falcons are sexually dimorphic, the peregrine is renowned for its speed, reaching over 320 km/h during its characteristic hunting stoop, making it the fastest member of the animal kingdom. According to a National Geographic TV programme, the highest measured speed of a falcon is 389 km/h. The peregrines breeding range includes land regions from the Arctic tundra to the tropics and this makes it the worlds most widespread raptor and one of the most widely found bird species. Both the English and scientific names of this species mean wandering falcon, the two species divergence is relatively recent, during the time of the last ice age, therefore the genetic differential between them is relatively small. It has been determined that they are only approximately 0. 6–0. 8% genetically differentiated, while its diet consists almost exclusively of medium-sized birds, the peregrine will occasionally hunt small mammals, small reptiles, or even insects. Reaching sexual maturity at one year, it mates for life and nests in a scrape, normally on cliff edges or, in recent times, the peregrine falcon became an endangered species in many areas because of the widespread use of certain pesticides, especially DDT. Since the ban on DDT from the early 1970s, populations have recovered, supported by large-scale protection of nesting places and releases to the wild. The peregrine falcon is a well respected falconry bird due to its hunting ability, high trainability, versatility. It is effective on most game species from small to large. The peregrine falcon has a length of 34 to 58 cm. Males weigh 330 to 1,000 g and the larger females weigh 700 to 1,500 g. In most subspecies, males less than 700 g and females weigh more than 800 g. The standard linear measurements of peregrines are, the wing chord measures 26.5 to 39 cm, the tail measures 13 to 19 cm and the tarsus measures 4.5 to 5.6 cm. The back and the long pointed wings of the adult are usually black to slate grey with indistinct darker barring. The white to rusty underparts are barred with thin bands of dark brown or black. The tail, coloured like the back but with thin clean bars, is long, narrow, and rounded at the end with a black tip and a white band at the very end
Peregrine falcon
–
Peregrine falcon
Peregrine falcon
–
Head shot
Peregrine falcon
–
Illustration by
John James Audubon
Peregrine falcon
–
F. p. anatum in flight,
Morro Bay, California
23.
Upper Egypt
–
Upper Egypt is the strip of land on both sides of the Nile that extends between Nubia and downriver to Lower Egypt. Upper Egypt is between the Cataracts of the Nile above modern-day Aswan, downriver to the area between Dahshur and El-Ayait, which is south of modern-day Cairo, the northern part of Upper Egypt, between Sohag and El-Ayait, is also known as Middle Egypt. In Arabic, inhabitants of Upper Egypt are known as Saidis, in ancient Egypt, Upper Egypt was known as tꜣ šmꜣw, literally the Land of Reeds or the Sedgeland It was divided into twenty-two districts called nomes. The first nome was roughly where modern-day Aswan is and the twenty-second was at modern Atfih just to the south of Cairo, the main city of prehistoric Upper Egypt was Nekhen, whose patron deity was the vulture goddess Nekhbet. By about 3600 BC, Neolithic Egyptian societies along the Nile had based their culture on the raising of crops, shortly after 3600 BC, Egyptian society began to grow and increase in complexity. A new and distinctive pottery, which was related to the Levantine ceramics, extensive use of copper became common during this time. The Mesopotamian process of sun-drying adobe and architectural principles—including the use of the arch, concurrent with these cultural advances, a process of unification of the societies and towns of the upper Nile River, or Upper Egypt, occurred. At the same time the societies of the Nile Delta, or Lower Egypt also underwent a unification process, warfare between Upper and Lower Egypt occurred often. During his reign in Upper Egypt, King Narmer defeated his enemies on the Delta, for most of pharaonic Egypts history, Thebes was the administrative center of Upper Egypt. After its devastation by the Assyrians, its importance declined, under the Ptolemies, Ptolemais Hermiou took over the role of Upper Egypts capital city. Upper Egypt was represented by the tall White Crown Hedjet, and its symbols were the flowering lotus, in the 11th century, large numbers of pastoralists, known as Hilalians, fled Upper Egypt and moved westward into Libya and as far as Tunis. It is believed that degraded grazing conditions in Upper Egypt, associated with the beginning of the Medieval Warm Period, were the cause of the migration. In the 20th-century Egypt, the title Prince of the Said was used by the apparent to the Egyptian throne. Although the Kingdom of Egypt was abolished after the Egyptian revolution of 1952, media related to Upper Egypt at Wikimedia Commons
Upper Egypt
–
Iry-Hor
Upper Egypt
–
Ka
Upper Egypt
–
King Scorpion
24.
Osiris myth
–
The Osiris myth is the most elaborate and influential story in ancient Egyptian mythology. It concerns the murder of the god Osiris, a king of Egypt. Osiriss murderer, his brother Set, usurps his throne, meanwhile, Osiriss wife Isis restores her husbands body, allowing him to posthumously conceive a son with her. The remainder of the focuses on Horus, the product of the union of Isis and Osiris. Their often violent conflict ends with Horuss triumph, which order to Egypt after Sets unrighteous reign. The myth, with its symbolism, is integral to the Egyptian conceptions of kingship and succession. It also expresses the character of each of the four deities at its center. The Osiris myth reached its basic form in or before the 24th century BCE, many of its elements originated in religious ideas, but the struggle between Horus and Set may have been partly inspired by a regional conflict in Egypts early history or prehistory. Scholars have tried to discern the nature of the events that gave rise to the story. Parts of the myth appear in a variety of Egyptian texts, from funerary texts. The story is, therefore, more detailed and more cohesive than any other ancient Egyptian myth, yet no Egyptian source gives a full account of the myth, and the sources vary widely in their versions of events. Greek and Roman writings, particularly De Iside et Osiride by Plutarch, provide more information, through these writings, the Osiris myth persisted after knowledge of most ancient Egyptian beliefs was lost, and it is still well known today. The myth of Osiris was deeply influential in ancient Egyptian religion and was popular among ordinary people, one reason for this popularity is the myths primary religious meaning, which implies that any dead person can reach a pleasant afterlife. Another reason is that the characters and their emotions are more reminiscent of the lives of people than those in most Egyptian myths. In particular, the myth conveys a sense of family loyalty and devotion, as the Egyptologist J. Gwyn Griffiths put it. With this widespread appeal, the myth appears in ancient texts than any other myth. These sources also provide an amount of detail. Ancient Egyptian myths are fragmentary and vague, the metaphors contained within the myths were more important than coherent narration
Osiris myth
–
From right to left: Isis, her husband Osiris, and their son Horus, the protagonists of the Osiris myth, in a
Twenty-second Dynasty statuette
Osiris myth
–
The Pyramid Texts in the
Pyramid of Teti
Osiris myth
–
Isis, in the form of a bird, copulates with the deceased Osiris. At either side are Horus, although he is as yet unborn, and Isis in human form.
Osiris myth
–
Isis nursing Horus
25.
Egyptian hieroglyphs
–
Egyptian hieroglyphs were the formal writing system used in Ancient Egypt. It combined logographic, syllabic and alphabetic elements, with a total of some 1,000 distinct characters, cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts are derived from hieroglyphic writing, the writing system continued to be used throughout the Late Period, as well as the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, with the closing of pagan temples in the 5th century, knowledge of hieroglyphic writing was lost, and the script remained undeciphered throughout the medieval and early modern period. The decipherment of hieroglyphs would only be solved in the 1820s by Jean-François Champollion, the word hieroglyph comes from the Greek adjective ἱερογλυφικός, a compound of ἱερός and γλύφω, supposedly a calque of an Egyptian phrase mdw·w-nṯr gods words. The glyphs themselves were called τὰ ἱερογλυφικὰ γράμματα the sacred engraved letters, the word hieroglyph has become a noun in English, standing for an individual hieroglyphic character. As used in the sentence, the word hieroglyphic is an adjective. Hieroglyphs emerged from the artistic traditions of Egypt. For example, symbols on Gerzean pottery from c.4000 BC have been argued to resemble hieroglyphic writing, proto-hieroglyphic symbol systems develop in the second half of the 4th millennium BC, such as the clay labels of a Predynastic ruler called Scorpion I recovered at Abydos in 1998. The first full sentence written in hieroglyphs so far discovered was found on a seal found in the tomb of Seth-Peribsen at Umm el-Qaab. There are around 800 hieroglyphs dating back to the Old Kingdom, Middle Kingdom, by the Greco-Roman period, there are more than 5,000. However, given the lack of evidence, no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt. Since the 1990s, and discoveries such as the Abydos glyphs, as writing developed and became more widespread among the Egyptian people, simplified glyph forms developed, resulting in the hieratic and demotic scripts. These variants were more suited than hieroglyphs for use on papyrus. Hieroglyphic writing was not, however, eclipsed, but existed alongside the other forms, especially in monumental, the Rosetta Stone contains three parallel scripts – hieroglyphic, demotic, and Greek. Hieroglyphs continued to be used under Persian rule, and after Alexander the Greats conquest of Egypt, during the ensuing Ptolemaic and Roman periods. It appears that the quality of comments from Greek and Roman writers about hieroglyphs came about, at least in part. Some believed that hieroglyphs may have functioned as a way to distinguish true Egyptians from some of the foreign conquerors, another reason may be the refusal to tackle a foreign culture on its own terms, which characterized Greco-Roman approaches to Egyptian culture generally
Egyptian hieroglyphs
–
A section of the
Papyrus of Ani showing cursive hieroglyphs.
Egyptian hieroglyphs
–
Hieroglyphs on a funerary stela in
Manchester Museum
Egyptian hieroglyphs
–
The
Rosetta Stone in the
British Museum
Egyptian hieroglyphs
–
Hieroglyphs typical of the Graeco-Roman period
26.
Coptic language
–
Coptic or Coptic Egyptian is the latest stage of the Egyptian language, a northern Afroasiatic language spoken in Egypt until at least the 17th century. Several distinct Coptic dialects are identified, the most prominent of which are Sahidic, originating in parts of Upper Egypt, Coptic and Demotic are grammatically closely related to Late Egyptian, which was written with Egyptian hieroglyphs. Coptic flourished as a language from the second to thirteenth centuries. It was supplanted by Egyptian Arabic as a spoken language toward the modern period. The native Coptic name for the language is ϯⲙⲉⲧⲣⲉⲙⲛ̀ⲭⲏⲙⲓ /timetremenˈkʰeːmi/ in the Bohairic dialect, the particle prefix met- from the verb ⲙⲟⲩϯ mouti forms all abstract nouns in Coptic. Thus, the whole expression literally means language of the people of Egypt, another name by which the language has been called is ⲧⲙⲛ̄ⲧⲕⲩⲡⲧⲁⲓⲟⲛ /timentkuptaion/ from the Copto-Greek form ⲧⲙⲛ̄ⲧⲁⲓⲅⲩⲡⲧⲓⲟⲛ /timentaiguption/. The term logos ən aiguptios is also attested in Sahidic, in the liturgy of the Coptic Orthodox Church of Alexandria, the name is more officially ϯⲁⲥⲡⲓ ⲛ̀ⲣⲉⲙⲛ̀ⲭⲏⲙⲓ ti aspi ən rem ən kēmi, the Egyptian language, aspi being the Egyptian word for language. Coptic is today spoken liturgically in the Coptic Orthodox and Coptic Catholic Church, the language is spoken only in Egypt and historically has had little influence outside of the territory, except for monasteries located in Nubia. It should be noted, however, that Coptic ⲉⲙⲥⲁϩ is grammatically masculine, hence it is unclear why the word should have entered Arabic with an initial t, which would have required the word to be grammatically feminine. ṭūbah طوبة brick, Sahidic ⲧⲱⲃⲉ to, be, Bohairic ⲧⲱⲃⲓ to, bi, this subsequently entered Catalan and Spanish as tova and adobe respectively, the latter of which was borrowed by American English. However, most words of Egyptian origin that entered into Greek and subsequently into other European languages came directly from Ancient Egyptian, an example is the Greek ὄασις oasis, which comes directly from Egyptian wḥ3. t or demotic wḥỉ. However, Coptic reborrowed some words of Ancient Egyptian origin into its lexicon, for example, both Sahidic and Bohairic use the word ebenos, which was taken directly from Greek ἔβενος ebony, originally from Egyptian hbny. It was adapted into Arabic as Babnouda, which remains a name among Egyptian Copts to this day. It was also borrowed into Greek as the name Παφνούτιος and that, in turn, is the source of the Russian name Пафнутий, like the mathematician Pafnuty Chebyshev. The Old Nubian language and the modern Nobiin language borrowed many words of Coptic origin, the Egyptian language may have the longest documented history of any language, from Old Egyptian that appeared just before 3200 BC to its final phases as Coptic in the Middle Ages. Coptic belongs to the Later Egyptian phase, which started to be written in the New Kingdom of Egypt, Later Egyptian represented colloquial speech of the later periods. It had analytic features like definite and indefinite articles and periphrastic verb conjugation, Coptic, therefore, is a reference to both the most recent stage of Egyptian after Demotic and the new writing system that was adapted from the Greek alphabet. The earliest attempts to write the Egyptian language using the Greek alphabet are Greek transcriptions of Egyptian proper names, scholars frequently refer to this phase as pre-Coptic
Coptic language
–
5th–6th century Coptic liturgic inscription from
Upper Egypt.
Coptic language
–
8th century Coptic manuscript of
Luke 5.5–9
Coptic language
–
Stone with Coptic inscription
27.
Ancient Greek
–
Ancient Greek includes the forms of Greek used in ancient Greece and the ancient world from around the 9th century BC to the 6th century AD. It is often divided into the Archaic period, Classical period. It is antedated in the second millennium BC by Mycenaean Greek, the language of the Hellenistic phase is known as Koine. Koine is regarded as a historical stage of its own, although in its earliest form it closely resembled Attic Greek. Prior to the Koine period, Greek of the classic and earlier periods included several regional dialects, Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical phases of the language, Ancient Greek was a pluricentric language, divided into many dialects. The main dialect groups are Attic and Ionic, Aeolic, Arcadocypriot, some dialects are found in standardized literary forms used in literature, while others are attested only in inscriptions. There are also several historical forms, homeric Greek is a literary form of Archaic Greek used in the epic poems, the Iliad and Odyssey, and in later poems by other authors. Homeric Greek had significant differences in grammar and pronunciation from Classical Attic, the origins, early form and development of the Hellenic language family are not well understood because of a lack of contemporaneous evidence. Several theories exist about what Hellenic dialect groups may have existed between the divergence of early Greek-like speech from the common Proto-Indo-European language and the Classical period and they have the same general outline, but differ in some of the detail. The invasion would not be Dorian unless the invaders had some relationship to the historical Dorians. The invasion is known to have displaced population to the later Attic-Ionic regions, the Greeks of this period believed there were three major divisions of all Greek people—Dorians, Aeolians, and Ionians, each with their own defining and distinctive dialects. Often non-west is called East Greek, Arcadocypriot apparently descended more closely from the Mycenaean Greek of the Bronze Age. Boeotian had come under a strong Northwest Greek influence, and can in some respects be considered a transitional dialect, thessalian likewise had come under Northwest Greek influence, though to a lesser degree. Most of the dialect sub-groups listed above had further subdivisions, generally equivalent to a city-state and its surrounding territory, Doric notably had several intermediate divisions as well, into Island Doric, Southern Peloponnesus Doric, and Northern Peloponnesus Doric. The Lesbian dialect was Aeolic Greek and this dialect slowly replaced most of the older dialects, although Doric dialect has survived in the Tsakonian language, which is spoken in the region of modern Sparta. Doric has also passed down its aorist terminations into most verbs of Demotic Greek, by about the 6th century AD, the Koine had slowly metamorphosized into Medieval Greek
Ancient Greek
–
Inscription about the construction of the statue of
Athena Parthenos in the
Parthenon, 440/439 BC
Ancient Greek
–
Ostracon bearing the name of
Cimon,
Stoa of Attalos
Ancient Greek
–
The words ΜΟΛΩΝ ΛΑΒΕ as they are inscribed on the marble of the 1955
Leonidas Monument at
Thermopylae
28.
Narmer Palette
–
The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archeological find, dating from about the 31st century BC. It contains some of the earliest hieroglyphic inscriptions ever found, the tablet is thought by some to depict the unification of Upper and Lower Egypt under the king Narmer. On one side, the king is depicted with the bulbed White Crown of Upper Egypt, and the other side depicts the king wearing the level Red Crown of Lower Egypt. Along with the Scorpion Macehead and the Narmer Maceheads, also together in the Main Deposit at Nekhen. The Palette shows many of the conventions of Ancient Egyptian art. The Egyptologist Bob Brier has referred to the Narmer Palette as the first historical document in the world, also found at this dig were the Narmer Macehead and the Scorpion Macehead. The exact place and circumstances of these finds were not recorded very clearly by Quibell and Green. In fact, Greens report placed the Palette in a different layer one or two away from the deposit, which is considered to be more accurate on the basis of the original excavation notes. It has been suggested that these objects were royal donations made to the temple, Nekhen, or Hierakonpolis, was the ancient capital of Upper Egypt during the pre-dynastic Naqada III phase of Egyptian history. One theory is that it was used to grind cosmetics to adorn the statues of the gods, the Narmer Palette is part of the permanent collection of the Egyptian Museum in Cairo. It is one of the exhibits which visitors have been able to see when entering the museum. It has the Journal dEntrée number JE32169 and the Catalogue Général number CG14716, the Narmer Palette is a 63-centimetre tall, shield-shaped, ceremonial palette, carved from a single piece of flat, soft dark gray-green siltstone. The stone has often been identified, in the past. Slate is layered and prone to flaking, and schist is a rock containing large. Both are unlike the finely grained, hard, flake-resistant siltstone and this material was used extensively during the pre-dynastic period for creating such palettes and also was used as a source for Old Kingdom statuary. A statue of the 2nd dynasty pharaoh Khasekhemwy, found in the complex as the Narmer Palette at Hierakonpolis. Both sides of the Palette are decorated, carved in raised relief, at the top of both sides are the central serekhs bearing the rebus symbols nr and mr inside, being the phonetic representation of Narmers name. The serekh on each side are flanked by a pair of heads with highly curved horns
Narmer Palette
–
Both sides of the Narmer Palette
Narmer Palette
–
Narmer Palette
Narmer Palette
29.
31st century BC
–
The 31st century BC is a century which lasted from the year 3100 BC to 3001 BC. c.3100 BC, Narmer unifies Upper and Lower Egypt into one country, he rules this new country from Memphis. C.3100 BC, Predynastic period ends in Ancient Egypt, C.3100 BC, Early Dynastic period starts in Ancient Egypt. C.3100 BC, The first temple of Tarxien is in use by the Neolithic inhabitants of Malta, C.3100 BC, First stage in the construction of Stonehenge. C.3100 BC –2600 BC, Skara Brae, Orkney Islands, C.3100 BC, Humans develop their first writing system, cuneiform script. C.3051 BC, The oldest currently living organism, a Pinus longaeva and it is still present to this day. C.3100 BC – Invention of writing in Mesopotamia and Egypt
31st century BC
–
Spiral design altar block from the
Tarxien Temples of
Malta, uncovered by
Sir Themistocles Zammit
31st century BC
–
Front and Back Sides of
Narmer Palette, this facsimile on display at the
Royal Ontario Museum, in
Toronto,
Canada. The Palette depicts Narmer unifying
Upper Egypt and
Lower Egypt
30.
Pyramid Texts
–
The Pyramid Texts are a collection of ancient Egyptian religious texts from the time of the Old Kingdom. Written in Old Egyptian, the texts were carved on the walls. The oldest of the texts have been dated to between ca, unlike the later Coffin Texts and Book of the Dead, the pyramid texts were reserved only for the pharaoh and were not illustrated. The spells delineate all of the ways the pharaoh could travel, including the use of ramps, stairs, ladders, the spells could also be used to call the gods to help, even threatening them if they did not comply. The texts were first discovered in 1881 by Gaston Maspero, and translations were made by Kurt Heinrich Sethe, Louis Speleers, Raymond O. Faulkner, Samuel A. B. The oldest version consists of 228 spells and comes from the Pyramid of Unas, Pyramid Texts were also discovered on fragments of wood within in the tomb of queen Meretites II. Kurt Sethes first edition of the texts contained 714 distinct spells. No single collection uses all recorded spells, after death, the king must first rise from his tomb. Take your head, collect your bones, Gather your limbs, take your bread that rots not, your beer that sours not, Stand at the gates that bar the common people. The gatekeeper comes out to you, he grasps your hand, Takes you into heaven and he rejoices at your coming, gives you his hands, Kisses you, caresses you, Sets you before the spirits, the imperishable stars. The texts then describe several ways for the pharaoh to reach the heavens, in utterance 304 the king says, Hail, daughter of Anubis, above the hatches of heaven, Comrade of Thoth, above the ladders rails, Open Unass path, let Unas pass. If the boatman refuses to him, the king has other plans, If you fail to ferry Unas, He will leap and sit on the wing of Thoth. Apart from the burial of Unas, only the Pyramid of Teti displays the Cannibal Hymn, a god who lives on his fathers, who feeds on his mothers. Unas is the bull of heaven Who rages in his heart, Who lives on the being of every god, Who eats their entrails When they come, the cannibal hymn later reappeared in the Coffin Texts as Spell 573. It was dropped by the time the Book of the Dead was being copied, in the first scene of Philip Glasss opera Akhnaten, the phrase Open are the double doors of the horizon is a quotation from the Pyramid Texts. More specifically, it seems to come from Utterance 220, the American death metal band Nile made a song, Unas Slayer of the Gods which contains many references to the Pyramid Texts, including the Cannibal Hymn. In the 2001 action-adventure movie, The Mummy Returns, when Imhotep gets a jar full of dust and blows it, he part of the Utterance 373. In neuer deutscher Uebersetzung, vollständig bearbeitet und herausgegeben von Wolfgang Kosack Christoph Brunner, Berlin 2012, a New Concordance of the Pyramid Texts
Pyramid Texts
–
Pyramid texts from
Teti I's pyramid.
31.
Pharaoh
–
The word pharaoh ultimately derive from the Egyptian compound pr-ˤ3 great house, written with the two biliteral hieroglyphs pr house and ˤ3 column, here meaning great or high. It was used only in larger phrases such as smr pr-ˤ3 Courtier of the High House, with specific reference to the buildings of the court or palace. From the twelfth dynasty onward, the word appears in a wish formula Great House, may it live, prosper, and be in health, but again only with reference to the royal palace and not the person. During the reign of Thutmose III in the New Kingdom, after the rule of the Hyksos during the Second Intermediate Period. During the eighteenth dynasty the title pharaoh was employed as a designation of the ruler. From the nineteenth dynasty onward pr-ˤ3 on its own was used as regularly as hm. f, the term, therefore, evolved from a word specifically referring to a building to a respectful designation for the ruler, particularly by the twenty-second dynasty and twenty-third dynasty. For instance, the first dated appearance of the pharaoh being attached to a rulers name occurs in Year 17 of Siamun on a fragment from the Karnak Priestly Annals. Here, an induction of an individual to the Amun priesthood is dated specifically to the reign of Pharaoh Siamun and this new practice was continued under his successor Psusennes II and the twenty-second dynasty kings. Shoshenq I was the successor of Siamun. Meanwhile, the old custom of referring to the sovereign simply as pr-ˤ3 continued in traditional Egyptian narratives, by this time, the Late Egyptian word is reconstructed to have been pronounced *par-ʕoʔ whence Herodotus derived the name of one of the Egyptian kings, Φερων. In the Bible, the title also occurs as פרעה, from that, Septuagint φαραώ pharaō and then Late Latin pharaō, both -n stem nouns. The Quran likewise spells it فرعون firawn with n, interestingly, the Arabic combines the original pharyngeal ayin sound from Egyptian, along with the -n ending from Greek. English at first spelt it Pharao, but the King James Bible revived Pharaoh with h from the Hebrew, meanwhile in Egypt itself, *par-ʕoʔ evolved into Sahidic Coptic ⲡⲣ̅ⲣⲟ prro and then rro. Scepters and staves were a sign of authority in ancient Egypt. One of the earliest royal scepters was discovered in the tomb of Khasekhemwy in Abydos, kings were also known to carry a staff, and Pharaoh Anedjib is shown on stone vessels carrying a so-called mks-staff. The scepter with the longest history seems to be the heqa-scepter, the earliest examples of this piece of regalia dates to pre-dynastic times. A scepter was found in a tomb at Abydos that dates to the late Naqada period, another scepter associated with the king is the was-scepter. This is a long staff mounted with an animal head, the earliest known depictions of the was-scepter date to the first dynasty
Pharaoh
–
Den
Pharaoh
–
Narmer Palette
Pharaoh
–
Nomen and prenomen of
Ramesses III
Pharaoh
–
Royal titulary
32.
Atum
–
Atum, sometimes rendered as Atem or Tem, is an important deity in Egyptian mythology. Atums name is thought to be derived from the word tem which means to complete or finish, thus he has been interpreted as being the complete one and also the finisher of the world, which he returns to watery chaos at the end of the creative cycle. As creator he was seen as the substance of the world. In the Heliopolitan creation myth, Atum was considered to be the first god, having created himself, sitting on a mound, early myths state that Atum created the god Shu and goddess Tefnut by spitting them out of his mouth. To explain how Atum did this, the uses the metaphor of masturbation. Other interpretations state that he has made union with his shadow, in the Old Kingdom the Egyptians believed that Atum lifted the dead kings soul from his pyramid to the starry heavens. He was also a deity, associated with the primary sun god Ra. Atum was linked specifically with the sun, while Ra or the closely linked god Khepri were connected with the sun at morning. Atum is the god of pre-existence and post-existence, in the binary solar cycle, the serpentine Atum is contrasted with the ram-headed scarab Khepri—the young sun god, whose name is derived from the Egyptian hpr to come into existence. Khepri-Atum encompassed sunrise and sunset, thus reflecting the solar cycle. Atum was a deity, the first being to emerge from the darkness and endless watery abyss that existed before creation. A product of the energy and matter contained in this chaos, he created his children—the first deities and he produced from his own sneeze, or in some accounts, semen, Shu, the god of air, and Tefnut, the goddess of moisture. The brother and sister, curious about the waters that surrounded them, went to explore the waters. Unable to bear his loss, Atum sent a fiery messenger, the tears of joy he shed on their return were the first human beings. He is usually depicted as a man wearing either the royal head-cloth or the white and red crown of Upper Egypt and Lower Egypt. Sometimes he also is shown as a serpent, the form he returns to at the end of the creative cycle, atums cult centered on the city of Heliopolis. The only surviving remnant of Heliopolis is the Temple of Re-Atum obelisk located in Al-Masalla of Al-Matariyyah and it was erected by Senusret I of the Twelfth dynasty, and still stands in its original position. The 68 ft high red granite obelisk weighs 120 tons, band I, Die heiligen Tiere des Atum
Atum
–
The Al-Masalla
obelisk, the largest surviving monument from Heliopolis
33.
Ancient Egyptian religion
–
Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals which were an integral part of ancient Egyptian society. It centered on the Egyptians interaction with many deities who were believed to be present in, and in control of, rituals such as prayers and offerings were efforts to provide for the gods and gain their favor. Formal religious practice centered on the pharaoh, the king of Egypt and he acted as the intermediary between his people and the gods and was obligated to sustain the gods through rituals and offerings so that they could maintain order in the universe. The state dedicated enormous resources to Egyptian rituals and to the construction of the temples, individuals could interact with the gods for their own purposes, appealing for their help through prayer or compelling them to act through magic. These practices were distinct from, but closely linked with, the formal rituals, the popular religious tradition grew more prominent in the course of Egyptian history as the status of the Pharaoh declined. Another important aspect was the belief in the afterlife and funerary practices, the Egyptians made great efforts to ensure the survival of their souls after death, providing tombs, grave goods, and offerings to preserve the bodies and spirits of the deceased. The religion had its roots in Egypts prehistory and lasted for more than 3,000 years, the details of religious belief changed over time as the importance of particular gods rose and declined, and their intricate relationships shifted. At various times, certain gods became preeminent over the others, including the sun god Ra, the creator god Amun, for a brief period, in the theology promulgated by the Pharaoh Akhenaten, a single god, the Aten, replaced the traditional pantheon. Ancient Egyptian religion and mythology left behind many writings and monuments, along with significant influences on ancient, the beliefs and rituals now referred to as ancient Egyptian religion were integral within every aspect of Egyptian culture. Their language possessed no single term corresponding to the modern European concept of religion, the characteristics of the gods who populated the divine realm were inextricably linked to the Egyptians understanding of the properties of the world in which they lived. The Egyptians believed that the phenomena of nature were divine forces in and these deified forces included the elements, animal characteristics, or abstract forces. The Egyptians believed in a pantheon of gods, which were involved in all aspects of nature and their religious practices were efforts to sustain and placate these phenomena and turn them to human advantage. This polytheistic system was complex, as some deities were believed to exist in many different manifestations. Conversely, many forces, such as the sun, were associated with multiple deities. The diverse pantheon ranged from gods with vital roles in the universe to minor deities or demons with very limited or localized functions. It could include gods adopted from foreign cultures, and sometimes humans, deceased Pharaohs were believed to be divine, and occasionally, distinguished commoners such as Imhotep also became deified. The depictions of the gods in art were not meant as representations of how the gods might appear if they were visible. Instead, these depictions gave recognizable forms to the deities by using symbolic imagery to indicate each gods role in nature
Ancient Egyptian religion
–
The gods Osiris, Anubis, and Horus, in order from left to right
Ancient Egyptian religion
–
Amun-Ra kamutef, wearing the plumed headdress of Amun and the sun disk representing Ra
Ancient Egyptian religion
–
The air god Shu, assisted by other gods, holds up Nut, the sky, as Geb, the earth, lies beneath.
Ancient Egyptian religion
–
Colossal statue of the Pharaoh
Ramesses II
34.
Duat
–
Duat was the realm of the dead in ancient Egyptian mythology. It was the realm of the deity Osiris and the residence of other gods, the Duat was the region through which the sun god Ra traveled from west to east during the night, and where he battled Apep. It was also the place where peoples souls went after death for judgement, burial chambers formed touching-points between the mundane world and the Duat, and spirits could use tombs to travel back and forth from the Duat. What is known of the Duat derives principally from funerary texts such as the Book of Gates, the Book of Caverns, the Coffin Texts, the Amduat, and the Book of the Dead. Each of these fulfilled a different purpose and gave a different perspective on the Duat. Surviving texts differ in age and origin, and there likely was never a single interpretation of the Duat. The geography of Duat is similar in outline to the world the Egyptians knew, there are realistic features like rivers, islands, fields, lakes, mounds and caverns, along with fantastic lakes of fire, walls of iron and trees of turquoise. In the Book of Two Ways, one of the Coffin Texts, the Book of the Dead and Coffin Texts were intended to guide people who had recently died through the Duats dangerous landscape and to a life as an akh or blessed spirit amongst the gods. The dead person must pass a series of gates guarded by dangerous spirits, depicted as human bodies with heads of animals, insects. These beings have equally grotesque names, for instance Blood-drinker who comes from the Slaughterhouse or One who eats the excrement of his hindquarters, other features emphasised in these texts are mounds and caverns, inhabited by gods or supernatural animals, which threatened the spirits of the dead. The purpose of the books is not to lay out a geography, if the deceased successfully passed these unpleasant demons, he or she would reach the Weighing of the Heart. In this ritual, the heart of the deceased was weighed by Anubis, using a feather, representing Maat, any hearts heavier than her feather were rejected and eaten by the Ammit, the Devourer of Souls. Those souls that were lighter than a feather passed the test would be allowed to travel toward the paradise of Aaru, in spite of the unpleasant inhabitants of the Duat, this was no Hell to which souls were condemned, the nature of Duat is more complex than that. The grotesque spirits of the underworld were not evil, but under the control of the Gods. The Duat was also a residence of gods themselves, as well as Osiris, Anubis, Thoth, Horus, Hathor and Maat all appear as a dead soul makes its way toward judgement. It was also in the underworld that the sun, Ra, travelled under the Earth upon his Atet barge from west to east and was transformed from its aged Atum form into Khepri, the new dawning Sun. Just as a person faced many challenges in the Duat. The Egyptian Book of the Dead, The Book of Going Forth by Day, chronicle Books,2000 Pinch, G. Magic in Ancient Egypt
Duat
–
A section of the Egyptian
Book of the Dead written on papyrus showing the Weighing of the Heart in Duat where
Anubis can be seen on the far right, the scales are shown with the feather balance, and
Ammit awaits hearts that she must devour – the presence of Osiris at the gateway to the paradise of Aaru dates the papyrus to a late tradition of the myth.
Duat
–
Mictlan
Duat
35.
Egyptian mythology
–
Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion, Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain an account of a myth and often describe only brief fragments. Inspired by the cycles of nature, the Egyptians saw time in the present as a series of recurring patterns, Myths are set in these earliest times, and myth sets the pattern for the cycles of the present. Present events repeat the events of myth, and in doing so renew maat, events from the present that might be regarded as myths include Ras daily journey through the world and its otherworldly counterpart, the Duat. The details of these sacred events differ greatly from one text to another, Egyptian myths are primarily metaphorical, translating the essence and behavior of deities into terms that humans can understand. Each variant of a myth represents a different symbolic perspective, enriching the Egyptians understanding of the gods and it inspired or influenced many religious rituals and provided the ideological basis for kingship. Scenes and symbols from myth appeared in art in tombs, temples, in literature, myths or elements of them were used in stories that range from humor to allegory, demonstrating that the Egyptians adapted mythology to serve a wide variety of purposes. The development of Egyptian myth is difficult to trace, Egyptologists must make educated guesses about its earliest phases, based on written sources that appeared much later. One obvious influence on myth is the Egyptians natural surroundings, thus the Egyptians saw water and the sun as symbols of life and thought of time as a series of natural cycles. This orderly pattern was at constant risk of disruption, unusually low floods resulted in famine, the hospitable Nile valley was surrounded by harsh desert, populated by peoples the Egyptians regarded as uncivilized enemies of order. For these reasons, the Egyptians saw their land as an place of stability, or maat. These themes—order, chaos, and renewal—appear repeatedly in Egyptian religious thought, another possible source for mythology is ritual. Many rituals make reference to myths and are based directly on them. But it is difficult to determine whether a cultures myths developed before rituals or vice versa, questions about this relationship between myth and ritual have spawned much discussion among Egyptologists and scholars of comparative religion in general. In ancient Egypt, the earliest evidence of religious practices predates written myths, rituals early in Egyptian history included only a few motifs from myth. For these reasons, some scholars have argued that, in Egypt, but because the early evidence is so sparse, the question may never be resolved for certain. In private rituals, which are often called magical, the myth, many of the myth-like stories that appear in the rituals texts are not found in other sources
Egyptian mythology
–
Nun, the embodiment of the primordial waters, lifts the
barque of the sun god
Ra into the sky at the moment of creation.
Egyptian mythology
–
The sky depicted as a cow goddess supported by other deities. This image combines several coexisting visions of the sky: as a roof, as the surface of a sea, as a cow, and as a goddess in human form.
Egyptian mythology
–
Temple decoration at
Dendera, depicting the goddesses Isis and
Nephthys watching over the corpse of their brother
Osiris
Egyptian mythology
–
The air god Shu, assisted by other gods, holds up Nut, the sky, as Geb, the earth, lies beneath.
36.
Ancient Egyptian concept of the soul
–
The ancient Egyptians believed that a human soul was made up of five parts, the Ren, the Ba, the Ka, the Sheut, and the Ib. In addition to these components of the soul there was the human body, the other souls were aakhu, khaibut, and khat. An important part of the Egyptian soul was thought to be the jb, the heart was believed to be formed from one drop of blood from the childs mothers heart, taken at conception. To ancient Egyptians, the heart was the seat of emotion, thought, will and this is evidenced by the many expressions in the Egyptian language which incorporate the word jb. This word was transcribed by E. A. Wallis Budge as Ab, in Egyptian religion, the heart was the key to the afterlife. It was conceived as surviving death in the world, where it gave evidence for, or against. It was thought that the heart was examined by Anubis and the deities during the Weighing of the Heart ceremony, if the heart weighed more than the feather of Maat, it was immediately consumed by the monster Ammit. A persons shadow or silhouette, Sheut, is always present, because of this, Egyptians surmised that a shadow contains something of the person it represents. Through this association, statues of people and deities were sometimes referred to as shadows, the shadow was also representative to Egyptians of a figure of death, or servant of Anubis, and was depicted graphically as a small human figure painted completely black. Sometimes people had a box in which part of their Sheut was stored. For example, part of the Book of Breathings, a derivative of the Book of the Dead, was a means to ensure the survival of the name, a cartouche often was used to surround the name and protect it. Conversely, the names of deceased enemies of the state, such as Akhenaten, were hacked out of monuments in a form of damnatio memoriae. Sometimes, however, they were removed in order to make room for the insertion of the name of a successor. The greater the number of places a name was used, the greater the possibility it would survive to be read, the Bâ was everything that makes an individual unique, similar to the notion of personality. In the Coffin Texts one form of the Bâ that comes into existence after death is corporeal, louis Žabkar argued that the Bâ is not part of the person but is the person himself, unlike the soul in Greek, or late Judaic, Christian or Muslim thought. The word bau, plural of the ba, meant something similar to impressiveness, power. When a deity intervened in human affairs, it was said that the Bau of the deity were at work. The Ka was the Egyptian concept of essence, which distinguishes the difference between a living and a dead person, with death occurring when the ka left the body
Ancient Egyptian concept of the soul
–
This golden Ba amulet from the
Ptolemaic period would have been worn as an
apotropaic device.
Walters Art Museum,
Baltimore.
Ancient Egyptian concept of the soul
–
Ba takes the form of a bird with a human head.
37.
Ancient Egyptian burial customs
–
The ancient Egyptians had an elaborate set of funerary practices that they believed were necessary to ensure their immortality after death. These rituals and protocols included mummifying the body, casting of magic spells, the burial process used by the ancient Egyptians evolved throughout time as old customs were discarded and new ones adopted, but several important elements of the process persisted. Although specific details changed over time, the preparation of the body, the rituals involved. Though no writing survives from Predynastic Egypt, scholars believe the importance of the physical body and this would explain why people of that time did not follow the common practice of cremation, but rather buried the dead. Some also believe they may have feared the bodies would rise again if mistreated after death, early bodies were buried in simple, shallow oval pits, with a few burial goods. Sometimes multiple people and animals were placed in the same grave, over time, graves became more complex, with the body placed in a wicker basket, then later in wooden or terracotta coffins. The latest tombs Egyptians made were sarcophaguses and these graves contained burial goods like jewelry, food, games and sharpened splint. This demonstrates that this ancient period had a sense of the afterlife and this may be because admission required that the deceased must be able to serve a purpose there. The pharaoh was allowed in because of his role in life, human sacrifices found in early royal tombs reinforce this view. These people were meant to serve the pharaoh during his eternal life. Eventually, figurines and wall paintings begin to replace human victims, some of these figurines may have been created to resemble certain people, so they could follow the pharaoh after their lives ended. Note that not only the classes had to rely on the pharaoh’s favor. They believed that when he died, the became a type of god. This belief existed from the period through the Old Kingdom. In the First Intermediate Period, however, the importance of the pharaoh declined, funerary texts, previously restricted to royal use, became more widely available. The first farmers in Egypt are known from the villages of Omari, the people of these villages buried their dead in a simple, round graves with one pot. The body was neither treated nor arranged in a way as would be the case later in the historical period. Without any written evidence, there is little to provide information about contemporary beliefs concerning the afterlife except for the inclusion of a single pot in the grave
Ancient Egyptian burial customs
–
Professional mourners in an eloquent gesture of
mourning.
Ancient Egyptian burial customs
–
Female Figure, ca. 3500-3400 B.C.E.,
Brooklyn Museum
Ancient Egyptian burial customs
–
Mask from a Coffin. Cartonnage, 37.1387E,
Brooklyn Museum
38.
Ancient Egyptian offering formula
–
The Ancient Egyptian offering formula, generally referred to as the ḥtp-dỉ-nsw formula by Egyptologists, was written as an offering for the deceased in the ancient Egyptian religion. All ancient Egyptian offering formulas share the basic structure, but there is a great deal of variety in which deities and offerings are mentioned. That he may give a voice-offering of bread, beer, oxen, birds, alabaster, clothing, for the ka of the revered Senwosret, True of Voice. The offering formula is found carved or painted onto funerary stelae, false doors, coffins. Each person would, of course, have their own name, the offering formula was not a royal prerogative like some of the other religious texts such as the Litany of Re, and was used by anyone who could afford to have one made. The offering formula always begins with the phrase, ḥtp dỉ nsw This phrase comes from Old Egyptian, because the king was seen as an intermediary between the people of Egypt and the gods, the offering was made through him. Next the formula names a god of the dead and several of his epithets, usually Osiris, Anubis, or Geb or another deity. The following phrase is an invocation of Osiris, wsỉr nb ḏdw, nṯr ꜥꜣ, nb ꜣbḏw which means Osiris, the lord of Busiris, the great god. There was apparently no set rule about what epithets were used, however Lord of Busiris, Great God, after the list of deities and their titles, the formula proceeds with a list of the ḫrt-prw, or invocation offerings. The list is always preceded by the phrase, or dỉ=f prt-ḫrw or dỉ=sn prt-ḫrw which means He give invocation offerings, the last part of the offering formula lists the name and titles of the recipient of the invocation offerings. For example, n kꜣ n ỉmꜣḫy s-n-wsrt, mꜣꜥ-ḫrw which means for the ka of the revered Senwosret, Egyptian mythology Egyptian soul Ancient Egyptian burial customs Ancient Egyptian funerary texts Bennett, C. Growth of the ḤTP-DI-NSW Formula in the Middle Kingdom, the Middle Kingdom Offering Formulas—A Challenge. Die Opferformel des Alten Reiches unter Berücksichtigung einiger später Formen, mainz am Rhein, Verlag Philipp von Zabern. The Writing of the ḤTP-DI-NSW Formula in the Middle and New Kingdoms, telford, Mark Patrick, Death And The Afterlife
Ancient Egyptian offering formula
–
The offering formula shown on a funerary stela. On this particular stela, the formula begins on the first line and reads from right to left
39.
Egyptian temple
–
Egyptian temples were built for the official worship of the gods and in commemoration of the pharaohs in ancient Egypt and regions under Egyptian control. Temples were seen as houses for the gods or kings to whom they were dedicated and these rituals were seen as necessary for the gods to continue to uphold maat, the divine order of the universe. Housing and caring for the gods were the obligations of pharaohs, nevertheless, a temple was an important religious site for all classes of Egyptians, who went there to pray, give offerings, and seek oracular guidance from the god dwelling within. The most important part of the temple was the sanctuary, which contained a cult image. These edifices are among the largest and most enduring examples of Egyptian architecture and their typical design consisted of a series of enclosed halls, open courts, and massive entrance pylons aligned along the path used for festival processions. Beyond the temple proper was a wall enclosing a wide variety of secondary buildings. A large temple also owned sizable tracts of land and employed thousands of laymen to supply its needs, temples were therefore key economic as well as religious centers. The priests who managed these powerful institutions wielded considerable influence, temple-building in Egypt continued despite the nations decline and ultimate loss of independence to the Roman Empire. With the coming of Christianity, however, Egyptian religion faced increasing persecution, for centuries, the ancient buildings suffered destruction and neglect. Dozens of temples survive today, and some have become world-famous tourist attractions that contribute significantly to the modern Egyptian economy, Egyptologists continue to study the surviving temples and the remains of destroyed ones, as they are invaluable sources of information about ancient Egyptian society. Ancient Egyptian temples were meant as places for the gods to reside on earth, indeed, the term the Egyptians most commonly used to describe the temple building, ḥwt-nṯr, means mansion of a god. A gods presence in the temple linked the human and divine realms and these rituals, it was believed, sustained the god and allowed it to continue to play its proper role in nature. They were therefore a key part of the maintenance of maat, maintaining maat was the entire purpose of Egyptian religion, and it was the purpose of a temple as well. Because he was credited with divine power himself, the pharaoh, as a king, was regarded as Egypts representative to the gods. Thus, it was theoretically his duty to perform the temple rites, the pharaoh was nevertheless obligated to maintain, provide for, and expand the temples throughout his realm. Although the pharaoh delegated his authority, the performance of rituals was still an official duty. The participation of the populace in most ceremonies was prohibited. Much of the lay religious activity in Egypt instead took place in private and community shrines, however, as the primary link between the human and divine realms, temples attracted considerable veneration from ordinary Egyptians
Egyptian temple
–
The Temple of
Isis at
Philae, with
pylons and an enclosed court on the left and the inner building at right
Egyptian temple
–
Low relief of
Seti I performing rituals for the god
Amun
Egyptian temple
–
Sunk relief of personified
provinces of Egypt bearing offerings for the temple god
Egyptian temple
–
Reconstruction of an Old Kingdom pyramid temple, with causeway leading out to the valley temple
40.
Egyptian pantheon
–
Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt. The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, the gods complex characteristics were expressed in myths and in intricate relationships between deities, family ties, loose groups and hierarchies, and combinations of separate gods into one. Deities diverse appearances in art—as animals, humans, objects, and combinations of different forms—also alluded, through symbolism, to their essential features. In different eras, various gods were said to hold the highest position in society, including the solar deity Ra, the mysterious god Amun. The highest deity was usually credited with the creation of the world, some scholars have argued, based in part on Egyptian writings, that the Egyptians came to recognize a single divine power that lay behind all things and was present in all the other deities. Gods were assumed to be present throughout the world, capable of influencing natural events, people interacted with them in temples and unofficial shrines, for personal reasons as well as for larger goals of state rites. Egyptians prayed for help, used rituals to compel deities to act. Humans relations with their gods were a part of Egyptian society. The beings in ancient Egyptian tradition who might be labeled as deities are difficult to count, Egyptian texts list the names of many deities whose nature is unknown and make vague, indirect references to other gods who are not even named. The Egyptologist James P. Allen estimates that more than 1,400 deities are named in Egyptian texts, the Egyptian languages terms for these beings were nṯr, god, and its feminine form nṯrt, goddess. Scholars have tried to discern the nature of the gods by proposing etymologies for these words, but none of these suggestions has gained acceptance. The hieroglyphs that were used as ideograms and determinatives in writing these words show some of the traits that the Egyptians connected with divinity, the most common of these signs is a flag flying from a pole. Similar objects were placed at the entrances of temples, representing the presence of a deity, other such hieroglyphs include a falcon, reminiscent of several early gods who were depicted as falcons, and a seated male or female deity. The feminine form could also be written with an egg as determinative, connecting goddesses with creation and birth, or with a cobra, the Egyptians distinguished nṯrw, gods, from rmṯ, people, but the meanings of the Egyptian and the English terms do not match perfectly. The term nṯr may have applied to any being that was in some way outside the sphere of everyday life, Egyptian religious art also depicts places, objects, and concepts in human form. These personified ideas range from deities that were important in myth and ritual to obscure beings, only mentioned once or twice, confronting these blurred distinctions between gods and other beings, scholars have proposed various definitions of a deity. One widely accepted definition, suggested by Jan Assmann, says that a deity has a cult, is involved in some aspect of the universe, according to a different definition, by Dimitri Meeks, nṯr applied to any being that was the focus of ritual. From this perspective, gods included the king, who was called a god after his coronation rites, and deceased souls, likewise, the preeminence of the great gods was maintained by the ritual devotion that was performed for them across Egypt
Egyptian pantheon
–
The gods
Osiris,
Anubis, and
Horus
Egyptian pantheon
–
Isis, a
mother goddess and a patroness of kingship, holds Pharaoh
Seti I in her lap.
Egyptian pantheon
–
The sky goddess Nut swallows the sun, which travels through her body at night to be reborn at dawn.
Egyptian pantheon
–
Deities personifying
provinces of Egypt
41.
Amun
–
Amun was a major Ancient Egyptian deity. He was attested since the Old Kingdom together with his wife Amaunet, with the 11th dynasty, he rose to the position of patron deity of Thebes by replacing Monthu. After the rebellion of Thebes against the Hyksos and with the rule of Ahmose I, Amun acquired national importance, expressed in his fusion with the Sun god, Ra, Amun-Ra retained chief importance in the Egyptian pantheon throughout the New Kingdom. Amun-Ra in this period held the position of transcendental, self-created creator deity par excellence, he was the champion of the poor or troubled and his position as King of Gods developed to the point of virtual monotheism where other gods became manifestations of him. With Osiris, Amun-Ra is the most widely recorded of the Egyptian gods, as the chief deity of the Egyptian Empire, Amun-Ra also came to be worshipped outside of Egypt, according to the testimony of ancient Greek historiographers in Libya and Nubia. As Zeus Ammon he came to be identified with Zeus in Greece, Amun and Amaunet are mentioned in the Old Egyptian Pyramid Texts. The name Amun meant something like the one or invisible. Amun rose to the position of tutelary deity of Thebes after the end of the First Intermediate Period, as the patron of Thebes, his spouse was Mut. In Thebes, Amun as father, Mut as mother and the Moon god Khonsu formed a family or Theban Triad. The history of Amun as the god of Thebes begins in the 20th century BC. The city of Thebes does not appear to have been of great significance before the 11th dynasty, major construction work in the Precinct of Amun-Re took place during the 18th dynasty when Thebes became the capital of the unified ancient Egypt. Construction of the Hypostyle Hall may have begun during the 18th dynasty, though most building was undertaken under Seti I. Merenptah commemorated his victories over the Sea Peoples on the walls of the Cachette Court and this Great Inscription shows the kings campaigns and eventual return with booty and prisoners. Next to this inscription is the Victory Stela, which is largely a copy of the more famous Israel Stela found in the complex of Merenptah on the west bank of the Nile in Thebes. Merenptahs son Seti II added 2 small obelisks in front of the Second Pylon, and this was constructed of sandstone, with a chapel to Amun flanked by those of Mut and Khonsu. The last major change to the Precinct of Amun-Res layout was the addition of the first pylon, the local patron deity of Thebes, Amun, therefore became nationally important. The pharaohs of that new dynasty attributed all their enterprises to Amun. The victory accomplished by pharaohs who worshipped Amun against the rulers, brought him to be seen as a champion of the less fortunate
Amun
–
Amon-Ra (l'esprit des quatre elements, lame du monde matérial),N372.2.,
Brooklyn Museum
Amun
–
Bas-relief depicting Amun as
pharaoh
Amun
–
Amun-Min as Amun-Ra ka-Mut-ef from the temple at Deir el Medina.
Amun
–
The
sarcophagus of a priestess of Amon-Ra, c. 1000 BC –
Smithsonian 's
National Museum of Natural History
42.
Amunet
–
Amunet was a primordial goddess in Ancient Egyptian religion. She is a member of the Ogdoad and the consort of Amun and her name, meaning the female hidden one, was simply the feminine form of Amuns own name. It is possible that she was never an independent deity, as the first mention of either of them is in a pair, at Karnak, Amuns cult center, priests were dedicated to Amunets service. The goddess also played a part in ceremonies such as the Sed festival. Amunet was depicted as a woman wearing the Red Crown and carrying a staff of papyrus, in late texts from Karnak she was syncretized with Neith, although she remained a distinct deity as late as the Ptolemaic period. In the TV series Penny Dreadful, the character of Vanessa Ives is implied to be an incarnation of Amunet, in the TV series Stargate SG-1, Amaunet is a recurring Goauld character and consort of Apophis. Amunet will appear portrayed by Sofia Boutella in a fictionalized characterization, the film will serve as the first official installment in the Universal Monsters Cinematic Universe
Amunet
–
Bas relief of Amunet in Luxor.
43.
Anhur
–
In early Egyptian mythology, Anhur was originally a god of war who was worshipped in the Egyptian area of Abydos, and particularly in Thinis. Myths told that he had brought his wife, Mehit, who was his counterpart, from Nubia. One of his titles was Slayer of Enemies, Anhur was depicted as a bearded man wearing a robe and a headdress with four feathers, holding a spear or lance, or occasionally as a lion-headed god. In some depictions, the robe was more similar to a kilt, due to his position as a war god, he was patron of the ancient Egyptian army, and the personification of royal warriors. Indeed, at festivals honoring him, mock battles were staged, during the Roman era the Emperor Tiberius was depicted on the walls of Egyptian temples wearing the distinctive four-plumed crown of Anhur. The Greeks equated Anhur to their god of war, Ares, in the legend of Olympian gods fleeing from Typhon and taking animal form in Egypt, Ares was said to have taken the form of a fish as Lepidotus or Onuris. Anhurs name also could mean Sky Bearer and, due to the headdress, Anhur was later identified with Shu. He is the son of Ra and brother of Bastet if identified as Shu, amenhotep, from the time of Thutmose IV. Amenhoteps wife Henut was a songstress of Anhur and their sons Hat and Kenna were Chariot Warriors of His Majesty. Known from a now in the British Museum. Nebwenenef High Priest of Anhur during the reign of Sety I, was appointed High Priest of Amun in the beginning of the reign of Ramesses II. Hori Minmose, son of the High Priest of Anhur Hori, from the reign of Ramesses II. Anhurmose, from the time of Merenptah, sishepset, from the time of Ramesses III Harsiese, mentioned on an ostracon in Abydos Anhur is a playable character in the multiplayer online battle arena, SMITE. Anhur is a hunter and bears title the Slayer of Enemies and is shown in his lion form maintaining his beard, robe, Anhur is also a chaotic god in the computer game NetHack/SlashEM. Onuris has a role in the 2012 fantasy novel The Serpents Shadow as a presumed dead god who is revived in order to destroy the Lord of Chaos
Anhur
–
Amulet of Anhur
Anhur
–
Anhur was depicted wearing a headdress of two or four tall feathers.
44.
Anuket
–
Anuket was the personification and goddess of the Nile river in the Egyptian mythology in Elephantine, at the start of the Niles journey through Egypt, and in nearby regions of Nubia. In Ancient Egyptian, she was known as Anuket, Anaka and her name meant the Clasper or Embracer. In Greek, this became Anoukis, sometimes also spelled Anukis, in the interpretatio graeca, she was considered equivalent to Hestia or Vesta. Anuket was usually depicted as a woman with a headdress of either reed or ostrich feathers and she was usually depicted as holding a Sceptre topped with an ankh, and her sacred animal was the gazelle. She was also shown suckling the Pharaoh through the New Kingdom, in later periods, she was assoiciated with the Cowry, especially the shell, which resembled the vagina. She was originally the daughter of Ra, but was related to Satet in some way. For example, both goddesses were called the Eye of Ra, along with Bastet, Hathor, and Sekhmet, also, they were both related in some way to the Uraeus. Anuket was part of a triad with the god Khnum, and she may have been the sister of the goddess Satis or she may have been a junior consort to Khnum instead. A temple dedicated to Anuket was erected on the Island of Seheil, inscriptions show that a shrine or altar was dedicated to her at this site by the 13th dynasty Pharaoh Sobekhotep III. Much later, during the 18th dynasty, Amenhotep II dedicated a chapel to the goddess, during the New Kingdom, Anuket’s cult at Elephantine included a river procession of the goddess during the first month of Shemu. Inscriptions mention the processional festival of Khnum and Anuket during this time period, ceremonially, when the Nile started its annual flood, the Festival of Anuket began. People threw coins, gold, jewelry, and precious gifts into the river, in thanks for the life-giving water, Anoukis, Encyclopædia Britannica, 9th ed. Vol. II, New York, Charles Scribners Sons,1878, p.90
Anuket
–
Reliefs of
Senusret III and
Neferhotep I making offerings to Anuket on Seheil.
Anuket
–
Anouké ou Anouki (Anucè, Anucis, Istia, Estia, Vesta), N372.2,
Brooklyn Museum
Anuket
–
v
45.
Apep
–
Apep or Apophis was the ancient Egyptian deity who embodied chaos and was thus the opponent of light and Maat. He appears in art as a giant serpent and his name is reconstructed by Egyptologists as *ʻAʼpāpī, as it was written ꜥꜣpp and survived in later Coptic as Ⲁⲫⲱⲫ Aphōph. Apep was first mentioned in the Eighth Dynasty, and he was honored in the names of the Fourteenth Dynasty king Apepi, Ra was the solar deity, bringer of light, and thus the upholder of Maat. Apep was viewed as the greatest enemy of Ra, and thus was given the title Enemy of Ra, as the personification of all that was evil, Apep was seen as a giant snake or serpent leading to such titles as Serpent from the Nile and Evil Lizard. Some elaborations said that he stretched 16 yards in length and had a made of flint. Also, comparable hostile snakes as enemies of the sun god existed under other names already before the name Apep occurred, the etymology of his name is perhaps to be sought in some west-semitic language where a word root ꜣpp meaning to slither existed. A verb root ꜥꜣpp does at any rate not exist elsewhere in Ancient Egyptian, Apeps name much later came to be falsely connected etymologically in Egyptian with a different root meaning spat out, the Romans referred to Apep by this translation of his name. Apophis was a golden snake known to be miles long. He was so large that he attempted to swallow the sun every day, tales of Apeps battles against Ra were elaborated during the New Kingdom. Storytellers said that every day Apep must lie just below the horizon and this appropriately made him a part of the underworld. In some stories Apep waited for Ra in a mountain called Bakhu, where the sun set. The wide range of Apeps possible location gained him the title World Encircler and it was thought that his terrifying roar would cause the underworld to rumble. Myths sometimes say that Apep was trapped there, because he had been the chief god overthrown by Ra. The Coffin Texts imply that Apep used a magical gaze to overwhelm Ra, Ra was assisted by a number of defenders who travelled with him, including Set and possibly the Eye of Ra. Apeps movements were thought to cause earthquakes, and his battles with Set may have meant to explain the origin of thunderstorms. In some accounts, Ra himself defeats Apep in the form of a cat, Ra was worshipped, and Apep worshipped against. Ras victory each night was thought to be ensured by the prayers of the Egyptian priests, the Egyptians practiced a number of rituals and superstitions that were thought to ward off Apep, and aid Ra to continue his journey across the sky. The Egyptian priests had a guide to fighting Apep, referred to as The Books of Overthrowing Apep
Apep
–
Atum and snake Apep
Apep
–
Set speared Apep
46.
Apis (god)
–
In Egyptian mythology, Apis or Hapis is a sacred bull worshipped in the Memphis region. Identified as the son of Hathor, a deity in the pantheon of Ancient Egypt. Initially, he was assigned a significant role in her worship, being sacrificed, later, Apis also served as an intermediary between humans and other powerful deities. Apis was very important among all of the animals in Egypt, and, as with the others. Auguste Mariettes excavation of the Serapeum of Saqqara revealed the tombs of more than sixty animals, at first, each animal was buried in a separate tomb with a chapel built above it. The current available historical documentary and archaeological evidence suggests the Apis was the first god of Egypt, worship of an Apis bull began during the First Dynasty, which is after the year 2686 BCE. The Apis as a bull experienced by ancient Egyptians as holy, was worshipped at Memphis, worship of the Apis as a god seems to belong to ancient culture of Egypt during the Second Dynasty. According to Manetho, worship of the Apis was instituted by Kaiechos of the Second Dynasty, Apis is named on very early monuments, but little is known of the divine animal before the New Kingdom. This Osorapis was identified with Serapis of the late Hellenistic period, creating parallels to their own religious beliefs, ancient Greek writers identified Apis as an incarnation of Osiris, ignoring the connection with Ptah. During the start of the Hellenistic period, Ptolemy Soter, who ruled for the period 323-283 BCE, Apis was the most popular of three great bull cults of ancient Egypt, the others being the cults of Mnevis and Buchis. All are related to the worship of Hathor or Bat, similar primary goddesses separated by region until unification that eventually merged as Hathor, the worship of Apis was continued by the Greeks and after them by the Romans, and lasted until almost 400 CE. This animal was chosen because it symbolized the heart, great strength. Apis came to being considered a manifestation of the king, as bulls were symbols of strength and fertility, strong bull of his mother Hathor was a common title for Egyptian gods and male kings, being unused for women serving as king, such as Hatshepsut. As early as the time of the Narmer Palette, the king is depicted with a tail on one side. Occasionally, Apis was pictured with the symbol of his mother, Hathor. When the disk was depicted on his head with his horns below and the marking on his forehead. That symbol always was associated with Hathor. Early on, Apis was the herald of Ptah, the deity in the area around Memphis
Apis (god)
–
Statue of Apis, Thirtieth dynasty of Egypt (Louvre)
Apis (god)
–
Api or Hapi (Apis, Taureau Consacré a la Lune), N372.2,
Brooklyn Museum
Apis (god)
–
Stele dedicated to an Apis, dating to Year 21 of
Psamtik I (c.644 BCE)
Apis (god)
–
Bust of the Hellenistic-Egyptian god Serapis, Roman copy of an original by
Bryaxis which stood at the Serapeion of
Alexandria,
Vatican Museums.
47.
Aten
–
Aten is the disk of the sun in ancient Egyptian mythology, and originally an aspect of the god Ra. The deified Aten is the focus of the religion of Atenism established by Amenhotep IV, in his poem Great Hymn to the Aten, Akhenaten praises Aten as the creator, giver of life, and nurturing spirit of the world. Aten does not have a Creation Myth or family, but is mentioned in the Book of the Dead, the worship of Aten was eradicated by Horemheb. By analogy, the term silver aten was sometimes used to refer to the moon, the solar Aten was extensively worshipped as a god in the reign of Amenhotep III, when it was depicted as a falcon-headed man much like Ra. The full title of Akhenatens god was Ra-Horakhty who rejoices in the horizon, the god is also considered to be both masculine and feminine simultaneously. All creation was thought to emanate from the god and to exist within the god, in particular, the god was not depicted in anthropomorphic form, but as rays of light extending from the suns disk. Furthermore, the name came to be written within a cartouche, along with the titles normally given to a Pharaoh. Ra-Horus, more usually referred to as Ra-Horakhty, is a synthesis of two gods, both of which are attested from very early on. During the Amarna period, this synthesis was seen as the source of energy of the sun god, of which the visible manifestation was the Aten. Thus Ra-Horus-Aten was a development of old ideas which came gradually, the real change, as some see it, was the apparent abandonment of all other gods, especially Amun-Ra, prohibition of idolatry, and the debatable introduction of quasi-monotheism by Akhenaten. The syncretism is readily apparent in the Great Hymn to the Aten in which Re-Herakhty, Shu, others see Akhenaten as a practitioner of an Aten monolatry, as he did not actively deny the existence of other gods, he simply refrained from worshipping any but the Aten. Other scholars call the religion henotheistic, principles of Atens religion were recorded on the rock tomb walls of Akhetaten. In the religion of Aten, night is a time to fear, work is done best when the sun, Aten, is present. Aten cares for every creature, and created a Nile river in the sky for the Syrians, Aten created all countries and people. The rays of the sun disk only holds out life to the family, everyone else receives life from Akhenaten. When a good person dies, he/she continues to live in the City of Light for the dead in Akhetaten, the conditions are the same after death. Akhenaten judged whether someone should be granted an afterlife, and operated the scale of justice, the explanation as to why Aten could not be fully represented was that the god has gone beyond creation. The cult centre of Aten was at the new city Akhetaten, some other cities include Thebes
Aten
–
Pharaoh
Akhenaten and his family adoring the Aten, second from the left is
Meritaten who was the daughter of Akhenaten.
Aten
–
Small Temple of the Aten at Akhetaten
Aten
–
Pharaohs
48.
Bastet
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Bastet was a goddess in ancient Egyptian religion, worshiped as early as the 2nd Dynasty. As Bast, she was the goddess of warfare in Lower Egypt and her name is also translated as Baast, Ubaste, and Baset. In Greek mythology, she is known as Ailuros. The uniting Egyptian cultures had deities that shared similar roles and usually the same imagery, in Upper Egypt, Sekhmet was the parallel warrior lioness deity. Often similar deities merged into one with the unification, but that did not occur with these deities having such strong roots in their cultures, instead, these goddesses began to diverge. During the 22nd Dynasty, Bast had transformed from a lioness deity into a major protector deity represented as a cat. Bastet, the associated with this later identity, is the name commonly used by scholars today to refer to this deity. Bastet, the form of the name which is most commonly adopted by Egyptologists today because of its use in later dynasties, is a modern convention offering one possible reconstruction, in early Egyptian, her name appears to have been bꜣstt. In Egyptian writing, the second t marks a feminine ending, but was not usually pronounced, by the first millennium, then, bꜣstt would have been something like *Ubaste in Egyptian speech, later becoming Coptic Oubaste. During later dynasties, the deity remained, but was assigned a role in the pantheon by bearing the name Bastet. This happened after Thebes became the capital of Ancient Egypt during the 18th Dynasty, diminishing her status, they began referring to the deity with the added suffix, as Bastet, and their use of the new name was well-documented, becoming very familiar to researchers. By the 22nd Dynasty the transition had occurred in all regions, what the name of the goddess means remains uncertain. One recent suggestion by Stephen Quirke explains it as meaning She of the ointment jar and this ties in with the observation that her name was written with the hieroglyph for ointment jar and that she was associated with protective ointments, among other things. The name of the known as alabaster might, through Greek. Bastet was originally a warrior goddess of the sun throughout most of ancient Egyptian history. Greeks occupying ancient Egypt toward the end of its civilization changed her into a goddess of the moon, as protector of Lower Egypt, she was seen as defender of the pharaoh, and consequently of the later chief male deity, Ra. Along with the lioness goddesses, she would occasionally be depicted as the embodiment of the Eye of Ra. She has been depicted as fighting the evil snake named Apep, images of Bastet were often created from alabaster
Bastet
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Photograph of an alabaster cosmetic jar topped with a lioness, representing Bast, an 18th dynasty burial artifact from the tomb of
Tutankhamun circa 1323 BC - Cairo Museum
Bastet
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Wadjet-Bast, with a lioness head of Bast, the solar disk, and the cobra that represents Wadjet
Bastet
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Ancient Egyptian statue of Bastet after becoming represented as a domestic cat
Bastet
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The
Gayer-Anderson cat, believed to be a representation of Bastet
49.
Bat (goddess)
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Bat was a cow goddess in Egyptian mythology depicted as a human face with cow ears and horns. By the time of the Middle Kingdom, her identity and attributes were subsumed within the goddess Hathor, the worship of Bat dates to earliest times and may have its origins in Late Paleolithic cattle herding. Bat was the goddess of Seshesh, otherwise known as Hu or Diospolis Parva. The epithet Bat may be linked to the word ba with the suffix t. A persons ba roughly equates to his or her personality or emanation and is translated as soul. Although it was rare for Bat to be depicted in painting or sculpture. In other instances she was pictured as a bovine creature surrounded by stars or as a human woman. More commonly, Bat was depicted on amulets, with a face, but with bovine features, such as the ears of a cow. Bat became strongly associated with the sistrum, and the center of her cult was known as the Mansion of the Sistrum, the sistrum is a musical instrument, shaped like an ankh, that was one of the most frequently used sacred instruments in ancient Egyptian temples. Some instruments would include depictions of Bat, with her head and neck as the handle and base, the imagery is repeated on each side, having two faces, as mentioned in the Pyramid Texts. I am Praise, I am Majesty, I am Bat with Her Two Faces, I am the One Who Is Saved, the imagery of Bat as a divine cow was remarkably similar to that of Hathor, a parallel goddess from Lower Egypt. In two dimensional images, both goddesses often are depicted straight on, facing the onlooker and not in profile in accordance with the usual Egyptian convention, the significant difference in their depictions is that Bats horns curve inward and Hathors curve outward slightly. It is possible that this could be based in the different breeds of cattle herded at different times. Hathors cult center was in the 6th Nome of Upper Egypt, adjacent to the 7th where Bat was the cow goddess, by the Middle Kingdom, the cult of Hathor had again absorbed that of Bat in a manner similar to other mergers in the Egyptian pantheon. The goddess Bat - discussion on Philae The goddess Bat - discussion on Egyptian Myths
Bat (goddess)
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The
Narmer Palette,
Bat flanks the top of both sides.
Bat (goddess)
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Both
Hathor (left) and Bat flank
Menkaure in this Fourth Dynasty triad statue. The goddesses provide the authority for him to be king and are identified by their crowns. The emblem on Bat's crown represents the
sistrum, though the crown also includes her
zoomorphic face and the feather of
Ma'at. -
Cairo Museum
Ancient Egypt portal
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. doi:10.1088/0004-637X/773/1/1.
