1.
Baroque pop
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Baroque pop is a pop music subgenre that fuses classical music, orchestral pop, rock, and Baroque music. It is identifiable for its use of melodies, functional harmony patterns. The genre emerged in the 1960s after pop musicians and record producers began placing the harpsichord in the foreground of their arrangements, other typical baroque pop instrumentation includes string sections, French horns, and oboes. Baroque pops mainstream popularity faded by the 1970s, partially because punk rock, disco and hard rock took over, nonetheless, music was still produced within the genres tradition. Philadelphia soul in the 1970s and chamber pop in the 1990s both incorporated the spirit of baroque pop while the latter contested much of the low fidelity musical aesthetic. Baroque pop, stylistically, fuses elements of rock with classical music, often incorporating layered harmonies, strings and its prominent characteristics are the use of contrapuntal melodies and functional harmony patterns. It was intended to be a serious and mature outgrowth of rock music. English baroque is used by journalist Bob Stanley to describe a subset that existed between 1968 and 1973, starting in the 1960s, pop musicians and record producers like Phil Spector and the Beach Boys Brian Wilson began placing the harpsichord in the foreground of their arrangements. Harpsichords were widely available in recording studios, and had used in popular music since as early as the 1940s. One of the first pop hits to use a harpsichord was the Jamies Summertime, Summertime. Later examples range from the Beach Boys I Get Around and When I Grow Up to the Righteous Brothers Youve Lost That Lovin Feelin and the Mamas & the Papas Monday, Monday. The Boston Globes Matthew Guerriri speculates that the harpsichord may have been desirable for its buzzing, stinging timbre, slates Forrest Wickman credits Wilson and the Beatles producer, George Martin, as some of the men most responsible for the move into baroque pop. Along with Burt Bacharach, Spector had melded pop music with classical elements before they were melded with rock, writer Andrew Jackson suggests that the era of baroque pop in which rock melded with classical elements was prefaced by the Rolling Stones and Brian Wilson. The Beatles benefited from the music skills of Martin, who played a baroque harpsichord solo on the song In My Life. Author Joe Harrington noted that after its release, many baroque-rock works would soon appear, producer Tommy LiPuma believed, Once the Beatles featured that harpsichord sound on In My Life, pop producers began working it in. The genre is traced to the United States and the United Kingdom, by early 1966, various groups began using baroque and classical instrumentation, described as a baroque rock movement by Gendron. The Zombies single Shes Not There marked a point for British baroque pop. Stanley explains that the song didnt feature any oboes but stuck out rather dramatically in 1964, Shes Not There would inspire New York musician Michael Brown to form the Left Banke, whose song Walk Away Renée is considered by Stanley to be the first recognizable baroque pop single
2.
British people
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British people, or Britons, are the citizens of the United Kingdom, British Overseas Territories, and Crown dependencies, and their descendants. British nationality law governs modern British citizenship and nationality, which can be acquired, for instance, although early assertions of being British date from the Late Middle Ages, the creation of the united Kingdom of Great Britain in 1707 triggered a sense of British national identity. The notion of Britishness was forged during the Napoleonic Wars between Britain and the First French Empire, and developed further during the Victorian era, because of longstanding ethno-sectarian divisions, British identity in Northern Ireland is controversial, but it is held with strong conviction by unionists. Modern Britons are descended mainly from the ethnic groups that settled in the British Isles in and before the 11th century, Prehistoric, Celtic, Roman, Anglo-Saxon, Norse. The British are a diverse, multi-national and multicultural society, with regional accents, expressions. Although none of his own writings remain, writers during the time of the Roman Empire made much reference to them, the group included Ireland, which was referred to as Ierne inhabited by the different race of Hiberni, and Britain as insula Albionum, island of the Albions. The term Pritani may have reached Pytheas from the Gauls, who used it as their term for the inhabitants of the islands. Greek and Roman writers, in the 1st century BC and the 1st century AD, name the inhabitants of Great Britain and Ireland as the Priteni, the origin of the Latin word Britanni. It has been suggested that name derives from a Gaulish description translated as people of the forms. By 50 BC Greek geographers were using equivalents of Prettanikē as a name for the British Isles. However, the term Britannia persisted as the Latin name for the island, during the Middle Ages, and particularly in the Tudor period, the term British was used to refer to the Welsh people and Cornish people. At that time, it was the held belief that these were the remaining descendants of the ancient Britons. This notion was supported by such as the Historia Regum Britanniae. Wales and Cornwall, and north, i. e. Cumbria, Strathclyde and this legendary Celtic history of Great Britain is known as the Matter of Britain. The indigenous people of the British Isles have a combination of Celtic, Norse, Anglo-Saxon, oppenheimer continues that the majority of the people of the British Isles share genetic commonalities with the Basques, ranging from highs of 90% in Wales to lows of 66% in East Anglia. Oppenheimers opinion is that. by far the majority of male gene types in the British Isles derive from Iberia, ranging from a low of 59% in Fakenham, Norfolk to highs of 96% in Llangefni, north Wales. The English had been unified under a single state in 937 by King Athelstan of Wessex after the Battle of Brunanburh. However, historian Simon Schama suggested that it was Edward I of England who was responsible for provoking the peoples of Britain into an awareness of their nationhood in the 13th century
3.
The Futureheads
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The Futureheads are an English post-punk band from Sunderland. Consisting of Ross Millard, Barry Hyde, David Jaff Craig and their name comes from the title of The Flaming Lips album Hit to Death in the Future Head. The bands influences included new wave and post-punk bands such as Gang of Four, Devo, XTC, Wire, the band met at City of Sunderland College as a quartet consisting of Barry Hyde, David Jaff Craig, Peter Brewis, and Ross Millard. Millard and Craig had been in local band together previously. They used the Sunderland City Detached Youth Project building as a practice space. They first performed in 2000, and through word-of-mouth their reputation in the area grew. Hydes younger brother Dave replaced Brewis, in an interview with Channel 4s 4Music, Barry Hyde revealed that Dave Hyde was given a golden guitar by his parents when he was young. But Barry had taken it off him to learn to strum his first chords, Dave was left with nothing, forcing him to take up the drums. The Futureheads played their first gig at Ashbrooke Cricket and Rugby Club in December 2000 and they debuted with their Nul Book Standard EP and then their 123 Nul EP on 10 March 2003, and later that year released their first single, First Day, on 4 August. First Day peaked at No.58 in the UK Singles Chart in August 2003, the Futureheads released their self-titled debut album in September 2004 on 679 recordings. Five tracks of the tracks were produced by Andy Gill of Gang of Four, the rest of the album was produced by Paul Epworth. The song Decent Days and Nights from the album was featured in the game soundtrack to Burnout 3 on PlayStation 2. On 21 February 2005, Hounds of Love, a cover of a Kate Bush song, was released as a single and it reached number eight in the UK Singles Chart in its first week, and was named Best Single of 2005 by NME. The band toured the United States and later supported the Pixies, Foo Fighters and they performed at BBC Radio Ones One Big Weekend, held in their home town of Sunderland over the weekend of 7–8 May 2005. On 8 May 2005 Sunderland A. F. C, in tribute, the Futureheads performed a set live at the Stadium of Light as pre-match entertainment. The stand-alone EP, Area was released in November 2005 while the band was working on their second album News and Tributes, the first single from the album was Skip to the End released on 15 May. The album News and Tributes was first released on 29 May 2006, the band became disillusioned with major label music business and being under contract, and were released by 679 Recordings. Hyde said, we were desperate to get out of the deal, they could easily have kept us and made us try and make more records
4.
Alfred Hitchcock
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Sir Alfred Joseph Hitchcock KBE was an English film director and producer, at times referred to as The Master of Suspense. He pioneered many elements of the suspense and psychological thriller genres and he had a successful career in British cinema with both silent films and early talkies and became renowned as Englands best director. Hitchcock moved to Hollywood in 1939, and became a US citizen in 1955 and he also fashioned for himself a recognisable directorial style. Hitchcocks stylistic trademarks include the use of movement that mimics a persons gaze. In addition, he framed shots to maximise anxiety, fear, or empathy and his work often features fugitives on the run alongside icy blonde female characters. Prior to 1980, there had long been talk of Hitchcock being knighted for his contribution to film, Hitchcock later received his knighthood from Queen Elizabeth II in the 1980 New Year Honours. Hitchcock directed more than fifty films in a career spanning six decades and is often regarded as one of the most influential directors in cinematic history. His flair was for narrative, cruelly withholding crucial information and engaging the emotions of the audience like no one else, Hitchcocks first thriller, The Lodger, A Story of the London Fog, helped shape the thriller genre in film. His 1929 film, Blackmail, is cited as the first British sound feature film, while Rear Window, Vertigo, North by Northwest. Alfred Joseph Hitchcock was born on 13 August 1899 in Leytonstone and he was the second son and the youngest of three children of William Hitchcock, a greengrocer and poulterer, and Emma Jane Hitchcock. He was named after his fathers brother, Hitchcock was raised as a Roman Catholic, and sent to Salesian College, Battersea, and the Jesuit grammar school St Ignatius College in Stamford Hill, London. His parents were both of half-English and half-Irish ancestry and he often described a lonely and sheltered childhood that was worsened by his obesity. Around age five, Hitchcock recalled that to him for behaving badly. This incident implanted a lifelong fear of policemen in Hitchcock, and such harsh treatment, sources vary on Hitchcocks performance in school. Gene Adair reports that by most accounts, Alfred was only an average, or slightly above-average, however, McGilligan writes that Hitchcock certainly excelled academically. When Hitchcock was 15, his father died, in that same year, he left St. Ignatius to study at the London County Council School of Engineering and Navigation in Poplar, London. After leaving, he became a draftsman and advertising designer with a company called Henleys. Hitchcock joined a regiment of the Royal Engineers in 1917
5.
Horror film
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Horror film is a film genre that seeks to elicit a negative emotional reaction from viewers by playing on their fears. Inspired by literature from authors like Edgar Allan Poe, Bram Stoker, the macabre and the supernatural are frequent themes. Horror may also overlap with the fantasy, supernatural fiction and thriller genres, Horror films often deal with viewers nightmares, fears, revulsions and terror of the unknown. Plots within the genre often involve the intrusion of an evil force, event. Another of his projects was 1898s La Caverne maudite. Japan made early forays into the genre with Bake Jizo and Shinin no Sosei. The era featured a slew of literary adaptations, with the works of Poe and Dante, in 1908, Selig Polyscope Company produced Dr. Jekyll and Mr. Hyde. In 1910, Edison Studios produced the first filmed version of Frankenstein, the macabre nature of the source materials used made the films synonymous with the horror film genre. Before and during the Weimar Republic era, German Expressionist filmmakers would significantly influence later productions, the first vampire-themed movie, Nosferatu, was made during this period, though it was an unauthorized adaptation of Bram Stokers Dracula. Other European countries also, contributed to the genre during this period, though the word horror to describe the film genre would not be used until the 1930s, earlier American productions often relied on horror themes. Some notable examples include The Hunchback of Notre Dame, The Phantom of the Opera, The Cat and the Canary, The Unknown, and The Man Who Laughs. Many of these films were considered dark melodramas because of their stock characters and emotion-heavy plots that focused on romance, violence, suspense. The trend of inserting an element of macabre into American pre-horror melodramas continued into the 1920s, directors known for relying on macabre in their films during the 1920s were Maurice Tourneur, Rex Ingram, and Tod Browning. Ingrams The Magician contains one of the first examples of a mad doctor and is said to have had a influence on James Whales version of Frankenstein. The Unholy Three is an example of Brownings use of macabre and unique style of morbidity, he remade the film in 1930 as a talkie, during the early period of talking pictures, Universal Pictures began a successful Gothic horror film series. Tod Brownings Dracula was quickly followed by James Whales Frankenstein and The Old Dark House, some of these films blended science fiction with Gothic horror, such as Whales The Invisible Man and featured a mad scientist, mirroring earlier German films. Frankenstein was the first in a series of remakes which lasted for years, the Mummy introduced Egyptology as a theme, Make-up artist Jack Pierce was responsible for the iconic image of the monster, and others in the series. Universals horror cycle continued into the 1940s with B-movies including The Wolf Man, the once controversial Freaks, based on the short story Spurs, was made by MGM, though the studio disowned the completed film, and it remained banned, in the UK, for thirty years
