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Hrólfr Kraki spreading gold to escape the Swedes, by Jenny Nyström (1895).
Hrólfr Kraki spreading gold to escape the Swedes, by Jenny Nyström (1895).
Heoroweard and Hrólfr Kraki, by Jenny Nyström (1895).
Heoroweard and Hrólfr Kraki, by Jenny Nyström (1895).
Hrólfr Kraki and his warriors leap across the flames. Illustration by the Danish Lorenz Frølich in a 19th-century book.
Hrólfr Kraki and his warriors leap across the flames. Illustration by the Danish Lorenz Frølich in a 19th-century book.
Hrólf's parents Halga and Yrsa, by Jenny Nyström (1895).
Hrólf's parents Halga and Yrsa, by Jenny Nyström (1895).
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First page of Beowulf in Cotton Vitellius A. xv. Beginning: HWÆT. WE GARDE / na in geardagum, þeodcyninga / þrym gefrunon... (Translation: What! [=Lis
First page of Beowulf in Cotton Vitellius A. xv. Beginning: HWÆT. WE GARDE / na in geardagum, þeodcyninga / þrym gefrunon... (Translation: What! [=Listen!] We of Spear-Da/nes, in days gone by, of kings / the glory have heard...)
Remounted page, British Library Cotton Vitellius A.XV
Remounted page, British Library Cotton Vitellius A.XV
The traditional view is that Beowulf was composed for performance, chanted by a scop (left) to string accompaniment, but modern scholars have suggeste
The traditional view is that Beowulf was composed for performance, chanted by a scop (left) to string accompaniment, but modern scholars have suggested its origin as a piece of written literature borrowed from oral traditions. Illustration by J. R. Skelton, c. 1910