1.
Painting
–
Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
Painting
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The
Mona Lisa, by
Leonardo da Vinci, is one of the most recognizable paintings in the world.
Painting
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Chen Hongshou (1598–1652), Leaf album painting (
Ming Dynasty)
Painting
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Circus Sideshow (
French: Parade de cirque),
Georges Seurat, 1887–88
Painting
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Cave painting of aurochs, (
French: Bos primigenius primigenius),
Lascaux,
France,
prehistoric art
2.
Capriccio (art)
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It falls under the more general term of landscape painting. The term is used for other artworks with an element of fantasy. These architectural elements gained prominence in 17th century painting to become subjects of easel paintings. Early practitioners of the genre who made the popular in mid-17th century Rome included Alessandro Salucci. The quadratture frescoes of Agostino Tassi and the views of Claude Lorrain and Herman van Swanevelt. This genre was perfected by Marco Ricci but its best-known proponent was the artist Giovanni Paolo Pannini and this style was extended in the 1740s by Canaletto in his etched vedute ideali, and works by Piranesi and his imitators. Later examples include Charles Robert Cockerells A Tribute to Sir Christopher Wren and A Professors Dream, the artist Carl Laubin has painted a number of modern capriccios in homage to these works. The term can be used broadly for other works with a strong element of fantasy. No individual titles help to explain these works, mood and style are everything, a later series was called Scherzi di fantasia – Fantastic Sketches. His son Domenico Tiepolo was among those who imitated these prints and they take Tiepolos format of a group of figures, now drawn from contemporary Spanish life, and are a series of savage satires and comments on its absurdity, only partly explicated by short titles. Media related to Capriccios at Wikimedia Commons
Capriccio (art)
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A capriccio of classical ruins with
Diogenes throwing away his cup, circa 1730, by
Giovanni Paolo Panini (1692–1765)
Capriccio (art)
Capriccio (art)
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Architectural Capriccio, circa 1725, by
Marco Ricci (1676–1730)
Capriccio (art)
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The ruined
Forum of Rome, a popular inspiration for the
capriccio
3.
Duchy of Lorraine
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The Duchy of Lorraine, originally Upper Lorraine, was a duchy now included in the larger present-day region of Lorraine in northeastern France. It was founded in 959 following the division of Lotharingia into two duchies, Upper and Lower Lorraine, the westernmost parts of the Holy Roman Empire. The Lower duchy was quickly dismantled, while Upper Lorraine came to be known as simply the Duchy of Lorraine, the Duchy of Lorraine was coveted and briefly occupied by the Dukes of Burgundy and the Kings of France. When Stanisław died on 23 February 1766, Lorraine was annexed by France, lorraines predecessor, Lotharingia, was an independent Carolingian kingdom under the rule of King Lothair II. Its territory had originally been a part of Middle Francia, created in 843 by the Treaty of Verdun, Middle Francia was allotted to Emperor Lothair I, therefore called Lotharii Regnum. On his death in 855, it was divided into three parts, of which his son Lothair II took the northern one. His realm then comprised a territory stretching from the County of Burgundy in the south to the North Sea. In French, this became known as Lorraine, while in German. In the Alemannic language once spoken in Lorraine, the -ingen suffix signified a property, thus, in a figurative sense, stuck in the conflict with his rival Hugh the Great, in 942 King Louis IV of France renounced all claims to Lotharingia. In 953, the German king Otto I had appointed his brother Bruno the Great Duke of Lotharingia, in 959, Bruno divided the duchy into Upper and Lower Lorraine, this division became permanent following his death in 965. The Upper Duchy was further up the system, that is, it was inland. Upper Lorraine was first denominated as the Duchy of the Moselle, the usage of Lotharingia Superioris and Lorraine in official documents begins later, around the fifteenth century. The first duke and deputy of Bruno was Frederick I of Bar, Lower Lorraine disintegrated into several smaller territories and only the title of a Duke of Lothier remained, held by Brabant. After the duchy of the Moselle came into the possession of René of Anjou, the name Duchy of Lorraine was adopted again, only retrospectively called Upper Lorraine. At that time, several territories had already split off, such as the County of Luxembourg, the Electorate of Trier, the County of Bar, the border between the Empire and the Kingdom of France remained relatively stable throughout the Middle Ages. In 1301, Count Henry III of Bar had to receive the part of his lands as a fief by King Philip IV of France. In 1475, the Burgundian duke Charles the Bold campaigned for the Duchy of Lorraine, in the 1552 Treaty of Chambord, a number of insurgent Protestant Imperial princes around Elector Maurice of Saxony ceded the Three Bishoprics to King Henry II of France in turn for his support. In the 17th century, the French kings began to covet Lorraine, while the central Imperial authority decayed in the course of the Thirty Years War, Chief Minister Cardinal Richelieu urged the occupation of the duchy in 1641
Duchy of Lorraine
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1618-1648
Duchy of Lorraine
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Flag
4.
Jesuits
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The Society of Jesus Latin, Societas Iesu, S. J. SJ or SI) is a religious congregation of the Catholic Church which originated in Spain. The society is engaged in evangelization and apostolic ministry in 112 nations on six continents, Jesuits work in education, intellectual research, and cultural pursuits. Jesuits also give retreats, minister in hospitals and parishes, and promote social justice, Ignatius of Loyola founded the society after being wounded in battle and experiencing a religious conversion. He composed the Spiritual Exercises to help others follow the teachings of Jesus Christ, ignatiuss plan of the orders organization was approved by Pope Paul III in 1540 by a bull containing the Formula of the Institute. Ignatius was a nobleman who had a background, and the members of the society were supposed to accept orders anywhere in the world. The Society participated in the Counter-Reformation and, later, in the implementation of the Second Vatican Council, the Society of Jesus is consecrated under the patronage of Madonna Della Strada, a title of the Blessed Virgin Mary, and it is led by a Superior General. The Society of Jesus on October 3,2016 announced that Superior General Adolfo Nicolás resignation was officially accepted, on October 14, the 36th General Congregation of the Society of Jesus elected Father Arturo Sosa as its thirty-first Superior General. The headquarters of the society, its General Curia, is in Rome, the historic curia of St. Ignatius is now part of the Collegio del Gesù attached to the Church of the Gesù, the Jesuit Mother Church. In 2013, Jorge Mario Bergoglio became the first Jesuit Pope, the Jesuits today form the largest single religious order of priests and brothers in the Catholic Church. As of 1 January 2015, Jesuits numbered 16,740,11,986 clerics regular,2,733 scholastics,1,268 brothers and 753 novices. In 2012, Mark Raper S. J. wrote, Our numbers have been in decline for the last 40 years—from over 30,000 in the 1960s to fewer than 18,000 today. The steep declines in Europe and North America and consistent decline in Latin America have not been offset by the significant increase in South Asia, the Society is divided into 83 Provinces with six Independent Regions and ten Dependent Regions. On 1 January 2007, members served in 112 nations on six continents with the largest number in India and their average age was 57.3 years,63.4 years for priests,29.9 years for scholastics, and 65.5 years for brothers. The current Superior General of the Jesuits is Arturo Sosa, the Society is characterized by its ministries in the fields of missionary work, human rights, social justice and, most notably, higher education. It operates colleges and universities in countries around the world and is particularly active in the Philippines. In the United States it maintains 28 colleges and universities and 58 high schools and he ensured that his formula was contained in two papal bulls signed by Pope Paul III in 1540 and by Pope Julius III in 1550. The formula expressed the nature, spirituality, community life and apostolate of the new religious order, the meeting is now commemorated in the Martyrium of Saint Denis, Montmartre
Jesuits
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Ignatius of Loyola
Jesuits
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Society of Jesus
Jesuits
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Church of
Saint-Pierre de Montmartre, Paris.
Jesuits
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Fresco of Approving of bylaw of Society of Jesus depicting
Ignatius of Loyola receiving papal bull
Regimini militantis Ecclesiae from
Pope Paul III. The fresco was created by
Johann Christoph Handke in the Church of Our Lady Of the Snow in
Olomouc after 1743.
5.
French Academy in Rome
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The French Academy in Rome is an Academy located in the Villa Medici, within the Villa Borghese, on the Pincio in Rome, Italy. The Academy was founded at the Palazzo Capranica in 1666 by Louis XIV under the direction of Jean-Baptiste Colbert, Charles Le Brun, such scholars were and are known as pensionnaires de lAcadémie. One recipient of the scholarship in the 17th century was Pierre Le Gros the Younger, the Academy was housed in the Palazzo Capranica until 1737, and then in the Palazzo Mancini from 1737 to 1793. These envois were annual works, sent to Paris to be judged, at first, the villa and its gardens were in a sad state and had to be renovated to house the winners of the Prix de Rome. The competition was interrupted during the first World War, and Mussolini confiscated the villa in 1941, the competition and Prix de Rome were eliminated in 1968 by André Malraux. The Académie des Beaux-Arts in Paris and the Institut de France then lost their guardianship of the Villa Medici to the Ministry of the Culture, from that time on, the boarders no longer belonged solely to the traditional disciplines but also to new or previously neglected artistic fields. These artists-in-residence are known as pensionnaires, the French word ‘pension’ refers to the room & board these, generally young and promising, artists receive. The artists are no longer recruited by a competition but by application, between 1961 and 1967, the artist Balthus, then at the head of the Academy, carried out a vast restoration campaign of the palace and its gardens, providing them with modern equipment. Balthus participated “hands on” in all the phases of the construction, where the historic décor had disappeared, Balthus proposed personal alternatives. Work continued under the direction of director, Richard Peduzzi, under director Frédéric Mitterrand the Academy opened up its guest rooms to the general public at times when they are not used by pensionnaires or other official guests. k. a. Carolus-Duran 1913-1921, Albert Besnard 1921-1933, Denys Puech 1933-1937, Paul-Maximilien Landowski 1937-1960, Jacques Ibert 1961-1977, Comte Balthazar Klossowski de Rola, a. k. a. Balthus 1979-1985, Jean Leymarie 1985-1994, Jean-Marie Drot 1994-1997, Pierre-Jean Angremy, a. k. a. villamedici. it/ Official site Google Map
French Academy in Rome
–
Villa Medici
French Academy in Rome
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Portrait of Prix de Rome winner and fellow student
Merry-Joseph Blondel in front of the Villa Medici in 1809, by
Ingres
French Academy in Rome
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Villa Medici painted by Velázquez
6.
Jean-Claude Richard
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Jean-Claude Richard de Saint-Non was a French painter and engraver. He was born and died in Paris and his family estate, from which he derives his full title, is The Château de Saint-Nom. It is located in the village of Saint-Nom-la-Bretèche in Yvelines, France, the land was purchased by his father, Jean-Pierre Richard, a wealthy French lord. Richard made numerous prints of both Fragonards and Roberts work, including Roberts Vue prise dans les jardins de Villa Mattei aux environs de Rome in 1761, fragonard later painted a portrait of Richard, which is currently on display at the Louvre in France. Ferdinand Hoefer, New General Biography, vol
Jean-Claude Richard
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Jean-Claude Richard – The Abbé de Saint Non at the Louvre (artist:
Jean-Honoré Fragonard).
Jean-Claude Richard
–
View of the gardens of the Villa Mattei, print by Jean-Claude Richard from a painting by
Hubert Robert, 1761
7.
Pompeii
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Pompeii was an ancient Roman town-city near modern Naples, in the Campania region of Italy, in the territory of the comune of Pompei. Pompeii, along with Herculaneum and many villas in the area, was mostly destroyed and buried under 4 to 6 m of volcanic ash. Researchers believe that the town was founded in the seventh or sixth century BC by the Osci or Oscans. It came under the domination of Rome in the 4th century BC, by the time of its destruction,160 years later, its population was estimated at 11,000 people, and the city had a complex water system, an amphitheatre, gymnasium, and a port. The eruption destroyed the city, killing its inhabitants and burying it under tons of ash, the site was lost for about 1,500 years until its initial rediscovery in 1599 and broader rediscovery almost 150 years later by Spanish engineer Rocque Joaquin de Alcubierre in 1748. The objects that lay beneath the city have been preserved for centuries because of the lack of air and these artefacts provide an extraordinarily detailed insight into the life of a city during the Pax Romana. During the excavation, plaster was used to fill in the voids in the ash layers that once held human bodies and this allowed archaeologists to see the exact position the person was in when he or she died. Pompeii has been a tourist destination for over 250 years, today it has UNESCO World Heritage Site status and is one of the most popular tourist attractions in Italy, with approximately 2.5 million visitors every year. Pompeii in Latin is a second declension plural, the ruins of Pompeii are located near the modern suburban town of Pompei. It stands on a formed by a lava flow to the north of the mouth of the Sarno River. Today it is some distance inland, but in ancient times was nearer to the coast, Pompeii is about 8 km away from Mount Vesuvius. It covered a total of 64 to 67 hectares and was home to approximately 11,000 to 11,500 people on the basis of household counts and it was a major city in the region of Campania. Three sheets of sediment have been found on top of the lava that lies below the city and, mixed in with the sediment, archaeologists have found bits of bone, pottery shards. Carbon dating has placed the oldest of these layers from the 8th–6th centuries BC, the other two strata are separated either by well-developed soil layers or Roman pavement, and were laid in the 4th century BC and 2nd century BC. It is theorized that the layers of the sediment were created by large landslides. The town was founded around the 7th-6th century BC by the Osci or Oscans and it had already been used as a safe port by Greek and Phoenician sailors. According to Strabo, Pompeii was also captured by the Etruscans, and in recent excavations have shown the presence of Etruscan inscriptions. Pompeii was captured for the first time by the Greek colony of Cumae, allied with Syracuse, in the 5th century BC, the Samnites conquered it, the new rulers imposed their architecture and enlarged the town
Pompeii
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View into a street of Pompeii
Pompeii
–
The Temple of Jupiter with
Vesuvius in the distance
Pompeii
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Pompeii, Italy. Pompeii - Forum and Vesuvius. Brooklyn Museum Archives, Goodyear Archival Collection
Pompeii
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Illustrated reconstruction, from a
CyArk /
University of Ferrara research partnership, of how the
Temple of Apollo may have looked before Mt. Vesuvius erupted
8.
Marquis de Marigny
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He was the brother of King Louis XVs influential mistress Madame de Pompadour. Non-noble by birth, Abel-François Poisson de Vandières was raised in a family of Parisian financiers, Charles Antoine Coypel, first painter to the king, was given the responsibility of training and educating the young Abel-François Poisson de Vandières. With Coypels help, Poisson de Vandières chose paintings from the collection for exhibition at the Palais du Luxembourg. This trip would have important repercussions on the development of arts, at the death of Le Normant de Tournehem in 1751, Poisson de Vandières was called back from Italy and took over his functions as directeur général des Bâtiments du Roi. He kept this position until his retirement in 1773, thereby setting a record for the longest administrative service in the 18th century in France. Irritable, boastful, easily angered, insecure about his origins, Marigny was nevertheless an intelligent. He encouraged history painting and, in architecture, the return to classical sources and he sponsored the architect Soufflot, whom he chose for the construction of the new Église Sainte-Geneviève, a major work in the neoclassical style. He gave oversight of the construction of the new Théâtre-Français to Charles De Wailly and he directed construction of thePlace Louis XV, the planting of the gardens of the Champs-Élysées, and supervised construction of the École Militaire. He gave numerous commissions to François Boucher, Charles-Amédée-Philippe van Loo, Jean-Baptiste Pierre, having inherited from his father in 1754 the château of Marigny-en-Orxois, near Château-Thierry, he became the same year marquis de Marigny. In 1767, he married Julie Marie Françoise Filleul, the daughter of Louis XV. The marquis de Marigny amassed an important collection of works of art at his various residences, although he suffered severely from gout, the marquis de Marigny died unexpectedly in 1781 at Paris, leaving no will. 1752-1778, Hôtel de Marigny, built in 1640, rue Saint-Thomas-du-Louvre, the Direction générale des Bâtiments was located there until 1773. 1778-1781, Hôtel de Massiac, Place des Victoires, built in 1635, 1754-1781, Château of Marigny-en-Orxois, a renovated medieval castle. 1759-1773, Hôtel de Marigny, faubourg du Roule, Paris, bought from Louis Philippe I, Duke of Orléans. Redesigned in 1768-1771 by Jacques-Germain Soufflot who constructed the western façade in a Palladian style, 1764-1781, Château de Menars in Menars, inherited from his sister, the marquise de Pompadour. Pavillon Le Pâté in Bercy, south-east of Paris, built in 1720,1781, Hôtel Delpech de Chaumot, n°8 Place Vendôme in Paris. This article is a translation of the equivalent article from the French Wikipedia, alden Gordon, The House and Collections of the Marquis de Marigny, Los Angeles, Getty Press,2003. A. Marquiset, Le Marquis de Marigny, Paris,1918
Marquis de Marigny
–
The marquis de Marigny. Portrait by
Alexander Roslin, 1764.
Château de Versailles.
9.
Natoire
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Charles-Joseph Natoire was a French painter in the Rococo manner, a pupil of François Lemoyne and director of the French Academy in Rome, 1751-1775. Considered during his lifetime the equal of François Boucher, he played a prominent role in the life of France. In 1721 he obtained the Prix de Rome with a Sacrifice of Manoah to obtain a son, on 30 June 1723 he was appointed a pensionnaire at the French Academy in Rome, at the time lodged in the Palazzo Mancini, where he arrived in October. During his stay he executed a copy of Pietro da Cortonas Rape of the Sabine Women, in December 1725 he won a first prize from the Accademia di San Luca with a Moses Returning from Sinai. In 1728 he painted for the French ambassador, the prince de Polignac, Natoire returned to Paris via Venice in the early part of 1729. He was received into the Académie royale de peinture et de sculpture on 30 September 1730 and his reputation was quickly established, and he received major commissions. From 1731 to 1740 he provided several suites of canvasses for Philibert Orry, contrôleur général des finances, during the same period, in 1732 he provided three overdoors on Old Testament subjects for the duc dAntin in Paris. In June 1734, Natoire submitted to an Exposition de la Jeunesse in place Dauphine a Galatea, in 1737 he received the commission at the Hôtel de Soubise. From 1741, he produced a series of cartoons for the History of Mark Anthony woven at the Gobelins, in 1747, he painted the portrait of Louis, Dauphin of France. In a more familiar vein, he provided a Saint Stephen, a major loss was his illusionistic decor for the chapel in the Hôpital des Enfants-Trouvés, built by Germain Boffrand but demolished in the 19th century. Also in 1747 he participated in the organized by the new general director of the Bâtiments du Roi, Le Normant de Tournehem, with the Triumph of Bacchus. In 1751, Natoire was appointed director of the French Academy in Rome, a prestigious position, far from court, Natoire witnessed his rivals Carle Van Loo, then François Boucher named premier peintre du Roi in turn. His own fresco of the Apotheosis of Saint Louis for the French national Church of San Luigi dei Francesi, 1754–1756, Natoires late work, in the two decades that remained to him was largely confined to numerous drawings of the Campagna for his own pleasure, and few canvasses. The new general director of the Bâtiments, the comte dAngiviller retired Natoire from office in June 1775 and he withdrew to Castel Gandolfo, where he died. This article depends in part on a translation from French Wikipedia
Natoire
–
Gustaf Lundberg 's portrait of Charles-Joseph Natoire (
Musée du Louvre).
Natoire
–
Sibylle
Natoire
–
Portrait of French bishop and theologian Jean-Joseph Languet de Gergy.
Natoire
–
Venus Demanding Arms from Vulcan for Aeneas.
10.
Ancient Rome
–
In its many centuries of existence, the Roman state evolved from a monarchy to a classical republic and then to an increasingly autocratic empire. Through conquest and assimilation, it came to dominate the Mediterranean region and then Western Europe, Asia Minor, North Africa and it is often grouped into classical antiquity together with ancient Greece, and their similar cultures and societies are known as the Greco-Roman world. Ancient Roman civilisation has contributed to modern government, law, politics, engineering, art, literature, architecture, technology, warfare, religion, language and society. Rome professionalised and expanded its military and created a system of government called res publica, the inspiration for modern republics such as the United States and France. By the end of the Republic, Rome had conquered the lands around the Mediterranean and beyond, its domain extended from the Atlantic to Arabia, the Roman Empire emerged with the end of the Republic and the dictatorship of Augustus Caesar. 721 years of Roman-Persian Wars started in 92 BC with their first war against Parthia and it would become the longest conflict in human history, and have major lasting effects and consequences for both empires. Under Trajan, the Empire reached its territorial peak, Republican mores and traditions started to decline during the imperial period, with civil wars becoming a prelude common to the rise of a new emperor. Splinter states, such as the Palmyrene Empire, would divide the Empire during the crisis of the 3rd century. Plagued by internal instability and attacked by various migrating peoples, the part of the empire broke up into independent kingdoms in the 5th century. This splintering is a landmark historians use to divide the ancient period of history from the pre-medieval Dark Ages of Europe. King Numitor was deposed from his throne by his brother, Amulius, while Numitors daughter, Rhea Silvia, because Rhea Silvia was raped and impregnated by Mars, the Roman god of war, the twins were considered half-divine. The new king, Amulius, feared Romulus and Remus would take back the throne, a she-wolf saved and raised them, and when they were old enough, they returned the throne of Alba Longa to Numitor. Romulus became the source of the citys name, in order to attract people to the city, Rome became a sanctuary for the indigent, exiled, and unwanted. This caused a problem for Rome, which had a large workforce but was bereft of women, Romulus traveled to the neighboring towns and tribes and attempted to secure marriage rights, but as Rome was so full of undesirables they all refused. Legend says that the Latins invited the Sabines to a festival and stole their unmarried maidens, leading to the integration of the Latins, after a long time in rough seas, they landed at the banks of the Tiber River. Not long after they landed, the men wanted to take to the sea again, one woman, named Roma, suggested that the women burn the ships out at sea to prevent them from leaving. At first, the men were angry with Roma, but they realized that they were in the ideal place to settle. They named the settlement after the woman who torched their ships, the Roman poet Virgil recounted this legend in his classical epic poem the Aeneid
Ancient Rome
–
Senātus Populus que Rōmānus
Ancient Rome
–
Roman Republic
Ancient Rome
–
According to legend,
Rome was founded in 753 BC by
Romulus and Remus, who were raised by a she-wolf.
Ancient Rome
–
This bust from the
Capitoline Museums is traditionally identified as a portrait of
Lucius Junius Brutus.
11.
Giovanni Paolo Pannini
–
Giovanni Paolo Panini or Pannini was a painter and architect, who worked in Rome and is mainly known as one of the vedutisti. As a painter, Panini is best known for his vistas of Rome, among his most famous works are his view of the interior of the Pantheon, and his vedute—paintings of picture galleries containing views of Rome. Most of his works, specially those of ruins, have a fanciful, in this they resemble the capricci of Marco Ricci. Panini also painted portraits, including one of Pope Benedict XIV, as a young man, Panini trained in his native town of Piacenza, under Giuseppe Natali and Andrea Galluzzi, and later the stage designer Francesco Galli-Bibiena. In 1711, he moved to Rome, where he studied drawing with Benedetto Luti, in Rome, Panini became famous as a decorator of palaces, including the Villa Patrizi, the Palazzo de Carolis, and the Seminario Romano. In 1719, Panini was admitted to the Congregazione dei Virtuosi al Pantheon and he taught in Rome at the Accademia di San Luca and the Académie de France, where he influenced Jean-Honoré Fragonard. In 1754, he served as the principal of the Accademia di San Luca, Panini died in Rome on 21 October 1765. Paninis studio included Hubert Robert and his son Francesco Panini, some British landscape painters, such as Marlow, Skelton and Wright of Derby, also imitated his capricci. In addition to being a painter and architect, Panini was a professor of perspective and his masterful use of perspective was later the inspiration for the creation of the Panini Projection, which is instrumental in rendering panoramic views. Death Leap of Marcus Arisi, Ferdinando, gian Paolo Panini e i fasti della Roma del 700. Arisi, Ferdinando, Giovanni Paolo Panini 1691-1765, Milano,1993, Horak, Marco, Quellopera prima di Panini gemella del dipinto esposto al Lombardi di Parma, in LUrtiga - Quaderni di cultura Piacentina, Piacenza, n. Horak, Marco, Lopera prima del Panini in una collezione privata, in Panorama Musei, anno XVIII, n.3, dicembre 2013 Horak, Marco, Panini al Fine Art Museum di San Francisco, in Panorama Musei, anno XXI, n
Giovanni Paolo Pannini
–
Portrait of Panini by Louis Gabriel Blanchet
Giovanni Paolo Pannini
–
The interior of the
Pantheon, Rome
Giovanni Paolo Pannini
–
Roman Capriccio: The Pantheon and Other Monuments (1735),
Indianapolis Museum of Art
Giovanni Paolo Pannini
–
A Capriccio of the Roman Forum (1741)
12.
Giovanni Battista Piranesi
–
Giovanni Battista Piranesi was an Italian artist famous for his etchings of Rome and of fictitious and atmospheric prisons. Piranesi was born in Mogliano Veneto, near Treviso, then part of the Republic of Venice, from 1740 he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, Giuseppe Vasi found Piranesis talent was beyond engraving. According to Legrand, Vasi told Piranesi that you are too much of a painter, my friend, from 1743 to 1747 he sojourned mainly in Venice where, according to some sources, he often visited Giovanni Battista Tiepolo, a leading artist in Venice. It was Tiepolo who expanded the restrictive conventions of reproductive, topographical and he then returned to Rome, where he opened a workshop in Via del Corso. In 1748–1774 he created a series of vedute of the city which established his fame. In the meantime Piranesi devoted himself to the measurement of many of the ancient edifices, in 1761 he became a member of the Accademia di San Luca and opened a printing facility of his own. In 1762 the Campo Marzio dellantica Roma collection of engravings was printed, the following year he was commissioned by Pope Clement XIII to restore the choir of San Giovanni in Laterano, but the work did not materialize. He combined certain ancient architectural elements, trophies and escutcheons, with a venetian whimsicality for the facade of the church and this was the only time he expressed himself in actual marble and stone. In 1767 he was made a knight of the Golden Spur, in 1776 he created his best known work as a restorer of ancient sculpture, the Piranesi Vase, and in 1777–78 he published Avanzi degli Edifici di Pesto. He died in Rome in 1778 after an illness, and was buried in the Church he had helped restore. His tomb was designed by Giuseppi Angelini, the idea of Enlightenment by theorists and artists traveled all over the Europe including Paris, Dresden, and London. The developing center of the Grand Tour was Rome, Rome became a new meeting place and intellectual capital of Europe for the leaders of a new movement in the arts. The city was attracting artists and architects all over the Europe beside the Grand Tourists, dealers. While many came though official institutions such as the French Academy, others came to see the new discoveries at Heraculaneum, Piranesi was not only aware of the engineering of the ancient buildings but also the poetic aspects of the ruins from his experience in Venice. One distinctive feature of Piranesis work is based on the interpretation of Classical antiquity by adding his imagination to increase the originality, through the works of Marco Ricci and particularly Giovanini Paolo Pannini, Piranesi became familiar with the architectonic values as well as the ruin fantasy. The remains of Rome kindled Piranesis enthusiasm, some of his later work was completed by his children and several pupils. Piranesis son and coadjutor, Francesco, collected and preserved his plates, twenty-nine folio volumes containing about 2000 prints appeared in Paris
Giovanni Battista Piranesi
–
Self-portrait of Piranesi.
Giovanni Battista Piranesi
–
The
Pyramid of Cestius, etching
Giovanni Battista Piranesi
–
The
Arch of Trajan at
Benevento as it appeared in the 18th century.
Giovanni Battista Piranesi
–
Carceri Plate VI – The Smoking Fire.
13.
Capriccio (painting)
–
It falls under the more general term of landscape painting. The term is used for other artworks with an element of fantasy. These architectural elements gained prominence in 17th century painting to become subjects of easel paintings. Early practitioners of the genre who made the popular in mid-17th century Rome included Alessandro Salucci. The quadratture frescoes of Agostino Tassi and the views of Claude Lorrain and Herman van Swanevelt. This genre was perfected by Marco Ricci but its best-known proponent was the artist Giovanni Paolo Pannini and this style was extended in the 1740s by Canaletto in his etched vedute ideali, and works by Piranesi and his imitators. Later examples include Charles Robert Cockerells A Tribute to Sir Christopher Wren and A Professors Dream, the artist Carl Laubin has painted a number of modern capriccios in homage to these works. The term can be used broadly for other works with a strong element of fantasy. No individual titles help to explain these works, mood and style are everything, a later series was called Scherzi di fantasia – Fantastic Sketches. His son Domenico Tiepolo was among those who imitated these prints and they take Tiepolos format of a group of figures, now drawn from contemporary Spanish life, and are a series of savage satires and comments on its absurdity, only partly explicated by short titles. Media related to Capriccios at Wikimedia Commons
Capriccio (painting)
–
A capriccio of classical ruins with
Diogenes throwing away his cup, circa 1730, by
Giovanni Paolo Panini (1692–1765)
Capriccio (painting)
–
Architectural Capriccio, circa 1725, by
Marco Ricci (1676–1730)
Capriccio (painting)
–
The ruined
Forum of Rome, a popular inspiration for the
capriccio
14.
Paris Salon
–
The Salon, or rarely Paris Salon, beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world, at the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. From 1881 onward, it has been managed by the Société des Artistes Français, in 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture, held its first semi-public art exhibit at the Salon Carré. The Salons original focus was the display of the work of recent graduates of the École des Beaux-Arts, exhibition at the Salon de Paris was essential for any artist to achieve success in France for at least the next 200 years. Exhibition in the Salon marked a sign of royal favor, in 1725, the Salon was held in the Palace of the Louvre, when it became known as Salon or Salon de Paris. In 1737, the exhibitions, held from 18 August 1737 to 5 September 1737 at the Grand Salon of the Louvre and they were held, at first, annually, and then biennially, in odd-numbered years. They would start on the feast day of St. Louis, once made regular and public, the Salons status was never seriously in doubt. In 1748 a jury of awarded artists was introduced, from this time forward, the influence of the Salon was undisputed. The Salon exhibited paintings floor-to-ceiling and on every inch of space. The jostling of artwork became the subject of other paintings. Printed catalogues of the Salons are primary documents for art historians, critical descriptions of the exhibitions published in the gazettes mark the beginning of the modern occupation of art critic. The French revolution opened the exhibition to foreign artists, the vernissage of opening night was a grand social occasion, and a crush that gave subject matter to newspaper caricaturists like Honoré Daumier. Charles Baudelaire, Denis Diderot and others wrote reviews of the Salons, the 1848 revolution liberalized the Salon. The amount of refused works was greatly reduced, the increasingly conservative and academic juries were not receptive to the Impressionist painters, whose works were usually rejected, or poorly placed if accepted. The Salon opposed the Impressionists shift away from traditional painting styles, in 1863 the Salon jury turned away an unusually high number of the submitted paintings. An uproar resulted, particularly from regular exhibitors who had been rejected, in order to prove that the Salons were democratic, Napoleon III instituted the Salon des Refusés, containing a selection of the works that the Salon had rejected that year. It opened on 17 May 1863, marking the birth of the avant-garde, the Impressionists held their own independent exhibitions in 1874,1876,1877,1879,1880,1881,1882 and 1886. In 1881, the government withdrew official sponsorship from the annual Salon, in December 1890, the leader of the Société des Artistes Français, William-Adolphe Bouguereau, propagated the idea that Salon should be an exhibition of young, not-yet awarded, artists
Paris Salon
–
Formally dressed patrons at the Salon in 1890
Paris Salon
–
This portrait by
John Singer Sargent of
Virginie Amélie Avegno Gautreau depicting her
cleavage caused considerable controversy when it was displayed at the 1884 Salon.
Paris Salon
–
Salon of 1932, Grand Palais, Paris.
Paris Salon
–
Salon of 1753
15.
Denis Diderot
–
Denis Diderot was a French philosopher, art critic, and writer. He was a prominent figure during the Enlightenment and is best known for serving as co-founder, chief editor, Denis Diderot was born in Langres, Champagne, and began his formal education at a Jesuit collège in Langres. His parents were Didier Diderot a cutler, maître coutelier, three of five siblings survived to adulthood, Denise Diderot and their youngest brother Pierre-Didier Diderot, and finally their sister Angélique Diderot. According to Arthur McCandless Wilson, Denis Diderot greatly admired his sister Denise, in 1732 Denis Diderot earned the Master of Arts degree in philosophy. Then he entered the Collège dHarcourt of the University of Paris and he abandoned the idea of entering the clergy and decided instead to study at the Paris Law Faculty. His study of law was short-lived however and in 1734 Diderot decided to become a writer, because of his refusal to enter one of the learned professions, he was disowned by his father, and for the next ten years he lived a bohemian existence. In 1742 he befriended Jean-Jacques Rousseau, in 1743 he further alienated his father by marrying Antoinette Champion, a devout Roman Catholic. The match was considered due to Champions low social standing, poor education, fatherless status. She was about three years older than Diderot, the marriage in October 1743 produced one surviving child, a girl. Her name was Angélique, after both Diderots dead mother and sister, the death of his sister, a nun, from overwork in the convent may have affected Diderots opinion of religion. Babuti, Madeleine de Puisieux, Sophie Volland and Mme de Maux and his letters to Sophie Volland are known for their candor and are regarded to be among the literary treasures of the eighteenth century. Though his work was broad as well as rigorous, it did not bring Diderot riches, when the time came for him to provide a dowry for his daughter, he saw no alternative than to sell his library. When Empress Catherine II of Russia heard of his financial troubles she commissioned an agent in Paris to buy the library and she then requested that the philosopher retain the books in Paris until she required them, and act as her librarian with a yearly salary. Between October 1773 and March 1774, the sick Diderot spent a few months at the court in Saint Petersburg. Diderot died of thrombosis in Paris on 31 July 1784. His heirs sent his vast library to Catherine II, who had it deposited at the National Library of Russia and this idea seems to have been shelved. In 1745, he published a translation of Shaftesburys Inquiry Concerning Virtue and Merit, in 1746, Diderot wrote his first original work, the Philosophical Thoughts. In this book, Diderot argued for a reconciliation of reason with feeling so as to establish harmony, according to Diderot, without feeling there would be a detrimental effect on virtue and no possibility of creating sublime work
Denis Diderot
–
n° 9 de la place dans le centre ville de Langres in the background on the right side the birthplace of Denis Diderot
Denis Diderot
–
Diderot, by
Louis-Michel van Loo, 1767.
Denis Diderot
–
Title page of the
Encyclopédie
Denis Diderot
–
Statue of Denis Diderot in the city of
Langres, his birthplace
16.
French Revolution
–
Through the Revolutionary Wars, it unleashed a wave of global conflicts that extended from the Caribbean to the Middle East. Historians widely regard the Revolution as one of the most important events in human history, the causes of the French Revolution are complex and are still debated among historians. Following the Seven Years War and the American Revolutionary War, the French government was deeply in debt, Years of bad harvests leading up to the Revolution also inflamed popular resentment of the privileges enjoyed by the clergy and the aristocracy. Demands for change were formulated in terms of Enlightenment ideals and contributed to the convocation of the Estates-General in May 1789, a central event of the first stage, in August 1789, was the abolition of feudalism and the old rules and privileges left over from the Ancien Régime. The next few years featured political struggles between various liberal assemblies and right-wing supporters of the intent on thwarting major reforms. The Republic was proclaimed in September 1792 after the French victory at Valmy, in a momentous event that led to international condemnation, Louis XVI was executed in January 1793. External threats closely shaped the course of the Revolution, internally, popular agitation radicalised the Revolution significantly, culminating in the rise of Maximilien Robespierre and the Jacobins. Large numbers of civilians were executed by revolutionary tribunals during the Terror, after the Thermidorian Reaction, an executive council known as the Directory assumed control of the French state in 1795. The rule of the Directory was characterised by suspended elections, debt repudiations, financial instability, persecutions against the Catholic clergy, dogged by charges of corruption, the Directory collapsed in a coup led by Napoleon Bonaparte in 1799. The modern era has unfolded in the shadow of the French Revolution, almost all future revolutionary movements looked back to the Revolution as their predecessor. The values and institutions of the Revolution dominate French politics to this day, the French Revolution differed from other revolutions in being not merely national, for it aimed at benefiting all humanity. Globally, the Revolution accelerated the rise of republics and democracies and it became the focal point for the development of all modern political ideologies, leading to the spread of liberalism, radicalism, nationalism, socialism, feminism, and secularism, among many others. The Revolution also witnessed the birth of total war by organising the resources of France, historians have pointed to many events and factors within the Ancien Régime that led to the Revolution. Over the course of the 18th century, there emerged what the philosopher Jürgen Habermas called the idea of the sphere in France. A perfect example would be the Palace of Versailles which was meant to overwhelm the senses of the visitor and convince one of the greatness of the French state and Louis XIV. Starting in the early 18th century saw the appearance of the sphere which was critical in that both sides were active. In France, the emergence of the public sphere outside of the control of the saw the shift from Versailles to Paris as the cultural capital of France. In the 1750s, during the querelle des bouffons over the question of the quality of Italian vs, in 1782, Louis-Sébastien Mercier wrote, The word court no longer inspires awe amongst us as in the time of Louis XIV
French Revolution
–
The
August Insurrection in 1792 precipitated the last days of the monarchy.
French Revolution
–
The French government faced a fiscal crisis in the 1780s, and King Louis XVI was blamed for mishandling these affairs.
French Revolution
–
Caricature of the Third Estate carrying the First Estate (clergy) and the Second Estate (nobility) on its back.
French Revolution
–
The meeting of the Estates General on 5 May 1789 at Versailles.
17.
Robespierre
–
Maximilien François Marie Isidore de Robespierre was a French lawyer and politician. He was one of the best-known and most influential figures associated with the French Revolution, as a member of the Estates-General, the Constituent Assembly and the Jacobin Club, Robespierre was an outspoken advocate for the poor and for democratic institutions. He campaigned for universal suffrage in France, price controls on basic food commodities. But although he was an ardent opponent of the penalty, he played an important role in arranging the execution of King Louis XVI. He is perhaps best known for his role in the French Revolutions Reign of Terror and he was named as a member of the powerful Committee of Public Safety launched by his political ally Georges Danton and exerted his influence to suppress the left-wing Hébertists. The Terror ended a few later with Robespierres arrest and execution in July. Robespierres personal responsibility for the excesses of the Terror remains the subject of debate among historians of the French Revolution. Influenced by 18th-century Enlightenment philosophes such as Rousseau and Montesquieu, Robespierre was a capable articulator of the beliefs of the left-wing bourgeoisie and his steadfast adherence and defense of the views he expressed earned him the nickname lIncorruptible. Robespierres reputation has gone through cycles of re-appraisal. During the Soviet Era, Robespierre was used as an example of a Revolutionary figure and his reputation peaked in the 1920s with the influence of French historian Albert Mathiez. In more recent times, his reputation has suffered as historians have associated him with an attempt at a radical purification of politics through the killing of enemies, Maximilien Robespierre was born in Arras in the old French province of Artois. His family has been traced back to the 12th century in Picardy and it has been suggested that he was of Irish descent, his surname possibly a corruption of Robert Speirs. His paternal grandfather, also named Maximilien de Robespierre, established himself in Arras as a lawyer and his father, François Maximilien Barthélémy de Robespierre, was a lawyer at the Conseil dArtois. He married Jacqueline Marguerite Carrault, the daughter of a brewer, Maximilien was the oldest of four children and was conceived out of wedlock. His siblings were Charlotte, Henriette, and Augustin, on 7 July 1764, Madame de Robespierre gave birth to a stillborn son, she died nine days later. Devastated by his wifes death, François de Robespierre subsequently left Arras, the children would visit each other on Sundays. Already literate at age 8, Maximilien started attending the collège of Arras, in October 1769, on the recommendation of the bishop, he received a scholarship at the Collège Louis-le-Grand, University of Paris in Paris. Robespierre studied there until age 23, receiving his training as a lawyer, upon his graduation, he received a special prize of 600-livre for twelve years of exemplary academic success and personal good conduct
Robespierre
–
Robespierre c. 1790, (
anonymous),
Musée Carnavalet, Paris
Robespierre
–
Signature
Robespierre
–
Portrait of Robespierre by
Boilly, c.1791 (
Palais des Beaux-Arts de Lille).
Robespierre
–
Terracotta bust of Robespierre by
Deseine, 1792 (
Château de Vizille)
18.
Guillotine
–
A guillotine is an apparatus designed for efficiently carrying out executions by beheading. The device consists of a tall, upright frame in which a weighted and angled blade is raised to the top, the condemned person is secured with stocks at the bottom of the frame, positioning the neck directly below the blade. The blade is released, to fall swiftly and forcefully decapitating the victim with a single pass so that the head falls into a basket below. The name dates from period, but similar devices had been used elsewhere in Europe over several centuries. The guillotine continued to be used long after the revolution and remained Frances standard method of execution until the abolition of capital punishment in 1981. The last person to be executed in France was Hamida Djandoubi, the use of beheading machines in Europe long predates such use in the French revolution in 1792. An early example of the principle is found in the High History of the Holy Grail, although the device is imaginary, its function is clear. The text says, Within these three openings are the set for them. And behold what I would do to them if their three heads were therein, even thus will I cut off their heads when they shall set them into those three openings thinking to adore the hallows that are beyond. The Halifax Gibbet was a structure of two wooden uprights, capped by a horizontal beam, of a total height of 4.5 metres. The blade was an axe head weighing 3.5 kg, attached to the bottom of a wooden block that slid up. This device was mounted on a square platform 1.25 metres high. It is not known when the Halifax Gibbet was first used, the first recorded execution in Halifax dates from 1280, the machine remained in use until Oliver Cromwell forbade capital punishment for petty theft. It was used for the last time, for the execution of two criminals on a day, on 30 April 1650. Holinsheds Chronicles of 1577 included a picture of The execution of Murcod Ballagh near to Merton in Ireland 1307 showing a similar execution machine, the Maiden was constructed in 1564 for the Provost and Magistrates of Edinburgh, and was in use from April 1565 to 1710. One of those executed was James Douglas, 4th Earl of Morton, in 1581, Schmidt recommended using an angled blade as opposed to a round one. On 10 October 1789, physician Joseph-Ignace Guillotin proposed to the National Assembly that capital punishment always take the form of decapitation by means of a simple mechanism, sensing the growing discontent, Louis XVI banned the use of the breaking wheel. A committee was formed under Antoine Louis, physician to the King, Guillotin was also on the committee
Guillotine
–
Historic replicas (1:6 scale) of the two main types of French guillotines: Model 1792, left, and Model 1872 (state as of 1907), right
Guillotine
–
A replica of the
Halifax Gibbet on its original site, 2008, with St Mary's Catholic church, Gibbet Street, in the background
Guillotine
–
The original
Maiden of 1564, now on display at the
National Museum of Scotland in
Edinburgh
Guillotine
–
Portrait of
Guillotin
19.
Palais du Louvre
–
The Louvre Palace is a former royal palace located on the Right Bank of the Seine in Paris, between the Tuileries Gardens and the church of Saint-Germain lAuxerrois. Its present structure has evolved in stages since the 16th century, in 1793 part of the Louvre became a public museum, now the Musée du Louvre, which has expanded to occupy most of the building. The Palace is situated in the right-bank of the River Seine between Rue de Rivoli to the north and the Quai François Mitterrand to the south. To the west is the Jardin des Tuileries and, to the east, the Rue de lAmiral de Coligny, where its most architecturally famous façade, the Louvre Colonnade, the Cour Napoléon and Cour du Carrousel are separated by the street known as the Place du Carrousel. Some 51,615 sq m in the complex are devoted to public exhibition floor space. The Old Louvre occupies the site of the 12th-century fortress of King Philip Augustus and its foundations are viewable in the basement level as the Medieval Louvre department. This structure was razed in 1546 by King Francis I in favour of a royal residence which was added to by almost every subsequent French monarch. King Louis XIV, who resided at the Louvre until his departure for Versailles in 1678, completed the Cour Carrée, the Old Louvre is a quadrilateral approximately 160 m on a side consisting of 8 ailes which are articulated by 8 pavillons. With it, the last external vestiges of the medieval Louvre were demolished, the New Louvre is the name often given to the wings and pavilions extending the Palace for about 500 m westwards on the north and on the south sides of the Cour Napoléon and Cour du Carrousel. This consummation only lasted a few years, however, as the Tuileries was burned in 1871, the northern limb of the new Louvre consists of three great pavilions along the Rue de Rivoli, the Pavillon de la Bibliothèque, Pavillon de Rohan and Pavillon de Marsan. As on the side, three inside pavilions and their wings define three more subsidiary Courts, Cour du Sphinx, Cour Viconti and Cour Lefuel. The Chinese American architect I. M. Pei was selected in 1983 to design François Mitterrands Grand Louvre Project. The ground-level entrance to this complex was situated in the centre of the Cour Napoléon and is crowned by the prominent steel-and-glass pyramid, in a proposal by Kenneth Carbone, the nomenclature of the wings of the Louvre was simplified in 1987 to reflect the Grand Louvres organization. This allows the visitor to avoid becoming totally mystified at the bewildering array of named wings. The origin of the name Louvre is unclear, the French historian Henri Sauval, probably writing in the 1660s, stated that he had seen in an old Latin-Saxon glossary, Leouar is translated castle and thus took Leouar to be the origin of Louvre. According to Keith Briggs, Sauvals theory is often repeated, even in recent books, but this glossary has never seen again. Briggs suggests that H. J. Wolfs proposal in 1969 that Louvre derives instead from Latin Rubras, david Hanser, on the other hand, reports that the word may come from French louveterie, a place where dogs were trained to chase wolves. In 1190 King Philip II Augustus, who was about to leave on the Third Crusade, completed in 1202, the new fortress was situated in what is now the southwest quadrant of the Cour Carrée
Palais du Louvre
–
Night view of the
Louvre Pyramid in the centre of the Napoleon Courtyard of the Palais du Louvre
Palais du Louvre
–
Aerial view of the Louvre Palace
Palais du Louvre
–
The Cour Carrée of the "Old Louvre" looking west (Left to right: Aile Lescot, Pavillon Sully (de l'Horloge), Aile Lemercier)
Palais du Louvre
–
The Louvre Palace looking west across the Cour Napoleon and the
Louvre Pyramid
20.
Palace of Versailles
–
The Palace of Versailles, Château de Versailles, or simply Versailles, is a royal château in Versailles in the Île-de-France region of France. Versailles is therefore not only as a building, but as a symbol of the system of absolute monarchy of the Ancien Régime. First built by Louis XIII in 1623, as a lodge of brick and stone. The first phase of the expansion was designed and supervised by the architect Louis Le Vau and it culminated in the addition of three new wings of stone, which surrounded Louis XIIIs original building on the north, south, and west. After Le Vaus death in 1670, the work was taken over and completed by his assistant, charles Le Brun designed and supervised the elaborate interior decoration, and André Le Nôtre landscaped the extensive Gardens of Versailles. Le Brun and Le Nôtre collaborated on the fountains, and Le Brun supervised the design. During the second phase of expansion, two enormous wings north and south of the wings flanking the Cour Royale were added by the architect Jules Hardouin-Mansart. He also replaced Le Vaus large terrace, facing the garden on the west, with became the most famous room of the palace. The Royal Chapel of Versailles, located at the end of the north wing, was begun by Mansart in 1688. One of the most baffling aspects to the study of Versailles is the cost – how much Louis XIV, owing to the nature of the construction of Versailles and the evolution of the role of the palace, construction costs were essentially a private matter. Initially, Versailles was planned to be a residence for Louis XIV and was referred to as the kings house. Once Louis XIV embarked on his campaigns, expenses for Versailles became more of a matter for public record. To counter the costs of Versailles during the years of Louis XIVs personal reign. Accordingly, all materials that went into the construction and decoration of Versailles were manufactured in France, even the mirrors used in the decoration of the Hall of Mirrors were made in France. While Venice in the 17th century had the monopoly on the manufacture of mirrors, to meet the demands for decorating and furnishing Versailles, Colbert nationalised the tapestry factory owned by the Gobelin family, to become the Manufacture royale des Gobelins. In 1667, the name of the enterprise was changed to the Manufacture royale des Meubles de la Couronne, the Comptes meticulously list the expenditures on the silver furniture – disbursements to artists, final payments, delivery – as well as descriptions and weight of items purchased. Entries for 1681 and 1682 concerning the silver used in the salon de Mercure serve as an example. 5 In anticipation, For the silver balustrade for the bedroom,90,000 livres II
Palace of Versailles
–
Aerial view of the Palace from above the
Gardens of Versailles
Palace of Versailles
–
Bust of Louis XIV by
Bernini in the
Diana Salon of the Palace of Versailles
Palace of Versailles
–
View of the Palace from the garden
Palace of Versailles
–
Marble Court
21.
Louis Philippe I
–
Louis Philippe I was King of the French from 1830 to 1848 as the leader of the Orléanist party. He spent 21 years in exile after he left France in 1793 and he was proclaimed king in 1830 after his cousin Charles X was forced to abdicate in the wake of the events of the July Revolution of that year. His government, known as the July Monarchy, was dominated by members of a wealthy French elite and he followed conservative policies, especially under the influence of the French statesman François Guizot during the period 1840–48. He also promoted friendship with Britain and sponsored colonial expansion, notably the conquest of Algeria and his popularity faded as economic conditions in France deteriorated in 1847, and he was forced to abdicate after the outbreak of the French Revolution of 1848. He lived out his life in exile in Great Britain, Louis Philippe was born in the Palais Royal, the residence of the Orléans family in Paris, to Louis Philippe, Duke of Chartres, and Louise Marie Adélaïde de Bourbon. As a member of the reigning House of Bourbon, he was a Prince of the Blood and his mother was an extremely wealthy heiress who was descended from Louis XIV of France through a legitimized line. Louis Philippe was the eldest of three sons and a daughter, a family that was to have erratic fortunes from the beginning of the French Revolution to the Bourbon Restoration. Louis Philippes father was exiled from the court, and the Orléans confined themselves to studies of the literature. Louis Philippe was tutored by the Countess of Genlis, beginning in 1782 and she instilled in him a fondness for liberal thought, it is probably during this period that Louis Philippe picked up his slightly Voltairean brand of Catholicism. When Louis Philippes grandfather died in 1785, his father succeeded him as Duke of Orléans, from October 1788 to October 1789, the Palais Royal was a meeting-place for the revolutionaries. Louis Philippe grew up in a period that changed Europe as a whole and, following his fathers support for the Revolution. In his diary, he reports that he took the initiative to join the Jacobin Club. In June 1791, Louis Philippe got his first opportunity to become involved in the affairs of France, in 1785, he had been given the hereditary appointment of Colonel of the 14th Regiment of Dragoons. With war on the horizon in 1791, all proprietary colonels were ordered to join their regiments, Louis Philippe showed himself to be a model officer, and he demonstrated his personal bravery in two famous instances. The young colonel broke through the crowd and extricated the two priests, who then fled, at a river crossing on the same day, another crowd threatened to harm the priests. Louis Philippe put himself between a peasant armed with a carbine and the priests, saving their lives, the next day, Louis Philippe dove into a river to save a drowning local engineer. For this action, he received a crown from the local municipality. His regiment was moved north to Flanders at the end of 1791 after the Declaration of Pillnitz, Louis Philippe served under his fathers crony, the Duke of Biron, along with several officers who later gained distinction in Napoleons empire and afterwards
Louis Philippe I
–
Louis Philippe I; Painting by
Franz Xaver Winterhalter
Louis Philippe I
–
The duke of Chartres (dismounted) and his brother, the
Duke of Montpensier (on horseback), in
dragoon uniform at the
battle of Valmy (1792).
Louis Philippe I
–
Ferdinand, Duke of Orléans
Louis Philippe I
–
Louise d'Orléans
22.
Watercolour
–
Watercolor or watercolour, also aquarelle, a diminutive of the Latin for water, is a painting method in which the paints are made of pigments suspended in a water-based solution. Watercolor refers to both the medium and the resulting artwork, the traditional and most common support—material to which the paint is applied—for watercolor paintings is paper. Other supports include papyrus, bark papers, plastics, vellum, leather, fabric, wood, Watercolor paper is often made entirely or partially with cotton, which gives a good texture and minimizes distortion when wet. Watercolors are usually translucent, and appear luminous because the pigments are laid down in a form with few fillers obscuring the pigment colors. Watercolors can also be made opaque by adding Chinese white, in East Asia, watercolor painting with inks is referred to as brush painting or scroll painting. In Chinese, Korean and Japanese painting it has been the dominant medium, india, Ethiopia and other countries have long watercolor painting traditions as well. Fingerpainting with watercolor paints originated in mainland China, however, its continuous history as an art medium begins with the Renaissance. The German Northern Renaissance artist Albrecht Dürer, who painted several fine botanical, wildlife, an important school of watercolor painting in Germany was led by Hans Bol as part of the Dürer Renaissance. Despite this early start, watercolors were used by Baroque easel painters only for sketches, copies or cartoons. Notable early practitioners of watercolor painting were Van Dyck, Claude Lorrain, Giovanni Benedetto Castiglione, however, botanical illustration and wildlife illustration perhaps form the oldest and most important traditions in watercolor painting. Botanical illustrations became popular during the Renaissance, both as hand-tinted woodblock illustrations in books or broadsheets and as tinted ink drawings on vellum or paper. Wildlife illustration reached its peak in the 19th century with such as John James Audubon. Several factors contributed to the spread of watercolor painting during the 18th century, Watercolor artists were commonly brought with the geological or archaeological expeditions, funded by the Society of Dilettanti, to document discoveries in the Mediterranean, Asia, and the New World. This example popularized watercolors as a form of personal tourist journal, the confluence of these cultural, engineering, scientific, tourist, and amateur interests culminated in the celebration and promotion of watercolor as a distinctly English national art. William Blake published several books of hand-tinted engraved poetry, provided illustrations to Dantes Inferno, from the late 18th century through the 19th century, the market for printed books and domestic art contributed substantially to the growth of the medium. Satirical broadsides by Thomas Rowlandson, many published by Rudolph Ackermann, were extremely popular. Among the important and highly talented contemporaries of Turner and Girtin, were John Varley, John Sell Cotman, Anthony Copley Fielding, Samuel Palmer, William Havell, the Swiss painter Louis Ducros was also widely known for his large format, romantic paintings in watercolor. These societies provided annual exhibitions and buyer referrals for many artists, in particular, the graceful, lapidary, and atmospheric watercolors by Richard Parkes Bonington created an international fad for watercolor painting, especially in England and France in the 1820s
Watercolour
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An artist working on a watercolor using a round brush
Watercolour
–
Albrecht Dürer,
Young Hare, 1502, watercolor and
body color,
Albertina, Vienna
Watercolour
–
Thomas Girtin,
Jedburgh Abbey from the River, 1798–99, watercolor on paper
Watercolour
–
An unfinished watercolor by
William Berryman, created between 1808 and 1816, using watercolor, ink, and pencil. The use of partial pigmentation draws attention to the central subject.
23.
Louvre
–
The Louvre or the Louvre Museum is the worlds largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the citys 1st arrondissement, approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres. The Louvre is the second most visited museum after the Palace Museum in China. The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, remnants of the fortress are visible in the basement of the museum. Due to the expansion of the city, the fortress eventually lost its defensive function and. The building was extended many times to form the present Louvre Palace, in 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years, during the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations masterpieces. The museum opened on 10 August 1793 with an exhibition of 537 paintings, because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed Musée Napoléon, the collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic, whether this was the first building on that spot is not known, it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den, in the 7th century, St. Fare, an abbess in Meaux, left part of her Villa called Luvra situated in the region of Paris to a monastery. This territory probably did not correspond exactly to the modern site, the Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis acquired what would become the nucleus of the Louvres holdings, his acquisitions including Leonardo da Vincis Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed, however, on 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. Under Louis XVI, the museum idea became policy. The comte dAngiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the French Museum, many proposals were offered for the Louvres renovation into a museum, however, none was agreed on. Hence the museum remained incomplete until the French Revolution, during the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences, on 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property
Louvre
–
the Richelieu wing (2005)
Louvre
–
The only portion of the medieval Louvre still visible
Louvre
–
Antonio Canova 's
Psyche Revived by Cupid's Kiss was commissioned in 1787, donated in 1824.
Louvre
–
The
Venus de Milo was added to the Louvre's collection during the reign of
Louis XVIII.
24.
Voltaire
–
Voltaire was a versatile writer, producing works in almost every literary form, including plays, poems, novels, essays, and historical and scientific works. He wrote more than 21,000 letters and over two books and pamphlets. He was an advocate of civil liberties, despite the risk this placed him in under the strict censorship laws of the time. As a satirical polemicist, he made use of his works to criticize intolerance, religious dogma. Some speculation surrounds Voltaires date of birth, because he claimed he was born on 20 February 1694 as the son of a nobleman. Two of his older brothers—Armand-François and Robert—died in infancy and his brother, Armand. Nicknamed Zozo by his family, Voltaire was baptized on 22 November 1694, with François de Castagnère, abbé de Châteauneuf, and Marie Daumard, the wife of his mothers cousin, standing as godparents. He was educated by the Jesuits at the Collège Louis-le-Grand, where he was taught Latin, theology, and rhetoric, later in life he became fluent in Italian, Spanish, and English. By the time he left school, Voltaire had decided he wanted to be a writer, against the wishes of his father, Voltaire, pretending to work in Paris as an assistant to a notary, spent much of his time writing poetry. When his father out, he sent Voltaire to study law. Nevertheless, he continued to write, producing essays and historical studies, Voltaires wit made him popular among some of the aristocratic families with whom he mixed. In 1713, his father obtained a job for him as a secretary to the new French ambassador in the Netherlands, the marquis de Châteauneuf, at The Hague, Voltaire fell in love with a French Protestant refugee named Catherine Olympe Dunoyer. Their scandalous affair was discovered by de Châteauneuf and Voltaire was forced to return to France by the end of the year, Most of Voltaires early life revolved around Paris. From early on, Voltaire had trouble with the authorities for critiques of the government and these activities were to result in two imprisonments and a temporary exile to England. One satirical verse, in which Voltaire accused the Régent of incest with his own daughter, the Comédie-Française had agreed in January 1717 to stage his debut play, Œdipe, and it opened in mid-November 1718, seven months after his release. Its immediate critical and financial success established his reputation, both the Régent and King George I of Great Britain presented Voltaire with medals as a mark of their appreciation. He mainly argued for tolerance and freedom of thought. He campaigned to eradicate priestly and aristo-monarchical authority, and supported a constitutional monarchy that protects peoples rights, the author adopted the name Voltaire in 1718, following his incarceration at the Bastille
Voltaire
–
Portrait by
Nicolas de Largillière
Voltaire
–
In the frontispiece to Voltaire's book on Newton's philosophy,
Émilie du Châtelet appears as Voltaire's muse, reflecting Newton's heavenly insights down to Voltaire.
Voltaire
–
Voltaire's
château at
Ferney, France
Voltaire
–
Voltaire's tomb in Paris's
Panthéon
25.
Naples
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Naples is the capital of the Italian region Campania and the third-largest municipality in Italy, after Rome and Milan. In 2015, around 975,260 people lived within the administrative limits. The Metropolitan City of Naples had a population of 3,115,320, Naples is the 9th-most populous urban area in the European Union with a population of between 3 million and 3.7 million. About 4.4 million people live in the Naples metropolitan area, Naples is one of the oldest continuously inhabited cities in the world. Bronze Age Greek settlements were established in the Naples area in the second millennium BC, a larger colony – initially known as Parthenope, Παρθενόπη – developed on the Island of Megaride around the ninth century BC, at the end of the Greek Dark Ages. Naples remained influential after the fall of the Western Roman Empire, thereafter, in union with Sicily, it became the capital of the Two Sicilies until the unification of Italy in 1861. Naples was the most-bombed Italian city during World War II, much of the citys 20th-century periphery was constructed under Benito Mussolinis fascist government, and during reconstruction efforts after World War II. The city has experienced significant economic growth in recent decades, and unemployment levels in the city, however, Naples still suffers from political and economic corruption, and unemployment levels remain high. Naples has the fourth-largest urban economy in Italy, after Milan, Rome and it is the worlds 103rd-richest city by purchasing power, with an estimated 2011 GDP of US$83.6 billion. The port of Naples is one of the most important in Europe, numerous major Italian companies, such as MSC Cruises Italy S. p. A, are headquartered in Naples. The city also hosts NATOs Allied Joint Force Command Naples, the SRM Institution for Economic Research, Naples is a full member of the Eurocities network of European cities. The city was selected to become the headquarters of the European institution ACP/UE and was named a City of Literature by UNESCOs Creative Cities Network, the Villa Rosebery, one of the three official residences of the President of Italy, is located in the citys Posillipo district. Naples historic city centre is the largest in Europe, covering 1,700 hectares and enclosing 27 centuries of history, Naples has long been a major cultural centre with a global sphere of influence, particularly during the Renaissance and Enlightenment eras. In the immediate vicinity of Naples are numerous culturally and historically significant sites, including the Palace of Caserta, culinarily, Naples is synonymous with pizza, which originated in the city. Neapolitan music has furthermore been highly influential, credited with the invention of the romantic guitar, according to CNN, the metro stop Toledo is the most beautiful in Europe and it won also the LEAF Award 2013 as Public building of the year. Naples is the Italian city with the highest number of accredited stars from the Michelin Guide, Naples sports scene is dominated by football and Serie A club S. S. C. Napoli, two-time Italian champions and winner of European trophies, who play at the San Paolo Stadium in the south-west of the city, the Phlegraean Fields around Naples has been inhabited since the Neolithic period. The earliest Greek settlements were established in the Naples area in the second millennium BC, sailors from the Greek island of Rhodes established a small commercial port called Parthenope on the island of Megaride in the ninth century BC
Naples
–
Naples Napoli
Naples
–
Ancient map of the Bay of Naples area from Vatican Museum
Naples
–
A scene featuring the
siren Parthenope, the mythological founder of Naples.
Naples
–
The
Gothic Battle of Mons Lactarius on
Vesuvius, painted by
Alexander Zick.
26.
Jacques Delille
–
Jacques Delille was a French poet, freemason and translator. He was born at Aigueperse in Auvergne and died in Paris, Delille was an illegitimate child, and was descended by his mother from the chancellor De lHôpital. He was educated at the College of Lisieux in Paris and became an elementary teacher and he gradually acquired a reputation as a poet by his epistles, in which things are not called by their ordinary names but are hinted at by elaborate paraphrases. Sugar becomes le miel américain, Que du suc des roseaux exprima lAfricain, the publication of his translation of the Georgics of Virgil made him famous. Voltaire recommended the poet for the vacant place in the Académie française. He was at once elected a member, but was not admitted until 1774 owing to the opposition of the king, in his Jardins, ou lart dembellir les paysages he made good his pretensions as an original poet. In 1786 he made a journey to Constantinople in the train of the ambassador M. de Choiseul-Gouffier, Delille had become professor of Latin poetry at the Collège de France, and abbot of Saint-Sévrin, when the outbreak of the French Revolution reduced him to poverty. Delille emigrated first to Basel and then to Glairesse in Switzerland, here he finished his Homme des champs, and his poem on the Trois règnes de la nature. His next place of refuge was in Germany, where he composed his La Pitié, in 1802 he was able to return to Paris, where, although nearly blind, he resumed his professorship and his chair at the Académie française, but lived in retirement. He fortunately did not outlive the vogue of the poems which were his special province. Delille left behind him little prose and his preface to the translation of the Georgics is an able essay, and contains many excellent hints on the art and difficulties of translation. He wrote the article Jean de La Bruyère in the Biographie universelle, a collection given under the title of Poésies diverses was disavowed by Delille. His Œuvres were published in 1824, see Sainte-Beuve, Portraits littéraires, vol. ii. This article incorporates text from a now in the public domain, Chisholm, Hugh, ed. Delille. Quotations related to Jacques Delille at Wikiquote
Jacques Delille
–
Jacques Delille
27.
Ermenonville
–
Ermenonville is a commune in the Oise department in northern France. Ermenonville is notable for its park named for Jean-Jacques Rousseau by René Louis de Girardin, Rousseaus tomb was designed by the painter Hubert Robert, and sits on the Isle of Poplars in its lake. In 1974 Turkish Airlines Flight 981 crashed in the Ermenonville Forest in Fontaine-Chaalis, Oise, the garden at Ermenonville was one of the earliest and finest examples of the French landscape garden. The garden at Ermenonville was planned beginning in 1762 by Marquis René Louis de Girardin, Girardins master plan drew its inspiration from Rousseaus novels and philosophy of the nobility of Nature. Rousseaus tomb is situated on the artificial island in Ermenonvilles lake. It is remarked that Hubert Robert was the architect, completed by 1778 with care and craft, the garden came to resemble a natural environment, almost a wilderness, appearing untouched by any human intervention. Girardin admired the work of William Shenstone at The Leasowes and made a ferme ornee at Ermenonville, an imitation of Rousseaus island is at Dessau-Wörlitz Garden Realm, Germany. During the early nineteenth century it was visited and admired. The garden at Ermenonville was described by Girardins son in 1811 in an elegant tour-book with aquatint plates that reveal Girardins love of diverse vistas that capture painterly landscape effects. Enhancing the elegiac mood of these views were the altars and monuments, the Rustic Temple, nearby is Rousseaus cabin in the secluded désert of Ermenonville. Napoleon Bonaparte visited Ermenonville, where he remarked to Girardin that it might have been better for the French peace if neither he nor Rousseau had ever been born, Girardin retold this story again and again after the fact. Communes of the Oise department INSEE commune file Ermenonville official website Château dErmenonville website Ermenonville, Parc Jean-Jacques Rousseau - a Gardens Guide review
Ermenonville
–
Castle of Ermenonville
28.
Morel
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Morchella, the true morels, is a genus of edible sac fungi closely related to anatomically simpler cup fungi in the order Pezizales. These distinctive fungi have an appearance, due to the network of ridges with pits composing their cap. Morels are prized by gourmet cooks, particularly in French cuisine, current molecular phylogenetics suggest there might be over seventy species of Morchella worldwide, most of them exhibiting high continental endemism and provincialism. Fr. was typified by Christiaan Hendrik Persoon in 1794, with Morchella esculenta designated as the species for the genus. The seminal taxon Morchella elata, whose true identity remains unresolved, was described by Elias Fries in 1822. Esculenta previously proposed by Persoon, and Morchella angusticeps, a species described by American mycologist Charles Peck in 1887. Morchella eximia, a globally-occurring fire-associated species was described by Boudier in 1910. The old, widely applied name Morchella conica, featuring in many field guides and literature across several countries, has shown by Richard. Early phylogenetic analyses supported the hypothesis that the genus comprises only a few species with considerable phenotypic variation, subsequent multigenic DNA studies, however, have revealed more than a dozen genealogically distinct species in North America and at least as many in Europe. DNA studies revealed three discrete clades, or genetic groups, consisting of the morels, the yellow morels. Within the yellow and black clades, there are dozens of distinct species and this species-rich view is supported by studies in Western Europe, Turkey, Cyprus, Israel, China, Patagonia and the Himalayas. Discriminating between the various taxa described, is hindered by uncertainty over which of these are truly biologically distinct. Remarkably, some authors in the past had suggested that the genus contains as few as 3 to 6 species, the genus is currently undergoing extensive re-evaluation with regards to the taxonomic status of several species. About 80 species of Morchella were described until the turn of the century, as molecular tools became widely available in the new millennium, a revived interest in the genus commenced and several new species were proposed. In 2008 Kuo described Morchella tomentosa from burned coniferous forests in western North America, in 2010 Işiloğlu and colleagues described Morchella anatolica, a basal species from Turkey later shown to be sister to Morchella rufobrunnea. A study by Clowez described over 20 new species in 2012, in the same year, another study by Kuo and colleagues described 19 species from North America, while molecular phylogenetics currently suggest there are over 60 species of Morchella worldwide. Also in 2014, Elliott and colleagues described Morchella australiana from sclerophyll forests in Australia, while Clowez, in 2015, Loizides and colleagues clarified the taxonomy of Morchella tridentina, a cosmopolitan species described under many names, and recombined Morchella kakiicolor as a distinct species. The ecology of Morchella species is not well-understood, many species appear to form symbiotic or endophytic relationships with trees, while others appear to act as saprotrophs
Morel
–
Morel
Morel
–
Yellow morels in
West Virginia, USA
Morel
–
Longneck morel in
Indiana, USA
Morel
–
Yellow morels in
France
29.
Marie Antoinette
–
Marie Antoinette (/ˈmæriˌæntwəˈnɛt/, /ˌɑ̃ːntwə-/, /ˌɑ̃ːtwə-/, US /məˈriː-/, French, born Maria Antonia Josepha Johanna, was the last Queen of France and Navarre before the French Revolution. She was born an Archduchess of Austria, and was the fifteenth and second youngest child of Empress Maria Theresa and Francis I, in April 1770, upon her marriage to Louis-Auguste, heir apparent to the French throne, she became Dauphine of France. After eight years of marriage, Marie Antoinette gave birth to a daughter, Marie-Thérèse Charlotte, the Diamond Necklace affair damaged her reputation further. On 10 August 1792, the attack on the Tuileries forced the family to take refuge at the Assembly. On 21 September 1792, the monarchy was abolished, after a two-day trial begun on 14 October 1793, Marie Antoinette was convicted by the Revolutionary Tribunal of high treason, and executed by guillotine on Place de la Révolution on 16 October 1793. Maria Antonia was born on 2 November 1755, at the Hofburg Palace and she was the youngest daughter of Empress Maria Theresa, ruler of the Habsburg Empire, and her husband Francis I, Holy Roman Emperor. Her godparents were Joseph I and Mariana Victoria, King and Queen of Portugal, Archduke Joseph, shortly after her birth, she was placed under the care of the Governess of the Imperial children, Countess von Brandeis. Maria Antonia was raised with her older sister Maria Carolina. As to her relationship with her mother, it was difficult, despite the private tutoring she received, results of her schooling were less than satisfactory. At the age of ten she could not write correctly in German or in any language used at court, such as French. Under the teaching of Christoph Willibald Gluck, Maria Antonia developed into a good musician and she learned to play the harp, the harpsichord and the flute. During the familys gatherings in the evenings, she would sing and she also excelled at dancing, had an exquisite poise, and loved dolls. Following the Seven Years War and the Diplomatic Revolution of 1756, Empress Maria Theresa decided to end hostilities with her longtime enemy, on 14 May she met her husband at the edge of the forest of Compiègne. Upon her arrival in France, she adopted the French version of her name, a further ceremonial wedding took place on 16 May 1770 in the Palace of Versailles and, after the festivities, the day ended with the ritual bedding. The lack of consummation of the marriage plagued the reputation of both Louis-Auguste and Marie Antoinette for the seven years. The initial reaction to the marriage between Marie Antoinette and Louis-Auguste was mixed, on the one hand, the Dauphine was beautiful, personable and well-liked by the common people. Her first official appearance in Paris on 8 June 1773 was a resounding success, on the other hand, those opposed to the alliance with Austria, and others, for personal reasons, had a difficult relationship with Marie Antoinette. Madame du Barry, for example, was Louis XVs mistress and had political influence over him
Marie Antoinette
–
Marie Antoinette with the Rose Portrait by
Louise Élisabeth Vigée Le Brun, 1783.
Marie Antoinette
–
Archduchesses Maria Carolina (in blue dress) and Maria Antonia (in pink dress). Watercolor on ivory by Antonio Pencini, 1764. Vienna, Hofburg.
Marie Antoinette
–
Maria Antonia aged 12 by
Martin van Meytens, c. 1767-1768.
.jpg)
.JPG)
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Robert, Hubert". Encyclopædia Britannica. 23 (11th ed.). Cambridge University Press. p. 402.
