1.
Sleep
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It is distinguished from wakefulness by a decreased ability to react to stimuli, but is more easily reversed than the state of being comatose. Sleep occurs in repeating periods, in which the body alternates between two distinct modes known as non-REM and REM sleep. Although REM stands for rapid eye movement, sleep affects other brain-body functions, during sleep, most systems are in an anabolic state, helping to restore the immune, nervous, skeletal, and muscular systems. The internal circadian clock promotes sleep daily at night, however, sleep patterns vary among individuals. In the last century, artificial light has substantially altered sleep timing in industrialized countries, the diverse purposes and mechanisms of sleep are the subject of substantial ongoing research. Sleep seems to assist with improvements in the body and mind, Research in the 21st century is investigating whether sleep is a period of maintenance for removing metabolic waste compounds from the brain. Sleep is sometimes confused with unconsciousness, but is different in terms of the thought process. REM and non-REM sleep are so different that physiologists classify them as distinct behavioral states, REM sleep is associated with desynchronized and fast brain waves, loss of muscle tone, and suspension of homeostasis. NREM is considered to be sleep, it shows no prominent eye movement or muscle paralysis. Sleep occurs in cycles of approximately 90 minutes and this rhythm is called the ultradian sleep cycle. Sleep proceeds in cycles of NREM and REM, normally in that order, the American Academy of Sleep Medicine divides NREM into three stages, N1, N2, and N3, the last of which is also called delta sleep or slow-wave sleep. The whole period normally proceeds in the order, N1 → N2 → N3 → N2 → REM, REM sleep occurs as a person returns to stage 2 or 1 from a deep sleep. An adult reaches REM approximately every 90 minutes, REM sleep usually lasts for longer during latter half of sleep than in the part of the sleep episode. There is an amount of deep sleep earlier in the night. Key physiological indicators in sleep include EEG of brain waves, electrooculography of eye movements, simultaneous collection of these measurements is called polysomnography, and can be performed in a specialized sleep laboratory. In other words, sleeping persons perceive fewer stimuli, however, they can generally still respond to loud noises and other salient sensory events. Awakening can mean the end of sleep, or simply a moment to survey the environment, sleepers typically awaken from slow-wave sleep, soon after the end of a REM phase or sometimes in the middle of REM. Internal circadian indicators, along with reduction of homeostatic sleep need, typically bring about awakening
2.
Thanatos
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In Greek mythology, Thanatos was the personification of death. He was a figure in Greek mythology, often referred to. His name is transliterated in Latin as Thanatus, but his equivalent in Roman mythology is Mors or Letum, the Greek poet Hesiod established in his Theogony that Thánatos is a son of Nyx and Erebos and twin of Hypnos. Then gave him into the charge of swift messengers to him, of Hypnos and Thanatos, who are twin brothers. Counted among Thanatos siblings were other negative personifications such as Geras, Oizys, Moros, Apate, Momus, Eris, Nemesis, Thanatos was loosely associated with the three Moirai, particularly Atropos, who was a goddess of death in her own right. He is also specified as being exclusive to peaceful death. His duties as a Guide of the Dead were sometimes superseded by Hermes Psychopompos, conversely, Thanatos may have originated as a mere aspect of Hermes before later becoming distinct from him. The gods character is established by Hesiod in the passage of the Theogony, And there the children of dark Night have their dwellings, Sleep and Death. The glowing Sun never looks upon them with his beams, neither as he goes up into heaven, Thanatos was thus regarded as merciless and indiscriminate, hated by - and hateful towards — mortals and gods alike. But in myths which feature him, Thanatos could occasionally be outwitted, when it came time for Sisyphus to die, Zeus ordered Thanatos to chain Sisyphus up in Tartarus. Sisyphus cheated death by tricking Thanatos into his own shackles, thereby prohibiting the demise of any mortal while Thanatos was so enchained, eventually Ares, the bloodthirsty god of war, grew frustrated with the battles he incited since neither side suffered any casualties. He released Thanatos and handed his captor over to the god, Sisyphus would evade Death a second time by convincing Persephone to allow him to return to his wife stating that she never gave him a proper funeral. This time, Sisyphus was forcefully dragged back to the Underworld by Hermes when Sisyphus refused to accept his death. Sisyphus was sentenced to an eternity of frustration in Tartarus where he rolled a boulder up a hill and it would roll back down when he got close to the top. Sisyphus, son of Aiolos was a more than mortal figure, for mortals Thanatos usually presents an inexorable fate, Thanatos was consigned to take the soul of Alkestis, who had offered her life in exchange for the continued life of her husband, King Admetos of Pherai. Heracles was an honored guest in the House of Admetos at the time, when Thanatos ascended from Hades to claim Alkestis, Heracles sprung upon the god and overpowered him, winning the right to have Alkestis revived. Thanatos fled, cheated of his quarry, Euripides, in Alcestis, Thanatos, Much talk. All the same, the woman goes with me to Hades house, I go to take her now, and dedicate her with my sword, for all whose hair is cut in consecration by this blades edge are devoted to the gods below
3.
John William Waterhouse
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John William Waterhouse RA was an English painter known for working in the Pre-Raphaelite style. He worked several decades after the breakup of the Pre-Raphaelite Brotherhood, born in Italy to English parents who were both painters, he later moved to London, where he enrolled in the Royal Academy of Art. He soon began exhibiting at their annual exhibitions, focusing on the creation of large canvas works depicting scenes from the daily life. Later on in his career he came to embrace the Pre-Raphaelite style of painting despite the fact that it had out of fashion in the British art scene several decades before. The exact date of his birth is unknown, though he was baptised on 6 April, and his early life in Italy has been cited as one of the reasons why many of his later paintings were set in ancient Rome or based upon scenes taken from Roman mythology. In 1854, the Waterhouses returned to England and moved to a newly built house in South Kensington, London, in 1871 he entered the Royal Academy of Art school, initially to study sculpture, before moving on to painting. Waterhouses early works were not Pre-Raphaelite in nature, but were of classical themes in the spirit of Alma-Tadema, the painting was a success and Waterhouse would exhibit at the annual exhibition every year until 1916, with the exception of 1890 and 1915. He then went from strength to strength in the London art scene, perhaps due to his success, his paintings typically became larger and larger in size. In 1883 he married Esther Kenworthy, the daughter of an art schoolmaster from Ealing who had exhibited her own flower-paintings at the Royal Academy and they had two children, but both died in early childhood. In 1895 Waterhouse was elected to the status of full Academician and he taught at the St. Johns Wood Art School, joined the St Johns Wood Arts Club, and served on the Royal Academy Council. One of Waterhouses most famous paintings is The Lady of Shalott, a study of Elaine of Astolat and he actually painted three different versions of this character, in 1888,1894, and 1916. Like The Lady of Shalott and other Waterhouse paintings, it deals with a woman dying in or near water and he also may have been inspired by paintings of Ophelia by Dante Gabriel Rossetti and John Everett Millais. He submitted his Ophelia painting of 1888 in order to receive his diploma from the Royal Academy, after this, the painting was lost until the 20th century, and is now displayed in the collection of Lord Lloyd-Webber. Waterhouse would paint Ophelia again in 1894 and 1909 or 1910, Waterhouse could not finish the series of Ophelia paintings because he was gravely ill with cancer by 1915. He died two years later, and his grave can be found at Kensal Green Cemetery in London, in total he produced 118 paintings. List of paintings by John William Waterhouse Moyle, Franny, Pre-Raphaelite art, simpson, Eileen, Pre-Raphaelites for a new generation, Letters,17 June, Pre-Raphaelite revival, The Daily Telegraph. Dorment, Richard, Waterhouse, The modern Pre-Raphaelite, at the Royal Academy – review, The Daily Telegraph
4.
Greek underworld
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The Greek underworld, in mythology, is an otherworld where souls go after death, and is the original Greek idea of afterlife. At the moment of death the soul is separated from the corpse, taking on the shape of the former person, the Underworld itself is described as being either at the outer bounds of the ocean or beneath the depths or ends of the earth. It is considered the counterpart to the brightness of Mount Olympus. Hades is an invisible to the living, made solely for the dead. There are five rivers that are visible both in the living world and the underworld. Their names were meant to reflect the emotions associated with death, the Styx is generally considered to be one of the most prominent and central rivers of the Underworld and is also the most widely known out of all the rivers. Its known as the river of hatred and is named after the goddess Styx and this river circles the underworld seven times. The Acheron is the river of pain and its the one that Charon, also known as the Ferryman, rows the dead over according to many mythological accounts, though sometimes it is the river Styx or both. The Lethe is the river of forgetfulness and it is associated with the goddess Lethe, the goddess of forgetfulness and oblivion. In later accounts, a poplar branch dripping with water of the Lethe became the symbol of Hypnos, the Phlegethon is the river of fire. According to Plato, this leads to the depths of Tartarus. The Cocytus is the river of wailing, oceanus is the river that encircles the world, and it marks the east edge of the underworld, as Erebos is west of the mortal world. In front of the entrance to the underworld live Grief, Anxiety, Diseases, fear, Hunger, Death, Agony, and Sleep also live in front of the entrance, together with Guilty Joys. On the opposite threshold is War, the Erinyes, and Eris, close to the doors are many beasts, including Centaurs, Gorgons, the Lernaean Hydra, the Chimera, and Harpies. In the midst of all this, an Elm can be seen where false dreams cling under every leaf, the souls that enter the Underworld carry a coin under their tongue to pay Charon to take them across the river. Charon may make exceptions or allowances for those carrying a certain Golden Bough. Charon is appallingly filthy, with eyes like jets of fire, a bush of unkempt beard upon his chin, although Charon embarks now one group now another, some souls he grimly turns away. These are the unburied which cant be taken across from bank to bank until they receive a proper burial, across the river, guarding the gates of the Underworld, is Cerberus
5.
Poppy
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A poppy is a flowering plant in the subfamily Papaveroideae of the family Papaveraceae. Poppies are herbaceous plants, often grown for their colorful flowers, following the trench warfare which took place in the poppy fields of Flanders during World War I, poppies have become a symbol of remembrance of soldiers who have died during wartime. Poppies are herbaceous annual, biennial or short-lived perennial plants, some species are monocarpic, dying after flowering. Poppies can be over 4 feet tall with flowers up to six inches across, flowers of species have 4 to 6 petals, many stamens forming a conspicuous whorl in the center of the flower and an ovary of from 2 to many fused carpels. The petals are showy, may be of almost any color in the, the petals are crumpled in the bud and as blooming finishes, the petals often lie flat before falling away. In the temperate zones, poppies bloom from spring into early summer, most species secrete latex when injured. Bees use poppies as a pollen source, the pollen of the oriental poppy, Papaver orientale, is dark blue, that of the field or corn poppy is grey to dark green. The opium poppy, Papaver somniferum, grows wild in eastern and southern Asia and it is believed that it originated in the Mediterranean region. Poppies of several genera are also cultivated in gardens. A few species have uses, principally as sources of drugs. The opium poppy is widely cultivated and its production is monitored by international agencies. It is used for production of dried latex and opium, the precursor of narcotic and analgesic opiates such as morphine, heroin. Poppy seeds are rich in oil, carbohydrates, calcium and protein, Poppy oil is often used as cooking oil, salad dressing oil, or in products such as margarine. Poppy oil can also be added to spices for cakes, or breads, Poppy products are also used in different paints, varnishes, and some cosmetics. In Greek and Roman myths, poppies were used as offerings to the dead, poppies used as emblems on tombstones symbolize eternal sleep. This symbolism was evoked in the childrens novel The Wonderful Wizard of Oz, a second interpretation of poppies in Classical mythology is that the bright scarlet color signifies a promise of resurrection after death. The poppy of wartime remembrance is Papaver rhoeas, the corn poppy. This poppy is a weed in Europe and is found in many locations, including Flanders
6.
Pasithea
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In Greek mythology, Pasithea, or Pasithee, was one of the Charites, and the personification of relaxation, meditation. The Charites are usually said to be the daughters of Zeus and Eurynome and she was married to Hypnos, the god of sleep. Her sisters are Aglaea, Euphrosyne, and Thalia, in Roman mythology they were known as the Gratiae, the Graces. In book 14 of Homers Iliad, Pasithea was one of the younger Charites, Hera promises her in marriage to Hypnos the god of sleep in exchange for a favor. Robert Graves thinks that Homer also mentions the names of two Charites, Pasithea and Cale, but the two Charites Homer used for Hesiods Aglaea. Although the Graces usually numbered three, according to the Spartans, Cleta, not Thalia, was the third, and other Graces are sometimes mentioned including Auxo, Hegemone, Peitho, Pasithea is also the name of one of the Nereids. Smith, William, Dictionary of Greek and Roman Biography and Mythology, London
7.
Morpheus (mythology)
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Morpheus is a god of dreams who appears in Ovids Metamorphoses. Morpheus has the ability to any human form and to appear in dreams. His true semblance is that of a daemon, an imagery shared with many of his siblings. In myth, Morpheus was also said to send dreams through one of two gates, one of ivory, and the other of horn, starting in the medieval period, the name Morpheus began to stand generally for the god of dreams or of sleep. In Carl Michael Bellmans Fredmans Epistle No,72, Glimmande nymf, Morpheus is invoked as the god of sleep. The name of the opiate drug morphine is derived from the name of Morpheus, new York, ISBN9780940322660 CS1 maint, Uses editors parameter. A Commentary on Ovid, Metamorphoses XI, Hermathena, 162/163, Dublin, kearns, E. Morpheus, in S. Hornblower & A. Spawforth, Oxford Classical Dictionary, Oxford, ISBN9780198661726 CS1 maint, Uses editors parameter. Morpheus – The God of Dreams
8.
Nyx
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Nyx is the Greek goddess of the night. A shadowy figure, Nyx stood at or near the beginning of creation and mothered other personified deities such as Hypnos and Thanatos and her appearances are sparse in surviving mythology, but reveal her as a figure of such exceptional power and beauty that she is feared by Zeus himself. In Hesiods Theogony, Nyx is born of Chaos, with Erebus, Nyx gives birth to Aether and Hemera. Later, on her own, Nyx gives birth to Moros, Ker, Thanatos, Hypnos, the Oneiroi, Momus, Oizys, the Hesperides, the Moirai, the Keres, Nemesis, Apate, Philotes, Geras, and Eris. In his description of Tartarus, Hesiod locates there the home of Nyx, Hesiod says further that Nyxs daughter Hemera left Tartarus just as Nyx entered it, continuing cyclicly, when Hemera returned, Nyx left. This mirrors the portrayal of Ratri in the Rigveda, where she works in close cooperation, at Iliad 14. 249–61, Hypnos, the minor deity of sleep, reminds Hera of an old favor after she asks him to put Zeus to sleep. He had once before put Zeus to sleep at the bidding of Hera, Zeus was furious and would have smitten Hypnos into the sea if he had not fled to Nyx, his mother, in fear. Homer goes on to say that Zeus, fearing to anger Nyx, held his fury at bay and he disturbed Zeus only a few times after that always fearing Zeus and running back to his mother, Nyx, who would have confronted Zeus with a maternal fury. Nyx took on a more important role in several fragmentary poems attributed to Orpheus. In them, Nyx, rather than Chaos, is the first principle from all creation emerges. Nyx occupies a cave or adyton, in which she gives oracles, cronus – who is chained within, asleep and drunk on honey – dreams and prophesies. Outside the cave, Adrasteia clashes cymbals and beats upon her tympanon, phanes – the strange, monstrous, hermaphrodite Orphic demiurge – was the child or father of Nyx. Nyx is also the first principle in the chorus of Aristophanes The Birds. Here she is also the mother of Eros, the theme of Nyxs cave or mansion, beyond the ocean or somewhere at the edge of the cosmos may be echoed in the philosophical poem of Parmenides. The classical scholar Walter Burkert has speculated that the house of the goddess to which the philosopher is transported is the palace of Nyx, in Greece, Nyx was only rarely the focus of cults. According to Pausanias, she had an oracle on the acropolis at Megara, more often, Nyx lurked in the background of other cults. Thus there was a statue called Nyx in the Temple of Artemis at Ephesus, the Spartans had a cult of Sleep and Death, conceived of as twins. Cult titles composed of compounds of nyx- are attested for several deities, most notably Dionysus Nyktelios nocturnal, in 1997, the International Astronomical Union approved the name Nyx for a mons feature on the planet Venus
9.
Erebus
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In Greek literature the name Erebus is also used as a region of the Greek underworld where the dead pass immediately after dying, and is sometimes used interchangeably with Tartarus. The perceived meaning of Erebus is darkness, the first recorded instance of it was place of darkness between earth and Hades, the name Ἔρεβος itself originates from PIE *h1regʷ-es/os- darkness. Hesiod, Theogony The Roman writer Hyginus, in his Fabulae, described Erebus as the father of Geras, notes Sources Evelyn-White, Hugh G. Theogony. The Homeric Hymns and Homerica with an English Translation by Hugh G. Evelyn-White, smith, William, Dictionary of Greek and Roman Biography and Mythology, London
10.
Nemesis (mythology)
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In the ancient Greek religion, Nemesis, also called Rhamnousia/ Rhamnusia was the goddess who enacted retribution against those who succumb to hubris. Another name was Adrasteia/ Adrestia, meaning the inescapable and her Roman name/ counterpart is Invidia. The name Nemesis is related to the Greek word νέμειν némein, meaning to give what is due, divine retribution is a major theme in the Hellenic world view, providing the unifying theme of the tragedies of Sophocles and many other literary works. Hesiod states, Also deadly Nyx bore Nemesis an affliction to mortals subject to death, Nemesis appears in a still more concrete form in a fragment of the epic Cypria. As the Goddess of Rhamnous, Nemesis was honored and placated in a sanctuary in the isolated district of Rhamnous. There she was a daughter of Oceanus, the primeval river-ocean that encircles the world, pausanias noted her iconic statue there. Her cult may have originated at Smyrna and she is portrayed as a winged goddess wielding a whip or a dagger. In early times the representations of Nemesis resembled Aphrodite, who bears the epithet Nemesis. Later, as the goddess of proportion and the avenger of crime, she has as attributes a measuring rod, a bridle, scales, a sword, and a scourge. The word Nemesis originally meant the distributor of fortune, neither good nor bad, later, nemesis came to suggest the resentment caused by any disturbance of this right proportion, the sense of justice that could not allow it to pass unpunished. O. Gruppe and others connect the name with to feel just resentment, from the fourth century onward, Nemesis, as the just balancer of Fortunes chance, could be associated with Tyche. In the Greek tragedies Nemesis appears chiefly as the avenger of crime and the punisher of hubris, and as such is akin to Atë and the Erinyes. She was sometimes called Adrasteia, probably meaning one from whom there is no escape, her epithet Erinys is specially applied to Demeter, Nemesis has been described as the daughter of Oceanus or Zeus, but according to Hyginus she was a child of Erebus and Nyx. She has also described, by Hesiod as the daughter of Nyx alone. In some metaphysical mythology, Nemesis produced the egg from which hatched two sets of twins, Helen of Troy and Clytemnestra, and the Dioscuri, Castor and Pollux. While many myths indicate Zeus and Leda to be the parents of Helen of Troy, Nemesis, to avoid Zeus, turns into a goose, but he turns into a swan and mates with her. Nemesis in her bird form lays an egg that is discovered in the marshes by a shepherd and it is in this way that Leda comes to be the mother of Helen of Troy, as she kept the egg in a chest until it hatched. Stasinus of Cyprus or Hegesias of Aegina, Cypria Fragment 8, but Zeus ever pursued and longed in his heart to catch her
11.
Eris (mythology)
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Eris is the Greek goddess of strife and discord. Her name is the equivalent of Latin Discordia, which means discord, Eris Greek opposite is Harmonia, whose Latin counterpart is Concordia. Homer equated her with the war-goddess Enyo, whose Roman counterpart is Bellona, the dwarf planet Eris is named after the goddess, as is the religion Discordianism. She then hurled down bitterness equally between both sides as she walked through the onslaught making mens pain heavier and she also has a son whom she named Strife. Enyo is mentioned in Book 5, and Zeus sends Strife to rouse the Achaeans in Book 11, the most famous tale of Eris recounts her initiating the Trojan War by causing the Judgement of Paris. The hapless Paris, Prince of Troy, was appointed to select the fairest by Zeus, the goddesses stripped naked to try to win Paris decision, and also attempted to bribe him. Hera offered political power, Athena promised infinite wisdom, and Aphrodite tempted him with the most beautiful woman in the world, Helen, wife of Menelaus of Sparta. While Greek culture placed an emphasis on prowess and power, Paris chose to award the apple to Aphrodite, thereby dooming his city. In Nonnus Dionysiaca,2.356, when Typhon prepares to battle with Zeus, Eris was Typhons escort in the melée, another story of Eris includes Hera, and the love of Polytekhnos and Aedon. They claimed to each other more than Hera and Zeus were in love. This angered Hera, so she sent Eris to rack discord upon them, Polytekhnos was finishing off a chariot board, and Aedon a web she had been weaving. Eris said to them, Whosoever finishes thine task last shall have to present the other with a female servant, but Polytekhnos was not happy by his defeat, so he came to Khelidon, Aedons sister, and raped her. He then disguised her as a slave, presenting her to Aedon, when Aedon discovered this was indeed her sister, she chopped up Polytekhnos son and fed him to Polytekhnos. The gods were not pleased, so turned them all into birds. The Discordian version of Eris is considerably lighter in comparison to the rather malevolent Graeco-Roman original and she told him that She had always liked the Old Greeks, but that they cannot be trusted with historic matters. They were, She added, victims of indigestion, you know, the story of Eris being snubbed and indirectly starting the Trojan War is recorded in the Principia, and is referred to as the Original Snub. The Principia Discordia states that her parents may be as described in Greek legend and she is the Goddess of Disorder and Being, whereas her sister Aneris is the goddess of Order and Non-Being. The concept of Eris as developed by the Principia Discordia is used and expanded upon in the fiction work The Illuminatus
12.
Clotho
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Clotho is the youngest of the Three Fates or Moirai – including her sisters Lachesis and Atropos, in ancient Greek mythology. Clotho was responsible for spinning the thread of human life and she also made major decisions, such as when a person was born, thus in effect controlling peoples lives. This power enabled her not only to choose who was born, for example, when Pelops was killed and boiled by his father, it was Clotho who brought him back to life. As one of the three fates her contribution to mythology was immense, Clotho, along with her sisters and Hermes, was given credit for creating the alphabet for their people. Even though Clotho and her sisters were real goddesses, their representation of fate is more focused upon in Greek mythology, thread represented human life and her decisions represented the fate of all people in society. According to Hesiods Theogony, Clotho and her sisters were the daughters of Erebus and Nyx, though later in the work they are said to have been born of Zeus. Clotho is also mentioned in the book of the Republic of Plato as the daughter of Necessity. In Roman mythology it was believed that she was daughter of Uranus, Clotho also used her life-giving powers in the myth of Tantalus, the god who had slain and prepared his son Pelops for a dinner party with other gods. When the other gods had found out what Tantalus had done, Clotho brought him back to life, with the exemption of his eaten shoulder, which was replaced by a chunk of ivory. Tantalus was then thrust into Hades for what he had done to his own kin, Clotho was worshiped in many places in Greece as one of the Three Fates and is sometimes associated with the Keres and Erinyes, which are other deity groups in Greek mythology. Ariadne, the Greek goddess of fertility, is similar to Clotho in that she carries a ball of thread, Clotho, along with the other two Fates, was tricked into becoming intoxicated by Alcestis. Alcestis, who had two children with Admetus, became deeply anguished when Admetus became very sick and eventually died, Alcestis used Clothos drunkenness to try to get her husband back. The Three Fates explained that if they were to find a replacement for Admetus then he could be released from the Underworld, a substitute was not found so Alcestis offered herself up to be the replacement in order to bring her husband back to life. As the agreement had been met, Alcestis quickly began to grow sick, at the last instant, Heracles arrived at the home of Admetus in the midst of the predicament. When Death came to take Alcestis away, Heracles wrestled him and forced him to return Alcestis, allowing Admetus and Alcestis to be reunited. Although there does not seem to be a tale in Greek mythology in which the Fates are the main focus, they have played critical roles in the lives of gods. A tale in which the Fates played a part was that of Meleagros and the Brand. Rouse describes in Gods, Heroes and Men of Ancient Greece, Meleagros led a hunting party to slay the Calydonian Boar, which was set loose upon Calydon by Artemis
13.
Lachesis (mythology)
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Lachesis, in ancient Greek religion, was the second of the Three Fates, or Moirai, Clotho, Lachesis and Atropos. Normally seen clothed in white, Lachesis is the measurer of the thread spun on Clothos spindle, Lachesis was the apportioner, deciding how much time for life was to be allowed for each person or being. She measured the thread of life with her rod and she is also said to choose a persons destiny after a thread was measured. In mythology, it is said that she appears with her sisters within three days of a birth to decide its fate. According to Hesiods Theogony, Lachesis and her sisters were the daughters of Erebus and Nyx, though later in the work they are said to have been born of Zeus. Lachesis is also mentioned in the book of the Republic of Plato as the daughter of Necessity. She instructs the souls who are about to choose their next life, assign them lots, Lachesis is a genus of pit vipers sometimes called bushmasters. It includes the largest venomous snake in the Western Hemisphere, thomas Blisniewski, Kinder der dunkelen Nacht. Die Ikonographie der Parzen vom späten Mittelalter bis zum späten XVIII, works related to Theogony at Wikisource
14.
Atropos
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Atropos or Aisa, in Greek mythology, was one of the three Moirai, goddesses of fate and destiny. Atropos was the oldest of the Three Fates, and was known as the inflexible or inevitable and it was Atropos who chose the mechanism of death and ended the life of mortals by cutting their thread with her abhorred shears. She worked along with her two sisters, Clotho, who spun the thread, and Lachesis, who measured the length, Atropos has been featured in several stories such as Atalanta and Achilles. Her origin, along with the other two fates, is uncertain, although some called them the daughters of the night. It is clear, however, that at a period they ceased to be only concerned with death. Although Zeus was the chief Greek god and their father, he was subject to the decisions of the Fates. According to Hesiods Theogony, Atropos and her sisters were the daughters of Erebus and Nyx, though later in the work they are said to have been born of Zeus. Atropos lends her name to the genus Atropa, of which the poisonous plant Atropa belladonna and the alkaloid atropine, works related to Theogony at Wikisource The dictionary definition of Atropos at Wiktionary
15.
Greek mythology
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It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
16.
Greek language
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Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic and many other writing systems. Together with the Latin texts and traditions of the Roman world, during antiquity, Greek was a widely spoken lingua franca in the Mediterranean world and many places beyond. It would eventually become the official parlance of the Byzantine Empire, the language is spoken by at least 13.2 million people today in Greece, Cyprus, Italy, Albania, Turkey, and the Greek diaspora. Greek roots are used to coin new words for other languages, Greek. Greek has been spoken in the Balkan peninsula since around the 3rd millennium BC, the earliest written evidence is a Linear B clay tablet found in Messenia that dates to between 1450 and 1350 BC, making Greek the worlds oldest recorded living language. Among the Indo-European languages, its date of earliest written attestation is matched only by the now extinct Anatolian languages, the Greek language is conventionally divided into the following periods, Proto-Greek, the unrecorded but assumed last ancestor of all known varieties of Greek. The unity of Proto-Greek would have ended as Hellenic migrants entered the Greek peninsula sometime in the Neolithic era or the Bronze Age, Mycenaean Greek, the language of the Mycenaean civilisation. It is recorded in the Linear B script on tablets dating from the 15th century BC onwards, Ancient Greek, in its various dialects, the language of the Archaic and Classical periods of the ancient Greek civilisation. It was widely known throughout the Roman Empire, after the Roman conquest of Greece, an unofficial bilingualism of Greek and Latin was established in the city of Rome and Koine Greek became a first or second language in the Roman Empire. The origin of Christianity can also be traced through Koine Greek, Medieval Greek, also known as Byzantine Greek, the continuation of Koine Greek in Byzantine Greece, up to the demise of the Byzantine Empire in the 15th century. Much of the written Greek that was used as the language of the Byzantine Empire was an eclectic middle-ground variety based on the tradition of written Koine. Modern Greek, Stemming from Medieval Greek, Modern Greek usages can be traced in the Byzantine period and it is the language used by the modern Greeks, and, apart from Standard Modern Greek, there are several dialects of it. In the modern era, the Greek language entered a state of diglossia, the historical unity and continuing identity between the various stages of the Greek language is often emphasised. Greek speakers today still tend to regard literary works of ancient Greek as part of their own rather than a foreign language and it is also often stated that the historical changes have been relatively slight compared with some other languages. According to one estimation, Homeric Greek is probably closer to demotic than 12-century Middle English is to modern spoken English, Greek is spoken by about 13 million people, mainly in Greece, Albania and Cyprus, but also worldwide by the large Greek diaspora. Greek is the language of Greece, where it is spoken by almost the entire population
17.
Hades
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Hades was the ancient Greek chthonic god of the underworld, which eventually took his name. In Greek mythology, Hades was regarded as the oldest son of Cronus and Rhea and he and his brothers Zeus and Poseidon defeated their fathers generation of gods, the Titans, and claimed rulership over the cosmos. Hades received the underworld, Zeus the sky, and Poseidon the sea, Hades was often portrayed with his three-headed guard dog Cerberus. The Etruscan god Aita and Roman gods Dis Pater and Orcus were eventually taken as equivalent to the Greek Hades and merged as Pluto, the origin of Hades name is uncertain, but has generally been seen as meaning The Unseen One since antiquity. Modern linguists have proposed the Proto-Greek form *Awides, the earliest attested form is Aḯdēs, which lacks the proposed digamma. West argues instead for a meaning of the one who presides over meeting up from the universality of death. In Homeric and Ionic Greek, he was known as Áïdēs, other poetic variations of the name include Aïdōneús and the inflected forms Áïdos, Áïdi, and Áïda, whose reconstructed nominative case *Áïs is, however, not attested. The name as it came to be known in classical times was Háidēs, later the iota became silent, then a subscript marking, and finally omitted entirely. Perhaps from fear of pronouncing his name, around the 5th century BC, Plouton became the Roman god who both rules the underworld and distributed riches from below. This deity was a mixture of the Greek god Hades and the Eleusinian icon Ploutos, and from this he received a priestess. More elaborate names of the genre were Ploutodótēs or Ploutodotḗr meaning giver of wealth. Epithets of Hades include Agesander and Agesilaos, both from ágō and anḗr or laos, describing Hades as the god who carries away all. He was also referred to as Zeus Katachthonios, meaning the Zeus of the Underworld, by avoiding his actual name. In Greek mythology, Hades the god of the underworld, was a son of the Titans Cronus and he had three sisters, Demeter, Hestia, and Hera, as well as two brothers, Zeus, the youngest of the three, and Poseidon. Upon reaching adulthood, Zeus managed to force his father to disgorge his siblings, after their release, the six younger gods, along with allies they managed to gather, challenged the elder gods for power in the Titanomachy, a divine war. The war lasted for ten years and ended with the victory of the younger gods, following their victory, according to a single famous passage in the Iliad, Hades and his two brothers, Poseidon and Zeus, drew lots for realms to rule. Some myths suggest that Hades was dissatisfied with his turnout, but had no choice, Hades obtained his wife and queen, Persephone, through abduction at the behest of Zeus. Despite modern connotations of death as evil, Hades was actually more altruistically inclined in mythology, Hades was often portrayed as passive rather than evil, his role was often maintaining relative balance
18.
Lethe
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In Greek mythology, Lethe /ˈliːθi/ was one of the five rivers of the underworld of Hades. Also known as the Ameles potamos, the Lethe flowed around the cave of Hypnos and through the Underworld, Lethe was also the name of the Greek spirit of forgetfulness and oblivion, with whom the river was often identified. In Classical Greek, the word literally means oblivion, forgetfulness. It is related to the Greek word for truth, aletheia, Lethe, the river of forgetfulness, was one of the five rivers of the Greek underworld, the other four being Styx, Acheron, Cocytus and Phlegethon. According to Statius, it bordered Elysium, the resting place of the virtuous. Ovid wrote that the flowed through the cave of Hypnos, god of sleep. The shades of the dead were required to drink the waters of the Lethe in order to forget their earthly life, in the Aeneid, Virgil writes that it is only when the dead have had their memories erased by the Lethe that they may be reincarnated. Lethe was also the name of the personification of forgetfulness and oblivion, some ancient Greeks believed that souls were made to drink from the river before being reincarnated, so they would not remember their past lives. The Myth of Er in Book X of Platos Republic tells of the dead arriving at a waste called the plain of Lethe. Of this they were all obliged to drink a certain quantity, Plato wrote, and those who were not saved by wisdom drank more than was necessary, and each one as he drank forgot all things. A few mystery religions taught the existence of river, the Mnemosyne. Initiates were taught that they would receive a choice of rivers to drink from after death and these two rivers are attested in several verse inscriptions on gold plates dating to the 4th century BC and onward, found at Thurii in Southern Italy and elsewhere throughout the Greek world. There were rivers of Lethe and Mnemosyne at the shrine of Trophonius in Boeotia. More recently, Martin Heidegger used lēthē to symbolize the concealment of Being or forgetting of Being that he saw as a problem of modern philosophy. Examples are found in his books on Nietzsche and on Parmenides, many ancient Greek poems mention or describe Lethe. The river is referenced in more recent novels and poetry. Simonides of Ceos, an ancient Greek lyrical poet, references Lethe in the fragment of one of his poems. Publius Ovidius Naso, known as Ovid, in his description of the Underworld in his Metamorphoses, includes a description of Lethe as a stream that puts people to sleep
19.
Homer
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Homer is the name ascribed by the ancient Greeks to the semi-legendary author of the Iliad and the Odyssey, two epic poems which are the central works of Greek literature. The Odyssey focuses on the home of Odysseus, king of Ithaca. Many accounts of Homers life circulated in classical antiquity, the most widespread being that he was a bard from Ionia. The modern scholarly consensus is that these traditions do not have any historical value, the Homeric question - by whom, when, where and under what circumstances were the Iliad and Odyssey composed - continues to be debated. Broadly speaking, modern scholarly opinion on the authorship question falls into two camps, one group holds that most of the Iliad and the Odyssey is the work of a single poet of genius. The other considers the Homeric poems to be the crystallization of a process of working and re-working by many contributors and it is generally accepted that the poems were composed at some point around the late eighth or early seventh century B. C. Most researchers believe that the poems were transmitted orally. The Homeric epics were the greatest influence on ancient Greek culture and education, to Plato, the chronological period of Homer depends on the meaning to be assigned to the word Homer. Was Homer a single person, an imaginary person representing a group of poets and this information is often called the world of Homer. The Homeric period would in that cover a number of historical periods, especially the Mycenaean Age. Considered word-for-word, the texts as we know them are the product of the scholars of the last three centuries. Each edition of the Iliad or Odyssey is a different, as the editors rely on different manuscripts and fragments. The term accuracy reveals a belief in an original uniform text. The manuscripts of the work currently available date to no earlier than the 10th century. These are at the end of a missing thousand-year chain of copies made as each generation of manuscripts disintegrated or were lost or destroyed and these numerous manuscripts are so similar that a single original can be postulated. The time gap in the chain is bridged by the scholia, or notes, on the existing manuscripts, librarian of the Library of Alexandria, he had noticed a wide divergence in the works attributed to Homer, and was trying to restore a more authentic copy. He had collected several manuscripts, which he named, the Sinopic, the one he selected for correction was the koine, which Murray translates as the Vulgate. Aristarchus was known for his selection of material
20.
Lemnos
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Lemnos is an island of Greece in the northern part of the Aegean Sea. Administratively the island forms a municipality within the Lemnos regional unit. The principal town of the island and seat of the municipality is Myrina, at 477.583 square kilometres, it is the 8th-largest island of Greece. Lemnos is mostly flat, but the west, and especially the northwest part, is rough, the highest point is Mount Skopia at the altitude of 430 m. The chief towns are Myrina, on the western coast, Myrina possesses a good harbour, which is in the process of being upgraded through construction of a west-facing sea wall. It is the seat of all carried on with the mainland. Fruit and vegetables that grow on the island include almonds, figs, melons, watermelons, tomatoes, pumpkins, the main crops are wheat, barley, sesame, in fact Lemnos was Constantinoples granary during Byzantine times. Lemnos also produces honey, but, as is the case with most products of a nature in Greece. Muscat grapes are widely, and are used to produce an unusual table wine that is dry yet has a strong Muscat flavor. Since 1985 the variety and quality of Lemnos wines have increased greatly, the climate in Lemnos is mainly Mediterranean. Winters are generally mild, but there will be a snowfall occasionally, strong winds are a feature of the island, especially in August and in winter time, hence its nickname the wind-ridden one. The temperature is typically 2 to 5 degrees Celsius less than in Athens, for ancient Greeks, the island was sacred to Hephaestus, god of metallurgy, who—as he tells himself in Iliad I. 590ff—fell on Lemnos when Zeus hurled him headlong out of Olympus. There, he was cared for by the Sinties, according to Iliad or by Thetis, sacred initiatory rites dedicated to them were performed in the island. Hephaestus forge, which was located on Lemnos, as well as the name Aethaleia, sometimes applied to it and it is said that fire occasionally blazed forth from Mosychlos, one of its mountains. The ancient geographer Pausanias relates that an island called Chryse. All volcanic action is now extinct, the earliest inhabitants are said to have been a Thracian tribe, whom the Greeks called Sintians, robbers. The name Lemnos is said by Hecataeus to have applied in the form of a title to Cybele among the Thracians. The worship of Cybele was characteristic of Thrace, where it had spread from Asia Minor at an early period
21.
Dream
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A dream is a succession of images, ideas, emotions, and sensations that usually occur involuntarily in the mind during certain stages of sleep. Dream interpretation is the attempt at drawing meaning from dreams and searching for an underlying message, the scientific study of dreams is called oneirology. Dreams mainly occur in the rapid-eye movement stage of brain activity is high. REM sleep is revealed by continuous movements of the eyes during sleep, at times, dreams may occur during other stages of sleep. However, these tend to be much less vivid or memorable. The length of a dream can vary, they may last for a few seconds, people are more likely to remember the dream if they are awakened during the REM phase. The average person has three to five dreams per night, and some may have up to seven, however, Dreams tend to last longer as the night progresses. During a full eight-hour night sleep, most dreams occur in the two hours of REM. Opinions about the meaning of dreams have varied and shifted through time, most people today appear to endorse the Freudian theory of dreams – that dreams reveal insight into hidden desires and emotions. Other prominent theories include those suggesting that dreams assist in memory formation, problem solving, the earliest recorded dreams were acquired from materials dating back approximately 5000 years, in Mesopotamia, where they were documented on clay tablets. In the Greek and Roman periods, the believed that dreams were direct messages from one and/or multiple deities, from deceased persons. Some cultures practiced dream incubation with the intention of cultivating dreams that are of prophecy, Sigmund Freud, who developed the psychological discipline of psychoanalysis, wrote extensively about dream theories and their interpretations in the early 1900s. He explained dreams as manifestations of ones deepest desires and anxieties, furthermore, he believed that virtually every dream topic, regardless of its content, represented the release of sexual tension. In The Interpretation of Dreams, Freud developed a technique to interpret dreams and devised a series of guidelines to understand the symbols. In modern times, dreams have been seen as a connection to the unconscious mind and they range from normal and ordinary to overly surreal and bizarre. Dreams can have varying natures, such as being frightening, exciting, magical, melancholic, adventurous, the events in dreams are generally outside the control of the dreamer, with the exception of lucid dreaming, where the dreamer is self-aware. Dreams can at times make a creative thought occur to the person or give a sense of inspiration, the Sumerians in Mesopotamia left evidence of dreams dating back to 3100 BC. According to these early recorded stories, gods and kings, like the 7th century BC scholar-king Assurbanipal, in his archive of clay tablets, some accounts of the story of the legendary king Gilgamesh were found
22.
Zeus
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Zeus /ˈzjuːs/ is the sky and thunder god in ancient Greek religion, who ruled as king of the gods of Mount Olympus. His name is cognate with the first element of his Roman equivalent Jupiter and his mythologies and powers are similar, though not identical, to those of the Indo-European deities such as Indra, Jupiter, Perun, Thor, and Odin. Zeus is the child of Cronus and Rhea, the youngest of his siblings to be born, in most traditions, he is married to Hera, by whom he is usually said to have fathered Ares, Hebe, and Hephaestus. At the oracle of Dodona, his consort was said to be Dione, Zeus was also infamous for his erotic escapades. These resulted in many godly and heroic offspring, including Athena, Apollo, Artemis, Hermes, Persephone, Dionysus, Perseus, Heracles, Helen of Troy, Minos, and the Muses. He was equated with many foreign weather gods, permitting Pausanias to observe That Zeus is king in heaven is a common to all men. His symbols are the thunderbolt, eagle, bull, and oak, in addition to his Indo-European inheritance, the classical cloud-gatherer also derives certain iconographic traits from the cultures of the Ancient Near East, such as the scepter. Zeus is frequently depicted by Greek artists in one of two poses, standing, striding forward with a thunderbolt leveled in his right hand. The gods name in the nominative is Ζεύς Zeús and it is inflected as follows, vocative, Ζεῦ Zeû, accusative, Δία Día, genitive, Διός Diós, dative, Διί Dií. Diogenes Laertius quotes Pherecydes of Syros as spelling the name, Ζάς, Zeus is the Greek continuation of *Di̯ēus, the name of the Proto-Indo-European god of the daytime sky, also called *Dyeus ph2tēr. The god is known under this name in the Rigveda, Latin, Zeus is the only deity in the Olympic pantheon whose name has such a transparent Indo-European etymology. The earliest attested forms of the name are the Mycenaean Greek
23.
Hera
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Hera is the goddess of women and marriage in Greek mythology and religion. She is the daughter of the Titans Cronus and Rhea, Hera is married to her brother Zeus and is titled as the Queen of Heaven. One of her characteristics is her jealous and vengeful nature against Zeuss other lovers and offspring, Hera is commonly seen with the animals she considers sacred including the cow, lion and the peacock. Scholar of Greek mythology Walter Burkert writes in Greek Religion, Nevertheless, there are memories of an aniconic representation, as a pillar in Argos. Her counterpart in the religion of ancient Rome was Juno, According to Plutarch, Hera was an allegorical name and an anagram of aēr. So begins the section on Hera in Walter Burkerts Greek Religion, in a note, he records other scholars arguments for the meaning Mistress as a feminine to Heros, Master. John Chadwick, a decipherer of Linear B, remarks her name may be connected with hērōs, ἥρως, hero, a. J. van Windekens, offers young cow, heifer, which is consonant with Heras common epithet βοῶπις. R. S. P. Beekes has suggested a Pre-Greek origin and her name is attested in Mycenaean Greek written in the Linear B syllabic script as
24.
Sarpedon
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Sarpedon was a common name in ancient Greece and in the Roman Empire. In Greek mythology, the name Sarpedon referred to at least three different people, the first Sarpedon was a son of Zeus and Europa, and brother to Minos and Rhadamanthys. He was raised by the king Asterion and then, banished by Minos, his rival in love for the young Miletus or Atymnius, he sought refuge with his uncle, Cilix. Sarpedon conquered the Milyans, and ruled them, his kingdom was named Lycia, after his successor, Lycus. Zeus granted him the privilege of living three generations, the second Sarpedon, king of Lycia, a descendant of the preceding, was a son of Zeus and Laodamia, daughter of Bellerophon. Sarpedon became king when his uncles withdrew their claim to Lycia and he fought on the side of the Trojans, with his cousin Glaucus, during the Trojan War, becoming one of Troys greatest allies and heroes. He personally held up the battlements and was the first to enter the Greek encampment and this attack allowed Hector to break through the Greek wall. When Patroclus entered the battle in the armour of Achilles, Sarpedon met him in combat, Zeus debated with himself whether to spare his sons life even though he was fated to die by the hand of Patroclus. He would have done so had Hera not reminded him that other gods sons were fighting and dying and other gods sons were fated to die as well. If Zeus should spare his son from his fate, another god might do the same, therefore Zeus let Sarpedon die while fighting Patroclus, during their fight, Zeus sent a shower of bloody raindrops over the Trojans heads expressing the grief for the impending death of his son. When Sarpedon fell, mortally wounded, he called on Glaucus to rescue his body, Patroclus withdrew the spear he had embedded in Sarpedon, and as it left Sarpedons body his spirit went with it. A violent struggle ensued over the body of the fallen king, the Greeks succeeded in gaining his armour, but Zeus had Phoebus Apollo rescue the corpse. Apollo took the corpse and cleaned it, then delivered it to Sleep and Death, one account holds that the first and second Sarpedon are both the same man, and that Zeus granted Sarpedon an extraordinarily long life that had to end at the Trojan War. However, the account is that Sarpedon, brother of Minos, and Sarpedon. A genealogical link is provided between the two Sarpedons, through Laodamia, Laodamia is said to have married Evander, son of the first Sarpedon, and to have presented Evander with a son named Sarpedon. See, Iliad books, II, IV, XII, XVI, an asteroid is named after the Trojan hero,2223 Sarpedon. A third Sarpedon was a Thracian son of Poseidon, eponym of Cape Sarpedon near the outlet of the River Hebrus, and brother to Poltys, King of Aenus. Unlike the other two Sarpedons, this Thracian Sarpedon was not a hero, but an insolent individual who was shot to death by Heracles as the latter was sailing away from Aenus, Sarpedon was also the name of Cato the Youngers childhood teacher
25.
Iliad
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The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Then the epic narrative takes up events prophesied for the future, such as Achilles imminent death and the fall of Troy, although the narrative ends before these events take place. However, as events are prefigured and alluded to more and more vividly. The Iliad is paired with something of a sequel, the Odyssey, along with the Odyssey, the Iliad is among the oldest extant works of Western literature, and its written version is usually dated to around the 8th century BC. Recent statistical modelling based on language evolution gives a date of 760–710 BC, in the modern vulgate, the Iliad contains 15,693 lines, it is written in Homeric Greek, a literary amalgam of Ionic Greek and other dialects. Note, Book numbers are in parentheses and come before the synopsis of the book, after an invocation to the Muses, the story launches in medias res towards the end of the Trojan War between the Trojans and the besieging Greeks. Chryses, a Trojan priest of Apollo, offers the Greeks wealth for the return of his daughter Chryseis, held captive of Agamemnon, although most of the Greek army is in favour of the offer, Agamemnon refuses. Chryses prays for Apollos help, and Apollo causes a plague to afflict the Greek army, after nine days of plague, Achilles, the leader of the Myrmidon contingent, calls an assembly to deal with the problem. Under pressure, Agamemnon agrees to return Chryseis to her father, angered, Achilles declares that he and his men will no longer fight for Agamemnon but will go home. Odysseus takes a ship and returns Chryseis to her father, whereupon Apollo ends the plague, in the meantime, Agamemnons messengers take Briseis away. Achilles becomes very upset, sits by the seashore, and prays to his mother, Achilles asks his mother to ask Zeus to bring the Greeks to the breaking point by the Trojans, so Agamemnon will realize how much the Greeks need Achilles. Thetis does so, and Zeus agrees, Zeus sends a dream to Agamemnon, urging him to attack Troy. Agamemnon heeds the dream but decides to first test the Greek armys morale, the plan backfires, and only the intervention of Odysseus, inspired by Athena, stops a rout. Odysseus confronts and beats Thersites, a soldier who voices discontent about fighting Agamemnons war. After a meal, the Greeks deploy in companies upon the Trojan plain, the poet takes the opportunity to describe the provenance of each Greek contingent. When news of the Greek deployment reaches King Priam, the Trojans too sortie upon the plain, in a list similar to that for the Greeks, the poet describes the Trojans and their allies. The armies approach each other, but before they meet, Paris offers to end the war by fighting a duel with Menelaus, urged by his brother and head of the Trojan army, Hector. While Helen tells Priam about the Greek commanders from the walls of Troy, Paris is beaten, but Aphrodite rescues him and leads him to bed with Helen before Menelaus can kill him
26.
Troy
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The present-day location is known as Hisarlik. It was the setting of the Trojan War described in the Greek Epic Cycle, in particular in the Iliad, a new capital called Ilium was founded on the site in the reign of the Roman Emperor Augustus. It flourished until the establishment of Constantinople and declined gradually in the Byzantine era and these excavations revealed several cities built in succession. Troy VII has been identified with the city that the Hittites called Wilusa, the origin of the Greek Ἴλιον. Today, the hill at Hisarlık has given its name to a village near the ruins. It lies within the province of Çanakkale, some 30 km south-west of the provincial capital, the map here shows the adapted Scamander estuary with Ilium a little way inland across the Homeric plain. Troy was added to the UNESCO World Heritage list in 1998, Ancient Greek historians variously placed the Trojan War in the 12th, 13th, or 14th centuries BC, Eratosthenes to 1184 BC, Herodotus to 1250 BC, Duris of Samos to 1334 BC. Modern archaeologists associate Homeric Troy with archaeological Troy VII, in the Iliad, the Achaeans set up their camp near the mouth of the River Scamander, where they had beached their ships. The city of Troy itself stood on a hill, across the plain of Scamander, recent geological findings have permitted the identification of the ancient Trojan coastline, and the results largely confirm the accuracy of the Homeric geography of Troy. In November 2001, the geologist John C, kraft from the University of Delaware and the classicist John V. Luce from Trinity College, Dublin, presented the results of investigations, begun in 1977, into the geology of the region. Besides the Iliad, there are references to Troy in the major work attributed to Homer. The Homeric legend of Troy was elaborated by the Roman poet Virgil in his Aeneid, the Greeks and Romans took for a fact the historicity of the Trojan War and the identity of Homeric Troy with the site in Anatolia. Alexander the Great, for example, visited the site in 334 BC and there made sacrifices at tombs associated with the Homeric heroes Achilles and Patroclus. After the 1995 find of a Luwian biconvex seal at Troy VII, with the rise of critical history, Troy and the Trojan War were, for a long time, consigned to the realms of legend. However, the location of ancient Troy had from classical times remained the subject of interest. The Troad peninsula was anticipated to be the location, leChavaliers location, published in his Voyage de la Troade, was the most commonly accepted theory for almost a century. In 1822, the Scottish journalist Charles Maclaren was the first to identify with confidence the position of the city as it is now known, the hill, near the city of Çanakkale, was known as Hisarlık. In 1868, Heinrich Schliemann visited Calvert and secured permission to excavate Hisarlık, in 1871–73 and 1878–79, he excavated the hill and discovered the ruins of a series of ancient cities dating from the Bronze Age to the Roman period
27.
White-ground
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White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica, dated to about 500 BC, nevertheless, a wide range of subjects are depicted. In white-ground pottery, the vase is covered with a light or white slip of kaolinite, a similar slip had been used as carrier for vase paintings in the Geometric and Archaic periods. White-ground vases were produced, for example, in Ionia, Laconia, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term white-ground pottery or white-ground vase painting is used in reference to the Attic material only. The light slip was probably meant to make the vases appear more valuable, however, in no case was a vessels entire surface covered in white slip. It has also been conjectured that this form of painting emerged in order to emulate the more prestigious medium of wall painting, furthermore, the group of five Huge Lekythoi are covered entirely in white slip, which suggests an imitation of marble lekythoi for funerary purposes. White-ground vase painting often occurred in association with red-figure vase painting, especially typical of this are kylikes with a white-ground interior and a red-figure exterior image. White-ground painting is less durable than black- or red-figure, which is why such vases were used as votives. The development of vase painting took place parallel to that of the black-. In the course of development, five sub-styles can be noted. The earliest surviving example of the technique is a fragmentary kantharos signed by the potter-painter Nearchos ca.570 BC and it was found on the Athenian Acropolis. The technique was used to create strobing bands of colour that emphasize the shape of the vase. and is associated with the workshops of Andokides, Nikosthenes, after a short interval, this technique was also adopted by other workshops, including that of Psiax. The manner of painting is the same as in conventional black-figure, the ground is rarely pure white, but usually slightly yellowish or light beige. A second form is monochrome silhouette drawing, images are not created from reservation and painted internal detail, but from drawn outlines and painted internal detail. This style is used since the end of the 6th century BC, especially on cups, alabastra, initially, the outline of the figures is executed in the form of a relief line, but from about 500 BC, this is increasingly replaced by painted yellowish-brown lines. The so-called semi-outline technique is a combination of the first and the technique, used only in the first half of the 5th century BC, virtually exclusively on lekythoi. In the first quarter of the 5th century, the workshop of the potter Euphronios develops a four-colour painting style using a combination of shiny clay slip, the images are made up of outline drawings in shiny slip and coloured areas in mineral paint
28.
Lekythos
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A lekythos is a type of Ancient Greek vessel used for storing oil, especially olive oil. It has a body and one handle attached to the neck of the vessel, and is thus a narrow type of jug, with no pouring lip. However, there are a number of varieties, and the word seems to have used even more widely in ancient times than by modern archeologists. They are normally in pottery, but there are carved stone examples. Lekythoi were especially associated with rites, and with the white ground technique of vase painting. Because of their handle they were only decorated with one image, on the other side from the handle, they are often photographed with the handle hidden. The lekythos was used for anointing dead bodies of unmarried women, the images on lekythoi were often depictions of daily activities or rituals. Because they are so used in funerary situations, they may also depict funerary rites. These drawings are usually outline drawings that are quite expressionless and somber in appearance, the decoration of these ceramic vessels consists of a dull red and black paint. These colors may have derived from the Bronze Age, but were not used until 530 BC in Athens. Many artists of these attempted to add more color to the figures, but later abandoned the idea. These vessels were very popular during the 5th century BC, however there are many that have been dating all the way back to 700 BC. They contained an oil which was offered either to the dead person or to the gods of the underworld. Some lekythoi were fitted with a small, inner chamber so that they appear full. The Lekythos was used to smear perfumed oil on a womans skin before getting married and were placed in tombs to allow the woman to prepare for a wedding in the afterlife. There are also plastic lekythoi, with bodies formed in the shape of a head, animal, or other form
29.
Aphrodite
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Aphrodite is the Greek goddess of love, beauty, pleasure, and procreation. She is identified with the planet Venus, and her Roman equivalent is the goddess Venus, as with many ancient Greek deities, there is more than one story about her origins. According to Hesiods Theogony, she was born when Cronus cut off Uranuss genitals and threw them into the sea, according to Homers Iliad, she is the daughter of Zeus and Dione. In Plato, these two origins are said to be of hitherto separate entities, Aphrodite Ourania and Aphrodite Pandemos, Aphrodite had many lovers—both gods, such as Ares, and men, such as Anchises. She played a role in the Eros and Psyche legend, and was lover and surrogate mother of Adonis. Many lesser beings were said to be children of Aphrodite, Aphrodite is also known as Cytherea and Cypris after the two cult sites, Cythera and Cyprus, which claimed to be her place of birth. Myrtle, roses, doves, sparrows and swans were sacred to her, the ancient Greeks identified her with the Ancient Egyptian goddess Hathor. Aphrodite had many names such as Acidalia and Cerigo, each used by a different local cult of the goddess in Greece. The Greeks recognized all of these names as referring to the single goddess Aphrodite, despite the differences in what these local cults believed the goddess demanded of them. The Attic philosophers of the 4th century, however, drew a distinction between a celestial Aphrodite of transcendent principles, and a separate, common Aphrodite who was the goddess of the people, hesiod derives Aphrodite from aphrós sea-foam, interpreting the name as risen from the foam. Michael Janda, accepting this as genuine, claims the birth myth as an Indo-European mytheme. Likewise, Witczak proposes an Indo-European compound *abʰor- very and *dʰei- to shine and it has been argued that etymologies based on comparison with Eos are unlikely since Aphrodites attributes are entirely different from those of Eos or the Vedic deity Ushas. A number of improbable non-Greek etymologies have suggested in scholarship. One Semitic etymology compares Aphrodite to the Assyrian barīrītu, the name of a demon that appears in Middle Babylonian. Hammarström looks to Etruscan, comparing prϑni lord, an Etruscan honorific loaned into Greek as πρύτανις and this would make the theonym in origin an honorific, the lady. Hjalmar Frisk and Robert Beekes reject this etymology as implausible, especially since Aphrodite actually appears in Etruscan in the borrowed form Apru, the medieval Etymologicum Magnum offers a highly contrived etymology, deriving Aphrodite from the compound habrodíaitos, she who lives delicately, from habrós and díaita. The alteration from b to ph is explained as a characteristic of Greek obvious from the Macedonians. Aphrodite is usually said to have been born near her chief center of worship, Paphos, on the island of Cyprus, however, other versions of her myth have her born near the island of Cythera, hence another of her names, Cytherea
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Heracles
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Heracles, born Alcaeus or Alcides, was a divine hero in Greek mythology, the son of Zeus and Alcmene, foster son of Amphitryon and great-grandson and half-brother of Perseus. He was the greatest of the Greek heroes, a paragon of masculinity, the ancestor of clans who claimed to be Heracleidae. In Rome and the modern West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. The Romans adopted the Greek version of his life and works essentially unchanged, details of his cult were adapted to Rome as well. Extraordinary strength, courage, ingenuity, and sexual prowess with both males and females were among the characteristics commonly attributed to him, together with Hermes he was the patron and protector of gymnasia and palaestrae. His iconographic attributes are the skin and the club. These qualities did not prevent him from being regarded as a figure who used games to relax from his labors. By conquering dangerous archaic forces he is said to have made the safe for mankind. Many popular stories were told of his life, the most famous being The Twelve Labours of Heracles and his figure, which initially drew on Near Eastern motifs such as the lion-fight, was widely known. Heracles was the greatest of Hellenic chthonic heroes, but unlike other Greek heroes, the core of the story of Heracles has been identified by Walter Burkert as originating in Neolithic hunter culture and traditions of shamanistic crossings into the netherworld. Heracles role as a hero, whose death could be a subject of mythic telling, was accepted into the Olympian Pantheon during Classical times. Around him cries of the dead rang out like cries of birds scattering left, in Christian circles a Euhemerist reading of the widespread Heracles cult was attributed to a historical figure who had been offered cult status after his death. The ancient Greeks celebrated the festival of the Heracleia, which commemorated the death of Heracles, what is believed to be an Egyptian Temple of Heracles in the Bahariya Oasis dates to 21 BCE. A reassessment of Ptolemys descriptions of the island of Malta attempted to link the site at Ras ir-Raħeb with a temple to Heracles, several ancient cities were named Heraclea in his honor. A major factor in the tragedies surrounding Heracles is the hatred that the goddess Hera. A full account of Heracles must render it clear why Heracles was so tormented by Hera, Heracles was the son of the affair Zeus had with the mortal woman Alcmene. Zeus made love to her after disguising himself as her husband, Amphitryon, thus, Heracles very existence proved at least one of Zeus many illicit affairs, and Hera often conspired against Zeus mortal offspring as revenge for her husbands infidelities. His twin mortal brother, son of Amphitryon, was Iphicles, Hera did this knowing that while Heracles was to be born a descendant of Perseus, so too was Eurystheus
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Styx
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In Greek mythology, Styx is a deity and a river that forms the boundary between Earth and the Underworld. The rivers Styx, Phlegethon, Acheron, Lethe, and Cocytus all converge at the center of the underworld on a great marsh, according to Herodotus, the river Styx originates near Feneos. Styx is also a goddess with roots in Greek mythology as a daughter of Tethys, after whom the river is named. The deities of the Greek pantheon swore all their oaths upon the river Styx because, according to mythology, during the Titan war, Styx. After the war, Zeus declared that every oath must be sworn upon her, Zeus swore to give Semele whatever she wanted and was then obliged to follow through when he realized to his horror that her request would lead to her death. Helios similarly promised his son Phaëton whatever he desired, also resulting in the boys death, myths related to such early deities did not survive long enough to be included in historic records, but tantalizing references exist among those that have been discovered. According to some versions, Styx had miraculous powers and could make someone invulnerable, according to one tradition, Achilles was dipped in the waters of the river by his mother during his childhood, acquiring invulnerability, with exception of his heel, by which his mother held him. The only spot where Achilles was vulnerable was his heel, where he was struck and this is the source of the expression Achilles heel, a metaphor for a vulnerable spot. Styx was primarily a feature in the afterworld of classical Greek mythology, similar to the Christian area of Hell in texts such as The Divine Comedy and Paradise Lost. In ancient times believed that placing a coin in the mouth of the deceased would pay the toll for the ferry to cross the Acheron River. If someone could not pay the fee it was said that they would never be able to cross the river and this ritual was performed by the relatives. The variant spelling Stix was sometimes used in translations of Classical Greek before the twentieth century, by metonymy, the adjective stygian came to refer to anything dark, dismal, and murky. Styx was the name of the daughter of Tethys and Oceanus, in classical myths, her husband was Pallas and she gave birth to Zelus, Nike, Kratos, and Bia. In those myths, Styx supported Zeus in the Titanomachy, where she was said to be the first to rush to his aid, for this reason, her name was given the honor of being a binding oath for the deities. Knowledge of whether this was the reason for the tradition did not survive into historical records following the religious transition that led to the pantheon of the classical era. As of 2 July 2013, Styx officially became the name of one of Plutos moons, the other moons also have names from Greco-Roman mythology related to the underworld. Kormet Rasā Sanzu River Burial jar depicting a boatman with passenger Chisholm, Hugh, ed. Styx
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Mount Ida
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Thereafter, his birthplace was sacred to Zeus, the king and father of Greek gods and goddesses. The name Ida is of unknown origin, instances of i-da in Linear A are often conjectured to refer to either this mountain or the homonymous one in Crete. Proclus considered it as the mount of the Ideas, whence its etymology, cretes Mount Ida is the islands highest summit, sacred to the Goddess Rhea, and wherein lies the legendary cave in which baby Zeus was concealed from his father Cronus. It is one of a number of believed to have been the birthplace or hiding place of Zeus. On the flank of this mountain is the Amari Valley, the site of expansion by the ancient settlement at Phaistos, the surrounding area and mountain used to be very wooded. From the Anatolian Mount Ida, Zeus was said to have abducted Ganymede to Olympus, the topmost peak is Gargarus, mentioned in the Iliad. Zeus was located in the Altar of Zeus during the Trojan War, the modern Turkish name for Mount Ida, Turkey, is Kaz Dağı, pronounced. In the Aeneid, a star falls onto the mountain in answer to the prayer of Anchises to Jupiter
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Poseidon
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Poseidon was one of the twelve Olympian deities of the pantheon in Greek mythology. His main domain was the ocean, and he is called the God of the Sea, additionally, he is referred to as Earth-Shaker due to his role in causing earthquakes, and has been called the tamer of horses. He is usually depicted as a male with curly hair. The name of the sea-god Nethuns in Etruscan was adopted in Latin for Neptune in Roman mythology, both were sea gods analogous to Poseidon. According to some folklore, he was saved by his mother Rhea, who concealed him among a flock of lambs and pretended to have birth to a colt. There is a Homeric hymn to Poseidon, who was the protector of many Hellenic cities, according to the references from Plato in his dialogues Timaeus and Critias, the island of Atlantis was the chosen domain of Poseidon. The form Ποτειδάϝων appears in Corinth, the origins of the name Poseidon are unclear. Walter Burkert finds that the second element da- remains hopelessly ambiguous, another theory interprets the second element as related to the word *δᾶϝον dâwon, water, this would make *Posei-dawōn into the master of waters. There is also the possibility that the word has Pre-Greek origin, Plato in his dialogue Cratylus gives two alternative etymologies, either the sea restrained Poseidon when walking as a foot-bond, or he knew many things. If surviving Linear B clay tablets can be trusted, the name occurs with greater frequency than does di-u-ja. A feminine variant, po-se-de-ia, is found, indicating a lost consort goddess. Poseidon carries frequently the title wa-na-ka in Linear B inscriptions, as king of the underworld, the chthonic nature of Poseidon-Wanax is also indicated by his title E-ne-si-da-o-ne in Mycenean Knossos and Pylos, a powerful attribute. In the cave of Amnisos Enesidaon is related with the cult of Eileithyia and she was related with the annual birth of the divine child. During the Bronze Age, a goddess of nature, dominated both in Minoan and Mycenean cult, and Wanax was her companion in Mycenean cult. It is possible that Demeter appears as Da-ma-te in a Linear B inscription, in Linear B inscriptions found at Pylos, E-ne-si-da-o-ne is related with Poseidon, and Si-to Po-tini-ja is probably related with Demeter. Tablets from Pylos record sacrificial goods destined for the Two Queens, the Two Queens may be related with Demeter and Persephone, or their precursors, goddesses who were not associated with Poseidon in later periods. The violated Demeter was Demeter Erinys, in Arcadia, Demeters mare-form was worshiped into historical times. Her xoanon of Phigaleia shows how the local cult interpreted her, a Medusa type with a horses head with snaky hair, holding a dove and a dolphin, probably representing her power over air and water
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Deipnosophistae
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The Deipnosophistae is an early 3rd-century AD Greek work by the Greco-Egyptian author Athenaeus of Naucratis. It is sometimes called the oldest surviving cookbook, the Greek title Deipnosophistaí derives from the combination of deipno- and sophistḗs. It and its English derivative deipnosophists thus describe people who are skilled at dining, however, the term is shaded by the harsh treatment accorded to professional teachers in Platos Socratic dialogues, which made the English term sophist into a pejorative. The Deipnosophistae professes to be an account given by the author to his friend Timocrates of a series of banquets held at the house of Larensius, a scholar and wealthy patron of the arts. It is thus a dialogue within a dialogue, after the manner of Plato, although each conversation is so long that, realistically, the work is invaluable for providing fictionalized information about the Hellenistic literary world of the leisured class during the Roman Empire. To the majority of readers, even more useful is the wealth of information provided in the Deipnosophistae about earlier Greek literature. The Deipnosophistae is an important source of recipes in classical Greek and it quotes the original text of one recipe from the lost cookbook by Mithaecus, the oldest in Greek and the oldest recipe by a named author in any language. In addition to its main focuses, the text offers a clear portrait of homosexuality in late Hellenism. Books XII-XIII holds a wealth of information for studies of homosexuality in Roman Greece and it is subject to a big discussion that includes Alcibiades, Charmides, Autolycus, Pausanias and Sophocles. Furthermore, numerous books and now lost plays on the subject are mentioned, including the dramatists Diphilus, Cratinus, Aeschylus, and Sophocles, the Deipnosophistae was originally in fifteen books. The work survives in one manuscript from which the whole of books 1 and 2, an Epitome or abridgment was made in medieval times, and survives complete, from this it is possible to read the missing sections, though in a disjointed form. The English polymath Sir Thomas Browne noted in his encyclopaedia Pseudodoxia Epidemica- Athenæus, a delectable Author, very various, and justly stiled by Casaubon, Græcorum Plinius. There is extant of his, a famous Piece, under the name of Deipnosophista, or Coena Sapientum, containing the Discourse of many learned men and it is a laborious Collection out of many Authors, and some whereof are mentioned no where else. It containeth strange and singular relations, not without some spice or sprinkling of all Learning, the Author was probably a better Grammarian then Philosopher, dealing but hardly with Aristotle and Plato, and betrayeth himself much in his Chapter De Curiositate Aristotelis. In brief, he is an Author of excellent use, and may with discretion be read unto great advantage, Browne was also the author of a Latin essay on Athenaeus. Athenaeus, Deipnosophistae ed. and tr. C. B, Athenaeus, The Learned Banqueters ed. and tr. S. Douglas Olson. Cambridge, Mass. /London, Harvard University Press, 2007-2012, georg Kaibel, Athenaei Naucratitae Dipnosophistarum Libri XV. Athenaei Dipnosophistarum epitome ed. S. P. Peppink, Athenaeus and his world, reading Greek culture in the Roman Empire ed. David Braund, John Wilkins
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Dithyramb
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Plato also remarks in the Republic that dithyrambs are the clearest example of poetry in which the poet is the only speaker. However, in The Apology Socrates went to the dithyrambs with some of their own most elaborate passages, asking their meaning but got a response of, plutarch contrasted the dithyrambs wild and ecstatic character with the paean. According to Aristotle, the dithyramb was the origin of Athenian tragedy, a wildly enthusiastic speech or piece of writing is still occasionally described as dithyrambic. Dithyrambs were sung by choirs at Delos, but the fragments that have survived are largely Athenian. In Athens, dithyrambs were sung by a Greek chorus of up to fifty men or boys dancing in circular formation and they would normally relate some incident in the life of Dionysus or just celebrate wine and fertility. Each tribe would enter two choirs, one of men and one of boys, each under the leadership of a coryphaeus, the names of the winning teams of dithyrambic contests in Athens were recorded. The successful choregos would receive a statue that would be erected—at his expense—as a public monument to commemorate the victory, however, most of the poets remain unknown. The word dithyramb has no origin, but is frequently assumed to not be derived from Greek. Dithyrambs were composed by the poets Simonides and Bacchylides, as well as Pindar, later examples were dedicated to other gods, but the dithyramb subsequently was developed into a literary form. According to Aristotle, Athenian tragedy developed from the dithyramb, the two forms developed alongside one another for some time, the clearest sense of dithyramb as proto-tragedy comes from a surviving dithyramb by Bacchylides, though it was composed after tragedy had already developed fully. Bacchylides dithyramb is a dialogue between a solitary singer and a choir and it is suggestive of what tragedy may have resembled before Aeschylus added a second actor instead of the choir. In the later 5th century BCE, the became a favorite vehicle for the musical experiments of the poets of the new music. This movement included the poets Timotheus of Miletus, Cinesias, Melanippides, by the 4th century BCE the genre was in decline, although the dithyrambic competitions did not come to an end until well after the Roman takeover of Greece. Dithyrambs are rare in English language literature, in German literature they appear more frequently, and from the 19th century several compositions were inspired by them. John Drydens Alexanders Feast is an exception of an English language dithyramb. Friedrich Schiller wrote a Dithyrambe in 1796, Friedrich Nietzsche composed a set of Dionysos-Dithyramben in 1888/89. From the 19th century dithyrambs appear frequently in music, as well in vocal as instrumental compositions. Franz Schubert wrote a song for bass voice based on Schillers Dithyrambe, schuberts earlier attempt at setting the same poem for a more extended vocal ensemble had remained unfinished
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Endymion (mythology)
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Apollonius of Rhodes is one of the many poets who tell how Selene, the Titan goddess of the moon, loved the mortal. She believed him to be so beautiful that she asked Endymions father, Zeus, alternatively, Selene so loved how Endymion looked when he was asleep in the cave on Mount Latmus, near Miletus in Caria, that she entreated Zeus that he might remain that way. In either case, Zeus granted her wish and put him into an eternal sleep, every night, Selene visited him where he slept. Selene and Endymion had fifty daughters who are equated by some scholars with the fifty months of the Olympiad, the Bibliotheke claims that, Calyce and Aethlius had a son Endymion who led Aeolians from Thessaly and founded Elis. But some say that he was a son of Zeus, as he was of unsurpassed beauty, the Moon fell in love with him, and Zeus allowed him to choose what he would, and he chose to sleep for ever, remaining deathless and ageless. Endymion had by a Naiad nymph or, as say, by Iphianassa, a son Aetolus, who slew Apis, son of Phoroneus. There he killed his hosts, Dorus and Laodocus and Polypoetes, the sons of Phthia and Apollo, according to Pausanias, Endymion deposed Clymenus, son of Cardys, at Olympia. The Moon, they say, fell in love with this Endymion, Endymion set his sons to run a race at Olympia for the throne, Epeius won, and obtained the kingdom, and his subjects were then named Epeans for the first time. Pausanias also reports seeing a statue of Endymion in the treasury of Metapontines at Olympia, propertius, Ciceros Tusculanae Quaestiones, and Theocritus discuss the Endymion myth to some length, but reiterate the above to varying degrees. The myth surrounding Endymion has been expanded and reworked during the period by figures like Henry Wadsworth Longfellow. But now you yourself it would seem, are a victim of a madness like mine, the Louvre example, discovered at Saint-Médard-dEyrans, France, is one of this class. Latin writers explained the name from somnum ei inductum, the put upon him. The myth of Endymion was never transferred to ever-chaste Artemis. In the Renaissance, the moon goddess Diana had the Endymion myth attached to her. Apollodorus, The Library, with an English Translation by Sir James George Frazer, cambridge, MA, Harvard University Press, London, William Heinemann Ltd.1921. Cambridge, MA, Harvard University Press, London, William Heinemann Ltd, plato in Twelve Volumes, Vol.1 translated by Harold North Fowler, Introduction by W. R. M. Cambridge, MA, Harvard University Press, London, William Heinemann Ltd.1966, la fortune littéraire et artistique du mythe d’Endymion à l’aube de l’ère moderne, ISBN 3-7861-2499-X. Diana and Endymion circa 1700-1730, by Francesco Solimena, national Museums Liverpool, Walker Art Gallery
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Hypnosis
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Hypnosis is a state of human consciousness involving focused attention and reduced peripheral awareness and an enhanced capacity to respond to suggestion. The term may refer to an art, skill, or act of inducing hypnosis. Theories explaining what occurs during hypnosis fall into two groups, altered state theories see hypnosis as an altered state of mind or trance, marked by a level of awareness different from the ordinary conscious state. In contrast, nonstate theories see hypnosis as a form of imaginative role enactment, during hypnosis, a person is said to have heightened focus and concentration. The person can concentrate intensely on a thought or memory. Hypnotised subjects are said to show a response to suggestions. Hypnosis is usually induced by a known as a hypnotic induction involving a series of preliminary instructions. The use of hypnotism for therapeutic purposes is referred to as hypnotherapy, stage hypnosis is often performed by mentalists practicing the art form of mentalism. The term hypnosis comes from the ancient Greek word ὕπνος hypnos, sleep, and the suffix -ωσις -osis, or from ὑπνόω hypnoō, put to sleep and the suffix -is. The words hypnosis and hypnotism both derive from the term neuro-hypnotism, all of which were coined by Étienne Félix dHenin de Cuvillers in 1820 and these words were popularized in English by the Scottish surgeon James Braid around 1841. Braid based his practice on that developed by Franz Mesmer and his followers, a person in a state of hypnosis is relaxed, has focused attention, and has increased suggestibility. It could be said that suggestion is explicitly intended to make use of the placebo effect. For example, in 1994, Irving Kirsch characterised hypnosis as a placebo, i. e. a method that openly makes use of suggestion. Have defined hypnosis in terms of dissociation, Social psychologists Sarbin and Coe. have described hypnosis in terms of role theory. Hypnosis is a role that play, they act as if they were hypnotised. Defined hypnosis in terms of behavioural parameters, such as task motivation. Conceptualised hypnosis as a state of enhanced suggestibility and he has defined hypnotism as a form of influence by one person exerted on another through the medium or agency of suggestion. Described hypnosis by using the concept of regression in the service of the ego
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Hypnotic
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This group is related to sedatives. Whereas the term sedative describes drugs that serve to calm or relieve anxiety, because these two functions frequently overlap, and because drugs in this class generally produce dose-dependent effects they are often referred to collectively as sedative-hypnotic drugs. Hypnotic drugs are prescribed for insomnia and other sleep disorders. When prescribed, hypnotic medication should be used for the shortest period of time necessary, most hypnotics prescribed today are either benzodiazepines or nonbenzodiazepines. Among individuals with sleep disorders,13. 7% are taking or prescribed nonbenzodiazepines, while 10. 8% are taking benzodiazepines, early classes of drugs, such as barbiturates, have fallen out of use in most practices but are still prescribed for some patients. In children, prescribing hypnotics is not yet acceptable unless used to treat night terrors or somnambulism, falling outside of the above-mentioned categories, the neuro-hormone melatonin has a hypnotic function. Research about using medications to treat insomnia evolved throughout the last half of the 20th century, treatment for insomnia in psychiatry dates back to 1869 when chloral hydrate was first used as a soporific. Barbiturates emerged as the first class of drugs that emerged in the early 1900s, although the best drug family at the time they were dangerous in overdose. During the 1970s, quinazolinones and benzodiazepines were introduced as alternatives to replace barbiturates. Benzodiazepines are not without their drawbacks, substance dependence is possible, questions have been raised as to whether they disturb sleep architecture. Nonbenzodiazepines are the most recent development, although its clear that they are less toxic than their predecessors, barbiturates, comparative efficacy over benzodiazepines have not been established. Without longitudinal studies, it is hard to determine, however some psychiatrists recommend these drugs, other sleep remedies that may be considered sedative-hypnotics exist, psychiatrists will sometimes prescribe medicines off-label if they have sedating effects. Examples of these include mirtazapine, clonidine, quetiapine, and the over-the-counter sleep aid diphenhydramine, off-label sleep remedies are particularly useful when first-line treatment is unsuccessful or deemed unsafe. Barbiturates are drugs that act as central nervous system depressants, and can produce a wide spectrum of effects. They are also effective as anxiolytics, hypnotics, and anticonvulsants, barbiturates also have analgesic effects, however, these effects are somewhat weak, preventing barbiturates from being used in surgery in the absence of other analgesics. They have dependence liability, both physical and psychological, however, barbiturates are still used in general anesthesia, for epilepsy, and assisted suicide. Barbiturates are derivatives of barbituric acid, the principal mechanism of action of barbiturates is believed to be positive allosteric modulation of GABAA receptors. Examples include amobarbital, pentobarbital, phenobarbital, secobarbital, and sodium thiopental, quinazolinones are also a class of drugs which function as hypnotic/sedatives that contain a 4-quinazolinone core
