1.
Single (music)
–
In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
Single (music)
–
45
rpm single record
2.
Depeche Mode
–
Depeche Mode /dᵻˌpɛʃˈmoʊd/ are an English electronic band that formed in 1980 in Basildon, Essex. The group consists of founders Dave Gahan, Martin Gore, Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Original band member Vince Clarke, left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over the songwriting duties and, later in 1982, Alan Wilder officially joined the band to fill Clarkes spot. Depeche Mode have been a trio again since 1995, when Wilder left, the bands last albums of the 1980s, Black Celebration and Music for the Masses, established them as a dominant force on the mainstream electronic music scene. A highlight of this era was the concert at the Pasadena Rose Bowl. In the new decade, Depeche Mode released Violator, a mainstream success, now a trio once again, the band released Ultra in 1997, recorded at the height of Gahans near-fatal drug abuse, Gores alcoholism and seizures, and Fletchers depression. Depeche Mode have had 50 songs in the UK Singles Chart and thirteen top 10 albums in the UK chart, Q included the band in the list of the 50 Bands That Changed the World. Depeche Mode also rank number 98 on VH1s 100 Greatest Artists of All Time, Depeche Modes origins date to 1977, when schoolmates Vince Clarke and Andy Fletcher formed a Cure-influenced band called No Romance In China, with Clarke on vocals and guitar and Fletcher on bass. Fletcher would later recall, Why am I in the band and it was accidental right from the beginning. I was actually forced to be in the band, I played the guitar and I had a bass, it was a question of them roping me in. In 1979, Clarke played guitar in an Ultravox rip-off band, in 1978–79, Martin Gore played guitar in an acoustic duo, Norman and the Worms, with school friend Phil Burdett on vocals. In 1979, Marlow, Gore and friend Paul Redmond formed a band called the French Look, with Marlow on vocals/keyboards, Gore on guitar and Redmond on keyboards. In March 1980, Clarke, Gore and Fletcher formed a band called Composition of Sound, with Clarke on vocals/guitar, Gore on keyboards and Fletcher on bass. Soon after the formation of Composition of Sound, Clarke heard Wirral band Orchestral Manoeuvres in the Dark, along with OMD, other early influences included the Human League, Daniel Miller and Fad Gadget. Clarke and Fletcher switched to synthesisers, working odd jobs in order to buy or borrow the instruments from friends. Dave Gahan joined the band in 1980 after Clarke heard him perform at a scout hut jam session, singing a rendition of David Bowies Heroes. When explaining the choice for the new name taken from a French fashion magazine, Dépêche mode, Gore said, I like the sound of that
Depeche Mode
–
Depeche Mode in concert, 2006. Additional musicians
Peter Gordeno (far left) and
Christian Eigner (centre-left), with original members
Dave Gahan (centre),
Martin Gore (centre-right) and
Andy Fletcher (far right).
Depeche Mode
–
Touring the Angel concert in
Bremen, June 2006.
Depeche Mode
–
Tour of the Universe concert at London's O 2 Arena, December 2009.
3.
Songs of Faith and Devotion
–
The album incorporated a more aggressive, darker rock-oriented tone than its predecessor, Violator, largely influenced by the emerging alternative rock and grunge scenes in the United States. Upon its release, Songs of Faith and Devotion reached number one in several countries, to support the album, Depeche Mode embarked on the fourteen-month-long Devotional Tour, the largest tour the band had ever undertaken to that date. Recording the album and the subsequent tour exacerbated growing tensions and difficulties within the band, prompting Alan Wilder to quit, the ordeal had exhausted their creative output following the enormous success they had enjoyed with Violator, leading to rumours and media speculation that the band would split. Depeche Mode subsequently recovered from the experience, and released Ultra in 1997, Songs of Faith and Devotion was recorded over eight months in a rented villa in Madrid during 1992, as well as later sessions in Hamburg and London. A studio was set up in the basement of the villa, the recordings from the kits could then be processed through synthesizers, such as the large Roland System 700 the band had installed in the studio. The band had become aware of getting caught in easy routines in the leading to boredom. For making Songs of Faith and Devotion, the band wanted the sound to be looser, embellishments like reversed cymbals were added later at the behest of Wilder, who often suggested such experimentation. Further techniques used in recording included the piano on the outro to the track Mercy in You. The introduction of the track Judas has uillean pipes recorded with reversed reverberation mixed into the sound, to achieve a haunting, walking in My Shoes included a piano part which was processed through a guitar processor to add distortion. A harpsichord sample was played and recorded over the top, giving a unique. The sound produced was very embryonic, however it gave the band a direction as to how the track should sound, guitars were processed through devices such as Leslie tone cabinets, originally designed for organs, to achieve different sounds. Following the success of Violator and the subsequent tour, the band had taken a break from each other. Upon returning, they found it difficult to collaborate, with several factors contributing to the difficult atmosphere that the band experienced recording the album. Fletcher described the living together as claustrophobic, and the lack of a break from each other as a factor in contributing to the stress. Gore felt pressured to write tracks that could live up to the success of the album, Violator. Since then, Gahan had also developed an addiction, which slowed the recording process. The band also began to jam together, something which they had not previously done in terms of album writing, the lack of success of coming up with musical ideas from such jams led to intense frustration. Unlike the previous albums, there was very little pre-production, where the band would listen to demos created by Gore, Flood recalls the lack of pre-production as a big mistake that adversely affected the early recording sessions
Songs of Faith and Devotion
–
Songs of Faith and Devotion
4.
A-side and B-side
–
The terms A-side and B-side refer to the two sides of 78,45, and 33 1/3 rpm phonograph records, whether singles, extended plays, or long-playing records. Creedence Clearwater Revival had hits with both A-side and B-side releases, others took the opposite approach, producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side, the earliest 10-inch,78 rpm, shellac records were single sided. Double-sided recordings, with one song on side, were introduced in Europe by Columbia Records. There were no record charts until the 1930s, and radio stations did not play recorded music until the 1950s, in this time, A-sides and B-sides existed, but neither side was considered more important, the side did not convey anything about the content of the record. The term single came into use with the advent of vinyl records in the early 1950s. At first, most record labels would randomly assign which song would be an A-side, under this random system, many artists had so-called double-sided hits, where both songs on a record made one of the national sales charts, or would be featured on jukeboxes in public places. As time wore on, however, the convention for assigning songs to sides of the record changed. By the early sixties, the song on the A-side was the song that the company wanted radio stations to play. It was not until 1968, for instance, that the production of albums on a unit basis finally surpassed that of singles in the United Kingdom. In the late 1960s stereo versions of pop and rock songs began to appear on 45s. The majority of the 45s were played on AM radio stations, by the early 1970s, double-sided hits had become rare. Album sales had increased, and B-sides had become the side of the record where non-album, non-radio-friendly, with the advent of cassette and compact disc singles in the late 1980s, the A-side/B-side differentiation became much less meaningful. With the decline of cassette singles in the 1990s, the A-side/B-side dichotomy became virtually extinct, as the dominant medium. However, the term B-side is still used to refer to the tracks or coupling tracks on a CD single. With the advent of downloading music via the Internet, sales of CD singles and other media have declined. B-side songs may be released on the record as a single to provide extra value for money. There are several types of material released in this way, including a different version, or, in a concept record
A-side and B-side
–
Victor 17929A and 17929B.
A-side and B-side
5.
Gramophone record
–
The groove usually starts near the periphery and ends near the center of the disc. The phonograph disc record was the medium used for music reproduction until late in the 20th century. It had co-existed with the cylinder from the late 1880s. Records retained the largest market share even when new formats such as compact cassette were mass-marketed, by the late 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the vinyl record left the mainstream in 1991. The phonograph record has made a resurgence in the early 21st century –9.2 million records were sold in the U. S. in 2014. Likewise, in the UK sales have increased five-fold from 2009 to 2014, as of 2017,48 record pressing facilities remain worldwide,18 in the United States and 30 in other countries. The increased popularity of vinyl has led to the investment in new, only two producers of lacquers remains, Apollo Masters in California, USA, and MDC in Japan. Vinyl records may be scratched or warped if stored incorrectly but if they are not exposed to heat or broken. The large cover are valued by collectors and artists for the space given for visual expression, in the 2000s, these tracings were first scanned by audio engineers and digitally converted into audible sound. Phonautograms of singing and speech made by Scott in 1860 were played back as sound for the first time in 2008, along with a tuning fork tone and unintelligible snippets recorded as early as 1857, these are the earliest known recordings of sound. In 1877, Thomas Edison invented the phonograph, unlike the phonautograph, it was capable of both recording and reproducing sound. Despite the similarity of name, there is no evidence that Edisons phonograph was based on Scotts phonautograph. Edison first tried recording sound on a paper tape, with the idea of creating a telephone repeater analogous to the telegraph repeater he had been working on. The tinfoil was wrapped around a metal cylinder and a sound-vibrated stylus indented the tinfoil while the cylinder was rotated. The recording could be played back immediately, Edison also invented variations of the phonograph that used tape and disc formats. A decade later, Edison developed a greatly improved phonograph that used a wax cylinder instead of a foil sheet. This proved to be both a better-sounding and far more useful and durable device, the wax phonograph cylinder created the recorded sound market at the end of the 1880s and dominated it through the early years of the 20th century. Berliners earliest discs, first marketed in 1889, but only in Europe, were 12.5 cm in diameter, both the records and the machine were adequate only for use as a toy or curiosity, due to the limited sound quality
Gramophone record
–
Edison wax cylinder phonograph c. 1899
Gramophone record
Gramophone record
–
Emil Berliner with disc record gramophone
Gramophone record
–
Hungarian Pathé record, 90 to 100 rpm
6.
12-inch single
–
The 12-inch single is a type of gramophone record that has wider groove spacing and shorter playing time compared to typical LPs. This allows for levels to be cut on the disc by the cutting engineer, which in turn gives a wider dynamic range. This record type is used in disco and dance music genres. They are played at either 33 1⁄3 or 45 rpm, 12-inch singles typically have much shorter playing time than full-length LPs, thus require fewer grooves per inch. This extra space permits a broader dynamic range or louder recording level as the grooves excursions can be greater in amplitude. Many record companies began producing 12-inch singles at 33 1⁄3 rpm, although 45 rpm gives better treble response and was used on many 12-inch singles, the gramophone records cut especially for dance-floor DJs came into existence with the advent of recorded Jamaican mento music in the 1950s. With the 1967 Jamaican invention of remix, called dub on the island, those specials became valuable items sold to allied sound system DJs, who could draw crowds with their exclusive hits. The popularity of sound engineer King Tubby, who singlehandedly invented and perfected dub remixes from as early as 1967. By then 10-inch records were used to cut those dubs, by 1971, most reggae singles issued in Jamaica included on their B-side a dub remix of the A-side, many of them first tested as exclusive dub plates on dances. Those dubs basically included drum and bass-oriented remixes used by sound system selecters, the 10-inch acetate specials would remain popular until at least the 2000s in Jamaica. Most likely, the use of exclusive dub acetates in Jamaica also led American DJs to do the same. In the United States, the 12-inch single gramophone record came into popularity with the advent of music in the 1970s after earlier market experiments. In early 1970, Cycle/Ampex Records test-marketed a 12-inch single by Buddy Fite, the experiment aimed to energize the struggling singles market, offering a new option for consumers who had stopped buying traditional singles. The record was pressed at 33 rpm, with run times to the 7-inch 45-rpm pressing of the single. Several hundred copies were available for sale for 98 cents each at two Tower Records stores. Another early 12-inch single was released in 1973 by soul/R&B musician/songwriter/producer Jerry Williams, 12-inch promotional copies of Straight From My Heart were released on his own Swamp Dogg Presents label, with distribution by Jamie/Guyden Distribution Corporation. It was manufactured by Jamie Record Co. of Philadelphia, PA, the B-side of the record is blank. The first 12-inch single made specifically for DJs was actually a 10-inch acetate used by a mix engineer in need of a Friday-night test copy for famed disco mixer Tom Moulton, the song was Ill be holding on by Al Downing
12-inch single
–
A 12-inch gramophone record.
12-inch single
–
Close-up shot of a 12-inch (30 cm) single showing the wide grooves.
7.
Compact Cassette
–
The Compact Cassette or Musicassette, also commonly called cassette tape, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. It was released by Philips in 1962, having developed in Hasselt. Compact cassettes come in two forms, either already containing content as a cassette, or as a fully recordable blank cassette. Its uses ranged from portable audio to home recording to data storage for early microcomputers, the first cassette player designed for use in car dashes was introduced in 1968. Between the early 1970s and the early 2000s, the cassette was one of the two most common formats for prerecorded music, first alongside the LP record and later the compact disc. Compact Cassettes contain two miniature spools, between which a magnetically coated, polyester-type plastic film is passed and wound and these spools and their attendant parts are held inside a protective plastic shell. This reversal is achieved either by flipping the cassette, or by having the machine itself change the direction of tape movement. In 1935, decades before the introduction of the Compact Cassette, AEG released the first reel-to-reel tape recorder and it was based on the invention of the magnetic tape by Fritz Pfleumer, which used similar technology but with open reels. These instruments were expensive and relatively difficult to use and were therefore used mostly by professionals in radio stations. In 1958, following four years of development, RCA Victor introduced the stereo, quarter-inch, reversible, however, it was a large cassette, and offered few pre-recorded tapes. Despite the multiple versions, it failed, consumer use of tape only took off in the early 1960s, after playback machines reached a comfortable, user-friendly design. This was achieved primarily by the introduction of transistors which replaced the bulky, fragile, reel-to-reel tape then became more suitable to household use, but still remained an esoteric product. The team at Philips was led by Lou Ottens in Hasselt, Philips was competing with Telefunken and Grundig in a race to establish its cassette tape as the worldwide standard, and it wanted support from Japanese electronics manufacturers. However, the Philips Compact Cassette became dominant as a result of Philips decision to license the format free of charge, Philips also released the Norelco Carry-Corder 150 recorder/player in the US in November 1964. By 1966 over 250,000 recorders had been sold in the US alone, by 1968,85 manufacturers had sold over 2.4 million players. By the end of the 1960s, the business was worth an estimated 150 million dollars. In the early years sound quality was mediocre, but it improved dramatically by the early 1970s when it caught up with the quality of 8-track tape, the Compact Cassette went on to become a popular alternative to the 12-inch vinyl LP during the late 1970s. The mass production of blank Compact Cassettes began in 1964 in Hanover, prerecorded music cassettes were launched in Europe in late 1965
Compact Cassette
–
A
TDK D-C60 cassette, a common speech-quality tape with a 60-minute playing time, in a housing similar to that of the original Philips' Compact Cassette specification
Compact Cassette
–
Compact Cassette
Compact Cassette
–
Cassettes of varying tape quality and playing time. The top is a Maxell MX (Type IV), bottom right is a TDK SA (Type II) and the bottom left is a TDK D (Type I).
Compact Cassette
–
One of the first (portable) cassette recorders from Philips, the Typ EL 3302 (1968)
8.
Compact disc
–
Compact disc is a digital optical disc data storage format released in 1982 and co-developed by Philips and Sony. The format was developed to store and play only sound recordings but was later adapted for storage of data. The first commercially available Audio CD player, the Sony CDP-101, was released October 1982 in Japan, standard CDs have a diameter of 120 millimetres and can hold up to about 80 minutes of uncompressed audio or about 700 MiB of data. The Mini CD has various diameters ranging from 60 to 80 millimetres, they are used for CD singles, storing up to 24 minutes of audio. At the time of the introduction in 1982, a CD could store much more data than a personal computer hard drive. By 2010, hard drives commonly offered as much space as a thousand CDs. In 2004, worldwide sales of audio CDs, CD-ROMs and CD-Rs reached about 30 billion discs, by 2007,200 billion CDs had been sold worldwide. In 2014, revenues from digital music services matched those from physical format sales for the first time. American inventor James T. Russell has been credited with inventing the first system to record information on an optical transparent foil that is lit from behind by a high-power halogen lamp. Russells patent application was first filed in 1966, and he was granted a patent in 1970, following litigation, Sony and Philips licensed Russells patents in the 1980s. The compact disc is an evolution of LaserDisc technology, where a laser beam is used that enables the high information density required for high-quality digital audio signals. Prototypes were developed by Philips and Sony independently in the late 1970s, although originally dismissed by Philips Research management as a trivial pursuit, the CD became the primary focus for Philips as the LaserDisc format struggled. In 1979, Sony and Philips set up a joint task force of engineers to design a new audio disc. After a year of experimentation and discussion, the Red Book CD-DA standard was published in 1980, after their commercial release in 1982, compact discs and their players were extremely popular. Despite costing up to $1,000, over 400,000 CD players were sold in the United States between 1983 and 1984, by 1988 CD sales in the United States surpassed those of vinyl LPs, and by 1992 CD sales surpassed those of prerecorded music cassette tapes. The success of the disc has been credited to the cooperation between Philips and Sony, who came together to agree upon and develop compatible hardware. The unified design of the disc allowed consumers to purchase any disc or player from any company. In 1974, L. However, due to the performance of the analog format
Compact disc
–
The pits in a CD are 500
nm wide, between 830 nm and 3,000 nm long and 150 nm deep
Compact disc
Compact disc
–
700
MiB CD-R next to a
mechanical pencil
9.
Madrid
–
Madrid is the capital city of the Kingdom of Spain and the largest municipality in both the Community of Madrid and Spain as a whole. The city has a population of almost 3.2 million with an area population of approximately 6.5 million. It is the third-largest city in the European Union after London and Berlin, the municipality itself covers an area of 604.3 km2. Madrid lies on the River Manzanares in the centre of both the country and the Community of Madrid, this community is bordered by the communities of Castile and León. As the capital city of Spain, seat of government, and residence of the Spanish monarch, Madrid is also the political, economic, the current mayor is Manuela Carmena from Ahora Madrid. Madrid is home to two football clubs, Real Madrid and Atlético de Madrid. Madrid is the 17th most liveable city in the according to Monocle magazine. Madrid organises fairs such as FITUR, ARCO, SIMO TCI, while Madrid possesses modern infrastructure, it has preserved the look and feel of many of its historic neighbourhoods and streets. Cibeles Palace and Fountain have become one of the monument symbols of the city, the first documented reference of the city originates in Andalusan times as the Arabic مجريط Majrīṭ, which was retained in Medieval Spanish as Magerit. A wider number of theories have been formulated on possible earlier origins, according to legend, Madrid was founded by Ocno Bianor and was named Metragirta or Mantua Carpetana. The most ancient recorded name of the city Magerit comes from the name of a built on the Manzanares River in the 9th century AD. Nevertheless, it is speculated that the origin of the current name of the city comes from the 2nd century BC. The Roman Empire established a settlement on the banks of the Manzanares river, the name of this first village was Matrice. In the 8th century, the Islamic conquest of the Iberian Peninsula saw the changed to Mayrit, from the Arabic term ميرا Mayra. The modern Madrid evolved from the Mozarabic Matrit, which is still in the Madrilenian gentilic, after the disintegration of the Caliphate of Córdoba, Madrid was integrated in the Taifa of Toledo. With the surrender of Toledo to Alfonso VI of León and Castile, the city was conquered by Christians in 1085, Christians replaced Muslims in the occupation of the centre of the city, while Muslims and Jews settled in the suburbs. The city was thriving and was given the title of Villa, since 1188, Madrid won the right to be a city with representation in the courts of Castile. In 1202, King Alfonso VIII of Castile gave Madrid its first charter to regulate the municipal council, which was expanded in 1222 by Ferdinand III of Castile
Madrid
–
From upper left: view of business districts of
AZCA and
CTBA,
Gran Vía street and
Metropolis Building, the
Palace of Communication, view of
Royal Palace and
Almudena Cathedral.
Madrid
Madrid
–
Plaza Mayor
Madrid
–
Puerta de Alcalá
10.
Hamburg
–
Hamburg, officially Freie und Hansestadt Hamburg, is the second largest city in Germany and the eighth largest city in the European Union. It is the second smallest German state by area and its population is over 1.7 million people, and the wider Hamburg Metropolitan Region covers more than 5.1 million inhabitants. The city is situated on the river Elbe, the official long name reflects Hamburgs history as a member of the medieval Hanseatic League, a free imperial city of the Holy Roman Empire, a city-state, and one of the 16 states of Germany. Before the 1871 Unification of Germany, it was a sovereign state. Prior to the changes in 1919, the civic republic was ruled by a class of hereditary grand burghers or Hanseaten. Though repeatedly destroyed by the Great Fire of Hamburg, the floods and military conflicts including WW2 bombing raids, the city managed to recover and emerge wealthier after each catastrophe. On the river Elbe, Hamburg is a port and a global service, media, logistics and industrial hub, with headquarters and facilities of Airbus, Blohm + Voss, Aurubis, Beiersdorf. The radio and television broadcaster NDR, Europes largest printing and publishing firm Gruner + Jahr, Hamburg has been an important financial centre for centuries, and is the seat of Germanys oldest stock exchange and the worlds second oldest bank, Berenberg Bank. The city is a fast expanding tourist destination for domestic and international visitors. It ranked 16th in the world for livability in 2015, the ensemble Speicherstadt and Kontorhausviertel was declared a World Heritage Site by the UNESCO in 2015. Hamburg is a major European science, research and education hub with several universities and institutes and its creative industries and major cultural venues include the renowned Elbphilharmonie and Laeisz concert halls, various art venues, music producers and artists. It is regarded as a haven for artists, gave birth to movements like Hamburger Schule. Hamburg is also known for theatres and a variety of musical shows. St. Paulis Reeperbahn is among the best known European entertainment districts, Hamburg is on the southern point of the Jutland Peninsula, between Continental Europe to the south and Scandinavia to the north, with the North Sea to the west and the Baltic Sea to the north-east. It is on the River Elbe at its confluence with the Alster, the city centre is around the Binnenalster and Außenalster, both formed by damming the River Alster to create lakes. The island of Neuwerk and two neighbouring islands Scharhörn and Nigehörn, in the Hamburg Wadden Sea National Park, are also part of Hamburg. The neighbourhoods of Neuenfelde, Cranz, Francop and Finkenwerder are part of the Altes Land region, neugraben-Fischbek has Hamburgs highest elevation, the Hasselbrack at 116.2 metres AMSL. Hamburg has a climate, influenced by its proximity to the coast
Hamburg
–
1st row: View of the
Binnenalster; 2nd row:
Große Freiheit,
Speicherstadt,
River Elbe; 3rd row: Alsterfleet; 4th row:
Port of Hamburg, Dockland office building
Hamburg
–
Hamburg, seen from the
International Space Station
Hamburg
–
Hamburg in 1150
Hamburg
–
Seal of 1241 (Replica)
11.
London
–
London /ˈlʌndən/ is the capital and most populous city of England and the United Kingdom. Standing on the River Thames in the south east of the island of Great Britain and it was founded by the Romans, who named it Londinium. Londons ancient core, the City of London, largely retains its 1. 12-square-mile medieval boundaries. London is a global city in the arts, commerce, education, entertainment, fashion, finance, healthcare, media, professional services, research and development, tourism. It is crowned as the worlds largest financial centre and has the fifth- or sixth-largest metropolitan area GDP in the world, London is a world cultural capital. It is the worlds most-visited city as measured by international arrivals and has the worlds largest city airport system measured by passenger traffic, London is the worlds leading investment destination, hosting more international retailers and ultra high-net-worth individuals than any other city. Londons universities form the largest concentration of education institutes in Europe. In 2012, London became the first city to have hosted the modern Summer Olympic Games three times, London has a diverse range of people and cultures, and more than 300 languages are spoken in the region. Its estimated mid-2015 municipal population was 8,673,713, the largest of any city in the European Union, Londons urban area is the second most populous in the EU, after Paris, with 9,787,426 inhabitants at the 2011 census. The citys metropolitan area is the most populous in the EU with 13,879,757 inhabitants, the city-region therefore has a similar land area and population to that of the New York metropolitan area. London was the worlds most populous city from around 1831 to 1925, Other famous landmarks include Buckingham Palace, the London Eye, Piccadilly Circus, St Pauls Cathedral, Tower Bridge, Trafalgar Square, and The Shard. The London Underground is the oldest underground railway network in the world, the etymology of London is uncertain. It is an ancient name, found in sources from the 2nd century and it is recorded c.121 as Londinium, which points to Romano-British origin, and hand-written Roman tablets recovered in the city originating from AD 65/70-80 include the word Londinio. The earliest attempted explanation, now disregarded, is attributed to Geoffrey of Monmouth in Historia Regum Britanniae and this had it that the name originated from a supposed King Lud, who had allegedly taken over the city and named it Kaerlud. From 1898, it was accepted that the name was of Celtic origin and meant place belonging to a man called *Londinos. The ultimate difficulty lies in reconciling the Latin form Londinium with the modern Welsh Llundain, which should demand a form *lōndinion, from earlier *loundiniom. The possibility cannot be ruled out that the Welsh name was borrowed back in from English at a later date, and thus cannot be used as a basis from which to reconstruct the original name. Until 1889, the name London officially applied only to the City of London, two recent discoveries indicate probable very early settlements near the Thames in the London area
London
–
Palace of Westminster,
Buckingham Palace and
Central London skyline
London
London
London
–
The name London may derive from the
River Thames
12.
Mute Records
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Mute Records is a British record label owned and founded in 1978 by Daniel Miller. It featured several prominent musical acts on its roster such as Depeche Mode, Erasure, Fad Gadget, Goldfrapp, Grinderman, Inspiral Carpets, Moby, New Order, Nitzer Ebb, Wire, Yeasayer, and Yazoo. During 1978, Daniel Miller began recording music using synthesisers under the name The Normal and he recorded the tracks T. V. O. D. and Warm Leatherette, and distributed them through Rough Trade Shops under the label name Mute Records. The label was formed initially just to release the one single, T. V. O. D. /Warm Leatherette became a cult hit ensuring the future of the label. Warm Leatherette was later covered by Grace Jones and Chicks on Speed, after meeting Robert Rental, Miller began recording and playing live as Robert Rental & The Normal. In 1979 the band went on tour supporting the punk band Stiff Little Fingers, in 1980, Miller released the single, Kebab-Träume, by the German band Deutsch Amerikanische Freundschaft, who had recently moved to London. The bands 1980 album, Die Kleinen und die Bösen, was the first album released by the new label, the album had the catalogue prefix STUMM, a play on the record labels name, meaning mute in German. This prefix would continue to be used through most of the labels album catalogue, also in 1980, Miller recorded and released the cover single, Memphis Tennessee, under the name Silicon Teens. The band was Miller’s realisation of a dream Mute Records group, in mid-1980, Mute Records released the Silicon Teens album, titled Music For Parties. Around this time the artist Fad Gadget had begun recording new demos and this was released as a single in 1980, followed by the next single Rickys Hand and the album Fireside Favourites recorded at Blackwing Studios. September 1980 saw the release of the double-holed, multi-speed 7 single by Non & Smegma, Boyd Rice went on to release several more recordings with Mute Records. After touring with Daniel Miller as Robert Rental & The Normal, Robert Rental released his only Mute Records single, Double Heart, a rare, remaining trace of this late electronic music pioneer. Miller approached Depeche Mode in 1980, after seeing them perform in London, wanting them to record a single for his label and their loyalty to Mute was reciprocated by the label’s rapid expansion to cope with their success. In defiance of the recording labels predictions of failure, Depeche Mode became a successful charting band worldwide. The bands consistency was unbroken even by the departure of principal songwriter Vince Clarke, Martin Gore took over the main songwriting role, opening the band up to different influences and sustaining their creativity as a band. Mute continued to other experimental artists, such as NON, releasing an album of Boyd Rices pre-NON recordings. 1982 began with the release of the 12-inch single, Rise, by Boyd Rice, Fad Gadget released his third album for the label, titled Under the Flag, influenced by the current Falklands War and the feeling of being British in the most unseemly of times. The album spawned the singles For Whom the Bells Toll and Life on the Line, Mute Records big commercial success of 1982 was the band Yazoo, the duo of Vince Clarke and Alison Moyet
Mute Records
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Mute Records
13.
Songwriter
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A songwriter is an individual who writes the lyrics, melodies and chord progressions for songs, typically for a popular music genre such as rock or country music. A songwriter can also be called a composer, although the term tends to be used mainly for individuals from the classical music genre. The pressure from the industry to produce popular hits means that songwriting is often an activity for which the tasks are distributed between a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with a gift for creating original melodies, pop songs may be written by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own publishers, while others have outside publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees and college diplomas, a knowledge of modern music technology, songwriting elements and business skills are necessary requirements to make a songwriting career in the 2010s. Several music colleges offer songwriting diplomas and degrees with music business modules, the legal power to grant these permissions may be bought, sold or transferred. This is governed by international copyright law, song pitching can be done on a songwriters behalf by their publisher or independently using tip sheets like RowFax, the MusicRow publication and SongQuarters. Skills associated with song-writing include entrepreneurism and creativity, songwriters who sign an exclusive songwriting agreement with a publisher are called staff writers. In the Nashville country music scene, there is a staff writer culture where contracted writers work normal 9-to-5 hours at the publishing office and are paid a regular salary. This salary is in effect the writers draw, an advance on future earnings, the publisher owns the copyright of songs written during the term of the agreement for a designated period, after which the songwriter can reclaim the copyright. In an interview with HitQuarters, songwriter Dave Berg extolled the benefits of the set-up, unlike contracted writers, some staff writers operate as employees for their respective publishers. Under the terms of work for hire agreements, the compositions created are fully owned by the publisher. In Nashville, young writers are often encouraged to avoid these types of contracts. Staff writers are common across the industry, but without the more office-like working arrangements favored in Nashville. All the major publishers employ writers under contract, songwriter Allan Eshuijs described his staff writer contract at Universal Music Publishing as a starter deal. His success under the arrangement eventually allowed him to found his own publishing company, so that he could. keep as much as possible, songwriters are also often skilled musicians. In addition to selling their songs and musical concepts for other artists to sing, songwriters need to create a number of elements for a song
Songwriter
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Songwriter and singer
Chris de Burgh.
14.
Martin Gore
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Martin Lee Gore is an English singer-songwriter, guitarist, keyboardist, producer, remixer, and DJ. He is a member of Depeche Mode and has written the majority of their songs. His work now spans four decades. In addition to composing music and writing lyrics for the majority of Depeche Modes songs and he has been a backing singer on many others. In 1999, Gore received the Ivor Novello Award from the British Academy of Songwriters, Composers and Authors for International Achievement, Martin Lee Gore was born in Dagenham, Essex in England. Gores biological father was an African-American G. I. stationed in Britain, Gore was raised by his stepfather and biological mother. He believed his stepfather was his father until age 13. When he was 13, he learned that his father was an African-American serviceman and, as an adult. Gore responds to the information and is quoted in Millers book saying, It brings up family traumas. He left Nicholas Comprehensive, Basildon in 1977 and took a job as a bank cashier. During evenings, weekends and any spare time, he was involved with the local band Norman. Gore has two younger half-sisters, Karen, born in 1967, and Jacqueline, born in 1968, in 1980, Gore met Andy Fletch Fletcher at the Van Gogh club. Fletcher recruited Gore into his band Composition of Sound along with Vince Clarke, soon the band drafted Dave Gahan to be the lead singer after hearing him sing Heroes by David Bowie. Clarke left Depeche Mode in late 1981, shortly after the release of their debut album Speak & Spell, Clarke wrote most of the album, with Gore contributing two tracks, Tora. Tora. and the instrumental Big Muff, any Second Now features Gores first lead vocals for the band. Gore sings lead vocals on several of the songs, notably ballads. When Clarke announced his departure from Depeche Mode in 1981, citing the pressures of fame and creative differences, Gore had been writing material since the age of 12. Songs Gore wrote for Depeche Modes second album, A Broken Frame differed musically and lyrically from Clarkes, Gores writing became gradually darker and more political on subsequent Depeche Mode albums
Martin Gore
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Martin Gore in 2009
Martin Gore
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Martin Gore, Los Angeles, July 1986
15.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
Record producer
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Alan Parsons in an
ESO 50th anniversary video.
Record producer
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A
Danish recording session
Record producer
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Mixing Console
16.
World in My Eyes
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World in My Eyes is Depeche Modes 26th UK single, released on 17 September 1990, and the fourth and final single for the album Violator. Martin did the demo on his own, recalled Andy Fletcher, I dont remember it standing out when we heard it then. But somehow, in the studio, it all came together brilliantly… Whenever Im asked which of our tracks is my favourite, the cover art for World in My Eyes has a photo of one of the band members making a shape similar to that of glasses with their hands. On the Limited 12, there are pictures of all four members, World in My Eyes has two exclusive B-sides, making Violator the only Depeche Mode album with all four singles having at least one exclusive B-Side, including instrumentals. The B-sides for World in My Eyes are Happiest Girl and Sea of Sin, Happiest Girl and Sea of Sin are the main 7 versions. Original versions were never released, or rather, these mixes are the versions, according to interviews. Reaching No.17 in UK, and only No.52 on the Hot 100, however, it was more successful than most of singles released from Depeche Modes previous and later album, as the band popularity was at the highest at the time. The 2004 re-release of the EU single includes a version of World in My Eyes. The music video for World in My Eyes is directed by Anton Corbijn, there are two versions, the original version was not originally released to the public until The Videos 86-98. The original music video features footage from the World Violation Tour, while Dave Gahan. The alternate version on Strange Too features the band in the car instead, more footage. However, even after the 3 plans were scrapped in favour of a regular CD, the German release, although displaying the same track list, used the longer versions of these three mixes, like on the US release and the Japanese release. The Cure, on the Depeche Mode tribute album For the Masses, single information from the official Depeche Mode web site Allmusic review Lyrics of this song at MetroLyrics
World in My Eyes
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"World in My Eyes"
17.
Walking in My Shoes
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Walking in My Shoes is Depeche Modes twenty-eighth UK single, released on 26 April 1993, and the second single for the album Songs of Faith and Devotion. The song reached number 14 on the UK Singles Chart and matched the success of the previous single I Feel You on the Modern Rock Tracks chart, the 7 version of Walking in My Shoes is not the same as the one in the Songs of Faith and Devotion album. The sound has made more noisy and dirty, especially the drums in the verse. When performed live, elements of the Grungy Gonads mix are used in an extended intro, the B-side is My Joy, the only exclusive B-side from the Songs of Faith and Devotion album, and is a rock track in the vein of I Feel You and Halo. The song was cited by then-member Alan Wilder to be his song from the album together with In Your Room. The music video for Walking in My Shoes was directed by Anton Corbijn and is based on Dantes Divine Comedy, at the beginning of the second verse, theres a shot of Martin Gore, Andy Fletcher, and Alan Wilder with naked women on their laps. This was removed in the MTV version in the US and replaced with footage of the three members standing still, alone, from earlier in the video, the uncut version is on The Videos 86-98, Devotional, The Best Of, Volume 1 and Video Singles Collection DVDs. The song peaked number 14 on the UK Singles Chart and number 69 on the US Billboard Hot 100, however, the single was featured during the opening credits of episode 9 of season 2 of USA Network series Mr. Robot, entitled eps2. 7_init_5. fve. Walking in My Shoes –4,59 My Joy –3,577 released as a promo only, not commercially released, Walking in My Shoes is the first Depeche Mode single not to have a commercial 7 release in the UK. All songs written by Martin L. Gore Number one modern rock hits of 1993 Single information from the official Depeche Mode web site Allmusic review Lyrics of this song at MetroLyrics
Walking in My Shoes
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"Walking in My Shoes"
18.
Dance Club Songs
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The Dance Club Songs chart is a weekly national survey of the songs that are most popular in U. S. dance clubs. It is compiled by Billboard exclusively from playlists submitted by nightclub disc jockeys who must apply, the current number-one song on the Dance Club Songs chart for the issue dated April 15,2017, is Lick Me Up by Tony Moran and Dani Toro featuring Zhana Roiya. Dance Club Songs has undergone several incarnations since its inception in 1974, originally a top-ten list of tracks that garnered the largest audience response in New York City discothèques, the chart began on October 26,1974 under the title Disco Action. The chart went on to feature playlists from various cities around the country from week to week, Billboard continued to run regional and city-specific charts throughout 1975 and 1976 until the issue dated August 28,1976, when a thirty-position National Disco Action Top 30 premiered. During the first half of the 1980s the chart maintained eighty slots until March 16,1985 when the Disco charts were splintered and renamed, two charts appeared, Hot Dance/Disco, which ranked club play, and Hot Dance Music/Maxi-Singles Sales, which ranked 12-inch single sales. Only Hot Dance Club Songs still exists today and these stations are also a part of the electronically monitored panel that encompasses the Hot 100. Radio airplay is not limited to that counted on the Dance/Mix Show Airplay chart, during this time, Billboard rival publication Record World was the first to compile a dance chart which incorporated club play on a national level. Noted Billboard statistician Joel Whitburn has since adopted Record Worlds chart data from the weeks between March 29,1975 and August 21,1976 into Billboards club play history. For the sake of continuity, Record Worlds national chart is incorporated into both Whitburns Dance/Disco publication as well as the 1975 and 1976 number-ones lists, with the issue dated August 28,1976, Billboard premiered its own national chart and their data is used from this date forward. For the full list of all 100 All Time Top Dance Club Artists, both Enrique Iglesias and Dave Aude are tied with 14 number-ones on the chart, the most among male artists. Iglesias, however, is the male vocalist to accomplish this feat, while Aude is the only producer to achieve this milestone. Four acts have attained thirteen number-one songs, Whitney Houston, Kylie Minogue, Yoko Ono, Kylie Minogue became the first act to have two songs in the top three on March 5,2011. Her song Better than Today was number-one while Higher, a song by Taio Cruz on which Minogue features, was number three, the first 12-inch single made commercially available to the public was Ten Percent by Double Exposure in 1976. The first number one on Billboards Disco Action chart was Never Can Say Goodbye by Gloria Gaynor in 1974, the first number one on Billboards National Disco Action Top 30 was You Should Be Dancing by the Bee Gees in 1976. Beginning with the February 23,1991 issue, the dance chart became song specific, in all scenarios this was due to the tracks being included in film soundtrack albums. In 1978, four tracks from Thank God Its Friday, in 1980, madonna holds the record for the most chart hits, the most top-twenty hits, the most top-ten hits and the most total weeks at number one. The Trammps are the act to replace themselves at number one. The longest running number-ones on the Hot Dance Club Songs chart are Bad Luck by Harold Melvin & the Blue Notes2 in 1975, both entries spent eleven weeks in the top spot
Dance Club Songs
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Madonna holds the record for the most number-ones since its inception with 46, and as of 2015 is the only living and active artist to have charted continuously since 1982. "
Holiday "/"
Lucky Star " (1983) marked her first number-one on the chart, with "
Bitch I'm Madonna " (2015) being her most recent.
19.
Alan Wilder
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Alan Charles Wilder is an English musician, composer, arranger and record producer, known as a former member of the electronic band Depeche Mode from 1982 to 1995. Since his departure from the band, the project called Recoil became his primary musical enterprise. Wilder has also provided production and remixing services to the bands Nitzer Ebb and he is a classically trained musician and renowned contemporary music producer. Alan Charles Wilder was born into middle class family and was raised in Acton and he began piano at the age of eight, through the encouragement of his parents. Later on, he learned the flute at St Clement Danes Grammar school, after school, Alan worked as a studio assistant at DJM Studios. This led to him ending up working for such as The Dragons, Dafne and the Tenderspots, Real to Real, The Hitmen. Following the departure of Vince Clarke, Depeche Mode placed an advertisement in the music magazine Melody Maker, even though the ad was looking for someone under 21 he lied about his age to get the job, and got away with it. He joined Depeche Mode in January 1982, initially as a tour keyboardist, Wilder wrote a handful of songs for Depeche Mode, including Two Minute Warning and The Landscape Is Changing from the album Construction Time Again, and If You Want from the album Some Great Reward. However, Wilders more notable contributions to Depeche Mode were as a musician, arranger, in addition to playing synthesizer throughout his time with Depeche Mode, Wilder also played piano on the bands signature ballad Somebody, and oboe on the bands hit anthem, Everything Counts. For the recording of the album Songs of Faith and Devotion, for Enjoy the Silence from the album Violator, Wilder is credited with taking Martin Gores melancholy ballad-esque demo and re-envisioning the song as a percolating, melodic dance track. The resulting single went on to one of the most commercially successful songs in Depeche Modes history. My decision to leave the group was not an easy one particularly as our last few albums were an indication of the potential that Depeche Mode was realizing. Unfortunately, within the group, this level of input never received the respect, whilst I believe that the calibre of our musical output has improved, the quality of our association has deteriorated to the point where I no longer feel that the end justifies the means. I have no wish to cast aspersions on any individual, suffice to say that relations have become strained, increasingly frustrating and, ultimately, in certain situations. Given these circumstances, I have no option but to leave the group and it seems preferable therefore, to leave on a relative high, and as I still retain a great enthusiasm and passion for music, I am excited by the prospect of pursuing new projects. The remaining band members have my support and best wishes for anything they may pursue in the future, after his split from Depeche Mode, Wilder was approached by Robert Smith with an offer to join The Cure. According to Wilder himself, the possibility was offered on behalf of The Cure by Daryl Bamonte and he briefly reunited with Depeche Mode during the Teenage Cancer Trust concert at the Royal Albert Hall in London on 17 February 2010, and enjoyed a rapturous reception. During the encore, Wilder accompanied Martin Gore on piano for Somebody, Gore returned the favour and played a DJ set on one of Recoils Selected Events
Alan Wilder
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Alan Wilder in 1986
20.
Complex time signature
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The time signature is a notational convention used in Western musical notation to specify how many beats are to be contained in each bar and which note value is to be given one beat. A mid-score time signature, usually following a barline, indicates a change of meter. | Simple time signatures consist of two numerals, one stacked above the other, The lower numeral indicates the value that represents one beat. The upper numeral indicates how many beats there are grouped together in a bar. For instance,24 means two quarter-note beats per bar—38 means three eighth-note beats per bar, the most common simple time signatures are 24,34, and 44. The symbol is used for 44 time, also called common time or imperfect time. In modern notation, it is used in place of 22 and is called alla breve or, colloquially, in compound meter, subdivisions of the main beat are in three equal parts, so that a dotted note becomes the beat unit. Compound time signatures are named as if they were simple time signatures, in which the part of the beat unit is the beat. The lower number is most commonly an 8, as in 98 or 128,34 is a simple signature that represents three quarter notes. To the ear, a bar may seem like one singular beat, for example, a fast waltz, notated in 34 time, may be described as being one in a bar. Terms such as quadruple, quintuple, and so on are also occasionally used, as mentioned above, though the score indicates a 34 time, the actual beat division can be the whole bar, particularly at faster tempos. Correspondingly, at slow tempos the beat indicated by the time signature could in actual performance be divided into smaller units, on a formal mathematical level the time signatures of, e. g.34 and 38 are interchangeable. In a sense, all simple triple time signatures, such as 38,34,32, etc. —and all compound duple times, such as 68,616, a piece in 34 can be easily rewritten in 38, simply by halving the length of the notes. Other time signature rewritings are possible, most commonly a simple time signature with triplets translates into a compound meter, though formally interchangeable, for a composer or performing musician, different time signatures often have different connotations. First, a note value in the beat unit implies a more complex notation. Second, beaming affects the choice of actual beat divisions and it is, for example, more natural to use the quarter note/crotchet as a beat unit in 64 or 22 than the eight/quaver in 68 or 24. Third, time signatures are traditionally associated with different music styles—it might seem strange to notate a rock tune in 48 or 42. For all meters, the first beat is stressed, in time signatures with four groups in the bar
Complex time signature
21.
Dave Gahan
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David Dave Gahan is an English singer-songwriter, best known as the baritone lead singer of the electronic band Depeche Mode since their debut in 1980. He is also a solo artist, releasing albums in 2003 and 2007. Three of these songs were released as singles, including Suffer Well in 2005, Hole to Feed in 2009, in 2012 and 2015, he also contributed lyrics and sang lead vocals on the Soulsavers albums The Light the Dead See and Angels & Ghosts. Q magazine ranked Gahan no.73 on the list of the 100 Greatest Singers, Gahan was born as David Callcott into a working-class family, to parents Len Callcott of Malaysian descent and his wife Sylvia, Dave was only six months old when his father left the family. Sylvia and Len divorced two years later and his mother moved Dave and sister Sue to Basildon, Essex, after Sylvia met, the Gahan family continued to grow with the birth of two more half-brothers Peter and Phil. Dave and Sue were raised under the impression that their mothers second husband, in 1972, when Gahan was 10 years old, his stepfather died. Gahan recalled how he came one day and found this bloke at home. Of the incident, he has said, Ill never forget that day, when I came home from school, there was this stranger in my mums house. My mother introduced him to me as my real dad, I remember I said, that was impossible because my father was dead. How was I supposed to know who that man was, from that day on, Len often visited the house, until one year later he disappeared again. Since then he had no contact with us, by growing older, I thought about him more and more. The only thing my mother would say, was that he moved out to Jersey to open a hotel. Mum had kept it back from me til there was a need to tell me about my father, its a different generation. He enjoyed the thrill of stealing cars, driving them around, Gahan tells of the time, I was pretty wild. I loved the excitement of nicking a motor, screeching off, hiding behind the wall with your heart beating gives you a real kick – will they get you. In his final year at school, he applied for a job as an apprentice fitter with North Thames Gas. He was told by his officer to be honest with the interviewer. As a result, he did not get the job which and his punishment was weekend custody at a sub-Borstal attendance centre in Romford for one year
Dave Gahan
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Gahan performing at Royal Albert Hall in 2010.
Dave Gahan
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Dave Gahan with Depeche Mode 2009.
Dave Gahan
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Dave Gahan signing autographs in 2003.
22.
Andy Fletcher (musician)
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Andrew John Leonard Fletcher, popularly known as Fletch, is an English keyboard player and founding member of the electronic band Depeche Mode. In the late 1970s, Fletcher and schoolmate Vince Clarke formed the short-lived band No Romance in China, in 1980, Fletcher met Martin Gore at the Van Gogh Pub on Paycocke Road in Basildon. With Clarke, the trio, now all on synthesizer, formed another group called Composition of Sound, Clarke left the group in late 1981, shortly after the release of their debut album Speak & Spell. Their 1982 follow-up, A Broken Frame, was recorded as a trio, musician & producer Alan Wilder joined the band in late 1982 and the group continued as a quartet until Wilders departure in 1995. Since then, the trio of Gahan, Gore and Fletcher have remained active, most recently with the release of their 2017 album Spirit. Fletchers role within Depeche Mode has often been a topic of speculation, in early incarnations of the band, he played bass. As the band evolved after Vince Clarkes departure in 1981, Fletchers role changed as each of the members took to the areas that suited them. In a key scene in D. A. Pennebakers 1989 documentary film about the band, Fletcher clarifies these roles, Martins the songwriter, Alans the good musician, Daves the vocalist and he is the only member of the band who has not received a songwriting credit. Fletcher, however, always has and continues to play a role within the band. With the band having not always employed a manager, Fletcher has handled many of the bands business, legal. In recent years, this has included acting as the bands spokesperson and he is also said to be the member who is the tiebreaker and the one that brings the band together. In the studio and during shows, Fletcher does contribute a variety of supporting synthesizer parts, including bass parts, pads, strings and drone sounds. However, he is notably the only member of Depeche Mode who does not sing, although he can be seen singing in videos of Depeches past live performances, usually Fletchers vocals were either mixed very low or heard only through his own stage monitors. On the bands 2013/14 Delta Machine Tour, vocal mics were no longer present on his keyboard station, on studio recordings, however, Fletchers supporting vocals can be heard in some form or another on the majority of all Depeche Mode albums released since 1981. According to anecdotes from various members of Depeche Mode, an Andy Fletcher solo album entitled Toast Hawaii was recorded in Berlin during the Some Great Reward sessions in 1984, according to these anecdotes, all the songs on the album are cover songs on which Fletcher sings lead vocals. The album allegedly features Alan Wilder and/or Martin Gore on piano, the story then goes that Gore & Wilder presented the album to Mute Records Daniel Miller and pleaded for him to release it. In reality, this album is almost certainly an in-joke, although it is not entirely unlikely that during studio downtime from serious work. In 2002, Fletcher launched his own label, a Mute Records imprint called Toast Hawaii
Andy Fletcher (musician)
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Andy Fletcher
23.
Songs of Faith and Devotion Live
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Songs of Faith and Devotion Live is Depeche Modes live album recorded during their worldwide Devotional tour and was released on 6 December 1993. Even though live tracks were used for the Condemnation single and the Mute Tonal Evidence 6 tape and this album was not successful commercially and was poorly received by critics. Reaching only #46 in the UK, it managed a peak in the U. S. selling a mere 114,000 units there as of April 2006. A near-complete concert of this tour was released on the Devotional video in 1993, in comparison to Songs of Faith and Devotion, Songs and Faith and Devotion Live received less acclaim from music critics, Allmusic rated the album two stars out of five. All tracks recorded live in Liévin, Stade Couvert Régional on 29 July 1993, with the exception of Get Right With Me, album information from the official Depeche Mode web site Allmusic review
Songs of Faith and Devotion Live
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Songs of Faith and Devotion Live
24.
Anton Corbijn
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Anton Johannes Gerrit Corbijn van Willenswaard is a Dutch photographer, music video director, and film director. He is the director behind the visual output of Depeche Mode and U2, having handled the principal promotion. Anton Johannes Gerrit Corbijn van Willenswaard was born on 20 May 1955 in Strijen in the Netherlands and his father, Anton Corbijn van Willenswaard, took up the same position in Hoogland and Groningen, moving his wife and four children with him. His mother, Marietje Groeneboer, was a nurse and was raised in a parsons family, photographer and director Maarten Corbijn is a younger brother. Grandfather Anton Johannes van Willenswaard was an art teacher at Christian schools in Hilversum, Corbijn began his career as a music photographer when he saw the Dutch musician Herman Brood playing in a café in Groningen around 1975. He took a lot of photographs of the band Herman Brood & His Wild Romance, from the late 1970s the London-based New Musical Express, a weekly music paper, featured his work on a regular basis and would often have a photograph by him on the front page. One such occasion was a portrait of David Bowie wearing a loincloth backstage in New York when starring in The Elephant Man, in the early years of London-based The Face, a glossy monthly post-punk life style / music magazine, Corbijn was a regular contributor. He made his name photographing in black-and-white but in May 1989 he began taking pictures in colour using filters and his first venture in this medium was for Siouxsie Sioux. Other album covers featuring work by Corbijn include those for Springsteen, Nick Cave, Siouxsies second band The Creatures, Bryan Adams, Metallica, the Rolling Stones, Bon Jovi, The Killers, Simple Minds, R. E. M. The Bee Gees, Saybia and Moke, Corbijn began his music video directing career when Palais Schaumburg asked him to direct a video. After seeing the video for Hockey, the band Propaganda had Corbijn direct Dr. Mabuse. After that he directed videos for David Sylvian, Echo & the Bunnymen, Golden Earring, Front 242, Depeche Mode, Roxette and his first video in colour was made for U2 in 1984 for their single Pride. In 2005 Palm Pictures released a DVD collection of Corbijns music video output as part of the Directors Label series, in 1994 Corbijn directed a short film about Captain Beefheart/Don Van Vliet for the BBC called Some Yoyo Stuff. He made his film debut with Control, a film about the life of Joy Division frontman Ian Curtis. It premiered to rave reviews at the Cannes Film Festival on 17 May 2007, the film is based on Deborah Curtis book Touching from a Distance about her late husband and the biography Torn Apart by Lindsay Reade and Mick Middles. 2010 Corbijn returned as a director with the character-based thriller The American, on 26 October 2011 Corbijn directed a webcast by Coldplay from the Plaza de Toros de Las Ventas in Madrid, Spain. His film A Most Wanted Man was released in 2014, the John le Carré novel of the same name, which is loosely based on the true War on Terror story of Murat Kurnaz, was set in part in Hamburg, as parts of the movie were. In February 2014, he start filming his next project Life about James Dean, author William Gibson refers to a fictitious portrait by Corbijn of the character Hollis Henry in his 2007 novel Spook Country
Anton Corbijn
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Anton Corbijn in 2012
25.
120 Minutes
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120 Minutes is a television show in the United States dedicated to the alternative music genre, originally airing on MTV from 1986 to 2000, and then on MTVs sister channel MTV2 from 2001 to 2003. After its cancellation, MTV2 premiered a replacement show called Subterranean, a similar but separate MTV Classic program, also titled 120 Minutes, plays many classic alternative videos that were regularly seen on 120 Minutes in its heyday. 120 Minutes returned as a series on MTV2 on July 30,2011. 120 Minutes began on March 10,1986, rage Against The Machine, Hüsker Dü, The Offspring, The Original Sins and Bad Religion. Nirvanas music video for Smells Like Teen Spirit received a premiere on 120 Minutes. For a time in the mid-1990s, a program called Alternative Nation aired every weeknight on MTV. As time went on, and MTV found shows like The Real World immensely profitable, in 2001, the show returned to the airwaves on MTV2, where it returned to the style of music it was known for. On May 4,2003, the show was canceled with no announcement from MTV2. Jim Shearer, the current host at the time, shared the screen with the creator of 120 Minutes, Dave Kendall, as well as Matt Pinfield. The two classic era hosts shared their favorite videos from over the years, finally ending with the selection of Siouxsie,120 Minutes made its return to MTV2 on July 31,2011, at 1 am ET. Matt Pinfield reprised his role as the host and the show is formally called 120 Minutes with Matt Pinfield, the show initially aired on a monthly basis, but returned to a weekly format in late November 2011. It aired Fridays 6AM-8AM on MTV2,120 Minutes also aired as a two-minute clip in a series called 120 Seconds which can be seen on MTVhive. com. 120 Minutes was taken off the MTV2 schedule without announcement, the last airing was February 1,2013. A two-hour indie block called Artists to Watch took its slot during the same Friday 7AM-9AM ET block, however, that show has stopped airing as of May 2013. The following MTV VJs hosted 120 Minutes on a regular basis, Artists included Red Hot Chili Peppers, Echo & the Bunnymen, Julian Cope, R. E. M. Sinéad OConnor, Ministry, Depeche Mode, Sonic Youth and Violent Femmes, the title referenced the Sex Pistols landmark album Never Mind the Bollocks, but fortuitously recalled the title of Nirvanas Nevermind album which was released near-simultaneously. Red Hot Chili Peppers - Higher Ground 2, soul Asylum – Sometime To Return 3. The Stone Roses – Fools Gold 4, the Mission UK – Wasteland 5
120 Minutes
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120 Minutes
120 Minutes
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120 Minutes ' original logo
26.
MTV Video Music Award
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An MTV Video Music Award is an award presented by the cable channel MTV to honor the best in the music video medium. By 2001, the VMA had become a coveted award, the statue given to winners is an astronaut on the moon, one of the earliest representations of MTV, and colloquially called a moonman. The statue is now made by New York firm, Society Awards, since the 2006 ceremony, viewers are able to vote for their favorite videos in all general categories by visiting MTVs website. The first VMA ceremony was held in 1984 at New York Citys Radio City Music Hall, the ceremonies are normally held in either New York City or Los Angeles. However, the ceremonies have also hosted in Miami and Las Vegas. 1984, At the first MTV Video Music Awards in 1984, Madonna performed her hit Like a Virgin wearing a combination bustier/wedding gown, during the performance, she rolled around on the floor, revealing lacy stockings and a garter. Cyndi Lauper spoke in Exorcist-esque gibberish to explain the VMA rules right before winning the Best Female video for Girls Just Want to Have Fun, David Bowie and The Beatles were rewarded with the first ever Video Vanguard Awards for their work in pioneering the music video. 1988, At the 1988 Video Music Awards Michael Jackson appeared for the first time, a pre-recorded live performance of Bad was shown. He was also awarded the Video Vanguard Award, paula Abdul was nominated for six awards, picking up four wins. She performed a medley of her singles Straight Up, Cold Hearted. When Madonna won the Viewers Choice Award for her Like a Prayer video, the tone that the commercial sought to convey sharply contrasted with the music video. When Pepsi executives saw the video, they yanked the advertisement after only two airings, in an attempt to dissociate themselves from Madonna. She also gave one of the most memorable performances of her hit Express Yourself, the performance consisted of both a dramatic 18th-century reinterpretation of Vogue as well as her dramatically becorseted breasts. His video Thriller influenced and changed music videos into what it is like today, a conflict between Poisons Bret Michaels and C. C. DeVille culminated in a fistfight at the Video Music Awards in 1991, deVille was fired and replaced by Pennsylvanian guitarist Richie Kotzen. Paul Reubens had his first public appearance following an arrest for lewd-conduct earlier that year, taking the stage in costume as Pee-wee Herman, he received a standing ovation, after which he asked the audience, Heard any good jokes lately. Prince & The New Power Generation performed their sexually charged song Gett Off on a Caligula-esque set and his trousers were parodied numerous times throughout the following year, on In Living Color & even on the next years VMAs by Howard Stern. It also marked the last TV appearance of Kiss with Eric Carr,1992, In the 1992 show, MTV requested Nirvana perform Smells Like Teen Spirit, while the band itself had indicated it preferred to play new songs Rape Me and tourettes
MTV Video Music Award
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The 1983-1984 Video of the Year "Moonman" award.
MTV Video Music Award
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Radio City Music Hall, site of 11 VMAs, including the
first
MTV Video Music Award
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Madonna has won 20 VMAs, the most for any artist.
MTV Video Music Award
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West taking the microphone from Swift at the
2009 MTV Video Music Awards.
27.
Head-On (film)
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Head-On is a 2004 German-Turkish drama film written and directed by Fatih Akın. Cahit Tomruk is a Turkish German in his 40s and he has given up on life after the death of his wife and seeks solace in cocaine and alcohol. One night, he drives his car head-on into a wall. At the psychiatric clinic he is taken to, Sibel Güner, another Turkish German who has tried to commit suicide and she asks Cahit to carry out a formal marriage with her so that she can break out of the strict rules of her conservative family. Cahit is initially turned off by the idea, but then he agrees to part in the plan. After Sibel tells him that she prefers an independent sex life and they eventually fall in love, but things take a turn for the worse when Cahit accidentally kills one of Sibels former flings in a confrontation. Cahit is sent to prison and Sibel, her infidelity exposed, is disowned by her family, while Cahit is in prison, Sibel goes to Istanbul to stay with her cousin Selma —a divorced woman who manages a hotel. Sibel accepts a job as a maid in Selmas hotel, and she leaves Selmas apartment to live with a bartender who provides drugs and alcohol. Eventually, he rapes her during her sleep and throws her out. Roaming the streets that night, she is accosted by three men who beat her up. One of them stabs her and they leave her for dead, several years later, Cahit travels to Istanbul upon his release from prison, hoping to find Sibel. Initially, Selma refuses to tell Cahit where Sibel is, but later informs him that Sibel is in a long-term relationship, Cahit waits in a hotel for Sibels call. It eventually comes, and they meet to make love while her boyfriend is on a business trip, after their two day tryst, Cahit asks Sibel to take her daughter and run away with him. She accepts the plan, but, while packing at home she hears her husband return, at the bus stop, Cahit waits but she never shows up. The film ends with Cahit on a bus, presumably traveling to Mersin, birol Ünel as Cahit Tomruk Sibel Kekilli as Sibel Güner Catrin Striebeck as Maren Güven Kiraç as Seref Meltem Cumbul as Selma Hermann Lause, Psychotherapist Dr. On Rotten Tomatoes, the film has a fresh rating of 90%, based on 83 reviews. The sites critical consensus reads, A raw, provocative drama about star-crossed love, on Metacritic, the film has a score of 78 out of 100, based on 33 critics, indicating generally favorable reviews. The film has been cited as a favorite by filmmaker John Waters, Best Film and the Audience Award at the 2004 European Film Awards on December 11 in Barcelona, Spain
Head-On (film)
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Theatrical film poster
28.
Brian Eno
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Brian Peter George St John le Baptiste de la Salle Eno, RDI is an English musician, composer, record producer, singer, writer, and visual artist. He is best known for his work in rock, ambient, pop. He has been described as one of musics most influential. Born in Suffolk, Eno studied painting and experimental music at art school in the late 1960s before joining glam rock group Roxy Music as synthesizer player in 1971. He took part in frequent collaborations with such as Robert Fripp, Cluster, David Bowie on his Berlin Trilogy. In subsequent decades, Eno continued to record albums, collaborate, and produce for other artists, including U2, Coldplay, Laurie Anderson, James, Grace Jones. He continues to release music, produce, and write, the unusual surname Eno, long established in Suffolk, derives from the French Huguenot surname Hennot. Maria had already had a daughter, and together William and Maria would have two children, Roger and Arlette. In school, Eno used a tape recorder as an instrument and experimented with his first, sometimes improvisational. From that collaboration, he involved in Cornelius Cardews Scratch Orchestra. The first released recording in which Eno played is the Deutsche Grammophon edition of Cardews The Great Learning, Another early recording was the Berlin Horse soundtrack, by Malcom Le Grice, a nine-minute,2 ×16 mm-double-projection, released in 1970 and presented in 1971. He then progressed to appearing on stage as a member of the group. He quit the band on completing the tour for the bands second album, For Your Pleasure, because of disagreements with lead singer Bryan Ferry. If Id walked ten yards further on the platform, or missed that train, or been in the next carriage, during his period with Roxy Music, and for his first three solo albums, he was credited on records only as Eno. Eno embarked on a career almost immediately. Between 1973 and 1977 he created four albums of electronically inflected art pop, Here Come the Warm Jets, Taking Tiger Mountain, Another Green World, and Before and After Science. Tiger Mountain contains the galloping Third Uncle, one of Enos best-known songs and these four albums were remastered and reissued in 2004 by Virgins Astralwerks label. Due to Enos decision not to add any extra tracks of the original material, in 1972, Eno and Robert Fripp developed the Frippertronics tape delay system, a year later, the pair released the proto-ambient album
Brian Eno
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Eno at the Museo MADRE of
Naples in June 2008
Brian Eno
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Eno at
The Long Now Foundation, 26 June 2006
Brian Eno
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Eno at MoogFest 2011
Brian Eno
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Brian Eno's connections to other progressive rock music artists
29.
ARIA Charts
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The ARIA Charts are the main Australian music sales charts, issued weekly by the Australian Recording Industry Association. The charts are a record of the highest selling singles and albums in various genres in Australia, ARIA became the official Australian music chart in June 1988, succeeding the Kent Music Report which had been Australias national charts since 1974. The Go-Set charts were Australias first national singles and albums charts published from 5 October 1966 until 24 August 1974, succeeding Go-Set, the Kent Music Report began issuing the national top 100 charts in Australia from May 1974. The compiler, David Kent, also published Australias national charts from 1940–1974 in a retrospective fashion using state based data, in mid 1983, the Australian Recording Industry Association commenced licensing the Kent Music Report chart. The first printed national top 50 chart available in record stores, ARIA began compiling its own charts in-house from the chart dated week ending 26 June 1988. Various artists compilation albums were included in the albums chart, as they had been on the Kent Report chart, until 2 July 1989. The ARIA Report, detailing the top 100 singles and albums charts, was first available via subscription in January 1990, the printed top 50 chart ceased publication in June 1998, but resumed publication later in the year. The printed top 50 chart again ceased publication at the end of 2000, the ARIA charts are based on data collected from physical and digital retailers in Australia. Data of physical sales come from such as Sanity and JB Hi-Fi, while data of digital sales come from online retailers such as iTunes, Bandit FM, GetMusic. Since 17 February 1997, all physical sales data contributing towards the chart has been recorded electronically at point of sale. In March 1991, Do the Bartman by The Simpsons was the first single to reach #1 in Australia that was not available on 7 inch vinyl, but cassingle only. Starting from 8 October 2006, due to low physical single sales at the time, in 2006, it was announced that the Brazin retailing group, comprising major retailers HMV, Sanity and Virgin music/DVD stores would no longer contribute sales data to the ARIA charts. However, after an absence, Brazin reportedly re-commenced contributing sales figures to the ARIA Charts on 26 November 2006. The ARIA website publishes the top 50 singles and albums charts, top 40 digital tracks chart, the ARIA Report lists all charts in full and is available via paid e-mail subscription each week. These reports are uploaded to the Pandora Archive periodically, on 5 February 2006, the ARIA Chart Show was a radio program launched on the Nova network and broadcast throughout Australia, playing the official ARIA top 50 singles. The live music program was hosted by Jabba each Sunday afternoon at 3, the show was aired before the top 50 chart, dated for the following Monday, is published on the ARIA website at 6,00 pm. The charts were published online at 6,00 pm each Sunday. The diamond certification was created for albums in November 2015 to mark 500,000 sales/shipments, for music DVDs, a gold accreditation originally represented 7,500 copies shipped, with a platinum accreditation representing 15,000 units shipped. co. uk
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ARIA logo
