1.
Alphabet
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An alphabet is a standard set of letters that is used to write one or more languages based upon the general principle that the letters represent phonemes of the spoken language. This is in contrast to other types of writing systems, such as syllabaries and logographies, the Proto-Canaanite script, later known as the Phoenician alphabet, is the first fully phonemic script. Thus the Phoenician alphabet is considered to be the first alphabet, the Phoenician alphabet is the ancestor of most modern alphabets, including Arabic, Greek, Latin, Cyrillic, Hebrew, and possibly Brahmic. Under a terminological distinction promoted by Peter T. Daniels, an alphabet is a script that represents both vowels and consonants as letters equally. In this narrow sense of the word the first true alphabet was the Greek alphabet, in other alphabetic scripts such as the original Phoenician, Hebrew or Arabic, letters predominantly or exclusively represent consonants, such a script is also called an abjad. A third type, called abugida or alphasyllabary, is one where vowels are shown by diacritics or modifications of consonantal letters, as in Devanagari. The Khmer alphabet is the longest, with 74 letters, there are dozens of alphabets in use today, the most popular being the Latin alphabet. Many languages use modified forms of the Latin alphabet, with additional letters formed using diacritical marks, while most alphabets have letters composed of lines, there are also exceptions such as the alphabets used in Braille. Alphabets are usually associated with an ordering of letters. This makes them useful for purposes of collation, specifically by allowing words to be sorted in alphabetical order and it also means that their letters can be used as an alternative method of numbering ordered items, in such contexts as numbered lists and number placements. The English word alphabet came into Middle English from the Late Latin word alphabetum, the Greek word was made from the first two letters, alpha and beta. The names for the Greek letters came from the first two letters of the Phoenician alphabet, aleph, which also meant ox, and bet, in the alphabet song in English, the term ABCs is used instead of the word alphabet. Knowing ones ABCs, in general, can be used as a metaphor for knowing the basics about anything, the history of the alphabet started in ancient Egypt. These glyphs were used as guides for logograms, to write grammatical inflections. Based on letter appearances and names, it is believed to be based on Egyptian hieroglyphs and this script had no characters representing vowels, although originally it probably was a syllabary, but unneeded symbols were discarded. An alphabetic cuneiform script with 30 signs including three that indicate the vowel was invented in Ugarit before the 15th century BC. This script was not used after the destruction of Ugarit, the Proto-Sinaitic script eventually developed into the Phoenician alphabet, which is conventionally called Proto-Canaanite before ca.1050 BC. The oldest text in Phoenician script is an inscription on the sarcophagus of King Ahiram and this script is the parent script of all western alphabets
2.
Runes
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The Scandinavian variants are also known as futhark or fuþark, the Anglo-Saxon variant is futhorc or fuþorc. Runology is the study of the runic alphabets, runic inscriptions, runestones, runology forms a specialised branch of Germanic linguistics. The earliest runic inscriptions date from around 150 AD, the characters were generally replaced by the Latin alphabet as the cultures that had used runes underwent Christianisation, by approximately 700 AD in central Europe and 1100 AD in northern Europe. However, the use of runes persisted for specialized purposes in northern Europe, until the early 20th century, runes were used in rural Sweden for decorative purposes in Dalarna and on Runic calendars. The three best-known runic alphabets are the Elder Futhark, the Anglo-Saxon Futhorc, and the Younger Futhark, the Younger Futhark is divided further into the long-branch runes, short-branch or Rök runes, and the stavlösa or Hälsinge runes. The Younger Futhark developed further into the Medieval runes, and the Dalecarlian runes, historically, the runic alphabet is a derivation of the Old Italic scripts of antiquity, with the addition of some innovations. Which variant of the Old Italic family in particular gave rise to the runes is uncertain, suggestions include Raetic, Venetic, Etruscan, or Old Latin as candidates. At the time, all of these scripts had the same angular letter shapes suited for epigraphy, the process of transmission of the script is unknown. The oldest inscriptions are found in Denmark and northern Germany, not near Italy, a West Germanic hypothesis suggests transmission via Elbe Germanic groups, while a Gothic hypothesis presumes transmission via East Germanic expansion. The runes were in use among the Germanic peoples from the 1st or 2nd century AD, no distinction is made in surviving runic inscriptions between long and short vowels, although such a distinction was certainly present phonologically in the spoken languages of the time. Similarly, there are no signs for labiovelars in the Elder Futhark The term runes is used to distinguish these symbols from Latin and it is attested on a 6th-century Alamannic runestaff as runa and possibly as runo on the 4th-century Einang stone. The name comes from the Germanic root run-, meaning secret or whisper, in Old Irish Gaelic, the word rún means mystery, secret, intention or affectionate love. Similarly in Welsh and Old English, the word rhin and rūn respectively means mystery, secret, secret writing, or sometimes in the sense of the word. Ogham is a Celtic script, similarly carved in the Norse manner, the root run- can also be found in the Baltic languages, meaning speech. In Lithuanian, runoti means both to cut and to speak, according to another theory, the Germanic root comes from the Indoeuropean root *reuə- dig. The Finnish term for rune, riimukirjain, means scratched letter, the Finnish word runo means poem and comes from the same source as the English word rune, it is a very old loan of the Proto-Germanic *rūnō. The runes developed centuries after the Old Italic alphabets from which they are historically derived. The formation of the Elder Futhark was complete by the early 5th century, specifically, the Raetic alphabet of Bolzano is often advanced as a candidate for the origin of the runes, with only five Elder Futhark runes having no counterpart in the Bolzano alphabet
3.
Typographic ligature
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In writing and typography, a ligature occurs where two or more graphemes or letters are joined as a single glyph. An example is the character æ as used in English, in which the letters a and e are joined, the common ampersand developed from a ligature in which the handwritten Latin letters e and t were combined. The origin of typographical ligatures comes from the invention of writing with a stylus on fibrous material or clay, the earliest known script, Sumerian cuneiform, includes many cases of character combinations that, over time, gradually evolve from ligatures into separately recognizable characters. Ligatures figure prominently in many manuscripts, notably the Brahmic abugidas. Medieval scribes who wrote in Latin increased their speed by combining characters. Others conjoined letters for aesthetic purposes, for example, in blackletter, letters with right-facing bowls and those with left-facing bowls were written with the facing edges of the bowls superimposed. In many script forms, characters such as h, m, scribes also used notational abbreviations to avoid having to write a whole character in one stroke. Manuscripts in the century employed hundreds of such abbreviations. In hand writing, a ligature is made by joining two or more characters in atypical fashion by merging their parts or by writing one above or inside the other. While in printing, a ligature is a group of characters that is typeset as a unit, for example, in some cases the fi ligature prints the letters f and i with a greater separation than when they are typeset as separate letters. When printing with movable type was invented around 1450, typefaces included many ligatures and additional letters, Ligatures began to fall out of use due to their complexity in the 20th century. Sans serif typefaces, increasingly used for text, generally avoid ligatures, though notable exceptions include Gill Sans. Inexpensive phototypesetting machines in the 1970s also generally avoid them, the trend was further strengthened by the desktop publishing revolution starting around 1977 with the production of the Apple II. Early computer software in particular had no way to allow for ligature substitution, as most of the early PC development was designed for the English language dependence on ligatures did not carry over to digital. Ligature use fell as the number of traditional hand compositors and hot metal typesetting machine operators dropped since the mass of the IBM Selectric brand of electric typewriter in 1961. A designer active in the period commented, some of the world’s greatest typefaces were quickly becoming some of the world’s worst fonts, Ligatures have grown in popularity over the last 20 years due to an increasing interest in creating typesetting systems that evoke arcane designs and classical scripts. One of the first computer typesetting programs to take advantage of computer-driven typesetting was Donald Knuths TeX program, now the standard method of mathematical typesetting, its default fonts are explicitly based on nineteenth-century styles. Many new fonts feature extensive ligature sets, these include FF Scala, Seria and others by Martin Majoor, mrs Eaves by Zuzana Licko contains a particularly large set to allow designers to create dramatic display text with a feel of antiquity
4.
Old English
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Old English or Anglo-Saxon is the earliest historical form of the English language, spoken in England and southern and eastern Scotland in the early Middle Ages. It was brought to Great Britain by Anglo-Saxon settlers probably in the mid 5th century, Old English developed from a set of Anglo-Frisian or North Sea Germanic dialects originally spoken by Germanic tribes traditionally known as the Angles, Saxons, and Jutes. As the Anglo-Saxons became dominant in England, their language replaced the languages of Roman Britain, Common Brittonic, a Celtic language, Old English had four main dialects, associated with particular Anglo-Saxon kingdoms, Mercian, Northumbrian, Kentish and West Saxon. It was West Saxon that formed the basis for the standard of the later Old English period, although the dominant forms of Middle. The speech of eastern and northern parts of England was subject to strong Old Norse influence due to Scandinavian rule, Old English is one of the West Germanic languages, and its closest relatives are Old Frisian and Old Saxon. Like other old Germanic languages, it is different from Modern English. Old English grammar is similar to that of modern German, nouns, adjectives, pronouns, and verbs have many inflectional endings and forms. The oldest Old English inscriptions were using a runic system. Old English was not static, and its usage covered a period of 700 years, from the Anglo-Saxon settlement of Britain in the 5th century to the late 11th century, some time after the Norman invasion. While indicating that the establishment of dates is a process, Albert Baugh dates Old English from 450 to 1150, a period of full inflections. Perhaps around 85 per cent of Old English words are no longer in use, Old English is a West Germanic language, developing out of Ingvaeonic dialects from the 5th century. It came to be spoken over most of the territory of the Anglo-Saxon kingdoms which became the Kingdom of England and this included most of present-day England, as well as part of what is now southeastern Scotland, which for several centuries belonged to the Anglo-Saxon kingdom of Northumbria. Other parts of the island – Wales and most of Scotland – continued to use Celtic languages, Norse was also widely spoken in the parts of England which fell under Danish law. Anglo-Saxon literacy developed after Christianisation in the late 7th century, the oldest surviving text of Old English literature is Cædmons Hymn, composed between 658 and 680. There is a corpus of runic inscriptions from the 5th to 7th centuries. The Old English Latin alphabet was introduced around the 9th century, with the unification of the Anglo-Saxon kingdoms by Alfred the Great in the later 9th century, the language of government and literature became standardised around the West Saxon dialect. In Old English, typical of the development of literature, poetry arose before prose, a later literary standard, dating from the later 10th century, arose under the influence of Bishop Æthelwold of Winchester, and was followed by such writers as the prolific Ælfric of Eynsham. This form of the language is known as the Winchester standard and it is considered to represent the classical form of Old English
5.
Cursive
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Cursive, is any style of penmanship in which some characters are written joined together in a flowing manner, generally for the purpose of making writing faster. Formal cursive is generally joined, but casual cursive is a combination of joins, the writing style can be further divided as looped, italic, or connected. The cursive method is used with a number of alphabets due to its improved writing speed, in some alphabets, many or all letters in a word are connected sometimes making a word two single complex strokes. Cursive is any style of penmanship in which the symbols of the language are written in a conjoined and/or flowing manner and this writing style is distinct from printscript using block letters, in which the letters of a word are unconnected and in Roman/Gothic letterform rather than joined-up script. Not all cursive copybooks join all letters, formal cursive is generally joined, in the Arabic, Syriac, Latin, and Cyrillic alphabets, many or all letters in a word are connected, sometimes making a word one single complex stroke. In Hebrew cursive and Roman cursive, the letters are not connected, in Maharashtra there is a version of Cursive called Modi In looped cursive penmanship, some ascenders and descenders have loops which provide for joins. Cursive italic penmanship—derived from chancery cursive—uses non-looped joins or no joins, in italic cursive, there are no joins from g, j, q or y, and a few other joins are discouraged. Italic penmanship became popular in the 15th-century Italian Renaissance, the term italic as it relates to handwriting is not to be confused with italic typed letters that slant forward. Many, but not all, letters in the handwriting of the Renaissance were joined, the origins of the cursive method is associated with practical advantages of writing speed and infrequent pen lifting to accommodate the limitations of the quill. Quills are fragile, easily broken, and will spatter unless used properly, steel dip pens followed quills, they were sturdier, but still had some limitations. The individuality of the provenance of a document was a factor also, the term cursive derives from the 18th century Italian corsivo from Medieval Latin cursivus, which literally means running. This term in turn derives from Latin currere, Modi is a script used to write the Marathi language, which is the primary language spoken in the state of Maharashtra, India. There are at least two different theories concerning its origin, modI was an official script used to write Marathi until the 20th century when the Balbodh style of the Devanagari script was promoted as the standard writing system for Marathi. Although Modi was primarily used to write Marathi, other such as Urdu, Kannada, Gujarati, Rajasthani, Hindi. In Bengali cursive script the letters are more likely to be more curvy in appearance than in standard Bengali handwriting, also, the horizontal supporting bar on each letter runs continuously through the entire word, unlike in standard handwriting. Roman cursive is a form of handwriting used in ancient Rome and it is customarily divided into old cursive, and new cursive. New Roman cursive, also called minuscule cursive or later Roman cursive, the Greek alphabet has had several cursive forms in the course of its development. In antiquity, a form of handwriting was used in writing on papyrus
6.
Letter case
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Letter case is the distinction between the letters that are in larger upper case and smaller lower case in the written representation of certain languages. The writing systems that distinguish between the upper and lower case have two sets of letters, with each letter in one set usually having an equivalent in the other set. Basically, the two variants are alternative representations of the same letter, they have the same name and pronunciation. Letter case is generally applied in a fashion, with both upper- and lower-case letters appearing in a given piece of text. The choice of case is often prescribed by the grammar of a language or by the conventions of a particular discipline, in mathematics, letter case may indicate the relationship between objects, with upper-case letters often representing superior objects. In some contexts, it is conventional to use only one case, the terms upper case and lower case can be written as two consecutive words, connected with a hyphen, or as a single word. These terms originated from the layouts of the shallow drawers called type cases used to hold the movable type for letterpress printing. Traditionally, the letters were stored in a separate case that was located above the case that held the small letters. Majuscule, for palaeographers, is technically any script in which the letters have very few or very short ascenders and descenders, or none at all. By virtue of their impact, this made the term majuscule an apt descriptor for what much later came to be more commonly referred to as uppercase letters. The word is often spelled miniscule, by association with the word miniature. This has traditionally been regarded as a mistake, but is now so common that some dictionaries tend to accept it as a nonstandard or variant spelling. Miniscule is still less likely, however, to be used in reference to lower-case letters, the glyphs of lower-case letters can resemble smaller forms of the upper-case glyphs restricted to the base band or can look hardly related. There is more variation in the height of the minuscules, as some of them have higher or lower than the typical size. In Times New Roman, for instance, b, d, f, h, k, l, t are the letters with ascenders, and g, j, p, q, y are the ones with descenders. In addition, with old-style numerals still used by traditional or classical fonts,6 and 8 make up the ascender set. Writing systems using two separate cases are bicameral scripts, languages that use the Latin, Cyrillic, Greek, Coptic, Armenian, Adlam, Varang Kshiti, Cherokee, and Osage scripts use letter cases in their written form as an aid to clarity. Other bicameral scripts, which are not used for any modern languages, are Old Hungarian, Glagolitic, the Georgian alphabet has several variants, and there were attempts to use them as different cases, but the modern written Georgian language does not distinguish case
7.
A
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A is the first letter and the first vowel in the ISO basic Latin alphabet. It is similar to the Ancient Greek letter alpha, from which it derives, the upper-case version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lower-case version can be written in two forms, the double-storey a and single-storey ɑ, the latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. The earliest certain ancestor of A is aleph, the first letter of the Phoenician alphabet, in turn, the ancestor of aleph may have been a pictogram of an ox head in proto-Sinaitic script influenced by Egyptian hieroglyphs, styled as a triangular head with two horns extended. The Phoenician alphabet letter had a form that served as the base for some later forms. Its name is thought to have corresponded closely to the Hebrew or Arabic aleph, the Etruscans brought the Greek alphabet to their civilization in the Italian Peninsula and left the letter unchanged. During Roman times, there were many variant forms of the letter A, first was the monumental or lapidary style, which was used when inscribing on stone or other permanent mediums. There was also a style used for everyday or utilitarian writing. Variants also existed that were intermediate between the monumental and cursive styles, the known variants include the early semi-uncial, the uncial, and the later semi-uncial. At the end of the Roman Empire, several variants of the cursive minuscule developed through Western Europe. By the 9th century, the Caroline script, which was similar to the present-day form, was the principal form used in book-making. This form was derived through a combining of prior forms, 15th-century Italy saw the formation of the two main variants that are known today. These variants, the Italic and Roman forms, were derived from the Caroline Script version, the Italic form, also called script a, is used in most current handwriting and consists of a circle and vertical stroke. This slowly developed from the fifth-century form resembling the Greek letter tau in the hands of medieval Irish and English writers, the Roman form is used in most printed material, it consists of a small loop with an arc over it. Both derive from the majuscule form, in Greek handwriting, it was common to join the left leg and horizontal stroke into a single loop, as demonstrated by the uncial version shown. Many fonts then made the right leg vertical, in some of these, the serif that began the right leg stroke developed into an arc, resulting in the printed form, while in others it was dropped, resulting in the modern handwritten form. Italic type is used to mark emphasis or more generally to distinguish one part of a text from the rest. There are some other cases aside from italic type where script a, the double ⟨aa⟩ sequence does not occur in native English words, but is found in some words derived from foreign languages such as Aaron and aardvark
8.
R
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R is the 18th letter of the modern English alphabet and the ISO basic Latin alphabet. The original Semitic letter may have inspired by an Egyptian hieroglyph for tp. It was used for /r/ by Semites because in their language, the Lapis Satricanus inscription shows the form of the Latin alphabet around 500 BC. Here, the rounded, closing Π shape of the p, the descending stroke of the Latin letter R has fully developed by the 3rd century BC, as seen in the Tomb of the Scipios sarcophagus inscriptions of that era. From around 50 AD, the letter P would be written with its loop fully closed, the minuscule form developed through several variations on the capital form. Along with Latin minuscule writing in general, it developed ultimately from Roman cursive via the uncial script of Late Antiquity into the Carolingian minuscule of the 9th century. In handwriting, it was not to close the bottom of the loop but continue into the leg. The loop-leg stroke shortened into the simple arc used in the Carolingian minuscule, a calligraphic minuscule r, known as r rotunda, was used in the sequence or, bending the shape of the r to accommodate the bulge of the o. Later, the variant was also used where r followed other lower case letters with a rounded loop towards the right. Use of r rotunda was mostly tied to blackletter typefaces, insular script used a minuscule which retained two downward strokes, but which did not close the loop, this variant survives in the Gaelic type popular in Ireland until the mid 20th century. The name of the letter in Latin was er, following the pattern of letters representing continuants. This name is preserved in French and many other languages, in Middle English, the name of the letter changed from /ɛr/ to /ar/, following a pattern exhibited in many other words such as farm, and star. The letter R is sometimes referred to as the littera canina and this phrase has Latin origins, the Latin R was trilled to sound like a growling dog. A good example of a trilling R is the Spanish word for dog, in William Shakespeares Romeo and Juliet, such a reference is made by Juliets nurse in Act 2, scene 4, when she calls the letter R the dogs name. The reference is found in Ben Jonsons English Grammar. The letter ⟨r⟩ is the eighth most common letter in English, the letter ⟨r⟩ is used to form the ending -re, which is used in certain words such as centre in some varieties of English spelling, such as British English. Canadian English also uses the -re ending, unlike American English, ⟨r⟩ represents a rhotic consonant in many languages, as shown in the table below. Other languages may use the letter ⟨r⟩ in their alphabets to represent rhotic consonants different from the alveolar trill, in Haitian Creole, it represents a sound so weak that it is often written interchangeably with ⟨w⟩, e. g. Kweyol for Kreyol
9.
Diacritic
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A diacritic – also diacritical mark, diacritical point, or diacritical sign – is a glyph added to a letter, or basic glyph. The term derives from the Ancient Greek διακριτικός, from διακρίνω, diacritic is primarily an adjective, though sometimes used as a noun, whereas diacritical is only ever an adjective. Some diacritical marks, such as the acute and grave, are often called accents, diacritical marks may appear above or below a letter, or in some other position such as within the letter or between two letters. The main use of marks in the Latin script is to change the sound-values of the letters to which they are added. In other Latin alphabets, they may distinguish between homonyms, such as the French là versus la that are both pronounced /la/, in Gaelic type, a dot over a consonant indicates lenition of the consonant in question. In other alphabetic systems, diacritical marks may perform other functions, vowel pointing systems, namely the Arabic harakat and the Hebrew niqqud systems, indicate vowels that are not conveyed by the basic alphabet. The Indic virama and the Arabic sukūn mark the absence of a vowel, in the Hanyu Pinyin official romanization system for Chinese, diacritics are used to mark the tones of the syllables in which the marked vowels occur. In orthography and collation, a letter modified by a diacritic may be treated either as a new and this varies from language to language, and may vary from case to case within a language. ◌ː – triangular colon, used in the IPA to mark long vowels, not all diacritics occur adjacent to the letter they modify. In the Wali language of Ghana, for example, an apostrophe indicates a change of vowel quality, because of vowel harmony, all vowels in a word are affected, so the scope of the diacritic is the entire word. In abugida scripts, like those used to write Hindi and Thai, diacritics indicate vowels, the tittle on the letter i of the Latin alphabet originated as a diacritic to clearly distinguish i from the minims of adjacent letters. It first appeared in the 11th century in the sequence ii, then spread to i adjacent to m, n, u, the j, originally a variant of i, inherited the tittle. The shape of the diacritic developed from initially resembling todays acute accent to a flourish by the 15th century. With the advent of Roman type it was reduced to the round dot we have today, tanwīn symbols, Serve a grammatical role in Arabic. The sign ـً is most commonly written in combination with alif, waṣla, Comes most commonly at the beginning of a word. Indicates a type of hamza that is pronounced only when the letter is read at the beginning of the talk, ḥarakāt, fatḥa kasra ḍamma sukūn The ḥarakāt or vowel points serve two purposes, They serve as a phonetic guide. They indicate the presence of short vowels or their absence, at the last letter of a word, the vowel point reflects the inflection case or conjugation mood. For nouns, The ḍamma is for the nominative, fatḥa for the accusative, for verbs, the ḍamma is for the imperfective, fatḥa for the perfective, and the sukūn is for verbs in the imperative or jussive moods
10.
All caps
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In typography, ALL CAPS refers to text or a font in which all letters are capital letters. All caps may be used for emphasis and they are commonly seen in the titles on book covers, in advertisements and in newspaper headlines. Short strings of words in capital letters appear bolder and louder than mixed case, all caps can also be used to indicate that a given word is an acronym. Studies have been conducted on the readability and legibility of all caps text, scientific testing from the 20th-century onwards has generally indicated that all caps text is less legible and readable than lower-case text. In addition, switching to all caps may make text appear hectoring and obnoxious for cultural reasons, all-caps text is common in comic books, as well as on older teleprinter and radio transmission systems which often do not indicate letter case at all. In professional documents, a preferred alternative to all caps text is the use of small caps to emphasise key names or acronyms. In addition, if all caps must be used it is customary to slightly widen the spacing between the letters, by around 10% of the point height and this practice is known as tracking or letterspacing. Some digital fonts contain alternative spacing metrics for this purpose, before the development of lower-case letters in the 8th century, texts in the Latin alphabet were written in a single case, which is now considered to be capital letters. Text in all caps is not widely used in body copy, the major exception to this is the so-called fine print in legal documents. Capital letters have been used in printed headlines from the early days of newspapers until the 1950s. In the 1990s, more than three-quarters of newspapers in the world used lower-case letters in headline text. Discussion regarding the use of all caps for headlines centers on the greater emphasis offered by all caps versus the greater legibility offered by lower-case letters and this changed as full support of ASCII became standard, allowing lower-case characters. As a result, netiquette generally discourages the use of all caps when posting messages online, while all caps can be used as an alternative to rich-text bolding for a single word or phrase, to express emphasis, repeated use of all caps can be considered shouting or irritating. Its equivalence to shouting traces back to 1984 and traces back to printed typography usage of all capitals to mean shouting, such poor netiquette has led to a number of employees being laid off for this particular reason. Some aspects of Microsofts Metro Design Language involves the use of all caps headings and this has received particular attention when menu and ribbon titles appeared in all caps in Visual Studio 2012 and Office 2013, respectively. Critics have compared this to a computer program shouting at its user, IT journalist Lee Hutchinson described Microsofts using the practice as LITERALLY TERRIBLE. Doesn’t so much violate OS X’s design conventions as it does take them out behind the shed, pour gasoline on them, in programming, writing in all caps is an identifier naming convention in many programming languages that symbolizes that the given identifier represents a constant. A practice exists of distinguishing the surname from the rest of a name by stylizing the surname only in all caps
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