Illusionism in art history means either the tradition of art that appears to share the physical space with the viewer or more broadly the attempt to represent physical appearances precisely – also cal
Triumph of the Name of Jesus, by Giovanni Battista Gaulli, on the ceiling of the Church of the Gesu. The decorations of the vault over the nave date back to the 17th century. The fresco is the work of Giovanni Battista Gaulli, known as Baciccia. The stucco reliefs were executed by Ercole Antonio Raggi and Leonardo Reti, following the drawings of Baciccia who wanted to effect a real continuity between painting and sculpture.
Lord Leighton's Cimabue's Madonna Carried in Procession of 1853–1855 is at the end of a long tradition of illusionism in painting, but is not Realist in the sense of Courbet's work of the same period.
Andrea Mantegna's late-Quattrocento ceiling fresco in the Camera degli Sposi (commissioned by Ludovico III Gonzaga for Mantua's Ducal Palace) is an early example of illusionistic ceiling painting.
Trompe-l'œil is an artistic technique that creates a highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. Trompe-l'œil, which is most often associated
Illusionism (art)
…encompasses a long history, from the deceptions of Zeuxis and Parrhasius to the works of muralist Richard Haas in the twentieth century, that includes trompe-l'œil, anamorphosis, optical art, abstract illusionism, and illusionistic ceiling painting techniques such as di sotto in sù and quadratura. Sculptural…
Ceiling of the Treasure Room of the Archaeological Museum of Ferrara, Italy, painted in 1503–1506
Still life, Pompeii, c. AD 70
Trompe l'œil with Writing Materials by the Dutch painter Evert Collier
Escaping Criticism by Pere Borrell del Caso, 1874