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Oaxaca Amerindians painting by Felipe Santiago Gutiérrez
1896 photograph of an indigenous Mexican boy.
1896 photograph of an indigenous Mexican boy.
Mural by Diego Rivera in the National Palace of Mexico depicting the burning of Maya literature by the catholic church.
Mural by Diego Rivera in the National Palace of Mexico depicting the burning of Maya literature by the catholic church.
A 16th-century manuscript illustrating La Malinche and the contact between Spaniards and Aztecs.
A 16th-century manuscript illustrating La Malinche and the contact between Spaniards and Aztecs.
Mixtec
Turquoise mosaic mask. Mixtec-Aztec, 1400–1521 AD
Plate 37 of the Codex Vindobonensis. The central scene supposedly depicts the origin of the Mixtecs as a people whose ancestors sprang from a tree.
Plate 37 of the Codex Vindobonensis. The central scene supposedly depicts the origin of the Mixtecs as a people whose ancestors sprang from a tree.
Mixtec funerary mask; Grave No. 7, Monte Alban; Museum of Cultures of Oaxaca.
Mixtec funerary mask; Grave No. 7, Monte Alban; Museum of Cultures of Oaxaca.
The stucco reliefs in the Tomb 1 of Zaachila (The Valley, Oaxaca) reveal a remarkable influence from Mixtec art. The tomb likely belongs to a person w
The stucco reliefs in the Tomb 1 of Zaachila (The Valley, Oaxaca) reveal a remarkable influence from Mixtec art. The tomb likely belongs to a person whose name is registered in the Nuttall Codex. Tomb 1 of Zaachila, Central Valleys of Oaxaca, Late Postclassic.