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Canto I from the Inferno, the first part of the Divine Comedy by Dante Alighieri
Canto I from the Inferno, the first part of the Divine Comedy by Dante Alighieri
Gustave Doré's engravings illustrated the Divine Comedy (1861–1868). Here, Dante is lost at the start of Canto I of the Inferno.
Gustave Doré's engravings illustrated the Divine Comedy (1861–1868). Here, Dante is lost at the start of Canto I of the Inferno.
Gustave Doré's illustration of Canto III: Arrival of Charon
Gustave Doré's illustration of Canto III: Arrival of Charon
The Harrowing of Hell, in a 14th-century illuminated manuscript, the Petites Heures de Jean de Berry
The Harrowing of Hell, in a 14th-century illuminated manuscript, the Petites Heures de Jean de Berry
Dante shown holding a copy of the Divine Comedy, next to the entrance to Hell, the seven terraces of Mount Purgatory and the city of Florence, with th
Dante shown holding a copy of the Divine Comedy, next to the entrance to Hell, the seven terraces of Mount Purgatory and the city of Florence, with the spheres of Heaven above, in Domenico di Michelino's 1465 fresco
Dante gazes at Mount Purgatory in an allegorical portrait by Agnolo Bronzino, painted c. 1530
Dante gazes at Mount Purgatory in an allegorical portrait by Agnolo Bronzino, painted c. 1530
Virgil
Virgil
Beatrice
Beatrice