Insular art
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Insular art, also known as Hiberno-Saxon art, was produced in the post-Roman era of Great Britain and Ireland. The term derives from insula, the Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. Art historians usually group Insular art as part of the Migration Period art movement as well as Early Medieval Western art, and it is the combination of these two traditions that gives the style its special character.
David from the Durham Cassiodorus, early 8th century (?), Jarrow
One of hundreds of small initials from the Book of Kells
Early Anglo-Saxon shoulder-clasps from Sutton Hoo, early 7th century. Gold, garnet, and millefiori glass.
Illuminated manuscript
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An illuminated manuscript is a formally prepared document where the text is decorated with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers and liturgical books such as psalters and courtly literature, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories, and deeds.
Illuminated manuscripts housed in the 16th-century Ethiopian Orthodox Church of Ura Kidane Mehret, Zege Peninsula, Lake Tana, Ethiopia
Frontispiece of the Maqamat al-Hariri (1237 CE) depicting a ruler in Turkic dress (long braids, Sharbush fur hat, boots, fitting coat), possibly Baghdad.
Page from a Latin book of hours, with miniatures of saints. Book of Hours of Alexandre Petau, 16th century, Rouen, well after printing had become more common.
The author of a manuscript at his writing desk. 14th century