1.
Terracotta
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Terracotta, terra cotta or terra-cotta, a type of earthenware, is a clay-based unglazed or glazed ceramic, where the fired body is porous. The term is used to refer to the natural, brownish orange color, of most terracotta. This article covers the senses of terracotta as a medium in sculpture, as in the Terracotta Army and Greek terracotta figurines, asian and European sculpture in porcelain is not covered. Glazed architectural terracotta and its version as exterior surfaces for buildings were used in Asia for some centuries before becoming popular in the West in the 19th century. In archaeology and art history, terracotta is used to describe objects such as figurines not made on a potters wheel. An appropriate refined clay is formed to the desired shape, after drying it is placed in a kiln or atop combustible material in a pit, and then fired. The typical firing temperature is around 1,000 °C, though it may be as low as 600 °C in historic and archaeological examples. In some contexts, such as Roman figurines, white-colored terracotta is known as pipeclay, as such clays were later preferred for tobacco pipes, fired terracotta is not watertight, but surface-burnishing the body before firing can decrease its porousness and a layer of glaze can make it watertight. It is suitable for use below ground to carry pressurized water, for garden pots or building decoration in many environments, most other uses, such as for tableware, sanitary piping, or building decoration in freezing environments, require the material to be glazed. Terracotta, if uncracked, will ring if lightly struck, painted terracotta is typically first covered with a thin coat of gesso, then painted. It has been widely used but the paint is only suitable for indoor positions and is much less durable than fired colors in or under a ceramic glaze. Terracotta sculpture was rarely left in its raw fired state in the West until the 18th century. Terracotta/earthenware was the known type of ceramic produced by Western and pre-Columbian people until the 14th century. Terracotta has been used throughout history for sculpture and pottery as well as for bricks, in ancient times, the first clay sculptures were dried in the sun after being formed. They were later placed in the ashes of open hearths to harden, however, only after firing to high temperature would it be classed as a ceramic material. Terracotta female figurines were uncovered by archaeologists in excavations of Mohenjo-daro, along with phallus-shaped stones, these suggest some sort of fertility cult and a belief in a mother goddess. The Burney Relief is a terracotta plaque from Ancient Mesopotamia of about 1950 BC. In Mesoamerica, the majority of Olmec figurines were in terracotta
Terracotta
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Terracotta head from
Akhnoor,
Kashmir. Head dates back to 6th century CE. On display in
Prince of Wales Museum
Terracotta
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International Gothic bust of the
Virgin Mary, Bohemia, c. 1390–95, terracotta with polychromy
Terracotta
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Sculpture of
Hanuman in unglazed terracotta
Terracotta
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Terracotta Army in
Xi'an,
China
2.
Gothic art
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Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Southern and Central Europe, in the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The earliest Gothic art was monumental sculpture, on the walls of Cathedrals, Christian art was often typological in nature, showing the stories of the New Testament and the Old Testament side by side. Increased literacy and a body of secular vernacular literature encouraged the representation of secular themes in art. Gothic art emerged in Île-de-France, France, in the early 12th century at the Abbey Church of St Denis built by Abbot Suger, monastic orders, especially the Cistercians and the Carthusians, were important builders who disseminated the style and developed distinctive variants of it across Europe. Gothic art was often typological in nature, reflecting a belief that the events of the Old Testament pre-figured those of the New, Old and New Testament scenes were shown side by side in works like the Speculum Humanae Salvationis, and the decoration of churches. The Gothic period coincided with a resurgence in Marian devotion. Images of the Virgin Mary developed from the Byzantine hieratic types, through the Coronation of the Virgin, to human and initimate types. Artists like Giotto, Fra Angelico and Pietro Lorenzetti in Italy, and Early Netherlandish painting, brought realism, Western artists, and their patrons, became much more confident in innovative iconography, and much more originality is seen, although copied formulae were still used by most artists. Even in Last Judgements Christ was now usually shown exposing his chest to show the wounds of his Passion, the word Gothic for art was initially used as a synonym for Barbaric, and was therefore used pejoratively. Its critics saw this type of Medieval art as unrefined and too remote from the aesthetic proportions, Renaissance authors believed that the Sack of Rome by the Gothic tribes in 410 had triggered the demise of the Classical world and all the values they held dear. Gothic art was criticized by French authors such as Boileau, La Bruyère, Rousseau, before becoming a recognized form of art. Molière would famously comment on Gothic, The besotted taste of Gothic monuments, These odious monsters of ignorant centuries, in its beginning, Gothic art was initially called French work, thus attesting the priority of France in the creation of this style. Painting in a style that can be called Gothic did not appear until about 1200, or nearly 50 years after the origins of Gothic architecture and sculpture. Then figures become more animated in pose and facial expression, tend to be smaller in relation to the background of scenes, and are arranged more freely in the pictorial space, where there is room. This transition occurs first in England and France around 1200, in Germany around 1220, painting during the Gothic period was practiced in four primary media, frescos, panel paintings, manuscript illumination and stained glass. Frescoes continued to be used as the pictorial narrative craft on church walls in southern Europe as a continuation of early Christian
Gothic art
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The Western (Royal) Portal at
Chartres Cathedral (ca. 1145). These architectural statues are the earliest Gothic sculptures and were a revolution in style and the model for a generation of sculptors.
Gothic art
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Later Gothic depiction of the
Adoration of the Magi from
Strasbourg Cathedral.
Gothic art
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Gothic sculpture, late 15th century,
Amiens Cathedral.
Gothic art
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14th Century
International Gothic Mary Magdalene in St. John Cathedral in
Toruń.
3.
Burgundy (region)
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Burgundy is a historical territory and a former administrative region of east-central France, entities that trace their name from the Burgundians, a Germanic people. Historically, Burgundy has referred to political entities, including kingdoms. The first known inhabitants of the area that became Burgundy were Celts, during the 4th century, the Burgundians, a Germanic people, who may have originated in Bornholm, settled in the western Alps. They founded the Kingdom of the Burgundians, which was conquered in the 6th century by another Germanic tribe, under Frankish dominion, the Kingdom of Burgundy continued for several centuries. Later, the region was divided between the Duchy of Burgundy and the Free County of Burgundy, burgundys modern existence is rooted in the dissolution of the Frankish Empire. In the 880s, there were four Burgundies, which were the Kingdom of Upper and Lower Burgundy, the duchy, during the Middle Ages, Burgundy was the seat of some of the most important Western churches and monasteries, among them Cluny, Cîteaux, and Vézelay. During the Hundred Years War, King John II of France gave the duchy to his youngest son, the duchy soon became a major rival to the crown. The court in Dijon outshone the French court both economically and culturally, in 1477, at the battle of Nancy during the Burgundian Wars, the last duke Charles the Bold was killed in battle, and the Duchy itself was annexed by France and became a province. However the northern part of the empire was taken by the Austrian Habsburgs, with the French Revolution in the end of the 18th century, the administrative units of the provinces disappeared, but were reconstituted as regions during the Fifth Republic in the 1970s. The modern-day administrative region comprises most of the former duchy, as of he region of Burgundy is both larger than the old Duchy of Burgundy and smaller than the area ruled by the Dukes of Burgundy, from the modern Netherlands to the border of Auvergne. Today, Burgundy is made up of the old provinces, Burgundy, Côte-dOr, Saône-et-Loire and this corresponds to the old duchy of Burgundy. However, the old county of Burgundy is not included inside the Burgundy region, also, a small part of the duchy of Burgundy is now inside the Champagne-Ardenne region. Nivernais, now the department of Nièvre, the climate of this region is essentially oceanic, with a continental influence. The regional council of Burgundy is the legislative assembly, the council has been chaired by the Socialist François Patriat since 2004. The councils seat is in the capital city Dijon, at 17 boulevard de la Trémouille, Burgundy is one of Frances main wine producing areas. The region is divided into the Côte-dOr, where the most expensive and prized Burgundies are found, and Beaujolais, Chablis, with regard to cuisine, the region is famous for the Burgundian dishes coq au vin, beef bourguignon, and époisses de Bourgogne cheese. Earlier, the part of Burgundy was heavily industrial, with coal mines near Montceau-les-Mines and iron foundries. These industries declined in the half of the twentieth century
Burgundy (region)
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Arboretum de Pézanin
Burgundy (region)
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Flag
Burgundy (region)
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Dijon, Place du Bareuzai
Burgundy (region)
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Le Creusot
4.
Louis Courajod
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Louis Charles Jean Courajod was a French art historian, museum curator and connoisseur-collector, who was born and died in Paris. In 1887, he was appointed a professor at the École du Louvre, teaching Medieval and Renaissance sculpture, among his students were André Michel, who succeeded him at the Louvre, and Paul Vitry. Courajod was a contributor to the Gazette des Beaux-Arts. He served on the Commission des monuments historiques and was a member of the Société des Antiquaires de France, Courajod introduced the term International Gothic to describe the Late Gothic movement expressed in sculptures and other media. A commemorative memoir, Louis Courajod, un historien de lart français, was published by Courajods former pupil, Albert Marignan, in 1896. Laura Morowitz, Une Guerre sainte contre lacadémisme, Louis Courajod, the Louvre, works by or about Louis Courajod at Internet Archive
Louis Courajod
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Louis Courajod, by
Félix Vallotton, in La Revue blanche, 1896
5.
Illuminated manuscript
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An illuminated manuscript is a manuscript in which the text is supplemented with such decoration as initials, borders and miniature illustrations. Comparable Far Eastern and Mesoamerican works are described as painted, islamic manuscripts may be referred to as illuminated, illustrated or painted, though using essentially the same techniques as Western works. This article covers the technical, social and economic history of the subject, for an art-historical account, the earliest surviving substantive illuminated manuscripts are from the period 400 to 600, produced in the Kingdom of the Ostrogoths and the Eastern Roman Empire. The significance of these works lies not only in their inherent artistic and historical value, had it not been for the monastic scribes of Late Antiquity, most literature of Greece and Rome would have perished in Europe. As it was, the patterns of textual survivals were shaped by their usefulness to the severely constricted literate group of Christians, the majority of surviving manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Antiquity. The majority of manuscripts are of a religious nature. However, especially from the 13th century onward, a number of secular texts were illuminated. Most illuminated manuscripts were created as codices, which had superseded scrolls, a very few illuminated manuscript fragments survive on papyrus, which does not last nearly as long as vellum or parchment. Most medieval manuscripts, illuminated or not, were written on parchment, beginning in the late Middle Ages manuscripts began to be produced on paper. Illuminated manuscripts continued to be produced in the early 16th century, Manuscripts are among the most common items to survive from the Middle Ages, many thousands survive. They are also the best surviving specimens of medieval painting, indeed, for many areas and time periods, they are the only surviving examples of painting. There are a few examples from later periods, the type of book that was most often heavily and richly illuminated, sometimes known as a display book, varied between periods. In the first millennium, these were most likely to be Gospel Books, such as the Lindisfarne Gospels, the Romanesque period saw the creation of many huge illuminated complete Bibles – one in Sweden requires three librarians to lift it. Many Psalters were also illuminated in both this and the Gothic period. Finally, the Book of Hours, very commonly the personal book of a wealthy layperson, was often richly illuminated in the Gothic period. Other books, both liturgical and not, continued to be illuminated at all periods, the Byzantine world also continued to produce manuscripts in its own style, versions of which spread to other Orthodox and Eastern Christian areas. See Medieval art for other regions, periods and types, reusing parchments by scraping the surface and reusing them was a common practice, the traces often left behind of the original text are known as palimpsests. The Gothic period, which saw an increase in the production of these beautiful artifacts, also saw more secular works such as chronicles
Illuminated manuscript
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In the strictest definition of illuminated manuscript, only manuscripts with gold or silver, like this
miniature of
Christ in Majesty from the
Aberdeen Bestiary (folio 4v), would be considered illuminated.
Illuminated manuscript
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The decoration of this page from a French
Book of Hours, ca.1400, includes a miniature, initials and borders
Illuminated manuscript
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A 13th-century manuscript illumination, the earliest known depiction of
Thomas Becket 's assassination
Illuminated manuscript
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The 11th century Tyniec Sacramentary was written with gold on purple background.
6.
Netherlands
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The Netherlands is the main constituent country of the Kingdom of the Netherlands. It is a densely populated country located in Western Europe with three territories in the Caribbean. The European part of the Netherlands borders Germany to the east, Belgium to the south, and the North Sea to the northwest, sharing borders with Belgium, the United Kingdom. The three largest cities in the Netherlands are Amsterdam, Rotterdam and The Hague, Amsterdam is the countrys capital, while The Hague holds the Dutch seat of parliament and government. The port of Rotterdam is the worlds largest port outside East-Asia, the name Holland is used informally to refer to the whole of the country of the Netherlands. Netherlands literally means lower countries, influenced by its low land and flat geography, most of the areas below sea level are artificial. Since the late 16th century, large areas have been reclaimed from the sea and lakes, with a population density of 412 people per km2 –507 if water is excluded – the Netherlands is classified as a very densely populated country. Only Bangladesh, South Korea, and Taiwan have both a population and higher population density. Nevertheless, the Netherlands is the worlds second-largest exporter of food and agricultural products and this is partly due to the fertility of the soil and the mild climate. In 2001, it became the worlds first country to legalise same-sex marriage, the Netherlands is a founding member of the EU, Eurozone, G-10, NATO, OECD and WTO, as well as being a part of the Schengen Area and the trilateral Benelux Union. The first four are situated in The Hague, as is the EUs criminal intelligence agency Europol and this has led to the city being dubbed the worlds legal capital. The country also ranks second highest in the worlds 2016 Press Freedom Index, the Netherlands has a market-based mixed economy, ranking 17th of 177 countries according to the Index of Economic Freedom. It had the thirteenth-highest per capita income in the world in 2013 according to the International Monetary Fund, in 2013, the United Nations World Happiness Report ranked the Netherlands as the seventh-happiest country in the world, reflecting its high quality of life. The Netherlands also ranks joint second highest in the Inequality-adjusted Human Development Index, the region called Low Countries and the country of the Netherlands have the same toponymy. Place names with Neder, Nieder, Nether and Nedre and Bas or Inferior are in use in all over Europe. They are sometimes used in a relation to a higher ground that consecutively is indicated as Upper, Boven, Oben. In the case of the Low Countries / the Netherlands the geographical location of the region has been more or less downstream. The geographical location of the region, however, changed over time tremendously
Netherlands
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The Netherlands in 5500 BC
Netherlands
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Flag
Netherlands
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The Netherlands in 500 BC
Netherlands
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An oak figurine found in
Willemstad, North Brabant (4500 BC).
7.
Duchy of Burgundy
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Upon the extinction of the line with the death of Duke Philip I in 1361, the duchy fell back to King John II of France and the royal House of Valois. The Burgundian duchy rose to a complex of a European scale after in 1363 King John II of France ceded the duchy to his younger son Philip of Valois. By his marriage with Countess Margaret of Flanders, he laid the foundation for a Burgundian realm further north in the Low Countries collectively known as the Burgundian Netherlands. The Burgundian sphere, in its own right, was one of the largest ducal territories that existed at the time of the emergence of Early Modern Europe. Including the thriving regions of Flanders and Brabant, it was a centre of trade. After about one hundred years of Valois-Burgundy rule, however, the last duke Charles the Bold rushed to the Burgundian Wars and was killed in the 1477 Battle of Nancy. With the abdication of the Habsburg emperor Charles V in 1556, the Burgundians settled in the area around Dijon, Chalon-sur-Saône, Mâcon, Autun and Châtillon-sur-Seine, and gave the name to the region. The Kingdom of the Burgundians was annexed by the Merovingian Kings of the Franks Childebert I in 534 following their defeat by the Franks and it was recreated, however, on several occasions when Frankish territories were redivided between the sons on the death of a Frankish king. As part of the Kingdom of the Franks, Burgundy maintained a semi-autonomous existence, with the Burgundians maintaining their own law code, however, southern Burgundy was pillaged by the Saracen invasion of the 8th century. When Charles Martel drove the invaders out, he divided Burgundy into four commands, Arles-Burgundy, Vienne-Burgundy, Alamanic Burgundy and he appointed his brother Childebrand governor of Frankish Burgundy. Under the Carolingians, Burgundian separatism lessened and Burgundy became a geographical term. As a vital military defender of the West Frankish border, Guerin was sometimes known by the Latin term for leader – Dux or Duke, by the time of Richard the Justiciar, the Duchy of Burgundy was beginning to emerge. Richard was officially recognised by the king as a duke, he stood as individual count of each county he held. As Duke of Burgundy, he was able to wield an increasing amount of power over his territory, to the collective body of his territory there came to be applied the term ducatus. Included in the ducatus of Richard were the regions of Autunais, Beaunois, Avalois, Lassois, Dijonais, Memontois, Attuyer, Oscheret, under Richard, these territories were given law and order, protected from the Normans, and served as a haven for persecuted monks. It was from his territories in Burgundy that he drew the resources needed to fight those who challenged his right to rule, under Hugh the Black came the beginning of what would be a long and troubled saga for Burgundy. His neighbours were the Robertian family, who held the title of Duke of Francia and this family, wanting to improve their standing in France and against the Carolingian kings, attempted to subject the duchy to the suzerainty of their own duchy. They failed, eventually, when they appeared close to success, they were forced to scrap the scheme, two brothers of Hugh Capet, the first Capetian King of France, took up the rule of Burgundy as duke
Duchy of Burgundy
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Flag
8.
Holy Roman Emperor
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The Holy Roman Emperor was the ruler of the Holy Roman Empire. From an autocracy in Carolingian times the title evolved into an elected monarchy chosen by the Prince-electors, until the Reformation the Emperor elect was required to be crowned by the Pope before assuming the imperial title. The title was held in conjunction with the rule of the Kingdom of Germany, in theory, the Holy Roman Emperor was primus inter pares among the other Catholic monarchs, in practice, a Holy Roman Emperor was only as strong as his army and alliances made him. Various royal houses of Europe, at different times, effectively became hereditary holders of the title, after the Reformation many of the subject states and most of those in Germany were Protestant while the Emperor continued to be Catholic. The Holy Roman Empire was dissolved by the last Emperor as a result of the collapse of the polity during the Napoleonic wars, from the time of Constantine I the Roman emperors had, with very few exceptions, taken on a role as promoters and defenders of Christianity. In the west, the title of Emperor was revived in 800, as the power of the papacy grew during the Middle Ages, popes and emperors came into conflict over church administration. The best-known and most bitter conflict was known as the Investiture Controversy. After Charlemagne was crowned Emperor of the Romans by Pope Leo III, no pope appointed an emperor again until the coronation of Otto the Great in 962. Under Otto and his successors, much of the former Carolingian kingdom of Eastern Francia fell within the boundaries of the Holy Roman Empire, the various German princes elected one of their peers as King of the Germans, after which he would be crowned as emperor by the Pope. After Charles Vs coronation, all succeeding emperors were called elected Emperor due to the lack of papal coronation, the term sacrum in connection with the medieval Roman Empire was first used in 1157 under Frederick I Barbarossa. Charles V was the last Holy Roman Emperor to be crowned by the Pope, the final Holy Roman Emperor-elect, Francis II, abdicated in 1806 during the Napoleonic Wars that saw the Empires final dissolution. The standard designation of the Holy Roman Emperor was August Emperor of the Romans, the word Holy had never been used as part of that title in official documents. In German-language historiography, the term Römisch-deutscher Kaiser is used to distinguish the title from that of Roman Emperor on one hand, the English term Holy Roman Emperor is a modern shorthand for emperor of the Holy Roman Empire not corresponding to the historical style or title. Successions to the kingship were controlled by a variety of complicated factors, elections meant the kingship of Germany was only partially hereditary, unlike the kingship of France, although sovereignty frequently remained in a dynasty until there were no more male successors. The Electoral council was set at seven princes by the Golden Bull of 1356, another elector was added in 1690, and the whole college was reshuffled in 1803, a mere three years before the dissolution of the Empire. After 1438, the Kings remained in the house of Habsburg and Habsburg-Lorraine, with the exception of Charles VII. Maximilian I and his successors no longer travelled to Rome to be crowned as Emperor by the Pope, Maximilian therefore named himself Elected Roman Emperor in 1508 with papal approval. This title was in use by all his uncrowned successors, of his successors only Charles V, the immediate one, received a papal coronation
Holy Roman Emperor
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Francis II
Holy Roman Emperor
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Quaternion Eagle
Holy Roman Emperor
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Replicas of the Crown jewels
Holy Roman Emperor
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Holy Roman Emperors of Habsburg dynasty and their families
9.
Prague
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Prague is the capital and largest city of the Czech Republic. It is the 14th largest city in the European Union and it is also the historical capital of Bohemia. Situated in the north-west of the country on the Vltava river, the city has a temperate climate, with warm summers and chilly winters. Prague has been a political, cultural, and economic centre of central Europe with waxing and waning fortunes during its history and it was an important city to the Habsburg Monarchy and its Austro-Hungarian Empire. Prague is home to a number of cultural attractions, many of which survived the violence. Main attractions include the Prague Castle, the Charles Bridge, Old Town Square with the Prague astronomical clock, since 1992, the extensive historic centre of Prague has been included in the UNESCO list of World Heritage Sites. The city has more than ten major museums, along with theatres, galleries, cinemas. An extensive modern public transportation system connects the city, also, it is home to a wide range of public and private schools, including Charles University in Prague, the oldest university in Central Europe. Prague is classified as an Alpha- global city according to GaWC studies, Prague ranked sixth in the Tripadvisor world list of best destinations in 2016. Its rich history makes it a popular tourist destination, and the city more than 6.4 million international visitors annually. Prague is the fifth most visited European city after London, Paris, Istanbul, the region was settled as early as the Paleolithic age. In the last century BC, the Celts were slowly driven away by Germanic tribes, around the area where present-day Prague stands, the 2nd century map of Ptolemaios mentioned a Germanic city called Casurgis. In the following century, the Czech tribes built several fortified settlements in the area, most notably in Levý Hradec, Butovice and in the Šárka valley. The construction of what came to be known as the Prague Castle began near the end of the 9th century, the first masonry under Prague Castle dates from the year 885 at the latest. The other prominent Prague fort, the Přemyslid fort Vyšehrad, was founded in the 10th century, Prague Castle is dominated by the cathedral, which was founded in 1344, but completed in the 20th century. The legendary origins of Prague attribute its foundation to the 8th century Czech duchess and prophetess Libuše and her husband, Přemysl, legend says that Libuše came out on a rocky cliff high above the Vltava and prophesied, I see a great city whose glory will touch the stars. She ordered a castle and a town called Praha to be built on the site, a 17th century Jewish chronicler David Solomon Ganz, citing Cyriacus Spangenberg, claimed that the city was founded as Boihaem in c.1306 BC by an ancient king, Boyya. The region became the seat of the dukes, and later kings of Bohemia, under Roman Emperor Otto II the area became a bishopric in 973
Prague
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Montage of Prague, clockwise from top: Panorama of
Prague Castle and
Charles Bridge,
Dancing House,
Star Villa,
Old Town Square,
Wenceslas Square,
Wallenstein Palace, Royal Garden at Prague Castle,
St. Vitus Cathedral and
Municipal House.
Prague
–
The mythological princess
Libuše prophesies the glory of Prague.
Prague
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The
Prague astronomical clock was first installed in 1410, making it the third-oldest astronomical clock in the world and the oldest one still working.
Prague
–
A view of one of the bridge towers of the Charles Bridge
10.
Richard II of England
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Richard II, also known as Richard of Bordeaux, was King of England from 1377 until he was deposed on 30 September 1399. Richard, a son of Edward, the Black Prince, was born in Bordeaux during the reign of his grandfather, Edward III. Richard was the brother of Edward of Angoulême, upon whose death, Richard. Upon the death of Richards father prior to the death of Edward III, Richard, by primogeniture, with Edward IIIs death the following year, Richard succeeded to the throne at the age of ten. During Richards first years as king, government was in the hands of a series of councils, most of the aristocracy preferred this to a regency led by the kings uncle, John of Gaunt, yet Gaunt remained highly influential. The first major challenge of the reign was the Peasants Revolt in 1381, the young king played a major part in the successful suppression of this crisis. By 1389 Richard had regained control, and for the eight years governed in relative harmony with his former opponents. In 1397, Richard took his revenge on the appellants, many of whom were executed or exiled, the next two years have been described by historians as Richards tyranny. In 1399, after John of Gaunt died, the king disinherited Gaunts son, Henry of Bolingbroke, Henry invaded England in June 1399 with a small force that quickly grew in numbers. Claiming initially that his goal was only to reclaim his patrimony, meeting little resistance, Bolingbroke deposed Richard and had himself crowned as King Henry IV. Richard died in captivity in February 1400, he is thought to have starved to death. Richard was said to have tall, good-looking and intelligent. Less warlike than either his father or grandfather, he sought to bring an end to the Hundred Years War that Edward III had started, modern historians do not accept this interpretation, while not exonerating Richard from responsibility for his own deposition. While probably not insane, as historians of the 19th and 20th centuries believed, Richard of Bordeaux was the younger son of Edward, the Black Prince, and Joan of Kent. Edward, heir to the throne of England, had distinguished himself as a commander in the early phases of the Hundred Years War. After further military adventures, however, he contracted dysentery in Spain in 1370 and he never fully recovered and had to return to England the next year. Joan of Kent had been at the centre of a dispute between Thomas Holland, Earl of Kent, and William Montacute, Earl of Salisbury, from which Holland emerged victorious. Less than a year after Hollands death in 1360, Joan married Prince Edward, since she was a granddaughter of King Edward I and a first cousin of King Edward III, the marriage required papal approval
Richard II of England
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Portrait at
Westminster Abbey, mid-1390s
Richard II of England
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Fourteenth-century manuscript
historiated initial showing
Edward, the Black Prince kneeling before his father,
Edward III.
Richard II of England
–
Richard II watches
Wat Tyler 's death and addresses the peasants in the background: taken from the
Gruuthuse manuscript of
Froissart 's Chroniques (c. 1475).
Richard II of England
–
Robert de Vere fleeing
Radcot Bridge (Froissart).
11.
Anne of Bohemia
–
Anne of Bohemia was Queen of England as the first wife of King Richard II. A member of the House of Luxembourg, she was the eldest daughter of Charles IV, Holy Roman Emperor and King of Bohemia and she died at 28 after 12 years of marriage, she was childless, and greatly mourned by her husband. But Anne appears to have won many English people over with her personality, and her efforts to help obtain royal pardons. Her fathers court, based in Prague, was a centre of the International Gothic style, then at its height, and her arrival seems to coincide with, and probably caused, new influences on English art. The Crown of Princess Blanche, now in Munich, may have made for Anne. She had four brothers, including Sigismund, Holy Roman Emperor and she also had five half-siblings from her fathers previous marriages. Anne is buried in Westminster Abbey beside her husband, Richard II married Anne of Bohemia as a result of the Western Schism in the Papacy that had resulted in two rival popes. Annes father was the most powerful monarch in Europe at the time, ruling over about half of Europes population and territory. The marriage was against the wishes of many members of his nobility and members of parliament and she brought with her no dowry, and in return for her hand in marriage, Richard gave 20,000 florins in payment to her brother Wenceslas. It is therefore no surprise that the marriage was unpopular, the Westminster Chronicler called her a tiny scrap of humanity, and Thomas Walsingham related a disastrous omen upon her arrival, where her ships smashed to pieces as soon as she had disembarked. Nevertheless, Anne and King Richard II were married in Westminster Abbey on 20 January 1382, tournaments were held for several days after the ceremony, in celebration. They then made a tour of the realm, staying at many major abbeys along the way, in 1383 Anne of Bohemia visited the city of Norwich, where at the Great Hospital a ceiling comprising 252 black eagles was made in her honour. Anne and Richard were only 14 years old when they first met, yet these two wispy teenagers soon fell into a loving relationship and over the years the king proved truly devoted to his new wife. Annes wedding to Richard II was the royal wedding in Westminster Abbey and was not followed by any other royal wedding in Westminster Abbey for another 537 years. They were married for 12 years, but had no children, Annes death from plague in 1394 at Shene Manor was a devastating blow to Richard. Historians have speculated that her counsel had an effect on Richard during her lifetime. This is supported by his conduct in the years after Annes death that lost him his throne. Richard married his wife, Isabella of Valois, on 31 October 1396
Anne of Bohemia
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Anne of Bohemia
Anne of Bohemia
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Anne of Bohemia - illustration by Percy Anderson
Anne of Bohemia
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For other uses, see
Anne of Bohemia (disambiguation).
Anne of Bohemia
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Funeral of Anne
12.
Annunciation Triptych (Simone Martini)
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The Annunciation with St. Margaret and St. Ansanus is a painting by the Italian Gothic artists Simone Martini and Lippo Memmi, now housed in the Uffizi Gallery in Florence, Italy. It is a triptych painted in tempera and gold, with a central panel having double size. Considered Martinis masterwork and one of the most outstanding works of Gothic painting and these included the Presentation at the Temple by Ambrogio Lorenzetti, the Nativity of the Virgin by Pietro Lorenzetti, and a Nativity, now disassembled, attributed to Bartolomeo Bulgarini from 1351. All the paintings should represent stories of the Life of the Madonna, the artists use of expensive lacquer, extensive gold leafing and the difficult to obtain lapis lazuli in the painting demonstrates the communal prestige of the commission. The date of the painting is specified in a fragment of the original frame and it lists the name of Simone Martini and his brother-in-law Lippo Memmi, although it is unknown which parts they executed. A hypothesis is that Martini painted the panel, while Memmi was responsible of the side saints. The work, in size and style, has no similarities with any other contemporary painting in Italy. It can be compared instead to French illuminated manuscripts of that time, the painting remained in the cathedral until 1799, when Grand Duke Peter Leopold had it moved to Florence in exchange of two canvasses by Luca Giordano. The original frame, carved by Paolo di Camporegio and gilt by Memmi, was renovated in 1420, the Annunciation shows the archangel Gabriel entering the house of the Virgin Mary to tell her that she will soon bear the child Jesus, whose name means savior. Gabriel holds a branch in his hand, a traditional symbol of peace. The dove is descending from heaven, from the center of the mandorla of eight angels above, in fact, along the path of the dove, viewers see Gabriels utterance, ave gratia plena dominvs tecvm. The angels mantle shows a detailed tartar cloth pattern and fine gilt feathers, Mary, sitting on a throne, is portrayed at the moment that she is startled out of her reading, reacting with a graceful and composed reluctance, looking with surprise at the celestial messenger. Her dress has an arabesque-like pattern, at the sides, the two patrons saints of the cathedral are separated by the central scene by two decorate twisting columns. The background, completely gilt, has a vase of lilies, Presentation at the Temple by Ambrogio Lorenzetti Fossi, Gloria. Media related to Annunciation by Simone Martini and Lippo Memmi in the Uffizi Gallery, Florence at Wikimedia Commons High resolution image via the Google Art Project
Annunciation Triptych (Simone Martini)
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Annunciation with St. Margaret and St. Ansanus
Annunciation Triptych (Simone Martini)
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Detail of the central panel.
Annunciation Triptych (Simone Martini)
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External video
13.
Simone Martini
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Simone Martini was an Italian painter born in Siena. He was a figure in the development of early Italian painting. It is thought that Martini was a pupil of Duccio di Buoninsegna, martinis brother-in-law was the artist Lippo Memmi. Very little documentation of Simones life survives, and many attributions are debated by art historians, Simone was doubtlessly apprenticed from an early age, as would have been the normal practice. Among his first documented works is the Maestà of 1315 in the Palazzo Pubblico in Siena, a copy of the work, executed shortly thereafter by Lippo Memmi in San Gimignano, testifies to the enduring influence Simones prototypes would have on other artists throughout the 14th century. During this stay, putative pupils were his son Francesco, Gennaro di Cola, francis Petrarch became a friend of Simones while in Avignon, and two of Petrarchs sonnets make reference to a portrait of Laura de Noves that Simone supposedly painted for the poet. A Christ Discovered in the Temple is in the collections of Liverpools Walker Art Gallery, Simone Martini died while in the service of the Papal court at Avignon in 1344. Memmo di Filippuccio Vasari, Giorgio, translation by George Bull, Art of Simone Martini Simone Martini – Gothic Painter
Simone Martini
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Petrarch 's Virgil (title page) (c. 1336) Illuminated manuscript, 29,5 x 20 cm Biblioteca Ambrosiana, Milan
Simone Martini
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The
Annunciation with St. Margaret and St. Ansanus, 1333
Simone Martini
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Saint Catherine of Alexandria Polyptych, 1319
Simone Martini
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Virgin and Child with Saints (Boston Polyptych), c. 1321-5
14.
Charles IV, Holy Roman Emperor
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Charles IV, born Wenceslaus, was a King of Bohemia and the first King of Bohemia to also become Holy Roman Emperor. He was a member of the House of Luxembourg from his fathers side and the House of Přemyslid from his mothers side and he was the eldest son and heir of King John of Bohemia, who died at the Battle of Crécy on 26 August 1346. Charles inherited the County of Luxembourg from his father and was elected king of the Kingdom of Bohemia, on 2 September 1347, Charles was crowned King of Bohemia. On 11 July 1346, the prince-electors chose him as King of the Romans in opposition to Emperor Louis IV, Charles was crowned on 26 November 1346 in Bonn. After his opponent died, he was re-elected in 1349 and crowned King of the Romans, in 1355 he was crowned King of Italy and Holy Roman Emperor. With his coronation as King of Burgundy in 1365, he became the ruler of all the kingdoms of the Holy Roman Empire. Charles IV was born to King John of the Luxembourg dynasty and he was originally named Wenceslaus, the name of his maternal grandfather, King Wenceslaus II. He chose the name Charles at his confirmation in honor of his uncle, King Charles IV of France and he received French education and was literate and fluent in five languages, Latin, Czech, German, French, and Italian. In 1331 he gained experience of warfare in Italy with his father. At the beginning of 1333, Charles went to Lucca to consolidate his rule there, in an effort to defend the city, Charles founded the nearby fortress and the town of Montecarlo. From 1333 he administered the lands of the Bohemian Crown due to his fathers frequent absence, in 1334, Charles was named Margrave of Moravia, the traditional title for heirs to the throne. Two years later, he assumed the government of Tyrol on behalf of his brother, John Henry, as he had previously promised to be subservient to Clement, he made extensive concessions to the pope in 1347. Confirming the papacy in the possession of vast territories, he promised to annul the acts of Louis against Clement, to no part in Italian affairs. Charles IV was in a weak position in Germany. Owing to the terms of his election, he was referred to as a Priests King. Many bishops and nearly all of the Imperial cities remained loyal to Louis the Bavarian, civil war in Germany was prevented, however, when Louis IV died on 11 October 1347, after suffering a stroke during a bear hunt. Thereafter, Charles faced no direct threat to his claim to the Imperial throne, Charles initially worked to secure his power base. Bohemia had remained untouched by the plague, Prague became his capital, and he rebuilt the city on the model of Paris, establishing the New Town
Charles IV, Holy Roman Emperor
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Charles IV
Charles IV, Holy Roman Emperor
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Bust of Charles IV in
St. Vitus Cathedral, 1370s
Charles IV, Holy Roman Emperor
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The
Golden Bull of 1356
Charles IV, Holy Roman Emperor
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Statue of Charles IV near
Charles Bridge (1848), Prague, by
Ernst Julius Hähnel
15.
Luxembourg dynasty
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The House of Luxembourg was a late medieval European royal family, whose members between 1308 and 1437 ruled as King of the Romans and Holy Roman Emperors as well as Kings of Bohemia and Hungary. Their rule over the Holy Roman Empire was twice interrupted by the rival House of Wittelsbach and her father, Count Henry IV of Luxembourg, was related on his mothers side to the Ardennes-Verdun dynasty, which had ruled the county since the late 10th century. Count Henry Vs grandson Henry VII, Count of Luxembourg upon the death of his father Henry VI at the 1288 Battle of Worringen, was elected Rex Romanorum in 1308. One year after being crowned Holy Roman Emperor at Rome, Henry VII, still on campaign in Italy, John instead concentrated on securing his rule in Bohemia and gradually vassalized the Piast dukes of adjacent Silesia from 1327 until 1335. His son Charles IV, in 1346 mounted the Imperial throne and his Golden Bull of 1356 served as a constitution of the Empire for centuries. Charles not only acquired the duchies of Brabant and Limburg in the west, the familys decline began under Charles son King Wenceslaus, deposed by the prince-electors in 1400 who chose the Wittelsbach Elector Palatine Rupert. He was succeeded by his son-in-law, the Habsburg archduke Albert V of Austria, the Habsburgs finally prevailed as Luxembourg heirs, ruling the Empire until their extinction upon the death of Maria Theresa in 1780. Henry VII — elected King of the Romans in 1308 succeeding assassinated Albert of Habsburg and he was succeeded by Louis IV from the House of Wittelsbach. Baldwin — brother of Henry, Prince-Archbishop of Trier and thereby Archchancellor of Burgundy 1307–54, John the Blind — only son of Henry. He was enfeoffed with the Bohemia by his father in 1310, married the Přemyslid heiress Elisabeth of Bohemia, Charles IV — eldest son of John. He was elected King of the Romans in opposition to Louis IV in 1346 and succeeded his father as king of Bohemia in the same year, John Henry, Margrave of Moravia — younger brother of Charles. He married Margaret, Countess of Tyrol, daughter of Henry the Carinthian in 1330, jobst of Moravia — eldest son of John Henry. Margrave of Brandenburg 1388–1411, elected King of the Romans in 1410, Wenceslaus — eldest surviving son of Charles. As Margrave of Brandenburg from 1373 to 1378, he was elected King of the Romans in 1376, declared deposed by the prince-electors in 1400, he was succeeded by Rupert of Wittelsbach. Sigismund — younger son of Charles, Jacquetta of Luxembourg — Mother of Queen Consort, Elizabeth Woodville and subsequent ancestress of all English and British monarchs since Henry VIII including the current monarch, Elizabeth II. According to the Salic law, the succession could have been disputed and that branch descended from a younger son of Henry V, and was headed by Louis de Luxembourg, Count of Saint-Pol, before he was executed for treason by Louis XI of France. The first instance of the house of Luxembourg seems to be, Two houses descended from the women of the counts of Luxembourg, the Counts of Loon, both families had a place in relation to the succession of the House of Ardennes. The Counts of Loon are also in position to claim the inheritance Luxembourg, albeit weaker position, Jacquetta of Luxembourg
Luxembourg dynasty
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Habsburg
Luxembourg dynasty
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Coat of arms
Luxembourg dynasty
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Charles IV, Holy Roman Emperor and
King of Bohemia
Luxembourg dynasty
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House of Luxembourg
16.
Pope Clement VI
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Clement VI, born Pierre Roger, was pope from 7 May 1342 to his death in 1352. He was the fourth Avignon pope, Clement is the pope who reigned during the first visitation of the Black Death, during which he granted remission of sins to all who died of the plague. Pierre Roger was born in the château of Maumont, today part of the commune of Rosiers-dÉgletons, Corrèze, in Limousin, Pierre also had two sisters, Delphine, who married Jacques de Besse, and Alienor, who married Jacques de la Jugie. His brother Guillaume became Seigneur de Chambon, thanks to his wifes dowry, Roger entered the Benedictine order as a boy in 1301, at the Abbey of La Chaise-Dieu in the diocese of Clermont in the Auvergne. After six years there, he was directed to higher studies by the Bishop of Le Puy, Jean de Cumenis, in 1307 he took up studies in Paris at the College de Sorbonne, where he entered the Collège de Narbonne. To support him, beyond what was supplied by his bishop and his abbot, Pierre was in his thirty-first year. He lectured publicly on the Sententiae of Peter Lombard, and defended and promoted the works of Thomas Aquinas and he was appalled by the Defensor Pacis of Marsilius of Padua, and wrote a treatise in 1325 condemning its principles and defending Pope John XXII. He was granted the priory of St and he held the position until 1329. Pierre Roger was called to Avignon through the influence of his friend and protector, Cardinal Pierre de Mortemart, unfortunately, King Charles IV died on 1 February 1328, the last Capetian king of France in the direct line. He received no reply, however, from King Edward, and was forced to return to France, on 3 December 1328 Peter Roger was named Bishop of Arras, in which capacity he became a royal councilor of King Philip VI. He held the diocese of Arras only until 24 November 1329, less than a year and he held the Archbishopric of Sens for one year and one month, until his promotion to the See of Rouen on 14 December 1330. Obviously he was a man in the very highest favor with Pope John XXII, many propositions were put forward against ecclesiastical jurisdiction, which were ably argued by Pierre de Cugnières. Pierre Roger made the rejoinders on 22 December 1329, on behalf of the ecclesiastical authority, when Pierre Roger became Archbishop of Rouen in December 1330, he was expected to swear allegiance to his feudal overlord. He therefore asked the King for time to consider his position, later in the year, in Paris in the Prés des Clercs, the King received the cross personally from the hands of Archbishop Roger. It is said that he was promoted to the office of Chancellor of France, the earliest claim that he was Chancellor is made by Alfonso Chacon. In 1333, the issue of the Beatific Vision, which had been discussion since a sermon of Pope John XXII in 1329. The French Royal Court had been hearing complaints from various quarters, the King privately informed the Pope of their opinions, but the Pope harshly responded to the King that he should stop favoring an opinion which the Pope had not yet definitively settled. The Pope ordered the Archbishop of Rouen, Pierre Roger, to set the Popes view down in writing, ironically, Pierre Roger was not on the Popes side of the argument
Pope Clement VI
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Pope Clement VI
Pope Clement VI
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Pope Clement VI cameo.
17.
Avignon Papacy
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The Avignon Papacy was the period from 1309 to 1377 during which seven successive popes resided in Avignon rather than in Rome. The situation arose from the conflict between the Papacy and the French crown, Clement declined to move to Rome, remaining in France, and in 1309, he moved his court to the papal enclave at Avignon, where it remained for the next 67 years. The absence from Rome is sometimes referred to as the Babylonian Captivity of the Papacy, a total of seven popes reigned at Avignon, all were French, and they increasingly fell under the influence of the French Crown. Finally, on September 13,1376, Gregory XI abandoned Avignon and moved his court to Rome, officially ending the Avignon Papacy. Despite this return, following Gregorys death on March 27,1378 and this started a second line of Avignon popes, now regarded as illegitimate and known as antipopes. The second and final Avignon antipope, Benedict XIII, lost most of his support in 1398, including that of France, following five years of siege by the French, he fled to Perpignan on March 11,1403. The schism ended in 1417 at the Council of Constance, after two popes had reigned in opposition to the Papacy in Rome. Parties within the Roman Church were divided in their allegiance among the claimants to the office of pope. The Council of Constance finally resolved the controversy in 1417 when the election of Pope Martin V was accepted by all. Avignon and the enclave to the east remained part of the Papal States until the French Revolution. The Papacy in the Late Middle Ages played a major role in addition to its spiritual role. The conflict between the Pope and the Holy Roman Emperor was fundamentally a dispute over which of them was the leader of Christendom in secular matters. In the early 14th century, the papacy was well past the prime of its secular rule – its importance had peaked in the 12th and 13th centuries, one exception was Frederick II, Holy Roman Emperor, who was twice excommunicated by the Pope during a Crusade. Frederick II ignored this and was successful in the Holy Land. This state of affairs culminated in the declaration of papal supremacy, Unam sanctam. In that papal bull, Pope Boniface VIII decreed that it is necessary to salvation that every human creature be subject to the Roman pontiff. This was directed primarily to King Phillip IV of France who responded by saying, in 1303 AD, Pope Boniface VIII followed up with a bull that would excommunicate the king of France and put the interdict over France, and depose the entire clergy of France. Before this was finalized, Italian allies of the King of France broke into the papal residence, nicholas Boccasini was elected as his successor and took the name Pope Benedict XI
Avignon Papacy
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Map of the city of Rome, showing an allegorical figure of Rome as a widow in black mourning the Avignon Papacy
Avignon Papacy
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The
Papal palace in
Avignon,
France.
Avignon Papacy
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Clement V in a later engraving
Avignon Papacy
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John XXII
18.
Philip the Bold
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Philip the Bold was Duke of Burgundy and jure uxoris Count of Flanders, Artois and Burgundy. The fourth and youngest son of King John II of France and his wife, Bonne of Luxembourg and his vast collection of territories made him the undisputed premier peer of the kingdom of France and made his successors formidable rivals of the kings of France. Born in Pontoise in 1342, Philip gained his cognomen the Bold at the age of 14 and he remained in the custody of the English with his father until the terms of their ransom were agreed to in the Treaty of Brétigny of 1360. His father had been the ruler of the duchy since the death of Duke Philip I in 1361, Philip would rule the duchy as Philip II until his death. He was actually the stepbrother of Philip I of Burgundy, whose mother Joan was married to King John II of France, Philip the Bolds father, Margaret became the widow of Philips stepbrother Duke Philip I of Burgundy while still a child of about 11. As her fathers heiress, Margaret would bring rich possessions to Philip the Bold. From 1379 to 1382, Philip helped his father-in-law Louis II put down revolts in Flanders, particularly in Ghent, the revolts were finally ended in 1385, following the death of Louis II, with the Peace of Tournai. As jure uxoris Count of Flanders, he would keep in mind the interests of the Flemish cities. Philip was very active at the court of France, particularly after the death in 1380 of his brother King Charles V, among Philips acts while regent was the suppression of a tax revolt in 1382 known as the Harelle. The regency lasted until 1388, always with Philip assuming the dominant role, Louis of Bourbon was largely an unimportant figure due to his personality and his status. In 1392, events conspired to allow Philip to seize power once more in France, Charles VIs friend and advisor Olivier de Clisson had recently been the target of an assassination attempt by agents of John V, Duke of Brittany. The would-be assassin, Pierre de Craon, had taken refuge in Brittany, Charles, outraged at these events, determined to punish Craon, and on 1 July 1392 led an expedition against Brittany. While traveling to Brittany, the king, already overwrought by the progress, was shocked by a madman who spent half-an-hour following the procession to warn the king that he had been betrayed. When a page dropped a lance, the king reacted by killing several of his knights and had to be wrestled to the ground, Philip, who was present, immediately assumed command and appointed himself regent, dismissing Charles advisors. He was the ruler of France until 1402. His seizure of power, however, had consequences for the unity of the House of Valois. This struggle only served to enhance the reputation of Philip, since he appeared to be a sober and honest reformer in comparison to the profligate and irresponsible Louis. Although Charles VI confirmed his brother as regent in 1402 in a moment of sanity, Louiss misrule allowed Philip to regain control of France as regent in 1404
Philip the Bold
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Philip the Bold
Philip the Bold
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Flanders, double groat or 'jangelaar', struck in Gent under Philip the Bold (1384-1404) with the arms of Burgundy and Flanders.
Philip the Bold
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Engraving of Philip the Bold
Philip the Bold
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Tomb of Philip the Bold at the Palace of the Dukes of Burgundy at
Dijon
19.
St. Vitus Cathedral
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The Metropolitan Cathedral of Saints Vitus, Wenceslaus and Adalbert is a Roman Catholic metropolitan cathedral in Prague, the seat of the Archbishop of Prague. Until 1997, the cathedral was dedicated only to Saint Vitus and this cathedral is an excellent example of Gothic architecture and is the largest and most important church in the country. Cathedral dimensions are 124 by 60 metres, the tower is 96.5 metres high, front towers 82 metres. The current cathedral is the third of a series of buildings at the site. The first church was an early Romanesque rotunda founded by Wenceslaus I and this patron saint was chosen because Wenceslaus had acquired a holy relic – the arm of St. Vitus – from Emperor Henry I. It is also possible that Wenceslaus, wanting to convert his subjects to Christianity more easily, two religious populations, the increasing Christian and decreasing pagan community, lived simultaneously in Prague castle at least until the 11th century. A much larger and more representative romanesque basilica was built in its spot, though still not completely reconstructed, most experts agree it was a triple-aisled basilica with two choirs and a pair of towers connected to the western transept. The design of the nods to Romanesque architecture of the Holy Roman Empire, most notably to the abbey church in Hildesheim. The southern apse of the rotunda was incorporated into the transept of the new church because it housed the tomb of St. Wenceslaus. A bishops mansion was built south of the new church. Construction of the present-day Gothic Cathedral began on 21 November 1344, king John of Bohemia laid the foundation stone for the new building. The first master builder was a Frenchman Matthias of Arras, summoned from the Papal Palace in Avignon, however, he lived to build only the easternmost parts of the choir, the arcades and the ambulatory. The slender verticality of Late French Gothic and clear, almost rigid respect of proportions distinguish his work today, after Matthias death in 1352, 23-year-old Peter Parler assumed control of the cathedral workshop as master builder. He was son of the architect of the Heilig-Kreuz-Münster in Schwäbisch Gmünd, initially, Parler only worked on plans left by his predecessor, building the sacristy on the north side of the choir and the chapel on the south. Once he finished all that Matthias left unfinished, he continued according to his own ideas, Parlers bold and innovative design brought in a unique new synthesis of Gothic elements in architecture. This is best exemplified in the vaults he designed for the choir, the so-called Parlers vaults or net-vaults have double diagonal ribs that span the width of the choir-bay. The crossing pairs of ribs create a construction, which considerably strengthens the vault. They also give a lively ornamentation to the ceiling, as the interlocking vaulted bays create a zigzag pattern the length of the cathedral
St. Vitus Cathedral
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St. Vitus Cathedral is situated entirely within the
Prague Castle complex
St. Vitus Cathedral
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Interior of St. Vitus Cathedral
St. Vitus Cathedral
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A view from south: the main tower and the Golden Gate. The uncompleted gothic main tower was finished as
baroque by
Nikolaus Pacassi.
St. Vitus Cathedral
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View of the Cathedral and Prague Castle, above the river
Vltava.
20.
Peter Parler
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Peter Parler was a German-Bohemian architect and sculptor from the Parler family of master builders. Along with his father, Heinrich Parler, he is one of the most prominent, born and apprenticed in the town of Schwäbisch Gmünd, Peter worked at several important late Medieval building sites, including Strasbourg, Cologne, and Nuremberg. After 1356 he lived in Prague, capital of the Kingdom of Bohemia and seat of the Holy Roman Empire, where he created his most famous works, St. Vitus Cathedral, little is known about the earliest youth of Peter Parler. His father, Heinrich Parler the Elder, was a stonemason at Cologne Cathedral, around 1333, when Peter was born, Heinrich was invited by the free imperial city of Schwäbisch Gmünd to take over construction of a large new parish church, Holy Cross Minster. Peter was already working alongside his father on the church when the cornerstone of the choir was laid in 1351 and this is presumably also where his apprenticeship was completed. The division of the choir by a continuous balustrade demonstrates what would become his trademark style, the arched section at the southern portal of the church can also be attributed to Peter. The designs developed by the father and son team at Holy Cross were unique, Peter then set off on the so-called Wandering Years, the Medieval German tradition of working as a travelling craftsman after completing apprenticeship. On these visits he learned the most important concepts of Gothic construction techniques in Central Europe and he visited Cologne, perhaps Paris, and certainly spent time in Strasbourg – precise knowledge of Strasbourg Cathedral can be seen in his subsequent buildings. While working in Cologne he met Druda, daughter of the resident architect Bartholomäus von Hamm and they eventually married and had four children, three sons, of which two went on to become known master builders in their own right, and a daughter. While undocumented, some scholars believe Parler traveled to England during this period, since Peter Parler spent time working at Strasbourg, it is much more likely his knowledge of these methods came from there. In particular, the vaults he designed at St. Vitus Cathedral were most probably modeled after the St. Catherine Chapel of Strasbourg Cathedral. Sometime after 1352 Peter joined the works at the Frauenkirche in Nuremberg as the parlier. The exact date and his role are unclear. The foundations of the church had already laid in 1351 on the initiative of Charles IV, Holy Roman Emperor. This is reflected in the coats of arms of the Emperor, the seven Prince-electors. Here the first sculptures can be ascribed to Peter, among them a prominent figure of Zacharias. Charles also commissioned the building of Wenzelsburg Castle at Lauf an der Pegnitz, built on the ruins of an older castle, its ambitious architecture can be directly connected to the Parlers and Peter probably worked there as a sculptor. By 1355 their sophisticated style had come to the attention of Charles IV and Peter was called to work in Prague, the year of this appointment is not entirely clear since the documentary inscription in Prague was partially painted over in the 15th century
Peter Parler
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Self-portrait in St. Vitus Cathedral, circa 1370-1379.
Peter Parler
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St. Vitus Cathedral at the
Prague Castle, South portal
Peter Parler
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Tracery - Dome by Peter Parler in St. Vitus Cathedral at the Prague Castle
Peter Parler
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Charles bridge
21.
Sienese school
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In the 16th century the Mannerists Beccafumi and Il Sodoma worked there. While Baldassare Peruzzi was born and trained in Siena, his major works, Siena remains a remarkably well-preserved Italian late-Medieval town. Pope-Hennessy, John & Kanter, Laurence B, the Robert Lehman Collection I, Italian Paintings. New York, Princeton, The Metropolitan Museum of Art in association with Princeton University Press
Sienese school
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Maestà by Duccio (1308-11) Tempera on wood, 214 x 412 cm Museo dell'Opera del Duomo, Siena
22.
Republic of Siena
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The Republic of Siena was a historic state consisting of the city of Siena and its surrounding territory in Tuscany, central Italy. It existed for four hundred years, from 1125 to 1555. In the Italian War of 1551–59 the republic was defeated by the rival Duchy of Florence in alliance with the Spanish crown, after 18 months of resistance, Republic of Siena surrendered to the Spanish Empire on 21 April 1555, marking the end of the republic. The oldest aristocratic families in Siena date their line to the Lombards surrender in 774 to Charlemagne, Siena prospered as a city-state, becoming a major centre of money lending and an important player in the wool trade. It was governed at first directly by its bishop, but episcopal power declined during the 12th century, by 1179, it had a written constitution. In 1286 the Nova government was established to rule Siena, the Nova was backed by the Noveschi, a political party formed by the noble families that sat on the council. Eventually, the Noveschi Party grew to not only include members of the Nova council. Under the guide of the Nova and the Noveschi, Siena grew in economic and militaristic dominance. In the 13th century, Siena was predominantly Ghibelline, in opposition to Florences Guelph position, on 4 September 1260 the Sienese Ghibellines, supported by the forces of King Manfred of Sicily, defeated the Florentine Guelphs in the Battle of Montaperti. Before the battle, the Sienese army of around 20,000 faced a much larger Florentine army of around 33,000, prior to the battle, the entire city was dedicated to the Virgin Mary. The man given command of Siena for the duration of the war, Bonaguida Lucari, walked barefoot and bareheaded, leading a procession composed of all the citys residents, he was met by all the clergy. Lucari and the bishop embraced to show the unity of church and state, then Lucari formally gave the city, legend has it that a thick white cloud descended on the battlefield, giving the Sienese cover and aiding their attack. Almost half the Florentine army were killed as a result, so crushing was the defeat that even today if the two cities meet in any sporting event, the Sienese supporters are likely to exhort their Florentine counterparts to Remember Montaperti. Siena was devastated by the Black Death of 1348, and also suffered from ill-fated financial enterprises. In 1355, with the arrival of Charles IV of Luxembourg in the city and they established a Dodici, assisted by a council with a popular majority. Only five years later, the House of Visconti was expelled in 1404, and a new government of Ten Priors was established, this time in alliance with Florence against King Ladislaus of Naples. In 1472 the Siena magistrates founded a mount of piety, the Banca Monte dei Paschi di Siena - which would survive into the 21st Century, the Noveschi returned to the city under Pandolfo Petrucci in 1487. Though a tyrant, Pandolfo brought Siena back to prosperity, favoring arts and sciences, Pandolfo was succeeded by his son Borghese Petrucci
Republic of Siena
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Medieval coin of the Republic of Siena (12th century)
Republic of Siena
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Italy, and the Republic of Siena, at the close of the 15th century
Republic of Siena
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The historic centre dominated by the Duomo
23.
House of Visconti
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Visconti is the family name of two important Italian noble dynasties of the Middle Ages. There are two distinct Visconti families, the first one in the Republic of Pisa in the mid twelfth century who achieved prominence first in Pisa, the second rose to power in Milan, where they ruled from 1277 to 1447 and where several collateral branches still exist. Pope Gregory X, who reigned from 1271 to 1276, was a member of the House of Visconti, the renowned director Luchino Visconti is a scion of this latter family. This symbol is closely connected with Milan. Any link between the two families in Pisa-Gallura and Milan has yet to be proven, the first Visconti of note in Pisa was Alberto, who bore the title patrician. Albertos son, Eldizio, bore the titles patrician and consul from 1184 to 1185 and it was Eldizios sons, Lamberto and Ubaldo I, who brought the family to the height of its influence in Pisa and Sardinia. Both of them carried the title of patrician and each served a term as podestà, in 1212 various factions, pro- and anti-Visconti clashed for control over Pisa. In mid-January 1213, William I of Cagliari led a coalition of forces to victory in battle near Massa over the combined forces of Lucca. Afterward, Pisa divided power between four rectores, one of which was a Visconti, the Visconti of Sardinia continued to take a part in Pisan politics to the end of the century, but their influence there was greatly diminished after 1213. In Sardinia Eldizio had married a daughter of Torchitorio III of Cagliari, in 1207, Lamberto married Elena, the heiress of Barisone II of Gallura, thus securing control over the northeastern corner of Sardinia with his capital at Civita. In 1215, he and Ubaldo established their hegemony over the Giudicato of Cagliari in the south of the island as well, through advantageous marriages, Lambertos son, Ubaldo II, secured power in Logudoro for a time. By mid century, Pisan authority was unopposed in Sardinia thanks to intermarriages between the Visconti family and the great families of Pisa and Sardinia. Lambert Ubaldo John Nino his wife Beatrice dEste married secondly on 24 June 1300 to Galeazzo I Visconti, Lord of Milan. Joanna stepsister of Azzone Visconti of the Milan line The effective founder of the Visconti of Milan, Ottone, the family loved to claim legendary versions about its origins, while established facts reflect quite sober and almost humble beginnings. The branch of the Visconti family that came to rule Milan was originally entrusted with the lordship of Massino, a village above Lago Maggiore, which they controlled from the twelfth century. It is said that the Milanese Visconti had their origins in a family of capitanei whom archbishop Landulf of Milan had granted certain feudal holdings known as caput plebis. A document from the year 1157 says the Visconti were holders of the captaincy of Marliano, decades before that, before 1070, they had gained the title of viscount to be later inherited down the male line. The Visconti ruled Milan until the early Renaissance, first as Lords, then, from 1395, with the mighty Gian Galeazzo who endeavored to unify Northern Italy and Tuscany, Visconti rule in Milan ended with the death of Filippo Maria Visconti in 1447
House of Visconti
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Depiction of the
Biscione swallowing the child, coat of arms of the House of Visconti, on the Archbishops' palace in Piazza Duomo, in Milan, Italy.
House of Visconti
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Motto: "I will not violate the Snake's uses" (
Latin: Vipereos mores non violabo)
House of Visconti
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Coat of arms
24.
Votive portrait
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A donor portrait or votive portrait is a portrait in a larger painting or other work showing the person who commissioned and paid for the image, or a member of his, or her, family. Donor portraits are very common in works of art, especially paintings, of the Middle Ages and Renaissance. Often, even late into the Renaissance, the portraits, especially when of a whole family, will be at a much smaller scale than the principal figures. By the mid-15th century donors began to be integrated into the main scene, as bystanders. The purpose of donor portraits was to memorialize the donor and his family, to do so during prayer is in accord with late medieval concepts of prayer, fully developed by the Modern Devotion. This process may be intensified if the praying beholder is the donor himself, when a whole building was financed, a sculpture of the patron might be included on the facade or elsewhere in the building. If they are on different sides, the males are normally on the left for the viewer, in family groups the figures are usually divided by gender. Groups of members of confraternities, sometimes with their wives, are also found, additional family members, from births or marriages, might be added later, and deaths might be recorded by the addition of small crosses held in the clasped hands. Although none have survived, there is evidence of donor portraits in small chapels from the Early Christian period. Their scale and composition are alone among large-scale survivals, also in Ravenna, there is a small mosaic of Justinian, possibly originally of Theoderic the Great in the Basilica of SantApollinare Nuovo. For example, a chapel at Mals in South Tyrol has two fresco donor figures from before 881, one lay and the other of a cleric holding a model building. In subsequent centuries bishops, abbots and other clergy were the donors most commonly shown, other than royalty, in these the portrait may adopt a praying pose, or may pose more like the subject in a purely secular portrait. The Wilton Diptych of Richard II of England was a forerunner of these, in some of these diptychs the portrait of the original owner has been over-painted with that of a later one. The person presenting might be a courtier making a gift to his prince, a later convention was for figures at about three-quarters of the size of the main ones. This innovation, however, did not appear in Venetian painting until the turn of the next century, normally the main figures ignore the presence of the interlopers in narrative scenes, although bystanding saints may put a supportive hand on the shoulder in a side-panel. But in devotional subjects such as a Madonna and Child, which were likely to have been intended for the donors home. Before the 15th century a physical likeness may not have often attempted, or achieved. In an often-quoted passage, John Pope-Hennessy caricatured 16th-century Italian donors, the elders in the story of Suzannah were some of the few figures respectable Venetians were unwilling to impersonate
Votive portrait
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This 15th-century
Nativity by
Rogier van der Weyden shows the fashionably dressed donor integrated into the main scene, the central panel of a
triptych.
Votive portrait
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Male side panel of
Hans Memling 's Triptych of Wilhelm Moreel; the father is supported by his
patron saint, with his five sons behind him.
Votive portrait
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13th-century frescoes from Milan: Madonna and Child, Saint Ambrose, and the donor Bonamico Taverna (detail)
Votive portrait
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Crucifixion by
Albrecht Altdorfer, c. 1514, with a tiny donor couple among the feet of the main figures. Altdorfer was one of the last major artists to retain this convention.
25.
Heaven
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According to the beliefs of some religions, heavenly beings can descend to earth or incarnate, and earthly beings can ascend to Heaven in the afterlife, or in exceptional cases enter Heaven alive. Some believe in the possibility of a Heaven on Earth in a World to Come, another belief is in an axis mundi or world tree which connects the heavens, the terrestrial world, and the underworld. In Indian religions, Heaven is considered as Svarga loka, and this cycle can be broken after a soul achieves Moksha or Nirvana. Any place of existence, either of humans, souls or deities, the modern English word heaven is derived from the earlier heven, this in turn was developed from the previous Old English form heofon. By about 1000, heofon was being used in reference to the Christianized place where God dwells, all of these have been derived from a reconstructed Proto-Germanic form *Hemina-. In Ancient Egyptian religion, belief in an afterlife is much more stressed than in ancient Judaism, Heaven was a physical place far above the Earth in a dark area of space where there were no stars, basically beyond the Universe. Their heart would finally be weighed with the feather of truth, almost nothing is known of Bronze Age Canaanite views of Heaven, and the archeological findings at Ugarit have not provided information. The 1st century Greek author Philo of Byblos may preserve elements of Iron Age Phoenician religion in his Sanchuniathon, in the Middle Hittite myths, Heaven is the abode of the gods. In the Song of Kumarbi, Alalu was king in Heaven for nine years before giving birth to his son, Anu was himself overthrown by his son, Kumarbi. The Baháí Faith regards the description of Heaven as a specific place as symbolic. The Baháí writings describe Heaven as a condition where closeness to God is defined as Heaven. For Baháís, entry into the life has the potential to bring great joy. Baháulláh likened death to the process of birth and he explains, The world beyond is as different from this world as this world is different from that of the child while still in the womb of its mother. Accordingly, Baháís view life as a stage, where one can develop. The key to progress is to follow the path outlined by the current Manifestation of God. Baháulláh wrote, Know thou, of a truth, that if the soul of man hath walked in the ways of God, it will, assuredly return, in Buddhism there are several Heavens, all of which are still part of samsara. Those who accumulate good karma may be reborn in one of them, however, their stay in Heaven is not eternal—eventually they will use up their good karma and will undergo rebirth into another realm, as a human, animal or other being. Because Heaven is temporary and part of samsara, Buddhists focus more on escaping the cycle of rebirth, Nirvana is not a heaven but a mental state
Heaven
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Dante and
Beatrice gaze upon the highest heavens; from
Gustave Doré 's illustrations to the
Divine Comedy.
Heaven
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Structure of Universe as per the Jain Scriptures.
Heaven
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The
Assumption of the Virgin by
Francesco Botticini at the National Gallery London, shows three hierarchies and nine orders of angels, each with different characteristics.
26.
Jean, Duc de Berry
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John of Berry or John the Magnificent was Duke of Berry and Auvergne and Count of Poitiers and Montpensier. He was the son of King John II of France and Bonne of Luxemburg, his brothers were King Charles V of France, Duke Louis I of Anjou. He is primarily remembered as a collector of the important illuminated manuscripts and other works of art commissioned by him and he was born at the castle of Vincennes on 30 November 1340. When Poitiers was ceded to England in 1360, John II granted John the newly raised duchies of Berry, by the terms of the Treaty of Brétigny, signed that May, John became a hostage of the English Crown and remained in England until 1369. Upon his return to France, his brother, now King Charles V, appointed him lieutenant general for Berry, Auvergne, Bourbonnais, Forez, Sologne, Touraine, Anjou, Maine, and Normandy. Upon the death of his older brother Charles V in 1380, his son and heir, Charles VI was a minor, so Berry and his brothers, following the death of Louis of Anjou in 1384, Berry and his brother Burgundy were the dominant figures in the kingdom. John was also stripped of his offices in Languedoc at that time, Berry and Burgundy bided their time, and were soon able to retake power, in 1392, when the King had his first attack of insanity, an affliction which would remain with him throughout his life. The two royal dukes continued to rule until 1402, when the king, in one of his moments of lucidity, took power from them and gave it to his brother Louis, Duke of Orléans. Simon of Cramaud, a canonist and prelate, served the Duke in his efforts to find a way to end the Great Western schism that was not unfavorable to French interests, in his later years, John became a more conciliatory figure in France. It was largely due to his urging that Charles VI and his sons were not present at the Battle of Agincourt in 1415 and he died a few months after the battle, which proved as disastrous as he had feared, on June 151416 in Paris. In 1389 he married his wife, Joan II, Countess of Auvergne. John of Berry was also a patron who commissioned among other works the most famous Book of Hours. His spending on his art collection severely taxed his estates, works created for him include the manuscripts known as the Très Riches Heures, the Belles Heures of Jean de France, Duc de Berry and the Turin-Milan Hours. Goldsmiths work includes the Holy Thorn Reliquary and Royal Gold Cup, among the artists working for him were the Limbourg Brothers, Jacquemart de Hesdin and André Beauneveu. The web site of the Louvre says of him, Emmerson, key Figures in Medieval Europe, An Encyclopedia. In Heilbrunn Timeline of Art History, new York, The Metropolitan Museum of Art, 2000–
Jean, Duc de Berry
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Image of John, Duke of Berry from the
Très Riches Heures
Jean, Duc de Berry
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Joan of Auvergne and Boulogne
Jean, Duc de Berry
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John of Berry
Jean, Duc de Berry
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A portrait of John kneeling in prayer
27.
Emperor Charles IV
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Charles IV, born Wenceslaus, was a King of Bohemia and the first King of Bohemia to also become Holy Roman Emperor. He was a member of the House of Luxembourg from his fathers side and the House of Přemyslid from his mothers side and he was the eldest son and heir of King John of Bohemia, who died at the Battle of Crécy on 26 August 1346. Charles inherited the County of Luxembourg from his father and was elected king of the Kingdom of Bohemia, on 2 September 1347, Charles was crowned King of Bohemia. On 11 July 1346, the prince-electors chose him as King of the Romans in opposition to Emperor Louis IV, Charles was crowned on 26 November 1346 in Bonn. After his opponent died, he was re-elected in 1349 and crowned King of the Romans, in 1355 he was crowned King of Italy and Holy Roman Emperor. With his coronation as King of Burgundy in 1365, he became the ruler of all the kingdoms of the Holy Roman Empire. Charles IV was born to King John of the Luxembourg dynasty and he was originally named Wenceslaus, the name of his maternal grandfather, King Wenceslaus II. He chose the name Charles at his confirmation in honor of his uncle, King Charles IV of France and he received French education and was literate and fluent in five languages, Latin, Czech, German, French, and Italian. In 1331 he gained experience of warfare in Italy with his father. At the beginning of 1333, Charles went to Lucca to consolidate his rule there, in an effort to defend the city, Charles founded the nearby fortress and the town of Montecarlo. From 1333 he administered the lands of the Bohemian Crown due to his fathers frequent absence, in 1334, Charles was named Margrave of Moravia, the traditional title for heirs to the throne. Two years later, he assumed the government of Tyrol on behalf of his brother, John Henry, as he had previously promised to be subservient to Clement, he made extensive concessions to the pope in 1347. Confirming the papacy in the possession of vast territories, he promised to annul the acts of Louis against Clement, to no part in Italian affairs. Charles IV was in a weak position in Germany. Owing to the terms of his election, he was referred to as a Priests King. Many bishops and nearly all of the Imperial cities remained loyal to Louis the Bavarian, civil war in Germany was prevented, however, when Louis IV died on 11 October 1347, after suffering a stroke during a bear hunt. Thereafter, Charles faced no direct threat to his claim to the Imperial throne, Charles initially worked to secure his power base. Bohemia had remained untouched by the plague, Prague became his capital, and he rebuilt the city on the model of Paris, establishing the New Town
Emperor Charles IV
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Charles IV
Emperor Charles IV
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Bust of Charles IV in
St. Vitus Cathedral, 1370s
Emperor Charles IV
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The
Golden Bull of 1356
Emperor Charles IV
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Statue of Charles IV near
Charles Bridge (1848), Prague, by
Ernst Julius Hähnel
28.
Wenceslaus, King of the Romans
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Wenceslaus was, by inheritance, King of Bohemia from 1363 and by election, German King from 1376. He was the third Bohemian and fourth German monarch of the Luxembourg dynasty, Wenceslaus was deposed in 1400 as King of the Romans, but continued to rule as Bohemian king until his death. Wenceslaus was born in the Imperial city of Nuremberg, the son of Emperor Charles IV by his third wife Anna von Schweidnitz, a scion of the Silesian Piasts and he was raised by the Prague Archbishops Arnošt of Pardubice and Jan Očko z Vlašimi. His father had the two-year-old crowned King of Bohemia in 1363, in order to secure the election of his son, Charles IV revoked the privileges of many Imperial Cities that he had earlier granted, and mortgaged them to various nobles. The cities, however, were not powerless, and as executors of the public peace, moreover, as Charles IV had organised the cities into leagues, he had made it possible for them to cooperate in large-scale endeavors. The city league soon attracted other members and until 1389 acted as a state within the Empire. On Charless death in 1378, Wenceslaus inherited the Crown of Bohemia, in the cathedral of Monza there is preserved a series of reliefs depicting the coronations of the kings of Italy with the Iron Crown of Lombardy. The seventh of these depicts Wenceslaus being crowned in the presence of six electors, the depiction is probably not accurate and was likely made solely to reinforce the claims of the cathedral on the custody of the Iron Crown. The cities were taken severally and devastated, most of them quietly acquiesced when King Wenceslaus proclaimed an ambivalent arrangement at Cheb in 1389 that prohibited all leagues between cities, while confirming their political autonomy. This settlement provided a modicum of stability for the several decades. During his long reign, Wenceslaus held a grip on power at best. On two occasions he was imprisoned for lengthy spells by rebellious nobles. But the greatest liability for Wenceslaus proved to be his own family, Charles IV had divided his holdings among his sons and other relatives. Although Wenceslaus upon his fathers death retained Bohemia, his younger half-brother Sigismund inherited Brandenburg, the March of Moravia was divided between his cousins Jobst and Procopius, and his uncle Wenceslaus I was made Duke of Luxembourg. Hence the young king was left without the resources his father had enjoyed, in 1386, Sigismund became king of Hungary and became involved in affairs further east. Wenceslaus also faced opposition from the Bohemian nobles and even from his chancellor. In a conflict surrounding the investiture of the abbot of Kladruby, in 1394 Wenceslaus cousin Jobst of Moravia was named regent, while Wenceslaus was arrested at Králův Dvůr. King Sigismund of Hungary arranged a truce in 1396, and for his efforts he was recognized as heir to Wenceslaus, in the Papal Schism, Wenceslaus had supported Pope Urban VI
Wenceslaus, King of the Romans
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King Wenceslaus sitting on the throne, detail from the
Wenceslas Bible, 1390s
Wenceslaus, King of the Romans
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King Wenceslaus depicted in his Bible (so called
Wenceslas Bible, late 14th century)
29.
Charles V of France
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Charles V, called the Wise, was a monarch of the House of Valois who ruled as King of France from 1364 to his death. In 1349, as a prince, Charles received from his grandfather King Philip VI the province of Dauphiné to rule. This allowed him to bear the title Dauphin until his coronation, after 1350, all heirs apparent of France bore the title of Dauphin until their coronation. Charles became regent of France when his father John II was captured by the English at the Battle of Poitiers in 1356. With the help of talented advisers known as the Marmousets, his management of the kingdom allowed him to replenish the royal treasury. He established the first permanent army paid with regular wages, which liberated the French populace from the companies of routiers who regularly plundered the country when not employed. Furthermore, the French Navy, led by Jean de Vienne and he was succeeded by his son Charles VI the Mad, whose disastrous reign allowed the English to regain control of large parts of France. Charles was born at the Château de Vincennes outside of Paris, the future king was highly intelligent but physically weak, with pale skin and a thin, ill-proportioned body. This made a sharp contrast to his father, who was tall, strong, as neither the pope nor the emperor wanted to buy, the transaction was concluded with Philip VI. Under the Treaty of Romans, the Dauphiné of Viennois was to be held by a son of the future king John the Good, so it was Charles, the eldest son of the latter, who became the first Dauphin. At the age of twelve, he was confronted with the exercise of power while staying in Grenoble. A few days after his arrival, the people of Grenoble were invited to the Place Notre-Dame, young Charles took his place next to Bishop John of Chissé and received the oath of allegiance of the people. On April 8,1350 at Tain-lHermitage, the Dauphin married his cousin Joanna of Bourbon at the age of 12, the prior approval of the pope was obtained for this consanguineous marriage. The marriage was delayed by the death of his mother Bonne of Luxembourg and his grandmother Joan the Lame, the dauphin himself had been seriously ill from August to December 1349. Gatherings were limited to slow the spread of the then raging in Europe. Despite his young age, the applied to be recognized by his subjects. Charles was recalled to Paris at the death of his grandfather Philip VI, the legitimacy of John the Good, and that of the Valois in general, was not unanimous. His father, Philip VI, had lost all credibility with the disasters of Crecy, Calais, the ravages of the plague, the royal clan had to cope with opposition from all sides in the kingdom
Charles V of France
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Charles V the Wise
Charles V of France
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The
Château du Louvre, shown in this early fifteenth century illumination, representing the month of October in Les très riches Heures du duc de Berry, was rebuilt during the reign of Charles V – inaugurating a new era of royal architecture
30.
The Wilton Diptych
–
The Wilton Diptych is a small portable diptych of two hinged panels, painted on both sides, now in the National Gallery, London. It is a rare survival of a late Medieval religious panel painting from England. The diptych was painted for King Richard II of England who is depicted kneeling before the Virgin and he is presented to them by his patron saint, John the Baptist, and by the English royal saints Edward the Confessor and Edmund the Martyr. The painting is an example of the International Gothic style. The Wilton Diptych is painted on two panels of Baltic oak, set in frames of the material and joined by two hinges so that it may be closed to protect the inner painting. The inner faces of the panels are in excellent condition for their age, though some glazes have been lost, the painting is in tempera, the ground paint being mixed with egg yolk and laid in thin glazes. The background and many details are inlaid with gold leaf and in places the panel has been tooled beneath the gilding to enhance the decorative quality. In the panel with the Virgin and Christ Child, the garments are universally blue, Richards robe uses vermilion, another expensive pigment. Some colours have faded, the roses in the hair would originally have been a much deeper pink. Though the figures of the two inner scenes face each other, and interact by gaze and gesture, they are set in different backgrounds. The human figures are on rocky ground, with a forest behind. The heavenly figures stand in a meadow, behind which is a gold background patterned by a different punch. In the left panel the kneeling King Richard II is presented by the Saints John the Baptist, Edward the Confessor and Edmund the Martyr. In the right panel the Virgin Mary with the Christ Child in her arms is surrounded by eleven angels, against a golden background. Around his neck is a collar with broomscods, seed-pods of Cytisus scoparius, the common broom. They were also the emblem of Charles VI of France, whose daughter he married in 1396. Richard had been such a collar by Charles in 1393. A hart badge of Richards inventoried in the possession of Duke Philip the Good of Burgundy in 1435 was set with 22 pearls, although thematically linked, the composition of the two pictures is quite different in feeling
The Wilton Diptych
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The Wilton diptych; The Wilton Diptych; c. 1395–99; each panel is 53 x 37 cm, left-hand panel
The Wilton Diptych
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The Wilton diptych; right-hand panel
The Wilton Diptych
–
The outer sides of the diptych. Richard's arms of Edward the Confessor's mythical arms impaled with those of the Kings of England (l.) and Richard's white hart
emblem (r.)
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