Warner Bros. Entertainment Inc. referred to as Warner Bros. and abbreviated as WB, is an American entertainment company headquartered in Burbank, California and a subsidiary of AT&T's WarnerMedia. Founded in 1923, it has operations in film and video games and is one of the "Big Five" major American film studios, as well as a member of the Motion Picture Association of America; the company's name originated from the four founding Warner brothers: Harry, Albert and Jack Warner. Harry and Sam emigrated as young children with their parents to Canada from Krasnosielc, Poland. Jack, the youngest brother, was born in Ontario; the three elder brothers began in the movie theater business, having acquired a movie projector with which they showed films in the mining towns of Pennsylvania and Ohio. In the beginning and Albert Warner invested $150 to present Life of an American Fireman and The Great Train Robbery, they opened their first theater, the Cascade, in New Castle, Pennsylvania, in 1903. When the original building was in danger of being demolished, the modern Warner Bros. called the current building owners, arranged to save it.
The owners noted people across the country had asked them to protect it for its historical significance. In 1904, the Warners founded the Pittsburgh-based Duquesne Amusement & Supply Company, to distribute films. In 1912, Harry Warner hired. By the time of World War I they had begun producing films. In 1918 they opened the first Warner Brothers Studio on Sunset Boulevard in Hollywood. Sam and Jack produced the pictures, while Harry and Albert, along with their auditor and now controller Chase, handled finance and distribution in New York City. During World War I their first nationally syndicated film, My Four Years in Germany, based on a popular book by former ambassador James W. Gerard, was released. On April 4, 1923, with help from money loaned to Harry by his banker Motley Flint, they formally incorporated as Warner Bros. Pictures, Incorporated; the first important deal was the acquisition of the rights to Avery Hopwood's 1919 Broadway play, The Gold Diggers, from theatrical impresario David Belasco.
However, Rin Tin Tin, a dog brought from France after World War I by an American soldier, established their reputation. Rin Tin Tin debuted in the feature; the movie was so successful. Rin Tin Tin became the studio's top star. Jack nicknamed him "The Mortgage Lifter" and the success boosted Darryl F. Zanuck's career. Zanuck became a top producer and between 1928 and 1933 served as Jack's right-hand man and executive producer, with responsibilities including day-to-day film production. More success came. Lubitsch's film The Marriage Circle was the studio's most successful film of 1924, was on The New York Times best list for that year. Despite the success of Rin Tin Tin and Lubitsch, Warner's remained a lesser studio. Sam and Jack decided to offer Broadway actor John Barrymore the lead role in Beau Brummel; the film was so successful. By the end of 1924, Warner Bros. was arguably Hollywood's most successful independent studio, where it competed with "The Big Three" Studios. As a result, Harry Warner—while speaking at a convention of 1,500 independent exhibitors in Milwaukee, Wisconsin—was able to convince the filmmakers to spend $500,000 in newspaper advertising, Harry saw this as an opportunity to establish theaters in cities such as New York and Los Angeles.
As the studio prospered, it gained backing from Wall Street, in 1924 Goldman Sachs arranged a major loan. With this new money, the Warners bought the pioneer Vitagraph Company which had a nationwide distribution system. In 1925, Warners' experimented in radio, establishing a successful radio station, KFWB, in Los Angeles. Warner Bros. was a pioneer of films with synchronized sound. In 1925, at Sam's urging, Warner's agreed to add this feature to their productions. By February 1926, the studio reported a net loss of $333,413. After a long period denying Sam's request for sound, Harry agreed to change, as long as the studio's use of synchronized sound was for background music purposes only; the Warners signed a contract with the sound engineer company Western Electric and established Vitaphone. In 1926, Vitaphone began making films with music and effects tracks, most notably, in the feature Don Juan starring John Barrymore; the film was silent. To hype Don Juan's release, Harry acquired the large Piccadilly Theater in Manhattan, New York City, renamed it Warners' Theatre.
Don Juan premiered at the Warners' Theatre in New York on August 6, 1926. Throughout the early history of film distribution, theater owners hired orchestras to attend film showings, where they provided soundtracks. Through Vitaphone, Warner Bros. produced eight shorts in 1926. Many film production companies questioned the necessity. Don Juan did not recoup its production cost and Lubitsch left for MGM. By April 1927, the Big Five studios had ruined Warner's, Western Electric renewed Warner's Vit
Universal Pictures is an American film studio owned by Comcast through the Universal Filmed Entertainment Group division of its wholly owned subsidiary NBCUniversal. Founded in 1912 by Carl Laemmle, Mark Dintenfass, Charles O. Baumann, Adam Kessel, Pat Powers, William Swanson, David Horsley, Robert H. Cochrane, Jules Brulatour, it is the oldest surviving film studio in the United States, the world's fifth oldest after Gaumont, Pathé, Nordisk Film, the oldest member of Hollywood's "Big Five" studios in terms of the overall film market, its studios are located in Universal City and its corporate offices are located in New York City. Universal Pictures is a member of the Motion Picture Association of America, was one of the "Little Three" majors during Hollywood's golden age. Universal Studios was founded by Carl Laemmle, Mark Dintenfass, Charles O. Baumann, Adam Kessel, Pat Powers, William Swanson, David Horsley, Robert H. Cochrane and Jules Brulatour. One story has Laemmle watching a box office for hours, counting patrons and calculating the day's takings.
Within weeks of his Chicago trip, Laemmle gave up dry goods to buy the first several nickelodeons. For Laemmle and other such entrepreneurs, the creation in 1908 of the Edison-backed Motion Picture Trust meant that exhibitors were expected to pay fees for Trust-produced films they showed. Based on the Latham Loop used in cameras and projectors, along with other patents, the Trust collected fees on all aspects of movie production and exhibition, attempted to enforce a monopoly on distribution. Soon and other disgruntled nickelodeon owners decided to avoid paying Edison by producing their own pictures. In June 1909, Laemmle started the Yankee Film Company with partners Abe Julius Stern; that company evolved into the Independent Moving Pictures Company, with studios in Fort Lee, New Jersey, where many early films in America's first motion picture industry were produced in the early 20th century. Laemmle broke with Edison's custom of refusing to give screen credits to performers. By naming the movie stars, he attracted many of the leading players of the time, contributing to the creation of the star system.
In 1910, he promoted Florence Lawrence known as "The Biograph Girl", actor King Baggot, in what may be the first instance of a studio using stars in its marketing. The Universal Film Manufacturing Company was incorporated in New York on April 30, 1912. Laemmle, who emerged as president in July 1912, was the primary figure in the partnership with Dintenfass, Kessel, Swanson and Brulatour. All would be bought out by Laemmle; the new Universal studio was a vertically integrated company, with movie production and exhibition venues all linked in the same corporate entity, the central element of the Studio system era. Following the westward trend of the industry, by the end of 1912 the company was focusing its production efforts in the Hollywood area. On March 15, 1915, Laemmle opened the world's largest motion picture production facility, Universal City Studios, on a 230-acre converted farm just over the Cahuenga Pass from Hollywood. Studio management became the third facet of Universal's operations, with the studio incorporated as a distinct subsidiary organization.
Unlike other movie moguls, Laemmle opened his studio to tourists. Universal became the largest studio in Hollywood, remained so for a decade. However, it sought an audience in small towns, producing inexpensive melodramas and serials. In its early years Universal released three brands of feature films—Red Feather, low-budget programmers. Directors included Jack Conway, John Ford, Rex Ingram, Robert Z. Leonard, George Marshall and Lois Weber, one of the few women directing films in Hollywood. Despite Laemmle's role as an innovator, he was an cautious studio chief. Unlike rivals Adolph Zukor, William Fox, Marcus Loew, Laemmle chose not to develop a theater chain, he financed all of his own films, refusing to take on debt. This policy nearly bankrupted the studio when actor-director Erich von Stroheim insisted on excessively lavish production values for his films Blind Husbands and Foolish Wives, but Universal shrewdly gained a return on some of the expenditure by launching a sensational ad campaign that attracted moviegoers.
Character actor Lon Chaney became a drawing card for Universal in the 1920s, appearing in dramas. His two biggest hits for Universal were The Phantom of the Opera. During this period Laemmle entrusted most of the production policy decisions to Irving Thalberg. Thalberg had been Laemmle's personal secretary, Laemmle was impressed by his cogent observations of how efficiently the studio could be operated. Promoted to studio chief, Thalberg was giving Universal's product a touch of class, but MGM's head of production Louis B. Mayer lured Thalberg away from Universal with a promise of better pay. Without his guidance Universal became a second-tier studio, would remain so for several decades. In 1926, Universal opened a production unit in Germany, Deutsche Universal-Film AG, under the direction of Joe Pasternak; this unit produced three to four films per year until 1936, migrating to Hungary and Austria in the face of Hitler's increasing domination of central Europe. With the advent of sound, these productions were made in the German language or Hungarian or Polish.
In the U. S. Universal Pictures did not distribute any of this subsidiary's films, but at least some of them were exhibited through othe
Chief executive officer
The chief executive officer or just chief executive, is the most senior corporate, executive, or administrative officer in charge of managing an organization – an independent legal entity such as a company or nonprofit institution. CEOs lead a range of organizations, including public and private corporations, non-profit organizations and some government organizations; the CEO of a corporation or company reports to the board of directors and is charged with maximizing the value of the entity, which may include maximizing the share price, market share, revenues or another element. In the non-profit and government sector, CEOs aim at achieving outcomes related to the organization's mission, such as reducing poverty, increasing literacy, etc. In the early 21st century, top executives had technical degrees in science, engineering or law; the responsibility of an organization's CEO are set by the organization's board of directors or other authority, depending on the organization's legal structure.
They can be far-reaching or quite limited and are enshrined in a formal delegation of authority. Responsibilities include being a decision maker on strategy and other key policy issues, leader and executor; the communicator role can involve speaking to the press and the rest of the outside world, as well as to the organization's management and employees. As a leader of the company, the CEO or MD advises the board of directors, motivates employees, drives change within the organization; as a manager, the CEO/MD presides over the organization's day-to-day operations. The term refers to the person who makes all the key decisions regarding the company, which includes all sectors and fields of the business, including operations, business development, human resources, etc; the CEO of a company is not the owner of the company. In some countries, there is a dual board system with two separate boards, one executive board for the day-to-day business and one supervisory board for control purposes. In these countries, the CEO presides over the executive board and the chairman presides over the supervisory board, these two roles will always be held by different people.
This ensures a distinction between management by the executive board and governance by the supervisory board. This allows for clear lines of authority; the aim is to prevent a conflict of interest and too much power being concentrated in the hands of one person. In the United States, the board of directors is equivalent to the supervisory board, while the executive board may be known as the executive committee. In the United States, in business, the executive officers are the top officers of a corporation, the chief executive officer being the best-known type; the definition varies. In the case of a sole proprietorship, an executive officer is the sole proprietor. In the case of a partnership, an executive officer is a managing partner, senior partner, or administrative partner. In the case of a limited liability company, executive officer is any manager, or officer. A CEO has several subordinate executives, each of whom has specific functional responsibilities referred to as senior executives, executive officers or corporate officers.
Subordinate executives are given different titles in different organizations, but one common category of subordinate executive, if the CEO is the president, is the vice-president. An organization may have more than one vice-president, each tasked with a different area of responsibility; some organizations have subordinate executive officers who have the word chief in their job title, such as chief operating officer, chief financial officer and chief technology officer. The public relations-focused position of chief reputation officer is sometimes included as one such subordinate executive officer, but, as suggested by Anthony Johndrow, CEO of Reputation Economy Advisors, it can be seen as "simply another way to add emphasis to the role of a modern-day CEO – where they are both the external face of, the driving force behind, an organisation culture". In the US, the term chief executive officer is used in business, whereas the term executive director is used in the not-for-profit sector; these terms are mutually exclusive and refer to distinct legal duties and responsibilities.
Implicit in the use of these titles, is that the public not be misled and the general standard regarding their use be applied. In the UK, chief executive and chief executive officer are used in both business and the charitable sector; as of 2013, the use of the term director for senior charity staff is deprecated to avoid confusion with the legal duties and responsibilities associated with being a charity director or trustee, which are non-executive roles. In the United Kingdom, the term director is used instead of chief officer". Business publicists since the days of Edward Bernays and his client John D. Rockefeller and more the corporate publicists for Henry Ford, promoted the concept of the "celebrity CEO". Business journalists have adopted this approach, which assumes that the corporate achievements in the arena of manufacturing, wer
Santa Monica, California
Santa Monica is a beachfront city in western Los Angeles County, United States. Situated on Santa Monica Bay, it is bordered on three sides by the city of Los Angeles – Pacific Palisades to the north, Brentwood on the northeast, West Los Angeles on the east, Mar Vista on the southeast, Venice on the south; the Census Bureau population for Santa Monica in 2010 was 89,736. Due in part to an agreeable climate, Santa Monica became a famed resort town by the early 20th century; the city has experienced a boom since the late 1980s through the revitalization of its downtown core, significant job growth and increased tourism. The Santa Monica Pier and Pacific Park remain popular destinations. Santa Monica was long inhabited by the Tongva people. Santa Monica was called Kecheek in the Tongva language; the first non-indigenous group to set foot in the area was the party of explorer Gaspar de Portolà, who camped near the present-day intersection of Barrington and Ohio Avenues on August 3, 1769. Named after the Christian saint Monica, there are two different accounts of how the city's name came to be.
One says it was named in honor of the feast day of Saint Monica, but her feast day is May 4. Another version says it was named by Juan Crespí on account of a pair of springs, the Kuruvungna Springs, that were reminiscent of the tears Saint Monica shed over her son's early impiety. In Los Angeles, several battles were fought by the Californios. Following the Mexican–American War, Mexico signed the Treaty of Guadalupe Hidalgo, which gave Mexicans and Californios living in state certain unalienable rights. US government sovereignty in California began on February 2, 1848. In the 1870s the Los Angeles and Independence Railroad, connected Santa Monica with Los Angeles, a wharf out into the bay; the first town hall was a modest 1873 brick building a beer hall, now part of the Santa Monica Hostel. It is Santa Monica's oldest extant structure. By 1885, the town's first hotel was the Santa Monica Hotel. Amusement piers became enormously popular in the first decades of the 20th century and the extensive Pacific Electric Railroad brought people to the city's beaches from across the Greater Los Angeles Area.
Around the start of the 20th century, a growing population of Asian Americans lived in and around Santa Monica and Venice. A Japanese fishing village was near the Long Wharf while small numbers of Chinese lived or worked in Santa Monica and Venice; the two ethnic minorities were viewed differently by White Americans who were well-disposed towards the Japanese but condescending towards the Chinese. The Japanese village fishermen were an integral economic part of the Santa Monica Bay community. Donald Wills Douglas, Sr. built a plant in 1922 at Clover Field for the Douglas Aircraft Company. In 1924, four Douglas-built planes took off from Clover Field to attempt the first aerial circumnavigation of the world. Two planes returned after covering 27,553 miles in 175 days, were greeted on their return September 23, 1924, by a crowd of 200,000; the Douglas Company kept facilities in the city until the 1960s. The Great Depression hit Santa Monica deeply. One report gives citywide employment in 1933 of just 1,000.
Hotels and office building owners went bankrupt. In the 1930s, corruption infected Santa Monica; the federal Works Project Administration helped build several buildings, most notably City Hall. The main Post Office and Barnum Hall were among other WPA projects. Douglas's business grew astronomically with the onset of World War II, employing as many as 44,000 people in 1943. To defend against air attack, set designers from the Warner Brothers Studios prepared elaborate camouflage that disguised the factory and airfield; the RAND Corporation began as a project of the Douglas Company in 1945, spun off into an independent think tank on May 14, 1948. RAND acquired a 15-acre campus between the Civic Center and the pier entrance; the completion of the Santa Monica Freeway in 1966 brought the promise of new prosperity, though at the cost of decimating the Pico neighborhood, a leading African American enclave on the Westside. Beach volleyball is believed to have been developed by Duke Kahanamoku in Santa Monica during the 1920s.
The Santa Monica Looff Hippodrome is a National Historic Landmark. It sits on the Santa Monica Pier, built in 1909; the La Monica Ballroom on the pier was once the largest ballroom in the US and the source for many New Year's Eve national network broadcasts. The Santa Monica Civic Auditorium was an important music venue for several decades and hosted the Academy Awards in the 1960s. McCabe's Guitar Shop is a leading acoustic performance space as well as retail outlet. Bergamot Station is a city-owned art gallery compound; the city is home to the California Heritage Museum and the Angels Attic dollhouse and toy museum. The New West Symphony is the resident orchestra of Barnum Hall, they are resident orchestra of the Oxnard Performing Arts Center and the Thousand Oaks Civic Arts Plaza. Santa Monica has three main shopping districts: Montana Avenue on the north side, the Downtown District in the city's core, Main Street on the south end; each has personality. Montana Avenue is a stretch of luxury boutique stores and small offices that features more upscale shopping.
The Main Street district offers an eclectic mix of clothing and other specialty retail. The Downtown District is the home of the Third Street Promenade, a major outdoor pedestrian-on
Propaganda Films was a prolific and successful music video and film production company founded in 1983 by producers Steve Golin and Sigurjón Sighvatsson and directors Greg Gold, David Fincher, Nigel Dick and Dominic Sena. By 1990, the company was producing a third of all music videos made in the U. S. Propaganda Films was acquired by PolyGram Filmed Entertainment in 1991; the Blue Iguana Kill Me Again Janet Jackson's Rhythm Nation 1814 Industrial Symphony No. 1: The Dream of the Brokenhearted Twin Peaks Daddy's Dyin': Who's Got the Will? Wild at Heart Salute Your Shorts Beverly Hills, 90210 Madonna: Truth or Dare Voices That Care Ruby A Stranger Among Us A Year and a Half in the Life of Metallica Candyman Fallen Angels Hotel Room Red Rock West Kalifornia Dream Lover Dangerous: The Short Films S. F. W. Jason's Lyric Avalanche Coldblooded Canadian Bacon Candyman: Farewell to the Flesh Barb Wire The Portrait of a Lady Sleepers The Game A Thousand Acres An American Werewolf in Paris More Tales of the City Your Friends & Neighbors Being John Malkovich Nurse Betty The Little Vampire Full Frontal Auto Focus Trapped Adaptation.
Propaganda Films on IMDb Mvdbase.com: List of music videos produced by Propaganda Films
Oculus is a 2013 American supernatural psychological horror film written and directed by Mike Flanagan. It is based on his short film Oculus: Chapter 3 – The Man with the Plan, stars Karen Gillan as a young woman, convinced that an antique mirror is responsible for the death and misfortune that her family suffered; the film had its world premiere on September 5, 2013, at the 2013 Toronto International Film Festival and received a wide theatrical release on April 11, 2014. It received positive reviews from critics, was a box office success; the film takes place in two different times: 11 years earlier. The two plot lines are told in parallel through flashbacks. In 2002, software engineer Alan Russell moves into a new house with his wife Marie, 10-year-old son Tim, 12-year-old daughter Kaylie. Alan purchases. Unbeknownst to them, the mirror supernaturally induces hallucinations. Marie is haunted by visions of her own body decaying, while Alan is seduced by a ghostly woman named Marisol, who has mirrors in place of eyes.
Over time, the parents become psychotic. All of the plants in the house die, the family dog disappears after being shut in the office with the mirror. After Kaylie sees Alan with Marisol, she tells her mother, the parents fight. One night, Marie goes insane and attempts to kill her children; when the family runs out of food, the children realize that their father is under the influence of the mirror, so Kaylie goes to seek help from their mother, finds her chained to the wall, acting like an animal. Kaylie and Tim try going to their neighbors for help; when Kaylie attempts to use the phone, she discovers that all of her phone calls are answered by the same man. One night, Alan unchains Marie, both parents attack the children. Marie comes to her senses, only to be shot dead by Alan; the children try to destroy the mirror but it tricks them, making them believe they are hitting the mirror when they are hitting the wall. Alan experiences a moment of lucidity and kills himself by forcing Tim to pull the trigger of the gun and shoot him, causing a small crack in the corner of the mirror in the process.
Before dying, he begs the children to run, but Marisol and other victims of the mirror appear as horrific ghosts. The police take Tim into custody. Before the siblings are separated, they promise to destroy the mirror; as Tim is taken away, he sees the ghosts of his parents watching him from the house. Eleven years Tim is discharged from a psychiatric hospital, having come to believe that there were no supernatural events involved in his parents' deaths. Kaylie has spent most of her young adulthood researching the history of the mirror. Using her position as an employee of an auction house, she obtains access to the mirror and has it transported to the family home, where she places it in a room filled with surveillance cameras and a "kill switch" — an anchor weighted to the ceiling. Kaylie intends to destroy the mirror, but first wants to document its powers, proving Tim's innocence. Tim attempts to convince Kaylie that she's wrong and the siblings argue; when they notice the houseplants begin to wilt, they review the camera footage and see themselves performing actions they have no memory of.
Tim accepts that the mirror has an evil power and attempts to escape the house with Kaylie, only for the pair to be drawn back by the mirror's influence. Seeing a hallucination of her mother, Kaylie stabs it in the neck, only to realize that she has stabbed her fiancé, they try to call the police, but are only able to reach the same voice who spoke to them on the phone as children. At this point, they see their doppelgangers inside the house standing in front of the mirror. Realizing that the 911 call is not going through, they go back inside the house. Kaylie and Tim begin hallucinating by seeing younger versions of each other, they get separated, each of them relives the nightmare from their youth. Both end up in the room with the mirror. Tim wakes up as his older self, alone in the room, or so he thinks. Kaylie is standing by the mirror imagining her mother inside the reflection. At this point Tim is not seeing Kaylie in the room. Tim activates the kill switch, realizing too late that Kaylie stood in its path, he has killed her.
The police arrive and arrest Tim, hysterical, just as they did when he was younger. As both a boy and an adult, Tim claims; as he is taken away, Tim's adult incarnation sees Kaylie's ghost standing in the house with his parents. Karen Gillan as Kaylie Russell Annalise Basso as 12-year-old Kaylie Russell Brenton Thwaites as Tim Russell Garrett Ryan Ewald as 10-year-old Tim Russell Katee Sackhoff as Marie Russell Rory Cochrane as Alan Russell James Lafferty as Michael Dumont Miguel Sandoval as Dr. Graham Kate Siegel as Marisol Chavez The film is based on Flanagan's earlier 2005 short horror film called Oculus; the short contained only one setting, a single actor, a mirror. The short became acclaimed, interest arose regarding the adaptation of the short into a feature. Studios were interested in making the film in accordance with the found footage genre. Intrepid Pictures expressed interest in producing the film "as long as you don't do it found footage". Expanding the premise to a feature-length screenplay proved challenging, as Flanagan felt like he had "pushed the limit" of what could be done with the premise in the short.
The solution Flanagan came across was to combine