1.
Isaac Hays
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Isaac Hays was an ophthalmologist, editor, and medical ethicist. Isaac Hays was born on July 5,1796, the child and eldest son of Samuel and Richea Hays. Hayss wealthy Philadelphia family was involved in the East India trade, after earning his bachelors degree from the University of Pennsylvania in 1816, Hays briefly joined the family business, then opted to enter the Medical School of the University of Pennsylvania. Nathaniel Chapman mentored Hays during his training, beginning a decades-long friendship, Hays practiced ophthalmology for three and a half decades. Soon after graduating from the Medical School in 1820, Hays was appointed to the staff of McClellans Institution for Diseases of the Eye and Ear. He later moved to the Pennsylvania Infirmary for Diseases of the Eye and Ear and he remained at Wills until 1854, when he resigned due to the pressure of literary work. During his stint at the Pennsylvania Infirmary, Hays wrote medical articles, at Wills, Hays published the first study of noncongenital color blindness, reported the first case of astigmatism in America, and devised a needle-knife for cataract surgery. Hubbell deemed Hays fitted by Nature and by training for literary work, more significant than his articles on medical and scientific topics, however, was his work as an editor. He spent fifty-two years as editor or co-editor of The American Journal of the Medical Sciences and he joined Chapmans staff in 1820, became the sole editor in 1841, and upon his retirement passed the editorial duties to his son, I. Hays took particular care to include articles and Hays journal was very well regarded. Hays argued that his name for a New Jersey specimen should replace Richard Harlans Saurocephalus on the grounds that Harlans 1824 description of a specimen from Iowa was inaccurate, today, Saurodon and Saurocephalus are both genera belonging to the subfamily Saurodontinae. In 1830, John D. Godman described a specimen from Orange County, NY, as a new type of elephant. Harlan argued it was a juvenile mastodon, Hays took Godmans part, publishing a paper on the subject, Descriptions of the inferior maxillary bones of mastodons. Across the Atlantic, Richard Owen initially joined Godmans camp and English transplant George Featherstonhaugh lectured in support of the juvenile mastodon theory that eventually prevailed worldwide, Hays was among the founders of the American Medical Association, serving as its first treasurer and chairman of the Committee on Publications. He is also credited with the authorship of the AMAs first Code of Ethics, Hays was an honorary member of the American Ophthalmological Society and the first president of the Philadelphia Ophthalmological Society. Hays married Sarah Ann Minis in Savannah on May 7,1834, Sarah was the daughter of Isaac and Divinah Minis. An old Savannah family, the Minises were among forty-one Jewish settlers who departed England in 1733, Isaac and Sarah Hays had seven children, Joseph Gratz, William Dewees, Henrietta Minis, Theodore Minis, Frank, Isaac Minis, and Robert Griffin. All but Theodore and Robert survived to adulthood, Isaac Minis Hays followed in his fathers footsteps, training as an ophthalmologist, writing on medical subjects, joining learned societies, and editing The American Journal of the Medical Sciences
2.
Covington, Tennessee
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Covington is a city in central Tipton County, Tennessee. Covington is the largest city and county seat of Tipton County, the city is located in West Tennessee, a few miles from the Mississippi River. The citys population was 9,038 at the time of the 2010 U. S. Census, located about 42 miles northeast of Memphis, Covington is part of the Memphis, Tennessee Metropolitan Area. The Covington area was inhabited by Native Americans of various tribes. Evidence of such trading has been found in materials and items excavated from numerous archeological sites, Tipton County is one of five present-day counties of the State of Tennessee that border the Mississippi River. The first Europeans to explore this area were attached to the expedition of the French Canadians Jacques Marquette. This expedition went down the Mississippi from present-day Wisconsin to the mouth of the Arkansas River, the Arkansas River represents part of the border between present-day Arkansas and Mississippi. It is likely that de Soto and his men passed near here circa 1541 and this became the primary commodity crop across the South in the 19th century, generating great wealth for many large planters. African-American slaves were brought to Western Tennessee by planters relocating here, West Tennessee was the center of large-scale slavery in Tennessee, and Memphis had a major slave market. Planters and farmers in Middle Tennessee also held slaves, although in fewer number, farmers in the eastern part of the state mostly developed small subsistence farms and held few slaves. During the Civil War, Union Army and Union Navy fought to control of strategic areas along the Mississippi River in order to control its traffic. The Confederate Army resisted, but the Union Army defeated and occupied forces in Tipton and other counties of Tennessee, the war ended early in the Covington area, and Tennessee was occupied by Union forces from 1862. Starting in the 1870s during the Reconstruction era, the legislature supported railroad construction in the region. The Memphis and Paducah Railroad completed its tracks to Covington in July 1873, the first telegraph line between Memphis and Covington was completed in 1882. In 1894, electric power was installed in Covington, the city established a municipal water system in 1898 to provide residents with pure drinking water. Twentieth-century improvements included street paving in 1922, since 1929, a natural gas company has operated to provide cooking gas and wintertime heating to homes and business in Covington. The time that telephone service was installed in Covington is not known, following the invention of the automobile, during the 1910s and 1920s the United States began to construct more intercity paved highways in various regions of the county. Numbered Highway System, and U. S. Route 51 was established and this highway connects Memphis and points south with Chicago, via Covington and Cairo, Illinois
3.
Memphis, Tennessee
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Memphis is a city in the southwestern corner of the U. S. state of Tennessee and the county seat of Shelby County. The city is located on the fourth Chickasaw Bluff, south of the confluence of the Wolf, Memphis had a population of 653,450 in 2013, making it the largest city in the state of Tennessee. It is the largest city on the Mississippi River, the third largest in the greater Southeastern United States, the greater Memphis metropolitan area, including adjacent counties in Mississippi and Arkansas, had a 2014 population of 1,317,314. This makes Memphis the second-largest metropolitan area in Tennessee, surpassed by metropolitan Nashville, Memphis is the youngest of Tennessees major cities, founded in 1819 as a planned city by a group of wealthy Americans including judge John Overton and future president Andrew Jackson. A resident of Memphis is referred to as a Memphian, and the Memphis region is known, particularly to media outlets, as Memphis and the Mid-South. Occupying a substantial bluff rising from the Mississippi River, the site of Memphis has been a location for human settlement by varying cultures over thousands of years. The historic Chickasaw Indian tribe, believed to be their descendants, French explorers led by René-Robert Cavelier, Sieur de La Salle and Spanish explorer Hernando de Soto would encounter the Chickasaw in that area, in the 16th century. J. D. L. Chickasaw Bluffs, located on the Mississippi River at the present day location of Memphis, spain and the United States vied for control of this site, which was a favorite of the Chickasaws. The United States gained the right to navigate the Mississippi River, the Spanish dismantled the fort, shipping its lumber and iron to their locations in Arkansas. Captain Isaac Guion led an American force down the Ohio River to claim the land, by this time, the Spanish had departed. The forts ruins went unnoticed twenty years later when Memphis was laid out as a city, the city of Memphis was founded on May 22,1819 by John Overton, James Winchester and Andrew Jackson. They named it after the ancient capital of Egypt on the Nile River, Memphis developed as a trade and transportation center in the 19th century because of its flood-free location high above the Mississippi River. Located in the delta region along the river, its outlying areas were developed as cotton plantations. The cotton economy of the antebellum South depended on the labor of large numbers of African-American slaves. Through the early 19th century, one million slaves were transported from the Upper South, Many were transported by steamboats along the Ohio and Mississippi rivers. This gave planters and cotton brokers access to the Atlantic Coast for shipping cotton to England, the citys demographics changed dramatically in the 1850s and 1860s under waves of immigration and domestic migration. Due to increased immigration since the 1840s and the Great Famine, ethnic Irish made up 9.9 percent of the population in 1850, but 23.2 percent in 1860, when the total population was 22,623. They had encountered considerable discrimination in the city but by 1860 and they also gained many elected and patronage positions in the Democratic Party city government, and an Irish man was elected as mayor before the Civil War
4.
Jazz
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Jazz is a music genre that originated amongst African Americans in New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in Blues and Ragtime. Since the 1920s jazz age, jazz has become recognized as a form of musical expression. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms, Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Although the foundation of jazz is deeply rooted within the Black experience of the United States, different cultures have contributed their own experience, intellectuals around the world have hailed jazz as one of Americas original art forms. As jazz spread around the world, it drew on different national, regional, and local musical cultures, New Orleans jazz began in the early 1910s, combining earlier brass-band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. In the 1930s, heavily arranged dance-oriented swing big bands, Kansas City jazz, bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging musicians music which was played at faster tempos and used more chord-based improvisation. Cool jazz developed in the end of the 1940s, introducing calmer, smoother sounds and long, modal jazz developed in the late 1950s, using the mode, or musical scale, as the basis of musical structure and improvisation. Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock rhythms, electric instruments. In the early 1980s, a form of jazz fusion called smooth jazz became successful. Other styles and genres abound in the 2000s, such as Latin, the question of the origin of the word jazz has resulted in considerable research, and its history is well documented. It is believed to be related to jasm, a term dating back to 1860 meaning pep. The use of the word in a context was documented as early as 1915 in the Chicago Daily Tribune. Its first documented use in a context in New Orleans was in a November 14,1916 Times-Picayune article about jas bands. In an interview with NPR, musician Eubie Blake offered his recollections of the slang connotations of the term, saying, When Broadway picked it up. That was dirty, and if you knew what it was, the American Dialect Society named it the Word of the Twentieth Century. Jazz has proved to be difficult to define, since it encompasses such a wide range of music spanning a period of over 100 years. Attempts have been made to define jazz from the perspective of other musical traditions, in the opinion of Robert Christgau, most of us would say that inventing meaning while letting loose is the essence and promise of jazz. As Duke Ellington, one of jazzs most famous figures, said, although jazz is considered highly difficult to define, at least in part because it contains so many varied subgenres, improvisation is consistently regarded as being one of its key elements
5.
Blues
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Blues is a genre and musical form originated by African Americans in the Deep South of the United States around the end of the 19th century. The genre developed from roots in African musical traditions, African-American work songs, spirituals, Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads. Blue notes, usually thirds or fifths flattened in pitch, are also a part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove, Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times, Early blues frequently took the form of a loose narrative, often relating the troubles experienced in African-American society. Many elements, such as the format and the use of blue notes. The origins of the blues are closely related to the religious music of the Afro-American community. The first appearance of the blues is often dated to after the ending of slavery and, later and it is associated with the newly acquired freedom of the former slaves. Chroniclers began to report about blues music at the dawn of the 20th century, the first publication of blues sheet music was in 1908. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into a variety of styles and subgenres. Blues subgenres include country blues, such as Delta blues and Piedmont blues, as well as urban blues styles such as Chicago blues, World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners. In the 1960s and 1970s, a form called blues rock evolved. The term blues may have come from blue devils, meaning melancholy and sadness, the phrase blue devils may also have been derived from Britain in the 1600s, when the term referred to the intense visual hallucinations that can accompany severe alcohol withdrawal. As time went on, the phrase lost the reference to devils, by the 1800s in the United States, the term blues was associated with drinking alcohol, a meaning which survives in the phrase blue law, which prohibits the sale of alcohol on Sunday. Though the use of the phrase in African-American music may be older, it has been attested to in print since 1912, in lyrics the phrase is often used to describe a depressed mood. The lyrics of traditional blues verses probably often consisted of a single line repeated four times. Two of the first published songs, Dallas Blues and Saint Louis Blues, were 12-bar blues with the AAB lyric structure. Handy wrote that he adopted this convention to avoid the monotony of lines repeated three times, the lines are often sung following a pattern closer to rhythmic talk than to a melody
6.
Rhythm and blues
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Rhythm and blues, often abbreviated as R&B or RnB, is a genre of popular African-American music that originated in the 1940s. In the commercial rhythm and blues music typical of the 1950s through the 1970s, R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy. Lyrics focus heavily on the themes of triumphs and failures in terms of relationships, freedom, economics, aspirations, the term rhythm and blues has undergone a number of shifts in meaning. In the early 1950s it was applied to blues records. This tangent of RnB is now known as British rhythm and blues, by the 1970s, the term rhythm and blues changed again and was used as a blanket term for soul and funk. In the 1980s, a style of R&B developed, becoming known as Contemporary R&B. It combines elements of rhythm and blues, soul, funk, pop, hip hop, popular R&B vocalists at the end of the 20th century included Michael Jackson, R. Kelly, Stevie Wonder, Whitney Houston, and Mariah Carey. Although Jerry Wexler of Billboard magazine is credited with coining the term rhythm and blues as a term in the United States in 1948. It replaced the term race music, which came from within the black community. The term rhythm and blues was used by Billboard in its chart listings from June 1949 until August 1969, before the Rhythm and Blues name was instated, various record companies had already begun replacing the term race music with sepia series. In 2010 LaMont Robinson founded the Rhythm & Blues Hall of Fame Museum, writer and producer Robert Palmer defined rhythm & blues as a catchall term referring to any music that was made by and for black Americans. He has used the term R&B as a synonym for jump blues, however, AllMusic separates it from jump blues because of its stronger, gospel-esque backbeat. Lawrence Cohn, author of Nothing but the Blues, writes that rhythm, according to him, the term embraced all black music except classical music and religious music, unless a gospel song sold enough to break into the charts. Well into the 21st century, the term R&B continues in use to music made by black musicians. In the commercial rhythm and blues music typical of the 1950s through the 1970s, arrangements were rehearsed to the point of effortlessness and were sometimes accompanied by background vocalists. Simple repetitive parts mesh, creating momentum and rhythmic interplay producing mellow, lilting, while singers are emotionally engaged with the lyrics, often intensely so, they remain cool, relaxed, and in control. The bands dressed in suits, and even uniforms, an associated with the modern popular music that rhythm. Lyrics often seemed fatalistic, and the music typically followed predictable patterns of chords, there was also increasing emphasis on the electric guitar as a lead instrument, as well as the piano and saxophone
7.
Soul music
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Soul music is a popular music genre that originated in the United States in the late 1950s and early 1960s. It combines elements of African-American gospel music, rhythm and blues, Soul music became popular for dancing and listening in the United States, where record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music, catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and a tense vocal sound. The style also occasionally uses improvisational additions, twirls and auxiliary sounds, Soul music reflected the African-American identity and it stressed the importance of an African-American culture. The new-found African-American consciousness led to new styles of music, which boasted pride in being black, Soul music dominated the U. S. R&B chart in the 1960s, and many recordings crossed over into the pop charts in the U. S. By 1968, the music genre had begun to splinter. Some soul artists developed funk music, while other singers and groups developed slicker, more sophisticated, by the early 1970s, soul music had been influenced by psychedelic rock and other genres, leading to psychedelic soul. The United States saw the development of neo soul around 1994, there are also several other subgenres and offshoots of soul music. The term soul had been used among African-American musicians to emphasize the feeling of being an African-American in the United States, according to another source, Soul music was the result of the urbanization and commercialization of rhythm and blues in the 60s. The phrase soul music itself, referring to music with secular lyrics, is first attested in 1961. The term soul in African-American parlance has connotations of African-American pride, gospel groups in the 1940s and 1950s occasionally used the term as part of their name. The jazz style that derived from gospel came to be called soul jazz, important innovators whose recordings in the 1950s contributed to the emergence of soul music included Clyde McPhatter, Hank Ballard, and Etta James. Ray Charles is often cited as popularizing the genre with his string of hits starting with 1954s I Got a Woman. Singer Bobby Womack said, Ray was the genius and he turned the world onto soul music. Charles was open in acknowledging the influence of Pilgrim Travelers vocalist Jesse Whitaker on his singing style, little Richard and James Brown were equally influential. Sam Cooke and Jackie Wilson are also acknowledged as soul forefathers. Cooke became popular as the singer of gospel group The Soul Stirrers
8.
Funk
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Funk is a music genre that originated in the mid- 1960s when African American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues. Like much of African-inspired music, funk typically consists of a groove with rhythm instruments playing interlocking grooves. Funk uses the same richly-colored extended chords found in jazz, such as minor chords with added sevenths and elevenths. Other musical groups, including Sly and the Family Stone and Parliament-Funkadelic, soon began to adopt, Funk samples have been used extensively in genres including hip hop, house music, and drum and bass. It is also the influence of go-go, a subgenre associated with funk. The word funk initially referred to a strong odor and it is originally derived from Latin fumigare via Old French fungiere and, in this sense, it was first documented in English in 1620. In 1784 funky meaning musty was first documented, which, in turn, in early jam sessions, musicians would encourage one another to get down by telling one another, Now, put some stank on it. At least as early as 1907, jazz songs carried titles such as Funky, as late as the 1950s and early 1960s, when funk and funky were used increasingly in the context of jazz music, the terms still were considered indelicate and inappropriate for use in polite company. According to one source, New Orleans-born drummer Earl Palmer was the first to use the word funky to explain to other musicians that their music should be made more syncopated, the style later evolved into a rather hard-driving, insistent rhythm, implying a more carnal quality. This early form of the set the pattern for later musicians. The music was identified as slow, sexy, loose, riff-oriented, a great deal of funk is rhythmically based on a two-celled onbeat/offbeat structure, which originated in sub-Saharan African music traditions. New Orleans appropriated the bifurcated structure from the Afro-Cuban mambo and conga in the late 1940s, New Orleans funk, as it was called, gained international acclaim largely because James Browns rhythm section used it to great effect. Funk creates an intense groove by using strong guitar riffs and bass lines, like Motown recordings, funk songs used bass lines as the centerpiece of songs. Slap basss mixture of thumb-slapped low notes and finger popped high notes allowed the bass to have a rhythmic role. In funk bands, guitarists typically play in a style, often using the wah-wah sound effect. Guitarist Ernie Isley of The Isley Brothers and Eddie Hazel of Funkadelic were notably influenced by Jimi Hendrixs improvised solos, Eddie Hazel, who worked with George Clinton, is one of the most notable guitar soloists in funk. Ernie Isley was tutored at an age by Jimi Hendrix himself. Jimmy Nolen and Phelps Collins are famous funk rhythm guitarists who both worked with James Brown, on Browns Give It Up or Turnit a Loose, Jimmy Nolens guitar part has a bare bones tonal structure
9.
Disco
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Disco is a genre of dance music containing elements of funk, soul, pop, and salsa. It achieved popularity during the mid-1970s to the early 1980s, Disco can be seen as a reaction against both the domination of rock music and the stigmatization of dance music by the counterculture during this period. It was popular with men and women, from many different backgrounds. The disco sound often has several components, a beat, an eighth note or 16th note hi-hat pattern with an open hi-hat on the off-beat. In most disco tracks, string sections, horns, electric piano, Orchestral instruments such as the flute are often used for solo melodies, and lead guitar is less frequently used in disco than in rock. Many disco songs use electronic synthesizers, particularly in the late 1970s, well-known 1970s disco performers included Donna Summer, the Bee Gees, Boney M. KC and the Sunshine Band, The Trammps, Sylvester, Village People, Gloria Gaynor and Chic. While performers and singers garnered much attention, record producers working behind the scenes played an important role in developing the disco sound. Many non-disco artists recorded songs at the height of discos popularity. Disco was the last mass popular movement that was driven by the baby boom generation. Disco was a phenomenon, but its popularity drastically declined in the United States in 1980. Disco Demolition Night, an anti-disco protest held in Chicago on 12 July 1979, is thought of as a factor in discos fast. By the late 1970s most major U. S. cities had thriving disco club scenes, Studio 54, a venue popular amongst celebrities, is a well-known example of a disco club. Popular dances included the Hustle, a suggestive dance. Discotheque-goers often wore expensive, extravagant and sexy fashions, Disco clubs were also associated with promiscuity. Disco was a key influence on the 1980s electronic dance style called house. The term is derived from discothèque, by the early 1940s, the terms disc jockey and DJ were in use to describe radio presenters. During WWII, because of restrictions set in place by the Nazi occupiers, eventually more than one of these jazz venues had the proper name discothèque. By 1959, the term was used in Paris to describe any of these type of nightclubs and that year a young reporter named Klaus Quirini started to select and introduce records at the Scotch-Club in Aachen, West Germany
10.
Piano
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The piano is an acoustic, stringed musical instrument invented around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. The word piano is a form of pianoforte, the Italian term for the early 1700s versions of the instrument. The first fortepianos in the 1700s had a sound and smaller dynamic range. An acoustic piano usually has a wooden case surrounding the soundboard and metal strings. Pressing one or more keys on the keyboard causes a padded hammer to strike the strings. The hammer rebounds from the strings, and the continue to vibrate at their resonant frequency. These vibrations are transmitted through a bridge to a soundboard that amplifies by more efficiently coupling the acoustic energy to the air, when the key is released, a damper stops the strings vibration, ending the sound. Notes can be sustained, even when the keys are released by the fingers and thumbs and this means that the piano can play 88 different pitches, going from the deepest bass range to the highest treble. The black keys are for the accidentals, which are needed to play in all twelve keys, more rarely, some pianos have additional keys. Most notes have three strings, except for the bass that graduates from one to two, the strings are sounded when keys are pressed or struck, and silenced by dampers when the hands are lifted from the keyboard. There are two types of piano, the grand piano and the upright piano. The grand piano is used for Classical solos, chamber music and art song and it is used in jazz. The upright piano, which is compact, is the most popular type, as they are a better size for use in private homes for domestic music-making. During the nineteenth century, music publishers produced many works in arrangements for piano, so that music lovers could play. The piano is widely employed in classical, jazz, traditional and popular music for solo and ensemble performances, accompaniment, with technological advances, amplified electric pianos, electronic pianos, and digital pianos have also been developed. The electric piano became an instrument in the 1960s and 1970s genres of jazz fusion, funk music. The piano was founded on earlier technological innovations in keyboard instruments, pipe organs have been used since Antiquity, and as such, the development of pipe organs enabled instrument builders to learn about creating keyboard mechanisms for sounding pitches
11.
Keyboard instrument
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A keyboard instrument is a musical instrument played using a keyboard. The most common of these are the piano, organ, and various keyboards, including synthesizers. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, today, the term keyboard often refers to keyboard-style synthesizers. Another important use of the keyboard is in historical musicology. Particularly in the 18th century, the harpsichord, the clavichord, and the piano were in competition. Hence in a phrase like Mozart excelled as a player the word keyboard is usefully noncommittal. The earliest known keyboard instrument was the Ancient Greek hydraulis, a type of pipe organ, the keys were likely balanced and could be played with a light touch, as is clear from the reference in a Latin poem by Claudian, who says magna levi detrudens murmura tactu. Intent, that is “let him thunder forth as he presses out mighty roarings with a light touch”, from its invention until the fourteenth century, the organ remained the only keyboard instrument. Often, the organ did not feature a keyboard at all, almost every keyboard until the fifteenth century had seven naturals to each octave. The clavichord and the harpsichord appeared during the 14th century—the clavichord probably being earlier, the harpsichord and clavichord were both common until widespread adoption of the piano in the 18th century, after which their popularity decreased. The piano was revolutionary, because a pianist could vary the volume of the sound by varying the vigor with which each key was struck. The pianos full name is gravicèmbalo con piano e forte meaning harpsichord with soft and loud but can be shortened to piano-forte, which means soft-loud in Italian. In its current form, the piano is a product of the late 19th century, in fact, the modern piano is significantly different from even the 19th-century pianos used by Liszt, Chopin, and Brahms. See Piano history and musical performance, keyboard instruments were further developed in the early twentieth century. Early electromechanical instruments, such as the Ondes Martenot, appeared early in the century and this was a very important contribution to the keyboards history. Much effort has gone into creating an instrument that sounds like the piano but lacks its size, the electric piano and electronic piano were early efforts that, while useful instruments in their own right, did not convincingly reproduce the timbre of the piano. Electric and electronic organs were developed during the same period, more recent electronic keyboard designs strive to emulate the sound of specific make and model pianos using digital samples and computer models. Concerns celebrated keyboard players and the various instruments used over the centuries
12.
Singing
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Singing is the act of producing musical sounds with the voice, and augments regular speech by the use of sustained tonality, rhythm, and a variety of vocal techniques. A person who sings is called a singer or vocalist, Singers perform music that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir of singers or a band of instrumentalists, Singers may perform as soloists, or accompanied by anything from a single instrument up to a symphony orchestra or big band. Singing can be formal or informal, arranged or improvised and it may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual, as part of music education, or as a profession. Excellence in singing requires time, dedication, instruction, and regular practice, if practice is done on a regular basis then the sounds can become more clear and strong. Professional singers usually build their careers around one specific genre, such as classical or rock. They typically take voice training provided by teachers or vocal coaches throughout their careers. Though these four mechanisms function independently, they are coordinated in the establishment of a vocal technique and are made to interact upon one another. During passive breathing, air is inhaled with the diaphragm while exhalation occurs without any effort, exhalation may be aided by the abdominal, internal intercostal and lower pelvis/pelvic muscles. Inhalation is aided by use of external intercostals, scalenes and sternocleidomastoid muscles, the pitch is altered with the vocal cords. With the lips closed, this is called humming, humans have vocal folds which can loosen, tighten, or change their thickness, and over which breath can be transferred at varying pressures. The shape of the chest and neck, the position of the tongue, any one of these actions results in a change in pitch, volume, timbre, or tone of the sound produced. Sound also resonates within different parts of the body and an individuals size, Singers can also learn to project sound in certain ways so that it resonates better within their vocal tract. This is known as vocal resonation, another major influence on vocal sound and production is the function of the larynx which people can manipulate in different ways to produce different sounds. These different kinds of function are described as different kinds of vocal registers. The primary method for singers to accomplish this is through the use of the Singers Formant and it has also been shown that a more powerful voice may be achieved with a fatter and fluid-like vocal fold mucosa. The more pliable the mucosa, the more efficient the transfer of energy from the airflow to the vocal folds, Vocal registration refers to the system of vocal registers within the voice. A register in the voice is a series of tones, produced in the same vibratory pattern of the vocal folds
13.
Trombone
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The trombone is a musical instrument in the brass family. Like all brass instruments, sound is produced when the players vibrating lips cause the air column inside the instrument to vibrate, nearly all trombones have a telescoping slide mechanism that varies the length of the instrument to change the pitch. Many modern trombone models also utilize a rotary valve as a means to lower pitch of the instrument, variants such as the valve trombone and superbone have three valves like those on the trumpet. The word trombone derives from Italian tromba and -one, so the name means large trumpet, the trombone has a predominantly cylindrical bore like its valved counterpart the baritone and in contrast to its conical valved counterparts, the euphonium and the horn. The most frequently encountered trombones are the trombone and bass trombone. The most common variant, the tenor, is an instrument pitched in B♭, an octave below the B♭ trumpet. A person who plays the trombone is called a trombonist or trombone player, the trombone is a predominantly cylindrical tube bent into an elongated S shape. Rather than being completely cylindrical from end to end, the tube is a series of tapers with the smallest at the mouthpiece receiver. The design of these affects the intonation of the instrument. As with other instruments, sound is produced by blowing air through pursed lips producing a vibration that creates a standing wave in the instrument. The detachable cup-shaped mouthpiece is similar to that of the baritone horn and it has the venturi, a small constriction of the air column that adds resistance greatly affecting the tone of the instrument, and is inserted into the mouthpiece receiver in the slide section. The slide section consists of a leadpipe, the inner and outer tubes. Modern stays are soldered, while sackbuts were made with loose, the slide, the most distinctive feature of the trombone, allows the player to extend the length of the air column, lowering the pitch. To prevent friction from slowing the action of the slide, additional sleeves were developed during the Renaissance, and this part of the slide must be lubricated frequently. Additional tubing connects the slide to the bell of the instrument through a neckpipe, for example, second position A is not in exactly the same place on the slide as second position E. Many types of trombone also include one or more rotary valves used to increase the length of the instrument by directing the air flow through additional tubing. This allows the instrument to reach notes that are not possible without the valve as well as play other notes in alternate positions. Like the trumpet, the trombone is considered a cylindrical bore instrument since it has sections of tubing, principally in the slide section
14.
Saxophone
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The saxophone is a family of woodwind instruments. Saxophones are usually made of brass and played with a single-reed mouthpiece similar to that of the clarinet, the saxophone family was invented by the Belgian instrument maker Adolphe Sax in 1840. He patented the saxophone on June 28,1846, in two groups of seven instruments each, each series consisted of instruments of various sizes in alternating transposition. The series pitched in B♭ and E♭, designed for bands, have proved extremely popular. The saxophone is used in music, military bands, marching bands. The saxophone was developed in 1846 by Adolphe Sax, a Belgian instrument maker, flautist, born in Dinant and originally based in Brussels, he moved to Paris in 1842 to establish his musical instrument business. Prior to his work on the saxophone, he had several improvements to the bass clarinet by improving its keywork and acoustics. Sax was also a maker of the ophicleide, a large conical brass instrument in the bass register with keys similar to a woodwind instrument. His experience with two instruments allowed him to develop the skills and technologies needed to make the first saxophones. As an outgrowth of his work improving the bass clarinet, Sax began developing an instrument with the projection of a brass instrument and he wanted it to overblow at the octave, unlike the clarinet, which rises in pitch by a twelfth when overblown. An instrument that overblows at the octave has identical fingering for both registers, Sax created an instrument with a single-reed mouthpiece like a clarinet, conical brass body like an ophicleide, and some acoustic properties of both the horn and the clarinet. Having constructed saxophones in several sizes in the early 1840s, Sax applied for, and received, the patent encompassed 14 versions of the fundamental design, split into two categories of seven instruments each, and ranging from sopranino to contrabass. Although the instruments transposed at either F or C have been considered orchestral, the C soprano saxophone was the only instrument to sound at concert pitch. Saxs patent expired in 1866, thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design, the first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B♭. It is suspected that Sax himself may have attempted this modification and this extension is now commonplace in almost all modern designs, along with other minor changes such as added keys for alternate fingerings. Using alternate fingerings allows a player to play faster and more easily, a player may also use alternate fingerings to bend the pitch. Some of the alternate fingerings are good for trilling, scales, a substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key, which is now universal on modern saxophones. This enables a chromatic scale to be played two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit
15.
Enterprise Records
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Stax Records is an American record label, originally based in Memphis, Tennessee. Founded in 1957 as Satellite Records, the changed its name to Stax Records in 1961. It was a factor in the creation of Southern soul. Stax also released gospel, funk, jazz, and blues recordings, while renowned for its output of African-American music, the label was founded by two white siblings and business partners, Jim Stewart and his sister Estelle Axton. It featured several popular ethnically integrated bands and an integrated team of staff and artists unprecedented in that time of racial strife and tension in Memphis. Over the next five years, Bell expanded the labels operations significantly, in order to compete with Staxs main rival, Motown Records in Detroit. During the mid-1970s, a number of factors, including a distribution deal with CBS Records, caused the label to slide into insolvency. In 1977, Fantasy Records acquired the post-1968 Stax catalogue and selected pre-1968 recordings, beginning in 1978, Stax began signing new acts and issuing new material, as well as reissuing previously recorded Stax material. However, by the early 1980s no new material was being issued on the label, after Concord Records acquired Fantasy in 2004, the Stax label was reactivated, and is today used to issue both the 1968–1975 catalog material and new recordings by current R&B and soul performers. Atlantic Records continues to hold the rights to the vast majority of the 1959–1968 Stax material, Stax Records, originally named Satellite Records, was founded in Memphis in 1957 by Jim Stewart, initially operating in a garage. Satellites early releases were country music, rockabilly records or straight pop numbers, in 1958, Stewarts sister Estelle Axton began her financial interest in the company. Taking a considerable risk, she mortgaged her family home to invest $2500 in the company. The company set up a recording studio in Brunswick, Tennessee. Around this time, Stewart was introduced to rhythm and blues music by staff producer Chips Moman. In the summer of year, Satellite released its first record by a rhythm and blues act, Fool in Love, by the Veltones. However, Satellite remained primarily a country and pop label for the year or so. While promoting Fool in Love, Stewart met with Memphis disc jockey and R&B singer Rufus Thomas and it went on to sell between thirty and forty thousand copies, becoming Satellites biggest hit to that time. With the success of Cause I Love You, Stewart made a deal giving Atlantic first choice on releasing Satellite recordings
16.
Stax Records
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Stax Records is an American record label, originally based in Memphis, Tennessee. Founded in 1957 as Satellite Records, the changed its name to Stax Records in 1961. It was a factor in the creation of Southern soul. Stax also released gospel, funk, jazz, and blues recordings, while renowned for its output of African-American music, the label was founded by two white siblings and business partners, Jim Stewart and his sister Estelle Axton. It featured several popular ethnically integrated bands and an integrated team of staff and artists unprecedented in that time of racial strife and tension in Memphis. Over the next five years, Bell expanded the labels operations significantly, in order to compete with Staxs main rival, Motown Records in Detroit. During the mid-1970s, a number of factors, including a distribution deal with CBS Records, caused the label to slide into insolvency. In 1977, Fantasy Records acquired the post-1968 Stax catalogue and selected pre-1968 recordings, beginning in 1978, Stax began signing new acts and issuing new material, as well as reissuing previously recorded Stax material. However, by the early 1980s no new material was being issued on the label, after Concord Records acquired Fantasy in 2004, the Stax label was reactivated, and is today used to issue both the 1968–1975 catalog material and new recordings by current R&B and soul performers. Atlantic Records continues to hold the rights to the vast majority of the 1959–1968 Stax material, Stax Records, originally named Satellite Records, was founded in Memphis in 1957 by Jim Stewart, initially operating in a garage. Satellites early releases were country music, rockabilly records or straight pop numbers, in 1958, Stewarts sister Estelle Axton began her financial interest in the company. Taking a considerable risk, she mortgaged her family home to invest $2500 in the company. The company set up a recording studio in Brunswick, Tennessee. Around this time, Stewart was introduced to rhythm and blues music by staff producer Chips Moman. In the summer of year, Satellite released its first record by a rhythm and blues act, Fool in Love, by the Veltones. However, Satellite remained primarily a country and pop label for the year or so. While promoting Fool in Love, Stewart met with Memphis disc jockey and R&B singer Rufus Thomas and it went on to sell between thirty and forty thousand copies, becoming Satellites biggest hit to that time. With the success of Cause I Love You, Stewart made a deal giving Atlantic first choice on releasing Satellite recordings
17.
ABC Records
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ABC Records was an American record label founded in New York City in 1955. It originated as the popular music label operated by the Am-Par Record Corporation. It acquired many labels before ABC was sold to MCA Records in 1979, ABC produced music in a variety of genres, pop, rock, jazz, country, rhythm and blues, soundtrack, gospel, and polka. American Broadcasting-Paramount Theaters is an antecedent of the American Broadcasting Company and it evolved from federal antitrust actions taken against the movie studios and broadcasting companies in the 1940s and early 1950s. Blue was purchased by the businessman Edward J. Noble, in 1953 ABC merged with United Paramount Theatres, the divested former exhibition/cinema division of Paramount Pictures. American Broadcasting-Paramount Theatres formed a division in 1955 with Samuel H. Clark as its first president. The division was incorporated on June 14,1955 as Am-Par Record Corporation, in addition to producing records, ABC licensed masters from independent record producers, and purchased regionally released records for national distribution. Am-Par Record Corporation was changed to ABC-Paramount Records, Inc. on December 7,1961, in 1965, Clark was promoted to vice-president in charge of AB-PTs non-broadcast operations. National sales manager Larry Newton was named ABC-Paramount president. In April 1966, the label was renamed ABC Records in June 1966. In 1970, ABC and Dunhill moved its headquarters to Los Angeles, Newton was promoted to vice-president in charge of ABC Pictures. Dunhill co-owner Jay Lasker was named president and referred to the operations as ABC/Dunhill. At that time ABC had another five labels, Westminster, Command, Probe, Impulse, by May 1972, ABC formed the ABC Leisure Group, which included ABC Records, Anchor Records, and ABC Records and Tape Sales, plus a new retail record-store division. Lasker left ABC to join Ariola America Records in 1975 and he was succeeded by Jerry Rubinstein, who served as company head until 1977. In November 1972, ABC bought country music company Cartwheel Records, as a cost-cutting measure, ABC Records discarded many master tapes in the 1970s to save storage space. When these recordings were reissued on disc in the 1980s. The companys last president, Steve Diener, was named president in 1977 after serving as head of ABC Records international division, because of financial problems, ABC Records was sold on January 31,1979 to MCA Records, which discontinued the ABC label on March 5,1979. The bestselling albums in the ABC catalog were reissued on MCA, ABC Records sub-labeled Apt Records to release singles. In the early 1960s, it bought Westminster Records, a music label
18.
Polydor Records
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Polydor is a British record label and company, that operates as part of Universal Music Group. It has a relationship with Universals Interscope Geffen A&M label. In turn, Polydor distributes Interscope releases in the United Kingdom, Polydor Records Ltd. was established in London in 1954 as a British subsidiary of German company Deutsche Grammophon GmbH. The Polydor label was founded on 2 April 1913 by German Polyphon-Musikwerke AG in Leipzig, during World War I on 24 April 1917, Polyphon-Musikwerke AG acquired the German Deutsche Grammophon-Aktiengesellschaft record plant and company from the German government. The German state was taken over Grammophon and the British holdings as enemies property during World War I, Polydor was originally an independent branch of the Polyphon-Grammophon-Konzern group. It was used as a label since 1924. The British and German branches of the Gramophone Company were so departed during World War I, in turn, Deutsche Grammophon records exported from Germany were released on the Polyphon Musik and Polydor labels. The new foreign branches were founded for example into Austria, Denmark, Sweden, Polydor became a popular music label in 1946, while the new Deutsche Grammophon Gesellschaft label was to become a classical music label in 1949. The previously used label, Grammophon, was disbanded, DGG gave, with an agreement dated 5 July 1949, an exclusive license from 1 July 1951 to use the Nipper-dog with gramophone to the original owners company Electrola, the German branch of EMI. In 1970, Polydor acquired the Hong Kong-based Diamond Records, which had owned and founded by the local Portuguese merchant Ren da Silva in the late 1950s. In 1972, The Grammophon-Philips Group reorganized to create PolyGram, the Polydor label continued to run as a subsidiary label under the new company. The name PolyGram is a portmanteau of Polydor and PhonoGram, into the 1980s, Polydor continued to do respectable business, in spite of becoming increasingly overshadowed by its PolyGram sister label Mercury Records. Polydor took over management of British Deccas pop catalog, A&R manager Frank Neilson was able to score a major top ten hit in March 1981 for the label with Do The Hucklebuck by Coast to Coast as well as signing Ian Dury and Billy Fury to the company. In 1984, the name was parodied in the rockumentary film This Is Spinal Tap. By the early 1990s, Polydor had begun to underperform, in 1994, as Island Records recovered from its sales slump, PolyGram dissolved most of PLG into it. Meanwhile, Polydor Records and Atlas Records merged, briefly called Polydor/Atlas, in 1995, Polydor/Atlas became simply Polydor Records again. Over the next few years, Polydor tried to keep itself afloat with new artist signings, new releases, in 1998, PolyGram was purchased by Seagram and absorbed into its Universal Music Group. Today, in America, the Polydor Records name and logo is used on reissues of older material from its 1960s and 1970s heyday
19.
PolyGram
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PolyGram was a Dutch entertainment company, a division of Seagram. It started as a record label recording company founded by Philips. The name was chosen to reflect the Siemens interest Polydor Records, the company traced its origins through Deutsche Grammophon back to the inventor of the flat disk gramophone, Emil Berliner. Later on, PolyGram expanded into the largest global entertainment company, creating film, in May 1998, it was sold to Seagram which owned MCA Inc. PolyGram Music Group was merged into Universal Music Group, and PolyGram Filmed Entertainment was merged into Universal Pictures. When the new company faced difficulties, its parent Seagram was sold in large part to Vivendi. Vivendi is the current owner of UMG, in February 2017, Polygram Entertainment was re-launched as the film & television division of Universal Music Group. In 1929, Decca Records licensed record shop owner H. W. Van Zoelen as a distributor in the Netherlands, by 1931, his company Hollandsche Decca Distributie had become exclusive Decca distributor for all of the Netherlands and its colonies. Over the course of the 1930s, HDD put together its own facilities for A&R, recording, HDD was commercially successful during World War II because of the absence of American and British competition. Van Zoelen wanted to sell to Philips so that HDD would have sufficient financial backing when their major competitors returned after the war and this led Philips to purchase HDD in 1942. Philips labs were developing magnetic tape and LPs, and they could support eventual new formats, after the war, Philips built a large factory in Doetinchem to produce 78 rpm records. During the late 1940s, Philips combined its various businesses into Philips Phonografische Industrie. PPIs early growth was based on alliances, a merger was first proposed with Decca of London in late 1945, but was rejected by Edward Lewis, Deccas owner. In the early 1950s, Philips set itself the goal of making PPI the largest record company in Europe, PPIs second attempt at a merger was with Deutsche Grammophon Gesellschaft. DGG, owned by Siemens AG, and well known for its repertoire, had been the German licensee for Decca from 1935. PPI and DGG finally merged in 1962, the alliance with DGG still left PPI without repertoire in Britain or the United States. But in 1951, after Columbia had failed to renew its international distribution agreement with EMI, Columbia became PPIs distributor within the US. This agreement ran until 1961 when Columbia set up its own European network, PPI signed a worldwide distribution deal with Mercury Records in 1961
20.
Columbia Records
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Columbia Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, Inc. the United States division of Sony Corporation. It was founded in 1887, evolving from an enterprise named the American Graphophone Company. Columbia is the oldest surviving brand name in the sound business. Columbia Records went on to release records by an array of singers, instrumentalists. It is one of Sony Musics three flagship record labels alongside RCA Records and Epic Records, rather, as above, it was connected to CBS, a broadcasting media company which had purchased the company in 1938, and had been co-founded in 1927 by Columbia Records itself. Though Arista Records was sold to Bertelsmann Music Group, it would become a sister label of Columbia Records through its mutual connection to Sony Music. The Columbia Phonograph Company was founded in 1887 by stenographer, lawyer and New Jersey native Edward Easton and it derived its name from the District of Columbia, where it was headquartered. At first it had a monopoly on sales and service of Edison phonographs and phonograph cylinders in Washington. As was the custom of some of the regional companies, Columbia produced many commercial cylinder recordings of its own. Columbias ties to Edison and the North American Phonograph Company were severed in 1894 with the North American Phonograph Companys breakup, thereafter it sold only records and phonographs of its own manufacture. In 1902, Columbia introduced the XP record, a brown wax record. According to Gracyk, the molded brown waxes may have sold to Sears for distribution. Columbia began selling records and phonographs in addition to the cylinder system in 1901, preceded only by their Toy Graphophone of 1899. For a decade, Columbia competed with both the Edison Phonograph Company cylinders and the Victor Talking Machine Company disc records as one of the top three names in American recorded sound. In order to add prestige to its catalog of artists. The firm also introduced the internal-horn Grafonola to compete with the extremely popular Victrola sold by the rival Victor Talking Machine Company, during this era, Columbia used the famous Magic Notes logo—a pair of sixteenth notes in a circle—both in the United States and overseas. Columbia was split into two companies, one to make records and one to make players, Columbia Phonograph was moved to Connecticut, and Ed Easton went with it. Eventually it was renamed the Dictaphone Corporation, in late 1923, Columbia went into receivership
21.
Sony Music
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Sony Music Entertainment is an American music company owned by Sony. It is incorporated as a partnership of Sony Music Holdings Inc. through Sony Entertainment. The company was first founded in 1929 as American Record Corporation and renamed Columbia Recording Corporation in 1938, in 1966, the company was reorganized to become CBS Records. Sony Corporation bought the company in 1987 and renamed it Sony Music Entertainment in 1991, the buyout led to the dissolution of BMG, which relaunched as BMG Rights Management. Sony Music Entertainment is one of the Big Three record companies, being the second largest after Universal Music Group, in 1929, ARC was founded through a merger of several record companies. In 1934, in the midst of Great Depression, the Columbia Phonograph Company, ARC was acquired in 1938 by the Columbia Broadcasting System, which, in turn, had been formed by the Columbia Phonograph Company, but then sold off. ARC was renamed Columbia Recording Corporation, RCA Victor Records executive Ted Wallerstein convinced CBS head William S. Paley to buy ARC and Paley made Wallerstein head of the newly acquired record company. The renamed company made Columbia its flagship label and Okeh its subsidiary label and this allowed ARCs leased labels Brunswick Records and Vocalion Records to revert to their former owner Warner Bros. which sold them to Decca Records. Columbia kept the Brunswick catalogue recorded from December 1931 onward on the Columbia label and he was succeeded by James Conkling as head of Columbia Records. In 1951, Columbia severed its ties with the EMI-owned record label of the same name, Okeh Records continued to be distributed by EMI on the Columbia label. Columbia founded Epic Records in 1953 and in 1956, Conkling left Columbia and he would help establish the National Academy of Recording Arts and Sciences before eventually becoming the first president of the newly launched Warner Bros. His successor, Goddard Lieberson began the first of two stints as head of the record company, and in 1958, Columbia founded another label, Date Records, which initially issued rockabilly music. In 1960, Columbia/CBS began negotiations with its international distributor Philips Records with the goal of starting its own global record company. Philips acquisition of US-based Mercury Records in 1961 paved the way for this, elsewhere, CBSs Mexican record company, Discos Columbia, was renamed Discos CBS by 1963. In 1964, Columbia set out acquiring record companies in countries for its CBS Records International Unit. EMI continued to distribute Epic and Okeh label material on the Columbia label in the UK until the deal with EMI expired in 1968 when CBS took over distribution. In late 1965, the Date subsidiary label was revived and this label released the first string of hits for Peaches & Herb and scored a few minor hits from various other artists. Dates biggest success was Time of the Season by the Zombies, the label was discontinued in 1970
22.
Virgin Records
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Virgin Records is a British-founded record label originally founded by English entrepreneurs Richard Branson, Simon Draper, Nik Powell, and musician Tom Newman in 1972. It was later sold to Thorn EMI in 1992, today, the operations of Virgin Records America, Inc. are still active and headquartered in Hollywood, California, as it operates exclusively under the Capitol Music Group since 2007. US artists include Knox Hamilton, LTric and Rise Against, in fact the first real store was above a shoe shop at the Tottenham Court Road end of Oxford Street. After making the shop into a success, they turned their business into a fully fledged record label, the name Virgin, according to Branson, arose from Tessa Watts, a colleague of his, when they were brainstorming business ideas. She suggested Virgin – as they were all new to business – like virgins, the original Virgin logo was designed by English artist and illustrator Roger Dean, a young naked woman in mirror image with a large long-tailed serpent and the word Virgin in Deans familiar script. A variation on the logo was used for the spin-off Caroline Records label and this was soon followed by some notable krautrock releases, including electronic breakthrough album Phaedra by Tangerine Dream, and The Faust Tapes and Faust IV by Faust. The Faust Tapes album retailed for 49p and as a result allowed this relatively unknown band to reach number 12 in the album charts, other early albums include Gongs Flying Teapot, which Daevid Allen has been quoted as having never been paid for. Under the guidance of Tessa Watts, Virgins Head of Publicity, shortly afterwards, the Notting Hill record shop was raided by police for having a window display of the Sex Pistols album Never Mind the Bollocks, Heres the Sex Pistols in the window. After modified versions of the label came the red, white and blue design introduced in 1975. The current Virgin logo was created in 1978, commissioned by Simon Draper, brian Cooke of Cooke Key Associates commissioned a graphic designer to produce a stylised signature. In 1983 Virgin purchased Charisma Records, renaming it Charisma/Virgin, then later Virgin/Charisma, before folding the label in 1986, in the process they acquired Genesis and comedy group Monty Python. The Charisma label was reactivated in the US in 1990 and enjoyed success with such as Maxi Priest, Right Said Fred,38 Special. When this Charisma label was retired in 1992, all of its artists were, as before, in 1987, Venture Records was created for new age and modern classical artists including Klaus Schulze, who had been associated with Virgin since the early 1970s. 10 Records Immortal Records Delabel Caroline Records was a label used from 1973 to 1977. The name and logo were used for some American editions of Virgin records in the 1980s and 1990s. Caroline was primarily used for independent distribution until the label was reactivated in 2013, today, Caroline Records acts as an independent label taking the place of EMI Label Services, after Virgins former parent company EMI was purchased by Universal Music Group. Front Line Records was a label for issuing Jamaican and English reggae music from 1978 to approximately 1987, a short-lived associated label, Dindisc, had Orchestral Manoeuvres in the Dark and The Monochrome Set during its brief existence, after which its recordings became part of Virgins catalogue. Noo Trybe Records was a hip hop label that existed from 1994 to 1999
23.
EMI
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EMI was a British multinational conglomerate founded in March 1931 and was based in London. At the time of its break-up in 2012, it was the fourth-largest business group and its EMI Records Ltd. group of record labels included EMI Records, Parlophone, Virgin Records and Capitol Records. EMI also had a publishing arm, EMI Music Publishing—also based in London with offices globally. The company was once a constituent of the FTSE100 Index, other members of the Sony consortium include the Estate of Michael Jackson, The Blackstone Group, and Abu Dhabi–owned investment fund Mubadala Development Company. The new vertically integrated company produced sound recordings as well as recording, the companys gramophone manufacturing led to forty years of success with larger-scale electronics and electrical engineering. He was killed in 1942 whilst conducting flight trials on an experimental H2S radar set, post-war, the company resumed its involvement in making broadcasting equipment, notably providing the BBCs second television transmitter at Sutton Coldfield. It also manufactured broadcast television cameras for British television production companies as well as for the BBC, the commercial television ITV companies also used them alongside cameras made by Pye and Marconi. Exports of this piece of equipment were low, however, the company was also for many years an internationally respected manufacturer of photomultipliers. This part of the business was transferred to Thorn as part of Thorn-EMI, in 1958 the EMIDEC1100, the UKs first commercially available all-transistor computer, was developed at Hayes under the leadership of Godfrey Hounsfield, an electrical engineer at EMI. In 1973 EMI was awarded a prestigious Queens Award for Technological Innovation for what was called the EMI scanner. After brief, but brilliant, success in the imaging field, EMIs manufacturing activities were sold off to other companies. Subsequently, development and manufacturing activities were sold off to companies and work moved to other towns such as Crawley. Emihus Electronics, based in Glenrothes, Scotland, was owned 51% by Hughes Aircraft, of California, US and it manufactured integrated circuits electrolytic capacitors and, for a short period in the mid-1970s, hand-held calculators under the Gemini name. Early in its life, the Gramophone Company established subsidiary operations in a number of countries in the British Commonwealth, including India, Australia. Over 150,000 78-rpm recordings from around the world are held in EMIs temperature-controlled archive in Hayes, in 1931, the year the company was formed, it opened the legendary recording studios at Abbey Road, London. During the 1930s and 1940s, its roster of artists included Arturo Toscanini, Sir Edward Elgar, during this time EMI appointed its first A&R managers. These included George Martin, who brought the Beatles into the EMI fold. When the Gramophone Company merged with the Columbia Graphophone Company in 1931, at this point RCA had a majority shareholding in the new company, giving RCA chair David Sarnoff a seat on the EMI board
24.
David Porter (musician)
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David Porter is an American record producer, songwriter, singer, entrepreneur and philanthropist. Porter was a 2005 inductee into the Songwriters Hall of Fame, in 2015, Rolling Stone listed him among the 100 Greatest Songwriters of All Time. He is best known for songwriting, having written Sam & Daves Soul Man, Mariah Careys Dreamlover, Will Smiths Get Jiggy Wit It, Sam and Daves Hold On, Im Comin, and Biggie Smallss Who Shot Ya. He is also the founder of the Memphis-based Consortium MMT, an organization seeking to develop the music industry in Memphis. Porter was the ninth of twelve born to James and Corean Porter in Memphis, his second oldest brother was COGIC Bishop W. L. Porter. Porters career began in music after singing in church, school, Memphis venues and competitions, often with friend and classmate Maurice White. Porter graduated from Booker T. Washington High in 1961 and later attended LeMoyne College, while still a high-school student working at a grocery across from Satellite Records, he went over to find if the label would consider recording soul music. After meetings with Chips Moman, Porter became active at Satellite as a songwriter, with this role, Porter arranged for his friends and classmates to record for the Satellite label, including Booker T. Jones, William Bell, and Andrew Love. Soon after, Satellite rebranded as Stax Records and redefined their focus to become a music label. Porter was the first staff songwriter at Stax Records and developed his skills in A&R, in Porters A&R capacity, he signed acts including The Emotions, Homer Banks, The Soul Children and was a catalyst for bringing in Isaac Hayes as a writing partner. As house composers for Stax Records, Porter and Hayes penned most of Sam & Daves hits, including Soul Man, I Thank You, When Something Is Wrong with My Baby and Hold On, Im Comin. They also wrote material for Carla Thomas, Johnnie Taylor, starting in the late 1960s, Hayes became increasingly focused on his own recording career, eventually leading to the end of the songwriting partnership. The Hayes-Porter duo composed 200 songs during their collaboration, Porter then began recording his own albums for Stax. He did a single for Stax itself in 1965, Cant See You When I Want To and he cut several albums for Stax in the early 1970s, including a concept LP, Victim of the Joke. which includes an upbeat cover of The Beatles Help. Also, he released on other labels under the pseudonyms Little David and he and Hayes received Pioneer Awards from the Rhythm and Blues Foundation in 1999. On June 9,2005, Porter was inducted into the Songwriters Hall of Fame alongside Bill Withers, Steve Cropper, Sherman, Richard M. Sherman, John Fogerty, and his longtime writing partner Isaac Hayes. In 2012, Porter founded The Consortium MMT, a 501 non-profit with the goal of developing a music industry in Memphis through structured teaching, experience. Porter was awarded the 2013 Governors Arts Award for his achievements including the founding, heres a previously published story on Porters early experiences establishing The Consortium MMT, http, //www. huffingtonpost. com/timarnold/heart-and-soul-memphis-gets_b_7186486. html
25.
Booker T. & the M.G.'s
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Booker T. & the M. G. s is an instrumental R&B/funk band that was influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones, Steve Cropper, Lewie Steinberg and they also released instrumental records under their own name, of which the best known is the 1962 hit single Green Onions. As originators of the unique Stax sound, the group was one of the most prolific, respected, by the mid-1960s, bands on both sides of the Atlantic were trying to sound like Booker T. & the M. G. s. In 1965, Steinberg was replaced by Donald Duck Dunn, who played with the group until his death in 2012. Al Jackson, Jr. was murdered in 1975, after which Dunn, Cropper and Jones reunited on numerous occasions using various drummers, including Willie Hall, Anton Fig, Steve Jordan and Steve Potts. The band was inducted into the Rock and Roll Hall of Fame in 1992, the Musicians Hall of Fame and Museum in Nashville, Tennessee, in 2008, and the Memphis Music Hall of Fame in 2012. Booker T. & the M. G. s formed as the band of Stax Records, providing backing music for numerous singers, including Wilson Pickett. During downtime, the four started playing around with an organ riff. Jim Stewart, the president of Stax Records, was in the control booth and he liked what he heard, and he recorded it. Cropper remembered a riff that Jones had come up with weeks earlier, Stewart wanted to release the single with the first track, Behave Yourself, as the A-side and the second track as the B-side. Cropper and radio disc jockeys thought otherwise, soon, Stax released Booker T. & the M. G. s Green Onions backed with Behave Yourself, the single went to number 1 on the US Billboard R&B chart and number 3 on the pop chart. It sold over one million copies and was certified a gold disc and it has been used in numerous movies and trailers, including a pivotal scene in the motion picture American Graffiti. Later in 1962, the released a all-instrumental album, Green Onions. Aside from the track, a sequel and Behave Yourself. Booker T. & the M. G. s continued to issue instrumental singles and albums throughout the 1960s. The group was a successful recording combo in its own right, in the mid-1960s Jones was often away from Memphis while studying music full-time at Indiana University. Stax writer and producer Isaac Hayes usually stepped in when Jones was unavailable for work, and on several sessions Jones and Hayes played together with one on organ. Their second album, Soul Dressing, was released in 1965, whereas the Green Onions album contained mostly covers, every composition but one on Soul Dressing was an original
26.
Dionne Warwick
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Dionne Warwick is an American singer, actress and TV-show host, who became a United Nations Global Ambassador for the Food and Agriculture Organization, and a United States Ambassador of Health. Having been in a partnership with songwriters Burt Bacharach and Hal David, Warwick ranks among the 40 biggest hit makers of the rock era. She is second only to Aretha Franklin as the female vocalist of all time. Marie Dionne Warrick, later Warwick, was born on December 12,1940 in East Orange, New Jersey, to Mancel Warrick and her mother was manager of the Drinkard Singers, and her father was a Pullman porter, chef, record promoter and CPA. She was named after her aunt on her mothers side, Dionne had a sister Delia who died in 2008 and a brother, Mancel Jr. who was killed in an accident in 1968 at the age of 21. Her parents were both African American, and she also has Native American, Brazilian and Dutch ancestry, after finishing East Orange High School in 1959, Warwick pursued her passion at the Hartt College of Music in Hartford, Connecticut. She also landed work with her group singing backing vocals for recording sessions in New York City. During one session, Warwick met Burt Bacharach, who hired her to record demos featuring songs written by him, much of Warricks family were members of the Drinkard Singers, a renowned family gospel group and RCA recording artists that frequently performed throughout the New York metropolitan area. The original group consisted of Cissy, Anne, Larry, and Nicky, but later included Warwicks grandparents, Nicholas and Delia Drinkard, Marie instructed the group and they were managed by Lee. As they became successful, Lee and Marie began performing with the group, and they were augmented by pop/R&B singer Judy Clay. Elvis Presley eventually expressed an interest in having them join his touring entourage, Dionne began singing gospel as a child at the New Hope Baptist Church in Newark, New Jersey. After personnel changes, the Gospelaires became the group the Sweet Inspirations, which had some chart success. And we left and did the session, I wish I remembered the gentlemans name because he was responsible for the beginning of my professional career. The backstage encounter led to the group being asked to sing background sessions at recording studios in New York, the background vocal work would continue while Warwick pursued her studies at Hartt. According to a July 14,1967 article on Warwick from Time, Bacharach stated, She has a strong side. Musically, she was no play-safe girl, what emotion I could get away with. And what complexity, compared with the run of pop songs. During the session, Bacharach asked Warwick if she would be interested in recording demonstration recordings of his compositions to pitch the tunes to record labels
27.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
28.
Bill Withers
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William Harrison Bill Withers, Jr. is an American singer-songwriter and musician who performed and recorded from 1970 until 1985. He recorded several hits, including Lean on Me, Aint No Sunshine, Use Me, Just the Two of Us, Lovely Day. Withers won three Grammy Awards and was nominated for four more and his life was the subject of the 2009 documentary film Still Bill. He was inducted into the Rock and Roll Hall of Fame in 2015, Withers was born the youngest of six children in the small coal-mining town of Slab Fork, West Virginia. He was born with a stutter and has said he had a hard time fitting in, raised in nearby Beckley, he was thirteen years old when his father died. Withers enlisted with the United States Navy at the age of 18 and served for nine years, during which time he got over his stutter, Mr. Withers left the Navy in 1965. Using the $250 he received from selling his furniture to IBM co-worker Ron Sierra, he picked up, when he debuted with the song Aint No Sunshine he refused to resign from his job because of his belief that the music business was a fickle industry. During early 1970, Withers demonstration tape was auditioned favorably by Clarence Avant, Avant signed Withers to a record deal and assigned former Stax Records stalwart Booker T. Jones to produce Withers first album. Four three-hour recording sessions were planned for the album, but funding caused the album to be recorded in three sessions with a break between the second and final sessions. Just as I Am was released in 1971 with the tracks, Aint No Sunshine, the album features Stephen Stills playing lead guitar. On the cover of the album, Withers is pictured at his job at Weber Aircraft in Burbank, California, at the 14th annual Grammy Awards on Tuesday, March 14,1972, Withers won a Grammy Award for Best R&B Song for Aint No Sunshine. The track had sold over one million copies and was awarded a gold disc by the RIAA in September 1971. During a hiatus from touring, Withers recorded his second album, the single, Lean on Me went to number one the week of July 8,1972. It was Withers second gold single with confirmed sales in excess of three million and his follow-up, Use Me released in August 1972, became his third million seller, with the R. I. A. A. Gold disc award taking place on October 12,1972 and his performance at Carnegie Hall on October 6,1972, was recorded, and released as the live album Bill Withers, Live at Carnegie Hall on November 30,1972. In 1974, Withers recorded the album +Justments, due to a legal dispute with the Sussex company, Withers was unable to record for some time thereafter. Footage of his performance was included in the 1996 documentary film When We Were Kings, other footage of his performance is included in the 2008 documentary film Soul Power which is based on archival footage of the 1974 Zaire concert. After Sussex Records folded, Withers signed with Columbia Records in 1975 and his first album release with the label, Making Music, Making Friends, included the single Shes Lonely, which was featured in the film Looking for Mr. Goodbar
29.
Sherman Brothers
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The Sherman Brothers were an American songwriting duo that specialized in musical films, made up of Robert B. Sherman and Richard M. Sherman. The Sherman Brothers wrote more motion-picture musical song scores than any other songwriting team in film history, Film scores of the Sherman Brothers include Mary Poppins, Chitty Chitty Bang Bang, The Jungle Book, Bedknobs and Broomsticks, Charlottes Web and The Aristocats. Sons of Russian Jewish immigrants, Robert and Richard Sherman began writing together in 1951 on a challenge from their father. The brothers wrote together and with different songwriting partners throughout the rest of the decade and they wrote the title song for Doris Days album Bright and Shiny, recorded in 1960 and released a year later. In 1958, Robert founded the publishing company Music World Corporation. That same year, the Sherman Brothers had their first top-ten hit with Tall Paul, sung by Mouseketeer Judy Harriet on the Surf Records label and then covered by Mouseketeer Annette Funicello. The success of this song yielded the attention of Walt Disney, the first song they wrote on personal assignment by Walt Disney was Strummin Song in 1961. It was used in the Annette Funicello made-for-television movie called The Horsemasters and they also wrote what is perhaps their best-known song, Its a Small World, for the 1964 New York Worlds Fair. In 1965, the Sherman Brothers won two Academy Awards for Mary Poppins, which includes the songs Feed The Birds, Supercalifragilisticexpialidocious, and the Oscar-winning Chim Chim Cher-ee. Since Mary Poppins premiere, the Shermans have subsequently earned nine Academy Award nominations, since leaving the company, the brothers have worked freelance as songwriters on scores of motion pictures, television shows, theme-park exhibits, and stage musicals. Their first non-Disney assignment came with Albert R, in 1970, the Shermans returned to Disney for a brief stint where they completed work on The Aristocats and Bedknobs and Broomsticks. The latter film garnered the brothers their fourth and fifth Oscar nominations,1972 saw the release of Snoopy Come Home, for which the brothers received a Grammy nomination. In 1973, the Sherman Brothers also made history by becoming the only Americans ever to win First Prize at the Moscow Film Festival for Tom Sawyer, in 1976, “The Slipper and the Rose” was picked to be the Royal Command Performance of the year. The performance was attended by Queen Elizabeth, the Queen Mother, a modern musical adaptation of the classic Cinderella story, Slipper, also featured songs, score, and screenplay by the Sherman Brothers. Two further Academy Award nominations were garnered by the brothers for the film and that same year the Sherman Brothers received their star on the Hollywood Walk of Fame directly across from Graumans Chinese Theater. Outside the motion-picture realm, their Tony Award-nominated smash hit Over Here, was the biggest-grossing original Broadway musical of that year. Other top-ten hits include Pineapple Princess, Lets Get Together, in 2000, the Sherman Brothers wrote the song score for the Disney film The Tigger Movie. This film marked the brothers first major picture for the Disney company in over 28 years
30.
Steve Cropper
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Steven Lee Cropper is an American guitarist, songwriter, and record producer. He is best known as the guitarist of the Stax Records house band, Booker T. & the M. G. s and he also acted as the producer of many of these records. He was later a member of the Blues Brothers band, rolling Stone magazine ranked him 39th on its list of the 100 greatest guitarists of all time. Born on a farm near Dora, Missouri, Cropper moved with his family to Memphis at the age of nine, bitten by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales, Cropper and guitarist Charlie Freeman formed the Royal Spades, who eventually became the Mar-Keys. The name referred to the marquee outside Stax studios, known as Satellite Records at the time, eventually the Mar-Keys began playing on sessions and had a hit single of their own with Last Night in 1961. Besides being impressed with the guitarists playing, Stax Records president Jim Stewart saw professionalism. When American Records founder Chips Moman left Stax, Cropper became the companys A&R man. He became a member of the Stax house band Booker T. & the M. G. s, along with Hammond organ player Booker T. Jones, bassist Donald Duck Dunn. As a house guitarist he played on recordings such as the Dock of the Bay, co-written with and performed by Otis Redding. When Cropper played on the remake by the Blues Brothers. At this time, Croppers fame was not limited to the United States, the Beatles favoured Croppers playing, and his production on Otis Redding records. John Lennon and Paul McCartney made tentative plans to record in Memphis, however Brian Epstein cancelled the sessions, citing security problems. Regarding this period, Rob Bowman, in his book Soulsville U. S. A, the Story of Stax Records, quoted Booker T. In 1969, Cropper released his first solo album, With a Little Help From My Friends, when Cropper left Stax in the fall of 1970, the label lost one of its most successful producers and songwriters. Cropper then set up TMI Studios with Jerry Williams and former Mar-Key Ronnie Stoots, there he played guitar and produced various musicians including Tower of Power, Rod Stewart, John Prine, José Feliciano, The Jeff Beck Group, Ringo Starr and John Lennon. Its little-known that Cropper also played guitar on the cover of The Velvet Undergrounds Femme Fatale that appears on fellow Memphians Big Stars Third/Sister Lovers, by 1975, Cropper had moved to Los Angeles and along with Jackson and Dunn, reformed Booker T. & the M. Gs. Jackson, whom Cropper called the greatest drummer to ever walk the earth, was murdered in his Memphis home before the group could make their comeback
31.
John Fogerty
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Fogerty was listed on Rolling Stone magazines list of 100 Greatest Guitarists and the list of 100 Greatest Singers. Galen Fogerty was a native of South Dakota and Lucile Fogerty was a native of Great Falls, after one year, he was enrolled in nearby Harding Grammar School. He spent summer vacations at Putah Creek, near Winters, California, after signing with the jazz label Fantasy in 1965, they became The Golliwogs and released a few singles that were largely ignored. He joined an Army Reserve unit and he served at Fort Bragg, Fort Knox, and Fort Lee. Fogerty was discharged from the Army in July 1967, in the same year, the band changed its name to Creedence Clearwater Revival. At this time, John took his brothers place as singer for the band. By 1968, things started to pick up for the band, the band released their eponymous debut album and also had their first hit single, Susie Q. Many other hit singles and albums followed, beginning with Proud Mary, Fogerty, as writer of the songs for the band, felt that his musical opinions should count for more than those of the others, leading to resentments within the band. These internal rifts, and Toms feeling that he was being taken for granted, caused Tom to leave the group in January 1971, the two other group members, bassist Stu Cook and drummer Doug Clifford, wanted a greater role in the bands future. Cook and Clifford told Fogerty that the fans would not accept Mardi Gras as a CCR LP, but he said, My voice is a unique instrument and he gave them an ultimatum, either they would do it or he would quit immediately. They accepted his ultimatum, but the album received poor reviews and it was a commercial success, however, peaking at #12 and achieving gold record status. It generated weaker sales than their previous albums, the only reunion of all four original members would be at Tom Fogertys wedding in 1980. John, Doug and Stu played a 45-minute set at their 20th class reunion in 1983, as CCR was coming to an end, Fogerty began working on a solo album of country & western covers, on which he produced, arranged, and played all of the instruments. Despite the solo nature of the recordings, however, Fogerty elected to credit the album to The Blue Ridge Rangers—a band of which he was the only member. The group released The Blue Ridge Rangers, its album, in 1973, it spun off the Top 20 hit Jambalaya. Fogerty, still using The Blue Ridge Rangers name, then released a self-penned rock & roll single, You Dont Owe Me b/w Back in the Hills. It was a flop, failing to make the Hot 100 in the U. S. Fogerty thereafter abandoned the Blue Ridge Rangers identity. In early 1974, Fogerty released Comin Down The Road—backed with the instrumental Ricochet and his second solo album, John Fogerty, was released in 1975
32.
Songwriters Hall of Fame
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It not only celebrates these established songwriters, but is also involved on the development of new songwriting talent through workshops, showcases and scholarships. There are many programs designed to teach and discover new songwriters, the Hall of Fame only existed as an online virtual collection until 2010, when it was first put on display as a physical gallery inside The Grammy Museum in Los Angeles. With an under-construction basement installation at the Brill Building in New York, the Hall doesnt have a permanent place, through 2010,383 individuals had been inducted into the SHOF. The British rock band Queen was the first band to be inducted in 2003, the American singer Lady Gaga was the first artist ever to win the award. 2015 – Lady Gaga The Hal David Starlight Award honors young artists who have made an impression on the music industry. It goes to writers already inducted into the Songwriters Hall of Fame for having established a history of outstanding creative works and he was later director of ASCAP, and a founder of the Songwriters Hall of Fame which, in 1983, named the Abe Olman Publisher Award. In his honor, the Abe Olman Scholarship is given out each year by his family in the interest of encouraging and supporting the careers of young songwriters, the Holly Prize is administered and juried by the SongHall
33.
Sam & Dave
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Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor voice was Sam Moore and the voice was Dave Prater. According to the Rock & Roll Hall of Fame, Sam & Dave were the most successful soul duo and brought the sounds of the black gospel church to pop music with their call-and-response records. Except for Aretha Franklin, no soul act during Sam & Daves Stax years had more consistent R&B chart success, Soul Man was featured as the soundtrack and title for a 1986 film and also a 1997–1998 television series, and Soul Men was a 2008 feature film. Nicknamed Double Dynamite, The Sultans of Sweat, and The Dynamic Duo for their gritty, gospel-infused performances, Sam & Dave are considered one of the greatest live acts of the 1960s. Sam Moore and Dave Praters early musical backgrounds involved listening to and singing gospel music in their homes and churches, Dave later sang with his older brother JT Prater in the gospel group The Sensational Hummingbirds, who recorded Lord Teach Me in the 1950s. Sam recorded Nitey-Nite/Caveman Rock in 1954 with the doo-wop group The Majestics, Moore and Prater listed Jackie Wilson and Sam Cooke as influences on their styles, and Moore was also influenced by Little Willie John, whom he and Dave opened for often in the early 1960s. Sam & Dave met working the gospel circuit, and later in small clubs in Miami during amateur nights in 1961 according to Dave. They sang together one night at the King of Hearts club, Soul singer and record producer Steve Alaimo discovered them while performing during the same show with them at the King of Hearts nightclub in Miami and signed them to Marlin Records. After two singles in early 1962 were released on the local Marlin label owned by Miamis Henry Stone, Stone helped sign them to Roulette Records in New York City and they released six 45s from 1962–1964 with Roulette, and one single on Stone and Alaimos Alston Label. A few of the singles received airplay, but did not achieve national chart success. The songs, some of which were produced by Steve Alaimo and some of which were produced by Henry Glover, were similar in ways to R&B recordings by Sam Cooke, Jackie Wilson. Prater was the lead vocalist on most of singles, with Moore singing harmony. In summer 1964, Stone introduced the duo to Atlantic Records Jerry Wexler, Wexler asked Memphis, Tennessee-based Stax Records, which Atlantic distributed nationally, to work with Sam & Dave. Wexler wanted the Southern roots and gospel style of their performances, so the pair were loaned to Stax to record. According to Wexlers autobiography Rhythms & Blues, Their live act was filled with animation, harmony, I put Sam in the sweet tradition of Sam Cooke or Solomon Burke, while Dave had an ominous Four Tops Levi Stubbs-sounding voice, the preacher promising hellfire. The duo then moved to relative newcomer writers and producers Isaac Hayes, Hayes and Porter wrote and produced the duos biggest hits. Sam & Daves Stax records also benefited from the musicians and engineering at Stax, the Stax house band, Booker T. & the M. G
34.
Carla Thomas
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Carla Venita Thomas is an American singer, who is often referred to as the Queen of Memphis Soul. She is the daughter of Rufus Thomas, Thomas was born and raised in the Foote Homes Projects. Along with her siblings, Marvell and Vaneese, she was one of three children of Rufus and Lorene Thomas. Despite growing up in the projects, the Thomas family lived near the Palace Theater on Beale Street and this access not only gave Thomas her first taste of the music world but it also provided a springboard for her transformation into the Queen of the Memphis Sound. Although the requirements to join the Teen Town Singers stated that the person should be of school age. She was able to sneak into their ranks thanks to the fact that her father Rufus was a personality for the radio station. This opportunity with the Teen Town Singers did not come without its drawbacks though, however, despite this grueling schedule, Thomas thoroughly enjoyed the experience. According to her, “It was a lot of fun, it really was. ”She remained with the Teen Town Singers up until the end of her senior year. Although Thomas released albums in the 1990s and in the 2000s and her first record, Cause I Love You, was a duet with her father, with brother Marvell on keyboards, that was released by Satellite Records, which eventually became Stax Records. Recorded when Thomas was still attending Hamilton High School in Memphis, while she continued to have success on the R&B charts throughout the 1960s, her only other solo top 40 hit on the pop chart was B-A-B-Y, reaching number 14 in 1966. Her duet, Tramp, with Otis Redding reached number 26 on the pop chart the following year. although this single would eventually chart within the Top 10 on the pop chart and within the Top 5 on the R&B chart, it had an inauspicious beginning. Initially recorded at the Thomas family home, Rufus shopped the song to Vee-Jay Records in Chicago, Vee-Jay never followed through or actively pursued securing the distribution rights. Because of his belief in the potential, Rufus returned to Memphis and in the summer of 1960. The song was released by Rufus and Carla in October 1960, however, by February 1961, the song was being distributed nationally through Atlantic Records just as Thomas was in the midst of her first year at Tennessee A&I University in Nashville. The success of the single also propelled Thomas into the spotlight, according to Thomas, “The record was young-sounding, romantic and it expressed what a lot of people wanted to say at that age, but still, I was surprised at how well it did”. Not only did this provide a launching pad to Thomas first album. After her last Stax recording in 1971, Love Means, a long lost live recording of Thomas in 1967. She would also tour during the 1980s and became heavily involved in the “Artists in the Schools” program that provided Memphis schoolchildren with access to successful artists
35.
Rock and Roll Hall of Fame
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The Rock and Roll Hall of Fame and Museum is a hall of fame and museum located on the shore of Lake Erie in downtown Cleveland, Ohio, United States. In 1986, Cleveland was chosen as the hall of fames permanent home.8 billion, the Foundation began inducting artists in 1986, but the Hall of Fame still had no home. The search committee considered several cities, including Philadelphia, Memphis, Detroit, Cincinnati, New York City, Cleveland was also one of the premier tour stops for most rock bands. Civic leaders in Cleveland pledged $65 million in money to fund the construction. A petition drive was signed by 600,000 fans favoring Cleveland over Memphis, on May 5,1986, the Hall of Fame Foundation chose Cleveland as the permanent home of the Rock and Roll Hall of Fame and Museum. Sam Phillips of Sun Studios fame and many others were stunned and disappointed that it ended up in Cleveland, the hall of fame shouldve been in Memphis, certainly, wrote Peter Guralnick, author of an acclaimed two-volume Elvis Presley biography. Cleveland may also have chosen as the organizations site because the city offered the best financial package. As The Plain Dealer music critic Michael Norman noted, It was $65 million, Cleveland wanted it here and put up the money. During early discussions on where to build the Hall of Fame and Museum, ultimately, the chosen location was along East Ninth Street in downtown Cleveland by Lake Erie, east of Cleveland Stadium. Initial CEO Dr. Larry R. Thompson facilitated I. M. Pei in designs for the site, Pei came up with the idea of a tower with a glass pyramid protruding from it. The museum tower was planned to stand 200 ft high. The buildings base is approximately 150,000 square feet, the groundbreaking ceremony took place on June 7,1993. Pete Townshend, Chuck Berry, Billy Joel, Sam Phillips, Ruth Brown, Sam Moore of Sam and Dave, Carl Gardner of the Coasters and Dave Pirner of Soul Asylum all appeared at the groundbreaking. The museum was dedicated on September 1,1995, with the ribbon being cut by an ensemble that included Yoko Ono and Little Richard, among others, the following night an all-star concert was held at the stadium. It featured Chuck Berry, Bob Dylan, Al Green, Jerry Lee Lewis, Aretha Franklin, Bruce Springsteen, Iggy Pop, John Fogerty, John Mellencamp, and many others. In addition to the Hall of Fame inductees, the documents the entire history of rock and roll. Hall of Fame inductees are honored in an exhibit located in a wing that juts out over Lake Erie. Since 1986, the Rock and Roll Hall of Fame has selected new inductees, the formal induction ceremony has been held in New York City 25 times, twice in Los Angeles, and four times in the Hall of Fames home in Cleveland
36.
Rolling Stone
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Rolling Stone is an American biweekly magazine that focuses on popular culture. It was founded in San Francisco in 1967 by Jann Wenner, who is still the publisher. It was first known for its coverage and for political reporting by Hunter S. Thompson. In the 1990s, the magazine shifted focus to a readership interested in youth-oriented television shows, film actors. In recent years, it has resumed its traditional mix of content, Rolling Stone magazine was founded in San Francisco in 1967 by Jann Wenner and Ralph Gleason. To get it off the ground, Wenner borrowed $7,500 from his own family and from the parents of his soon-to-be wife, Jane Schindelheim. The first issue carried a date of November 9,1967. Some authors have attributed the name solely to Dylans hit single, At Gleasons suggestion, Rolling Stone initially identified with and reported the hippie counterculture of the era. In the very first edition, Wenner wrote that Rolling Stone is not just about the music, in the 1970s, Rolling Stone began to make a mark with its political coverage, with the likes of gonzo journalist Hunter S. Thompson writing for the magazines political section. Thompson first published his most famous work Fear and Loathing in Las Vegas within the pages of Rolling Stone, where he remained a contributing editor until his death in 2005. In the 1970s, the magazine also helped launch the careers of prominent authors, including Cameron Crowe, Lester Bangs, Joe Klein, Joe Eszterhas, Patti Smith. It was at point that the magazine ran some of its most famous stories. One interviewer, speaking for a number of his peers, said that he bought his first copy of the magazine upon initial arrival on his college campus. In 1977, the magazine moved its headquarters from San Francisco to New York City, editor Jann Wenner said San Francisco had become a cultural backwater. During the 1980s, the magazine began to shift towards being an entertainment magazine. Music was still a dominant topic, but there was increasing coverage of celebrities in television, films, the magazine also initiated its annual Hot Issue during this time. Rolling Stone was initially known for its coverage and for Thompsons political reporting. In the 1990s, the changed its format to appeal to a younger readership interested in youth-oriented television shows, film actors
37.
Recording Industry Association of America
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The Recording Industry Association of America is a continental North and South American trade organization that represents the recording industry in the United States. Its members consist of record labels and distributors, which the RIAA says create, the RIAA headquarters is in Washington, D. C. The RIAA was formed in 1952 and its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the record groove and the dimensions of 33 1/3 rpm,45 rpm. Since 2001, the RIAA has spent $2 to $6 million each year on lobbying in the United States, the RIAA also participates in the collective rights management of sound recordings, and it is responsible for certifying Gold and Platinum albums and singles in the United States. Cary Sherman has been the RIAAs chairman and CEO since 2011, Sherman joined the RIAA as its general counsel in 1997 and became president of the board of directors in 2001, serving in that position until being made chairman and CEO. Mitch Glazier has been the RIAAs senior executive vice president since 2011 and he served as executive vice president for public policy and industry relations from 2000 to 2011. The past RIAA chairman and CEO is Mitch Bainwol, who served from 2003 to 2011 and he left in 2011 to become president and CEO of the Alliance of Automobile Manufacturers. The board of directors consists of 26 members of the board, the RIAA operates an award program for albums that sell a large number of copies. The program originally began in 1958, with a Gold Award for singles, the criterion was changed in 1975 to the number of copies sold, with albums selling 500,000 copies awarded the Gold Award. In 1976, a Platinum Award was added for one million sales, the awards are open to both RIAA members and non-members. Since 2000, the RIAA also operates a program for Latin music sales. Currently, a Disco De Oro is awarded for 30,000 units, the RIAA defines Latin music as a type of release with 51% or more of its content recorded in Spanish. In 2006, digital ringtones were added to branch of certification. In the same year, the RIAA introduced the Latin Digital Award for digital recordings in Spanish and this release format includes DVD and VHS releases, and certain live albums and compilation albums. The certification criteria is different from other styles. Gold,50,000 Platinum,100,000 Multi-Platinum,200,000 copies The RIAA opposes unauthorized sharing of its music, studies conducted since the association began its campaign against peer-to-peer file-sharing have concluded that losses incurred per download range from negligible to moderate. The association has commenced high-profile lawsuits against file sharing service providers and it has also commenced a series of lawsuits against individuals suspected of file sharing, notably college students and parents of file sharing children
38.
Hot Buttered Soul
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Hot Buttered Soul is the second studio album by American soul musician Isaac Hayes. Released on September 23,1969, it is recognized as a landmark in soul music. After feeling burned by the retail and creative flop of his first album, since Bell had encouraged Hayes to record Presenting. In the first place, he readily agreed, much of the final production was done as part of the package of products brought to Detroit by producer Don Davis to expedite the production process. The strings and horns were arranged by Detroit arranger, Johnny Allen, the producers were looking for a sweeping orchestral sound that would enhance the rock solid rhythm tracks. The project strings and horns were recorded at United Sound Studios by engineer Ed Wolfrum with vocals, Russ Terrana went on to the engineering staff of Motown Records and was responsible for the recording and mixing of many hits on that label. American punk icon Henry Rollins has frequently referred to Hot Buttered Soul as being one of his favorite albums. The album was released on September 23,1969 and peaked at No.8
39.
Black Moses (album)
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Black Moses is the fifth studio album by American soul musician Isaac Hayes. It is an album released on Stax Records Enterprise label in 1971. The follow-up to Hayes successful soundtrack for Shaft, Black Moses features Hayes version of The Jackson 5s hit single Never Can Say Goodbye, Hayes version became a hit in its own right, peaking at number 22 on the Billboard Hot 100. Hayes names Black Moses as one of his most personal works, Ikes Rap II was also sampled by Alessia Cara in her song Here recorded in 2014. Hayes came to see Black Moses as a symbol of pride, Black men could finally stand up. Note, the 1989 CD release, distributed by Fantasy Records, scrambles the playing order, Side One is paired with Side Four on disc one and that same year, artist Tricky used the same sample for his song Hell Is Round The Corner. Canadian singer Alessia Cara samples Ikes Rap II on her debut single Here, list of number-one R&B albums of 1972 Bowman, Rob
40.
Popular music
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Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training and it stands in contrast to both art music and traditional or folk music. Art music was historically disseminated through the performances of music, although since the beginning of the recording industry. Traditional music forms such as blues songs or hymns were passed along orally, or to smaller. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States, although popular music sometimes is known as pop music, the two terms are not interchangeable. Popular music songs and pieces typically have easily singable melodies, in the 2000s, with songs and pieces available as digital sound files, it has become easier for music to spread from one country or region to another. Some popular music forms have become global, while others have an appeal within the culture of their origin. Through the mixture of genres, new popular music forms are created to reflect the ideals of a global culture. The examples of Africa, Indonesia and the Middle East show how Western pop music styles can blend with local traditions to create new hybrid styles. Sales of recordings or sheet music are one measure, middleton and Manuel note that this definition has problems because multiple listens or plays of the same song or piece are not counted. Manuel states that one criticism of music is that it is produced by large media conglomerates and passively consumed by the public. He claims that the listeners in the scenario would not have been able to make the choice of their favorite music, moreover, understandings of popular music have changed with time. A societys popular music reflects the ideals that are prevalent at the time it is performed or published, david Riesman states that the youth audiences of popular music fit into either a majority group or a subculture. The majority group listens to the commercially produced styles while the subcultures find a minority style to transmit their own values and this allows youth to choose what music they identify with, which gives them power as consumers to control the market of popular music. Form in popular music is most often sectional, the most common sections being verse, chorus or refrain, other common forms include thirty-two-bar form, chorus form *, and twelve-bar blues. Popular music songs are rarely composed using different music for each stanza of the lyrics, the verse and chorus are considered the primary elements. Each verse usually has the melody, but the lyrics change for most verses. The chorus usually has a phrase and a key lyrical line which is repeated
41.
Film
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A film, also called a movie, motion picture, theatrical film or photoplay, is a series of still images which, when shown on a screen, creates the illusion of moving images due to the phi phenomenon. This optical illusion causes the audience to perceive continuous motion between separate objects viewed rapidly in succession, the process of filmmaking is both an art and an industry. The word cinema, short for cinematography, is used to refer to the industry of films. Films were originally recorded onto plastic film through a photochemical process, the adoption of CGI-based special effects led to the use of digital intermediates. Most contemporary films are now fully digital through the process of production, distribution. Films recorded in a form traditionally included an analogous optical soundtrack. It runs along a portion of the film exclusively reserved for it and is not projected, Films are cultural artifacts created by specific cultures. They reflect those cultures, and, in turn, affect them, Film is considered to be an important art form, a source of popular entertainment, and a powerful medium for educating—or indoctrinating—citizens. The visual basis of film gives it a power of communication. Some films have become popular worldwide attractions by using dubbing or subtitles to translate the dialog into the language of the viewer, some have criticized the film industrys glorification of violence and its potentially negative treatment of women. The individual images that make up a film are called frames, the perception of motion is due to a psychological effect called phi phenomenon. The name film originates from the fact that film has historically been the medium for recording and displaying motion pictures. Many other terms exist for a motion picture, including picture, picture show, moving picture, photoplay. The most common term in the United States is movie, while in Europe film is preferred. Terms for the field, in general, include the big screen, the screen, the movies, and cinema. In early years, the sheet was sometimes used instead of screen. Preceding film in origin by thousands of years, early plays and dances had elements common to film, scripts, sets, costumes, production, direction, actors, audiences, storyboards, much terminology later used in film theory and criticism apply, such as mise en scène. Owing to the lack of any technology for doing so, the moving images, the magic lantern, probably created by Christiaan Huygens in the 1650s, could be used to project animation, which was achieved by various types of mechanical slides
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